Search:the kille

Muse ist eine dreiköpfige, britische Rockband, die 1994
gegründet wurde. Mitglieder der Band sind Matt Bellamy
, Dominic Howard und Chris Wolstenholme . Muse
verbindet Hard, Alternative und Progressive Rock sowie
Electronica mit Elementen klassischer Musik. Sie werden
dem Subgenre New Prog zugeordnet.
Ihr im Januar veröffentlichter Song "Won't Stand Down"
schaffte es auf Platz 142 der Airplay 300 in
Deutschland. Insgesamt sammelte der Song mittlerweile
bereits 48 Mio Streams .Die im März erschienene Single
"Compliance" kommt derweil auf über 16 Mio Streams
.Muse gewannen u.a. zwei Grammys (7x nominiert),
einen American Music Award , fünf MTV Europe
Music Awards , zwei Brit Awards (12x nominiert), elf
NME Awards und sieben Q Awards.
Insgesamt verkauften Muse weltweit über 20 Mio
Exemplare ihrer acht Studioalben .
Am 26.08 . veröffentlichen Muse ihr neuntes
Studioalbum " Will Of The People ".

Muse ist eine dreiköpfige, britische Rockband, die 1994
gegründet wurde. Mitglieder der Band sind Matt Bellamy
, Dominic Howard und Chris Wolstenholme . Muse
verbindet Hard, Alternative und Progressive Rock sowie
Electronica mit Elementen klassischer Musik. Sie werden
dem Subgenre New Prog zugeordnet.
Ihr im Januar veröffentlichter Song "Won't Stand Down"
schaffte es auf Platz 142 der Airplay 300 in
Deutschland. Insgesamt sammelte der Song mittlerweile
bereits 48 Mio Streams .Die im März erschienene Single
"Compliance" kommt derweil auf über 16 Mio Streams
.Muse gewannen u.a. zwei Grammys (7x nominiert),
einen American Music Award , fünf MTV Europe
Music Awards , zwei Brit Awards (12x nominiert), elf
NME Awards und sieben Q Awards.
Insgesamt verkauften Muse weltweit über 20 Mio
Exemplare ihrer acht Studioalben .
Am 26.08 . veröffentlichen Muse ihr neuntes
Studioalbum " Will Of The People ".

Natural Sciences introduce the first issue of Embryo: a 50 page magazine, 12" record, A3 Poster and mix series, ft: Hieroglyphic Being, Beau Wanzer, Fumu, Margenrot, Breathing Problem Productions, December, Ki Jeal, Bacon Grease and other artists and labels from across the underground.

The first issue comes with an exclusive mix from Sawf (available as a QR Code) and killer two-track 12" from Smpl Smpl.

Enclosed in heavy-duty PVC Wallet (w. flap) and outer sticker, inside sticker and hi-gloss A3 poster.

Reissue in Grey-Marbled Vinyl

Top class New York producer Tony Simon has been delving into his archives to serve up reissues of a load of his most crucial albums. From the turn of the millennium onwards, he was a pivotal beat maker, joining the dots between instrumental hip-hop, trip hop, jazz, broken beat and downtempo in his own unique way. Downtown Science manages to be both organic and earthy yet synthetic and futuristic all at once, with real instrumentation and great vocal samples next to killer drums.

Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

Alleycat was the last Nucleus album recorded for the Vertigo label. Released in 1975, it was again meticulously produced by Jon Hiseman and is every bit as sinuous as anything else the group had recorded. As far as riff-laden accidental cop-funk goes, there’s so much energy coursing through the music that at times it sounds like a live recording. It’s pretty unbeatable.

Uptempo opener “Phaideaux Corner” is a funk-flavoured opus with a groove that simply swaggers. This trademark Roger Sutton piece benefits from Trevor Tomkins’s percussive expertise and some excellent sax and keyboard soloing. Check out Geoff Castle on squelchy, stabbing Moog duties. Ian Carr’s elegantly laidback title track is a lengthy suite of magisterial themes. Typically complex, it still gets you hooked and is just riddled with the funk. Carr builds up his initially “straight” trumpet solo with later use of echo to mesmeric effect. And there’s some excellent wah-wah guitar shredding by Ken Shaw too. Nice.

The second side opens with the killer “Splat” and finds Nucleus really ripping it up. A fat, funky bass guitar riff introduces us to the track and stays with us until the end. The often mangled bass groove is pushed along by rattling drums and percussion, dropping out for some restful moments of spacey calm, and along the way picking up some lengthy keyboard noodling by Castle. So so good.

The cool “You Can’t Be Sure” is a gentle jam with Shaw on 12-string acoustic guitar, together with Carr’s muted trumpet and some marvellous fretless work from Sutton for extra colour. The album closes with Bob Bertles’ galloping “Nosegay”, written perhaps as a response to some of the faster Mahavishnu Orchestra pieces. It’s an example of well crafted jazz-rock that doesn’t compromise any of its jazziness, yet it still very definitely rocks.

This Be With re-issue of Alleycat has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The cool AF cover - that leopard was just a cat before he heard Nucleus, you know - has been restored as the finishing touch to this long overdue re-issue.

Tapper Zukie after taking a little time out of the musical arena has come back with an album full of great material and has called in an A list of fellow Jamaican artists to add flavour to this great set. As Tapper named the album himself ‘Bunker Buster’ it shows Mr Zukie busting back out of the studio and back in the arena in fine style.

The opening track finds his long-standing working partner Horace Andy adding his distinctive vocal style to ‘Aquarius’. ‘Nuh Fraid A Dem’ features the great Luciano, ‘The Blessings’ the mighty Michael Rose, and Little Roy adds some magical rhymes to ‘Wicked’. The soulful voice of Beres Hammond sweetens the effects of `Stress’. The killer title track `Buster Bunker’ is backed up by the Musical Intimidators and Tapper has reworked his ‘Good Luck My Friend’ track to ‘Lucky Friend’ which features the timeless backing vocals by the legendary Jamaican vocal group The Tamlins. Digging even deeper into his back catalogue he has also pulled up some classic rhythms and more existing vocals to rework over. For example, ‘The Light In Me’ features the greatly missed Ronnie Davis. Junior Rass adds his mighty roar to ‘Humble Lion’ and Junior Reid leads the charge on ‘Warrior’. Half Pint adds a musical layer to Flesh and Blood. All in all a great selection of musical ideas that also features the cream of Jamaica’s musicians, Sly Dunbar and Robbie Shakespeare, Flabba Holt, Chinna Smith to name but a few. Tapper’s son Noel Barnes (AKA Brand New) alongside Pam Hall adds some gloss to the CD edition of this release.

Such is his standing in the reggae community that a call out to Jamaica’s finest set of singers and their eager reply to add their talents has made this an album not to be missed and can sit proudly alongside and find a place in his already prodigious catalogue.

Hope you enjoy the set…….

A selection of rare and unreleased tracks from the prince of Tusla boogie, Billy Bruner. 10 Killer unknown and rare Boogie soul tracks. Billy was in Tulsa, Oklahomabands Darwin's Theory, T-Spoon, J.O.B Band and is still producing music today. Completly unique charming lo-fi outsider boogie.

(feat. Claire Davis)

300 copies pressed

The A side was released back digitally in March. "Hope To See You Again" Which is an original song with Claire Davis on lead vocals

Better things is coming out digitally 15th July and it will be on a Ltd edition 45 vinyl. The Pre-Orders for the vinyl will be starting soon.

The B side is a killer version of her classic tune, "Better Things" The soulful vocals of Claire Davis are accompanied by jaunty horns and keyboards, and the cool groovebefits the positive lyrics ("I'm a better woman than I have been")

Introducing The HP's. This talent-studded Hamilton-based funk/soul collective is poised to make major moves with the release of their debut 45. The group is the brainchild of drummer/bandleader 'Parkside' Mike Renaud, the founder/owner of noted Canadian music company Hidden Pony Records & Management. A life-long fervent fan of funk and old school soul, Parkside has assembled a crack team of musicians and vocalists dedicated to his vision of breathing vibrant new life into these classic forms. Drawing inspiration from the likes of James Brown and The J.B.'s and Sharon Jones and The Dap Kings. The title pays tribute to Renaud's hometown, Hamilton, and The H.P.'s sound

honours The Hammer's core characteristics of rugged authenticity. Get ready to get Gritty!

— The HP's have partnered with UK based soul label LRK Records for the release of their latest single "Hope To See You Again", featuring Canadian soul singer and LRK alum Claire Davis

— "Hope To See You Again" arrives digitally March 31st, 2022 with the 45" expected summer 2022

— The 45" single will also include a cover of the Sharon Jones & The Dap Kings classic "Better Things"

The HP's.

To the Canadian music industry, 'Parkside' Mike Renaud is best known as the founder and owner of Hidden Pony

Records & Management, now widely recognized as one of Canada's premiere talent-development labels and artist

management companies. Past and present artists on Renaud's roster include Said The Whale, The Elwins, The Dirty

Nil, Hannah Georgas, Imaginary Cities, Jeremy Fisher, Odds, and many more.

Not many are aware that this popular industry power player actually got his start in music as a drummer in a '90s

Montreal soul/funk band called Parkside Jones (the source of his nickname). When he moved over to the business

side of music, beginning with top indie label Aquarius Records, Mike Renaud packed the kit away, launching himself

into the biz with full passion, commitment, and skill.

Mike has now resurrected his kit (after 20 years), honed his chops, and emerged as the driving force behind The

Renaud recalls the spark that reignited his love of playing drums: "The first time I played them in 20 years was at the

memorial for industry comrade Jon Box at The Opera House in Toronto. I was talked into playing with Chris Murphy

Sloan, Terra Lightfoot, and the Dirty Nil guys on a version of 'Handle With Care.'"

This renewed love affair would lead to Mike's vision for The H.P.'s. From his teenage years, his favourite musical

genre has been classic soul and funk, and he has an encyclopedic knowledge of these styles. Heartened to see the

growing international community building around these sounds, Mike decided to make his own creative contribution to

the form. He recruited musical and vocal collaborators from his hometown (plus a couple of Toronto imports) for the

project, and The H.P.'s were born.

The group name, The H.P.'s, pays homage to James Brown's legendary band, The J.B.'s, with these initials

referencing Hidden Pony. The album title is a tribute to Renaud's hometown, Hamilton, and The H.P.'s sound

honours The Hammer's core characteristics of grit and authenticity. Mike actually spent some time co-managing the

current J.B.'s.

The late Sharon Jones, a key inspiration for Renaud, is honoured via a killer version of her classic tune, "Better

Things." The soulful vocals of Claire Davis are accompanied by jaunty horns and keyboards, and the cool groove

befits the positive lyrics ("I'm a better woman than I have been").

Giving this cover extra resonance are the memorable encounters both Davis and Renaud had with Jones back in

2015. A documentary portrait of the soul great, Miss Sharon Jones!, had its world premiere at the Toronto

International Film Festival (TIFF), and Claire Davis was doing a house concert playing DapKings songs that night.

The band came across the party and jammed along, then, when one of the Dap Kings backup singers couldn't cross

the border, Claire got the call to fill in at Sharon Jones' headlining show at Hamilton's Supercrawl fest.

In a cool twist of fate, Mike Renaud was one of the organizers of that show, and was tasked with looking after

Sharon. The two bonded instantly and deeply, as Mike recalls. "While driving her to soundcheck, Sharon confided in

me that her cancer had returned. She didn't want anyone to know, as the documentary was about her conquering it,

and she didn't want people to be bummed out at the news. It was my 40th birthday that day, and Sharon actually

stopped her show to sing me Happy Birthday in a soulful way!"

Shakethehoof added "Hope To See you Again' to their playlist musicto/shake-a-hoof/the-hps-ft-claire-davis-hope-to-see-you-again-the-hoof-chats/

"BETTER THINGS" has gone straight into the UK Soul chart breakers at No 8

Isoviha was recorded four years ago, inspired by ideas that Sasu Ripatti (aka Vladislav Delay) had been reflecting on for a long time. This album is a counterpart to his two Rakka albums which were a personal reflection on the nature and sound-world of the northern Arctic wilderness, 1000 kilometres north of where he lives on the Finnish island of Hailuoto. It's an area he loves to explore, trekking out alone to enjoy its rugged power. However the sound world of Isoviha is a return to man-made civilization. Musically Isoviha presents a more complicated world than Rakka; overloaded and unpredictable, audio archaeology that layers and juxtaposes everyday sounds into intense sculptures of noise and drone. As a musical observation internally and externally, it's influenced by the heightened anxious intensity Sasu feels when returning from the empty wilderness. The ratcheting up of urban noise on Isoviha is built with insistent loops that seem to malfunction the faster they spiral and the dangerous overwhelming potential of ordinary objects and events: shimmering, hammering, crowds, radio distortion, ancient backfiring engines. It's hypermodern musique concrète, married to a jazz drummer's intuitive sense of rhythm. Going back even further in time but still tethered to the local, Isoviha also means 'the great wrath' and refers to a time in Finland under Russian occupation in the 1700s. A time when all the Islanders of Hailuoto were killed, apart from a single couple who were left to bury the dead. As if time is non-linear, the response to toxicity and madness that drives the album feels even more appropriate now than when it was written four years ago and confirmation that the horrors of the past still darken the present.

Killer new offering from French roots reggae label Abendigo featuring Robert Dallas, King Alpha, & Wellette Seyon.

TROUBLEs Comeback-Album "Simple Mind Condition" wird als Deluxe 2CD Edition wiederveröffentlicht und enthält ein fantastisches "Greatest Hits"-Set, das live gespielt wurde, bekannt als

"Live in Stockholm 2003" auf CD 2, komplett neu gemastert!

Mit "Simple Mind Condition" kehrt Trouble nach einer langen Pause (zwölf Jahre waren seit der Veröffentlichung von "Plastic Green Head" vergangen) in den Himmel des Metals zurück. Auf die Veröffentlichung folgten einige Beschwerden und Kritiken, die nicht wirklich fair sind. Zwar sind fette und doomige Stampfer wie auf "Psalm 9" und "The Skull" nicht im Überfluss vorhanden, ebenso wenig wie die Stoner-Metal-Geschwindigkeitsattacken des selbstbetitelten "Trouble", aber beides war seit dem Erscheinen des selbstbetitelten Albums nicht mehr wirklich vorhanden.

"Manic Frustration" war ein Killer-Album, ohne Zweifel, aber anders, da es sich auf Hardrock und nicht auf Doom- und Stoner-Einflüsse konzentrierte. "Plastic Green Head" behob dieses Problem auf beeindruckende Weise und führte zu einem weiteren großartigen Trouble-Album. Dieses Album enthält Songs, die gut geschrieben sind und eine Menge schlammiger Stoner-Hooks haben, und die von Eric Wagners (R.I.P.) Wehe-ist-mirSchreibweise getränkt sind. Insgesamt ein sehr gutes Album, ein überzeugendes Album, das es wert ist, gehört zu werden. Wer die Vergangenheit erwartet, könnte ein wenig enttäuscht sein, aber wer sich die Zeit für dieses Album nimmt, wird darin einen verborgenen Schatz finden.

Wir haben uns entschlossen, der Wiederveröffentlichung ein wahres Juwel hinzuzufügen, nämlich das komplette Set ihrer Reunion-Show vom November 2003, live aufgenommen in Stockholm, Schweden. Dies ist nichts weniger als ein absolut fantastisches Trouble-Live-Set und die Trackliste spricht für sich selbst, alles Killer ohne Füller!

Gunai/Kunai & Yorta Yorta artist dj pgz makes his Butter Sessions debut with a killer 2-track EPThe Dance / Hypnotic Suburbs.

dj pgz makes his affinity for the sounds of the underground known in A-side track "The Dance", where he masterfully commands a dark miasma of rolling bass and percussion. As per the title, "The Dance" is made for raging dancefloors and the relationships you make along the way, following in trajectory from his last release "Unknown at Night" (Pure space compilation - PROXIMITY ||). As the track blossoms into a frenzy of syncopated kick drum programming, rolling trap hi-hats and trusty claps, it's cognizant how dj pgz's experience drumming from the age of 13 has lent itself to his already developed idiosyncratic sound in electronic music production.

In "Hypnotic Suburbs" dj pgz explores new avenues, starting with an evocative use of space that transforms into beloved drum and bass. The sonic mold is pieced together with high-pitch synth melodies and rubbery bass lines, aided by local rapperTeether's vocals, which add an unbeatable live dimension you simply can't beat.

London producer Scott Ferguson, aka Robot84, continues his superlative run through 80s speckled gear on his own label. This time he's cooked up a killer slice of proto house with an Afro vocal boost from TAMA. From the slick reverse edits to the warm thrum of the bassline, the classic drum machines patter to the spangled arps, this is feel good business rendered with reverence and love for the roots of dance music as we know it today. Stick on the A side for the vocal version, flip it over for the dub, or better still bag two copies and get creative in the mix.

Full Collapse ist das zweite Studioalbum der amerikanischen Post-Hardcore-Band Thursday. Das Album wurde 2001 veröffentlicht und wurde zu ihrem bisher größten und einflussreichsten Album. Mit den bahnbrechenden Singles ”Understanding In A Car Crash” und ”Cross Out The Eyes” erhielt das Album viele positive Kritiken von Musikkritikern, von denen viele die Musikalität des Albums lobten. Es wird als ein klassisches Emo-Album bezeichnet und von Publikationen wie Kerrang! und Rolling Stone als eines der
besten Emo-Alben aller Zeiten angesehen. Viele wichtige Künstler der Emo-Musikszene wie My Chemical Romance, As Cities Burn und Senses Fail haben Full Collapse als Einfluss auf ihre Veröffentlichungen genannt.

Dieses limitierte Box-Set enthält das gesamte Album auf drei 10”-LPs sowie ein Fotobuch mit nie zuvor gezeigten Fotos aus der Full Collapse-Ära.

RECUT 2022 !

Hardfloor at the Hardcore frontier, with that crunchy fat kick back in the years...
First track is a masterpiece snorter at 180 BPM...
Second track is a banger with a cool Breakbeat bridge to cross the style frontiers... Soon kicking again !!!
The flip is the "Paranoïa Hallucinatoire" : a full killer of a kind ^^
Record finishes with a must have for dark deep kick : a perfect transition to Hardcore !

Zu Beginn des neuen Jahrtausends erklärte der Rolling Stone: "Soulfly scheinen für die Ewigkeit gebaut". Mehr als zwei Jahrzehnte, unzählige Welttourneen und ein Dutzend Alben später scheint diese Prophezeiung wahr.

Als Ikone des Undergrounds, Wegbereiter des extremen Metals, Krieger der Dritten Welt und Anführer eines vielfältigen und engagierten Stammes überlebt Max Cavalera nicht nur, sondern gedeiht, indem er ein Killer-Riff nach dem anderen raushaut. Dieselbe Stimme, derselbe Körper und derselbe Geist, die Soulfly 1997 ins Leben riefen, beschwören auch heute noch unfassbar schweren Lärm herauf, der auf dem zwölften Soulfly-Album "Totem" zehn Scheiben monströser Musik abwirft.

Zu Beginn des neuen Jahrtausends erklärte der Rolling Stone: "Soulfly scheinen für die Ewigkeit gebaut". Mehr als zwei Jahrzehnte, unzählige Welttourneen und ein Dutzend Alben später scheint diese Prophezeiung wahr.

Als Ikone des Undergrounds, Wegbereiter des extremen Metals, Krieger der Dritten Welt und Anführer eines vielfältigen und engagierten Stammes überlebt Max Cavalera nicht nur, sondern gedeiht, indem er ein Killer-Riff nach dem anderen raushaut. Dieselbe Stimme, derselbe Körper und derselbe Geist, die Soulfly 1997 ins Leben riefen, beschwören auch heute noch unfassbar schweren Lärm herauf, der auf dem zwölften Soulfly-Album "Totem" zehn Scheiben monströser Musik abwirft.

In 1994, Sator released the cover album "Barbie-Q-Killers" where the band made their own versions of "obscure" punk songs!
The album quickly became a favorite among the band's fans and the demand for a sequel have followed the band ever since.

Now, the wait is over! We proudly present the album "Return of The Barbie-Q-Killers" the long-awaited sequel, which is the band's tribute to bands like Redd, Kross, Devo, Blitzkrieg Bop, 999, The Waves, Pointed Sticks, The Undertones, The Boys, Zero boys, The Last, Unnatural Ax, White Flag, Screamers, The Go-Go's, The Young Lords, Darby Crash Band, The Normals and many more!

Saturday Night pogo rules OK!

Sound Like: the nomads, wilmer x, docenterna, ksmb, dundertåget, mimikry, the scams, union carbide productions

Deluxe reissue of their 1989 sophomore album pressed on pale blue colour vinyl.
Presented in a gloss laminated gatefold sleeve, which features the original LP plus a bonus disc with all the A and B sides, some compilation tracks and an outtake, plus a 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.
Completely remastered for your listening pleasure.
In 1989, while the musical world was fêting serial-killer worshipping noise bands, white boys with dreadlocks and the first glimmers of techno, one band – The Wolfhounds – was describing the times and the country exactly as they were. Or at least as they saw it.
Well, not exactly. The privations of finding enough money to live on, a semi-permanent roof over your head and perhaps the hope of real change were all there in the lyrics along with the multitudinous shards of ideas in the music, both raging and reflective – but there was also a sense of magical realism and authentic personal circumstance imbued in it all.
Formed as a frantic noisy fusion of sixties garage and independent post-punk in Romford in 1984, by 1986 it was the band’s misfortunate to be corralled with the jangly and quirky bands of the era-defining C86 tape, given away free with the NME that year. The frustration of being lumped with the lumpen was already spilling over into a heightened creativity that would see the band release three LPs in 18 months, the first and perhaps most fully realised of which was Bright & Guilty.
The band’s sense of melody saw three singles taken off it, and all received plentiful radio play that resulted in enthusiastic audience responses when the band toured with My Bloody Valentine and the House of Love shortly after the LP came out. This renewed attention also saw them being threatened with legal action by the food company satirically targeted by one of the singles – Happy Shopper.
The band’s magpie listening habits also saw the first glimmers of an interest in sampling with the track Cottonmouth, hip hop in the drum rhythms of Invisible People and Son of Nothing, discordant post- hardcore in Non-specific Song and even percussive hints of Tom Waits’ Rain Dogs in Charterhouse.
The album’s lyrical themes have sustained the relevance of these 30-something year-old songs. The dictatorship of the class system over the economy is touched on in Charterhouse, the unfairness of housing policy in Rent Act and Red Tape Red Light, the desperation of not having enough money to even seek employment in Useless Second Cousin. But there is contemplation and mystery, too: Rope Swing’s nostalgia for pre-teen childhood, Invisible People’s detailing of intangible weaknesses.
Of all their peers, The Wolfhounds post-C86 output stands up straight and proud, and you’ll find echoes of their sound in Fontaines DC, Idles and many others – but not performed with the brashness, vigour and uniqueness of the originals.

The LP ‘All Welcome on Planet Ree-Vo’ due for release on 29th July could only really have been made in one city steeped as it is in Bristol’s decades of less conventional hip hop and bass music. Tweaked and fine tuned during the summer of 2020 the record punches with a mix of red eyed paranoia to a playful future funk.
The album was all recorded, produced and mixed by Andy at Christchurch Studios, Bristol (home of Mezzanine era Massive Attack) with all vocals written and performed by T. Relly.
During 2021 the first two singles from the LP were released. The first was the juggernaut that is ‘Groove With It’. T. Relly growling out polemic against the relentless cacophony spun by Andy Spaceland, The brutality of the bass and horns is temporarily smoothed with Relly’s soulful, swaggering placation of ‘Turn your speakers on/ Till ya speakers blown baby/ If you’re feeling strong baby/ We can keep it going baby’.
This was followed in April by the 12” release of Combat featuring a thumping remix by Surgeon (Tresor Records) and an extended electro remix by Ree-Vo themselves.
2022 began with the limited red 7” release of remixes by NØISE and Batbirds with stunning original artwork by Shepard Fairey who came to the project via mutual friend Joe Cassidy (Butterfly Child). The release was announced on OBEY’s website
‘Spacebox’ which will be the last single to be released in time with the album is their hookiest, a party throwing chorus spinning tipsy visitors around the intergalactic control booth of mission control.
“Lift off, blast off, shirt off, dance off! Naked in the dancehall SPACE BOX!” is the beamed mantra, Relly transmitting to all occupants of the galaxy.
“We wanted to make a hedonistic and colourful dancehall track, a bold response to the suppressive circumstances of the last two years”.
About Ree-Vo:
T. Relly​ is pure Bristol hip-hop royalty – known in the community variously for his links to all of the city’s major club nights, his passion and support for the most disadvantaged (through his work with the youth and prison leavers), through to compering stages at St Paul’s Carnival and his seminal 2018 LP with DJ Rogue ‘Let Them Know’. He collaborates with many crews including Innalife and Killer Crab Men.
Andy Spaceland​ (AKA Andy Jenks) got involved in Bristol bass music as soon as he moved to the city with Static Sound System​ and a collaborative 12” with Rudy Tambala (​AR Kane​) as Sugarboat Vs Sufi, before his band ​Alpha​ were signed to ​Massive Attack​’s label Melankolic, whilst he also became one of their tour DJ’s. His CV of collaborations range from ​Smith and Mighty​ to Madonna. He has released music on Dj Die’s label, Gutterfunk as White Bully and he is also currently releasing music with US producer ​Butch Vig​ in the band ​5 Billion in Diamonds​, whilst working on new tracks with ​Mark Stewart (The Pop Group) including remixes by Adrian Sherwood. His signature sound can also be heard on this remix for ​Elizabeth Fraser​ -

The LP ‘All Welcome on Planet Ree-Vo’ due for release on 29th July could only really have been made in one city steeped as it is in Bristol’s decades of less conventional hip hop and bass music. Tweaked and fine tuned during the summer of 2020 the record punches with a mix of red eyed paranoia to a playful future funk.
The album was all recorded, produced and mixed by Andy at Christchurch Studios, Bristol (home of Mezzanine era Massive Attack) with all vocals written and performed by T. Relly.
During 2021 the first two singles from the LP were released. The first was the juggernaut that is ‘Groove With It’. T. Relly growling out polemic against the relentless cacophony spun by Andy Spaceland, The brutality of the bass and horns is temporarily smoothed with Relly’s soulful, swaggering placation of ‘Turn your speakers on/ Till ya speakers blown baby/ If you’re feeling strong baby/ We can keep it going baby’.
This was followed in April by the 12” release of Combat featuring a thumping remix by Surgeon (Tresor Records) and an extended electro remix by Ree-Vo themselves.
2022 began with the limited red 7” release of remixes by NØISE and Batbirds with stunning original artwork by Shepard Fairey who came to the project via mutual friend Joe Cassidy (Butterfly Child). The release was announced on OBEY’s website
‘Spacebox’ which will be the last single to be released in time with the album is their hookiest, a party throwing chorus spinning tipsy visitors around the intergalactic control booth of mission control.
“Lift off, blast off, shirt off, dance off! Naked in the dancehall SPACE BOX!” is the beamed mantra, Relly transmitting to all occupants of the galaxy.
“We wanted to make a hedonistic and colourful dancehall track, a bold response to the suppressive circumstances of the last two years”.
About Ree-Vo:
T. Relly​ is pure Bristol hip-hop royalty – known in the community variously for his links to all of the city’s major club nights, his passion and support for the most disadvantaged (through his work with the youth and prison leavers), through to compering stages at St Paul’s Carnival and his seminal 2018 LP with DJ Rogue ‘Let Them Know’. He collaborates with many crews including Innalife and Killer Crab Men.
Andy Spaceland​ (AKA Andy Jenks) got involved in Bristol bass music as soon as he moved to the city with Static Sound System​ and a collaborative 12” with Rudy Tambala (​AR Kane​) as Sugarboat Vs Sufi, before his band ​Alpha​ were signed to ​Massive Attack​’s label Melankolic, whilst he also became one of their tour DJ’s. His CV of collaborations range from ​Smith and Mighty​ to Madonna. He has released music on Dj Die’s label, Gutterfunk as White Bully and he is also currently releasing music with US producer ​Butch Vig​ in the band ​5 Billion in Diamonds​, whilst working on new tracks with ​Mark Stewart (The Pop Group) including remixes by Adrian Sherwood. His signature sound can also be heard on this remix for ​Elizabeth Fraser​ -

2010 release. Since their first show at Hollywood s Hotel Café in December 2008, soulsters Fitz & the Tantrums have toured with Maroon 5, played to thousands at Colorado's world famous Red Rocks Amphitheatre, shared the stage New Year's Eve with Sharon Jones and the Dap Kings, and performed on KCRW s esteemed show, Morning Becomes Eclectic. The recipe for success? Six killer musicians, five dapper suits, irresistible songs, one vintage organ and nonstop touring.

When he's not dishing out breaks-y garage and slick retro-future electro, Burnski still finds time to exercise his decades deep prowess in the art of tech house. On this new drop for Constant Sound he's clearly having a lot of fun sculpting a hefty, big room sound with Ibiza in its sights. 'Trigger' hinges around an epic breakdown-build up which goes off like a rocket when it drops, swinging with glee and leaning in on playful synth licks. 'Go' is an absolute monster too, which nods to Burnski's recent UKG explorations with some rough bass and a killer 4x4 groove. If you want to do some damage in the dance in the classiest of ways, look no further.

Welcome to the 3rd and final release from the Roz Ryan studio reel discovery from 1980. Produced by the mighty Mike Theodore and Dennis Coffey their production skills and arrangements never fail to deliver, and they always throw in a breakdown to keep it funky. Roz Ryan is a household name within the u.s and had some great success in the uk with her hit on Mirage records entitled "Boy where have you been".On the A side we have another killer 2 step song called 'Love Changes" which was also covered by O.C Smith. The sultry silky vocals from Ms Ryan never fail to disappoint. Flip it over for "Funky Way To Treat Me". A Theo Coff production that has all those funky disco elements associated with the duo's output of the late 70's.

This killer double sider includes the two best and rarest songs by Hugh Malcom “Good Time Rock” and “Love Brother Love (aka Hands Of The Wicked”. It is the first repress on a 7inch for both songs. “Good Time Rock” was initially released in Jamaica on the Amalgamated and Pressure Beat labels and on Amalgamated in the UK whilst “Love Brother Love” was released on the Jamaican label Clancy’s Records only, all in 1968.

Once again DJ Click will make you travel ! A Dancefloor post-world music killer, melting with House and Electro, keeping the spirit of the original styles alive ! Fat & Crazy stuff !!

Vanderwolf re-emerges with '12 Little Killers' an eclectic collection that
includes the deliciously oozing slice of psychedelia of the single Glisten,
which is heavily-slanted toward melting analogue synthesizers (Sam
Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an
exquisite vocal by Max Vanderwolf
Recorded by producer Chris Wyles at his south London studio, the 12 songs were
selected, mixed and compiled by keyboardist and co- producer Sam Sallon. It's
available in a limited pressing of 500.
Vanderwolf's music spans a wide-range of genres from global beats to hard blues
to fragile balladry to prog- rock monstrosities and beyond. With a vast back
catalogue of songs to release, Vanderwolf is set to get his wild and restless
music out to the world.
Born in NYC, working in London and as of 2020 residing in Los Angeles, Max
Vanderwolf has recorded several albums and countless songs. Most of them
remain unreleased. Notably, he was vocalist and creative-force behind the semilegendary London band, Last Man Standing, whose sole album in 2008 received
plaudits from many including Mojo and Uncut.
Concurrent to his life in music, Vanderwolf has worked under an assumed name
as a music programmer and concert producer in some of the worlds' most
celebrated clubs and venues. He went from overseeing the legendary
underground downtown NYC's Knitting Factory to overseeing London's Royal
Festival Hall, where for 9 years he produced the Meltdown Festival where he
worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and
others. He has produced concerts in Brooklyn, Rome and Paris working closely
with John Cale, Sparks and the Residents.

Born in march 2000, ANGELUS APATRIDA became in few years one of the most important Spanish thrash metal bands. Many demos and band members passed through the history of ANGELUS APATRIDA but it was in January 2003 that the band decided to write pounding thrash metal , mostly influenced by like Pantera, Megadeth, Overkill, Anthrax or Annihilator. ANGELUS APATRIDA released their 7th, self-titled album in 2021 and conquered the top of the official album charts in Spain (#1) and it also marked the band’s first ever chart entries in Germany (#49) and Switzerland (#41) . The band ’s classic album’ Clockwork’ , ’The Call’ and ‘ Hidden Revolution’ have been much sought after in vinyl format and reached ridiculously high prices online. Listenable is now happy to reissue those albums in limited edition coloured vinyls with brand new vinyl mastering and meet the huge demand ! . First come First served !

Australia’s Nicolas Cage Fighter are coming out swinging. Combining ruthless hardcore, late 90s metal and death metal influences, the band deftly weave a sound that is as burly as it is brutal, pummeling all those that get in their way. Formed in Ballarat, Victoria in 2011, the band have worked slowly and steadily to build their profile, dropping singles and EPs and sharing stages with the likes of Attila, Thy Art Is Murder, Thick As Blood and Deez Nuts, building a devoted fan base. With The Bones That Grew From Pain now primed to be unleashed they are hoping for the opportunity to tour it internationally, bringing their merciless performances to stages around the world and engaging with the new army of fans that are sure to connect with their no-bullshit stance and killer material.

Tossing down straight acoustic shots with electric guitar back, Hello, Hi rides through the valley of yer ol' Canyon legends, finding an isolated place to unspool Ty's copious reserves of nervous energy beneath an open sky. Swarms of harmony vocals caper among the clouds, but there's a rider on the horizon behind, with crossbow trained on his very own heart - the engine driving all the relationships of life, whether down Broadway or over the cliffs at night! Whatever doesn't get killed is getting stronger all the time. A lean, mean deal, baked in saltwater and sunlight, compassion pouring out it's beautiful blue eyes.

Thrash 'til death - HATRIOT are finally back with their new album "The Vale Of Shadows", and it is full of thrash gems, a few death metal, hardcore, and metalcore influences and comes with a modern production!

HATRIOT's new album "The Vale Of Shadows" includes topics such as personal growth, pent-up aggression, the Black Plague, serial killers, and a disturbing dark world.
HATRIOT changed their writing style and added a more modern production their new album, also including more death metal, hardcore, and metalcore influences.
The album includes heavy mid-tempo songs and even an instrumental.

Thrash 'til death - HATRIOT are finally back with their new album "The Vale Of Shadows", and it is full of thrash gems, a few death metal, hardcore, and metalcore influences and comes with a modern production!

HATRIOT's new album "The Vale Of Shadows" includes topics such as personal growth, pent-up aggression, the Black Plague, serial killers, and a disturbing dark world.
HATRIOT changed their writing style and added a more modern production their new album, also including more death metal, hardcore, and metalcore influences.
The album includes heavy mid-tempo songs and even an instrumental.

Thrash 'til death - HATRIOT are finally back with their new album "The Vale Of Shadows", and it is full of thrash gems, a few death metal, hardcore, and metalcore influences and comes with a modern production!

HATRIOT's new album "The Vale Of Shadows" includes topics such as personal growth, pent-up aggression, the Black Plague, serial killers, and a disturbing dark world.
HATRIOT changed their writing style and added a more modern production their new album, also including more death metal, hardcore, and metalcore influences.
The album includes heavy mid-tempo songs and even an instrumental.

Waltari Mastermind Kärtsy Hatakka veröffentlicht mit HEAD FIRST deren Debutalbum. Der Status des finnischen Crossover-Monsters Waltari ist nicht leugnen, doch nur noch wenige können sich erinnern, dass Kärtsy Hatakka schon damals eine andere Band unter dem Namen HEAD FIRST hatte... die einzige echte Funk-Metal-Band aus Finnland!
In einigen der ersten Waltari Songs war der funkige Einfluss von HEAD FIRSt auch noch deutlich heraus zu hören. Und nun bringt eben diese Band ihr Debüt heraus... nach 30 Jahren des Wartens!
Basierend auf den größten Live-Killern wurde das vorhandene Songmaterial den heutigen Sounderwartungen angepasst. Dazu entstanden auch einige brandneue Stücke.
HEAD FIRST bedeutet Old-School-Funk-Metal mit einer frischen Kante grooviger Beats und mitreißender Energie!!

Hammered ist das 16. Studioalbum der britischen Rockband Motörhead, das am 9. April 2002 veröffentlicht wurde. Zum Zeitpunkt als es in Hollywood aufgenommen wurde war Motörhead eine dreiköpfige Band, mit Mikkey Dee am Schlagzeug, Phil Campbell an der Gitarre und Lemmy am Gesang und Bass. Diese gold-schwarze
Splatter-Vinyl erscheint zur Feier des 20-jährigen
Jubiläums von Hammered.