‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’
- Francis Gooding, The Wire.
The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.
The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.
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Der Film "The Moment" ist eine Mockumentary über Charli xcx mit Charli xcx und über die Höhen und Tiefen des Erfolgs. Charli xcx kämpft mit immensen Erwartungen - mit denen von außen, aber auch mit ihren eigenen. Regisseur Aidan Zamiri präsentiert die Musikerin in ihrer bisher persönlichsten Rolle, basierend auf einem Drehbuch nach einer Idee von Charli xcx. Die Hauptrollen spielen Charli xcx, Rosanna Arquette, Kate Berlant, Jamie Demetriou, Hailey Benton Gates, Isaac Powell und Alexander Skarsgård. Am 23. Januar 2026 feierte "The Moment" beim Sundance Film Festival 2026 seine Weltpremiere. Die internationale Premiere findet ab dem 12.02.2026 im Rahmen der Sektion "Panorama" der 76. Internationalen Filmfestspiele Berlin statt. Der Film ist ab dem 19 Februar in deutschen Kinos zu sehen. A. G. Cook, der schon zuvor mit Charli XCX zusammengearbeitet hat, hat die Musik für den Film gemacht. Am 12. Dezember 2025 wurde "Dread" als erste Single aus dem Soundtrack veröffentlicht. Der Song enthält viele Samples aus Charli XCXs Single "I Love It" von 2012. Die zweite Single, "Offscreen", kam am 15. Januar 2026 raus. Die dritte Single, "Residue", erschien am 27. Januar 2026 mit einem Musikvideo, in dem Charli XCX, Kylie Jenner und "Legionen von Charli's Klonen" mitspielen. Der komplette Soundtrack wurde am 30. Januar 2026 über A24 Music digital veröffentlicht.
Metric’s relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city’s burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.
Their 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to “let me take you back, it was the start of something...” before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. In a tribute to lifelong friendship, the album also reunites the dream team behind their 2009 breakout album Fantasies at Electric Lady Studios in New York. All at once a heartfelt reflection on their history, a celebratory gift to those who have been along for the ride, and an outstretched hand to new fans, Romanticize The Dive is another testament to the band’s unwavering love for each other and their insatiable desire to push themselves as artists.
‘Michael: Songs From The Motion Picture’ is the official companion album to the brand new biopic ‘Michael’. This album highlights 13 songs showcased in the film, from The Jackson 5 to The Jacksons to Michael’s chart-topping solo success with “Off The Wall” and “Thriller.” This collection includes smash hits like “Billie Jean,” “Don’t Stop ’Til You Get Enough,” “Human Nature” and more.
Seit nunmehr über zwanzig Jahren als Duo zusammen, setzen Hammock ihre bemerkenswerte Reihe klanglicher Entdeckungsreisen mit The Second Coming Was A Moonrise" fort. Der Titel fängt einen Moment der Entdeckung ein, als Byrd und ein Freund in seinen späten Teenagerjahren unter dem Einfluss von Psychedelika den Mondaufgang für die Wiederkunft Christi hielten. Byrd und Thompson, beide in erster Linie Gitarristen, haben festgestellt, dass ihre musikalische Verbundenheit immer stärker wird, während ihre gemeinsame Arbeit im Laufe der Jahre noch dramatischer und reichhaltiger wird, auf der Suche nach einem Gefühl von mitreißender, schimmernder klanglicher Ehrfurcht, das sich niemals einfach als etwas anderes als sich selbst zusammenfassen lässt. The Second Coming Was A Moonrise" setzt diese Empfindungen der Entdeckung fort und fühlt sich gleichzeitig wie eines ihrer intimsten Alben an, während es das reiche Gefühl von Erhabenheit erforscht, das sie im Gegenzug erschaffen können. Ein Großteil von The Second Coming" ist instrumental oder fügt nur wortlose Gesangssenken und Texturen hinzu, wenn auch immer mit Titeln, die bewusst gewählt wurden. Byrd greift mit Chemicals Make You Small" erneut auf seine drogenbefeuerten Fluchtversuche zurück, wobei zwei namhafte Gäste mitwirken: Wayne Coyne und Steven Drozd von The Flaming Lips, die Gesang und Keyboards beisteuern. Zu den weiteren wiederkehrenden Gastmusikern gehören der regelmäßige Mitstreiter Matt Kidd von Slow Meadow, der Streicher und Gitarre beisteuert, Matthew Doty von Deserta an Synthesizern und Gitarre, Christine Byrd von Lumenette mit engelsgleichem Gesang, Chad Howat am Keyboard und Bass sowie Jake Finch mit bemerkenswertem Schlagzeugspiel.
The year that NOW’s story began, and where we started our ‘Yearbook’ series back in 2021. An incredible year in Pop music, and a fabulous selection of the years’ hits have featured on that first ‘Yearbook’, and on the ‘80-84 Final’ as part of our appreciation of 1983. Those tracks were generally the bigger hits of the year, with their Chart achievement a factor in their inclusion. However, that’s not the whole story, and our celebration of 1983 wouldn’t be complete without shining a light on some of the year’s singles that have been compiled much less frequently over the past 40 years. Welcome to the THE VAULT for 1983…Some of the tracks were Top 40 hits, some missed the Chart completely, and some were huge in the U.S. and not in the U.K. – but all are part of the wonderful Pop story of 1983. Released as 80 tracks across 4-CDs, available as a standard 4CD and as a a special edition 4CD in ‘hardback book’ packaging featuring a 28-page track by track guide, original singles artwork and a quiz and 45 tracks across 3-LPs, pressed on stunning translucent red vinyl -
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Celebrating the 5th anniversary of Conway's legendary tape with DJ Green Lantern "Reject On Steroids" with a vinyl reissue in collaboration with Drumwork Music. Tape features guest appearances by Royce Da 5'9" and Benny, and productions by DJ Green Lantern. For the occasion we have two different artworks by Shk, limited to 1500 units each.
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With ASN002, Any Second Now presents the label’s second release. Sitting somewhere between Tech House and Deep House, this EP blends stripped-back grooves with warm, atmospheric depth. Featuring “The Sun” on the A-side and “The Rainfall” on the B-side, Zcelli Forever delivers two tracks that work just as well in the club as they do in more focused listening environments. Clear in rhythm, subtle in arrangement, and rich in mood, the record unfolds with both drive and emotional texture.
Alisha's Attic were one of the defining English pop duos of the late 1990s and early 2000s. Formed by sisters Shelly and Karen Poole, the pair first appeared in 1988 under the name Keren & Chelle, releasing their single "Sugar Daddy". In 1996 Alisha's Attic released their debut single "I Am, I Feel" which reached the #14 in the UK Singles Charts. Their debut album, Alisha Rules the World was released in November 1996, produced by Dave Stewart of Eurythmics. The album became a major success, achieving Platinum in the UK and generated a string of single "Alisha Rules The World", "Indestructible" and "Air We Breathe" all of which reached the UK Top 15.
Always a dancefloor friendly act, The Remixes (originally issued 25 years ago) is the sound of the Roses biggest tunes revisited by many of the foremost names in UK dance music at that time – including legends such as Paul Oakenfold and Steve Osborne and fellow Mancunians 808 State and A Guy Called Gerald. With fully restored artwork, including notes from the remixers, this 2LP set features some tracks that have really stood the test of time. “808 State turns ‘Made of Stone’ into an aggressive, high-pitched piece of electro-pop. Rabbit in the Moon earns points simply for…. making over ‘I Wanna Be Adored’ into a slow acid house excursion. Elephant dares to twist ‘She Bangs the Drums’ into an echoing, spooky vocoder workout.”
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66 pages, 175 x 129mm paperback w/ litho printed cover & french flaps.
The second outing for our short run book publishing imprint, The End books, takes the form of a reprint of Spanish Cante Jondo and Its Origin in Sindhi Music, originally published in Spanish in 1955 under the name Cante Jondo: Su Origen y Evolución and later in this English translation.
Aziz Balouch here presents his theory on the roots of flamenco's 'deep song' in modern-day Pakistan, a cultural journey that mimics the routes of his own life, having been brought up among the Islamic mysticism and devotional songs of Sindh before travelling to Gibraltar in the early 1930s and becoming transfixed with the cante jondo across the border in southern Spain. Positing this concept through personal accounts rather than solid theoretical backing, this text provides a valuable account of an extraordinary existence that crossed remarkable geographical, musical, and spiritual boundaries. Issued here with a new introduction from anthropologist of sound, the senses and Islam, Stefan Williamson Fa.
"It would be easy to place Balouch on the fringes, as an eccentric footnote in flamenco history. But that misses the shape of his life and work. He was a figure who moved intuitively across boundaries that our present categories of nation, genre, discipline tend to fix in place. His work predates the founding of the academic discipline of ethnomusicology, the global circuits of world music, and the marketplace logic of fusion projects by decades. He was not an ethnographer or a proto–world musician, but someone for whom the deep song of Andalusia and the devotional song of the subcontinent resonated along the same fault lines of feeling, and who spent his life trying to trace them.
This book is one of the few surviving traces of that attempt. To read it now is to encounter a perspective that resists tidy narratives of influence or origin, despite its title and what he claims to do. It stands instead as evidence of an idiosyncratic musical imagination, one that relied less on proof than on listening, and on the belief that certain echoes carry farther than history can easily explain."
In 2005, Andrew Bird was a previously unimaginable combination of virtuoso violinist, singer-songwriter, guitarist, and whistler. With that year’s album The Mysterious Production of Eggs, Bird minted a new sound that continues to be imitated today.
To celebrate the 20th anniversary of The Mysterious Production of Eggs, Andrew Bird is releasing a very special boxset featuring a 54 page book including photographs, special surprises, and two essays: one written by Andrew himself, and another by Anders Lindall examining the circuitous and fascinating process Andrew and collaborators took to record the album.
The boxset also includes the original release of the album, alongside two LPs of never before released material, on black vinyl. On one LP, a one-to-one playthrough of the album but of demos, live cuts, and alternate versions. The third LP includes more never released rarities on Side A, and a selection of songs from the original album performed by Andrew with the Nu Deco Ensemble. The original cover artist has created all-new artwork for the anniversary piece.
David Bowie ist einer der bedeutendsten Popmusiker der Siebzigerjahre. Da er einen Sohn namens Zowie hat, interessiert er sich besonders für gute Musik für Kinder. Mit Blick auf seinen Sohn beteiligte er sich an dieser Aufnahme von Prokofjews sinfonischem Märchen. … 1977 produzierte Bowie ein Album von Iggy Pop und ging mit ihm auf Tournee, wo er als Pianist in der Band spielte und bescheiden auf Soloeinlagen verzichtete. Außerdem sang er mit Bing Crosby in dessen Weihnachts-Fernsehshow und sprach den Text zu Peter und der Wolf für ein Album, das Eugene Ormandy und das Philadelphia Orchestra aufgenommen hatten. (aus dem Original-Booklet)
Mit „Golden Chart Hits Of The 60s & 70s Vol. 2“ erscheint eine sorgfältig zusammengestellte Vinyl-Compilation, die die größten Chart-Hits zweier legendärer Musikjahrzehnte vereint. Diese Schallplatte lässt den unverwechselbaren Sound der 60er und 70er Jahre wieder aufleben – voller Nostalgie, Lebensgefühl und zeitloser Melodien.
Die Auswahl reicht von mitreißendem Rock über eingängigen Pop bis hin zu unvergesslichen Evergreens. Mit legendären Künstlern wie Status Quo, Rainbow, Blondie, The Rubettes und Secret Service bietet diese Compilation eine abwechslungsreiche Mischung aus internationalen Klassikern, die Musikgeschichte geschrieben haben.
Das warme, authentische Klangbild der Vinyl-Pressung sorgt für ein besonderes Hörerlebnis und macht diese Zusammenstellung zu einem echten Highlight für Liebhaber analoger Musik
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Real Bad Man and YUNGMORPHEUS are excited to announce their new album The Chalice & The Blade is out now. The album features Boldy James, Kool Keith, Grip, Blu, Fatboi Sharif, and more.
YUNGMORPHEUS is a highly innovative rapper that consistently endeavors to redefine the boundaries of originality and elevate the art of lyricism. Earlier this year, YUNGMORPHEUS dropped his critically acclaimed album “From Whence It Came” which received praise from The FADER, NPR, SPIN, and was hailed by QUIP Mag as “Everything you need from a hip-hop record.”
Since 2020, Prolific LA-based producer and designer Adam Weissman (Real Bad Man) has been on a sensational run releasing albums with Boldy James, Smoke DZA, and Pink Siifu. The Chalice & The Blade will be Real Bad Man’s third album of the year following his remarkable collaborations with Blu (“Bad News”) and Kool Keith (“Serpent”).
The Chalice & The Blade showcases a unique ambiance marked by a stoney and atmospheric quality, interspersed with elements of funk. Real Bad Man explains the album making process, "I always tailor the music to the artist I’m collaborating with. I sent Morpheus a bunch of beats that he’d sound good over and once he started picking them, that set the path. We’d record and I’d make more beats, and move stuff around, get rid of some songs and record new ones. It was a good process. I like being able to adjust as we go, I think that makes for a good album. We left some songs on the cutting room floor. Cream rises."
YUNGMORPHEUS discussing the new album, “‘The Chalice & The Blade’ is an album primarily rooted in dichotomies; contemplation of action vs action itself, inner locus vs outer locus, pursuit for self vs pursuit for others. Honesty is always the centerpiece. Play if you want cause I’m not!”
On The Chalice & The Blade, the seamless synergy between Real Bad Man and YUNGMORPHEUS takes center stage, showcasing an extraordinary chemistry that elevates every track to new heights of musical innovation.
As a torchbearer of gritty lyricism and unapologetic authenticity, Conway The Machine takes the helm to introduce the world to the burgeoning talents that make up the Drumwork roster, a powerhouse assembly of artists ready to reshape the landscape of rap music.
At the forefront of the album stands Conway The Machine, delivering blistering verses and commanding attention with his trademark grit and authenticity. But "Drumwork Collective" is more than just a solo endeavor; it's a collaborative effort featuring guest appearances by Rome Streetz, Benny The Butcher, 38 Spesh, and others. Each artist brings their unique perspective to the table, adding layers of depth and complexity to the project.
Behind the boards, producers like Beat Butcha, Graymatter, Trizzy Williams, and more craft a sonic landscape that's as gritty as it is innovative. From soulful samples to hard-hitting drums, the production on this compilation sets the stage for the lyrical onslaught that follows, blending traditional boom-bap aesthetics with a modern edge. Together, these elements form a cohesive tapestry that captures the essence of hip-hop's underground renaissance, proving that the beat truly does strike back.
Celebrating the 5th anniversary of Conway's legendary tape with DJ Green Lantern "Reject On Steroids" with a vinyl reissue in collaboration with Drumwork Music. Tape features guest appearances by Royce Da 5'9" and Benny, and productions by DJ Green Lantern. For the occasion we have two different artworks by Shk, limited to 1500 units each.
Celebrating the 5th anniversary of Conway's legendary tape with DJ Green Lantern "Reject On Steroids" with a vinyl reissue in collaboration with Drumwork Music. Tape features guest appearances by Royce Da 5'9" and Benny, and productions by DJ Green Lantern. For the occasion we have two different artworks by Shk, limited to 1500 units each.
It was recorded at Ardent Studio in Memphis featuring Kim Wilson, Jimmie Vaughan, Preston Hubbard and Fran Christina with Dave Edmunds on guitar and vocals, Chuck Leavell on keyboards plus the Memphis Horns adding their unique touch, leading one reviewer to describe it as "sweaty, grimy, bar-room rock 'n' soul". This re-issue is one of the eight (blue) vinyl editions scheduled for release in 2026 that represent the band's complete studio recordings with Jimmie Vaughan on guitar before he left to pursue a solo career. THE 1978 DOC POMUS SESSIONS / GIRLS GO WILD / WHAT'S THE WORD / BUTT ROCKIN' / T-BIRD RHYTHM / TUFF ENUFF / HOT NUMBER / POWERFUL STUFF. These albums are also available in one collection as a CD set with a book. The Fabulous Thunderbirds. The Jimmie Vaughan Years. Complete Studio Recordings 1978 -1989
Die britische Post-Punk-Band Wild Swans wagte sich in die Nähe von U2 auf ihrem 1988 erschienenen Debütalbum »Bringing Home The Ashes«.
Die eindringliche Stimme von Paul Simpson verleiht jedem Stück ein emotionales Gewicht; ob er nun versucht, Freude oder Trauer zu vermitteln, sein eisiger Bariton lässt einen bis ins Mark erschauern. Das Album handelt vom Erwachsenwerden, das Aufwachsen in einer Zeit des Krieges und die Suche nach Trost von Gott und der Liebe zu finden.
Die Wild Swans wurden nie als christliche Gruppe beworben, aber Simpson nutzt seine Spiritualität, um Hoffnung oder Verzweiflung auszudrücken. Die Wild Swans malen unauslöschliche Bilder: Simpsons funkelnde Stimme und Kellys ätherische Gitarren verleihen dem Album eine unbestreitbar romantisches Gefühl.
»Bringing Home The Ashes« ist in einer limitierten Auflage von 750 einzeln nummerierten Exemplaren auf Crystal Clear Vinyl erhältlich und enthält eine Beilage.
long content, you may need to expand row to see all... • Warren Zevon’s final concert, recorded August 9, 2002 at the Edmonton Folk Music Festival, available for the first time
• Features “Werewolves Of London,” “Poor Poor Pitiful Me,” “Lawyers, Guns & Money,” “Play It All Night Long,” and more
• Double LP with etched 4th side and liner notes fromlongtime Zevon band member and friend Matt Cartsonis, who accompanied Warren during this performance
• Available for on opaque metallic silver vinyl
One of my favorite repeatable moments in our sets was looking over when he was singing that line from “Don’t Let Us Get Sick”: “I’m lucky to be here with someone I like . . .” to find him looking at me. That’s some pure and precious stuff, and I’m immensely grateful for the memory.
—Matt Cartsonis from his liner notes
Luckily, 2025 Rock & Roll Hall of Fame inductee, Warren Zevon left us with a treasure trove of nearly four decades of incredible songs and performances. Neither Warren, nor his long-time band member, accompanist, and friend Matt Cartsonis, nor the 14,000 people in attendance at the Edmonton Folk Music Festival knew this would be Warren’s final concert—it was just another great performance from an exceptional songwriter and artist. Epilogue: Live At The Edmonton Folk Music Festival offers you the chance to experience it for the first time, or relive it if you were there.
Featuring Warren on guitar, harmonica, and piano, with Cartsonis adding guitar, dulcimer, fiddle, harmonies and more, the pair run through classics like “Werewolves Of London,” “Poor Poor Pitiful Me,” Lawyers, Guns And Money,” and “Play It All Night Long.” The set also features a performance of the song “Dirty Life And Times,” only ever played twice! The pair found room in the set to pay tribute to Canada with a cover of Joni Mitchell’s “A Case Of You” and the traditional, “Canadee-i-o.”
Available on double metallic silver Vinyl (with etched fourth side), Epilogue: Live At The Edmonton Folk Music Festival has been mastered and restored by multiple Grammy-winning engineer Michael Graves and Jordan McLeod of Osiris Studio with Matt Cartsonis. Cartsonis also adds poignant liner notes about the performance, and insight into his musical relationship and friendship with Zevon.
Epilogue: Live At The Edmonton Folk Music Festival is a gift from a truly legendary singer and songwriter. Play it all night long, indeed.
60 Jahre Star Trek Jubiläum! Das feiern wir mit einer zweiteiligen Vinyl-Box-Edition. Hier ist Box 1, die mit gleich zwei Highlights aufwartet: erstmals der Soundtrack zur Serie Star Trek: Voyager regulär als Vinyl-Edition – und dazu eine exklusive Vinyl-Compilation direkt aus dem Herzen der Star Trek: The Next Generation-Kinofilme.
Die sorgfältig kuratierte Box versammelt zentrale musikalische Meilensteine der Fernsehgeschichte dieses besonderen Science-Fiction-Serienkosmos: von den klassischen Motiven der Original Series über den charakteristischen Auftakt von The Next Generation („Encounter at Farpoint“) bis zu den prägenden Klangwelten von Deep Space Nine. Ein weiterer Fokus liegt auf Voyager: Die atmosphärischen, oft cineastischen Kompositionen erscheinen erstmals regulär als Vinyl-Edition und machen diese Box zu einem echten Sammlerstück.
Ergänzt wird die Auswahl durch The Next Generation – THE MOTION PICTURE ERA HIGHLIGHTS: eine eigens zusammengestellte Vinyl-Compilation mit den ikonischsten Stücken aus den Kinofilmen der TNG-Ära – Musik, die für viele Fans bis heute einen emotionalen Kern von Star Trek bildet.
Zusätzlich liegt jeder Box ein exklusives Poster bei – ein hochwertiger Kunstdruck, eigens anlässlich des 60-jährigen Jubiläums gestaltet.
Enthaltene Vinyls:
· Star Trek – Volume Two: Original Television Soundtrack
· Star Trek: The Next Generation – Encounter at Farpoint
· Star Trek: Deep Space Nine – The Emissary (Music from the Original Television Soundtrack)
· Star Trek: Voyager – Music from the Original Television Soundtrack (neue Vinyl-Edition)
· Jubiläums-Compilation: The Next Generation – THE MOTION PICTURE ERA HIGHLIGHTS
From the Archives – Vol. 1 ist eine 60-Jahre-GeburtstagsEdition für Vinyl-Liebhaber und Trekkies gleichermaßen – ein Stück Star Trek-Geschichte zum Auflegen.
»Don't Fear The Reaper: The Best of Blue Öyster Cult« wurde im Jahr 2000 veröffentlicht und ist ein umfassendes Kompilationsalbum, das die bekanntesten Titel aus der legendären Karriere von Blue Öyster Cult präsentiert. Es umfasst ihre Anfänge in den frühen 1970er Jahren bis zu ihrem Erfolg in den 1980er Jahren und enthält Hits wie das legendäre »Don't Fear The Reaper«, das kraftvolle »Godzilla« und das eindringliche »Burnin' for You«.
Blue Öyster Cult sind bekannt für ihre Mischung aus Hardrock mit Elementen aus Metal und Psychedelic. Ihre komplexen Gitarrenriffs und geheimnisvollen Texte kommen in dieser Sammlung voll zur Geltung. Das Album unterstreicht den innovativen Sound der Band, der mit seiner einzigartigen Mischung aus schweren Riffs, komplexen Harmonien und düsteren Themen das Rockgenre mitgeprägt hat.
Sowohl für langjährige Fans als auch für neue Hörer ist »Don't Fear The Reaper: The Best of Blue Öyster Cult« ein Muss, das einen perfekten Einstieg in die einflussreichsten und zeitlosesten Titel der Band bietet.
»Don't Fear The Reaper: The Best Of Blue Öyster Cult« ist als limitierte Auflage von 2000 Exemplaren auf kristallklarem und schwarz marmoriertem Vinyl erhältlich.
ISBN: 978-1-80578-008-3
Since the full-scale invasion, music-making in Ukraine has adapted in remarkable ways: composing on mobile phones, streaming performances from bomb shelters, and organising festivals within curfew limits. Clubs became centres of volunteering and fundraising before regaining their cultural role once reopened. Meanwhile, the diaspora reshaped the musical landscape, severing old ties while creating new global networks of collaboration.
Ukrainian Field Notes: Sound, Music & Voices From Ukraine After the Full-Scale Invasion offers a 360-degree perspective on how sound has shaped musicians’ wartime lives and influenced evolving notions of identity – personal, collective, and postcolonial.
Quotes
“The Ukrainian electronic scene is young, naive, and perhaps beautiful. To appreciate this beauty, you need to distance yourself from it, much like observing a painting in a gallery while standing back. To comprehend this beauty, understanding alternative standards and applying them to the portrait is a must. To truly embrace this beauty, falling in love with it is required – an act that defies easy explanation. Gianmarco, however, did just that, and it becomes evident to anyone exploring his Ukrainian Field Notes. Behold.” Vlad Fisun
“I feel extremely grateful to Gianmarco Del Re, a true chronicler of Ukrainian music in wartime, who opens our culture in its multiple aspects to musical society in such a bright and relevant way that the support for Ukrainian artists is only growing, day by day.” ummsbiaus