Released in 2026 under the catalog number Z-ONE, the album "the river" is a live recording - a snapshot of music from the Hamburger "ZustandsZone" scene between 2014 and 2025. Blending free improvisation with structural depth, the album offers a sonic exploration that will appeal to both purists of the genre and lovers of avant-garde sounds in the contemporary jazz landscape. The striking artwork underscores the artistic ambition of this highly personal work, which fluidly transcends the boundaries between tradition and modern abstraction. "Sound arises, passes away, what has been and is perceived, for a sky's length."
Suche:the r
This EP marks a natural convergence for Primal Instinct. Built around pure dancefloor intent, it presents a focused spectrum of moods, unified by intent. Each track is unmistakably Temudo, and unmistakably Primal Instinct: physical, driven, and designed to move bodies first and foremost.
The release is the result of close collaboration between Temudo and the label. A shared framework took shape, allowing Temudo to adapt to the vision without altering his sound, forming a joint effort where two aesthetics align.
Visually, an image rooted in memories of Carnival in Temudo's hometown becomes the perfect symbol: chaotic, social, and in constant motion, reflecting the absurdity of life and the human condition.
The Brooklyn Players’ track “Hypnotized” was originally recorded in 2003 by a group of session musicians for a UK newspaper’s CD series free giveaway, featuring classic disco and funk. Despite efforts to identify the band members, their identities remain unknown.
A sublime boogie track with wonderful vocals, “Hypnotized” will be loved by the dancers!!
The track is now available for the first time on a limited edition 7-inch vinyl (400 copies), released by Home of The Good Groove Records (Catalog No: GG004) on March 6, 2026.
The B side “Hypnotized (Timberman Bass Groove),” includes a fantastic underlying bass line groove laid down by one of East London’s finest bass players, Timberman, enhancing the original synthesizer-bass sound.
Enjoy!!
- Apocalyptic Warriors (Chapter Final)
- Sentenced For Life
- Nearer From Death
- Intro
- Apocalyptic Warriors
- Final Holocaust
- Dream Of Violence
- Troop Of Death
- Outro
- Intro: March Off / Apocalyptic Warriors
- Toxic War
- Legion Of Torture
- The Day Of Massacra
Clear vinyl 2LP reissue of the definitive demo collection from French Death/Thrash legends, Massacra! "Day Of The Massacra" captures the relentless energy of France's leading early-90s death/thrash act. This release compiles these foundational tracks - ranging from the punk-influenced Legion of Torture to the more developed Nearer From Death - showing the evolution of a band that pushed the boundaries of extreme music.
ESCAPE-ISM — the found-sound dreamdrama— are back in action & out in front. And this time, they’re leading a “Charge of the Love Brigade. ”This “charge” isn’t the traditional scramble across a muddy, bloody field though, like in the days of yore. This one is a furtive insinuation into the senses of the tuned-in listener.
Their fifth record, and fourth “sound” record — (the third one was “A Protest Against Sound”- an entirely silent LP) — “Charge of the Love Brigade” is revolutionary in its own right. Besides being packed with tunes — super-hits such as “Black Gold,” “Last Of The Sellouts,” “The Rebel Outlaw,” & “Fire in Malibu,” for exam- ple, Charge of the Love Brigade proposes a reformation of the traditional notes and scales; an entire new sound alphabet!
That’s right, ESCAPE-ISM —the “act of musical vandalism”— famous for their development of new prototypes for stomping & smashing, are reforming the scales, chords, & notes (e.g. A, B, F#, etc) that comprise musical literacy to achieve the group’s primary aim: the repurposing of music as we know it. Though many musicians of note have operated their instruments with "alternative tunings," up until now no one has obliterated tuning absolutely or abolished letter-notes for the destruction of bourgeois society.
According to ESCAPE-ISM, this will have a very profound effect: “Music will no longer be cordoned off from the rest of experience as a commodified, specialty freak show, but instead be a pastime which can be prac- ticed and enjoyed –not only by non-musicians and amateurs– but also by plant life, wild animals, and even inanimate objects such as rocks.
“The violent overthrow of musical conventions will lead to the reintegration of humanity into the natural order, the reordering of life itself into a cosmic congruity. This means the convention of time itself will be ended.” Like so-called nature itself, the ESCAPE-ISM group is also on a “loop.”
Play “Charge of the Love Brigade” and listen as ESCAPE-ISM go “over the top” against the note-letters of accepted musicality in a world premiere of a new upside-down antiscale.
Released in 1967, Open marked a bold debut for Brian Auger & The Trinity, featuring the dynamic vocals of Julie Driscoll. Music and its makers were rapidly evolving in ‘67, the UK's Jazz and R&B scenes were being influenced by pop and psychedelia and socially, musicians of many styles found common ground in London’s clubs like The Cromwellian and The Scotch Of St James where the The Beatles, US legends Wilson Pickett and Jimi Hendrix mingled with the capitals jazzers and pop stars, often loudly jamming together in even louder 'Lord Byron' shirts. 'Open' fully embraced this spirit by fusing together those genres and attitudes of the era. From the outset Auger displays his jazz rooted approach on the A side with 'In and Out' and 'Isola Natale' (later covered by one of his American jazz heroes Richard ‘Groove’ Holmes). Both showcase the Trinity's musicianship and Brian's improvisational flair. Auger himself takes on vocal duties on the raucous ‘Black Cat’, a track that became a club hit. Open is marked by its eclecticism; 'Lament for Miss Baker' is a tender, piano ballad influenced by Duke Ellington, reflecting Auger’s jazz and classical influences whilst 'Goodbye Jungle Telegraph' is a wild and crazy percussive freak out. Brian displayed not only his virtuosity but also his surrealist sense of humour with bizarre sound effects, inspired by Spike Milligan's The Goons' radio show interspersed between the tracks.
Julie Driscoll’s arrival on the album’s B side brings a sharp shift in tone. Her smoky, emotive vocals inject a soulful depth, notably on covers of Otis Redding & Carla Thomas hit 'Tramp', Aretha's 'Save Me' and The Staples Singers ‘Why Am I Treated So Bad". With original numbers 'Break It Up' and 'A Kind Of Love In' we hear the Auger / Driscoll pop infused R&B at its very best, whilst the version of Donovan’s 'Season of the Witch' stretches out into a slow-burning epic. In 2025, Open is viewed as a cult classic and testament to a unique period when genre boundaries were fluid and artistic risk-taking was the norm. Brian Auger & The Trinity’s debut captures the adventurous energy of the late 1960s. 58 years later, its importance in the development of British jazz fusion and progressive bands that followed is undeniable, with The Charlatans Tim Burgess recently commenting on Auger's Instagram that The Trinity were a 'huge influence'.
- A1: Welcome To The Mood
- A2: Sundown
- A3: Diamonds
- A4: Missing You
- A5: The Colour Of The Sound
- B1: Dominoes
- B2: Beach House
- B3: Tenderness
- B4: Desert Moon Sky
- B5: One In A Million
They also embraced a more organic, live- recording approach on Welcome to the Mood. The group explains, "Off the back of touring the last album, we had played more shows than ever and wanted to bring more of the live element into the process, so we didn't use drum breaks and loops as much as previous records and tracked live." They continued expanding their sound by bringing in specialist musicians -- string sections, brass, pianos, and backing vocalists -- pushing the sonic possibilities beyond their individual skill sets. Yet at its core, the album remains deeply personal. Written in remote hideaways, the songs carry the tranquility of escape while capturing a newfound confidence in emotional vulnerability.
Thematically, Welcome to the Mood is a rich sonic auditory tapestry woven with threads of authenticity, humanity, and creative celebration. Lyrically, the album explores universal experiences -- love, loss, connection, hope, and purpose -- drawn from the everyday yet rendered in LEISURE's distinct palette of lush tones and laidback groove. Tracks are anchored in realness but elevated by a sonic landscape that feels simultaneously nostalgic and futuristic, mirroring the ethos of Frank Lloyd Wright, whose Taliesin West provided literal and symbolic inspiration during the album's visual journey.
- A1: Harlem Universal (Feat Herb Mcgruff) (2 27)
- A2: You Aint Gotta Chance (Feat Nas) (2 44)
- A3: Rhn (Real Harlem N*Ggas) (Feat Errol Holden) (2 36)
- A4: Fred Samuel Playground (Feat Method Man) (3 03)
- A5: All Alone (Quiet Storm Mix) (1 35)
- A6: Big Lee & Reg (Feat Errol Holden) (3 51)
- A7: 7 Minute Freestyle (Feat Jay-Z) (3 15)
- B1: Forever (Feat Mac Miller & Pale Jay) (2 32)
- B2: Doo Wop Freestyle ('99) (Feat Joe Budden) (1 25)
- B3: Stretch & Bob Freestyle ('98) (Feat Donlad Phinazee & Sacha Jenkins) (2 48)
- B4: Grants Tomb '97 (Jazzmobile) (Feat Joey Badass, Bvngs & Ron G) (2 50)
- B5: Live At Rock N Will '92 (Feat Showbiz) (3 20)
- B6: How Will I Make It (Park West High School Mix) (3 52)
- B7: Put The Mic Down (Feat Fergie Baby & Party Arty - Bonus Track) (2 02)
Vinyl[23,11 €]
* A standout slice of late-70s roots reggae, with Earl Sixteen delivering top-class vocals alongside the legendary Heptones on `The World Has Just Begun`, also known as `Children Rise’.
* Produced by Earl Morgan (The Heptones) at Harry J’s Studio and mixed by King Tubby.
* Originally surfacing on 12” on the Cha Cha label in 1979.
The new Epiteth brings new artists on vinyl !
Effecthunter unknown project open the dance. A deep dark evolution into psychedelic mental industrial Hardcore that comes again and again and again...
Aaron 6310 is a newcommer too on vinyl, his tune is an hypnotik noise-kick invocation !
Pardonax talent bring the KILLER B side opener ! One of his best tune ever !!
Finally The Darkcreator, back in the years ! 1997 oldschool sound... in a new shape and a new way ! An absolute banger !
* More from the vaults of Alpha and Omega in the shape of `Warrior Dub’, previously an LP-only track appearing on the `Everyday Life’ LP in 1993, with the dub cut on vinyl for first time.
* As always from A&O, they reliably unleash a heavy-weight, mystical shimmering slice of 90s-style dub.
Transparent grenat version.
200 LTD
Superb repress of the very first Capsule Core !
Oldschool Hardfloor, noisy and Industrial at the balance of Pumpin Gabba too.
Empatysm keep on doing, with BEAST, Epileptik, Desert Storm, and kept Capsule alive...
Since 1995 with no rest.
Enjoy the sound !
- A1: Full Blood Count Analyzer
- A2: Automated Instrument Rinse System
- A3: Mri Scanner
- A4: Anaesthetic Machine
- A5: Meti Human Patient Simulator - Mannequin Breathing
- A6: Simman Essential Mannequin
- A7: Cardiac Monitor
- A8: Lee Silverman Voice Treatment
- A9: Haemoglobin A1C Analyzer
- A10: Anaesthetic Machine 2
- A11: Infusion Pump (Alaris Plus)
- A12: Heater Fan
- A13: Phacoemulsifier – Suction And Ultrasound During Cataract Surgery (Two Perspectives)
- A14: Robotic Pharmacy - Manually Restocking Supplies
- A15: Ct Scanner
- A16: Pharmacy Label Printer
- A17: Dialysis Machine
- A18: Draeger Oxylog 3000 Plus
- B1: Meti Human Patient Simulator – Powering Up Of Bellows That Control Mannequin&Apos;S Artificial Lungs
- B2: Orthopantomograph Op 2000
- B3: Helium Cooler For Mri Scanner
- B4: Coagulation Analyzer
- B5: Meti Hps Mannequin
- B6: Ophthalmology
- B7: Sysmex Sp1000I Automated Slide-Maker
- B8: Agv (Automatic Guided Vehicle)
- B9: Ultrasound Scanner
- B10: Operating Theatre
- B11: Beckman Coulter Access 2 Analyzer
- B12: Geiger Counter (Berthold L4)
- B13: Automated Mailroom (Opex Mail Matrix)
- B14: Wall Mounted Suction Unit
- B15: Dialysis Machine 2
Tape[13,66 €]
Death Is Not The End reissue Mark Vernon's sought-after 2013 collection Sounds of a Modern Hospital on vinyl & cassette formats.
Whilst every effort has been made to record the subject in as great a degree of isolation as possible, the sound recordings you will hear on this record were made in a real working hospital and not under controlled conditions. Therefore, on occasion, you may hear some unavoidable background noise, conversations and other extraneous sounds.
All recordings were made by Mark Vernon at Forth Valley Royal Hospital, Larbert, Stirling Community Hospital and Falkirk Community Hospital between 2011 and 2013.
- A1: Trouble In A Wicked Man - Ft Soom T
- A2: We Have No Regrets - Ft Rad Demo & Carlton Livingston
- A3: You Are Everything - Ft Skarra Mucci & Marina P
- A4: Sun Light Woman - Ft Soom T
- A5: Zion Gates - Ft Ras Demo
- A6: The Golden Rule - Ft Troy Berkley
- B1: Gangstaz Ina The Streets - Ft Ras Demo & Troy Berkley & Skarra Mucci
- B2: Beware The Reaper - Ft Soom T & Troy Berkley
- B3: Mattaska - Ft Troy Berkley
- B4: Greedy For Vanity - Ft Skarra Mucci
- B5: Get Low - Ft Troy Berkley & Blabbermouf
- B6: Ease Off - Ft Ras Demo
SPLATTER Vinyl[23,49 €]
- A1: Trouble In A Wicked Man - Ft Soom T
- A2: We Have No Regrets - Ft Rad Demo & Carlton Livingston
- A3: You Are Everything - Ft Skarra Mucci & Marina P
- A4: Sun Light Woman - Ft Soom T
- A5: Zion Gates - Ft Ras Demo
- A6: The Golden Rule - Ft Troy Berkley
- B1: Gangstaz Ina The Streets - Ft Ras Demo & Troy Berkley & Skarra Mucci
- B2: Beware The Reaper - Ft Soom T & Troy Berkley
- B3: Mattaska - Ft Troy Berkley
- B4: Greedy For Vanity - Ft Skarra Mucci
- B5: Get Low - Ft Troy Berkley & Blabbermouf
- B6: Ease Off - Ft Ras Demo
Black Vinyl[23,11 €]




















