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Hannah Diamond’s debut album Reflections expanded to include Reflections Remixes and selected Reflections Instrumentals across two LPs. This upscaled edition is pressed on Milky Way Clear Glitter vinyl, in a gatefold sleeve featuring the Remixes Star artwork, and premium board inner sleeves, enhanced with metallic lavender HD monograms. It also includes a high-gloss poster insert of the original Moon artwork and lyric sheet. No secret track.

Alcides Neto is a Brazilian composer and multi-instrumentalist based in Narrm/Melbourne. Drawing inspiration from the folk traditions of his homeland, Alcides offers a fresh perspective on Brazilian music by blending traditional rhythms with contemporary Brazilian jazz, samba, bossa and more. Known for his distinctive percussive guitar playing and warm, soothing vocals, he brings an authentic Brazilian vibe to every performance. Alcides is set to release his debut album Amú via the Music in Exile label in early 2026, featuring eight original compositions recorded at Head Gap Studios, Melbourne. For fans of Gilberto Gil, Jorge Ben Jor, and all the Brazilian samba greats.

This is a dance floor killer mash up destined to rock any radio airwaves and equally any dance floor. The classic Marvin Gaye vocal on top of this familiar funk rap groove, works well in a synergy like it could have been recorded back in the day, like it sounds now in the millennium. Limited edition 300 copies.

Melchior Productions Ltd. returns to his own My King Is Light imprint with a brand-new 12″—this time alongside Romanian-Russian pianist-producer Mischa Blanos, one third of the acclaimed Amorf trio, Jupiter Tracks pt. 1 is a beautiful record, deep and emotional, as if beamed in from another world—yes, Jupiter.

Across “Push,” “First Eva,” and “Spirit Of 23,” the pair interlace meticulous programming and crystalline sound design into an ever-shifting strain of minimal house. Dispensing with overt drama, the EP zooms in on nuance: textures flicker between digital shimmer and tactile grit, while Melchior’s trademark restraint leaves ample space for Blanos’s melodic Midas touch to radiate quietly.

Dust makes his return with four dance floor ready cuts. listen and enjoy!

Lb Honne’s Guardwatcher (Pt. I) explores dramatic undertones across psychedelic house, techno, and ambient

“through guarded spaces,
half-lit fragments drift by.
tension gathers in the distance.
just outside the moment,
guardwatchers remain”


Vinyl Only

Presenting this limited edition 300 picture disc vinyl on Warehouse Manifesto from label boss GAMADON with the original track REPROGRAMMED and five amazing remixes by Parand, X-Truder, Ohverclock, Doug Cooney and Commissar Lag. This 4/4 sci-fi inspired original has been reimagined in five very different ways, with all executed to perfection, providing a wide range of dance floor annihilation! This is part three of a three part series from GAMADON with remixes from some of the best in the underground.

Unreleased Mix of Justin Hinds classic Once A Man Twice A Child , produced by Duke Reid. On the flip side is a rare track also fro Treasure Isle Studio by the saints which is sought after

Sven Tasnadi is Cargo Edition's longest-serving artist. His releases have shaped the sound of the label right from the start.

Long awaited limited edition vinyl package of Tool’s Grammy winning and critically acclaimed album 'Fear Inoculum'. Features five 180gm black vinyl discs, with album tracks featured on Side A, and unique etchings featured on Side B. The discs are packaged in a hard shell box with new album art and a bound casebook holding the vinyl along with new imagery. Promo/marketing activity.

Super limited/stock will be allocated.

Nick Bike rides again with a new trip out on his Chosen Spokes label, and as always, these are on the money mixes for dub disco heads. 'Kiss Me Say It' is devilishly slow and purposeful with rotation dub and funky bass riffs rising and falling to irresistible effect. The strings bring sophistication and the chords a golden charm that swells the heart. The groove feels ever on the rise but never boils over. The flipside dub is even more focused, with the diva vocal doused in echo for a spaced out vibe. Pure perfection.

The fifth transmission in the XTRICTLY ELEKTRO series connects the past and future of the genre in one powerful statement.

Side A channels the sharp, forward-driven pulse of the new school — EC13, Elektrotechnik, and Parand deliver cutting-edge vibes built for the modern floor. Side B pays tribute to the roots with Calagad 13, DJ Overdose, and Motorobot — a legendary alliance between Bass Junkie and Dynamik Bass System, returning for only their second-ever collaboration.

A bridge between eras: classic heritage meets futuristic sound design — timeless, synthetic, and deeply interconnected.

Limited edition of 150 copies.

Charlie May and Duncan Forbes return to 49North with a brand-new Spooky record !

Lucent unfolds with the long form Biform, essentially a piece in two halves that perfectly sets the listener up for the lush widescreen sonic journey that follows. The album flows from start to finish building energy as it moves though it’s different phases culminating in the infectious groove of Perpetual.

This is the sound of Spooky back in the room doing what they do best, making beautiful emotive electronic music that transcends boundaries.

Solee - XX EP (FURV5)

Twenty years in the game. With XX, Solee celebrates two decades of shaping his own unmistakable sound. An artist who, from day one, has written and produced his music independently, XX is more than a retrospective. It’s a curated journey through the tracks that defined his career, opened doors, and left a lasting mark on dance floors around the world. From early breakthroughs to timeless anthems, XX brings together the most successful, most played, and most influential releases from the past 20 years. While the whole digital album contains 20 tracks, here is a matching vinyl EP release with the most requested Solee classics "Zebra", " Pink Panther", "Morgenrotsonate" and "Watoto".

From the subterranean grooves of deep techno to the cosmic pulse of electro and IDM, Deep Space Protocol sees Japanese legend DJ Compufunk navigate a vast sonic universe with precision and feeling. A veteran of Osaka’s celebrated Compufunk Records scene — where he’s sold and spun cuts for nearly three decades — Compufunk seamlessly weaves together influences that span Detroit-infused machine rhythms, hypnotic electro textures, and the thoughtful intricacies of left-field IDM.
Pressed as a limited vinyl release, Deep Space Protocol feels like both a nod to classic techno lineage and a forward-thinking exploration of sound — perfect for listeners who cherish the raw pulse of the dancefloor as much as the cerebral depths of an immersive listening session. With roots that include releases on Detroit’s Motech and connections to Underground Resistance figures, this is an album that bridges cultures and decades while leaving plenty of room for the future.

Drawing inspiration from the novel Neuromancer, Drew Id’s cosmic new single launches us deep in to the solar system.

Interstellar Dub started as an experiment in minimal dub techno, but was eventually overwhelmed by dirty spring reverbs and phasing hi-hat delays. A heavyweight rhythm and a hypnotic bass form the foundation, while extra-terrestrial melodies and synthetic skanks add spice and colour to this off-world stepper.

On the meditative Aphid Steppa, dreamy guitar and melodica licks interplay with snarling synths and a percussion based rhythm, propelled along by a solid bassline, before finally giving way to a deep space outro.

The Meanjin / Brisbane based producer first came to prominence as guitarist for reggae band Kingfisha, but has slowly been building a profile for his dubwise productions, inspired by the UK steppers scene and Australia's outdoor bass culture, with releases on Culture Dub, Dubmission and Sub Channels.

The ENSOULED EDITS series begins by showcasing the work of Cee Alassad, a Moroccan producer famed for his previously digital-only reworks of historic cuts from his native country. It's these reworks Alassad offers up on his first vinyl outing for the freshly minted series. He begins with 'Tekere', a lightly house-style revision of a simply sublime workout - all bouncy, layered percussion, glistening guitars, righteous horns, heady vocals and chunky kick-drums. Over on side B, he tackles another cut from the same artist, joining the dots between 21st century Afro-house, synth-laden Afro-disco and far-sighted, tech-tinged grooves.

For their first musical outing of 2012, Dubkasm take a walk down the avenues of digital 80s reggae, showcasing the fresh vocals of Rudey Lee and Solo Banton. 8 bit sounds meet tough JA riddims, with shades of Jammy's, Gussie Clarke and Steely & Cleevie, expertly mixed by UK veteran Nick Manasseh with razor-sharp precision. A key figure in Bristol's reggae ancestry, Rudey Lee helped connect the Bristol Sound with its dub origins through collaborations with legendary pioneers Smith & Mighty during the 90's. On his first outing since his appearance on Pinch's debut album 'Underwater Dancehall', Rudey takes us back to his reggae roots with 'Emotion', a soulful dancefloor bubbler with a conscious edge. Solo Banton, ever powerful in his hard-hitting delivery, proceeds to nail the message home with 'Are You Ready', a no-compromise deejay version taking things to a higher level. This cut guarantees a rewind in any dancehall, building on Solo's hit-after-hit track record, proven through his work with Jahtari, Maffi and Reality Shock.

For their third release, FREE UNIVERSE welcomes Brooklyn's JÄK-87, making his debut EP with two acid-soaked jams along with remixes from Will Automagic and FU label head, Gee Dee. The Good Room staffer delivers Acid Bath, a subtle yet driving downtempo excursion complete with cheeky samples and a powerful 303. On the flip is Re_Cognition; a booming breakbeat stomper with distorted synths and bouncy bass. The Carry Nation's own Will Automagic ups the tempo with a speedy remix of Acid Bath, with a throbbing bass line and jacking percussion ready for 2am peak moments while Gee Dee brings a minimal approach to Re_Cognition with analog synths harking back to the likes of Liaisons Dangereuses. This record is dedicated to David G. Holland. Limited to 300 copies.

Glasgow’s Fortified Audio returns after at least a ten years long hiatus (No pun intended) and now returns to the world of bass with a full length album from local music firestarter Ten Years Lost. Modern day trap instrumentals at its core whilst sub-consciously giving hints of Drexciya, Moroder and the Memphis & Croydon bass music regions alongside some real deft sampling but still remains Glasgow at its core!

With ADT026, Adroit Recordings deliver a focused, high-impact techno 12" built for late-night floors and proper sound systems. Remco Beekwilder leads the release with a driving, groove-forward aesthetic, tight percussion, raw pressure and hypnotic movement, while Tarkno, Toni Dextor and Unconformist add complementary perspectives that expand the EP’s range without losing its functional, club-ready edge.
Pressed on orange transparent vinyl, Skindeep EP is a straight-to-the-point tool for DJs: energetic, lean, and designed for momentum from start to finish.

RAWAX proudly welcomes Steve O'Sullivan to the artist Family!
We are more than happy to present you one of the most influential artist for our label with the "Three Trax" - EP. This beauty came originally out on iconic ONGAKU Musik in 1999. All tracks are re-mastered and A1 + B2 for the first time available in extended versions! Steve became his own catalog number - series (RSO). Watch out for more!

Way back in 1998, following five years DJing and organising free parties as part of Sheffield's Smokescreen Soundsystem, Andy Riley and Laurence Ritchie joined forces in the studio as Inland Knights. They went on to deliver a huge amount of high-grade UK house music, but it was on this EP - here reissued for the first time in remastered form - that they first showcased their distinctively chunky, DIY-influenced sound. Check first the squelch-and-bump of soul-flecked late-night roller 'Mud Substance', before getting your ears around the dubby bass, hypnotic beats and spacey licks of 'Souldoubt'. 'Deep In' is a strutting, energetic affair full of raw analogue bass and mind-mangling effects, while 'Spent Up' is a tougher and looser slab of deep house funk.

With no compromises on sound quality and an exclusive pressing designed for true vinyl enthusiasts, KRONERT002 is more than just a record—it's a collectible statement of artistry and innovation. Don’t miss your chance to own a piece of this journey.

Pushing sonic exploration even further, KRONERT002 embodies the raw essence of underground house music, capturing its energy, groove, and timeless appeal. This limited Coloured Splatter/Split vinyl is more than just a record—it’s a statement, a collector’s piece for those who live and breathe the rhythm.

Kronert crafts a hypnotic blend of rolling basslines, shuffled drum patterns, and atmospheric pads, seamlessly fusing classic house elements with a forward-thinking approach. The EP’s warm textures and intricate grooves ensure its versatility—whether igniting peak-time dance floors or setting the tone for deep, late-night sessions.

Few producers age into deep house with this level of ease. From Switzerland, Shaka's latest EP feels authentic and lived-in rather than retro while drawing on 90s jazz-inflected house without leaning on pastiche. The opener main vocal mix drifts in on flutes, soft keys and Eve's voice, setting a loose, late-night mood that favours feel over flash. The instrumental flute version pares things back, letting swing and detail breathe. Flip it and 'As If Eternity Belonged To Us', featuring Cate Acupar, locks into a warmer, early-2000s pulse, while 'Life Is Brighter With You' cools the room with sax, piano and patient restraint. Dancefloor-ready but also nice and reflective.

Over the last half decade or so, Monsieur Von Pratt has marked himself out as one of the 21st century disco scene's most reliable re-editors, with a party-starting trademark sound built around blends of borrowed instrumentation and rolling, house-style beats. This signature sound is very much evident across the producer's tenth contribution to his own Illegal Disco series. He begins by polishing and tooling up a sparing, horn-heavy disco classic 'Don't Say Goodbye', before rearranging and lightly updating a squelchy synth-bass propelled chunk of disco-boogie goodness ('Gonna Getcha'). Rounding off a fine EP is 'Make Love To You', a more low-down and celebratory chunk of beefed-out disco-fink hedonism.

Presenting the remarkable second album by the Chinese musician, DJ and creative chef Yu Su. An evolution from her 2021 debut LP and two track single released last year, Foundry radiates a fresh, fully-fledged and far-reaching sound.

The nucleus of Foundry began with material penned for live performance at MUTEK in 2025, alongside a move to London which brought about new shifts in perspective. Searching for a style that was true both to her roots and progression as an artist, Yu ventured in a post-orientalist direction, and came upon a language of ‘in-between music’.

Mixing the eclectic influence of her DJ sets with genre-defying collaborators and newfound taste for minimal and ambient techno, a dusky, dub-inflected character began to emerge. This broad palette reiterates Yu’s prior form in making connections across disciplines, which have not only consisted of music, but also multisensory endeavors which incorporate taste and smell.

With cover art featuring hammered metalwork by the artist Brendan Ratzlaff, for Yu the foundry represents a nexus of creation; a shared workspace where collaborators combined their materials and skills. With the input of Seefeel, Dip In The Pool, and Memotone, together their broad spectrum of aural elements underwent a chemical transformation, and were forged into something new.

Well-designed, ergonomic yet occasionally amorphous, the effect is that of meticulous freedom, both controlled and free flowing. Using immersive sound design, Yu creates inspiring spaces to revel in, which are warm yet steeped in shadow, with flashes of silvery light.

Featuring Yu in with duet Miyako Koda of cult Japanese art pop duo Dip In The Pool, the record kicks off in swirling but poised fashion with ‘A Jewel’. The dusky, reverberant underwater minimalism of ‘Sunless’ follows, which features British composer Memotone, and was influenced by Chris Marker’s 1983 film Sans Soleil.

The dubby, sunkissed affirmation on ‘Cul De Sac’ leads to the thumping acid stomp of ‘Foundry’, and onto the hazy glow of ‘One Place After Another’, featuring lauded soundheads Seefeel, where Yu’s voice is joined by Sarah Peacock’s, alongside Mark Clifford’s seductively gauzy fuzz guitar.

Venturing into more ominous territory is the liminal ambient dub of ‘Wanli’, followed by the rich textured flutter of ‘Os Cionn’, which translates from Gaelic as ‘above’. The album ends with the reflective, processional pulse of ‘Ripe Fruits’, which was inspired by Frederic Leighton’s 1892 oil painting The Garden of the Hesperides.

The LP’s visual was art directed by Lucas Dupuy, whose approach perfectly encapsulates Yu’s spatial sonics: “We both think in layers”, she comments. “Not linear layering, but horizontal layering, like weaving metallic threads, where a bigger picture of a grainy sphere will occur at the end.”

Mastered by Miles

Art by Lucas Dupuy & Brendan Ratzlaff

Claudio Mate announces the launch of his new solo imprint, Claudio Mate Records.

As the name suggests, the label serves as a personal platform where Claudio explores his past, present and future works, shaping his sound into a more spiritual and meditative direction.

The imprint will also feature collaborations with friends, artists and creative connections established over the years across the globe, while carrying his typical forward-thinking approach and a distinctive imprint sound trademark.

Over the past two decades, Claudio Mate’s music has received recognition and support within the electronic music scene, from main stage artists while remaining rooted in more underground circles.

Claudio Mate Records marks a new chapter in his artistic journey — a dedicated space where sound becomes introspective, evolving and deeply connected to emotion.

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天 (Ten) CMR - 001
The Japanese kanji 天 (Ten) means “heaven”, “sky”, and the natural order of the universe — something vast, unseen, and beyond human control.

For the Japanese, 天 is more than a symbol: it embodies the connection between humans and the cosmos, the divine order that guides life, and the higher realms where sacred forces reside. In Japanese Buddhism, it refers to celestial realms and higher states of existence; in Shinto, it evokes the sacred heavens of the kami. But TEN is not about reaching heaven.

It's a deep, dub techno journey through shadow and space — obscure, hypnotic, and timeless. Sound that drifts between worlds, suspended in something greater than the sky itself.

The EP also features Atarashii Hi (“a new day”), a classic deep Detroit techno cut in true Claudio Mate style.

Siccar Point is the second album release from Intertoto, and is a study of the geographical extremes on the east coast of his native Scotland. The eight pieces of music on the album serve as vignettes portraying this ancient headland, while also acting as an allegorical reference to the pioneering work of Scottish geologist James Hutton, who proposed that geological features are not static but undergo continuous transformation over indefinitely long periods of time.

With this theory — and the striking landscape — in mind, Jamie Coull, aka Intertoto, imagines tectonic forces through tension, space, density, and texture. Divergent and convergent boundaries are realised in different moods throughout. Siccar Point opens with the irregular drift of Raw Lunar Concrete, a track that undulates asymmetrically, pulling you off balance before settling into the pulse of Condor Launch and Cloud Chamber — the more veiled club moments of the album.

Further into the strata, Siccar Point mines deep into the dense textures of Metallic Veins and Redox Dub, before closing with the cascading outro Foraber, shimmering with tones that imagine a view outward from the rocky promontory — beyond the vanishing point.

Peer Du is the next artist to be released on the ever-versatile Zenit Ltd.

This EP fully reflects the spirit of the label, unfolding through a wide range of moods and textures. Side A opens with “Spezial,” the title track of the release: a melancholic yet hopeful piece suspended somewhere between electro and trance, and one that is hard not to be moved by. The A-side closes with another version of the same track, deeper in tone, yet still as dreamy and ethereal as the original. Side B shifts gear and atmosphere, reaching further into the night. “DYT” is an insistent breakkatone cut with moments of lift and openness, as if stretching toward the sky. The mood remains recognisably Peer’s, but there is also a clear change in intention. DYT reworks a minimal electro break, drawing its roots from the late 1990s. The release closes with “Rabotnik,” where all the uncertainty of the night takes shape. An intense and multifaceted release, rich in nuance and hard to walk away from untouched.

This isn’t a compilation—it’s a vinyl conversation between cities, generations, and musical bloodlines. This inaugural release embodies the spirit of collaboration, community, and cross-generational artistry that defines each artist’s deep musical legacy.

A statement on wax bringing together Glenn Underground, Coflo, Jon Dixon, Kevin Reynolds and sillygirlcarmen, this four-song project documents the shared language of five Artists through deep house, jazz roots, and forward-looking soul. Though these artists have shared DJ booths and dance floors around the world, this release marks a rare moment where their creative voices intertwine on wax. Each track stands on its own, but together they form a continuum—past, present, and future etched into wax. Pressed with intention and made for real systems, this release exists for the heads, the selectors, and anyone who still believes vinyl is where the story lives. Meant to be played—not archived. The kind of tracks that feel alive in the room and grow every time you hear them.

‘Ease’ EP tracks:
Glenn Underground ‘Dive (Into The Deep)’; the Chicago legend & Strictly Jaz Unit co-founder combines deep house, freeform jazz & soul, here in a jazz-infused, laid-back, hypnotic melange of house beat, synth chord riff, rippling arps, with a whisper of disco in the bassline and 80’s electro in the high, singing strings.

Coflo x sillygirlcarmen ‘Never Forget (That Feelin’)’; East Bay CA-based Coflo combines Hawaiian & Portugese roots with a global reach. A collaborative skipping house beat, pattering percussion & melodic jazz synth piano embrace sillygirlcarmen’s soulful voice and heartfelt lyrics. This collaboration marks a merging of emotional storytelling and percussive sophistication.

Jon Dixon ‘Saturday At Northland’; Detroit’s modern jazz & techno fusionist, rooted in long study and prestigious performance of classical & jazz piano both in orchestral and electronic contexts, employs his keyboard virtuosity in a thrilling wave of melodic piano improvisation & complex lively percussion, combining sheer craft with spiritual heft.

Kevin Reynolds ‘I Got Music’; from an Irish/US Detroit family, producer/live artist Reynolds blends techno, jazz, soul, from influences as diverse as 90s underground techno, Kraftwerk & John Coltrane, and roles/performances in multiple prestigious venues & positions. Here, a stealthy beat & Kraftwerk-evoking robotic electro synth theme are joined by a dual vocal used as a riff, while clusters of piano chords flower into jazz motifs.

Loftsoul a.k.a. DJ Uchikawa revisits and remixes three tracks from the Loftsoul Recordings catalogue for 2026.

Dear Friend featuring Lisa Millett was the first release on the label in 2010 and instantly became a highly collectable classic. Uchikawa refreshes the track with his customary deep and soulful yet driving energy, maintaining all the musical elements that define his unique fusion of the organic with the electronic.
Wait For You featuring Carla Prather gets retouched with a deep rolling groove and riding hammond organ melody creating a smooth bed for Carla’s haunting vocal.
Uchikawa’s cover version of the Grover Washington classic Mr Magic first appeared under his Rhythm Of Elements guise in 2008. It features the great pianist Makoto Kuriya laying down a sublime solo over the infectious groove and Hideki Ikeuchi killing it on guitar. The 2026 Remix comes with a full-on laid-back jazz double-bass line as the background for the exquisite solo performances.

Rythm Of Paradise launches his brand new label “Ritmo Adriatico” with "Divina EP", a sonic manifesto of Italian house music. This four-track journey blends the power of main stages with the warm intimacy of clubs, always driven by a profoundly Mediterranean soul. A first release that doesn't just present a sound, but tells a story.

The EP opens with main track "Divina" , powerful and immediate groove built for the dance floor, wrapped in warm atmospheres and bright pads that create a sense of high energy, with emotional breaks that reminds French Kiss sound.

Followed by its remixed version of Divina by St. David where he reimagined and elevate the impact on main stages. The bass becomes more prominent, the groove expands, and the voice became more hypnotice, without ever falling into cliché.

B1. Italia Novanta is where, Ritmo Adriatico reveals its beating heart. "Italia novanta " is a respectful and modern tribute to the golden era of Italo House, diving into the Mediterranean soul of the 90s, reinterpreted with today's power.

Closing with B2. Te Quiero where takes the dreamy atmospheres and immerses them in a deep, meditative dub treatment of spacious bass lines and captivating Italo house piano licks.

Written and Produced by Michele Lamacchia.
Mixed & Mastered by St. David

Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.

MUSICA SOLIDA Vol. 3 finally touches down.

Flexi is wrapping up their 40th-anniversary celebration with a bang, and trust me, the wait was worth it. This VA 12” is a heavy-duty blend of family ties and international heat.

The Breakdown

* Gratts: The Adelaide-based crate-digger returns to Flexi with "Ghost Swell." It’s a deep, atmospheric builder that keeps the soul intact.

* Slowaxx & Ai Lati: Pure "rollin" energy. This Tuscan duo delivers a rhythmic, four-handed organic groove that’s been the secret sauce in the Italian underground.

* Melchior Sultana: The Maltese Deep House maestro brings the sub-heavy vibes. Total class, total depth.

* Robotalco: Fresh off his LP, he drops an Acid House banger. This 303-laced heater is strictly for the warehouse heads.

* DJ Soch: the "Italian Stallion" puts his classic old-school vein aside and reveals a darker, more minimal side: sharp drums, soulful vocal touches, and an essential, hypnotic groove shape a timeless track.

Forty years of curation distilled into one essential plate. It’s raw, it’s solid, and it’s built for the crates. Don’t sleep.

2026 Repress

Producer and bassist Huw Marc Bennett presents ‘Tresilian Bay’, a new project that draws from artists such as Tim Maia, Augustus Pablo and Idris Muhammed as much as the jazz scene and community he has found in south-east London. The languid, sultry sound fuses both modern and vintage, travelling from South London electronica, to Brazillian groove, Nigerian Afrobeat and Ghanaian Highlife along with a streak of Welsh psychedelia.

‘Tresilian Bay’ is a nod to hedonistic summer nights, whether spent on the Glamorgan coast or the hot Lewisham streets. The album is titled in honour of the bay near where Huw grew up, an area steeped in stories of ancient Welsh royalty, smugglers and pirates.

The album started out as a lost live session recorded at the Total Refreshment Centre studios, featuring Chelsea Carmichael (sax), Rosie Turton (trombone), Shirley Tetteh (guitar) and Jake Long (drums) with Huw at the helm on bass and compositions. With glorious vocal contributions from Miryam Solomon; Huw utilised his human style of production and multi instrumentality heard in his Susso project (Soundway Records, 2016) to mold these recordings into this mature and emotional debut.

The album was mixed and mastered by Albert's Favourites co-founder Adam Scrimshire with artwork by Jonny Drop.

We are welcoming a fresh blood from the south of Italy: Delikwe

Words Create Vibrations is a solo EP recorded between 2023 and 2025, where techno and dub foundations merge seamlessly with ambient textures and breaky-step rhythms. Across five tracks, the record unfolds as a deeply atmospheric journey — hypnotic, spacious, and rhythmically dynamic. Sub-heavy frequencies meet shifting percussive structures, while layers of delay and texture generate a sense of depth that feels both physical and introspective. Each composition evolves patiently, acting as a meditation on resonance, movement, and the unseen architecture of vibration.

The A-side presents Delikwe’s original works in their purest form: immersive, restrained, and subtly transformative. Rooted in sound system culture yet open in structure, the tracks balance meditative stillness with rhythmic propulsion.

On the B-side, Australian producer Pugilist delivers a powerful reinterpretation. Known for his refined low-end pressure and deeply immersive productions, he reshapes the source material into a weightier, system-focused experience. His remix amplifies the sub frequencies and spatial depth while preserving the meditative core of the originals, creating a compelling dialogue between exploratory dub atmospheres and grounded sonic precision.

Words Create Vibrations stands as a sonic exploration where rhythm, space, and texture converge into a fully immersive listening experience — crafted for powerful sound systems, late-night sessions, and attentive minds alike.



[c] a3. Agna Street [Words Create Vibrations]
[d] b1. 6am [Ice Mix]
[e] b2. 6am [Pugilist Remix]

The long awaited debut album from EDB is finally here. Like the title Japanese title Koeru suggests, the multi-instrumentalist producer surpassed his previous work and brought things to the next level.
From the futuristic ballad ‘True Love’ featuring UK soulstress Summer Pearl, to the electro tones of ‘Sculptured’ and broken beat abstractions of ‘Neurocloud’, to the cosmic uplifting tones of ‘Voices From Down Under’ featuring the legendary Nathan Haines, the record shows a perfect balance between light and darkness, sophistication and rawness, smooth and angular sounds.
The dancefloor moments are equally present here with Detroit’s Monica Blaire stepping in as a vocalist in ‘Automatic’, powerful instrumental deep house joints like ‘Phaze Shift’ and even a new updated version of his classic ‘This Can’t Be Life’ featuring Chicago’s very own Swaylo.
A cohesive, coherent and inspiring debut album from a true talent who will guide you step by step into his world.

RAWAX proudly welcomes Mike Dehnert to the artist Family! We are very happy to present
you this great Producer/ DJ from Berlin on the RX Series. Starting with "Freiraum EP" which came out originally on Mike's onw imprint, called Fachwerk in 2008.
You will hear in future also new music from Mike on RAWAX.
Stay tuned!

A1. More Jah Songs ft Tena Stelin A2. Tell The World ft Solo Banton B1. More Jah Melodies B2. Chasm Of Dub

Following recent releases on Over/Shadow, Future Retro, Loop Progression and Bukva Sound, Peeb makes his debut on Wilderness with the Endless Skies EP, showcasing a deep, blissed out and atmospheric angle to his sound across 4 tracks that capture a sense of wonder, flowing from track to track to take you on another journey.

A deep and sophisticated addition to the catalogue of one of Germany’s oldest House labels. With Rhythm Puzzle, Bass Cab returns to Cabinet Records, one of Germany’s longest-standing and most respected House labels, continuing a legacy that has shaped underground dance music with quiet confidence and unmistakable identity for decades. Few labels have managed to preserve such a clear artistic vision over such a long period of time. Cabinet Records has always stood for depth over trends, substance over spectacle, and a deeply rooted connection to the essence of House music.

Blending elements of Disco and House, deep and funky the EP delivers a rich and highly effective sound palette built on infectious basslines, crisp drums, and a strong feel for arrangement. There is a playful elegance running through the whole release, balancing feel-good vibes with enough depth and musicality to keep things sophisticated. It is a record made for crowded floors, open smiles, and long nights.

A truly outstanding dub release and another beautiful chapter in the sound of Etui Records.With Early Reflections Pt. 1, Insect O. delivers a remarkably deep and elegant statement that moves effortlessly between Dub Techno, Dub House and Deep House. Released on the ever-reliable Etui Records, this three-track EP is a masterclass in subtle tension, warm textures and hypnotic groove, understated, immersive and incredibly effective.

Spivak & Prins Emanuel - Imogen’s Lament

Three poems, three hymns, a lament…

Imogen’s Lament is the amalgamation of a slow-burning musical correspondence between Cypriot musician and lyricist Maria Spivak and Swedish composer and producer Emanuel Sundin, recorded over two years between Malmö and Limassol.

Imbued with a rectified balearic pop sentiment, these songs drift between myrrh-washed church pop and restrained machine dub—piercing through a veil of gothic haze as they trace the dimmer edges of an imagined Balto-Mediterranean continuum.

Foxbam Inc is building up a fine head of early steam and after featuring the likes of LFO's Gez Varley and Mark Archer, that looks set to continue into 2026 with this latest various artists EP. It's a white knuckle ride through panel beating techno fervour, starting with Foxtrot's 'Tartam Tripper', which could be called paint stripper, it's that caustic. Collision lays down flat, hard, distorted drums on 'Plop Projekt', Egebamyasi offers up a stuttering, bass-driven club take on an unmistakable 80s electronic classic and Minimum Syndicat's 'Tunnel Chase' is a slower, darker, more foreboding closer that carries serious weight and a soot-black atmosphere from which there is no escape.

You can always rely on Burnski and his many labels to keep DJs and dancers well-oiled with plenty of fresh house and garage tackle in various different guises. Constant Black keeps it stripped back with this new one from Rotterdam resident Fabio Santos. 'Midnight Protocol' is an ice-cold stepper, and 'Duster' gets more sleazy and raw with a heavy house foundation. There's wub-wub filth underpinning the garage shuffler 'Breather', old school ragga vibes on 'Request To All Junglist' and 'Conspiracy' is a light-footed hot-stepper with mutant energy. An absolute no-brainer that will become a go-to for months to come.

As ever, the Belfast duo come out swinging !
Tailor-made for raucous dancefloors, a 4-way of extensions and amendments from their private stash !

Some of your favorite tunes from Kolter's "H.K." alias are finally getting a vinyl release, congrats, you just found this summer's soundtrack.

Rooted in dubwise textures, subtle groove architecture, and warm analog sensibilities, this record unfolds with elegance, restraint, and a strong sense of atmosphere. With Echoform, the label once again underlines its refined aesthetic and deep understanding of timeless underground music.

With his highly accomplished third album If This Is It, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG, and 2000s-tinged trance.

The 12-track LP — featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, “Norwegian pop witch” Moyka, and Barry Can’t Swim affiliate just lil — explores letting go in a world that can often feel overwhelming.

“A million ideas turned into a few, a few turned into no ideas at all, and no ideas eventually turned into one,” says Jakobsson of the album, which he began the week his acclaimed 2021 record Mirrors was released. “Through writing it, I’ve tried to turn long-held anxieties into acceptance, and I hope listeners can take their own meaning from it.”

With his highly accomplished third album If This Is It, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG, and 2000s-tinged trance.

The 12-track LP — featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, “Norwegian pop witch” Moyka, and Barry Can’t Swim affiliate just lil — explores letting go in a world that can often feel overwhelming.

“A million ideas turned into a few, a few turned into no ideas at all, and no ideas eventually turned into one,” says Jakobsson of the album, which he began the week his acclaimed 2021 record Mirrors was released. “Through writing it, I’ve tried to turn long-held anxieties into acceptance, and I hope listeners can take their own meaning from it.”

Coming in extra bloody hot is the 6th release on Disco Combine, harvested from the fields of musical gold by Mr. Dave Lee. First up the epic 'Lovin' You (Was My Mistake)' a throaty Philly-soul favourite , which has been lovingly re-worked into a beefy peak time floor filler. For those who prefer a more dubwise approach, the 'Joanna's Groove' version starts instrumentally with rippling piano, building into a big string finale. On the flip 'How I Love New York' swaggers into your ears with all the class, style & panache you would expect from a jazz-fusion connoisseur living in the big Apple. Don't miss heading to the 'Midtown Dub' if you like things more squelchy and funktified.

“Dance Music That Hurts” — the motto of Work of Intent.
Hurts, because it goes straight to your heart.
There’s no better way to put it.
His productions are rooted in the UK underground,
dripping with both techno and pop sensibilities.
This is “big room” like you’ve never experienced it before—
music you can’t ignore, driven by storytelling and raw emotion.
He’s found a home on labels such as Monkeytown, Turbo, and REKIDS, and continues his relationship with Laurent Garnier’s COD3 QR .
Founder of the clandestine edit factory *Emotional Weaponry*,
he continues to receive support from industry heavyweights.
Former manager of *DAYTIMERS*, the UK-based collective championing
South Asian sounds, stories, and voices,
and a highly sought-after mix engineer for some of the UK’s most exciting prospects.
We’re beyond happy to welcome Roshan Chauhan aka Works Of Intent to the family.
Feels like the beginning of a long, dramatic love story.

Credits:
Written and produced by *Works of Intent*
Distributed by *One Eye Witness*

It’s a properly transcendent Kalahari debut as S.A.M. makes nods to ’90s Eurodance and deeper, spiritual invocations.

At the helm of multiple labels, but this marks a Kalahari debut for the Danish artist. Sometimes anthemic, sometimes operating from a more meditative space, but always serving as an outlet for ecstatic release. Rapturous big room ascension into more contemplative territory.

Channelling some divine NRG in the vocal hooks, like much of their work, an air of blissed intent cloaks the whole thing. This is a suite of tech and deep house that strikes a balance between the introspective and direct, the metaphysical and corporeal.

Pitting sonic immersion against forward momentum has almost become a blueprint for any Kalahari release, and here, we bear witness to a prime example. Heady stuff.

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Fresh as morning dew, “Sundays” marks Module One’s debut EP on Luck of Access. Throughout this beautiful release, the Berlin-based artist continues exploring the deeper shades of electronic music, our favorite, as he has done for the past decade. The EP is complemented by an ambient rework from Leafar Legov’s new alias “rfl”, making it the perfect closing piece, and the ideal soundtrack for a reflective Sunday at home.

Following on from his debut album, Miles Spilsbury returns to New Dawn with Spirit Level. A new project in collaboration with close friend Gorse Panshawe (formerly known as Slugabed - who also produced Miles Spilsbury's first album Light Manoeuvres).

Recorded over one weekend in a weaving shed in Frome, in the English countryside. Surrounded by reels of yarn, they explored saxophones, flutes, dusty old keyboards & drum machines. The resulting record conjures the murk and moss of Forestland and grounds with grooves from the Bongo setting on a Casio keyboard. Jake Long added mallet drums from his London studio to round off the album.

The first release of Sub Culture, Puzzle by Gregory Shiff, is a tech house masterpiece with both delicacy and an innate strength. The original release came out in 2003 on the American label Matter/:Form Records and immediately caught the attention of lovers of the genre. The release features four versions of Puzzle, including an “Unreleased mix” produced in 2003. A highly respectable repress for record bags, not only for those who love tech house.

Hand Stamped and strong limited! Analog and organic textures, patient grooves, no pressure. Built for trippy nights, long blends and moments when doubt turns into clarity. Poul Verner celebrates his debut on Nowawes with “Change My Mind.” Laid back dub techno on limited hand-stamped vinyl, deep and steady, driven by a grooving bassline, produced in Babelsberg, once known as Nowawes. From the submerged chords and playful percussion of the A side title track to the stripped down, dreamy late night drive of the Lesterr Interpretation on the B side, this record stays close to the floor.

More unknown artist business from the Only Music Matters crew and it's a case of more essential minimal across three fresh cuts. The first manages to pair the sort of drive you need to keep you locked with some swirling, heady pads that encourage letting your mind wander. After that full-sided odyssey, 'BBB001B' stars the flip with tighter, more rubbery drums and bass and alien sounds weaving in and out. 'BBB002B' shuts down with some tech-y loops and a little more menace and mischief in the clipped vocals and wispy synth modulations.

This is a highly limited pressing, please order your desired quantity and we’ll see what we can supply.

We are pleased to be back with the talented Groof, the experienced producer from Madrid’s legendary electronic music scene, who is responsible for our eighth release and his debut on Kontralamakina.

We welcome you to “Simulation.” This EP/LP consists of a collection of 5 tracks that explore repetition and dynamism, with structures generated by various noise sources and algorithmic sequencing with a raw and forceful sound. It consists of excellently stomping techno rawness exercises.

Plus 1 remix by the techno legend Oscar Mulero Remix; Outstanding mind bending tools, Expertly careful Drone treatments, Stunning, deep, atmospheric but energetic Techno voyage.

16 years after debuting, Coyote's hush-hush Magic Wand imprint continues to be one of the most reliable sources of Balearic-minded re-edits and reworks. Their latest is suitably mysterious - a single-sided missive released with no information about either the uncredited scalpel fiend behind it or the source material. What we can tell you is that 'Suntrip' is undeniably ace, with our shadowy editor delivering an extended, lightly dubbed-out take on what sounds like a mid-1980s big studio number: the kind of off-beat pop-not-pop record that Balearic heads love. Think synth marimba lines, fretless bass, effects-laden drums, glassy-eyed male lead vocals, glistening guitars, nods to dub and lashings

Collecting Orders For 2026 Repress

Few labels do minimal as well as Trelik and in terms of artists, Edwards is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.

Circus Operandi is the project of Donatas Chipak and Tumosa, two figures of the Vilnius electronic music scene, and residents at legendary clubs Opium (RIP) and Gallery 1986, where Ivan Smagghe & Niv Arzi (who jointly run Customs & Faces) met them countless times at countless hours. We’re not keen at describing the music we release at C & F, no need for pigeonholing ourselves but this EP completely ticked our boxes : electro, techno and everything in between, punch and deepness included.

Blah Blah has been played in every Ivan Smagghe set for the last 6 months and picked up by, amongst others, Shonky and Francesco Del Garda. Some kind of hit rambling about ordering a pizza is quite something. Fantast and Hints are slightly moodier pieces of emotional 4/4 electro while Denter subtly hits at non-cheesy trance. Expect much more from these two very soon.

Deep cuts for early and late hours. Caldo Verde opens warm and inviting, setting the tone with slow-burning depth. Bacalhau steps in with richness and weight, built for extended rotations. Medronho eases the pace, hazy and smooth, before Pastel De Nata delivers a soft, sweet release. Bica closes the circle, dark, sharp, and made to linger long after the last note.

ACTIVITY FM returns with AFM004, a four-track various artists release that cuts across electro, techno, house and Detroit-inspired machine funk. Each artist brings a distinct voice, yet the EP holds together as one focused statement for the floor: raw, futuristic and full of movement. Stripped-back but powerful, rooted in machine soul yet open to different regional energies and approaches. The result is a VA that feels cohesive without losing the individuality of its contributors, a versatile and high-impact 12” aimed squarely at adventurous dance floors.

ACTIVITY FM returns with AFM004, a four-track various artists release that cuts across electro, techno, house and Detroit-inspired machine funk. Each artist brings a distinct voice, yet the EP holds together as one focused statement for the floor: raw, futuristic and full of movement. Stripped-back but powerful, rooted in machine soul yet open to different regional energies and approaches. The result is a VA that feels cohesive without losing the individuality of its contributors, a versatile and high-impact 12” aimed squarely at adventurous dance floors.

Rooted in the deeper corners of minimal house and micro-driven grooves. UTROWAX001 marks the first wax chapter from Utro Records with Hive Minded EP, a refined and elegant three-track selection by Peter Zherebtsov, Vid, and Herck. Rooted in the deeper corners of minimal house and micro-driven grooves, this release brings together subtle textures, reduced rhythms, and a strong sense of late-night atmosphere. Wrapped in beautiful artwork and backed by a great minimal track selection, UTROWAX001 is a tasteful debut that captures the essence of understated dancefloor functionality and timeless after-hours appeal.

Markus Homm, the veteran Romanian DJ and producer who now lives in Nürnberg, drops a 3 tracker on the ever dependable Sublease Music. Cubicle is the perfect summation of Homm’s aesthetic - tight rhythms, heightened tension and precise sound design combining to make the perfect dance floor weapon.

Markus Homm, the veteran Romanian DJ and producer who now lives in Nürnberg, drops a 3 tracker on the ever dependable Sublease Music. Cubicle is the perfect summation of Homm’s aesthetic - tight rhythms, heightened tension and precise sound design combining to make the perfect dance floor weapon.

This album plays like an invitation rather than a record - a slow boarding pass to an imagined retreat somewhere beyond gravity. Analogue synths shimmer like gold, bubbling rhythms drift in gentle orbits, and playful melodies sketch out distant galaxies with an easy, unforced charm. There's a strong lineage here, with the music echoing classic library and soundtrack recordings cherished by deep diggers, yet it never feels nostalgic for its own sake. The grooves are light but nourishing - 'Uranium Jungle' has a touch of Luke Vibert's frisky funk about it, while 'Martian Sunset' is interstellar bossa nova with a light dusting of 70s analogue magic to boot - designed as much for sofa-bound drifting as for attentive listening. Musicianship is front and centre throughout, with smart, accessible compositions that reward repeat visits. A fully realised concept - sign us up for a stay.

New York's P-Sol lands again on their small but already well-formed PS7 label with a pair of smartly crafted and soul-soaked cuts. 'Fat Beatty' comes first and glides in on silky, neo-soul style deep hip-hop with an easy, late-night warmth topped by a few bars of neat rhyming. On the flip is something more playful and funky with jazzy keys dancing over the languid rhythms. 'Legend' features some familiar gravelly but emotive tones as well as some other smart samples from the hip-hop world. Smooth yet substantial, this is P-Sol at his most relaxed and refined.

While brothers Simon and Robin Lee have kept themselves busy, both with EPs as Faze Action and numerous offshoot and solo projects, it's been almost 12 years since we last heard a fresh, full-length excursion from the long-serving duo - at least under their most famous moniker. Predictably, Distant Dreams was worth the wait, with the Lee siblings continuing their richly organic approach - think live bass, guitars, strings, keys, flute and percussion alongside synth sounds and drum machine beats. Musically, it draws on their now well-known influences - warming disco, jazz-funk and Balearica with nods to other musical cultures - and delivers eight impeccable tracks that undoubtedly sit amongst their classiest work to date. It's good to have them back.

Rarely-seen Delsin alumn Sentomea resurfaces on the M>O>S label with the Wonderment EP, brandishing a blissful quintet of tracks in his trademark style. Inspired by organic textures in sound and image, this release merges distinctive sound-design with raw improvisation and hardware-based live performance. A carefully selected set of tracks takes you along clunky Chicago house sounds, far away echoes from the NWAQ universe and lo-fi Detroit oriented journeys.

Raw, focused, and deeply machine-driven, a record that embraces the essence of hardware-based production with confidence, energy, and character. There is no excess here, no unnecessary decoration, just a direct and powerful sound shaped by tension, movement, and the unmistakable warmth of true analog gear. Techno record built for dark rooms, serious systems, and lovers of authentic machine music. A powerful release that captures analog techno in its most direct and effective form.

The 8th edition in the revered Semi Skimmed series...

Another surefire trio of deep digs - lovingly restored, extended and adored nuggets from the deepest crates



SUPER limited hand-stamped vinyl...

Detroit Techno Militia! Based in Detroit, J.Garcia has been a stalwart in Detroit’s underground music scene. DTM009 is his first release on Detroit Techno Militia. In the classic DTM tradition: all three cuts are aggressive to the core. They display harder side of the beat-down that Detroit Techno music delivers.

Fast At Work touches down with its fifth flight, and it’s come a long way. Hailing from Kyoto, Japan, Stones Taro delivers three original productions that move through dubstep, breakbeat and the restless spaces in between — a record that carries the weight and precision you’d expect from one of the most in-demand producers to emerge from Japan’s underground in recent years.

This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.

In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.

'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.

Tip on sleeve.

Latin Grammy-Winning Producer Pupillo Unites Global
Artists on his new album

Co-produced by Mario Caldato Jr. (Beastie Boys), featuring collaborations with Rodrigo
Amarante, Carminho, Adrian Younge, Gaslamp Killer, Cut Chemist, Hervé Salters, and more
Drummer, percussionist and producer Pupillo, one of the most influential figures in Brazilian
music and a four-time Latin Grammy winner, releases his first original album through the Los
Angeles–based label Amor in Sound. The record brings together an impressive and diverse
group of collaborators from Brazil and abroad. Amor in Sound is run by Samantha Caldato,
the project’s executive producer and creative director, and Mario Caldato Jr. (Beastie Boys),
who co-produced the album alongside Pupillo. The project was developed in a free,
experimental environment, allowing the artist to explore the many rhythmic and sonic
territories that have shaped his career — from Northeastern Brazilian traditions to jazz, hip
hop, and cinematic soundscapes. Listen here.

The album features special appearances by Brazilian artists such as Céu, Rodrigo Amarante,
Agnes Nunes, Amaro Freitas, Davi Moraes, Alberto Continentino and Pedro Martins,
alongside a strong roster of international collaborators, including Carminho, Gaslamp Killer,
Loren Oden, Adrian Younge, Cut Chemist and Hervé Salters (known for his work with
General Elektriks). The album’s 12 tracks were further enriched by contributions from
Jeremy Gustin, Roberto Schilling, and other musicians who make Amor in Sound Studios in
Los Angeles a place of creative exchange.

Beyond his work as the drummer of Nação Zumbi, Pupillo has built a prolific career as a
producer and collaborator with some of the most important names in Brazilian music,
including Gal Costa, Nando Reis, Erasmo Carlos, Céu, and Otto, helping to shape the sound
of multiple generations. This trajectory has earned him four Latin Grammy Awards.
From Pernambuco, Pupillo is also an acclaimed composer for cinema, having written
soundtracks for films such as Arido Movie and Blue Blood (directed by Lirio Ferreira), The
Assailant (directed by João Daniel Tikhomiroff), among others. This cinematic sensibility
permeates the album, which unfolds like a film, moving through richly textured soundscapes
that cross continents and musical traditions.

Firstly, there is also a new special limited-edition one-off pressing edition orange-pressed CD enclosed in jewel case and slipcase. 18 years on from its original release Studio One Dub remains super-hard hitting featuring classic + rare Dub tracks from Studio One, many available on vinyl for the first time in over thirty years.

Studio One Dub includes the dubs of many classic tracks such as Horace Andy’s “Skylarkin”, Johnny Osbourne’s “Truth and Rights”, John Holt’s “Hooligan”, Freddie McGregor’s “Bobby Bobylon” plus many more rare tracks.

The album also comes with two rare interviews - one with Clement 'Sir Coxsone' Dodd about dub and dubplates and one with the sound engineer Sylvan Morris, talking about his groundbreaking period at Studio One and his many innovations that he evolved there.
In short, this is a 100% essential album!



"Almighty slab of dub featuring loads of rare and classic dub versions of Studio One's foundation tracks." Rough Trade

“Quite a treat awaiting here for the unsuspecting reggae faithful – as always with Soul jazz chock full of a bunch of big tunes – but here in version form lies some of the freshest rhythms and most radical revisions of some of the greatest Studio One music. The darkest and the absolute deepest in the series – naturally essential.” Boomkat

"Continuing the Studio 1 Series this album features classic and rare Dub tracks from Studio One, many available for the first time in over thirty years. Studio One Dub includes the dubs of many classic tracks such as Horace Andy’s “Skylarkin”, Johnny Osbourne’s “Truth and Rights”,
John Holt’s “Hooligan”, Freddie McGregor’s “Bobby
Bobylon” plus many more rare tracks. In short, this is an essential album!" Wax Museum

Official reissue of a German under-the-radar disco tune. The original from 1979 is a bubbling dancefloor stomper with freewheeling synth lines. For the flipside of this 7" Korkut Elbay created a spaced out balearic dub rework. Picture sleeve with a funky painting by Holger Kurt Jäger that picks up on the original.

The melody of 'Butterfly Dance' came to Dieter Bührig's mind as a butterfly floated through the recording studio during a session break. The resulting track landed on a compilation with mostly cover versions of disco hits. Now, more than 45 years later, the tune found its well-deserved single release on funkscapes.

Korkut Elbay is a fixture of Cologne's electronic music scene for over 20 years. He's part of the Cómeme camp and with remixes and edits for labels like Permanent Vacation or funkscapes he prooves his sensitive feel for the dancefloor. So does he on this rework, giving the orginal space to breathe and calm down without leaving the dancefloor.

Dieter Bührig studied electrical engineering and sound recording in Berlin. Afterwards he worked several years as a sound engineer for the music industry and as a producer. Later on he worked as a teacher for physics and music, trained trainee teachers for secondary schools and wrote articles and publications on musical education, choir and band arrangements. Nowadays he's writing, among other things, musical crime stories.

Dark, futuristic, fearless and built for those who understand that techno is not just style, but vision. Detroit Techno Records welcomes one of the true architects of Detroit electronic music: Suburban Knight. Known off-record as James Pennington, he is widely recognized as a foundational figure in the city?s history, an artist whose recordings helped define the darker, moodier and more cerebral edge of Detroit techno. His classic works such as ?The Groove? and ?The Art Of Stalking? remain touchstones of the form, while later activity with Underground Resistance further cemented his role in shaping the deeper mythology of the Detroit sound. Coming straight from Detroit, USA, DTRV011 is more than another catalogue entry. It is a new chapter from a genuine legend, an artist whose contribution to Detroit techno was never peripheral, but central. Suburban Knight remains one of the rare names whose music still carries the original weight of the city: dark, futuristic, fearless and built for those who understand that techno is not just style, but vision.

Timeless and built by one of the legends who helped define the language of house music. Huge support by Ricardo Villalobos. KBMV001 is not just a debut catalogue number on Shelby own label, it is a foundation stone. Authentic, timeless and built by one of the legends who helped define the language of house music. Klassik Blueprint Muzic opens its catalogue with a statement. Widely regarded as one of the pioneers of the Chicago house sound, Shelby?s history reaches back to the formative years of the culture, with early milestones including ?Essence Of A Dream? under his Risqué III alias in 1987 and ?All For Lee-Sah? on Derrick May?s Transmat in 1989.

That legacy is exactly what gives ?OMG (Oh My God)? / ?Who Wants It DEEP?? its force. This is not nostalgia packaged as heritage, it is a living connection to the raw machinery, groove science and emotional depth that made Chicago house a global language in the first place. Shelby has long been associated not only with classic Chicago house, but also with the tougher edges where acid, techno and Detroit-inspired futurism meet, a cross-current reflected throughout his discography and in the way later reissue culture continues to treat his catalogue as foundational. Pressed on 180g vinyl and coming straight from Chicago, USA, this is a release that connects past, present and future in one gesture: authentic house music from a genuine architect, still speaking with authority.

Four cuts of grimey, creepshow, noir tech and jackin Chicago House by Fugitive Artifact, NYC-via-Atlanta artist behind the Headcrack party. Not a rehash or revival, but still full of respect for the founders of jack (also John Carpenter!). At times on the A-side, these tracks are psychedelic…driving bass lines over syncopated claps and rimshots with building, atmospheric swells inviting you to tumble down the manhole into a world of insomniac crime bosses and bleary eyed pleasures. The B side opens with a more techno tempo, but keeps the swirling percussion cooking. The record ends with an ominous daybreaker. You can hear the arrival of a grey dawn. An invitation to join the freaks in the gutter. Will you heed the call and join the ranks?!

"Music, like love, surprises you, makes your heart race, gives you new eyes with which to look at yourself in the mirror..." (Gigi Masin)
With an exclusive presentation by GIGI MASIN, UP TO 23 release their second album, now with an expanded three-member lineup following the permanent addition of ENRICO CONIGLIO over the founder members MARCO BUFFETTI and FRANCESCO FINCATO. The album draws inspiration from the 1980s, evoking atmospheres reminiscent of sci-fi soundtracks. Partly romantic, partly doom ambient, the work unfolds as a requiem for our planet. Liquid and enveloping atmospheres drift between melodic ambient territories — explored through processed guitars and synthesizers — and soberly electronic paths traveled to the rhythm of sequencer-driven patterns and programmed structures.
Dramatic and evocative moments emerge throughout this succession of varied yet perfectly integrated and fluid soundscapes, where sounds and progressions combine with ever-shifting solutions, following a descriptive thread that remains consistent as it continuously unravels through encompassing and emotionally engaging textures. AN APPLE A DAY YOU DIE ANYWAY is the perfect soundtrack to these dark times that UP TO 23 want to color in order to continue to hope, to live without having to survive.

Sadeira is a production trio made up of members based in both Brooklyn and Brazil and have dropped some global groove heat on the likes of Let's Play House and London-based Leng. For this one, they drop the first release from Ceci Discos in the form of the original single 'Miscigenacao'. It's a summer, deep cut sound with Balearic, MPB and jazz all colouring the swaying rhythms. Breezy vocals transport you to a coastal setting while the percussion is lively and authentic. The Jacques Renault Rhythmental remix lands more heavy but just as patiently, Diogo Strausz ups the sunshine with his piano-led reverie, and the Saidera Steppers dub is one to crank up nice and loud early in the evening.

Red light therapy, Fiona Zanetti’s debut ep is a body and mind driven sonic collection of memories: music from and for the club, the nervous system, the physical and the mental. Built on no nonsense grooves, haunted bass pressure, rolling percussion, breakbeats, and hypnotic vocals.

The record delivers functional dance floor tools with emotional depth. From the addictive affirmations and sultry bassline of trust the process to the sensorial, ambient slowdown of skin deep, the EP traverses house, techno, breakbeat, downtempo, and experimental club.

Engineered for heads down sets, late night hedonism, and those suspended moments when you plunge inward on a crowded dance floor, it balances inner and outer listening, unifying depth with playfulness and introspection with fun.

Budapest-based concept label, Blue Sun is launching their new line of vinyl focused releases, aimed primarily on DJs and collectors: the Blue Series. A counterpart to the Orange Series launched last year that showcases a more upbeat side of the label, the new collection presents a darker, more experimental, and introspective musical vision.

The first release in the Blue Series is a six-track EP by Budapest based multimedia artist, Virág Réti. Choosing her legal name as her artist persona (“Flower of the Meadow" in Hungarian) also with the track titles capturing the folk names of local fauna, Peremidő evokes the artist's innate connection to nature as a place of refuge from the noise of Eastern European urban life.

The EP’s motifs point back to early memories of sitting by a river, simply observing time flowing by. The arc of the songs follow the passage of a day, beginning with the hesitant sounds of early morning, gradually moving on toward more defined, rhythm-driven forms. As the airy textures slowly give way to structure and percussion comes to the forefront, the sense of direction becomes clearer, letting moments of gentle disorder and unexpected sounds to surface.

Virág previously appeared on the label’s Blue Sun VA II compilation with her track Bíbic. Since launching her ambient music project in the fall of 2024, she has become one of the promising newcomers in the Hungarian experimental electronic music scene. Her debut EP, Minden Ami Megmaradt (All That Remains), was released last November as the final offering of temporary nites label (2023–2025). She is also the founder and organizer of the Budapest-based experimental electronic event series Still Places.

The experiment aboard orbital station Sequoia-4 began as a routine test of the acoustic array. The team attempted to synchronize an analogue resonator with a quantum audio synthesizer. The two incompatible frequencies were expected to cancel each other out. Instead, the instruments registered a stable wave. It didn’t fade, on the contrary, it did respond to every sound, every movement around it.

At first, they assumed a coding error, but the wave began adapting to the researchers’ voices, shifting its amplitude and rhythm. Within hours, its spectrum started to resemble a heartbeat. The recording was forwarded to the Analysis Division, where it was named Hybrid Dub — a hybrid resonance formed between the machine and the human senses. The phenomenon proved unpredictable: each listener described different effects, from gentle euphoria to vivid recollections of memories that had never occurred.

Even after the system was powered down, a faint signal persisted in the ether — as if the mechanism had learned to breathe on its own. Some claimed that, when replayed, traces of the ocean, rustling leaves, and distant voices could be heard — as though the signal had passed through layers of living matter and remembered them.

The project was shut down, and the archive sealed. Only one line remained in the final report: “The signal wasn’t created — it discovered us.”

Crave Tapes strikes back with its second vinyl release. Felt Her Knife – an ode to romanticism and betrayal, portrayed by the Greek artist George Core McCall, known as Alpha Sect.
This 6-track EP opens with an invitation to take a step back in time, with a charming introductory descent, like the opening of a post-rock album. A melancholy cry, "Felt Her Knife", follows our journey into the psyche of this EP, driven by Alpha Sect’s sentimental but powerful vocals. "Drowning" merges the boundaries of what is real and what is lost in an ocean of despair. Not all those who wander are lost, and the "Fight in the Light" shows, with its powerful rhythms, that our guidance is within us. The call is stronger than we
sometimes think.
The vinyl is completed with beautiful remixes by the Swedish synthwave legend Tobias Bernstrup and Radondo from Slow Motion Records, adding an extra touch of “dancefloor-oriented” hopelessness and melancholia. Have you felt her knife yet?

The Parade imprint returns for its seventh outing, keeping the mystery alive with a four-track heater from a nameless contributor. The Neo Piano EP is a masterclass in dancefloor nostalgia, expertly blending the euphoria of the early 90s with modern, punchy production.

On the A-side, "Everyday" sets the tone with soaring chords and a breakbeat foundation that feels both fresh and familiar. It’s followed by "Angelite," a shimmering roller that leans into the lighter side of rave, balancing celestial pads with a driving rhythm section.

Flip the wax for "Somebody 2 Love," a high-energy edit that reconstructs a classic vocal into a peak-time breaks anthem. Closing out the record is "Da sweetest Ting," a bass-heavy, old-school leaning cut that lives up to its name with infectious hooks and a soulful finish.

Pure dancefloor functionalism with a sentimental heart—strictly for the heads.



>>> comes in different marbled colored 12 “ Vinyl and ONLY on Vinyl <<<