Suche:the rhythm

Panic is the very first pseudonym of the legendary DJ and producer Aubrey, also renowned to have set the seminal label Solid Groove in the early '90s which includes licensing from the likes of Derrick May, Carl Cox, Pete Tong. The original release "Dialated Rhythms / Last Injection" fully remastered and reissued via the Italian La Bella Di Notte, is a sublime mix of techno and sophisticated breakbeat for a hypnotic journey all the way through any classic warehouse parties.

"Secretsundaze continue their quest to uncover amazing new music with the signing of exciting young Dominican artist Boundary. At just 19 years old Boundary aka Josue Suero makes music that is brimming full of ideas and influences that belie his young age. The 'Interlazados' EP is his debut release for a UK label.

Taking cues from his fascination with video game music, his first real gateway to electronic music, the four track EP showcases Boundary's melodic sensibilities and ear for a killer rhythm.ALead track 'Opticamente Avanzando' unwinds over 12 minutes of deep, mesmeric melodic, contemplative electronica with hints of 90's UK rave influences.ACheck the grins when the killer bassline drops half way through!A

The glossy melodies, jazzy motifs and hip-tugging bass of 'OP.AV' and the breakbeat house of 'Interlazados' channel more lo-fi, ambient house influences but all sent through that unique Boundary filter. Finally, the brain-warming, hypnagogic, tempo-changing rhythms of 'Planos de Ausencia Casualidad' could be the EP highlight and recalls the work of Lone and Actress.

You could listen to these tracks and be mistaken for thinking this is an artist who has maybe been lost in the throws of extended Villalobos DJ set or the deep pads of old Sun Electric records, but as an artist who is an outsider to the European dance scene, his inspiration comes from closer to home, as Boundary explains:

"For this EP I was interested to see if i could hit close to the feelings i have when I listen to certain video game music, how I could convey the amazing and deep storytelling in these songs. I really wanted them to feel like a ride/adventure. 'Opticamente Avanzando' ('Optically Advancing' in English) for me is like a venture into a machine that analyses a bunch of electronic music genres and it outputs as many different variations of these genres it can, each with their own little quirk/details, creating something unique in the process."

With previous releases on LA based label, Point Records, and Paris' Third Try label (Axel Boman, SFV Acid) Boundary's emergence represents a promising prospect for the electronic music world and 'Interlazados' another essential release on Secretsundaze."

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

Dutch groove connaisseur Ivano Tetelepta returns to his home base ESHU Records. Presenting four tripped out originals accompanied by two excellent reworks by befriended artists Jasper Wolff and Ion Ludwig. The pack perfectly captures the loosely and laid back attitude of the label and Ivano himself, doing their own thing as always. The a-side is all about the groove, a stripped down and playful rhythmic jam built for a hazy late night session with Ion Ludwig turning this inside-out, transforming the original into a lengthy minimal dub version. The early morning sun rays bring the vibes on the flipside where 'Loosen Up' is an atmospheric 90s feeling techno floater where Indigo aera head honcho Jasper Wolff shakes this up with a fierce techno twist. As special addition there's a 7" where Tetelepta shows one of his enlightening dub meditations and a rambling early Mills-esque tribal work-out. The whole bunch is mastered by Marco Spaventi and will be released digitally and in special 12"+7" pack.

Part 2 of the compilation series sees the journey evolving, this time with a more upbeat affair. Not much has changed in terms of selection, as we continue to draw inspiration from the wider world, we bring to you the sounds of artists originating from Argentina, Japan, Netherlands, Portugal, Brazil and the UK. Beyond the restrictions of this physical realm, let you ears nourish the mind & soul as they traverse the world for you…

Argentinian resident Silvio Astier introduces us to the record with the aptly named ’Santa Maria del Buen Ayre’ - the former name of his hometown Buenos Aires. Easing us in with a wonderfully atmospheric piece, carefully mixing simple percussion patterns with his own well-crafted luscious guitar work.

Next up, we have Japan native/Berlin resident Kotoe continuing the flow of downtempo sounds that slowly settle us into this compilation. ‘Ondami’ conjures up images of a distant dream… the floating vocals and echoing chimes capable of drifting the listener to a place of blissful escapism.

The tempo is turned up a notch for the last track of side A, provided by UK born folklorica maestro El Buho. Renowned for his love of merging the traditional and natural sounds of South America with modern electronica, ’Swifts’ certainly ticks those boxes with an added touch of dance-floor-ready groove.

Portuguese native duo Oxhala continue to push the sounds on the flip side into heavier territory. ’Earth Spirit’ builds from an amalgamation of stomping tribal drums, hypnotically playful keys and distorted vocals, channeling the listener to our innate primitive spirit - this is one for the body & mind.

Dutch party-starter Mytron’s contribution ’Oil’ provides the fuel for the party as he turns to fast-paced conga rhythms, cowbells and elephant trumpets. These exotic sounds bounce along with ever-persistent energy to create the soundtrack to a hedonistic carnivalesque celebration of all things wild.

If you haven’t already peaked with the previous offering, Brazilian native El Peche wraps things up nicely with track ‘Rastro De Fogo’ (ft. Mari Branco). Tripped out vocals phase in and out as the track is dominated by a tight bassline before delicate keys bring in a softer element to finish.

ATA's newest release comes from The Yorkshire Film & Television Orchestra and features the vocal talents of Bugalu Foundation & Mind On Fire vocalist Martin Connor. This cover of the Georgie Fame classic "Somebody Stole My Thunder" features a powerhouse vocal performance from Martin Connor alongside the heavyweight big band brass sound of the Yorkshire Film & Television Orchestra's 10 piece horn section. This 7" single is backed with Rachel Modest's debut recording for the label, her intense vocal rendition of the Ben E King classic "I Who Have Nothing". Both tracks feature the trademark elements of the ATA sound: Big brass arrangements sit alongside the propulsive rhythm section, perfectly supporting both singers incredible performances.

Originally appearing as part of ATA Records free download series "Hard Work, No Pay" these 2 tracks have been sought after on vinyl for some time after garnering radio play and positive responses from BBC6 Music's Craig Charles Funk & Soul Show and the Huey Morgan show.

The Yorkshire Film And Television Orchestra is the brainchild of ATA founders Neil Innes & Pete Williams and multi-instrumentalist/arranger Steve Parry, who was approached by Neil & Pete in 2014 to provide the horn arrangements and brass performances for a then untitled British library style track intended for release as a 45. That track went on to become the track "Hawkshaw Philly" and features on the compilation "Early Works: Funk, Soul & Afro Rarities From The Archives" released earlier this year. Their shared love of huge big band arrangements and British library music ensured future collaborations, notably on this year's "ATA Records: The Library Archive Vol. 1".

Martin Connor is a well known face to anyone familiar with the Mancherster music scene and has spent 10 years as part of the Manchester collective "Mind On Fire" before providing vocals for the Latin-Funk band Bugalu Foundation (Legere Recordings).

Sheffield born,Rachel Modest developed her unique vocal ability within the churches and gospel choirs of her local community. Now based in Leeds she has developed a powerful and soulful vocal style that takes inspiration from artists such as Madeleine Bell, Dee Dee Warwick, and Dusty Springfield. Her debut for the label was this cover of the Ben E King classic "I, Who Have Nothing", which was later followed by an appearance on the debut 45 by The Magnificent Tape Band "Patterns in My Mind"and her own solo 45 "I Try/Forbidden Love", as well as collaborating with The Magnificent Tape Band on their debut LP "The Subtle Art Of Distraction" all of which received radio support from the likes of Gilles Peterson (BBC6 Music), Huey Morgan (BBC6 Music/Radio 2) and Lauren Laverne (BBC6 Music).

More glorious heat from the vaults of NYC's Disco powerhouse - P&P Records!

One of many labels operating under the equally legendary tutelage of Patrick Adams and Peter Brown, two truly colossal figures in NYC's music scene, the P&P records catalogue is still fascinating underground dance music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds its way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco CLASSIC!

Cloud One was one of Adams' numerous studio outfits, featuring a ridiculously healthy dose of the man's virtuoso keyboard and synth playing. This was a progressive Disco sound, the pairing of extremely danceable funk and R&B with some spaced out over-dubbed analogue synthesizers and keys made for a heady concoction indeed, especially in 1976 when this cut was released. This was one of many Cloud One trademarks and one of the things that make these records still sound so way out today! 'Atmosphere Strut' could not be a better title for this immense slice of true NYC space Disco - it's got it all - the driving rhythms of the Cloud One band, the killer vibes, celestial vocals and Adams' totally wigged out synthesizer workouts. On top of all this goodness, the main man Kon, Boston's editor supreme and self confessed DIsco fiend and digger, has dropped a stellar and respectful edit of Atmosphere Strut' for all your disc jockeys out there, featured here across the length of the B-side thus making this an essential repress of this legendary 12". If you don't know this jam, and you're a Disco head - you're in for a treat! You're gonna fly......!

This is a 100% legit reissue, made in conjunction with Above Board distribution and the Phase One Music group, lovingly remastered with love by Optimum Mastering, Bristol UK.

LTM presents a limited double vinyl gatefold edition (500 copies only) of B9, the definitive collection of cold wave and minimal electronica from Belgium, recorded between 1979 and 1983.
Originally released on Sandwich Records in May 1981, B9 featured 10 exclusive tracks by luminaries such as Digital Dance, Polyphonic Size, Kid Montana, Pseudo Code and Prothese, the latter the first recording project by Daniel Bressanutti of Front 242. Now digitally remastered, with 10 additional tracks on the second disc, this new deluxe vinyl edition also features Front 242, The Names, Marine, Siglo XX, The Neon Judgement, Berntholer, Allez Allez, Isolation Ward and more.
Cover op-art by Victor Vasarely. Design by Benoît Hennebert, based on a poster for The First Belgian Rhythm Box Contest (1981). Liner notes by James Nice. The existing CD version of B9 is also still available (LTMCD 2486) 

Repress

René Pawlowitz presents himself in many different forms; whether it’s as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, quality techno you can find on the planet. The Shed alias is usually reserved for his best work.

With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.

‘Try’ takes a broken-beat techno rhythm for it’s spine - reminiscent a little of the 2008/9 dubstep/techno crossover period. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.

‘Box’ is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb’ed ghostly samples.

Lastly we come to ‘Sweep’, a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rattling hi hats flair about over head. Great finish to a great EP.

Melissa Guion’s second offering for Kranky retains the glassy gauze of her debut, 2016’s Precious Systems, but shaded starker and darker, framed by mechanical rhythms and humid industrial moods. She speaks of Sour Cherry Bell as something of a reckoning with her tools of creation: “I was curious to see how far I could go with them, even if that meant reaching the ends of their capacity to do what I wanted. But I never exhausted them and they never exhausted me.”

Utilizing her trusted combination of instrumentation, Guion tracked the record between her New Orleans home and rehearsal space, capturing chemistries both intimate and expansive. The songs sway between twilit shoegaze, downer ballads, and gothic pop, mapping a delicate palette of electric melancholies, though in retrospect she cites as her primary muse the notion of power: “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” Sour Cherry Bell reverberates beyond the here and now into scenes unseen, worlds unheard.

Meda Fury is so gassed to welcome Silvestre back for a virtual hug and a 5 track EP of new jams and remix fire! The Lisbon boy done good has been enjoying some well earned praise for his last few releases - his '...is boss EP' on Secretsundaze, 'Girar' on Diskotopia, and 'Yeah' via yours truly. Gigs in Amsterdam, Bristol, Porto, London and Lisbon followed - including his debut on Boiler Room. For this new EP we are served 3 brand new Silvestre tracks and 2 huge remixes from one of the most respected labels in Lisbon - Príncipe! 'Todos Bem' starts as an organ led scratch-fest, with a tight auto-tune vocal from Silvestre himself, before mutating into an anthemic/hedonistic 303 acid and whistle banger! This euphoric string-laden track equally at home in Ibiza or Notting Hill Carnival! 'Paga O Que Deves' is up next; Joao's love of grime and UK bass culture is evident from the drop, twisted synths and breaks recall everyone from Eastman to Wiley. On the flip we find serious remix pressure from Silvestre's friends and contemporaries - the Lisbon crew of Príncipe! DJ Firmeza is up first, pushing the tempo way up on 'Yeah', turning it into a banging kuduro rave monster, propulsive batida drums upping the temperature. DJ Lilocox follows with an intense remix of 'Demónios Na Cabeça', converting it into a percussive trancey big-room bomb. Layers of mixed afro/gqom drums follow a strict samba-like rhythm forcing hands and possibly the ceiling higher.

Rian Treanor returns to Planet Mu for his raw and energetic second album "File Under UK Metaplasm". The enigmatic, sweaty energy of Tanzanian singeli and Chicago footwork are juxtaposed with slick, high-def bass weight which sits at the centre of the album. Opening track 'Hypnic Jerks' is the perfect example of this, with crinkled percussive loops cut through by machine-gun kicks and acidic wobbles. Elsewhere, 'Vacuum Angle' takes Sheffield's Warp-ed legacy and brings it crashing into the future, with rhythms collapsing into static and noise but never deconstructing or losing the flow. 'Debouncing' meanwhile folds gliding square synths into rattling dancehall kicks, joining the dots between SND, Equiknoxx and Wiley with a neon Sharpie. "It's using all those formulaic dance structures but just slightly mangled or messed up," he says. "I'm still focused on making dance music for clubs, but how far can you push that before it's just no."

Enigmatic producer RNDTXTR debuts on Rekids with a deep techno three tracker entitled‘Random EP’ this September.

“Some tracks just stick with you. They never leave your box, or in this case USB, and I’ve been playing these tracks from RNDTXTR for well over two years. Everywhere from Tokyo to Berlin. These have a universal appeal, being hypnotic and just the right balance between pushy club sounds and spatial melodies” - Radio Slave

Shrouded in murky atmospherics, ‘RND009’ opens the package with rigorous drums, shuffling shakers, sweeping pads and scintillating synths. ‘RND007 (Dub Mix)’ continues with a similar cantering rhythm as various rattling percussive elements work alongside clever automation for a tracky cut designed to lock listeners into a trance. Concluding matters, ‘RND004’ is the wonkiest number on the package with its syncopated groove and otherworldly melody.

Long-time friend of the label Parris debuts on Wisdom Teeth with a unique set of steppy house mutations, including a collaboration with AD93 star Minor Science. The record begins in downtempo mode. ‘Soft Rocks With Socks’ rolls out majestically on a slo-mo drum break and a two-tone bass loop, with shimmering pads and bleeping melodies counterbalancing a deceptively punishing low end. ‘Terrapin’ - a link-up with Minor Science - is a pristinely produced 100 bpm stepper, featuring razor sharp drum synths and crystalline MIDI melodies. To close, ‘Sabor a Ceniza’ pushes the tempo up towards peak time. What begins as a broken rhythm settles into a 4x4 groove, finding the exact midpoint between Roska’s UK Funky and Margaret Dygas’s work on Perlon.

Tape / Cassette

Longstanding collaborators & Bay Area based experimental duo Kush Arora & Lucas Patzek aka Only Now & Orogen return with ‘AVULS’, the project’s sophomore release.

Building on the unearthly, black hole transmissions and creaking, exospheric ambience of their self-titled debut, Only Now & Orogen present an abyssal, elemental broadcast from another unchartered extra-terrestrial zone. Remote and astronomical yet tied to a newfound sense of rhythmic structure, ‘AVULS’ navigates a course through inverted beat-led frameworks, surging detonations of sub-bass, and severely turbulent, monumentally scaled soundscapes.

Amidst this large, slow-moving cyclone of sound sit fragmentary emergences of choral voices and Gregorian chants; a distant, esoteric presence within dense eruptions of attritional noise and infinite recesses of low end.

In harsh, pointillistic detail and through infernal surround sound, Only Now & Orogen channel dub, noise and power electronics, evoking a distorted, ritualistic inflection on the Voyager Golden Record; a mass of tectonic motion and friction; a storm in deep space.

Take a deep breath and relax with the ultimate electronic selection.