Search:the sound of hardcore

'Through Today' is the sophomore album for rising Australian band Chimers. A husband / wife duo comprising life partners Padraic Skehan (vocals / guitar) and Binx (drums / vocals). Recorded by Jono Boulet (Party Dozen) over two days at Stranded Studios, Wollongong and mixed at Boulet’s Sydney home studio, produced by the band and veteran manager / promoter / producer Tim Pittman (Feel Presents), 'Through Today' features ten tracks of tightly-coiled intensity that barely lets up for all of its 34 mins. In enlisting Boulet, the band were confident that due to his own experience of being one half of Party Dozen, they had someone who understood the confines of working within the structure of a two-piece but also the possibilities that creates. Boulet, in turn, rewarding that trust by capturing a powerful bedrock of sound that allowed the band's taught rhythms to circle and permeate and yet give full breathing space for the melody within. For Pittman’s part, having a third ear on hand to devote serious listening time and critical commentary was an added bonus. It’s a major step forward from the band’s 2021 self-titled debut. A twelve track effort that snuck out during covid and only hinted at the power within. "Our debut felt more like just trying to capture the songs we had at the time, we weren’t sure if we’d even release it or if it would be our only album" "This time around we were intent on capturing the energy and intensity of our live show on the recording but with a more produced sound than self-titled. We worked more on song structure previous to the sessions. We rehearsed a lot playing quietly so we could actually talk to each other whilst playing the song and iron out any kinks.” “Jono turned the whole live room into a drum room, mics everywhere. The guitar amps were situated outside to prevent too much spill but still recorded live along with about half of the vocals. Second guitar and the rest of the vocals were recorded the next day. Jono was super quick and had the same work ethic and mindset, get in, get it done. If the first take was good enough, move on.” - Padraic Lyrically Chimers maintain the intensity as they tackle the themes of love, life, death and relationships, distance from home (Padraic is Irish, moving to Australia in 2001) and the current political climate providing enough drama to fuel a forest fire. Guest musicians on the album include saxophonist Kirsty Tickle - also of Party Dozen - and violinist Jordan Ireland of The Middle East. Both of whom were invited in on short notice adding their respective parts in just 1-2 takes each without any prior knowledge of the material. Binx too showing added versatility contributing lead vocals to An Echo and sharing lead across 3AM, Generator and others. “Singing is not something that comes naturally to me, and it was at the last minute before we went into the studio that Padraic suggested I sing the lead in An Echo. Having very minimal musical instruments within the band I think having the two different vocals adds a nice dynamic to the record.” - Binx 'Through Today' is a great album. Solid and confident from the get go. No waste. No unnecessary fat. Should it be Chimers last it would remain a defining statement of originality and intent. But it’s not the last, it’s just the beginning. And there’s plenty more where that came from. BIO Like many good bands Chimers are a band born of isolation, not geographically though, via the pandemic. Irish born Padraic Skehan and his life partner Binx, formed the band in their Wollongong backyard during the initial lockdown of 2020. Veterans and drummers both of the ‘Gong’s vibrant garage-scene – The Pink Fits, The Drop Offs, Evol and more – Chimers is an altogether different beast, Padraic taking a giant leap forward by removing himself from the back-seat and assuming the role of driver; singing, playing guitar and writing the songs that would eventually become their 2021 self-titled debut album. It’s a sound and album that draws heavily on Skehan’s time as a youth in Ireland and the post-hardcore sounds of Dischord Records, Husker Du, The Wipers and which has seen the band find friends and favour in like-minds The Mark Of Cain, Henry Rollins, Guy Picciotto and Mudhoney. This is no mere nostalgia though, the band instead landing at the vanguard of a new generation of Sydney and surrounds bands – Body Type, Second Idol, Dust, Private Wives, R.M.F.C – borrowing from the past in order to create a future.

Released in 2018, the Original Blunted Breaks Vol.1 compilation was a landmark release in the future jungle revival,
collating the sounds of the rapidly emerging underground in long player format and extending the reach of the modern
Productions behind the clubs and hardcore vinyl enthusiasts to the likes of BBC Radio 6, with guest Dead Man’s Chest mix and album feature on Tom Ravenscroft’s show.

In the ensuing years, contemporary jungle music has continued to gain in popularity with a rapidly expanding global influence and reaching younger audiences who’ve adopted it as the sound of now.

In 2025, Western Lore continues to push the freshest rising talent alongside now established stalwarts, continuing its role as a modern tastemaker in both jungle music and the wider electronica scene. This 4 track LP sampler is a flavour taster for the next iteration of the Blunted Breaks compilations, with Vol.3 due late Spring 2025.

Formed in Oakland just before the pandemic's onset in late 2019, SPY has built on the foundation of bands like Bad Brains and Poison Idea rather than following the current wave of metallic hardcore. They’re set to unleash their latest EP, Seen Enough, on Closed Casket Activities, out February 21. No song on Seen Enough ever overstays its welcome, instead embodying what makes hardcore frenetic. Burning through six songs in under ten minutes, every track is a testament to the energy the band has built up through relentless touring. SPY worked with Jack Shirley at Oakland's Atomic Garden to record the EP. Shirley captured their essence by recording live to tape, eschewing the modern practice of individual tracking in favor of a more immediate, visceral approach that better represents their explosive live show. That in-room chemistry is immediately apparent – songs like "Stay In Your Lane" maintain the texture and grit you'd get at a show in between every huge riff. Seen Enough doesn't hide what it's about: society's continued descent with diminishing hope for course correction. From the jump, SPY has followed in the lineage of Bay Area punks like Dead Kennedys and Ceremony in both attitude and awareness. Their latest offering maintains the critical edge of their earlier material while expanding their lyrical scope, delivering a streamlined punch that hits hard through its runtime. By staying true to themselves, SPY has carved out their own niche in the modern hardcore landscape. After touring with legends and contemporaries alike including Gel, Full of Hell, Ceremony, Municipal Waste, Sunami and playing basically every fest worth caring about including Sound and Fury, Outbreak, Sick New World and LDB, 2025 is set to be a monstrous year for SPY.

Ignite’s A Place Called Home 25th anniversary edition on vinyl with bonus tracks out in March 2025 Svart Records is proud to reissue the Californian melodic hardcore band Ignite’s album A Place Called Home. Previously released on vinyl only on its original release date in 2000 on TVT Records, A Place Called Home will finally be available on wax again on March 21st, 2025. Formed in Orange County in 1993, Ignite's sound is hard to pin down. Their music contains elements of punk, hardcore, alternative, and even heavy metal. Their 30-year career has produced several classic albums with A Place Called Home being their commercial breakthrough album, combining the spirit and muscle of hardcore and the catchy tunes of west coast punk rock. Sixteen songs loaded with great hooks, compelling, socially conscious lyrics, and the heaviness that hard music fans love. The band’s bassist and founding member Brett Rasmussen comments the reissue: "When I found out that the guys at Svart Records were licensing A Place Called Home for a vinyl reissue I was beyond stoked. This album will finally be available again, after being out of press for so long, and this time there will be colored vinyl! I'm really looking forward to spinning this reissue and I'm happy that it will be available for our fans to enjoy again on a turntable." The authorised Svart Records 25th anniversary edition of this modern genre-defining classic contains three bonus tracks previously only available on the European CD version of the album and comes with an insert. Available on Svart exclusive black & white marble vinyl, limited transparent red vinyl, and classic black vinyl. A Place Called Home is out on March 21st, 2025.

Ignite’s A Place Called Home 25th anniversary edition on vinyl with bonus tracks out in March 2025 Svart Records is proud to reissue the Californian melodic hardcore band Ignite’s album A Place Called Home. Previously released on vinyl only on its original release date in 2000 on TVT Records, A Place Called Home will finally be available on wax again on March 21st, 2025. Formed in Orange County in 1993, Ignite's sound is hard to pin down. Their music contains elements of punk, hardcore, alternative, and even heavy metal. Their 30-year career has produced several classic albums with A Place Called Home being their commercial breakthrough album, combining the spirit and muscle of hardcore and the catchy tunes of west coast punk rock. Sixteen songs loaded with great hooks, compelling, socially conscious lyrics, and the heaviness that hard music fans love. The band’s bassist and founding member Brett Rasmussen comments the reissue: "When I found out that the guys at Svart Records were licensing A Place Called Home for a vinyl reissue I was beyond stoked. This album will finally be available again, after being out of press for so long, and this time there will be colored vinyl! I'm really looking forward to spinning this reissue and I'm happy that it will be available for our fans to enjoy again on a turntable." The authorised Svart Records 25th anniversary edition of this modern genre-defining classic contains three bonus tracks previously only available on the European CD version of the album and comes with an insert. Available on Svart exclusive black & white marble vinyl, limited transparent red vinyl, and classic black vinyl. A Place Called Home is out on March 21st, 2025.

The sounds, songs, and passages within Power Sucker are the very reason that Young Widows are still a band after an 11-year creative pause; they remain masters at making music with equal parts sonic and emotional weight. Young Widows have inspired scores of underground artists across the globe with their unique collage of noise-rock, hardcore, and post-punk and pioneering presentation. The Young Widows sound - or more accurately, the Young Widows feel - is in full battering ram motion on their fifth studio album. The heaviness of Power Sucker isn't mysterious. The Louisville, Kentucky power trio play their individual parts with such recognizable precision and style that once entwined together each completed piece becomes an integral part of the puzzle. The sizzling guitars, growling bass, and lock-tight drums rip through the pavement that Young Widows had previously laid to allow the most forward-moving vocal arrangements of their now two-decade career. Historical accomplishments aside, Power Sucker has the shock and wonder of a new band's debut album. After all, this is the regrouping of three passionate lifers once again sharing their undying love for the art of sound. No one and no thing can take those powers away.

The sounds, songs, and passages within Power Sucker are the very reason that Young Widows are still a band after an 11-year creative pause; they remain masters at making music with equal parts sonic and emotional weight. Young Widows have inspired scores of underground artists across the globe with their unique collage of noise-rock, hardcore, and post-punk and pioneering presentation. The Young Widows sound - or more accurately, the Young Widows feel - is in full battering ram motion on their fifth studio album. The heaviness of Power Sucker isn't mysterious. The Louisville, Kentucky power trio play their individual parts with such recognizable precision and style that once entwined together each completed piece becomes an integral part of the puzzle. The sizzling guitars, growling bass, and lock-tight drums rip through the pavement that Young Widows had previously laid to allow the most forward-moving vocal arrangements of their now two-decade career. Historical accomplishments aside, Power Sucker has the shock and wonder of a new band's debut album. After all, this is the regrouping of three passionate lifers once again sharing their undying love for the art of sound. No one and no thing can take those powers away.

Gates To Hell is ready to unleash their first full length album since signing to NB

The ground quakes, the surface fractures, and a colossal force rises from the abyss: GATES TO HELL have returned to deliver their undeniable truth—Death Comes to All. Blurring the lines between death metal, hardcore, and every brutal sound in between, GATES TO HELL bring a monstrous energy to the studio which has evolved into a rising juggernaut of sonic destruction.
Fueled by youthful ambition and a sharp creative focus, the result is a record that balances raw intensity with a sharpened sense of precision. With Death Comes to All, GATES TO HELL solidify their place in modern heavy music’s pantheon

All songs recorded and mixed by Pat Lilley at Nexus Recording Studio in Waukesha
Wisconsin between 1998-1999. Songs 1,2, and 4 originally appeared on Parallel
Chlorophyll Regions (Highwater Records 005) 1998. Song 3 originally appeared on
Akarso/Seven Days of Samsara Split 7" (Ricky Schroeder Fan Club 001) 2000. Songs
5-8 originally appeared on Akarso/Faraquet Split CD (404 Records 002) 1999.
Milwaukee's underground scene of the late 1990s harbored many hidden gems, and
Akarso is certainly one of its finest. Blending elements of post-hardcore, math rock,
screamo, and noise rock, the trio quickly made a name for themselves during their
short yet intense existence. Their chaotic and intricate sound earned them a loyal
following within math and post-hardcore circles, and they toured extensively, leaving
behind a legacy that would influence the Midwest's underground music scene for
years to come. With Leave Quietly: 1997-1999, Akarso's complete recorded catalog has
been unearthed, giving listeners a chance to experience the raw energy and innovative
sound of a band that was well ahead of its time. Released through Expert Work
Records, this LP collects Akarso's recorded output from their brief but impactful run.
Featuring Nathan Lilley on vocals and guitar (who would later gain notoriety with Call
Me Lightning), Joe Wong on drums (now a prolific composer for TV and film and host
of The Trap Set ), and Greg Roteik on bass (of Key of Evil fame), the trio's musical
chemistry is undeniable. Their dynamic interplay and knack for combining dissonance
with technical precision is immediately apparent, and this collection serves as both a
time capsule and sheer example of their musical skills.
The songs feel unpolished in the best possible way, full of jagged guitar riffs, off-kilter
rhythms, and aggressive vocals. It's easy to hear why Akarso garnered attention
during their brief career: their music demanded attention. Tracks from the collection
highlight their ability to balance complex structures with visceral energy, reflecting
their post-hardcore roots while pushing into more experimental territory. At the heart
of Akarso's sound is their seamless blending of math rock's technical precision with
the ferocity of post-hardcore and noise rock. The intricate guitar work of Nathan Lilley,
coupled with the driving rhythms of Joe Wong and the powerful basslines of Greg
Roteik, creates a tense and unpredictable musical experience. Time signatures shift
without warning, dissonant riffs collide with frenetic drumming, and Lilley's vocals
pierce through the chaos with a cathartic and desperate intensity.
It's a challenging, chaotic, and emotionally charged album that captures the intensity
of Akarso's live performances and the raw energy of their songwriting. More than two
decades later, Akarso's music remains as vital and relevant as ever, and this collection
that their legacy will continue to inspire future generations of musici

The band is considered as a unique combination of the darkest sides of many
underground genres like grindcore, black/death metal, ambient, drone and of course
psychedelic music.

Tons formed in 2009 with members of hardcore bands from the 00's Turin scene (The
Redrum, Lama Tematica and NoInfo). Slow and heavy sounds take the place of
frenetic HC rhythms; the texts speak about weed in an ironic way, but also about a
certain tendency to esotericism that characterizes the city of Turin. In 2010 they
recorded a demo and in 2012 their first full length "Musinee Doom Session, Volume 1",
recorded by Danilo "Dano" Battocchio, was released for the Turin-based Escape From
Today (EFT050) and for the young Roman label, Heavy Psych Sounds (First non Black
Rainbows release, HPS005). In 2013 a split with Lento from Rome came out and Tons
began to plow the European venues, opening the stage for bands like Bongzilla,
Unsane, Church of Misery, Napalm Death, Pentagram etc ...

In 2015 the drummer Marco Dinocco left the band and was replaced by Andrea
Peracchia (Dogs for Breakfast/Slaiver). Paolo Paganelli (Woptime/Linea77) was also
added as lead guitarist. In 2018 the second full length of the band "Filthy Flowers of
Doom" was released for Heavy Psych Sounds Records, which would bring Tons again
around Europe in 2018 and in 2019. In 2021 they released a split record with the
mighty Bongzilla followed by a European tour together in 2022. On 7th October 2022
the band released a brand new album called "Hashension" and a repress for the 10th
anniversary of their debut album "Musinee Doom Session, Volume 1" with remastered
audio and a new cover artwork.

During these years Tons played in many important Festival, such as Desert Fest
London and Antwerp, Sonic Blast, Frantic Fest, Venezia Hardcore and HPS Fest.
QUOTE From the Band :"Three fun tracks for lovers of head banging who don't take
themselves too seriously like our friends Teo Segale (Rumore Mag.) and Ranch Sironi
(Nebula) to whom these songs are dedicated. "

This latest opus marks the band's studio comeback since 2018's "City Of Dope And
Violence", plus the opportunity to work with underground scene juggernauts like Tons
and Subsound Records and the consolidation of Alexander Lizzori as active producer
("Cyclops" / "2" era drummer and long time collaborator).

The band is considered as a unique combination of the darkest sides of many
underground genres like grindcore, black/death metal, ambient, drone and of course
psychedelic music.

Tons formed in 2009 with members of hardcore bands from the 00's Turin scene (The
Redrum, Lama Tematica and NoInfo). Slow and heavy sounds take the place of
frenetic HC rhythms; the texts speak about weed in an ironic way, but also about a
certain tendency to esotericism that characterizes the city of Turin. In 2010 they
recorded a demo and in 2012 their first full length "Musinee Doom Session, Volume 1",
recorded by Danilo "Dano" Battocchio, was released for the Turin-based Escape From
Today (EFT050) and for the young Roman label, Heavy Psych Sounds (First non Black
Rainbows release, HPS005). In 2013 a split with Lento from Rome came out and Tons
began to plow the European venues, opening the stage for bands like Bongzilla,
Unsane, Church of Misery, Napalm Death, Pentagram etc ...

In 2015 the drummer Marco Dinocco left the band and was replaced by Andrea
Peracchia (Dogs for Breakfast/Slaiver). Paolo Paganelli (Woptime/Linea77) was also
added as lead guitarist. In 2018 the second full length of the band "Filthy Flowers of
Doom" was released for Heavy Psych Sounds Records, which would bring Tons again
around Europe in 2018 and in 2019. In 2021 they released a split record with the
mighty Bongzilla followed by a European tour together in 2022. On 7th October 2022
the band released a brand new album called "Hashension" and a repress for the 10th
anniversary of their debut album "Musinee Doom Session, Volume 1" with remastered
audio and a new cover artwork.

During these years Tons played in many important Festival, such as Desert Fest
London and Antwerp, Sonic Blast, Frantic Fest, Venezia Hardcore and HPS Fest.
QUOTE From the Band :"Three fun tracks for lovers of head banging who don't take
themselves too seriously like our friends Teo Segale (Rumore Mag.) and Ranch Sironi
(Nebula) to whom these songs are dedicated. "

This latest opus marks the band's studio comeback since 2018's "City Of Dope And
Violence", plus the opportunity to work with underground scene juggernauts like Tons
and Subsound Records and the consolidation of Alexander Lizzori as active producer
("Cyclops" / "2" era drummer and long time collaborator).

Cumulating tens of millions of streams with hits like ‘Jump up Pon It’, ‘Heal Them’ or ‘Supanova’, BROTHER CULTURE is a true icon of the global reggae and dub scene. As one of the UK’s most influential voices, his career has spanned decades, earning him legendary status and a devoted following worldwide.

Now, Brother Culture joins forces with Swiss reggae powerhouse THE 18TH PARALLEL to deliver ‘Ghetto Man’, a commanding anthem of social emancipation. This track blends Brother Culture’s unmistakable lyrical prowess with The 18th Parallel’s hardcore roots-driven sound, creating a powerful call to rise above adversity and fight for justice. Brother Culture’s reputation as a trailblazer in reggae and dub shines through in every verse, while The 18th Parallel cements their place as a leading force in modern roots music. Together, they’ve crafted a track that resonates deeply, speaking to both the struggles and the strength of communities worldwide.

Adding to the magic is the presence of Paolo Baldini DubFiles on the mix, turning the song into a sound system killer with his dub effects. A true mix lesson that connects with reggae enthusiasts and newcomers alike.

White LP. Born out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. Prior to the release of their 1984 debut S/T EP, someone gave Touch and Go Records owner Corey Rusk a cassette of the recording, and he was instantly a huge fan. Rusk was immediately interested in releasing the EP and contacted the band to express his admiration. At the time, Scratch Acid had already committed to working with Rabid Cat Records, who released the band's debut release S/T EP (1984) and their only full-length album, Just Keep Eating (1986). The group quickly developed a riveting performance aesthetic, and, as the debut S/T EP made its way around the country via fanzines, college radio, and word-of-mouth, the band mounted short tours to the Midwest and the East Coast. After playing a total of 146 shows, Scratch Acid broke up after the long tour that followed the release of the Berserker EP (Touch and Go Records, 1987). Since that time, the band have had many imitators, and many alternative bands have cited Scratch Acid as one of their influences.

Born out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. Prior to the release of their 1984 debut S/T EP, someone gave Touch and Go Records owner Corey Rusk a cassette of the recording, and he was instantly a huge fan. Rusk was immediately interested in releasing the EP and contacted the band to express his admiration. At the time, Scratch Acid had already committed to working with Rabid Cat Records. The group quickly developed a riveting performance aesthetic, and, as the debut S/T EP made its way around the country via fanzines, college radio, and word-of-mouth, the band mounted short tours to the Midwest and the East Coast. While he was not able to work with Scratch Acid directly through Touch and Go, Rusk had begun booking shows with Scratch Acid in Detroit, so he could see them live and meet them. A friendship formed, and Touch and Go Records would eventually release the band's second EP, Berserker, in 1987.

Born out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. The band's eventual permanent line-up consisted of David Yow on vocals, Brett Bradford on guitar, David Wm. Sims on bass, and Rey Washam on drums. During their brief existence from 1982 to 1987, the band released 3 records, including a full-length album (Just Keep Eating) and two EPs (S/T EP, Berserker). On March 14, 2025, Touch and Go Records will release the Scratch Acid Box Set - limited to 2000 sets worldwide. Remastered by Bob Weston at Chicago Mastering Service, the box set includes 180-gram clear LP pressings of all three releases as well as a 24-page booklet featuring exclusive behind-the-scenes photos, liner notes by David Yow, Brett Bradford, and photographer/journalist Pat Blashill, as well as full-color paintings by contemporary artist Mark Todd from the same era as the cover art for the S/T EP and Berserker releases. In addition, this limited Scratch Acid box set includes an exclusive clear vinyl 7" with both tracks the band contributed to the 1986 Touch and Go Records compilation, God's Favorite Dog. The 7-inch includes cover art by Mark Todd as well.

"Stoned Immaculate" (1991) ist das wohl bekannteste Dub Syndicate-Album, aufgenommen zwischen Jamaika und London. Zu den rockigen Rhythms des Bandleaders Style Scott gesellen sich weitere Topmusiker wie Skip McDonald (git), Lee "Scratch" Perry und Akabu on vocals, Leith Levene (keys), sowie Samples des verstorbenen, großartigen Prince Far I. Es markiert eine Zeit, in der das Label von Acid-House-Fans ebenso angenommen wurde wie von Hardcore-Dub-Fans, und diese LP zum festen Bestandteil der "Comedown"-Session nach dem Rave wurde. Der Titeltrack ist eine wahre On-U-Sound-Hymne, die Reggae, ausgeflippte Electronica, The Doors und Motown zu einem epischen Groove vermischt. Das seit Jahren vergriffene Vinylformat wurde von Frank Merritt im The Carvery neu geschnitten und enthält rare Fotos von Coneyl Jay und neue Linernotes von Rob Harris (Testpressung).

Since its release in March 2024 Perc's album 'The Cut Off' hascontinued to rise in stature with glowing reviews including an 'RA Recommends' award from Resident Advisor , 'Best of 2024' list appearances and tracks such as 'Static' featuring Sissel Wincent and 'Imperial Leather' becoming dance floor hits around the world. The album also spawned a 26 date album tour with shows at festivals and clubs across Europe, USA and South America.
Now 'The Cut Off' returns as two remix EPs containing reworks from a wide range of artists all operating at the cutting edge of forward facing electronic music, with this first EP taking in everything from tough industrial hardcore through deeper sounds all the way to London acid techno.
Opening up the EP is Dutch legend Ophidian, who transforms 'Static' from grinding techno into an epic fusion of hard edged techno and industrial hardcore. Already one of the most requested tracks from Perc's recent sets, this Ophidian remix once heard is never forgotten.
Staying with the Netherlands, Vera Grace shows a relatively new side to her sound moulding Perc's 'Fett23' into a echoing slice of hypnotic techno. Heavy on sound design with a driving synthesised pulse leading the charge Vera's remix constantly builds momentum without ever getting repetitive.
On the B-side Acerbic (aka London acid techno hero Ant) pumps 'Imperial Leather' full of caustic acid with a huge arrangement that never sits still for long. Perc is known as a key supporter of this classic London sound and this remix has been his biggest acid track recently.
Finally Argentina's Zisko becomes the first ever South American artist to appear on Perc Trax. A breakout star of the new wave of groove led percussive techno with multiple recent appearances
at Berghain, Zisko takes deep cut 'Milk Snatcher's Return' and adds swinging hihats and rides and just a touch of dub techno for a perfect example of why his sound is so in demand right now.

B & C können laut sein, leise und alles dazwischen. Eine ziemlich treffende Beschreibung, wenn auch etwas heruntergebrochen. Ein sound-ästhetischer Angriff, der Einflüsse wie Sunny Day Real Estate, Neutral Milk Hotel und Nirvana offen legt, ihr 2011 erschienenes Debütalbum ,Separation", das Balance and Composure als eine der vielversprechendsten Underground-RockNewcomer präsentierte. Separation ist ein wegweisendes Werk des Post-Hardcore und Emo. Der kraftvolle und emotionale Sound ist ein Muss für Fans des Genres. Mit Tracks wie ,Void" und ,I Tore You Apart In MyHead" zeigt das Album die dynamische Bandbreite der Band und derer Songwriter-Skills ebenso. Die Themen des Albums - Isolation, Verlust und Bewältigung werden durch den leidenschaftlichen Gesang und die raue Instrumentierung bestens ins Bild gesetzt. Wenn Du auf der Suche nach einem authentischen Post-Hardcore-Erlebnis bist, ist ,Separation" ein Muss für deine Sammlung. Für Fans von Citizen, Turnover, Tigers Jaw, Touché Amoré, Sunny Day Real Estate.... - Neue 2025er-Pressung auf klarem, grünen Vinyl!

LIMBOY RETURNS WITH EXPLOSIVE SOPHOMORE ALBUM 'II' French Noise-Punk Quartet's New Album Arrives via Stolen Body Records Stolen Body Records announces their newest signing LIMBOY and the release of their sophomore album 'II'. Following their spontaneous and raw 2022 debut (delayed due to the global pandemic), the French quartet has channeled their infamous live energy into ten uncompromising tracks that showcase their evolution and musical prowess. The album will be released worldwide on vinyl, digital platforms, and all major streaming services. Emerging from Angers' vibrant rock scene, LIMBOY has built their reputation through incendiary live performances and notable support slots for acts like Metz. The band, comprising members known for their work with Tinny Voices, Eagles Gift, Bermud, San Carol, and Sheraf, brings a wealth of experience and musical diversity to their distinctive sound. 'II' sees LIMBOY diving deeper into their hardcore punk roots while embracing the sonic textures of '90s noise rock. The album's ten tracks are a testament to the band's growth, addressing themes of personal struggle, introspection, and the persistent doubts that shape human experience. Their commitment to raw energy and authentic expression remains unwavering, resulting in their most focused and powerful release to date.

Sub Oscillator AKA Russ Gabriel has been part of the UK dance music scene since 1992, spanning everything from Breakbeat, Hardcore, Techno, Electro, House, Acid, Broken Beat and Ambient. But his first releases were under the guise of Sub Oscillator, releasing 3 EPs during 1992.

This is EP 2 that was originally released on Stu J’s Adrenalin Recordings out of Southampton and was dropped frequently at the legendary Madisons club in Bournemouth, where Stu was the resident DJ.

The most collectable of the 3 EPs under this name, it brings together the sounds of the hardcore rave scene, breakbeat and even some proper hardstyle Euro techno vibes too.

"I imagine that one of the first things I heard in the world was the
explosion of a Russian ammunitions factory on the outskirts of my
hometown. It blew up the night I was born a new GDR-citizen. I´m not
sure I heard a noise when the Wall came down, but it still echoes in my
body. The echo contains many frequencies. Some of them sound like Gabber
playing in my childhood room over the speakers my grandfather once stole
from a Leipzig radio station. Some of them sound like me and my friends
running through the streets. They sound like my mother laughing and
consoling women in the women´s shelter where she worked in 1992. They
sound like birds: my father swears after the Reunification the great
crested grebes on the town lakes lost all fear of humans. Some of them
sound like these recordings."

Exploding In Sound Records is thrilled to reissue Yeddo, the debut album from Boston’s Grass Is Green. Originally self-released back in 2010, the seminal record, which pre-dates the label, celebrates fifteen years in 2025, and the band will reunite to play a weekend of shows together with Ovlov, Speedy Ortiz, and special guests in Boston, Brooklyn, and Philadelphia. A truly legendary debut, this record served as a major catalyst for the formation of Exploding In Sound, and Grass Is Green’s third album, Ronson, eventually became the label’s very first release. We’re beyond excited to bring Yeddo to vinyl for the first time ever, a raw and flawless album of arty punk, post-hardcore, and math rock that feels exuberant at all times.

First released over 30 years ago, this EP, as with Volumes 1,2 & 3, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. All four tracks are iconic, and big influences to the hardcore scene that followed. This edition of The Pulse EP is the first reissue in this original vinyl form since 1992, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time, all sounding as fresh today as it did back in the early 90s.

Untouchable Hardcore Jungle Techno Darkside Monsters originally released in 1993

With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.

Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.

Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.

After the iconic Musica da Discoteca series, l’oggetto returns with DANCE, a new 12” continuing his exploration of the rooted electronic music interplay between his native Italy and his adopted home, the US.

With his signature deep vibes and iconoclastic style, these four new tracks deliver a sonic journey through oblique electronic textures: raw and sharp yet smooth and uplifting; leftfield and trippy, percussive and bouncy, hypnotic and transcendental.

l’oggetto is the moniker of NY-based Italian multidisciplinary artist Marco Scozzaro. With roots in the Italian hardcore/punk subcultures of the ’90s, he quickly embraced electronic music production and club culture. True to his DIY ethos, in 2020 he co-founded MKDF Records to release and distribute his uncompromising sound.

Anxious’ second album Bambi arrives this winter on Run For Cover Records. It’s been a whirlwind few years for the Fairfield, Connecticut five-piece – since the release of their debut album Little Green House, there’s been little time for anything other than consistent touring with bands like Hot Mulligan, One Step Closer and The Wonder Years. Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album.

Bambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. Bambi is the sound of Anxious putting everything on the line–and coming out on the other side better than ever.

Inspired by “big swing” records like Blink-182’s self-titled or Jimmy Eat World’s Clarity, Anxious set out to redefine the band without losing sight of what made them work in the first place. Tracks like “Head & Spine,” “Sunder,” and “Tell Me Why” showcase the scope of Anxious’ evolution, tapping crunchy ‘90s rock guitarwork, layered ‘60s-esque harmonies, and crisp, modern production that captures the unrivaled energy of seeing the band play live.

On "Not Around But Through", Portland-based experimental musician and tape wizard Amulets
 navigates the process of acceptance and the tumultuous journey of looking within. Over the course of 8 tracks he explores the emotional path of moving through rather than circumventing, in the process soundtracking a purposeful desire to face trauma and vulnerability.

Infusing his trademark ambient soundscapes with ambitious blends of post-hardcore, emo, and metal, "Not Around But Through" connects the dots between personal and social dislocation, leaving us with a taste of the fragmented and fallen future we are all steeling ourselves for. Traversing a landscape that varies from gentle and meandering to explosive and cathartic, Amulets uses cinematic tension and relentless attention to detail to construct his sonic apparitions. On "Lifelike" he collaborates with Midwife, incorporating Madeline Johnston's voice into a song that pulsates with post-shoegaze transcendent energy.

Amulets is the solo project of Portland-based audio + visual artist Randall Taylor. Amulets employs handmade cassette tape loops and live processed guitar loops to create live, lush soundscapes and immersive drones. Through the recontextualisation of cassettes, sampling, field recording, and looping, these long-form compositions blur the genres of ambient, drone, noise, and electronic music.

First of two EPs dedicated to the dark futuristic sound of Lorenz Attractor, legendary experimental Hardcore-noise duo from UK.

Mantar erreichten mit ihrem letzten Album Pain Is Forever... (2022) Platz 2 in den Offiziellen Deutschen Charts!- Year End "Best" Listen: Metal Hammer Deutschland, LAWeekly (US), Exclaim (CA), Terrorizer (UK)- Vorgestellt auf: All New Metal/Black & Dark Metal/The Pit/Metal Planet (SPOTIFY), Breaking Metal/New Music Daily/Optimus Metallum/Breaking Hard Rock (APPLE MUSIC)- Mantar hat 8,5 Millionen Streams auf Spotify erreicht- Massive Underground-Fangemeinde in Europa und Nordamerika, die auf einem jahrzehntelangen DIY-Ansatz und ausgedehnten Tourneen beruht- Vergangene Festivalauftritte: Hellfest, Download, Full Force, Oya Festival, Getaway Rock, Roadburn, The Fest (US), Wacken, Maryland DeathfestCharts (Pain is Forever...):Germany:#2 Official German Album ChartsAustria:#69 Official Album ChartsSwitzerland: #45 Official Album ChartsUS Billboard:#60 Current Hard Music Album#84 Top New ArtistsQuotes for Pain Is Forever and This Is The End (old):- Album of the Month - Metal Hammer (GER)"So präsentiert sich das räudige Doom-Duo auf PAIN IS FOREVER AND THIS IS THE END in Bestform. 'Art Is Hard', das wussten bereits die Indie-Rocker Cursive. Aber Mantar sind härter." - 6/7pts - Metal Hammer (GER)- Album of the Month - Metal.de (GER)- "Pain Is Forever.. skillfully keeps the balance between brute destructive fury and dense atmosphere in widescreen format with real underground hit potential." - 8.5/10 pts Rock Hard (GER)"So hält "Pain Is Forever..." gekonnt die Waage zwischen brachialer Zerstörungswut und dichter Atmosphäre im Breitwandformat und hat oftmals echtes Underground-Hitpotenzial zu bieten." - 8.5/10pts Rock Hard (GER)- "The blackened doom punk duo's biggest rock moment to date is not a betrayal, but an accomplishment" - Visions (GER)"Der bislang größte Rock-Moment des Blackened-Doom-Punk-Duos ist also kein Verrat, sondern eine Vollendung" - Visions (GER)- "A tremendous hit rate, as if we were not dealing with a regular longplayer, but with a "Best-of MANTAR". Very Strong!" - 8.5/10 pts Deaf Forever (GER)"Und so kann man "Pain Is Forever And This Is The End" eine enorme Trefferquote attestieren, so als ob man es nicht mit einem regulären Longplayer, sondern mit einer "Best-of MANTAR" zu tun hätte. Stark!" - 8.5/10 pts Deaf Forever (GER)"- "Compact and to the point interpretation of Black'n'Roll, which can not only split your skull, but also animate you to headbang and even sing along." - 9/10 pts Powermetal.de (GER)"Ein weiterer Volltreffer aus dem Hause MANTAR!" - 9/10 pts - Powermetal.de (GER) - "Auf dem neuen Album haben MANTAR nichts an Angriffslust und brachialer Wirkung verloren, ihr Repertoire jedoch eindrucksvoll erweitert, sind gewachsen und zu etwas in seiner grundlegenden Ehrlichkeit und massiven Härte unfassbar Schönem geworden, ohne auf ihren urgewaltigen Sound zu verzichten. " - 10/10 pts - Slam (AT/GER)- "Thicker grooves, anthemic refrains, head nodding rhythms and a greater exploitation of the fist-in-the-air-ology school of song writing." - 8/10 pts - Metal Injection (USA)- "...their latest studio album may be their best yet... a burning Molotov cocktail of black metal, sludgy hardcore and classic metal hooks..." - Decibel (USA)- "...they've made the album of their career so far; so buckle up and get ready for forty minutes of blackened punk that'll give you the kick up the ass you've been waiting for." - Distorted Sound (USA)- "I love how far my mind roams while listening to the same album on the repeat; the more I spin "Pain Is Forever And This Is The End", the more things I discover, driving me deeper into MANTAR's moving sand." - 10/10pts - Metal Kaoz (USA)- "Pain Is Forever... clearly takes some inspiration from their recent album of Grunge, Punk, and Riot Grrl covers by elevating this aspect of their sound a little more too, without dulling the unapologetically in-your-face edge of the music." - No Clean Singing (USA)

Mantar erreichten mit ihrem letzten Album Pain Is Forever... (2022) Platz 2 in den Offiziellen Deutschen Charts!- Year End "Best" Listen: Metal Hammer Deutschland, LAWeekly (US), Exclaim (CA), Terrorizer (UK)- Vorgestellt auf: All New Metal/Black & Dark Metal/The Pit/Metal Planet (SPOTIFY), Breaking Metal/New Music Daily/Optimus Metallum/Breaking Hard Rock (APPLE MUSIC)- Mantar hat 8,5 Millionen Streams auf Spotify erreicht- Massive Underground-Fangemeinde in Europa und Nordamerika, die auf einem jahrzehntelangen DIY-Ansatz und ausgedehnten Tourneen beruht- Vergangene Festivalauftritte: Hellfest, Download, Full Force, Oya Festival, Getaway Rock, Roadburn, The Fest (US), Wacken, Maryland DeathfestCharts (Pain is Forever...):Germany:#2 Official German Album ChartsAustria:#69 Official Album ChartsSwitzerland: #45 Official Album ChartsUS Billboard:#60 Current Hard Music Album#84 Top New ArtistsQuotes for Pain Is Forever and This Is The End (old):- Album of the Month - Metal Hammer (GER)"So präsentiert sich das räudige Doom-Duo auf PAIN IS FOREVER AND THIS IS THE END in Bestform. 'Art Is Hard', das wussten bereits die Indie-Rocker Cursive. Aber Mantar sind härter." - 6/7pts - Metal Hammer (GER)- Album of the Month - Metal.de (GER)- "Pain Is Forever.. skillfully keeps the balance between brute destructive fury and dense atmosphere in widescreen format with real underground hit potential." - 8.5/10 pts Rock Hard (GER)"So hält "Pain Is Forever..." gekonnt die Waage zwischen brachialer Zerstörungswut und dichter Atmosphäre im Breitwandformat und hat oftmals echtes Underground-Hitpotenzial zu bieten." - 8.5/10pts Rock Hard (GER)- "The blackened doom punk duo's biggest rock moment to date is not a betrayal, but an accomplishment" - Visions (GER)"Der bislang größte Rock-Moment des Blackened-Doom-Punk-Duos ist also kein Verrat, sondern eine Vollendung" - Visions (GER)- "A tremendous hit rate, as if we were not dealing with a regular longplayer, but with a "Best-of MANTAR". Very Strong!" - 8.5/10 pts Deaf Forever (GER)"Und so kann man "Pain Is Forever And This Is The End" eine enorme Trefferquote attestieren, so als ob man es nicht mit einem regulären Longplayer, sondern mit einer "Best-of MANTAR" zu tun hätte. Stark!" - 8.5/10 pts Deaf Forever (GER)"- "Compact and to the point interpretation of Black'n'Roll, which can not only split your skull, but also animate you to headbang and even sing along." - 9/10 pts Powermetal.de (GER)"Ein weiterer Volltreffer aus dem Hause MANTAR!" - 9/10 pts - Powermetal.de (GER) - "Auf dem neuen Album haben MANTAR nichts an Angriffslust und brachialer Wirkung verloren, ihr Repertoire jedoch eindrucksvoll erweitert, sind gewachsen und zu etwas in seiner grundlegenden Ehrlichkeit und massiven Härte unfassbar Schönem geworden, ohne auf ihren urgewaltigen Sound zu verzichten. " - 10/10 pts - Slam (AT/GER)- "Thicker grooves, anthemic refrains, head nodding rhythms and a greater exploitation of the fist-in-the-air-ology school of song writing." - 8/10 pts - Metal Injection (USA)- "...their latest studio album may be their best yet... a burning Molotov cocktail of black metal, sludgy hardcore and classic metal hooks..." - Decibel (USA)- "...they've made the album of their career so far; so buckle up and get ready for forty minutes of blackened punk that'll give you the kick up the ass you've been waiting for." - Distorted Sound (USA)- "I love how far my mind roams while listening to the same album on the repeat; the more I spin "Pain Is Forever And This Is The End", the more things I discover, driving me deeper into MANTAR's moving sand." - 10/10pts - Metal Kaoz (USA)- "Pain Is Forever... clearly takes some inspiration from their recent album of Grunge, Punk, and Riot Grrl covers by elevating this aspect of their sound a little more too, without dulling the unapologetically in-your-face edge of the music." - No Clean Singing (USA)

The 2003 debut album and a collection of early rarities from the genuine treasure of the UK underground. Remastered and available on vinyl for the first time in over two decades. “Legendary angular rock…Edgar Allen Poe meets The Fall” (The Guardian 2003) “Jarvis Cocker fronting Fugazi” (Melody Maker 1994) Joeyfat, from Tunbridge Wells in Kent, are the daddy of all the Sprechgesang bands out there. We searched on Wikipedia; they're not even mentioned. Maybe not such a bad thing. There are young scamps climbing up festival line-ups all over the world with more than a passing sonic and aesthetic resemblance. Influence can be picked up in diluted ways, maybe the true source of the river has been forgotten. Foals heard the source, they were there. So were Everything Everything. Ask them. Black Midi heard it third hand. Life Without Buildings heard it. So did Yard Act. You can see the pattern. From the early '90s Joeyfat, led by Matt Cole and Jason Dormon, have been perfecting and re-perfecting the sound. They toured with Green Day in 1994. They released music on the Fierce Panda label. They recorded BBC Sessions for John Peel and Marc Riley and released four albums and countless singles. They flirted with being known and they didn't like what they saw so they kept it local, building a community by setting up the Tunbridge Wells Forum, one of the great UK small venues. Debut album The House Of The Fat is a masterpiece, the musical precision recalls The Sound or B52s. The spot-on attack of the vocal and lyrics makes us think of Fugazi or Zounds. The Unwilling Astronaut compiles early singles and compilation tracks. Going all the way back to 1993 it shows how close to a DC-inspired hardcore band they were, it's a thrilling listen. Joeyfat shouldn’t need a re-introduction but they’re going to get one. The source of the river. The top of the family tree. This is where the resemblance comes from

Exit Wounds by The Haunted is a must-have reissue for fans of powerful, unrelenting metal. Originally released in 2014, this iconic album showcases The Haunted’s signature blend of thrash, death metal, and hardcore influences, with razor-sharp riffs and intense energy that set it apart in the genre. Known for their fierce, high-energy sound, The Haunted was formed in Sweden by members who went on to become legends in the metal scene, including guitarist Jensen, drummer Adrian Erlandsson, and vocalist Marco Aro. "Exit Wounds" delivers a potent mix of aggression and skill, with tracks that echo themes of struggle, endurance, and rebellion. This reissue celebrates the artistry and technical prowess that define The Haunted, offering fans and collectors the chance to experience "Exit Wounds" in a new, high-quality vinyl pressing.

With their name taken from an episode of the radio program The Goon Show, Ned's Atomic Dustbin formed in Stourbridge, UK, in 1987. They're known for using two bass-players in their line-up and creating a tense and highly driven sub-hardcore sound featuring distorted effects-laden guitar and energetic drums.

In 1992 they released their second studio album Are You Normal?. The album features their American hit song “Not Sleeping Around”, which hit the top of Billboard's Modern Rock Tracks chart. The album was produced by Andy Wallace, best known for his work with Slayer, Prince, Nirvana, Sonic Youth, Paul McCartney and so on.

Are You Normal? is available as a limited edition of 1000 individually numbered copies on translucent blue coloured vinyl and includes an insert.

Red w. Black Smoke Vinyl

After 25 years, eight albums, and countless gigs, BLEEDING THROUGH persist as a tried-and-true outlier in heavy music and culture. The Southern California stalwarts wield an enigmatic and unmistakable signature sound born at the cross roads of no-holds-barred hardcore, cutthroat thrash, and cinematic black metal.
Mastering a drastic push-and-pull, they have always occupied their own elevated realm in the extreme space, exhibiting a rare ability to not only incite a moshpit, but also invite complete immersion. It’s why they’ve endured changing tides and trends and stood strong as a force of nature with consistent critical acclaim and packed shows. However, the six-piece - Brandan Schieppati vocals, Derek Youngsma [drums], John Arnold [guitar], Ryan Wombacher [bass], Marta Peterson [keys, vocals] and Brandon Richter [guitar] - assuredly perfect this vision in 2025 on their aptly titled ninth full-length offering, NINE.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura were one of those bands. They cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound.

The band’s musical output was sparse. In addition to two 45s, the band released their only LP, To Change the Shape of an Envelope in 2000 on Troubleman Unlimited. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sound of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

In October of 2024, the band announced a partnership with Solid Brass records to begin work on reissuing their long out of print album. To Change the Shape of an Envelope has been completely remastered by Pete Lyman at Infrasonic Mastering with new artwork by Sonny Kay (The VSS, GSL Records).

To Change the Shape of an Envelope will be available digitally for the first time ever as well as on limited edition transparent red or opaque white vinyl on 2/7/25 from Solid Brass Records.

By the late 90s the independent music scene in San Diego, CA had become synonymous with noisy, post-hardcore bands that were pushing the boundaries of what it meant to be punk. Camera Obscura were one of those bands. They cut their teeth on the angular and abrasive sounds of Antioch Arrow, Clickatat Ikatowi, and Heroin, and incorporated synths and electronics to create their own dark, jarring, experimental rock sound.

The band’s musical output was sparse. In addition to two 45s, the band released their only LP, To Change the Shape of an Envelope in 2000 on Troubleman Unlimited. The album runs the gamut sonically with dark, high energy songs like “Twenty-Five Diamonds” and “Sarasota”, the early industrial sound of “Something About a Nightmare”, and the shoegaze influenced “Cinematheque”.

In October of 2024, the band announced a partnership with Solid Brass records to begin work on reissuing their long out of print album. To Change the Shape of an Envelope has been completely remastered by Pete Lyman at Infrasonic Mastering with new artwork by Sonny Kay (The VSS, GSL Records).

To Change the Shape of an Envelope will be available digitally for the first time ever as well as on limited edition transparent red or opaque white vinyl on 2/7/25 from Solid Brass Records.

Available on Bedroom Isolation Frosted Silver Still Void Crystal Clear vinyl for indies only. Genre: Indie Rock / Electronic. Following his post-hardcore heroics with Indian Summer and Calm, Marc Bianchi unplugged his distortion pedal and switched on the four track. From his boyhood San Mateo, California bedroom, Her Space Holiday explores the bewilderment of young adulthood through a dreamy prozac lens. This expanded 25th anniversary edition of Home Is Where You Hang Yourself includes an extra LP of remixed songs from Duster, Bright Eyes, Micromars, and Mahogany, an elegant tip-on jacket, lyrics, and 20 milligrams of millennial malaise. Ask your doctor if Her Space Holiday is right for you

Available on Bedroom Isolation Frosted Silver Still Void Crystal Clear vinyl for indies only. Genre: Indie Rock / Electronic. Following his post-hardcore heroics with Indian Summer and Calm, Marc Bianchi unplugged his distortion pedal and switched on the four track. From his boyhood San Mateo, California bedroom, Her Space Holiday explores the bewilderment of young adulthood through a dreamy prozac lens. This expanded 25th anniversary edition of Home Is Where You Hang Yourself includes an extra LP of remixed songs from Duster, Bright Eyes, Micromars, and Mahogany, an elegant tip-on jacket, lyrics, and 20 milligrams of millennial malaise. Ask your doctor if Her Space Holiday is right for you

Available on Bedroom Isolation Frosted Silver Still Void Crystal Clear vinyl for indies only. Genre: Indie Rock / Electronic. Following his post-hardcore heroics with Indian Summer and Calm, Marc Bianchi unplugged his distortion pedal and switched on the four track. From his boyhood San Mateo, California bedroom, Her Space Holiday explores the bewilderment of young adulthood through a dreamy prozac lens. This expanded 25th anniversary edition of Home Is Where You Hang Yourself includes an extra LP of remixed songs from Duster, Bright Eyes, Micromars, and Mahogany, an elegant tip-on jacket, lyrics, and 20 milligrams of millennial malaise. Ask your doctor if Her Space Holiday is right for you.