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Glasgow-based club night turned label ‘Silver Dollar Club’ collaborate with German producer wunderkind ‘DNAonDNA’ to deliver the imprint’s debut release. Featuring 4 head-spinning tracks picked freshly from the DNA vault, this is one not to miss!

UK producer Tom Caruana enlists a huge selection of UK talent including Dizreali, Professor Elemental, Sadie Jemmett, Dr Syntax, Teej, Longusto, Baba Brinkman, Koaste, Nick Maxwell and more. This album is experimental, eclectic, dark, playful and thought provoking. Everything is tied together by Caruana’s production and use of skits and spoken word.

The must have DJ tool is back for a third chapter

Label boss Pete OntheCorner has dipped into his secret stash of firelighters from around the globe.

On the Corner’s backroom and basement workout ‘Versus’ is brimming with heat and is once again the essential tool for discerning DJs.

The very latest productions, new signees, dubs and remixes bring a future taste of the action On the Corner. This uncompromising and unrivalled collection brings the label’s global family together on wax.

Versus III features tracks from Dengue Dengue Dengue, Khalab, Penya, Planet Battagon, Blood, Wine or Honey, James Stewart and the uncompromising street sounds of Mnanda from Dar es Salaam. Flexing their remix might for this 12”: Nicola Cruz, Mahgreban, Hieroglyphic Being and Sarathy Korwar goin’ in live.

There are some familiar faces occupying this tasty wax and some new comers.
Get your atlases out again as OtC criss-crosses the globe introducing you to artists from afar-afield as Dar es Saalam, Chicago, Hong Kong, Lyon, South London, Peru and Rome.

After Prins Thomas’ Ambitions album (released in April) follows a series of 12”s with remixes from the album! On this first release Prins Thomas gets remix treatment from Lauer on the album’s vocal track Feel The Love. 

The track is based around a sample of the track "Feel A Love" by one of the biggest pop-stars in Norway in the 70s and 80s, the late Alex (Naumik). The 12” contains a Prins Thomas Diskomix, album version and two remixes from Lauer.

Colombian Techno powerhouse Gotshell unleashes a barrage of his signature, twisted, bone-shaking, analogue techno bombs for 'The Draft EP' on Suara with remixes from label head Coyu and Argentinian producer Flug.

Firstly, the A side houses ‘Pears Cosmic’, a swell of glitches, thunderous kicks and rave stabs at a fever pitch pace and secondly '19 Caracteres’ a sci-fi blitz, comprised of killer drum programming, modular bleeps, zaps and urgent surges.

Flip it over to find Coyu’s reinterpretation of ‘The Draft’, reworking the drums, adding rapid-fire claps into the mix and leaving the trance stabs out for a more heads down approach. Finally, Flug takes on ’19 Caracteres’ focusing his remix around an atmospheric echoing synth line, punctuated and interspersed by the original’s glitchy sounds.

Here the second various artists on Amazing stories! This time signed by Saverio Celestri, Otis, Jacopo and Fede Lijt. Enjoy it!

The second EP in The Patchouli Brothers two part release on GAMM begins with 'Fuqua & James', an uplifting, warm and soulful disco jam that aims straight for the heart of any soulful disco head.
The B side 'Peace, Love & Understanding' is for all the Philly fans out there...just straight-up good disco music.

Eduardo De La Calle presents his new 12 inches in the new Rhod platform...

4 very sequential techno cuts with synoptic reviews and clearly syncopatic reactions produced with the intention and need of an intense search for new sounds and structures.

Eduardo always shows influences from the early and old pioneers who took control in the techno music business on previous decades...

we can name a few artists like New World Aquarium, Luke Slater or more recently Aubrey that have strongly influenced Eduardo in recent and format times also labels like Shelter Records or Solid Groove are important to be mentioned, they are platforms where Eduardo has also received notable influences when making this record.

In general terms a very solid 12" inch with character an over all... a work with personality for the most demanding DJs.

Mastered by Javier 'KTC Mastering'
Design - Antonio Romero

Rhod Records.

Digitally remastered tracks from 1993 by TCM. 'The Gospel According to a Soundbwoy' was only released on a Llabello record compilation. Proper 1993 hardcore breakbeat classics essential to your collection.

deepDownsizedbigroomtechnotools by Mørbeck with a Detroit-Peaktime Touched Remix by Label Head Templeton.

This year, First Word Records celebrates its fifteenth year in the game. The year commenced triumphantly with First Word being named "record label of the year" at Gilles Peterson's Worldwide Awards 2019. Over the past six months, we've seen new music from 14KT, Souleance, Myele Manzanza, Teotima, Don Leisure, Children of Zeus and a range of artists across Europe, on the 'Music! Musik! Musique!' compilation.

To commemorate the 15th anniversary, First Word has a series of releases in the works for the second half of the year which see collaborations by artists from the label's current roster. To kick off, we have this special double-AA sided 7" single featuring Darkhouse Family, Kaidi Tatham & Tyler Daley.

Darkhouse Family consists of two Cardiff beatmakers & musicians, Earl Jeffers - founder of Melange Records and producer of 'A Library Excursion' from 2018, and Don Leisure, who recently provided us with 'Halal Cool J', the beat-tape sequel to 2017's 'Shaboo'. Over the years they've had releases, solo & individually, on Fat City, Metalheadz & Earnest Endeavors to name a few, bridging the gaps between various strains of dance music, beats and hip hop, with the organics of jazz and funk. Recently making noise across the UK with their new live band, and production work for the likes of Kamaal Williams, this is their first new release since their highly-acclaimed 2017 debut album 'The Offering' & subsequent remix project which also featured DJ Spinna, and one Kaidi Tatham.

Kaidi Tatham is one of the most revered multi-instrumentalists in the game. His endless contributions have included Bugz In The Attic, Amy Winehouse, Slum Village, Mulatu Astatke, Soul II Soul, Moonchild, Leroy Burgess, Amp Fiddler and loads more. Dubbed by Benji B last year as "the UK's Herbie Hancock", his versatility as a musician is actually more akin to Prince. He can play most things, and play them well. Providing flute duties on this track, he also graces the flipside with a full "flutestrumental" version. Aside from numerous other projects, Kaidi released three EPs on First Word to date, 'Changing Times', 'Hard Times' and 'Serious Times', and an album last year, entitled 'It's A World Before You', which featured daddy of 2000 Black, Dego, son of Jazzy Jeff, Uhmeer and Children of Zeus, Konny Kon & Tyler Daley.

Tyler Daley hails from Manchester, alongside son of Zeus, MC / DJ / beatmaker, Konny Kon. Somewhat of a veteran in the game, Tyler is currently one of the most-recognisable talents in the British soul scene, also lending his talents to dance music royalty along the way, including the likes of Goldie, Zed Bias, DJ Marky & Lenzman. With Children of Zeus, the duo have had a whirlwind 12 months since the release of their debut album 'Travel Light', performing shows across the globe & gaining new fans daily. The record was named "album of the year" by Complex magazine and BBC 6 Music's Huey Morgan, amongst a number of other notable tastemakers & selectors. Hot on the heels of the 'Excess Baggage' EP, Tyler laces this one with his inimitable brand of bars and soul.

A veritable super-group amongst the First Word stable, this low-slung slinky joint sees the guys work up a unique blend of jazz, soul, beats and hip hop - guaranteed to go 'All The Way'…

'All The Way' is released on First Word Records on July 26th 2019, limited 7" vinyl & digital.

Produced & mixed by Darkhouse Family

Vocals by Tyler Daley (Children of Zeus)


b B1. All the Way (Flutestrumental) [feat. Tyler Daley & Kaidi Tatham]


[b] B1 | All the Way (Flutestrumental) [feat. Tyler Daley & Kaidi Tatham]


[b] B1 | All the Way (Flutestrumental) [feat. Tyler Daley & Kaidi Tatham]

As spring dawns, Rhythm Section International go from Local Artist to a pair of very 'local' artists - Peckham's very own Chris Watson + Chris Coupe; otherwise known as FYI CHRIS , who present the 'Back In The Millennium' EP as the labels 5th offering.The EP was born after a rather hazy late night listening session at Rhythm Section HQ, where bossman Bradley Zero was instantly beguiled by the Duo's hypnotic and rhythmically complex arrangements.The record begins abrasively with the trance-inducing mechanical stutter of 'back in the millennium', before shuffling into downbeat number 'Jeru' and then picks things up with the peak time groove of 'need i say more' before bringing us back down to earth with the melancholic acid bump of 'dedication'. Early support from Osunlade, MR.G, Ryan Elliott & Damiano Von Eckhert
Ready for Club Use..

“Featuring the rumbling scowls of James McGovern's vocals… a gloriously well-crafted narrative, it's abrasive punk stance and places itself, front row, in the eyes of those yearning for someone to die for.” ­
– THE LINE OF BEST FIT
Overview
“Green & Blue” is The Murder Capital’s second single, following their official debut single “Feeling Fades,” produced by Flood (Foals, PJ Harvey, Depeche Mode), digitally via their own label Human Season Records on January 11th and as a 7” on April 5th (April 19th in the US). "Green & Blue" was released digitally on April 25th and will be released on a limited edition 12" on June 14th via Human Season Records.

After a long silence (Since 2012) Head Fuck is Back on Vinyl !
A jewel... niether oldschool nore newskool, simply Hardcore and crazy dancefloor digger. Perfect souning. Comes with a sticker on the sleeve.

This shall be played 45 RPM (no jokes)

This is a limited LTD 200 Copies !

Repress

Galvanized by existential motivations, Imbue presents the fourth installment from their eponymous imprint: "Within the Gaze". Support by Raresh, Ferro, Sepp and Vlad Arapasu.

IMB004, 180 gram vinyl only release.

Electro techno, Dancefloor pearl !! LTD 1 per custommer !

Acidcore crazy stuff... Banging non stop soun

Acid hardtek banger ! Acid hardtek Killer !

- 180 GRAM AUDIOPHILE VINYL
- PVC PROTECTIVE SLEEVE
- SCORE BY JOHN DEBNEY
- CONTAINS A 8-PAGE BOOKLET
- LIMITED 15TH ANNIVERSARY EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT RED VINYL

Passion Of The Christ (2004), composed by John Debney, is the original score for Mel Gibson's controversial film The Passion Of The Christ. The soundtrack received an Academy Award nomination for Best Original Score and it was on the first place in both Top Christian Albums and Top Soundtracks in 2004. In 2005, the album won a Dove Award for Instrumental album of the year at the 36th GMA Dove Awards.

The soundtrack succeeds as a coherent, moving, well-executed musical statement whether or not has seen the film. The album is a combination of folk instruments, Eastern-tinged harmonics, solo, and choral voices. Debney has used the Indian master violinist and vocalist L. Shankar, and singer/double-violinist Gingger Shankar.

Debney's soundtrack is an interesting and highly recommended work. It will offer those who choose to encounter it a far-reaching and deeply affective listening experience that is as aesthetically beautiful and unsetting as it is evocatively familiar.

Available as a limited 15th anniversary edition of 500 individually numbered copies on transparent red vinyl.

Music by Davide Luciani (guitar, organ, synth and electronics). Recorded and mixed in Berlin in between 2017-2018 by Davide Luciani. Mastered by Simon Scott at SPS Mastering. Illustration by Anna von Hausswolff.

Biography:

Davide Luciani is an Italian electronic music composer and media designer, based in Berlin since 2011. He has a background in the Italian noise-rock scene with projects dating back to 2005. "Calming Counts" is Luciani's first solo release.

His solo practice places acoustic instrumentation into analogue/digital synthesis to create works that bridge the territories of noise, drone rock and minimal music. His approach to electroacoustic music – which he voices with guitar, piano, strings, accordion, synthesisers, VST sorcery and loopers – has a distinct harmonic hue, with layered repetitive patterns and instrumental polyphonies.

As sound and visual designer he has directed and curated a wide variety of projects from soundtracks to space design. His collaborations have been hosted at highly regarded institutions and venues such as Venice Biennial, Berlin Atonal, Ström Festival, Bayreuth Festspiele, Museum Omero, Tresor and MUSMA.

Luciani was a member of the label/platform Dromoscope and has collaborated as visual artist with Grün (Daniele de Santis) and Claudio Rocchetti. In 2014, together with sound artist Fabio Perletta, he co-founded Mote, a multidisciplinary design studio whose practice addresses arts and music.

“The Streets Got My Lady” became prolific as an upbeat modern soul gem on his one outing for the Piedmont label, original pressings of this today fetching in excess of £350. “Whatever I Am, I’m Yours” which has also become in demand and exchanges hands for over £250.

It had taken him almost three years to record, but in 1985 Jake Hottell finally finished his debut solo album, Break The Chains. Inspired by his opposition to fracking, anger at government corruption and a series of profound spiritual experiences, a hundred copies of the album were pressed and given away to radio stations, friends and local business interests in Hottell’s home state of New Mexico.



The album would have remained an obscure footnote in musical history had it not been for the efforts of DJs Danny McLewin and Jeremy Spellacey. Between them, they tracked down Hottell to hear his story, offering the former electronics engineer and Nashville-based music producer the chance to get his music to a whole new audience. Now, some 34 years after the private press edition was produced, Spacetalk is giving Break The Chains a full release for the very first time. Hottell began recording the album in 1982 after reading Your Body’s Many Cries For Water, a best-selling book by Dr Fereydoon Batmanghelidj about the health benefits of clean, purified water. Remembering the poisonous, methane-laden water that came out of his mother’s taps in the 1970s – a by-product of extensive fracking activity in the area around the family farm – Hottell wanted to create a set of tracks that registered his concerns, reflected his recent spiritual experiences (many of which he still finds it difficult to discuss today) and offered a meditative listening experience.



The resultant set is suitably cosmic and emotive, with Hottell cannily fusing gentle drum machine rhythms and dreamy synthesizer motifs – influenced, he says, by a love of the contemporaneous new age output of former jazz label Windham Hill Records – with his own glistening guitar passages, which sit somewhere between the homespun riffs of country music and the classical guitar solos that have long been a sonic staple of Spanish styles such as Flamenco. Many of the tracks have stories attached. “Horizon” features a profound spoken word vocal from local man Darald McCabe – whose homemade purified water helped Hottell recover from serious illness – while “El Rio dos les Delores” was composed after discovering that fracking was taking place on a local Native American reservation. “The Truth Is All I Want”, meanwhile, reflects Hottell’s growing exasperation at the extent of corporate greed and government corruption in the United States.



This new edition of Break The Chains has been painstakingly re-mastered from the original master tapes, while extensive new liner notes shed light on the remarkable musical and personal experiences that inspired Hottell to create an obscure, overlooked classic.

Archival reissue of the ethereal wonder from Italian architect / music installation & soundtrack master Piero Milesi. This lush adventure of mediative synth and melodic scores for lyricon and small chamber ensemble contains tracks from films "The Nuclear Observatory Of Mr. Nanof" (L'Osservatorio Nucleare Del Sig. Nanof, 1985), "The Oversize House" (La Casa Fuori Misura, 1985), theatre play "King's Night" (La Notte Dei Re, 1986), and video "The Presence Of The City" (La Presenza Della Citta, 1984) produced by The University For Architecture of Milan.

- For fans of library music, soundtracks, leftfield, synth, WRWTFWW Records, Vladimir Cosma, Piero Umiliani, sci-fi, experimental movies, and astronautic mineral engineers of the mental system.

Jimpster: 4/5 - “So much to love on here! Loca is a mind-bending workout for dark sweaty basements. Hey Life is hypnotic, life-affirming warmth to make the soul soar. Proper job Santiago!”

Gerd: 4/5 - “dope collection of trax by santiago salazar. well executed as always. amazing.”
Dom (Sub Club): 5/5 - “love Santiago .top stuff as always”
Cosmin TRG: 5/5 - “Excellent material Santiago! Congratulations”
Photonz: 5/5 - “Loads of killer tracks in here!”
Deetron: 5/5 - “Love this LP!”
Norman Nodge: 4/5 - “Yes, right up my alley! This has soul and a strong drive!”

Following Santiago's debut album Chicanismo released on Love What You Feel in 2015, The Night Owl doubles down on the artist's balancing act between techno and house. The blend of LA roots, Chicano heritage, Underground Resistance training, and love of house music is represented as an eight track album worthy of any music fan's collection or DJ's set. Released on May 17th, 2019 as an eight track digital album accompanied by a four track 12" vinyl EP.

Stylotone in association with The Frank Cordell Estate and director Larry Cohenis proud to announce the World Premiere Release of... Composed and Conducted by Frank Cordell (Khartoum, Ring of Bright Water)

An Academy Award-nominee in 1970 for his soundtrack to ‘Cromwell’ and composer of the infamous unused score to Stanley Kubrick’s ‘2001: A Space Odyssey’

A 4-Track 7” 45RPM Vinyl EP featuring music from the Original Motion Picture Soundtrack to the cult 1976 horror film (also known as ‘God Told Me To’)

Mastered & Cut by Sean Magee at Abbey Road Studios, London

A collection of contemporary reggae, dub and electronica, which marks a broadening of musical horizons for the label beyond reissues of lost African guitar dance music. The LP covers a range of Jamaican inspired sounds, including roots reggae, dancehall, dub and jungle, which may act as a taster for potential future releases.

Due for release in July 2019. Interest for airplay from Tom Ravenscroft and Gideon Coe from BBC 6 Music. Steve Barker plans to review for The Wire magazine

Kizen Records' third vinyl release "Dance Of The Kachinas" by Winter In June & Vayu including Claudio PRC remix.
Pressed on 12" 180g black vinyl + digital download card.

Craig Leon revisits the extraterrestrial origins of civilization on Anthology of Interplanetary Folk Music Vol. 2: The Canon, a continuing chronicle of his early 80s albums Nommos and Visiting. Exploring the cosmic lore of Leon’s earlier work, The Canon expands upon the conceptual cycle based on the alien and mathematical relationships that backbone the creation of art, architecture, science, and music.

In 1981, producer and composer Craig Leon, known in the downtown New York zeitgeist for his production on The Ramones and Suicide’s debut albums, released Nommos, a minimal, primitive electronic exploration based on a speculative, wildly imaginative anthropology.

After viewing an exhibition of Dogon art at the Brooklyn Museum in 1973, Leon remained fascinated by the Mali tribe’s creation myth that the Earth was visited in ancient times by the Nommos, a semi-amphibious alien race who travelled from the white dwarf Sirius B to impart their wisdom to mankind.

Nommos, curiously released on John Fahey’s Takoma Records, manifested Leon’s obsession and investigation: an abstract, ascendent collection of music that could have soundtracked the interstellar visitors’ journey to Earth. Shimmering, mechanical, and anchored by an entrancing pulse of the Dogon’s ceremonial music, Nommos and its sequel, the privately pressed 1982 album Visiting, careened into obscurity.

In the intervening years, while Leon pursued his career as a successful producer, cult interest in the albums grew, culminating in the Anthology of Interplanetary Folk Music Vol. 1., the 2014 archival collection which presented Nommos and Visiting as they were intended to be heard, two sides of the same coin.

The Canon picks up where Nommos and Visiting left off, tracing the path of ancient wisdom imparted by the Dogon’s alien visitors spreading from Mali into Egypt and across the water to Greece as imagined in William Stirling’s ""The Canon,"" an anonymous exposition of cosmic law published in a nearly invisible print edition in 1897.

Though the music – propulsive and spacious – is clearly of a part with Nommos and Visiting, the alien sounds of the Nommos become more familiar to western ears and musical vocabulary as the album narrative thrusts forward. The Canon implies – through ecstatic, contemporary sound and synthesis – that the origins of Western thought, and civilization itself, lie in the great beyond.

Nearly four decades since their first collaboration on Nommos and Visiting, Leon is once again joined by his partner Cassell Webb on vocals and album production. Leon composed, and both he and Cassell performed, and produced all of the music of The Canon, consciously engaging many of the same synthesizers and programs of Anthology of Interplanetary Folk Music Vol. 1 for Vol. 2.

‘Autonomy’ is a fiercely independent album and serves as a testimony to the united couple’s instinctive DIY attitude; for 10 years now, everything The Golden Filter has done from, producing, mixing, releasing, to shooting videos and press shots is a sovereign endeavour. Here, the duo finds themselves at a point of fearless positivity and an unbreakable creative synchronicity. This is undoubtedly one of their most focused and ambitious releases so far.

Born out of their own self-contained studio in Peckham, free from external influence, Penelope and Stephen set about on a mission of self-searching and solipsism drawing influence from their love and unity that sternly defies the damage caused by the ever-growing daily trauma of capitalism and politics. Staunchly feminist and optimistically reflecting on the growing human disconnect from reality, ‘Autonomy’ pulls subtly from the gloomier sides of British life and culture, The Golden Filter’s home now for the last four years.

‘Autonomy’ mines dark and experimental electronic tones; simultaneously conjuring dystopian synthscapes, EBM, post-punk, motoric electro and minimal wave. ‘Coercion’ is a mournful new wave cut that places Penelope’s recent brand of “inky dream pop” underpinned by Stephen’s pulsating synths as the perfect soundtrack to the rapture.

Tracks like ‘Autonomy’ and ‘Infinity’ find The Golden Filter in more familiar territory, thrusting post-punk electronics that straddle the gap between Panorama Bar staples and wayward, thought provoking art-pop. ‘Electric Light’ is an updated homage to old-school sounds of Siouxsie and New Order that take on the duo’s message of finding light in the dark and remaining open minded to each other as humans. Album closer ‘All The Queens’ is the most front-facing example of the duo’s political inspirations; imagining a new world, reborn under the rule of divine femininity.

We welcome James Clements aka ASC to our record collection with this varied and open styled 'Against the tide' vinyl. Four cuts of modern and precise techno, with the solid beats of Trident and the groovy infused Monochrome sharing the A side completed with the deep and slow paced Scattered Disc and the electrified Tenebra on the flip.
Solid tracks, made only with the strictly necessary elements, proving the maturity of this well seasoned producer.

This record contains two stone cold classics from the rave era. If you bought any tape packs or went to any raves in 1992, these are the two staple tracks most DJs would draw upon to keep the energy levels high.


On top of that, they are written by the rave overlord – Ellis Dee. Basically, the go to guy for any promoter that wanted their rave to be up there in the top tier.
These tracks sound as fresh and as the day they were released. And that is why we have decided it needed to have another short run repress as its been 4 years since we first pressed this record. But to make them even more special we have pressed 120 units on heavyweight 180g marbled grey vinyl. And as with every Vinyl Fanatiks release it comes presented in a black paper inner sleeve within a heavyboard Vinyl Fanatiks housebag.


This is a short run so get your orders in whilst they are in stock.


Fantazia… are you ready???

Stylotone in association with The Bernard Herrmann Estate, The Hitchcock Trust and Universal Picturesis proud to announce the World Premiere Release of...Marnie. Composed and Conducted by Bernard Herrmann (Vertigo, Psycho, Taxi Driver)

A 4-Track 7” 45RPM Vinyl EP featuring music from the Original Motion Picture Soundtrack to Alfred Hitchcock’s 1964 Production.

“No composer contributed more to film than Bernard Herrmann, who in over fifty scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese.”Steven C. Smith, author of ‘A Heart at Fire’s Center: The Life and Music of Bernard Herrmann’

Mastered & Cut by Sean Magee at Abbey Road Studios, London

In the world of disco edits The Patchouli Brothers are as in demand as you can possibly be right now.

Their edits and reworks are played and hyped by all the major players in the game and now they got a two-part release on GAMM.
On the first EP we begin with All Good Things, a looped up disco nugget aimed straight for the peak hour...decent!
On the B, we get more organic with a proper feel-good disco thang in classic Patchouli style.

Catalan Gypsy singer from Perpignan France has been making waves in the Gypsy Rumba scene with his new album "El Mundo".. prompting the release of this 12" Vinyl EP of his tune "La Rumba Me Va" with Remixes from Ashley Beedle, Art of Tones, Raph Dumas and Jeff The Fish covering several different styles from classic House, New Disco, Soul and Latin Jazz. There's something a little different here for the DJs... Gypsy goes global!

Taking influence from 1960's Thai funk - their name literally translates to "Engine Fly" in Thai - Khruangbin's debut