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UNLEASH THE ARCHERS, Kanadas aufregendste Modern Power Metal Band, führen ihren Erfolg mit dem neuen, sechsten Studioalbum fort: Phantoma. Thematisch zeigt sich das neue Werk erstmals inspiriert von künstlicher Intelligenz und präsentiert eine zukunftsorientierten High-Science-Fiction Geschichte, deren Konzept Sängerin Brittney Slayes bereits während der Corona-Pandemie entworfen hatten.

Mit ihrem Album Abyss (2020) gewann das Quartett einen JUNO Award für das Metal/Hard Music Album des Jahres, debütierte auf Platz 1 der US Current Hard Music und Top New Artist Charts und brillierte in der Fachpresse. Bandcamp bezeichnete die Band als "Pflichtlektüre", Loudwire krönte die Kanadier zum "Gamechanger des Genres" und zeichnete Abyss als eines der besten Rock- und Metal-Alben des Jahres aus. Jetzt liefern UNLEASH THE ARCHERS mit Phantoma einen Einblick in die Wunder der Zukunftsmusik!

Reissue des 2007er Albums "Hissing Fauna, Are You The Destroyer?" auf rotem und gelbem Doppelvinyl, das Of Montreals Karriere prägte und weiterhin als Klassiker gehandelt wird. Pitchfork nannte das Album "unaufhörlich faszinierend und unerschöpflich wiederholbar", würdigte es mit der Auszeichnung "Best New Music" und platzierte es in den Top 5 Alben des Jahres 2007.

Der Dancefloor ist vereint, wenn I. JORDAN an den Decks stehen. Auf ihrem lang erwarteten Debütalbum, „I AM JORDAN“ zelebrieren die britischen Elektronikproduzenten fröhlich die kollektive Ekstase als eine Form der Selbstfindung. „Auf diesem Album geht es um Freude.“, sagen I. JORDAN. „Es geht um meine Freude als Trans-Person und um die Freude von Trans-Personen im Allgemeinen, mit Trans-Personen zu arbeiten und gemeinsam diese lustige Musik zu machen.“ Mit diesem Ziel fängt die Platte die Glückseligkeit und Dynamik eines wilden I. JORDAN-Sets ein. Mit ihrer langen Erfahrung als DJs und Produzierende, gibt es schwindelerregende Hommagen an nordische Dance-Sounds wie Donk und Hardstyle, euphorischen Trance und House und viel Raum für Entdeckungen. Entscheidend ist, dass die Platte als persönliches Tanzmusiktagebuch fungiert und eine Zeit des Umbruchs markiert. Nach gemeinsamen Tracks mit Fred Again..., Planningtorock und SHERELLE, Remix-Arbeiten mit Fever Ray, Romy und Eliza Roze und einer Handvoll viel beachteter EPs bleibt das Album dank des persönlichen Gewichts und der musikalischen Breite I. JORDANs größtes Unterfangen. Es folgt auch auf hohe Anerkennung für ihre Arbeit als DJ im Jahr 2023, einschließlich einer Nominierung für den Best DJ Award bei den „DJ Mags Best of British“-Awards 2023, einer Nominierung für den AIM Breakthrough Artist 2023 und einer Platzierung auf Platz 8 bei Mixmags „Top 25 DJs who Defined the Year 2023“.
Trotz ihres eigenen Titels ist „I AM JORDAN“ ein Produkt ihrer Gemeinschaft, wie I. JORDAN erklären. „Jeder ist miteinander verbunden, und die Vorstellung, ein Individuum zu sein, ist ein Mythos... Ich wäre nicht der, der ich bin, ohne alle anderen um mich herum. Meine Freunde, vor allem die, die mich während der ganzen Transition unterstützt haben, meine Trans-Freunde, auf die ich mich verlassen habe, Reddit-Gruppenchats - das ist alles so wichtig. In der Trans-Community schafft das keiner von uns allein.“

Nach ihrem von der Kritik gefeierten UK-Top-20-Album 'As Days Get Dark' kehren Arab Strap mit ihrem zweiten Album für Mogwais Rock Action Records zurück, das den treffenden Titel 'I'm totally fine with it don't give a fuck anymore' trägt. Fast 28 Jahre nach ihrem Debüt klangen Arab Strap noch nie so essentiell, so unentbehrlich wie jetzt, und dieses neue Album ist ein glühender Beweis für ihren Laserfokus auf breitere Horizonte. Das Album, das ausschließlich von Malcolm Middleton und Aidan Moffat geschrieben und eingespielt wurde und an dem auch Paul Savage, ein langjähriges Mitglied der Band, mitgewirkt hat, unterstreicht die Wandlung der Band von melancholischen Slow-Core-Romantikern zu wütenden Alt-Pop-Chronisten.

Special new 25th anniversary edition of this most popular and highly-acclaimed of all Soul Jazz Records' Dynamite! series - 300% Dynamite is jam-packed with reggae tunes that crossed-over to become dancefloor hits and are 100% guaranteed to rock any party!

Out of print for the last 15 years, this new edition is being released in a one-off limited-edition heavyweight special-edition yellow coloured vinyl pressing + download code exclusively for Record Store Day 2024. This album is fully remastered, relicensed and with new tracks exclusively for RSD 24. Wayne Smith's booming anthem "Sleng Teng", Althea & Donna's worldwide hit 'Uptown Top Ranking', Sister Nancy's classic "Bam Bam", Augustus Pablo, Lee Perry - it's all here as 300% Dynamite joins the dots between reggae, jazz, funk, dub and soul.

Alex Andrikopolous AKA Lex (Athens) released his brilliant debut album Waving in 2022 on Leng and he now returns with an EP combining fine remixes of tracks from Waving alongside two new previously unheard cuts.

The remixes are undeniably special. Fittingly, the EP begins with the first of these, a sensationally sun-soaked revision of one of Andrikopolous’s most Balearic moments – previous single ‘Punta Allen’ – by former Nuphonic fusionists and FAR label founders Faze Action. The Lee brothers’ take is one of those sunset-friendly workouts that wraps glistening guitar licks, steel pan style motifs, Lex’s gorgeous lead lines, hazy electric piano solos and life-affirming keyboard riffs around rolling nu-disco beats and a new rubbery bassline courtesy of Robin Lee himself. It has the feel of a pool-side anthem in the making.

Just as potent is the typically quirky and hard-to-pigeonhole revision of ‘Prezend’ by Manchester maverick Ruf Dug. Here he offers up a genuinely revolutionary rework, re-imaging the track as a sparse-but-colourful fusion of vintage acid house bass, saucer-eyed piano riffs, dubbed-out synth sounds, jacking lo-fi drum machine beats and squelchy TB-303 tweaks. While fresh and undeniably contemporary, the remix has an alluringly nostalgic, retro-futurist vibe.

Clustered around these two top-notch revisions is a pair of previously unreleased Lex originals. He joins forces with regular collaborator Locke once more on ‘Libre De Amor’, an infectious chunk of, low-slung dub disco marked out by weighty bass, jammed-out electric piano motifs, spacey pads, intergalactic effects and mazy synth solos. Dotted with additional percussion hits and echoing female vocal snippets, it’s one of the pair’s most potent dancefloor workouts of recent times.

To round off a rock-solid EP, the Athens-based veteran blurs the boundaries between stripped-back, late-80s house nostalgia and nu-disco. ‘Super Awake’ boasts cowbell-sporting Chicago house beats and acid house inspired bass, on to which he’s layered all manner of colourful synth sounds, jangly piano stabs and spacey electronics. Throw in some typically immersive chords and progressively more psychedelic TB-303 motifs, and you have a genuinely triumphant conclusion to a formidably floor-focused EP.

“Suddenly it’s ok to be a square” - Twelve Cubic Feet, a clear case of a band which should have been bigger than The Beatles but, for some malignant reason, became a blurry footnote in the history of underground music. Formed from the ashes of Exhibit A in the Spring of 1981, the band disappeared leaving no trace shortly after 1983. During their brief existence they released a series of stickers, a monthly newsletter, two cassette tapes and their incomparable ‘Straight Out Of The Fridge 10”, which was at the very top of our dream records to release since we started Sealed Records. Twelve Cubic Feet released this perfect 22 minute 7 track album in 1982 on Namedrop Records (home to Doof, Philip Johnson and Cold War and ran by Philip Johnson and 12CF guitarist Paul Platypus). It is a glorious scratchy DIY indie pop gem with a post punk spirit. The sound is naive and fragile yet very addictive. Based around jangly clean guitars, drums that are on the edge of falling apart, haunting keyboards and a female vocalist that has a knack for a golden pop hook. Hard not to fall in love with. It’s beautiful with a ragged charm that deserves to be heard by the masses. Anarcho Indie pop anyone?? The band played a lot of the anarcho punk haunts of the early 80’s - Autonomy Centre in Wapping, Centro Iberico and London Music Collective and were equally heralded by punks (Andy Martin from The Apostles released one of their tapes) and the DIY music crowd. The line up changed after the 10” and they recorded a Joe Foster produced demo and fell in with Alan McGee's Communication Club crowd. Twelve Cubic Feet burned bright for just a handful of years and now it’s time to burn bright again. Hopefully this reissue will help them reverse one of their sticker statements “today we’re nobodies but tomorrow you’ll know who we are”. This reissue comes with the 16 page booklet that came with the original 10". Twelve Cubic Feet feature members who did time in bands such as Khmer Rouge, The Reflections, Solid Space, Doof and What Is Oil? Amongst others. For fans of the Marine Girls, Girls at our Best, Hornsey At War, Swell Maps and Postcard Records

10 Years Anniversary compilation LP. Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years. It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche. Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you'll get the vibe! Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés.

In August 2022, as her hook-filled triumph of a debut album ‘Garageband Superstar’ was soaring into the UK Top 40, she was grieving for her father, who’d died in the weeks ahead of the release. “A lot of stuff happened to me around that time – I lost my dad, I went through my first big break-up, I was living on my own for the first time,” she reflects now. It would have made sense if this intense period of grief, change and adaptation had left the 26-year-old needing to hit pause and focus on something other than music for a moment. Writing, though, became a way for her to deal with and continue processing the things she was going through. As she re-entered sessions in the studio, her second album ‘Girlfriend Material’ “just fell out” of her. “It felt like it needed to happen. I felt so much freer and a bit more capable of writing about certain topics than I did before,” she reasons. “It’s like, for the first album, someone sent me to Spain without me knowing any Spanish, and I’ve been like, ‘I’ll figure it out’. This time, I’ve had a year of learning Spanish, and I can ask for the time.”

In August 2022, as her hook-filled triumph of a debut album ‘Garageband Superstar’ was soaring into the UK Top 40, she was grieving for her father, who’d died in the weeks ahead of the release. “A lot of stuff happened to me around that time – I lost my dad, I went through my first big break-up, I was living on my own for the first time,” she reflects now. It would have made sense if this intense period of grief, change and adaptation had left the 26-year-old needing to hit pause and focus on something other than music for a moment. Writing, though, became a way for her to deal with and continue processing the things she was going through. As she re-entered sessions in the studio, her second album ‘Girlfriend Material’ “just fell out” of her. “It felt like it needed to happen. I felt so much freer and a bit more capable of writing about certain topics than I did before,” she reasons. “It’s like, for the first album, someone sent me to Spain without me knowing any Spanish, and I’ve been like, ‘I’ll figure it out’. This time, I’ve had a year of learning Spanish, and I can ask for the time.”

Warehouse Find!

Time to welcome Chrissy, a Chicagoan DJ, producer, edit-maker, blogger, sometime dance music historian and documenter and general hard-working mother f**ker (according to Stool Pigeon). The Smart Bar resident has had a string of top drawer releases on house labels such as Classic, Tugboat Edits, Razor N Tape and Hypercolour, not to mention his own brilliant Nite Owl Diner label which he runs with Alex Burkat. Chuck in releases for Planet Mu and running the juke/footwork label Loose Squares and you start to get the picture. This guy is a genre-bender extraordinaire and clearly a tireless and highly creative individual so we're very proud to have him join us hear for his Freerange debut.

"Multi-platinum singer, songwriter and TV personality Alesha Dixon celebrates her debut album Fired Up with a special edition yellow vinyl release. Strictly limited to just 500 copies, the record features UK hit singles “Lipstick” and “Knockdown”.
Alesha shot to fame as founding member of Brit nominated R&B girl group Mis-Teeq, garnering 2 multi-platinum albums and 7 top 10 singles, before embarking on a highly successful solo career. She is currently a judge on the highest rated show on British television, Britain’s Got Talent. Formats; Pink LP, Yellow LP."

"Multi-platinum singer, songwriter and TV personality Alesha Dixon celebrates her debut album Fired Up with a special edition yellow vinyl release. Strictly limited to just 500 copies, the record features UK hit singles “Lipstick” and “Knockdown”.
Alesha shot to fame as founding member of Brit nominated R&B girl group Mis-Teeq, garnering 2 multi-platinum albums and 7 top 10 singles, before embarking on a highly successful solo career. She is currently a judge on the highest rated show on British television, Britain’s Got Talent. Formats; Pink LP, Yellow LP."

Pieces of debris washed up on a coastline shrouded in mist. Gratification comes from an eternal search for solace. Locked away at the top of a lighthouse somewhere on an unnamed isle, Grady Steele broadcasts to those within the beacon’s reach. A soundsystem built of driftwood and salvaged car stereos is pieced together with precision and laboriously dragged to the top of the obelisk. A timeless fugue state spent playing arpeggios on a Spanish guitar, the PA system ebbing out phasing loops across benevolent waters. Layering, occasionally faulting, stopping, recording, starting again. The phosphorescent glow atop the obelisk is ever-present.

Perhaps the first release on Archaic Vaults to feature (at least prominent) use of the guitar, these six compositions feel sketch-like and yet burned into the retina, like that of a passing car’s headlights leaving an impressionistic imprint of the source material. To mention this is Grady Steele’s debut release is not to imply he is new to working with sound, having been the proprietor of one of London’s most important soundsystems for the last decade. An obsession with fidelity can be heard and and at times deliberately perverted amongst the body of work. The warm and melancholic tones of the Spanish guitar evident in almost all songs are juxtaposed with various collaged material, including what sounds like hastily captured iPhone recordings and drum machines neglected at the back of the studio, dragged out for one or two stubborn, lurching takes and then once more committed to storage. The 90s voice-imitator pads glowing with undulance are reminiscent of John T. Gast’s early studio takes, and the synergy and precision in guitar layering could lend a clue as to what Fuck Buttons would have sounded like had they sold off their studio equipment for a couple of wooden 12-stringers. Stare long enough at those Windows 95 screensaver-esque rolling hills, and one might witness some miniscule movement in the growth.

Music composed and arranged by Grady Steele Painting by Antoine Larrera Mastered by Owen Pratt Design by Severin Black

Holland, Dozier and Holland are arguably the greatest songwriters ever. More prolific than Lennon and McCartney, they shaped “the Sound of Young America” and propelled the Motown sound in the mid-1960s into a creative stratosphere unmatched by any other independent music label. Their trademark catchy teenage love songs were delivered energetically by previously unknown Detroit groups like The Supremes, the Four Tops, Martha & the Vandellas & Marvin Gaye. Although synonymous with Berry Gordy’s Motown, it was their departure from Motown after a stand-off strike in 1967 and a brutal legal battle that led them to run their own group of labels, Invictus, Hot Wax and Music Merchant. This compilation is a definitive look at this period in history, exploring how H-D-H, under a new guise ‘The Creative Corporation’, drove the next generation of soul music in a myriad of different ways, towards funk, underground disco and jazz. Featuring 55 tracks, this collection documents HDH’s creativity and growth over this seminal 8 year period. During this time the trio developed new artists to rival Motown’s success such as Chairman Of The Board, Freda Payne, Honey Cone, Glass House, Flaming Ember, 8th Day, Laura Lee & Eloise Laws. The collection is complete with a detailed depiction of this period in history by award winning author Stuart Cosgrove who wrote the Soul Trilogy, a series of books on soul music and social change - Detroit 67: the Year That Changed Soul, Memphis 68: The Tragedy of Southern Soul which won the Penderyn Prize, as Music Book of the Year in 2018, and Harlem 69: the Future of Soul. Stuart’s notes detail the relationship with Motown in the final days, the immediate fall out after the trio left Motown and the creation of the new labels Hot Wax, Invictus & Music Merchant

Ice Cream Vinyl

Since the release of their debut studio album Do Hollywood (on 4AD) in 2016, The Lemon Twigs_the New York City rock band fronted by brothers Brian (27) and Michael D'Addario (25)_have waved the same revivalist torch as Alex Chilton and his Big Star crew, working to prove that archaic music from the `60s and `70s can still be relevant in digital world. Alongside peers like Foxygen and Drugdealer, The Lemon Twigs have explicitly documented a synchronistic blend of contemporary narrative motifs, old-school recording techniques, and flawless, consistent attitudes collaged from various crucial stages of rock 'n' roll. After a whirlwind 2023, the D'Addarios are continuing the momentum of their own evolving vision and voice, distilling a history lesson of baroque and power pop into A Dream Is All We Know (out May 3 on Captured Tracks). Garnering the top-to-bottom critical acclaim the brothers have long deserved, their 2023 LP Everything Harmony was spearheaded by an impressive string of singles, including "Corner Of My Eye" and "Any Time of Day." It was the kind of record that put all of Brian and Michael's talents on display, be it the former's multi-instrumentalist gifts or the latter's boyish, explosive pop-rock charisma and eye for engineering and vocal layering. But A Dream Is All We Know is not the acoustic, nylon string-based project that Everything Harmony was. Instead, it's a return to the form the Lemon Twigs first introduced on Do Hollywood_an electric guitar-centric, anthemic assemblage of, really, everything the band does great. These two companion records are an immediate example of a band capitalizing on their fire-in-the-belly appetite to make tunes that boast ubiquitous chemistry. A Dream Is All We Know is grandiose yet grounded; meticulous, yet wild and glowing. Made with analog precision, the album was finished in the immediate months after the band completed Everything Harmony during a vibrant, prolific period split between three studios on separate coasts. A Dream Is All We Know is a profoundly dense and charged album, rife with string arrangements and a sonic thesis statement that has quaked through phases of glam, conceptualism, baroque, and Mustang-loud, stone-cold rock `n' roll for more than half-a-century. A Dream Is All We Know sounds like it's lived a thousand lives already.

The definitive vinyl reissue of the Nancy's 1966 sophomore album contains the hits "Bang, Bang". "Sand" and "How Does That Grab You, Darlin'?". This special Record Store Day Exclusive is pressed on Orange Cream vinyl and features audio freshly remastered from the original analog tapes by GRAMMYr-nominated engineer John Baldwin. It also includes two bonus tracks: "The Last Of The Secret Agents?" and the previously unreleased "If Things Don't Start Picking Up". This beautifully packaged and expanded gatefold LP with 20-page booklet featuring Q&A with Nancy & GRAMMYr-nominated co-producer Hunter Lea also includes never-before-seen photos from Nancy Sinatra's personal archive. Less than two weeks after "These Boots Are Made for Walkin'" made it to the top of the charts, Nancy was back in the studio working on the follow-up. With a newfound confidence and a fresh batch of songs, How Does That Grab You? is a snapshot that captures the fun, creativity, and genius of an artist embracing her moment. The album includes the sparse masterpiece "Bang, Bang," the Boots-esque "How Does That Grab You, Darlin'?" and Nancy & Lee Hazlewood's very first duet, the proto-psychedelic "Sand." Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time_both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come_all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.

"With a career spanning more than eight decades, The Isley Brothers have one of the longest, most influential and most diverse careers in popular music. The group began in 1954 as an American family music group originally from Cincinnati, Ohio, which began as a vocal trio consisting of brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley. The Isley Brothers have sold over 18 million records in the United States alone. Go For Your Guns is the fifteenth album by The Isley Brothers. Originally released in mid-April 1977, the album peaked a month later at No. 1 on Billboard's Top Soul chart, and at No. 6 on the Billboard 200. The album Includes ""Footsteps In The Dark"" as sampled by hip hop artist Ice Cube for his hit ""It Was A Good Day"". The song peaked at No. 7 on the Billboard Hot R&B/Hip-Hop Songs chart and No. 25 on the 1993 Billboard Hot R&B/Hip-Hop Songs chart.
Go For Your Guns is available as a limited edition of 1500 individually numbered copies on translucent blue coloured vinyl. The album is housed in a gatefold sleeve and includes an insert. "

Go For Your Guns by The Isley Brothers, released 3 May 2024, includes the following tracks: "Tell Me When You Need It Again (Part 1 & 2)", "Voyage To Atlantis ", "Go For Your Guns" and more.

This version of Go For Your Guns comes as a 1xLP in a(n) Gatefold Sleeve packaging. This release comes with (a) Insert(s).

The vinyl is pressed as a translucent, blue disc.

Limited to 1000 copies for RSD 2024. The Flirtations are poised to release 'Still Sounds Like the Flirtations' - their first album of new material in 55 years. They are best known for their 1969 signature song, "Nothing But A Heartache", off their debut album 'Sounds Like the Flirtations'. That song spent 14 weeks on Billboard's Hot 100, and its success saw the group tour with Stevie Wonder, Tom Jones, The Four Tops and The Temptations. "Nothing But a Heartache" remains an undeniable Northern Soul classic; it has been streamed over 13 million times, and in 2022 was remixed by Tobtok and Oliver Nelson. On their forthcoming album, which was produced, engineered, mixed, and co-written by Ben Rice (Joan Osborne, Valerie June), Earnestine Pearce, Shirley Pearce, and Viola Billups aka Pearly Gates tell the stories of their lives. Drawing inspiration from the churn of personal, social, and political situations that they have lived through over the past five decades, they capture a timeless and well-earned perspective on love and life. The record, which features the Dap King horns, contains standout tracks, including the reflective call to action "Memories", co-written by Stevie Wonder; the hopeful love song "Ain't No Easy Way" and the instant dance floor hit "Didn't Anybody Tell You", both co-written by Grammy-nominated songwriter Gian Stone (John Legend, Meghan Trainor); the uplifting groover "Love Somebody"; and the roaring "Take It Back", co-written by Dave Sherman (Nick Cave & the Bad Seeds, Elle King). The recording process was a transatlantic adventure, with sessions at Abbey Road and Resident Studios in London, Degraw Sound in Brooklyn, and Creative Workshop in Nashville. Retaining the classic soul sound and melodic harmonies The Flirtations are known for, the album will not disappoint long-time fans, while also promising to bring their authentic, inimitable sound to a new generation of music.

Warehouse Find! Test Pressing

Pattern Select aka Milton Jackson and Show-B have gone well and truly back to the raw on this, their first collaborative work together and debut EP for Delusions Of Grandeur. Both producers have been busy on some top quality projects just recently with Milton Jackson remixing Recloose for Planet E and Show B producing for Robert Owens on Compost. The pair met at a party in Munich, promptly fell in love, and soon enough Pattern Select was born.

Kicking off Tale Of The Tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. Tale Of The Dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

Cottam is a producer who will need little introduction seeing as he's been getting hyped from all corners of the electronic scene following a series of untitled vinyl only EP's on his own Cottam label. Brilliant releases on Story and Use Of Weapons followed, and now we're very happy to have him bring his own unique take on house music here on this remix of Tale Of The Tape.

Finally, another original entitled Matrix drops the bpm's further for a lazy, hazy, hiphop inspired jam with deep atmospherics and simple rolling groove.