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Undefined 005 is made by the legendary S-Max. Labelhead (together with FYM) of the famous freaked and forward electronic musiclabel "Boogizm" started back in 2000. We are more than honored to present him on Undefined!

This EP will take you on a freakshow of yorkshire bleeps, wonky basslines and 4/4 approach on house/minimal/broken beats. The tracktitles are as ingenious as the tracks itself.

Dont sleep on this future classic!

Leyla's 'Parallels & Influences EP' brings together Mondkopf, Positive Centre, Codex Empire & Yuji Kondo for an assaulting 4 tracks of power infused and industrial strength techno.
Mondkopf starts things roling with militaristic snare rolls and off-kilter analog synthesis into a climatic fervor of dystopian scene-scaping. This then is followed upu energetically by the pounding pressure and liquid 303 squelches of Positive Centre's 'Rub'. Crushed out cymbals battle against booming sub bass as a foghorn call rides high above the tempestuous patterns.
Codex Empire's 'Hessdalen' is as slick and detailed as it is ruff and raw. Huge sweeping backgrounds with intense high end percussion lick over a stomping, staggered kick pattern. Yuji Kondo (one half of the excellent Steven Porter project with Katsunori Sawa) brings things to a close with 'Whip Blow'. Bringing his signature refusal for traditional percussion sources - this peaking track pits high level technicality against deeply hypnotic and brooding rhythm.

Analogue is back with the fearless Endlec. The man from Thessaloniki is one of the best Greek techno exports and delivers 4 solid, aggresive tracks that make no compromises

Born out of a love for Disco records and odd electronics, Casino Times is the project of producers Joseph Spencer and Nicholas Church - a musical partnership that is rooted in House and Techno but often treads into the weird and wonderful.
Since first starting the project in 2010 Spencer and Church have steadily been crafting a back catalog that reflects their varied tastes and unique approach to electronic music. This has seen them release on a wealth of respected labels such as Wolf Music, Futureboogie Recordings & Permanent Vacation, just to name a few.The debut on Omena, 'Decoded EP', consists of four tracks highlighting a distinct development of their musical style.
No need to dissect each and every track here to explain how it sounds, just play it and enjoy. Everyone from your grandparents to your neighbour and best friend will ask for track IDs.

According to numerology the number five is the most energetic and dynamic of all the single numbers. Allow this to be one of your defining expectations when you start listening to '5', the debut album from Parisian maestro Djebali. The number not only marks the number of years that have passed since his label was conceived, but also represents the months it took to complete his very first long-player. The album is a collection of dance floor-focused tracks, interspersed with a few experiments and unified by Djebali's love of deep, sultry grooves and classic house motifs, with a contemporary sheen of course

Barcelona based YAKAZI imprint proudly reaches its fifth installment in the form of a synergic collaborative release signed by chilean artists Alexi Delano and Marcelo Rosselot, counting also with canadian Buchla wizard Marc Houle in the role of never-failing remixer. Presented as a two sided release, and splitted in two original tracks plus Marc Houle's remix, YAKAZI maintains its unwavering commitment to their core values, to move people through good music, prevailing fads and trends and strengthening the label's very own sonic identity. On this occasion, Alexi Delano, a close relative to the label that was also featured on label's previous compilation, joins forces with his studio fellow Marcelo Rosselot building up "Take Me / It's On me", two finely-crafted excursions of heavy bass minimalism and dark vivacious techno based on subtle vocal samples, trippy synth-chords, and layered drum patterns constantly evolving throughout both progressions sounding uniformly fantastic, without falling into the obviousness of a long steady beat narrative and keeping in mind how to charm the dancefloor in style.

Before Bob Marley came on the scene, many in Britain dismissed reggae as either the stuff of one-hit wonders or skinhead
dance music. Now it is recognised as influential style, which has not only sold millions of records worldwide but had a major effect on the mainstream. But only a few of his fans realise the man's recording career was as lengthy as it was: though he died aged just 36 in 1981, he'd been active in the studio since 1962 onwards.Despite some of the tracks featured here would be re-recorded on later albums, these 'prototypes' exhibit a rough-hewn, soulful feeling. We all knew his music was timeless, this was but further proof.

The artist described the EP as being inspired by many of the heavy concepts that have been concurrent in his life during the process of making the tracks. The sounds have adopted elements of the music that have been experienced during his trips to play out in Berlin's unique music scene. Key to the penning of the tracks are the loss of distinctive sounds, expressive emotion and unparalleled feeling that was once so prevalent in the many of the lesser known and iconic works produced in the earlier years of House music. Channeling the desire to bring back what has been missing in today's formulaic music production design, Traela hopes to find the listeners once again looking inside the content of the music. Finding the emotional substance displayed through healing and the release of lost love, Traela's message on the making of this release: " Many ideas were prevalent during the process of the EP but the most important during this exercise was finding yourself, learning to express and learning to love yourself in order to love others'.

By his debut album "Alcatraz" in January 2015, ARAS label head André Galluzzi thrilled with a concept album inspired by occult sounds and psychedelic vocals. "Alcatraz" as a whole is a captivating piece of art, its the essence of a club night. Now after received a wave of icredible feedback from "Alcatraz", the bird returns to ARAS with a bunch of remixes of the hypnotic track "Mathilda". Time to welcome Mike Shannon and Jacek Sienkiewicz to the ARAS family. This remixes will be a blast at the club by its very deep and reduced, futuristic interpretations. Mike, as head A&R of Cynosure and formerly Revolver Canada Recordings over 10 years, has shown an uncanny ability to select and produce tracks which have become go-to fixtures in the sets of the industry's best DJs. Far from pursuing the next one hit wonder or sound of the season, his steadfast curatorial vision and passion for the music have earned him the trust of discerning music connoisseurs the world over. Alongside DeWalta, Mike impressed lately with his album "Residual" on Cynosure/ meander back in March 2016. Jacek Sienkiewicz lives in Warsaw and he is a key figure in Polish electronic music scene. He holds Recognition since 1999, one famous label based in Berlin. With one foot deep in classic Detroit and Chicago dance scene, and the other in modern jazz and classical music, Jacek's tracks for the past ten years always try to find a right balance between the avant-garde and dancefloor, between primal emotions and highly sophisticated sonic wizardry. His latest album "Hideland" has been released in August 2016 on Recognition.

London born Paul Rose's career has been intrinsically linked to Hotflush Recordings, the label he set up in 2003. Coming back full circle to his formative mid-90s days of following Colin Faver and Jeff Mills, Rose's fabric appearances have evolved over the years from bass music Fridays to the house and techno of Saturday nights.
This 10' sampler, taken from the 90th instalment of the world's leading house and techno mix series from London's renowned fabric nightclub features two tracks from fabric90 Scuba mix, both taken from Scuba's own label, Hotflush.

Michigan artist John Beltran's 13th studio album and 3rd on Delsin is his most complete and personal work yet. Written largely on modular synthesizers for the first time, it melts 90s intelligent techno with post rock and ambient with leftfield downtempo. The seventeen tracks draw on his expert knack for sound design; for melody and atmosphere and make for yet another hugely absorbing affair.

2 tracks out of three are from Sparks... B side, that he opens with a great acid techno tune... And a mental tribe dancefloor. The A side starts with a good Keja tune, exciting for the dancefloor:) and a then comes Matec and his good Acid Mental pumper. Once again Plaque De Trip brings 4 good acid drivers !

DJ Steef continues to distill his groove by signing the 14th release of the label and delivering a new EP, « Antipodes» available on vinyl in a limited edition.Two Nu-Disco tracks called, 'Levaned', 'New Player (Old rules Mix)' and Two House Tracks called 'Kimbo Combo', 'Fréquence'.

Renowned house veterans D'julz and Jordan Fields drop two tracks each for a split release on Radio Slave's Rekids this December.One of the key components in Parisian electronic music, the A side sees a display of groove led cuts signature to D'julz as 'Shy Town' combines sultry bass tones with mesmerizing atmospherics and tranquil piano chords, making way for the crunchy drums and trippy synths of 'In Your Soul'.
Meanwhile, from across the pond in Chicago, Jordan Fields' raw productions begin with syncopated percussion and fuzzy notes until 'Mformation' concludes the package with thudding kicks and ethereal melodies.
Both artists have been commanding forces in electronic music for 25 years each making this split release very special indeed.

We've waited really too long to release this ep. These tracks were given to Musique Risquée more than 10 years ago and waited since then on harddrive before they got rediscovered on a boozy night in Tokyo. They have not aged a bit, fresh as when they were given to us. Maybe we weren't ready then. But we are now and hopefully you are too.

Banoffee Pies Black Label Series 02.1 lands exploring more deep minimal bumpers for the floor. BPBL02.1 offers another Unknown sample heavy edit, an insert from Bristol local and label friend Crump, and tracks from their newest label affiliates, Jase and Pablo Marco.Groovy business from the Banoffee camp. Heat!

The DJ/production duo from Munich back with four tracks full of bass-heavy excursions into hybrid forms of club music close to Grime, Dancehall, Dub, Techno and the yet unnamed territory in between - their natural habitat. Lead single and first track of the EP is Copper And Lead, which features "London city warlord" Riko Dan of Roll Deep fame, spitting dangerous lyrics on a Bashment/Grimeriddim.Following this is Blurred Vision, low end monster named after their gigantic soundsystem event series, exploring the middle ground between Dub and the technoleaning 4x4 universe. Up next is Killer, a song with Warrior Queen from Jamaica, who prepares for a Dancehall dub war on a 808-heavy beat straight from Miami...err, Munich.Topping the EP off is Siren Riddim, an instrumental uptempo bomb for the apocalypse club gang and all the gunfinger crew. It's the first EP in a series of three, leading up to an Haul & Pull Up album in early 2017. With this, Schlachthofbronx will follow up their three previous original albums (2009s Schlachthofbronx, 2012s Dirty Dancing and 2014s Rave And Romance), completed by EPs for Labels like Mixpak, Monkeytown, Mad Decent, Disko B and Man Recordings as well as production work for artists like M.I.A., Snoop Dogg, Major Lazer or Bonde Do Role.

Bristol based Afro-beat band, Matuki are releasing their debut 7 single on December 2nd via Stutter & Twitch, featuring an exclusive remix by Shunya. As each side of the record paints a juxtaposing image, Matuki drives forward as they make a name for themselves as Bristol's most engaging afro-funk band. Side A 'Sanimenteren' showcases fiery horn melodies and liquid guitar riffs, whereas Side B 'INJO' changes direction completely, as Manchester producer Shunya takes the reins. By morphing Matuki's steadfast rhythm into a lucid downtempo glitch, Shunya creates a unique and mesmerizing new perspective towards the urban band's signature style. Likened to the legends Fela Kuti and Afro Manding the authentic Afro band punctured Bristol's music scene after an exceptional debut performance at Glastonbury's Glade Stage, blending jazz & psychedelic influences with urban-funk. The result Mesmerizing tracks and heavyweight horn lines that reflect on how the 12-piece collective are never afraid to venture out of their comfort zone, to create something special.Turbo-boosted grooves and fusing Afro Manding with intoxicating Fela Kuti horn lines, Matuki creates a rhythm so deep and hypnotic, it takes you on a journey' - Rhythm Passport'Matuki mix the classic ingredients - brass, beats, vocals and electricity - into something suitably hot'n'spicy..., If Bristol's Afrobeat scene gets any hotter we might as well move to Lagos' - Canteen Bristol. Fronted by master drummer and vocalist, Abraham Ebou Sanyang (Savanna, Magoma), Matuki mixes traditional afro-beat sounds with heavy doses of contemporary urban funk, into an exciting concoction of world music. The ensemble recently expanded after merging their sound with the Bristol Jazz Student ensemble Jamba Horns, and has previously collaborated with an array of versatile musicians including the Bristol Samba community. After the success of their debut performance, Matuki saw airplay from Bristol based DJ Hiphoppapotamus, and Miles Chambers of Lyrical Minded as well as BCFM, Bristol City Radio, Radio Ujima and Radio Helsinki, as an energizing sound bled into the airwaves. Touring the UK festival circuit, performing at Secret Garden Party, Green Man, Farmfest, Kendal Calling, Glastonbury to name a few, saw Matuki turn unassuming audiences into dancing frenzies, wherever they play.

Fall of 2016 sees Midnight Magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic Free From Your Spell. Going back to their roots in Los Angeles, Morgan Wiley, and Tiffany Roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. The ever so diverse moods of Free From Your Spell make it a seductive journey. With each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing Giorgio Moroder and Donna Summer's concept albums "Four Seasons of Love" and "A Love Trilogy". Moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. Whilst exuberantly borrowing from past decades, Free From Your Spell more than holds its own as a self-assured, innovative body of work. Midnight Magic's Free From Your Spell is an offer one can't refuse. An attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. It's Studio 54, It's Moroder,Amanda Lear, Gino Soccio, and Grace Jones. It's a whole palette of 1980's R'n'B and cosmic funk. Despite all the music references of past eras Free From Your Spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. Add to this some of Tiffany Roth's most memorable vocals to date and you arrive at one of the year's most exciting releases. There is a strong reason for both "midnight" and "magic" in the name of the band after all.

Back for one more night with Hardmoon London. Fresh new, gritty, mind-altering tracks by way of Steve Murphy and the eight armed, cephalopod mollusc, DJ Octopus. The Duo are bringing their ecstatic energy for an exciting break in the the label. Definitely count on some serious hardware action to create the finest dance-floor melters. Encapsulating only the cream of the contemporary electronic sounds with the beautiful renditions of classic house just laced with fat sweltering bass and heavily distorted seizure inducing melodies.

Just in time for ADE, we are more than happy to present a new release by one of our main protagonists since our renaissance. Lehar has made a fascinating career in only two years, he is a key member in our label family as well as Diynamic and plays gigs around the world. His "White Diary EP" is his most unique release so far, with two original tracks by him and two dub versions by UK house legend Charles Webster.
"The Cave" is a very touching track which again shows Lehar's love for deep but popish moments in his music. Again, he has teamed up with L.A. singer Rush Midnight, who already lent his voice to "Number One Hero", which was released earlier this year on the Diynamic sub-imprint 2Diy4. An instrumental version is also available in the digital package.
The title track "The White Diary" is a demanding and hypnotic builder, which was already played often by Solomun during the summer. This is a next level Lehar track, signature sound structure combined with a highly effective arrangement. A winner for many situations.
Charles Webster has been a favourite of the Connaisseur label heads Alex Flitsch and Martin Henkel for ages. Requesting a remix by him has been on the Connaisseur bucket list since day one. He gave "The Cave" two different dub treatments, one
better than the other. His "Dub the First" already takes the original one foor deeper, making it very timeless and hypnotic. His "Dub the Second" takes it even deeper and is adding a proper portion of trippiness. Music for the guardians of the real stuff!

White Vinyl

For the 9th installment in the PRRUKWHT series, Holland based ''Dubiosity'' makes his re-appearance on the Planet Rhythm imprint with the 4 tracks spanning ''Denying The Antecedent EP''. For the A1 ''Richter Scale'' the Dutch producer goes into very atmospheric territories with a pad based track that keeps on building whilst maintaining an overall mellow vibe. Title track ''Denying The Antecedent'' is a more dubbed out operation which cleverly uses non 4X4 drum patterns and crawling synth blops. This track is also based upon an utterly atmospheric pad sound. ''Juxtaposed'' is a more firm track that's somewhat tense but also with a smooth ambiance. ''Sunk Cost Fallecy'' serves as the more aggressive and paranoid closing down.

The Gold Play is a compilation of all Tangram-related artists to date.
Tangram Records is an independent Belgian-based record label. It was founded 4 years ago by Up High Collective and Mophito to promote a batch of unreleased beats and live-show by Up High. Throughout the years their releases got picked up by Gilles Peterson, Lefto, XLR8R, Boiler Room, Kutmah...amongst others. Now 4 years later Tangram have introduced a wide-range of talented musicians to the world. Without wanting to limit them to a certain genre you might say their releases are a celebration of electronics and hip-hop.
The compilation itself holds 6 previously unreleased tracks by Up High Collective, Faisal, LTGL, LoneBlue x Halibab Matador (aka YellowStraps), Le Motel and Sokoto. Each side of the vinyl ends with a previously released track on Tangram by Day Fly and Moodprint blending the entire release nicely together.

The artwork release is beautifully crafted by Dzia. Dzia is a graphic artist from Belgium and fine artist in every sense for that matter. His creations range from paintings, through sculpture to taxidermy and street works. This gatefold holds two versions of a fox and a play-full scenery of dear.

After her 2015 debut 'Uncanny Valley', hotly-tipped Dutch singer-songwriter Sofie Letitre returns to Division with a new six-track EP. Defining a classy sound that finds the sweet spot between electronica and alternative indie with a vibe that's somewhere between Massive Attack, FKA Twigs, James Blake and Bjork.

Pressed on 1 x 12" vinyl featuring all six tracks.
Comes with a download code for the 320 kbps mp3 on sleeve.

''In a time of peace and prosperity on Phantom Planet, three unwanted heroes arrive home to seek justice where there is none to be sought. Shunned by modern society, Forsh gets a job at the electricity board, Red Defender snoozes through work at the local news and booze, and Bin Man finally finds his dream job... as a postman. With no evil to lay waste to, they put their dinner money together to create the world's greatest record label, BOSS TRACKS. Using broken dustpans and Dance Ejay '98, they create what will go down in history as the most seminal and brilliant piece of musical forgery known to Merseyside. 4 tracks packed full of pure dance floor steroids for your love-pump; this is interstellar muscle music at its finest, let it reach out grab you by the tenderloins! Thank you Phantom Planet Outlaws. Once again the world has been changed forever, for the better.''

Outplay's newest project is a special 10" vinyl release with 2 tracks by artist New Franklin Theory.
The name was inspired by a past in Midwestern USA.
As to who is behind the project, some ears might pick up the resemblance to another artist you all know well. Digging into his past is the main inspiration behind New Franklin Theory's two-tracker.Expect two uptempo percussion filled melodic tracks with a slight afro-inspired tropical vibe.
Comes with a full colour sleeve design by joosprintsandpatterns.nl!

The first vinyl LP on our specially created Pied Piper imprint - featuring established favourites, recent discoveries and other rarities from the Detroit-based production company.

First northern soul collectors scoured the junk shops, charity shops, deletion bins and mail order lists for records by their favourite artists. Next they tried other discs on labels for which their heroes appeared. Later came the search for titles by songwriters such as Van McCoy, Popcorn Wylie and Ashford & Simpson and the work of producers, arrangers and the companies they worked for.

Pied Piper was a Detroit-based production company with a big enough catalogue to have been a successful indie label in its own right. Apart from their own short-lived Giant imprint, they were credited on another 20-plus 45s and three LPs issued on various other logos. Even more impressive was the music they left on master tapes. Around 50 finished tracks have emerged over the last 20 years and it has been Kent's honour to release them on our specially created Pied Piper label. This is our first vinyl album taken from that catalogue.

Included are perennial favourites such as 'I'm Not Built That Way' by the Hesitations, 'That's When I Need You' by Freddy Butler and Mikki Farrow's 'Set My Heart At Ease', which we've mixed with recently discovered soul sensations 'Voo Doo Madamoiselle', 'More Than A Memory' and 'We Go Together'. As a bonus, the version of the Cavaliers' 'We Go Together' is a completely different take to the one on our first Pied Piper CD, featuring a rap intro all serious fans will need. Nancy Wilcox's opening track 'More Than A Memory' is a superior sounding master taken from a recently discovered tape and there are alternative original takes of Lorraine Chandler's 'I Can't Hold On' and 'You Only Live Twice'. Classy rarities from Tony Hester, September Jones and Rose Batiste complete the collection.

Ady Croasdell

Olin follows his debut on Giegling sub-label g g g by launching his very own imprint, Boundary Monument.
The record's A-side is taken up by "Conne" an extended techno work building in momentum until the bassline explodes and all the track's pieces fall into place. "Foist," a tune as playful as it is dizzying, opens the B-side. Then comes "Biota," a nine-minute-long thing of beauty that feels just as delicate and just as mesmerizing as the A-side and works just as well for at-home listening as it does in the club.
BOM 01 is Olin's most confident and composed work to date, and his brilliantly simple, utilitarian philosophy as a producer shines through: "I make tracks so that I can play out what I want to hear."

Euphoric, deep, future Summer classic from Armenian newcomer Vahagn. Remixes from Barraca darling and Ostgut Ton producer Dana Ruh and Brooklyn's Nick Chacona

LAURENT GARNIER 'Absolutely looove the original and Dana Ruh mix. Will play for sure.'

JIMPSTER 'Really lovely bunch of tracks here. Can hear the original making a big impact but also love the slightly more spaced out mix from Nick. Definitely be playing these.'

Warehouse Find!

After his heroic release 'Like You Mean It EP' Uffe returns under a new name - U Dee, where he looks to explore a more stripped back, lo fi, floor focussed sound.
a Uffe has seen great success in the last year with release on Pets as well as the release of his second LP 'No!' on Max Graef's infamous Tartlet label, which has seen amazing support form the likes of RA, XLR8R and DJ Mag.
Here on 'Love Is Gone EP' we're treated to 5 tracks of lo-fi, minimal DJ tools full of character and a quirkiness that come like a breath of fresh air

POP AMBIENT - our longest-running compilation series after Total - sees a new instalment for 2017, featuring exclusive material from acclaimed genre veterans and series newcomers JENS-UWE BEYER, YUI ONODERA & SCANNER, MAX WÜRDEN, LEANDRO FRESCO, THORE PFEIFFER, KENNETH JAMES GIBSON and SOULSAVERS remixed by WOLFGANG VOIGT.
Following his own cues from preceding entries, Pop Ambient chief curator Voigt again strikes a perfect ratio of established producers and debuting guests: our complete Pop Ambient solo album crew makes an appearance, from JENS-UWE BEYERs atmospheric soundscapes on the tracks FINAL 9.1 and FINAL 10, to THORE PFEIFFERs glitch romance GOOD LIFE, LEANDRO FRESCOs beatific drone fests SONIDO ESPAÑOL and EL ABISMO, as well as KENNETH JAMES GIBSONs melancholic epic HER FLOOD KNOCKED ME TO THE GROUND (BUT I WAS ALREADY THERE. Other returning artists include ANTON KUBIKOV of SCSI-9 fame (with electronic reverie DEKKA) and Cologne soundsmith MAX WÜRDEN, who was last seen releasing wonderfully immersive albums on BineMusic and Wolfgang Voigt's very own Exponate series. His guitar-infused, dubbed-out cut FERNFELD and the mysterious electronic mantra 186.000 MILES PER SECOND are particularly striking renditions of the rich sonic narratives possible in Pop Ambient.
For the 2017 release, we welcome Tokyo-based Pop Ambient novice YUI ONODERA with his tracks CROMO1 and CROMO2, which both serve as opener: a trained musician and architectural acoustic designer by trade, Onodera embeds diverse influences from traditional sound design, film scores, contemporary composition and electro-acoustic experimentation in his work, resulting in intricate drone sculptures and sound skylines. This skill set gels naturally with the sonic sensibilities of iconic experimental composer SCANNER who teams up with Onodera for the cut LOCUS SOLUS - it's an incredible honour to have such a towering figure in advanced electronic music on board. Wolfgang Voigt himself makes an appearance as remixer, turning the track HAL from electronic-rock-gospel duo SOULSAVERS' 2015 album "Kubrick" into a voluptuous and immersive sound journey. It's the cherry on top of a particularly fluffy cake that will prove irresistible to any connoisseur of ambient music.

Call it future-step. Call it deep-step. Call it autonomic. Call it whatever you wish, but one thing is for sure - Hidden Element hailing straight from Kiev, Ukraine fail to make their music disappoint. With a fresh take on electronic sounds ranging from breathtaking beat-less layers to +/- 170 BPM heavy hitters, these two have been making waves in the industry for some time already, releasing on 22:22, Alphacut, Med School, Pinecone Moonshine, and Translation - to name a few. But it is Absys Records that is the home for their full-length album entitled 'Together'. The release is a collection of 13 amazing pieces of work, each hitting a slightly different tone, but making a wonderfully coherent whole. An entity that is enjoyed best when all of its components are played together, as the title suggests. The album focuses in majority on a rather home-listening experience, with tracks like 'Aura' or 'The Night' setting the pace for a pleasant evening chill and boosting the laid-back mood even further with "Quite Place" or 'Without You feat Kiyomi' - both infused with lovely vocals - that can serve well as modern-day lullabies. But there are also more lively accents ('Long Way Home with Physical Illusion', 'Who Knows'), traces of live instrumentation ('The Next Day feat John LaMonica'), or ambient ('Bridge'). All in all, you get a fantastic cross-section of contemporary electronic music, a masterfully composed package of nothing but pure listening pleasure.

Visitors - Projections is the first collaboration between veteran dj producer Tony Scott & Italys Antonio Ruscito .

Projections is a wonderful piece of work where the structures and melodies of the tracks combine perfectly with haunting atmospheres , weaving analog lines & attention to detail that makes for a very unique soundtrack.
A welcome return for Edit Select & a new star is born in Antonio Ruscito , a must for all techno heads ..

We certainly have a soft spot and a proven track record here at All Ears for these kind of magical, mysterious morsels
Elaborate Hoax follow up last year's instant sell out 001 with Another fine EP of lovingly mined tracks, expertly reshuffled for contemporary floors From a buried Brazilian Jazz-Funk gem, to a killer early 70's jam outta France, to a super addictive Hot Gossip rewire...Seek, and ye shall find !

We're really excited to be able to put one of our favourite ever WotNot releases to wax. It's a release that makes us particularly proud as we convinced K15 to let one of his house tracks out of the archive for the first time ever, as well as securing one of the few tracks to have been heard from up-and-coming wunderkind Glenn Kelly (Jeeks),before he retired early from the circuit.
Four years after it dropped digitally, featured artists K15 and IMYRMIND have become household names, releasing music with Eglo, Wild Oats,Tartelet and Money $ex Records among others.
This re-release also includes a new track from SexRulesEverything who also featured on the original release.The tracks on this EP still stand strong, and the vinyl drops alongside the release of Dancefloor Sweets Vol. 2, with more to come in 2017

"After almost 20 years of making tracks with blaringly loud kicks, you tend to start producing with the other elements first to give yourself a break from the constant pounding of monitors at point blank range. Following an analog filter shopping spree, I began working on a group of tracks where the low end was satisfied by the filtering, and realized these songs worked just fine without a bass drum. Therefore this record is called "Rareforms" since most of my other work consists of a kick drum and lots of loud effects. This record is dedicated to the brilliant synthesist and interpreter Isao Tomita, whose records always provide inspiration in the lab. Also to master storyteller Rod Serling and his frequent collaborator Bernard Hermann, whose score for the Hitchcock film Vertigo I adapted through some MIDI processes and wavetable synthesis, then sent it through a 4-foot spring reverb." - Phil Moffa

First full EP from the enigmatic Osch! Straight from the Norrkˆping underground, this live techno master drops three solid tracks. Two stripped down, beat-driven techno tools are accompanied by one more abstract track to show that this versatile producer is far from a newcomer to the scene.

In times where objectivity of genre barriers is ceasing to exist, Cueva Records aims at the curatorship and exposure of their open-minded personal taste.

A side of this first chapter presents two forward-thinking house tracks filled with Latin American percussions.

B side sets home for a long, smooth, textured remix. Nothing else to say, just feel the groove...