Buscar:the trilogy
- A1: Onomatomania 01
- A2: Onomatomania 02
- B1: Onomatomania 03
- B2: Onomatomania 04
- A1: Without Any (Featuring Jason Nazary)
- A2: Kiarostami's Stash
- B1: Infidelian (Featuring Jason Nazary)
- B2: Godspeedu
- B3: Organs Without Borders (Featuring Aria Rostami)
- C1: May Plastic Blossom In Spring's Air
- C2: Vulnerable In A Spreadsheet
- C3: I See Machines (Featuring Raheel Khan & Mhz)
- D1: Kick It Until It's Bent
- D2: Close Your Eyes Okay Now Open Them
- D3: Children Of Alcoholics Drunk On Revolution
"tilt your back
pay respect
hand on heart
we were raised without table,
without manners,
where is it we gather this time?
In ‘Of No Fixed Abode,’ Saint Abdullah and Eomac extend their experimentation with genre dissolution to press upon the tensions that exist between culture, place, and migration. This fourth collaborative LP addresses the inherent fluidity of cultural memory, accepting our inability to remain fixed in the past, and explores how best to carry its spirit forward into an ambiguous future.
Through extensive research into 50 years of Persian pop, they meticulously reinterpret the legacies of artists like Andy, Hayedeh, and Fereydoun Farrokhzad, refracting samples by way of gritty beat work-outs akin to more contemporary musicians like Rezzett and Madlib. Through extensive archival research and sampling, they recontextualise these iconic melodies, placing reverie and frenetic drum programming in conversation with one another in a fashion that seeks to express a sense of two disparate tendencies cohabiting together, all while refusing homogenization. This reimagining extends beyond mere homage, serving as a conduit for exploring the narratives of migrant experiences, both in the UK and globally.
Sonically ‘Of No Fixed Abode’ plays with new sampling techniques, utilising the quick-fire intensity of the Roland SP404 with the cool precision of digital DAWs, and features collaborations with drummer Jason Nazary, sound artist Aria Rostami (both New York based), New Zealand-based mHz, and a vocal collaboration with London-based artist and musician Raheel Khan."
Letterpress printed Japanese tip-on disco bags with riso insert.
Printed at The Typography Workshop by Theo Hersey.
200 only.
- A1: Std Universe
- A2: Smoke Alarm Under Foot
- A3: Opera Coke
- A4: Estrogen Tempo
- A5: Carol Tape
- A6: Ues Acne
- A7: Dub Thomas
- A8: Germ Maker Community Hub
- A9: Acrimonious Splitting
- A10: Aviation Is Eternal
- A11: Gastronomiebetriebe
- A12: Entertaining The Clock Mirror
- A13: Ultra Womb
- B1: Chocolate Depression
- B2: Salvadorian Sniper
- B3: Generalsekretär Peter
- B4: Bamboo Auto
- B5: Syrup Could Save Us
- B6: Opression Opression
- B7: Boa Coughing Up Blood
- B8: Cream Deluxe (C)
- B9: Grand Foil
- B10: Dark M S
- B11: The Farmer Tongues Below
- B12: Oven Runner
- B13: The Famous Phone Delta
Following the groundbreaking debut of “Resurrection Part 1,” Dean Dennis and his project Sector are back with “Resurrection Part 2.” After his influential time with Clock DVA, Dennis aimed to push boundaries by blending industrial techno, hip-hop, drum and bass, jazz fusion, and Detroit house into a unique, experimental sound.
“Resurrection Part 2” delves deeper into this sonic landscape, offering listeners an immersive experience. Each track, carefully selected from Dennis’s personal archives, combines the raw energy of past recordings with modern production techniques, creating a bridge between history and innovation.
This second installment is more than a continuation; it’s an evolution. With hypnotic rhythms, stimulating melodies, and an enveloping atmosphere, “Resurrection Part 2” transports listeners to an alternate dimension where music transcends traditional boundaries.
Recorded 3rd of June 2022 at Café OTO by Pedro Subtil. Mixed in Logonna by 2mo & Ciccio.
None other than Blawan on his lonesome ownsome — after collaborations with Pariah as Karenn, and Surgeon as Trade — returning to the blood-drenched scene of his heinous Why They Hide Their Bodies.
New name, new sound; heavier and slower than his Ternesc output. The title track is the banger. Acid techno — deliberate, widescreen and ominous.
Anthony Naples, the in-demand producer whose name is on the tip of everyone's tongue, has returned with a new EP for Will Bankhead's Trilogy Tapes. After the release of the magnanimous House-styled Mad Disrespect EP on Mister Saturday Night Records last year, El Portal EP sees Naples using fragments of previous releases but evolving these into new realms of sound.
"We first became aware of the Florence-based composer Marco Baldini’s work via the incredible Another Timbre label.
"His albums, Vesperi and Maniera, blew us away. Maniera, Marco’s second album for the label consists of seven chamber works for strings, beautifully played by Apartment House. If for some reason you haven’t heard it go straight to Another Timbre’s Bandcamp and check it out! Vesperi, Marco’s first release on Another Timbre, from around a year before is also absolutely unmissable, it’s comprised of three pieces derived from works by 16th century Italian composers alongside original compositions.
"Both albums have provided much needed calm in turbulent times. Marco kindly accepted our invitation to compile a mixtape, and here it is! Thank you so much, Marco!"
Beau Wanzer + Rezzett = BOREZ




















