The Advent a.k.a. Cisco Ferreira has a firm footing in quality techno DJs' bags - as well as in dance music history - and today we announce a special treat for the heads: Paraiso is releasing three never before heard tracks, rescued from a DAT lost sometime in the 90s. Titled 'Passado Distante' - you probably guessed it, it means Distant Past - we're talking about a trio of no-frills yet creative and highly energetic technoid ammunition. Classics that never were but now are given a new chance to grace our dancefloors. Opening this record, 'Driven' gifts our ears with syncopated claps and percussion while relentless rushes of hi hats and snares create a steady rhythmic core, creating a funky as hell piece that has the original spirit of techno inscribed in it. Things remain fast-paced and to the bone in the following track 'Circulate', a rolling bassline supporting snare rolls and a cheeky, minimalistic bleep reminiscent of sci-fi worlds. Dense yet concise, like techno bangers ought to. Closing this triad is the irresistibly rhythmic 'Tres Trax', a geeky but powerful closing act that shows Cisco's early wide-eyed aura, blending complex percussion and a bassline so soaked in swing it will have your hips drawing rave sigils as they naturally learn the groove. Dubby details add mystery to this incredibly imaginative Detroit-tinged wonky banger. Cisco did it again.
Suche:the u b s
- A1: Laredo (Small Dark Something); Written-By – Jon Dee Graham, Mark Andes, Michael Hardwick*
- A2: South Texas Lawman
- A3: The Color Of Night; Soloist
- A4: Pinocchio In Vegas
- A5: Annie
- B1: The Black Dog And The Wandering Boy; Soloist
- B2: Back To Coeur D’alene
- B3: Sons Of The Second Sons
- B4: Sailing Away
- B5: Broken Freedom Song; Written-By – Kris Kristofferson
[c] A3 The Color Of Night; Soloist [Electric Guitar] – Tim Holt (2)
[f] B1 The Black Dog And The Wandering Boy; Soloist [Electric Guitar] – Cornbread (4)
- A1: Disclaimer. Voice
- A2: The Meaning Of Life
- A3: Mota, Vocals
- A4: Me & My Old Lady
- A5: Cool To Hate
- A6: Leave It Behind
- A7: Gone Away
- B8: I Choose
- B9: Intermission, Vocals – John Mayer (3), Written-By – Irving Ceasar*, Vincent Youmans
- B10: All I Want
- B11: Way Down The Line
- B12: Don't Pick It Up
- B13: Amazed
- B14: Change The World
- 1: The Bonnie Banks Of Loch Lomond
- 2: Johnny B. Goode (With Cheap Trick)
- 3: Baby, Please Don't Go
- 4: Peter Gunn Theme/Jailhouse Rock
- 5: Messin' With The Kid
- 6: She's My Baby
- 7: Superstitio
- 8: School Days
- 9: Boom Boom
- 10: Lucille (With Phil Carson)
- 11: All Right Now
- 12: Shake, Rattle And Roll
- 13: No Particular Place To Go
- 14: Honky Tonk Women
- 15: Carol
- 16: Can I Sit Next To You Girl
Following Stab Breaks and Crystal Blue Cuts, a chilling new theme emerges this time inspired by the legendary horror icon Chucky, the killer doll with razor-sharp punchlines. This record is a full on tribute to the story and voices of the film’s unforgettable characters. Side A delivers a loaded sound bank packed with eerie samples, while Side B features six skip-proof scratch tracks designed for seamless performance. Also included is a download card giving you digital access to the full record, plus four exclusive bonus beats available for free download.
Black Vinyl[23,49 €]
The Nigerian princesses of afro-funk arrived on the international scene with 1976’s Danger and never looked back. Produced by multi-instrumentalist Adeniyi “Biddy” Wright, the six-song LP is a low-slung affair, awash in dreamy psychedelic guitar, crisp hi-hat shuffles, and telepathic harmony vocals from twins Taiwo and Kehinde. This 2025 remaster is housed in a deluxe tip-on jacket and includes lyrics in both Yorurban and English. Danger, danger, danger please come on back.
2025 Repress
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre.
His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties!
The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp.
All original tracks have been re-mastered to the highest possible standard of quality.
Mit "Everybody Loves the Sunshine" (1976) vermischt Roy Ayers nahtlos die Genres Soul, Funk & Jazz und erschafft einen zeitlosen Sound, der Musiker und DJs auf der ganzen Welt noch immer beeinflusst, mit dem Vibraphon als zentrales Instrument, ein Ansatz, der Ayers einzigartigen Stil definiert. Im Jahr 1976 veröffentlichte der legendäre Musiker und Komponist Roy Ayers mit ELTS eines der bedeutesten Alben seiner Karriere. Dieses Album festigte nicht nur Ayers' Stellung als Schlüsselfigur in der Welt des Jazz, sondern markierte auch einen Meilenstein in der Soulmusik und im zeitgenössischen Jazz-Funk. Es zeichnet sich durch eine raffinierte Mischung aus unwiderstehlichen Grooves, sanften Melodien und einem einzigartigen Sound aus, der über die Jahre hinweg nicht verblaaste und für mehrere Generationen von Musikern und Hörern zu einer Referenz wurde. Mitte der 70er Jahre hatte sich Ayers bereits mit seiner Band Roy Ayers Ubiquity und seinem unverwechselbaren Einsatz des Vibraphons, das zu seinem persönlichen Markenzeichen wurde, einen Namen gemacht. Und mit ELTS wagte sich Ayers an einen noch zugänglicheren Sound, auch als Reaktion auf den Aufstieg von Disco und das wachsende Interesse an Musik afro-amerikanischer Prägung überhaupt. In den zehn Tracks des Albums schafft Ayers eine Klangatmosphäre, die sowohl die Wärme des Sommers als auch die Raffinesse des Jazz jener Zeit heraufbeschwört, alles vor dem Hintergrund des modernen Soul. Produziert von Ayers selbst zusammen mit seinem Engineer und Freund David R. Williams zeichnet sich ELTS durch den wunderbaren Klang des Fender Rhodes Pianos von Phillip Woo sowie die kraftvolle Energie der restlichen Band aus, wodurch eine unverwechselbare Authentizität und Frische erreicht wird. Zu den bekanntesten Songs gehören der Titeltrack, "The Golden Rod" und "The Third Eye", die schnell zu Klassikern des Jazz-Funk und Soul wurden. Dieses Album ist für Roy Ayers' Karriere von entscheidender Bedeutung, da es seine Fähigkeit unter Beweis stellt, in einer sich ständig verändernden Musikindustrie relevant und kreativ zu bleiben. Im Laufe der Jahre wurde "Everybody Loves the Sunshine" zu einem Kultalbum, das häufig in DJ-Sets von Künstlern wie Gilles Peterson, Theo Parrish und Lefto gespielt Verwendung findet. Der Sommer-Soul-Klassiker jetzt wieder auf klassischem schwarzem 180g-Vinyl!
- A1: Tha Playah– Why So Serious?
- A2: Tha Playah– The Rule Of Cool (Art Of Fighters Remix)
- A3: Tha Playah– Bounce Back
- A4: Tha Playah Vs Dj Mad Dog– Enter The Time Machine (Tha Playah Mix)
- B1: Tha Playah– Bling Bling (Dj D Vs Nitrogenetics Remix)
- B2: Tha Playah With Neophyte– Still Nr 1
- B3: Tha Playah– Dicks, Pussy’s & Assholes
- B4: Tha Playah With Evil Activities– Imperial
- C1: Tha Playah With Tommyknocker– The Easy Way
- C2: Tha Playah With Neophyte– I’m In A Nightmare
- C3: Neophyte Records All Stars– Adrenaline
- D1: Tha Playah– Walking The Line
- D2: Tha Playah– Mastah Of Shock (Angerfist Remix)
- D3: Tha Playah With Nosferatu– Requiem Of The Fallen
- D4: Tha Playah With Neophyte & Mc Alee– The Ultimate Project
- E1: Tha Playah– Hit ‘Em (Evil Activities Vs The Viper Remix)
- E2: Tha Playah With Neophyte– Negative
- E3: Tha Playah With Mc Alee– Always Right
- F1: Tha Playah With Nexes– The One
- F2: Tha Playah– Call My Name
- F3: Tha Playah With Neophyte– Great Success!
- F4: Tha Playah– My Misery
Adeen Records is back with its The Bird series and this time Cad73 is the one at the buttons. First up he flips the age old classic 'Love and Happiness' into a smooth and seductive sound with lush chords and warming melodies. Flop it over and you will find a rework of 'How Can I Forget You' which becomes a Northern Soul great with big hooks and driving rhythms that will get big reactions in the club. Two different but equally effective and cultured cuts.




















