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Driver Era - Obsession

Driver Era

Obsession

12inchTDELP003
TOO RECORDS
11.04.2025

Obsession is THE DRIVER ERA’s explosive follow-up to 2022’s Summer Mixtape & sees the band’s artistry evolving in a dynamic, distinctive direction that solidifies themselves as a driving force in the alt-pop space. Clever, relatable lyricism backed by moody undertones and infectious grooves showcases the band’s pivot into more confessional songwriting and finding their sonic step.

Across the album’s 11 tracks, Obsession explores themes of love, longing, and loss through a uniquely captivating sonic profile rife with electric riffs, robust synths, and strong drums to create the most impressive release from THE DRIVER ERA to date.

The band, which consists of brothers Ross and Rocky Lynch, released their debut single ‘Preacher Man’ in 2018 and since then have amassed hundreds of millions of streams and a huge following with their signature sound and larger-than-life sold-out shows.

pre-order now11.04.2025

expected to be published on 11.04.2025

25,17
Mal-One - ‘Number 11 To The Worlds En LP
  • A1: Dialogue 1
  • A2: Number 11 To The World’s End
  • A3: Dialogue 2
  • A4 43: 0 King’s Road (Punk Meets Rock’n’roll)
  • A5: Dialogue 3
  • A6: You’re Gonna Wake Up One Morning…
  • A7: Dialogue 4
  • A8: Dangerously Close To Love
  • A9: Dialogue 5
  • A10: Walking
  • A11: Dialogue 6
  • A12: Someone Dropped A Bomb In The Uk
  • B1: Dialogue 7
  • B2: The Ballad Of Johnny Rotten
  • B3: Dialogue 8
  • B4: Tomorrow Is Gonna Be Aa Very Different Day
  • B5: Dialogue 9
  • B6: The Revolutions Coming
  • B7: Dialogue 10
  • B8: Punk Rock Clothes For Heroes
  • B9: Dialogue 11
  • B10: Where Have All The Punk Poets Gone
  • B11: Dialogue 12
  • B12: Punk Rock Pictures On My Wall
  • B13: Dialogue 13

Some time back just after then and before now, i was approached to work up a rough working script for a Punk Rock film, based on a boys entre into the whole Punk Arena and how it would affect his life. A loosely updated tale somewhere along the lines of a ‘Punk Quadrophenia’.

After many stop / starts and we are waiting for funding… etc, etc... and changing of ideas. I thought I better just get on with it. I worked up twelve tracks and put an opening script together for approval. Like some of the best made plans, as time moved on, so did the theme and the initial rush of enthusiasm rolled on to somewhere else.

A shame but lurking in the back of Punk Art studios the tapes were found and a bent up copy of the working introduction script. So here it is in all its rough and ready glory. Who knows what might have been but here is some of what could have been… hope you enjoy the idea.
Mal-One

pre-order now11.04.2025

expected to be published on 11.04.2025

16,77
DOSEONE & STEEL TIPPED DOVE - ALL PORTRAIT, NO CHORUS
  • 01: That Work
  • 02: Restaurant Not
  • 03: Went Off (Featuring Open Mike Eagle)
  • 04: Ta Da
  • 05: Dial Up (Featuring M.sayyid)
  • 06: Scales Sway
  • 07: Inner Animal
  • 08: Recycling Night (Featuring Fatboi Sharif)*
  • 09: Untouchable
  • 10: No Cops
  • 11: Wasteland Embrace (Featuring Billly Woods)
  • 12: Epinephrine Pen
  • 13: Breakneck (Featuring Myka 9)
  • 14: Not For Airports
  • 15: Best Metric (Extended)

All Portrait, No Chorus is the new album from indie rap pioneer doseone and NYC producer Steel Tipped Dove. Together, these two artists have crafted an uncompromising masterpiece. Knowing the caliber of MC he is paired with, dove skillfully paints with every color on the palette, and doseone skates effortlessly on every track, whether skating languid figure 8s or landing lyrical triple axels. Somehow the veteran sounds sharper than ever and the songs are lean and hungry, cut to the quick. It is no accident that this project is released under the Backwoodz Studioz imprint; the road that leads to this collaboration starts with, of all things, a ShrapKnel demo. Here is how dose explains it: "I have been inspired by Backwoodz for a while, in many ways, but the most potent being all these distinct pens. September 2023, I had heard a nearly done version of ShrapKnel's latest record, and something snapped in me. Hearing that perfectly hungry, inspired rapping turned my power back on. For me, being inspired warrants telling those who are inspiring you, so once I heard Decay I reached out and sent Fatboi Sharif and Dove some kind words about that record. The rest is history." At the end of December 2023 Dove sent dose the first beat pack. Somewhere around the second week of January 2024 dose already had five songs written and recorded. By the middle of March, a rough album framework was essentially done, and they brought on Minneapolis producer Andrew Broder to freak the turntables across the whole project. Then, as a final piece, dose and dove added select collaborations from some of their favorite rappers. By the end of April it was done. "I'm not really a features guy, but to align with and connect with those who inspire me, I called in some beautiful humans I had never worked with but always meant to: Open Mike Eagle, M.Sayyid, billy woods, Fatboi Sharif, and Myka 9 connect eras, artists, and styles of unconventional rap I hold incredibly dear," doseone explains. Listening to All Portrait, No Chorus you can hear the battery in doseone's back as he pythons his way through each instrumental. For his part, Steel Tipped Dove_a prolific producer over the last two years_delivers some of the most diverse work of his career. The result is a dynamic, propulsive listen that casts its crackling energy in every direction except backwards.

pre-order now11.04.2025

expected to be published on 11.04.2025

32,35
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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40,76

Last In: 48 days ago
Elektroplasma, Izsoloscope - L'Aube des Chaos

Rare artist is Elektroplasma ! And rare as well is remixer, Izsolocape... Who opens the EP with a hardcore industrial remix... followed by an Elektroplasma breakcore full-out track.... and then a pure beauty of kind stands on the full side Tune on the flip : L'Aube des Chaos. Total beauty !!

Strickly limited to 180 copeis (planned 200 but only 180 pressed finally !

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13,87

Last In: 13 months ago
Resh G & Nash - TEKNO KARAVAN LP 2x12"

Resh G&Nash

TEKNO KARAVAN LP 2x12"

2x12inch130LIMITED06
130 Limited
09.04.2025

Electro Swing Master Resh-G is back on vinyl !
DZ never surrender ?
Toolbox never surrender ?
Lets invite a newskool Nash for a gatefold supa collector sleeve.

Some privates jokes a bit everywhere then...

Superb album.

Mastered by FKY the magician (to make it pump !)
Cut by Simon the master.

And finally we'll get a pure jewell... Probably never repressed as it's a gatefold double pack... Not really that easy to make ^^

Enjoy the sound an go for any open air after parties level up !!!

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34,03

Last In: 11 months ago
Saison / Vertigini / Mo'cream - NFRV 013

The No Fuss label has been busy of late and is now dropping the many fruits of their labours with several EPs landing in quick succession. The 13th outing is a various artists affair that features two cuts from Saison on the A-side, though it is a Ross Couch remix of 'The Riff' that opens up. It's feel-good house with nice dancing piano chords and a Balearic feel while 'Feel This' brings more summery chords and dusty drum loops for some open-air dancing fun. Vertigini then offers the 90s-tinged 'Box Of Pandora' and Mo'Cream closes out with the already classic 'I'm Sure.'

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15,76

Last In: 27 days ago
Various - Redline EP

Various

Redline EP

12inchSW006V
Silver Walker
07.04.2025

Four artists with a taste for classic deep house infused with more than a touch of house line on the Silver Walker label's sixth release. Following releases on the likes of Local Talk, Balance, Traxx Underground, Mate, Quintessentials and upcoming projects on Nervous and NDATL, Shaka opens proceedings with a flurry of Hammond and plenty of exotic percussion, lie Alan Hawkshaw riffing with Underground Resistance. Glenn Davis (Wolf, Yore Records, Deeper Groove and Selections Records) delivers a deeper house workout on the A2 house track, the jazzy keyboard chords, fluttering flute and restless synths working real magic. One of the masterminds behind the Silver Walker label, Diego aka DFRA, comes on all perky with the saxes and soloing Rhodes, on the second side's opener, 'Nitewax'. Then we close with Damien aka Keymono (founder of several labels including Monocturne Records and Funkyshirts) laying on the handclaps of classic disco strings, the snippets of funk guitar and vibes the cherry on top.

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13,87

Last In: 12 months ago
Marc Cotterell - Jack The Rhythm

Rhythm N Vibe label head Marc Cotterell strides into 2025 with a killer new three-track EP featuring plenty of his signature garage and house crossover jams. 'Annihilate The Rhythm' gets things underway with some rave-ready sirens and tightly programmed beats and bubbly bass. UK talent JACKARD steps up to remix and does so with razor-sharp hi-hats and low-slung kicks that bring the sleaze. 'Floor Dance' then brings the funk with some playful chord sequences and swirling pads and fFeed Your Soul' shuts down with aching vocal hooks and old school piano energy over some fresh US house drums.

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14,08

Last In: 11 months ago
SKYRAGER - Love Is The Massage

Skyrager

Love Is The Massage

12inchHITD002
HITD
07.04.2025

Skyrager takes charge of the second superb offering from the HITD label with 'Love Is The Massage', which is a three-track 12" focuses on love. The first is 'Live Affair' and is a feel-good, easy and laid-back roller with lovely funky riffs. 'Love Is Good' then brings some island vibes with a more Afro-infused rhythm, dubby drums and organic percussion under heartfelt and soulful vocals. 'Love Is Bad' has a more melancholic feel with low-slung drums funky bass twangs and gorgeous vocal harmonies that melt away your woes. Three lovely sounds for three different settings and another great release from this promising young label.

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18,07

Last In: 13 months ago
Thought Leadership - III Of Pentacles LP

Every so often an album of such deceptive genius, of such aesthetic clarity, comes across our desk and transfixes us. Thought Leadership's III Of Pentacles is one such work of art. It's an instant classic and glides into the pantheon of timeless guitar-soul totems. Originally out on cassette only, we present the first ever vinyl issue. It's a hideously limited pressing of 300 for the world, so don't sleep on this.

Thought Leadership has already garnered big support from such tastemakers as Ruf Dug, Jason Boardman, Nathan Gregory Wilkins, J Walk, Evan Woodward, Justin Robertson and Heavenly's Jeff Barrett. The first time we heard III Of Pentacles, we nearly wept at the thought that something so beautiful, so bursting with real hope, could even exist in this brutal world. To quote the Quietus, "imagine if Stockport was situated somewhere along the Pacific Coast Highway rather than the M60, and you’ll have some idea of the coordinates to the post-industrial, sunburnt dream space opened up here."

So, who is Thought Leadership? What do we know about them? They reside in Stockport and are obsessed with ethereal guitar records. That’s about it. That and these X ideas shared with you, the listener.

Captured on a multitrack recorder in a terraced house in Stockport, this is as DIY as it gets. Glaringly obvious is a love for classic Factory and early 4AD. Perhaps it is the proximity to the River Mersey where the ideas arrived, and there being but three miles between where this and the Durutti Column’s classic “LC” was recorded, as the two operate across a familiar aural plain. Be it geographic or otherwise, limited by a true economy of means, namely guitar, pedals and drum machine, the fruit borne from these humble tools has been indelibly shaped by the perma-gloom that hangs low over the Manchester and Stockport environs.

Ushered in on 808 kicks, “I” opens the record as a beautiful Sketch for Stockport; a chiming maj7 chord dripping in chorus and delay sets us on our way. The Vini Reilly comparisons are unavoidable. “II” is all John McGeoch, with its trippy goth-psyche arpeggiated pattern cascading across the stereo image. Do those drums swing? But goths don’t swing?! They do here. We’re treated to a bit of crunch on the lead guitar part and some really lush reverb. We even step forth into shoegaze territory, albeit briefly, for the middle eight. “III”, a firm Be With favourite, continues the dreamy psyche leanings of the previous track, with an even bigger melody this time. We’re hearing The Teardrop Explodes on quaaludes here. A proto-dream pop cut soaked in melancholy. But watch out! The coda finds Johnny Marr has gotten into the ‘ludes and gatecrashed the final bars with some incredibly ignorant B minor pentatonic noodling.

“IV” ditches the drum machine for the first in a suite of three beatless electric guitar duets. The first of these semi-improvised rubato ideas is a striking departure from the earlier playful pieces, coming over emo and moody. Greyscale sulking for Stratocaster. Sign us up. “V” contains some really lyrical phrasing; a gorgeous conversation between two guitars. Real Stopfordian Primitive; meditative, crude, rain-soaked. We cycle through the same feels, then end on an alluring chord that breaks the pattern. Sometimes thoughts are like this. “VI” creeps in all plaintive, then a huge reverberating descending guitar line comes tumbling in like something off those classic Dif Juz 12”s. There’s some Maurice Deebank in there too, for sure, and the coda nods to early Meat Puppets.

“VII” rounds out the A Side, and succinctly presents a summary of all ideas explored thus far on our journey. The drum machine is back, this time with some wispy delay, before both guitars enter together playing interlocking lines. As we start, we end, with the delayed 808 guiding us out.

Opening Side B, “VIII” sees us embark on the other side of our journey as we slow down and space out. The drum machine is here, but the guitars are different now. Think Sensations Fix or Göttsching at his most peeled out. Drones, ambient drifts of broken chords and distorted lead lines all swirl round the mix. Side B is one for headphones for sure. “IX” is almost too exquisite for words. A New Age Mixolydian voyage through the cosmos. If you’re unmoved by the end you’ve probably got no pulse. We were left blunted ineffable by this one, such is the smudged elegance radiating from this idea. All hail the Thought Leader.

“X” is a full circle moment, and a fitting end. If you’ve not already elsewhere across the platter, you will be getting heavy Robin Guthrie vibes from this piece. Like the rest of Side B, this improvised jam sticks within a framework of related chords but the celestial energies channelled might invite us to wander “outside”, especially when the Tubescreamer is engaged.

RIYL Durutti Coulmn, Cocteau Twins, Dif Juz, Sensations Fix, Spike and adjacent guitar musicks – but, ultimately, this is just its own thing; such is the strength of ideas presented. "It’s good music to chill out to." (??)

Be With is honoured to present the first ever vinyl release of III Of Pentacles, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever after its initial tape release. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry, in Holland. The original tape cover artwork, so crucial to Thought Leadership's striking visual aesthetic, has been rejigged for vinyl issue here at Be With. Its stark presentation befits the music contained within. They inform us that they shuffled their tarot deck to ask what the album should be called and the card you see on the cover popped out. The III Of Pentacles tarot card represents teamwork, shared vision and the ability to achieve goals through collaboration. We like to think Thought Leadership and Be With have nailed this one.

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26,85

Last In: 13 months ago
Various - NOW That's What I Call The 80s LP 5x12" (BOXSET)
also available

3x12" Color Vinyls[38,61 €]


It’s time to celebrate an amazing decade for pop music – as popular today as it was back then...and with so many fantastic hits to choose from we had to make this a 100 track selection across 5 CDS – including over 50 #1 singles… Time to immerse yourself in the decade that never stops… legwarmers on – it’s : ‘Also available on 5-LP boxset featuring 78 huge hits, including 40 #1s, over 10 sides of vinyl, pressed in 5 different colours, one for each LP – red, yellow, pink, green and blue. Then we have a 3LP set featuring 45 unforgettable hits, including 27 #1s across 3-LPs, pressed in a red, a blue and a green vinyl

pre-order now04.04.2025

expected to be published on 04.04.2025

47,69
Scientist - At The Controls Of Dub - Rare Dubs 1979 – 1980

Scientist's name will be found on many dub releases in peoples record collections.His connection to King Tubby's studio is inseparable and many say when the dub end of Reggae music had fallen on quieter times it was Scientist with his often stripped back style and at other times, wild off the wall remixes that breathed life back into the dub cannon.

Scientist (born Overton Brownie,1960, Jamaica) was in many ways King Tubby's apprentice. Having helped his own father out repairing televisions and such like, he would help Tubby on winding transformer coils, that the amps of the day all needed. His interest in recording grew as he watched the many sessions taking place at Tubby's Dromilly Avenue Studio, learning the ropes as the musicians came and went. His first break happened when King Jammy (then Prince Jammy) was too tired to work on a session booked for producer Errol 'Don' Mais. Scientist engineered the session to every one’s bewilderment and great satisfaction.

His first hit would be a mix of Barrington Levy's 'Collie Weed' and his reputation built on the many versions he cut at Tubby's where he would become the engineer of choice. His pared down mixing style suited the new Dancehall reggae sound that came at the tail end of the 1970's and rolled into the 1980's. Such was his stature that albums were now sold with his name on their jacket, 'Scientist Vs Prince Jammy, 'Scientist meets The Space Invaders' to name but two.

His time at King Tubby's was followed as chief engineer working for the Hookim Brothers at the mighty Channel 1 Studio's and on many of top producer Henry 'Junjo' Lawes tracks, that were hit after hit at the time.

We have compiled some tuff tracks from the late 70's / early 80's just before everything went digital. Some great dub versions to some killer tracks that rocked the dancehalls around this golden time.The mighty Tristan Palmer whose killer cuts 'BadBoys','Stop Spreading Rumours','Eveready' and 'The Greatest Lover’ alongside Michael Palmer's debut release 'Mr Landlord' and Robert Trench's 'Mr Babylon'. The songs stand back-to-back with Tony Tuff's timeless 'Never Trouble Trouble' and the biblical Rod Taylor's 'The Lord is My Light'. Sammy Dread's 'Wah Dah Wah' and the always respectful Dennis Brown's 'Time and Place' all benefited a touch of magic from The Scientist and his laboratory of effects.

Hope you enjoy the set.....

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13,87

Last In: 6 months ago
Georgios Papamanoglou - Instant Bliss

Berlin based Greek artist Georgios Papamanoglou returns to his Deep Series imprint with the ‘Instan Bliss’ EP this March, accompanied by two remixes from Iron Curtis.

Georgios Papamanoglou has been been involved in the underground House and Techno scene since the turn of the millennium, making him mark through his multiple imprints Diaphan Music and Deep Series with releases from himself and other artists such as Nekes and Ekkohaus among others. After a few years hiatus 2023 saw Georgios return to relaunch his Deep Series label with the ‘Dark Path’ EP, featuring a remix from fellow Greek Techno stalwart, XDB. Here he returns with his new project ‘Instant Bliss’ made up of two originals and two remixes from the much loved Office Recordings and Hudd Traxx regular, Iron Curtis.

‘Millions Of Sounds’ opens the release and sees Georgios lay down a bubbling arpeggio lead line, shimmering analogue drums and intricately oscillating synth lines all dynamically evolving and unfolding throughout. Iron Curtis’ ‘Drama Mix’ of ‘Instant Bliss’ follows and sees the German artist employ hypnontic atmospherics, cinematics strings and a choppy bass sequence alongside stripped back drums.

Opening the b-side is Iron Curtis’ second remix the ‘Supersorry Mix’ of ‘Instant Bliss’, this time round laying focus on squelchy 303 licks, crisp breakbeats and an underlying textural tension. Papamanaglou’s original of ‘Instant Bliss’ then completes the package, a nine minune cinematic journey through enchanting strings, polyrhythms and robotic glithes.

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14,08

Last In: 3 months ago
Hiromi - Out There LP 2x12"

Hiromi

Out There LP 2x12"

2x12inch7267044
Concord Records
04.04.2025
  • Xyz
  • Yes! Ramen!!
  • Pendulum (Featuring Michelle Willis)
  • Takin’ Off
  • Out There: Strollin’
  • Out There: Orion
  • Out There: The Quest
  • Pendulum
  • Balloon Pop

Hiromi’s band Sonicwonder formed in early 2023, leading up to the release of the group’s first album together.  She selected each musician in the group strategically, choosing artists with a specific sound in mind who could paint the picture of her compositions. Hiromi’s Sonicwonder has been playing and touring together since then. With their second album as a group, OUT THERE, the band reaches a new level of chemistry and musical cohesion.

pre-order now04.04.2025

expected to be published on 04.04.2025

41,60
SISSY SPACEK - ENTRANCE LP 2x12"
  • Web Of Unfolding Appearance
  • Figure Of Reflected Light
  • Trancher And The Inheritors
  • True Dimension (From The Opaque-Spike)

Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project's most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. Founded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation and musique concrète. Fiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band's full throttle practice sessions - the project's conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band's past. Entrance is the most recent of these. Embarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player's distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. Where historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. As such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese's tape treatments and manipulation, each of the album's four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.

pre-order now04.04.2025

expected to be published on 04.04.2025

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R. MAN PRINCE & THE SOUL FOUNDATION - EVERYONE HAS GOT TO

Much sought after “Everyone Has Got To Go”, a militant 1976 roots stepper by Jamaican/Canadian singer Prince Robinson, aka R. Man Prince.

Born in Rockfort, East Kingston, Robinson auditioned, like many other hopefuls at Studio One, in his early teens, but it was not his time and he would not record in Kingston until a decade later.

After migrating to New York and then Canada, Robinson returned to Kingston in 1976 to record two incredible roots anthems at Joe Gibbs studio “Everyone Has Got to Go” and the impossibly rare “Funny Dream”. He was joined by The Soul Foundation, a vocal trio who laid the track's beautiful harmonies plus some of Jamaica’s greatest session musicians, including Sly Dunbar and Robbie Shakespeare, who were not yet superstars.

The track was mixed at Channel One and the explosive “Super Bionic Version!” Dub by Ernest Hookim and Barnabas enters truly apocalyptic territory.

Luckily for all of us, inside a now battered briefcase that he took to Jamaica in 1976, Prince has kept his mastertapes and promo photos in pristine condition, knowing that his music had value and biding his time.

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Last In: 13 months ago
Martin Glass - The Interstellar Music of Martin Glass

Martin had been a surprise choice for the commission.

It was the Spring of 1977 and two Interstellar Mariners were to be sent hurtling into deep space. Glass was to provide weekly "sonologues" of their progress, audio diarist for a pair of mute mechanical adventurers.

Delivered with a near fanatical diligence over the course of nearly three decades, these stuttering musical biographies would soon bewilder those who had first asked for them.

Martin's work, they judged, had begun to plot its own eccentric orbit, charting more than just the ships' material progress, but rather their imagined psychogeography ("What will they say about me?" "I will never conserve my instruments" "Nobody has gone further").

With his sonic dispatches increasingly ignored and unheard, all funding for the project swiftly fell to dust.

The very best of these scores, chosen from a vast compendium of source material, are now assembled here for the first time. Their muses, two arthritic spacecrafts now nearly half a century old, limp on through deep space, forever onwards and onwards forever...

pre-order now04.04.2025

expected to be published on 04.04.2025

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Intercommunal Free Dance Music Orchestra - Vol. 4 Jo Maka

Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka.

The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz.

So he then founded the Inter Communal, an association a name under which the different communities could become closer and compose, simply. In 1976, on the first album: L’Inter Communal, we can already hear Tusques playing without borders in the company of Carlos Andreu, Ramadolf, Michel Marre and Jo Maka (as a conclusion to this Vol. 4, we can hear them in 1977 at the Moulin de Prades Le Lez). Over the next decade, the, association kept going with concerts at the Dunois theatre, in 1980 and 1981, it welcomed old hands and new recruits (Bernard Vitet, Jean-Jacques Avenel, Jacques Thollot, Sylvain Kassap…).

If Vol. 4 – Jo Maka is an homage to the Guinean saxophonist, who passed away a few months before the release of this selection of concert recordings, it also displays a proud collective inspiration! One foot in the blues, and ears open to everything else, Tusques begins with a lament that the Company rapidly transforms into a joyful dance (“Vive la Commune”), weaves a full-blown party piece (“Poses ton fardeau et remets la machine en route”, “7 rue des prêcheurs”, “Mazir”) or gets fabulous with Mingus (“Fable Of Faubus”). And there you have it, with so many revolutions François Tusques is almost back to free jazz.

pre-order now04.04.2025

expected to be published on 04.04.2025

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Dool - The Shape Of Fluidity  LP

2025 Repress in Arctic Pearl Vinyl
Alles fließt, nichts bleibt wie es ist. Diese philosophische Erkenntnis gilt auch für das dritte Studioalbum der aufstrebenden niederländischen Rockband DOOL. Der treffende Titel "The Shape of Fluidity" zielt keineswegs nur auf die musikalische Innovation. Sondern das Album dreht sich um Themen wie persönlicher Wandel, physische Veränderung, psychologische Weiterentwicklung und die sich erneuernde Welt um uns herum. DOOL und insbesondere Sänger/in und Gitarrist/in Raven van Dorst stellen Fragen: Wie wirkt sich der Wandel auf uns aus? Wie bleiben wir uns selbst in einer Welt treu, die so unglaublich herausfordernd und aggressiv gegenüber dem Individuum ist? Wir müssen so fließend wie Wasser sein, um in diesem Ozean von Möglichkeiten und Ungewissheiten erfolgreich zu navigieren - und Frieden mit Chaos und Unbeständigkeit zu schließen. Musikalisch setzen DOOL den auf den beiden vorangegangenen Studioalben eingeschlagenen Weg fort, der emotionale Rockmusik mit Elementen aus dem Metal kombiniert. Dabei demonstrieren die Niederländer eine auffällige Reife und Kontrolle im Songwriting, die aus Jahren der Erfahrung gewachsen sind. "The Shape of Fluidity" zeigt eine eklektische, aber nahtlose Verschmelzung von Progressive und Post-Rock sowie Doom und Heavy Metal, die mit einer stets präsenten Eingängigkeit und hintergründigen Dynamik kombiniert sind. Es ist offenkundig, dass sich das Album thematisch mit dem Konzept der Identität vor dem Hintergrund einer sich ständig verändernden Welt befasst. Die Texte des Albums sind eng mit der Biografie von Leadsänger/in Raven verknüpft. Von Geburt an intersexuell, entschieden die Ärzte chirurgisch, dass der Säugling als Mädchen durchs Leben gehen solle. Dies führte zu einer Existenz auf der Suche nach der eigenen Seele, dem Kampf gegen Tabus und die Überschreitung von Grenzen, bis Raven vor kurzem beschloss, das zurückzufordern, was andere versuchten hatten, ihnen wegzunehmen - und ihre hermaphroditische Natur zu akzeptieren. Der Bandname DOOL leitet sich vom niederländischen Wort für "Wandern" ab. Bereits das im Jahr 2017 erschienene Debütalbum "Here Now, There Then" landete einen sofortigen Volltreffer. Der frisch-wilde Rock- und Metalsound aus den Niederlanden wurde von den renommierten deutschen Magazinen Metal Hammer und Rock Hard zum "Album des Monats" gekürt. Auch Vice (US), Aardschok (NL) und De Volkskrant (NL) überschütteten die junge Band mit Lob. Mit ihrem zweiten Album "Summerland", das 2020 erschien, übertrafen DOOL die ohnehin schon hochgesteckten Erwartungen. Es gab weitere "Album des Monats"-Auszeichnungen in den deutschen Magazinen Rock Hard (10/10) und Sonic Seducer sowie eine #2 Soundcheck-Position in Metal Hammer (DE) und Metal.de, und eine weitere #1 im polnischen Metal Hammer - mit einem Berg herausragender Kritiken auf beiden Seiten des Atlantiks. Mit "The Shape of Fluidity" bieten DOOL sehr viel mehr als nur verdammt coole Musik. Die zusätzlichen Dimensionen von Tiefe und Bedeutung sind Teil ihres einzigartigen Reizes und kommen auf dem neuen Album deutlich zum Vorschein. Mögen sich alle, die wandern, unter der fluiden Flagge von DOOL versammeln!

pre-order now04.04.2025

expected to be published on 04.04.2025

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