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By the time Mayday Parade began work on Sugar, the closing installment of their three-part album series, they had pushed themselves further than ever before.Following Sweet (April 2025) and Sad (October 2025), the pop-rock quintet committed to a relentless cycle—write, record, tour, repeat—building a body of work that captures the full scope of their sound across nearly 30 songs.

Sugar brings the trilogy to a close in powerful fashion, emphasizing both reflection and forward momentum through the driving emo pulse of first single “Blame It on the Youth,” the hypnotic piano ballad “What Happens Next,” the glossy melodic groove of “Two Hearts,” and the nostalgic energy of “Sweet Sad Sugar,” which reflects on the Tallahassee roots that shaped the band.
Just as importantly, the project marks the beginning of a new era defined by autonomy. Released independently, the set sees Mayday Parade taking full control of their creative output—a full-circle moment for a group that first built its audience by selling CDs in Warped Tour parking lots and quickly became a leading voice of the late-2000s emo wave thanks to gold- and platinum-certified singles like Jamie All Over and Miserable at Best.
It's this willingness to chase something ambitious, no matter how daunting, that has defined them from the very beginning. Now, with the trilogy complete, Mayday Parade find themselves in a position few of their peers can claim: still creatively restless, still evolving, and still finding new ways to win.

Danny Clay is a composer who often utilizes classical instruments, open forms, found objects, analog media, and digital errata in his work. He has collaborated with musicians and ensembles throughout the US, including Kronos Quartet, Eighth Blackbird, Third Coast Percussion, Volti, the San Francisco Girls Chorus, Wu Man, Sarah Cahill, Phyllis Chen, the International Contemporary Ensemble (ICE), Ensemble Dal Niente, the St. Louis Symphony Orchestra, and others.

10 years after his last solo release on IIKKI ("Stills" IIKKI001), Danny Clay comes back with "A Moment Beyond". A new intimate and out-of-time piece evolving between ambient, chamber music and contemporary music.

Colemine Records is proud to present a brand new 45 from Aaron Frazer featuring two tracks from his debut LP. The funky and drum heavy "Bad News" has a timely message at a time when people willfully ignore the warnings about everything from climate change to systematic racism. Frazer recorded the tune in Nashville and he brought together a bevy of talented musicians, including members of The Memphis Boys, who backed Dusty Springfield on "Son of a Preacher Man" and Aretha Franklin on "Natural Woman." On the flip, "Done Lyin'" shows Aaron's vulnerability throughout the song. Heavy and tough production from Dan Auerbach paired with Frazer smoothly singing his heart out is a match made in sweet soul heaven.

Susan Cadogan is a Reggae & Rocksteady singer from Kingston, Jamaica. With a delicate voice that shimmers between childlike innocence and smoldering sexuality, Susan Cadogan’s vocals were the perfect expression of lovers rock.

Susan Cadogan's singing talents led to her recording her first single, "Love My Life" for Jamaican Broadcasting Corporation (JBC radio) DJ Jerry Lewis. Lee "Scratch" Perry was in the recording studio at the time, and was impressed by Cadogan's voice enough to record an album's worth of material with her, also renaming her Susan.

One of her first recordings for Perry, a cover of Millie Jackson's soul hit, "Hurt So Good" (featuring bassist Boris Gardiner), was released was released in the UK by Dennis Harris' DIP International label, and topped the UK reggae chart and went on to reach No. 4 in the UK Singles Chart which resulted in Cadogan flying to London to promote the single, including many television appearances on the BBC's Top of the Pops. Other singles ("Nice & easy", "Fever", "In the Ghetto") were released but none of these charted. "Hurt So Good" was subsequently certified silver in the United Kingdom and gold in South Africa after a few weeks and became one of the top selling singles of 1975 in the UK.

This is the album she recorded for Trojan Records and it was produced by the legendary Lee Perry, Susan Cadogan is available as a limited numbered edition of 750 copies on orange vinyl.

American trumpeter Chet Baker was a major innovator in cool jazz, leading him to be nicknamed “the prince of cool”. He earned much attention and praise through the Fifties, partic- ularly for albums featuring his vocals. This included his 1954 album Chet Baker Sings and its follow-up Chet Baker Sings Again in 1985. The latter he released on the Dutch jazz label Timeless Records. He recorded the album with bassist Ricardo Del Fra, drummer John Engels and pianist Michel Graillier.

Following the genre-redefining revelations of A Love Supreme in 1965, John Coltrane began a dramatic shift toward spiritual free jazz, abandoning familiar forms in favor of a more abstract sonic palette and bold questions he'd spend the rest of his life and career pursuing. Meditations, released by Impulse! in 1966, continues that emotional throughline while retaining, for the last time in full, the classic quartet that propelled Trane to greatness: pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones. (They're further augmented by Pharoah Sanders on tenor sax and additional drummer Rashied Ali.) Meditations pushes Coltrane’s spiritual jazz into heightened realms of energy and abstraction — a powerful document of transformation, intensity, and devotion in Coltrane’s recorded legacy.

First-time repress of Thrum's 1994 cult classic Rifferama, newly remastered with enhanced depth and clarity. Features Monica Queen (Belle and Sebastian / Snow Patrol), the album offers a signature blend of shimmering hooks and fuzzed-out guitars. The long-awaited reissue of Rifferama, the acclaimed debut album by Glasgow indie trailblazers Thrum. Out on Fire Records, the remaster revisits one of the most revered cult records of the 1990s UK guitar scene (the vinyl release includes an exclusive digital download of the band's reunion show recorded live at Airdrie Town Hall in 2025, along with a new studio version of 'Hey Joe'). Originally released to critical acclaim, Rifferama captured a moment when melody, distortion and emotional urgency collided to create something timeless. Now newly remastered from the original recordings, the album returns with enhanced depth and clarity, reaffirming its reputation as a lost classic of the era. Fronted by the unmistakable voice of Monica Queen (known for her work with Belle and Sebastian and Snow Patrol), Thrum's sound blended shimmering pop hooks with driving, fuzz-laden riffs. Alongside Johnny Smillie's distinctive guitar work, the band forged a sonic identity that stood proudly alongside the era's most influential alternative acts. This reissue is dedicated to the late great Phil Vinall, who mixed the album.

Warrant was formed in 1984 in Hollywood, Los Angeles, California, and experienced success from 1989 to 1996 with five albums reaching international sales of over 10 million. The band first came into the national spotlight with their double platinum debut album Dirty Rotten Filthy Stinking Rich (1989) and one of its singles, "Heaven", which reached No. 2 on the Billboard Hot 100. The band's success continued in the early 1990s with the double platinum album Cherry Pie (1990), which provided the hit song of the same name. In 1992, Warrant released their third album the critically acclaimed Dog Eat Dog. The record achieved only moderate commercial success compared with the first two albums, but still sold over 500,000 copies reaching Gold status and charting at No. 25 on the US Billboard charts. The band's fourth album Ultraphobic (produced by a returning Beau Hill) was released in March 1995 and, featured the singles "Family Picnic", " Followed" and the ballad "Stronger Now". Now to celebrate the 30th Anniversary of their fifth album which was released in October of 1996 and the last with Jani Lane. Belly To Belly Vol. 1 has been remastered and repackaged and is available for the first time on strictly limited vinyl LP.

With Fuck, Marry, Kill, Tink delivers her most provocative and conceptually sharp body of work to date, firmly reclaiming her position as a premier storyteller in the modern R&B landscape. Moving beyond the diary-entry style of her earlier years, this project utilizes the titular game as a brutal yet honest framework for the complexities of modern intimacy. Tink navigates the chaos of the dating world with a dual-threat precision that few can match, seamlessly blending the grit of her Chicago rap roots with the velvet textures of contemporary soul. Under the executive production of Hitmaka, the album finds its heartbeat in the friction between high-gloss production and raw, unfiltered lyricism.

The album is meticulously structured to mirror the chaotic cycle of urban romance: the adrenaline of fleeting lust, the heavy stakes of long-term commitment, and the inevitable coldness of a bridge burned. In the "Fuck" segment, Tink radiates a lethal confidence, delivering anthems of autonomy and physical desire that demand space in the club and on the charts. As the project transitions into "Marry," she peels back the armor, offering a vulnerable look at the desire for stability and the terrifying leap of faith required to trust a partner. However, it is in the "Kill" section where Tink’s songwriting truly bites; here, she chronicles the aftermath of betrayal and the empowerment that comes from cutting ties, transforming her heartbreak into a weapon of self-preservation.

Ultimately, Fuck, Marry, Kill is a masterclass in "Toxic R&B" that refuses to settle for easy answers. Tink captures the specific anxiety of a generation trying to distinguish between a temporary thrill and a permanent soulmate, all while navigating a world of ghosting and digital infidelity. By leaning into her flaws and her triumphs with equal intensity, she creates a sonic space where listeners feel both seen and vindicated. This isn't just an album about love—it's a survival guide for the heart, narrated by an artist who has seen every side of the game and lived to write the definitive soundtrack for it.

This live recording was broadcast on French Radio, December 19th, 1984 and features their duet performances of John Coltrane "Naima", Jimi Hendrix "Purple Haze", Ornette Coleman "Broadway Blues" amongst others. Student bassists Michel Hatzigeorgiou, Reno Steba, Alan Brennan, and Angel Vicens joined the duo at various times during the performance. Blackbird is available as a limited edition on translucent green coloured vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker

Shiverstruck, the latest album from IAN SWEET, finds songwriter and multi-instrumentalist Jilian Medford at her absolute best. Produced and mixed by Ben Allen (Deerhunter, Washed Out, Belle and Sebastian), the record centers a deliberate return to analog instrumentation, with acoustic guitars, piano, strings, and live drums at the forefront. Medford’s writing is more confident, direct, and emotionally exposed than ever, with soaring, melodic tracks like “Criminal Kissing” and “Jilian” revealing a striking new dimension of IAN SWEET.

IAN SWEET’s music has amassed millions of streams worldwide and earned praise from FADER, The New York Times, Stereogum, The New Yorker, Rolling Stone, and Pitchfork, which named Show Me How You Disappear one of the Best Rock Albums of 2021 and profiled Medford as a Rising artist that same year.

High Roller Records, reissue 2022, black vinyl, ltd 250, lyric sheet, poster, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony
“Urm the Mad” was Protector’s sophomore album, recorded in the summer of 1989 at the Phönix Studio in Bochum, where the four-piece from Wolfsburg had already recorded their killer full-length debut “Golem”. Urm the Mad” was to become the last album before the split in 2003 that features Martin Missy; he should be replaced by Olly Wiebel in December 1989. Protector did not change too much about their style – genre-defining early thrash/death – but one of the most notable things about “Urm the Mad” was the sound: The album is famous for its heavy, noisy, dirty sound, for its raw production that makes the music all the more evil and menacing, with guitars in the front and Martin’s unmistakeable vocals lying on the riffs like poisonous mould. “Urm the Mad” is thrash metal walking the path of death. Protector’s special blend of thrash and death metal has always set them apart from their compatriots and even inspired German metal tabloid Rock Hard to declare Protector to be “Germany’s hardest band” – and this in 1989, the year both Kreator’s “Extreme Aggression” and Sodom’s “Agent Orange” were released! Protector, too, play fast and energetic thrash, but the overall feel of the album is that of creeping, lurking evil – crawling along on frequently slowed down, heavy riffs and Martin Missy’s sick death-like growls which seem to come straight from the charnel house. “Urm the Mad” does not sport that “positive” aggression usually found in 80’s thrash; on the contrary, the album is grim, dark and desperate, but nonetheless brutal and extreme. Back in the days, Protector’s contribution to the then-proliferating Teutonic thrash was mainly recognized within the underground scene, and the metal press played its own part in keeping Protector a bit below the radar: “We got pretty much the same response as we got for ‘Golem’: Good, positive feedback from our fans and ‘ok’-reviews from the bigger metal magazines.” Time to make up for that.

In The Eye Of The Storm was recorded live in New York on September 6th & 7th, 2025 as the soundtrack to a film celebrating Foreigner’s 50th anniversary. The album features an electric performance of the hits executed on Ellis Island, and a stunning acoustic presentation from the rooftop of Dumbo House overlooking Brooklyn Bridge which includes a very special rendition of Simon & Garfunkel’s ‘Bridge Over Troubled Water.'

CD: 4-Panel Wallet
LP: Black Vinyl in Single Jacket with Printed Inner Sleeve

October London is a chart-topping R&B force, blending classic soul influences with modern appeal to bridge generations of listeners. Backed by multiple Billboard No. 1 hits and major award recognition, he's proven both his artistry and commercial staying power. As he expands into new audiences—from Doggyland to a forthcoming 2026 album and tour—October continues to evolve while honoring the roots of timeless R&B.

Hausu Mountain co-founder Maxwell Allison returns to the label under his moniker Mukqs with an hour-long progressive ambient statement entitled Juckport. Performed live on a solitary sampler in a single take, the album shifts from warp-speed blasts of glitch to iridescent jazz fusion piano sketches to expanses of ecstatic synthesis. Allison's improvised approach to live sound collage blends innumerable layers of texture and oblique harmony into a continually thrilling electro-acoustic mosaic. Each track begins as a bank of samples sourced from Allison’s collection of synthesizers, drum machines, and field recordings, arrows pointing in a direction but without established counterpoint. Spontaneity, and the sometimes chaotic juxtapositions it engenders, undercut any traces of machine logic in the music as it expands and contracts organically. It is the product of hands moving in real space, in real time, for an extended period. Juckport is animated by a duality of glitched-out abstraction and intangible bliss. Synthesizer pads stretch beyond the imagination’s horizon line, counterbalanced by a churn of clipped samples that scatter across the stereo field like rapidfire psychedelic flashbacks. Cohesion emerges through textural continuity and development rather than repetition or pattern-making. Blink and innumerable details might slip by unnoticed, and the landscape might have shifted entirely. Still, as more viscous sounds enfold the listener, they communicate a calm, settled mindset, reflecting the motion of a creative mental state; large amounts of information are synthesized into a focused stream that reacts intuitively with the introduction of each new complicating element.

"Paired Works is a double EP by Justine Perry and Paula Koski, developed in parallel within the same time and environment. Evolving through years of shared surroundings and creative exchange, the record emerges as a natural extension of that connection.
Produced separately, the tracks document two distinct inner worlds shaped through proximity. Justine Perry leans into deep, hypnotic forms, while Paula Koski moves through dubby and spacious structures driven by texture.
Across four sides, the record shifts between focused, forward-moving passages and more atmospheric moments, creating a subtle push and pull. Rather than settling into one singular moment on the dancefloor, it stretches across the shifting phases of a long club night.
Timeless and elegant in its approach, Paired Works marks the debut release on Ostgut Ton for both artists.“

1.1TITLE SCREEN
1.2NOT HECN AROUND
1.3THIS
1.4TURING COMPLETE
1.5DUMPLINGS
1.6OOO WHAT'S THAT FT. QUELLE CHRIS & CAVALIER
1.7FROGTOWN
1.8NIGHT TIME FT. E L U C I D
1.9JOCELYN
1.10DRAGONCURVE FT. K-THE-I???
1.11ORANGE TREE
1.12YEAHYEAH FT. PINK SIIFU
1.13THE CENTER FT. MOOR MOTHER & BILLY WOODS
1.14LIGHTS ON AT THE CLUB

Among the projects that helped redefine European electro and EBM at the turn of the millennium, Electronic Corporation and heimelektronik remain essential references. Blending machine-driven rhythms, melancholic synth work and an instinctive understanding of the dancefloor, their productions captured a unique moment where classic body music was reimagined for a new era.

The A-side features "Illuminate" and "We Got Velocity", originally released under the Electronic Corporation moniker, while the B-side collects "My Darkest Sounds" and "Nothing But My Beat" from heimelektronik's sought-after Electronic Lifeforms EP.

Collecting four timeless recordings that move effortlessly between electro and EBM, this 12" is driven by sharp sequencing, uncompromising drum programming and a singular vision of electronic music. TIP!!!

"This album is created over the past years with my brother Alfred. This period has been spiritually transformative for me. it reflects the playfulness and authenticity that comes out of releasing deep traumas and healing wounds. this music comes from a deep place of joy and connection with my brother and with the essense of being a child. being filter free and in contact with the most uncomplicated and loving parts of ourselves, still emphasizing magic and mystery, like childhood does without asking for permission or confirmation.

It took me a while to actually see the music as an interconnected piece. i have been taking in and out material, re mixing, removing, rearranging, re producing and regretting all along the way. but suddenly when we mastered this selection on a cassette tape recorder, the meaning started to reveal itself and drawing threads back in time.

Bivabippalukka is playfulness, intuition, transition and myths. the page of cups. the ideas rising, the energy flowing, flowers, stars and jumping creatures on the verge of dimensions. fortune telling, magic cards, secret caves and things that disappear right in front of you.
many talented guests playing with me and my visions on the album.

Bossa nova is the most comforting genre for me. and we need comfort in these times. we need comfort to heal and feel joy to be able to keep dreaming and manifesting - and transmuting the world.

I am not gonna play this music live in the form it appears. i will still continue playing spiritual ambient music. this work is something else. it is pocket of joy, a cup with a fish. it is a step on the journey, like everything else. "

Following the solid showing of global love and support for the collective Point Winona Sound Library Vol 1, LA’s Elbow Grease label runs it back with a sultry summer scene LP entry from one of the compilation’s most promising new talents.
Nashville-born/LA-bred Michael Griffin aka Gryph’s aptly-titled debut album Nash Angeles is a rare and refreshing example of true musical worlds colliding, that never loses focus of keeping the big fun in funky. The Tennessee-raised rock and blues guitarist/singer-songwriter’s newfound passion for dance music roots and devotion to the sonic feels of his current Cali home base are on full display here. Along with the studio-ace touches of co-producer Dave Aju and a cast of brilliant feature vocalists and live session musicians, the LP offers up only the most adventurous twists on contemporary genre fusion - from disco to dub, modern soul to post-punk, italo to r&b, and jazz-funk to classic house music, all while firing loved-up arrows straight through the hearts of any dance floors or fellow party animals, just in time for open-air bbq season
Already in heavy support rotation by legends such as: Glenn Underground, Francois K, Bill Brewster, Daniele Baldelli, Pete Herbert, Louise Chen, Graeme Park, Felix Joy, DJ Rocca, Massimiliano Pagliara, and many more..

MAEVE returns with a new chapter led by Mano Le Tough, continuing the label's long-standing vision of releasing timeless, emotionally resonant electronic music.

Leading the way is a special 3-track 12" featuring a collaboration of Mano Le Tough with DJ Koze, Remcord and Jonathan Kaspar, - the first in a new run of releases scheduled throughout 2026, with further singles and an EP to follow from Maeve artists and new talents.

DSCI4060 – Danny C & Mike Pears – Listen & Learn EP Release Date: Friday, 24 July 2026 Format: Limited Edition 4-Track 12-Inch Black Vinyl Catalogue Number: DSCI4060 DSCI4 presents Listen & Learn EP, a deep atmospheric drum & bass release from Danny C & Mike Pears, featuring two previously unreleased tracks—Raw Deal and Porn Star—mastered directly from the original DAT master tapes for their first official release. Completing the EP are Cosmik and Deepness, delivering four timeless cuts that capture the unmistakable sound of late-'90s atmospheric drum & bass.

DYING VICTIMS PRODUCTIONS is proud to present the much-needed reissue of BAPTHOMET’S BLOOD’s third album, Metal Damnation, on vinyl LP and – for the first time – CD formats. Originally released in 2009, BAPHOMET’S BLOOD continues their roughneck approach to real underground heavy and speed metal. Their Italian Steel may not be sharp, but nonetheless hard hitting. 8 tracks + a cover of Belgian heavy metal cult act Killer can be found on this record.

DYING VICTIMS PRODUCTIONS is proud to present the long-awaited debut album of Italy’s INTO DARKNESS, Route to the Other Side, on CD and vinyl LP formats. Italy's INTODARKNESS have been a work in progress since their formation in 2011. Led by vocalist / guitarist Doomed Warrior from the very beginning, the band released a handful of demos, a couple splits, and a couple EPs during their first decade of existence. While all short-lengths, they certainly did not lack in quality. As time (and lineups) went on, INTO DARKNESS’ primary influences – equally early Asphyx and Soulburn, Pentacle, Sinister, Gorefest, Dead Head, Phlebotomized, Acrostichon, and Thanatos among others – came more sharply into focus, aligning reverently within old-school Dutch death metal in style but with a unique lyrical focus: divulgative astronomy. Not astrology, not sci-fi, no Lovecraft – only and specifically divulgative astronomy, maybe poetically but definitely realistically. Now, at long last, INTO DARKNESS are prepared to unleash their debut album. Tellingly titled Route to the Outer Side, the Italians’ first full-length is a concept record about the outer solar system, which still considers Pluto as a planet and also includes Halley’s Comet.

From 1993, a hallmark UK Dub album returns to the light. Originally pressed in a small run and extremely hard to find, this record was produced at Earthquake Studio by TNT Roots and Winston Dread.

Together, they provided a raw contribution to the early UK Dub scene using a basic setup: a Siel DK-80 synth, a Yamaha home keyboard, a Casio RZ-1 drum machine, and an Atari 1040 computer running Cubase V2.0. The tracks were shaped through an old Dynamix 8-channel mixer and captured on a Casio portable DAT machine.

TNT Roots provided the drum, bass, and chord patterns, while Winston Dread added the lead lines and performed the mixing duties. This raw, undiluted music reflects the evolution of Dub and contains the seeds of all their future work. Their dubplates were staples for legendary UK sound systems like Aba Shanti-I and Iration Steppas, becoming sought-after anthems that defined the "heavyweight" digital roots sound.

These are heavy sounds that stand the test of time. Back on the streets after 30 years, the album has been fully restored and remastered to honor the dubplate masters of UK Sound System culture

MAR 004 continues the evolving catalogue of Moozikeh Analog Room, a label imprint emerging from the broader Analog Room ecosystem. Over time, Analog Room has developed into distributed creative structure spanning, bridging club culture, archival releases, and experimental instrument design. MAR 004 extends this trajectory, reinforcing the label’s position as a long-form documentation platform for contemporary electronic music practices rooted in both regional and international dialogue.

From The Label:
"The relationship with Roman Flugel started with us listening to his music and be fascinated by the simplicity but bold sound. The sound design and the story telling was inline with how we enjoyed music. After inviting Roman for a few times to perform at Analog Room, the relationship led to the point that when it was time for us to think of the MAR releases, we could not miss on asking Roman to join the label and the rest is what you are going to experience with this thick, deep and rhythmic EP that represents what the world need at the moment, some SOLUTIONS. Analog Room has always tried to bypass the issues in the South West Asia region through music and art and show how we are all the same and connected."

From Roman:
"My record for Analog Room is essentially a long-term project that was sparked by multiple invitations to the Analog Room club in Dubai over the course of several years. The club held a special place for me—a sanctuary for the underground music scene in a city otherwise defined by a very different ethos. I am delighted to now be part of the Analog Room label family. The record blends various moods and directions within my personal musical landscape, and "Solutions," in particular, has created euphoric moments during my DJ sets over the past few months."

Fresh wax from Lance Desardi, on his own Legwork imprint.

The Gods Must Be Angry comprises 3 tracks that have been doing the rounds with some of the heaviest-of-the-heavy house DJs, available for the first time on vinyl. We’ve combined these into one release and added a new track - What I Know - as a vinyl-only exclusive. Across all four tracks there’s a balanced mix of headiness and body-jerking funk.

Relapse presents a remastered reissue from the undisputed king of Japanese noise-MERZBOW. "Pulse Demon" is one of the most celebrated releases of Masami Akita's storied 4 decade long career. Composed entirely by live noise concrete and the use of a fuzz box, "Pulse Demon" eschews all overdubs and studio trickery, laying MERZBOW bare. What follows in these recordings is the pure essence of unfettered noise. The rawness in "Pulse Demon" is palpable; praised as "genuinely extreme, downright torturous sounds that are strangely compelling in their shredding intensity." (A.V. Club) upon its original release in 1996. Remastered by James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL, and more,) the "Pulse Demon" reissues features "Extract 1", a never-before released track that was recorded as part of the original "Pulse Demon" sessions.

Following the success of his project DFRA Experience Jazz Band – Jazz In, Argentinian deep house maestro DFRA returns to Groovin Recordings for his highly anticipated second 12" vinyl release, "All About You EP".
While his first Groovin record heavily merged live modal jazz and bebop structures with electronic music, All About You sees DFRA shifting focus directly back to the late-night dancefloor. Dropping just in time for the July summer heat, this four-track EP delivers a masterclass in clean, sophisticated deep house.
Across both sides, the Buenos Aires producer effortlessly pairs crisp percussion with warm, hypnotic basslines and soulful chord progressions. From the smooth, vocal-tinted groove of the title track to the late-night atmosphere of the B-side cuts, this record perfectly balances a timeless, classic edge with modern production weight.

From the A to Marseille, Stefan Ringer and Marquinn Mason return with a four-track collaboration born from rhythm, friendship, and creative exchange. Opening with the intimate, bossa nova-inspired groove of "Bossa Beat," the EP moves effortlessly into the jazz-infused house energy of "Bounce" and the cosmic boogie funk of "Moving Steady." Together, the pair blend soulful vocals, infectious basslines, and dancefloor ready rhythm into a collection that feels both timeless and forward-thinking.

Created during a week-long artist residency in Marseille, France, the project captures the spirit of discovery that fueled the duo's creative process. The release concludes with a stunning remix of "Moving Steady" from Ben Hixon, who reimagines the original through a tropical Latin house lens, adding rolling percussion and hypnotic grooves to an already irresistible composition. From Atlanta to Marseille, this EP is a celebration of movement, connection, and Good Motion & Good Energy.

Tipped by many as a true DJ’s DJ, London’s Isaac Carter has a sound that sits between heritage and reinterpretation. Drawing from the iconic hubs of Chicago and Detroit, his productions reframe classic influences with a contemporary UK perspective, prioritising groove, swing, and a stripped, functional edge.

At the heart of his work, Carter has developed his Ochi imprint, where his deeper material has circulated within a select circle of DJs, with love from names such as Ben UFO, Raresh, and Joy Orbison. A controlled outlet for ideas shaped specifically for club use, that approach also carries over into his sets, playing at the likes of DC10, Glastonbury, and Love International.

Fresh from his appearance for the London favourites at FUSE’s annual Open Air showcase, Enzo Siragusa now welcomes him to the label for the first time as he brings a collection of cuts that journey into varying corners of the house sphere.

The ‘Disconnected’ EP brings five tracks built around direct function and contrast. ‘Disconnected’ opens with rolling low-end pressure and slinking drums, loaded with swing, setting a clear rhythmic foundation for the project. ‘Bad Girl’ shifts into a more playful space, led by vocal fragments, hazy chords and dubby tones. On the B-side, ‘What We Do’ leans into crisp repetition sitting beneath shifting, trippy movement, followed by ‘Loopy’, which strips things back into a reduced late-night percussive trip.

DJ NOTOYA, who was among the first in Japan to spotlight Japanese music and gained international attention with his mix CD “Tokyo 1980s”—which became an
instant classic upon release. Now, his compilation “Tokyo 1980s Victor Edition,” which focuses on Victor Records’catalog and showcases his deep understanding of
the essence of 1980s Japanese music—blending elements of disco, boogie, and modern soul—is finally being reissued as a long-awaited color vinyl edition!

This release features a carefully curated selection of gems—tracks that received high praise internationally in previous digital releases—specially compiled for vinyl.
Notably, Reiko Takahashi’s “Sunset Road” is included on vinyl for the first time, a long-awaited treat for fans as the original 7-inch is now extremely hard to find.
This must-have collection for fans of Japanese music and city pop is now complete, featuring cover artwork by Hiroshi Nagai. It’s the definitive album, perfect for
everything from club nights to casual listening!

Sushitech continues its expertly curated mission of uncovering hidden gems adding to its ever-green catalogue with another immersive, rare house classic from the West Coast of the late '90s.

Tim Buna and Eric James (RIP), who produced as E.T.I. and formed part of the solid bedrock of the West Coast sound alongside DJ Garth (together as Rocket) and the Wicked crew, join forces with Tony Hewitt, another titan of the era.

This rare genre-crossing underground record has been treasured by collectors for years, earning support from key players and featuring in the infamous Tyrant mix of Craig Richards and Lee Burridge.

Carefully restored and recut, this monster of a record is now available once again on Sushitech in its full form. Three decades on from its original release, its raw, dirty, high-energy vibe remains hard to match, with authentic, magical sound that stands second to none. Late '90s acid house at its finest.

2026 Repress

Ron Trent's masterpiece from 1993 "I Feel The Rhythm" in the rebound! For the first time together on one record with the remixes by Paul Johnson & Inner Experience which came out 1999 on Prescription Records - a must have!

2026 Repress

ARTS is back with a classy debut, this is Geinst, a very young Artist coming from France. His music is Unique, Literally one of a kind. We are happy to present Uchronie EP. When people don't express themselves, they die one piece at a time, don't forget it.

Sababa 5 continues their musical journey following the success of their acclaimed self-titled debut album, which fused deep funk and Middle Eastern grooves. Their latest offering, still under the Batov Records label, ventures into more explorative and experimental instrumental compositions. While evolving their musical direction, 'Aspan' delves into the realm of psychedelic rock while retaining the essence of the band's signature Middle Eastern groove.

In recent times, Sababa 5's talent has gained recognition on prominent French radio stations such as Radio Nova and FIP. Their tracks have become regular features on BBC Radio 6 Music, drawing the attention of notable figures and emerging talents like Gilles Peterson, Cerys Mathews, Jamz Supernova, Gideon Coe, and Deb Grant. Leading music publication "Songlines" has praised the band's "slick precision" and the captivating elements they infuse, ranging from "Moog synth licks" to "flavors reminiscent of Wes Montgomery-style guitar."


The expansive and captivating soundscape of 'Aspan' is set to attract a fresh wave of fans while fortifying the group's mastery of substantial grooves with a distinct Middle Eastern essence. With appearances already on European festival stages, the year 2024 holds great promise for Sababa 5, marking a significant chapter in the band's journey.

Sleater-Kinney feiern das 30-jährige Jubiläum ihres zweiten Albums ,Call the Doctor" mit einer neuen Vinyl-Ausgabe auf "Northern Light"-farbenem Vinyl. Sleater-Kinney ist eine gefeierte amerikanische Rockband, die 1994 in Olympia, Washington, gegründet wurde. Die Kernbesetzung der Band besteht aus Corin Tucker (Gesang und Gitarre), Carrie Brownstein (Gitarre und Gesang) und Janet Weiss (Schlagzeug). Sleater-Kinney waren bekannt für ihre feministische, linksgerichtete Politik und waren ein fester Bestandteil der Riot-Grrrl- und Indie-Rock-Szene im pazifischen Nordwesten. Call the Doctor ist Sleater-Kinneys zweites Studioalbum. Es wurde von John Goodmanson produziert und ursprünglich am 25. März 1996 bei Chainsaw Records veröffentlicht. Das Album wird oft als Sleater-Kinneys erstes richtiges Album angesehen, da Tucker und die Co-Sängerin und Gitarristin Carrie Brownstein zum Zeitpunkt der Aufnahmen ihre früheren Bands, Heavens to Betsy und Excuse 17, verlassen hatten. Die Besetzung bestand aus Corin Tucker (Gesang, Gitarre), Carrie Brownstein (Gitarre, Gesang) und Lora Macfarlane (Schlagzeug, Gesang). Call the Doctor landete 1996 auf Platz drei der ,Pazz & Jop"-Kritikerumfrage von The Village Voice. 2010 wurde das Album von der Redaktion des Rolling Stone auf Platz 49 der Liste der 100 besten Alben der Neunziger gewählt. ,Sleater-Kinney ist Amerikas beste Rockband" - Greil Marcus, Time (2001). ,Tauscht Sexarbeiterinnen-Rollenspiele, Puppenteile, Gender-Bending und andere gängige Female-Rock-Klischees gegen Geschichten vom alltäglichen Kampf ... Sleater-Kinney beweist, dass Punk immer noch neue Wege bietet, Nein zu sagen" - Johnny Ray Huston, SPIN

Early Days (2016-2019) is a new collection of previously unreleased songs from Mauri Tapia a.k.a Los Retros. From a young age, Tapia has been a prolific songwriter, spending his teenage years writing and recording song after song. Influenced by soft rock and left-field South American pop, Early Days (2016-2019) captures the sound of this formative era Streaming everywhere today, Early Days consisting of 15 tracks, recorded from Mauri's parents' living room using nothing more than an old four-track recorder, that only existed in low quality online, now mastered, sequenced, and physically released for the first time. It was during these sessions that Los Retros created the song "Someone to Spend Time With", now certified Gold. Early Days comes with a companion visual for "Without You", edited by close friend and collaborator Ross Harris from found footage of early Los Retros tour stops. Check out Los Retros proper debut "Odisea" released simultaneously too. FFO soul, bedroom pop, indie, modern jazz, downtempo, soft rock, Mac DeMarco, Thee Sacred Souls, Skinshape, Men I Trust, Too Slow To Disco

Odisea is the new album, actually the real debut from Los Retros, out in April on Stones Throw. It draws inspiration from 1980s Japanese City Pop, and marks a new creative chapter from Mauri Tapia shaped by growth, reflection, and renewed purpose. It's been a journey since Tapia first captured hearts with the lo-fi magic of "Someone To Spend Time With", recorded at the age of 17 on a humble four-track in his parents' living room. Now 25, the Oxnard native has stepped into an entirely new season of life - he married his high school sweetheart, became a father to two daughters, and embraced spiritual faith. Earlier this year, he revisited his start with Early Days (2016-2019), a compilation of unreleased music from Mauri's teen years. "Jazz fusion has become my favorite genre and greatest inspiration of all time," Mauri says. "I made this album for the version of me that first fell in love with music. It's my full-circle moment - a sonic hat tip to my beginnings - as well as a nod to the forefathers of jazz fusion and city pop for leaving us with great music." Through it all, he's kept the same DIY spirit, writing and recording every note himself, only now in a home studio of his own. On Odisea, Tapia blends neon-lit City Pop with the melodic sensibility of Latin American soft rock. Mauri's deep love for 70s and 80s jazz fusion records anchors the album, yet Tapia filters those influences through a modern lens. Odisea features two Japanese vocalists, - Hikari and HITOMITOI. Also check out Los Retros new compilation "Early Days" released simultaneously. RIYL soul, bedroom pop, indie, modern jazz, downtempo, soft rock, Mac DeMarco, Thee Sacred Souls, Skinshape, Men I Trust