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On the 9th instalment of MAXIMILIAN’s vinyl-only MIKROKOSMOS EP series, he returns with two atmospheric tracks: speedy Deep House and spaced-out Acid House. It’s time to squeeze the Roland TB-303 once again with our boy MAXIMILIAN, delivering two tracks that move from raw acid basslines and hypnotic grooves to deep, atmospheric territory.

Sean and Bohm’s Swedish–Dutch collaboration EP is a tribute to their shared love for the raw grooves of Chicago and Detroit house, with a subtle New York twist woven throughout. Across four carefully crafted tracks, the duo moves between shadowy, deep synth-driven atmospheres and brighter, more uplifting cuts built around classic organ sounds. Each track reflects a true joint effort, blending their styles into a cohesive yet varied release that nods to tradition while keeping things fresh on the dancefloor.

Relieves debuts with its very first release, “Layers 1,” a timeless journey into house music with old-school and minimalist undertones on vinyl-only format. This foundational first chapter comes to life under the direction of producers Ronan Portela and Ariel Rodz, the label owners, who join forces with Franco Cinelli and Jorge Savoretti to solidify the sonic identity of this compilation.

On the A1, "Unison" by Ariel Rodz showcases his signature sound engineered for the dance floor, featuring wrapping basslines, percussive rhythms, musical textures, and a hypnotic groove inspired by the West Coast wave.

Followed on the A2, Franco Cinelli takes the reins with his remix of "Unison," delivering a track of his minimalist footprint with perfectly defined elements and that organic, characteristic sound that defines him.

Opening the other side on the B1, Jorge Savoretti delivers "Speziale Spaziale," a piece that radiates his signature aesthetic by flawlessly blending dancefloor flow and purist sounds with soulful melodies inspired by classic house.

Finally, the closure of this compilation arrives on the B2 with Ronan Portela's remix of Jorge's track, showcasing his rawest house music persona where he fuses percussive rhythms, synths, and a baseline that drives great dynamism and character into the end of the record.

In the early 2000’s, David Coker, Timmy S and Justin Bailey were right at the heart of the UK tech house scene, producing some of the finest classics the genre has known to date. The projects they worked on together quickly became standout staples and over time those records have turned into proper collector’s pieces.

This reissue on Endell Street brings back one of their most sought after releases. It features the two main tracks from the original release, both carefully remastered and cut one per side. A long lost slice of UK tech house, brought back to life.

2024 Repress

Earl's back on his own imprint MELANGE. This time around, he has the U.K's finest - Mr Kaidi Tatham - on Flute and Guitar duties. Side B includes 2 versions of title track 'Higher. Take ya pick!!

Artwork by frequent collaborator and good friend, Ral Duke. Ral has been behind artwork for the likes of Griselda Records( Westside Gunn, Conway, Benny the Butcher), Alchemist, Ghostface Killah, among a whole heap of others. Keep a look out for some weighty merchandise to accompany the release. We got some goodness coming your way.

Australian producer Inkswel is back on the Cosmocities label in France with more of his superbly soulful sounds, this time with none other than Chicago legend Robert Owens. The lush 'Space Love' is a playful deep house jam with the sort of cosmic synths that recall early Fingers Inc and Owens's smoky tones only heighten that feeling. Steve Spacek provides a mix that rides on broken beats with elastic bass but just as much cosmic energy and a Fluterumental gets all loose-limbed and seductive. On the flip side are two Yoruba Soul mixes that bring extra rich soul vibes and shimmering pad work. A classy and timeless EP for sure.

Pure class as always from Gal Costa! The record is her first after the immediate Tropicalia years, and it's a stunning blend of styles that seems to draw heavily from changes going on in the American rock scene at the time. The core of the music is still steeped in Brazilian elements – but there's a lot of influences coming into play on the album, like bluesy rock phrasing, showy nostalgia-heavy arrangements, psychedelic production elements, and some of the baroque orchestrations that would show up on Gal's later albums in the 70s.

The Jack Ruby releases have been some of the most sought after dnb/jungle tracks on Discogs, mastered from the original DAT by Beau and pressed on 180g vinyl, sounding incredible!

made at the Green Room in 1994

BTW - in the rush to get these made in time for The Run Out i messed up the label - I write these out by hand (using an Ipad so its cheating really) and i put the cat number as KR007 and KR008, overlaid a layer or something like that. anyway - my mistake, hold my hands up...

Funky Trip makes a striking debut on LOK.ltd with the Kong EP, a refined showcase of his deep, groove-driven minimalism. Seamlessly blending hypnotic rhythms with subtle emotion, Funky Trip crafts an immersive listening experience that pushes the boundaries of Romanian-inspired minimal.

Adding to the release’s allure, Romanian maestro Barac joins it with a stunning remix of the title track, infusing it with his trademark hypnotic flow and cosmic depth. Together, they deliver a record that feels both timeless and forward-looking.

A standout vinyl for collectors and selectors alike, Kong EP is essential for those seeking stripped-back yet transcendent dancefloor narratives—proof of Funky Trip’s growing influence within the deeper realms of minimal house.

This absolutely killer album marks Swankout's debut on Kniteforce, and the whole album is ridiculously good. Every style is authentically recreated, stretching the vibes from jungle to original rave and everything in between

When The Information Centre first dropped on the pirate radio airwaves in the ealry 90's, there was nothing like it. It was at the birth of Jungle, and the track was a slow but immense classic, spreading accross the UK from its London Roots to become one of the most influential tracks in jungle's long and storied history.
Here we have four of the classic remixes from back in the day, lovingly remastered and made available for the first time since those early days...

Trevor Lucas and Gerry Conway were members of the folk-rock group Eclection, who released an album in August 1968 on Elektra Records. After the group disbanded in 1969, they formed Fotheringay with Lucas's girlfriend Sandy Denny, who had recently left Fairport Convention. The Fairports were recording mostly traditional folk material at this time and Denny left the group so that she could perform more of her own compositions.
The BBC session on Side One of this LP features songs from the first Fotheringay album and took place at the Playhouse Theatre on April 13th 1970. The songs on Side Two were recorded at BBC’s Maida Vale Studios in November 1970. They are ‘off-air’ recordings but the sound quality is still very good.

Iridescent White w/ Blue Marble Color Vinyl in Gatefold Jacket

2026 Repress

Deetron is a venerated veteran who has been crafting sublime house and techno for three decades on a range of influential labels. 2025 brought another busy year for him, with another standout EP on Ilian Tape followed by his latest album which landed via Running Back in October. Back in 2024, he dropped his 'Translate Rhythms' EP on Mutual Rytm's X series and now takes charge of the second release on SHDW's new sub-label Mutual Rytm Raw - following the first 12" 'You And Me', which was a true summer anthem courtesy of KiNK & Raredub.

In its original form, the bright, expressive 'Flow' is a fulsome techno cut that pairs a driving rhythm with sophisticated synths. It sparkles with cosmic energy, while a textured, screwy lead winds through the mix and euphoric female vocals burst out to big emotional reactions. The 'Chord Dub' is a tight, bouncy rework with vamping chords lighting up the drums with real warmth and soul, while the 'Breakbeat Mix' fizzes with rich, old school energy. The dusty breakbeats demand physical reactions, while the pads bring a grand sense of scale and the vocals tug at the heart. All three are classy, effective and offer yet more timeless sounds.

Polished and forward-looking even 40-odd years on from its initial release, Bourbon Suite captures Japanese female keyboard trio Cosmos at a time when fusion leaned into pop accessibility without losing technical finesse. Built around layered keys and crisp studio musicianship, the album moves with a sleek, late-night feel. 'Midnight Shuffle' stands out for reworking earlier material into a smoother, instrumental-led groove, while 'Cosmic Cosmos' drifts into more spacey territory and is driven by elastic bass and shimmering synth lines. There's a clarity to the arrangements that keeps things light on their feet and means this remains a refined example of early 80s crossover fusion.

St. David drops another set of club-ready tools coming back on his imprint, Theory of Swing for the 15th release. House Media Player EP hits the floor hard with NY jacking house grooves, bouncing basslines, and that unmistakable TOW swing that locks dancers into the rhythm.

This is pure club gear, four cuts engineered for peak-time momentumt, and the kind of shuffle that defined the Strictly Rhythm, Narcotic or TNT era.

Another timeless entry in the Theory of Swing catalogue — pure hardware heat, made for real floors and real DJs.

Written, Mixed and Produced by St. David

A long-awaited vinyl press: the now-legendary Makebo remix of Planet Funk’s timeless anthem “Chase The Sun”.

Flipping to the B-side reveals another gem - massive remix of G-Pal by Simon Vuarambon.

Armenian house, jazz and broken beat fusionist Henna Onna lands on wax for the first time here courtesy of Deeppa Records. Opener 'Shibuya Oiran' uses syncopated drum patterns and modal synth lines that pull from Eastern tonal references within a club framework. Kuniyuki Takahashi's fine remix extends the track with live-feel percussion and sustained chord progressions. 'Enoshima' then focuses on a steady groove with filtered melodic elements while Satoshi Fumi's remix increases rhythmic density with smartly layered drums and bass sequencing. These are sophisticated sounds for serious heads.

Prozak has been kicking out the garage-house jams for a while now, and always on the best labels, from Time Is Now to Instinct, which is run by Burnski, who also heads up this one. And it's another case of pure fire from the off as 'Freak Ya Right' layers up silky, melodic bass with charged up synth stabs and a bubbly groove. 'No Use For Love' has a darker 90s undercurrent with organ basslines and more coarse percussive textures. 'Classics' cuts loose with an off-balance bassline that's cartoonish and oversized, while 'Ravers Inside' shuts down with plenty of pent-up funk and playful samples that will destroy the floor and nothing less.

SiriusB003 sits in that quiet zone between shadow and rhythm. Stripped back, subtle, and made to move without saying much.

Iacob, NØT TELLING, Miller, and Root. No filler, no noise — just pure intention on wax.

Curated by Jay Tripwire and Herman Saiz. Minimal, timeless, and strictly for the selectors.

2026 Repress

One of techno's all-time greats, Outlander, is back after a lengthy hiatus. With over a dozen records released under the prestigious R&S label, he now finds a new home at Sonic Groove Records with 'I Am, I Was'-a timeless four-song EP of thought-provoking modern techno that is sure to resonate with a wide range of music enthusiasts across the various subsects of the techno scene.

MUSIKOMMT Volume One is a new vinyl release on Tractorecords, featuring four tracks by Francesco Passantino, The Rhythm Vision, Pogo and Sera.
MUSIKOMMT represents a Berlin-based hub for artists, events and collaborations dedicated to analog electronic music, live performance and vinyl culture.
The A-side opens with “Novembrina” by Francesco Passantino, followed by “Live Psychedelica” by The Rhythm Vision, a trio of musicians who create real-time analog live jams. The track is taken from a live recording at Club der Visionaere in Berlin and features a vocal insert by Rick Ellis.
On the B-side, Pogo presents “Shoutin’ Girl”, while Sera closes the release with “Stasera”.
A direct snapshot of Berlin’s analog scene, shaped by improvisation, machines and underground culture.

A whole host of red-hot The Reflex flips have landed recently and this time it's TMB who drop a pair of disco delights. The opener is a smooth and low-slung cruiser with neatly knotted bass riffs and sparkling melodies that lead to a slow but sensual takeoff. On the flip, 'Lady' reworks a classic into a steamy late-night sundown sound with jazzy chords and the original vocals turning up the heat. Both are masterfully tweaked and touched up by a true titan of the dit game.

Marc Cotterell has been going about his business with great style in recent years. The Plastik People boss leans into the old school soulful house and garage house scenes for his inspiration and updates those foundational samples with plenty of musicality as well as club-ready rhythms. This solo outing kicks off with the impossibly infectious 'Keep Pushing' with its angelic vocal tones and rich piano chords all overflowing with catchy, feel-good vibes. 'If You Still Love Me' has the same irresistibly joyous results, but this time darts about with a touch of US garage swing and some vibrant horns. 'Boogalou' closes with a more knotted, funky bassline. Brilliantly accessible but sophisticated stuff.

Seasons Limited is the only place to go for the always stirring deep house of French legend Franck Roger. He's dropped a ton of the good stuff in recent times and is far from done yet if this new one is any sort of marker. His 'Seashore' EP starts with a title track perfect for early hours when the vibes are building or later on when the energy is simmering rather than boiling. The dub version is even more adrift in an ocean of warming rhythmic swells. 'L'Amour Fou' brings a little more bounce and some cosmic synth arpeggios that are gently loopy and constantly evolving. 'The Quest' shuts down with far-sighted astral reverie and a widescreen horizon that leaves you in awe.

Four beings from the same universe, long unable to collide on the same planet, are released on the one record. This is music at the intersection of underground junglism and the existentialism of cosmic nomads, where every sound is precisely in its place and, at the same time, adrift in chaos.
Music: Stanislav Sevostianikhin, Dmitrii Vasilev, Zemine Ibadullaeva, Eduard Iskhakov.

2026 WOW Signal Records
Executive production by MixCult Records

Continually presents Norwegian Rave EP (CON007), curated by Tonchius and Rub800.

A rave is never only a location. It is a temporary world built through rhythm, movement and shared energy.

Norwegian Rave captures different moments within that world. A collection of four interpretations connected by a common pulse, moving between peak-time intensity, hypnotic travel, open-ended exploration and the euphoria of the final hours.

A:G opens the record with Vibrations, a high-energy transmission built for the moment when the room reaches its highest point. Lord of ITB follows with Duties, taking the journey deeper through hypnotic patterns and a sense of movement beyond the immediate.

On the B-side, Finn Balansen presents Ketu, opening the space with a more progressive and expansive approach. Ruton closes the release with Rave-O-Lution, a playful and energetic celebration of rave culture—the moment when the night continues into the morning and the memories begin to form.

Norwegian Rave is a collection of moments rather than a definition—a shared frequency moving between individuals, rooms and memories.

Continually.

2026 Repress

Drop Music marks a marvellous quarter of a century of releases with this new slab of vinyl featuring some gems from disco funksters Crazy P and the house mainstays Inland Knights. Crazy P go first with 'Disc Odyssey' which is perfectly indicative of their much beloved sound with its low slung kicks and funky bassline. Inland Knights then offer a trio of in demand & unreleased tracks. 'Overnight' is a bumming deep house joint, 'Walk On' has an icy late night vibe and balmy pads and 'Do It Again is a more playful closer, with some killer b-line action. All four, needless to say, are timeless gems, and the fact the last two are appearing on vinyl first the first time makes it an even more desirable cop.

Lizard & Snake, the new collaborative project from Elia Nafzger and Axel Pineau, lands on Respect The Craft Enterprises with a classy collection of deep, rolling hypnotic house cuts. Tight grooves, crisp percussion and understated funk make for timeless dancefloor tools with plenty of character. A strong debut from the duo and another quality addition to the Respect The Craft Enterprises catalogue.

Andrei Ciubuc and Rhadoo join forces again under the classical a _ r duo we are all familiar with, this time appearing on Cameleon Records’ second installment CML02, delivering two power-house tracks, remembering us about the pure minimal-techno sound that formed the pillars of today’s underground scene. Different in their own fashion, these two tracks perfectly blend percussion, melody and trippy elements in a way that only this fusion can deliver.

Some records are made for the hour when the light goes long and low - when you can feel the day slipping and want to hold it a little longer. Escaping Sunset is a deep house collection built for exactly that stretch: warm, unhurried, and turned toward the last of the glow. Like the hourglass on its label, it's about the kind of time you can't keep - so you turn the glass over and let it run again.

Andu Simion, a Romanian producer with deep roots in the European minimal and microhouse underground (Tzinah, Palinoia, Diffuse Reality) and a careful hand for groove - teams with Thomas Wood, a deep and raw house producer (Circle of Us, Berg Audio), across the A-side: the title track and then "Onde Viola." On the flip, Sickdisco - now based in Belgrade, and as at home in deep and minimal house as he is among the minds behind punk outfit ВсадникиЖКХ (The Horsemen of Housing & Commercial Services) - lays down "Beats," before Nicolas Barnes, the Riga producer and ECOUL SND founder already woven into the MixCult family, closes the record with "Phantom Lights."
Adlibitum Tum Tunes is a division of MixCult Records

In the year 1997 a German house label called Superfly caused a stir in electronic club land. One of the most remarkable releases on this imprint was van Bellen‘s „Let me take you (on a journey)“.

The track introduced a new genre with grovvy and pumpin‘ beats meeting a harmonic composition of warm and chilly pads and strings.

Now it‘s time to reissue this timeless tune remastered plus a brandnew interpretation of noone else than Belgium‘s finest house export Maxim Lany plus two already released but still hot mixes by Guy Mantzur & Roy Rosenfeld plus Sebastien Leger (All Day I Dream).

Zonate welcomes Sancra for its seventh release. Hailing from Italy, Sancra's sound strikes a fine balance between dark, driving energy and groove for the dancefloor, coupled with the emotional elements that regularly feature in his work.

The A-side delivers two peak-time cuts that put this on full display. Beyond The Skies takes a darker tone, blending Sancra's unique neo-trance and techno style. The Truth Behind The Mystery leans further into euphoric territory, built around a catchy, emotive melody.

Flipping to the B-side, The Road For Heaven reveals Sancra's versatility - a breaksy electro cut layered with a growling vocal. B2 closes things out with a dystopian ambient track, as eerie as it is hypnotising.

Collecting pre-orders for a limited time only

Canny Records is here! The first release comes from label owner Swin, setting the tone with four deep and dubby house cuts.

Renovat Records opens its vinyl catalogue with a four-track built around deep rolling rhythms, low-end pressure and deep, warm energy.

Side A brings together Remus and Drianu. Remus sets the tone with a rolling and percussive cut that moves with a deep, steady groove, while Drianu follows with a more hypnotic approach, driven by heavy sub pressure and a stripped-back, locked-in rhythm.

Side B shifts the mood through Lumieux and Vid. Lumieux brings a sharper and more kinetic edge, while Vid closes the record by slowing things down into a deeper, more spacious and dynamic trip.

Four distinct perspectives on minimal and microhouse, connected by groove, restraint and a clear focus on the dancefloor.

Triple LP – Limited Edition
* Format: 3 × 12” LP
* Vinyl: 180g heavyweight vinyl
* Vinyl colour: White & grey marbled effect
* Packaging: 3LP gatefold sleeve
* Finish: Matte laminated sleeve with selective spot UV varnish
* Insert: Full-colour printed insert included
* Inner sleeves: Printed/black inner sleeves
* Printing: High-quality full-colour artwork

A key yet elusive figure in UK acid and tech house history, Dexter has spent decades refining a sound driven by hardware, repetition and pure instinct. Built on dry sampled grooves, heady vocal fragments and hypnotic synth patterns, his music locks into
trippy, rolling rhythms with a distinctly futuristic edge.

For his debut LP, Dexter opens the vault. Presented as a triple 180g heavyweight vinyl release, the nine-track collection brings together unreleased archival material, rare alternative cuts and sought-after classics from the early noughties. Together, they trace a
vital body of work originating from the roots of the London underground.

This is far from a nostalgia trip. Unbound by trends, these tracks have lost none of their character or impact over the decades. They showcase a singular vision, uncompromising, open-minded and as inspiring today as when first conceived.