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RE-issue of the first EP of SOUFFLE CARAMEL. 4 incredibly smooth house, deep house and jazzy house gems Full of trumpet, sax and piano. Initial release sold out in a week. Now finally available !

With Shades of post-punk, trip-hop and film score dynamics, The Lucid Dreams LP is an immersive multi-genre listening experience that travels through murky underworlds and dream-like hazes.

2026 Repress

Circus Operandi is the project of Donatas Chipak and Tumosa, two figures of the Vilnius electronic music scene, and residents at legendary clubs Opium (RIP) and Gallery 1986, where Ivan Smagghe & Niv Arzi (who jointly run Customs & Faces) met them countless times at countless hours. We’re not keen at describing the music we release at C & F, no need for pigeonholing ourselves but this EP completely ticked our boxes : electro, techno and everything in between, punch and deepness included.

Blah Blah has been played in every Ivan Smagghe set for the last 6 months and picked up by, amongst others, Shonky and Francesco Del Garda. Some kind of hit rambling about ordering a pizza is quite something. Fantast and Hints are slightly moodier pieces of emotional 4/4 electro while Denter subtly hits at non-cheesy trance. Expect much more from these two very soon.

Transmissions presents Mooping, a 2026 edition of Sunju Hargun’s Mooping Cuts. Featuring remastered originals, two fresh reworks, and available on vinyl for the first time, this release revisits selected works with renewed energy.

We open with a 2026 version of Pigeon Attack, where driving acid lines, eerie synths, and lush atmospherics are layered over refined drum work and a fresh, rolling bassline. Next comes a remastered edition of Phaya Naga—one of the standout tracks from the original release. Named after the mythical river serpent, it winds through slithering synth work, unmistakable low-end pressure, and trippy spoken-word passages.

On the flip side, it’s a double dose of Mooping. First, the original broken-beat masterpiece receives a careful remaster before a brand-new 2026 version closes the EP, powered by a menacing syncopated bassline and the unmistakable vocal presence of Mooping himself.

Sunju said: “There was always a wish in the back of my mind that this would one day come out on wax…fast forward, here we are. New remasters, and to keep things special, two additional 2026 reworks. This project is, and will always be, about Mooping…not me…”

Four transmissions tuned somewhere between deep-psy, tribal techno and spatial ambience. Built for late-night systems and inward journeys, moving through dense sonic textures, low-end pressure and evolving atmospheres.

“Contact” drops you straight into the wormhole: driving techno architecture fused with goa-leaning psychedelia. Layered percussive detail and richly sculpted atmospheres spiral around a hypnotic groove designed for locked eyes and smoke-filled rooms at unreasonable hours.

“Lifeforms” operates with an organic sense of motion. Its groove stretches and contracts like a living system, driven by a supple bassline and rhythmic interplay that feels ritualistic rather than mechanical. Resonant synth work and texture mutates across the stereo field like microscopic organisms coming into focus.

“Deepfield” unfolds within deep psy-trance territory, shaped with restraint and intention. Shimmering harmonics move through a saturated haze into a slow-burning progression that carries a faint melancholy woven through a slowly evolving tonal structure. Meditative yet still built to pull bodies forward.

“Neurobloom” dissolves the propulsion into an evolving ambient soundscape. Ethnic-inflected motifs drift through blooming synth layers, crystalline atmospheres, and gradually unfolding sonic nuances. A controlled descent in that liminal zone where audio starts functioning as a living environment.

likethis have been doing fine work reissuing Eddie Richards gems from his peerless vaults and he often gives them a fresh lick of paint for the occasion, as he did with these two tunes, which came out back in January but soon disappeared. Thankfully, we're treated to a repress on 180 gram vinyl. 'Be Still' (revisit) is first and is one of those grooves you lean back for - the drums are seductive and persuasive rather than overly forceful and are laced with pads that only heighten the breezy effect. 'AbsurED' is tougher, with swinging 909s that are deep but jacked and brought to life with spoken words and blasts of bold bass.

Tar Hallow label boss Thanos Hana brings his hardware-heavy industrial grit to the Dolly TS series with 'Sliced Glitter, No Shampoo'. This four-track EP strips techno to its rusted core, fusing obsessive machine-funk with the energy of the Rotterdam sound. Driven by hammering rhythms and metallic synthesis, these 4 tracks are a masterclass in raw techno-realness!

Phonogramme Is Super Happy to Announce the Repress of “Holding On" by Dj Steaw, Featuring the Original Plus an Exceptional Remix by the Legendary Ron Trent. Originally Released in 2012, "Holding On" From Dj Steaw's Debut Ep Was Instrumental in Launching Both the Label and Dj Steaw's Production Career. Now, With Ron Trent's Masterful Touch, This Remix Ep Offers a Fresh Perspective While Honoring the Original's Essence. Complemented by Two Additional Tracks From Dj Steaw, This Release Is Set to Make Waves Once Again. Don't Miss Out on This Timeless Classic, Revived for a New Generation of Listeners....

Hara Discs is proud to present the first EP from Sheffield-based DJ Harry Shackleton, co-owner of Grub Records and one half of DJ duo Wow & Flutter. This release draws influence from their longstanding residency at underground electro party Control., melding together sounds which have made this one of the North of England’s best kept secrets for the past 7 years. In an extremely long-winded and uncertain move, he has finally donned his rather fetching production hat and completely self generated the alias Hypno Disc with which he aims to unleash some music that is 100% OK.

The EP and alias are a homage to the late 90s and early 00s TV show Robot Wars. The title track combines the carnage of Craig Charles with something a bit UK and tribal. The remaining tracks bear the names of robots which took part in the wars. These are written from the perspective of the robots and as such are internal monologues of what each robot was thinking. The concept comes from an early fascination with this show and how it made the artist feel as someone growing up in the UK around 2000.

We hope you enjoy this release. Complaints will be tolerated.

CEASE!!!

Introducing Relik.

A new sub-division from Earth Dog Records, reissuing overlooked gems from the North American underground

The ‘90s to early 2000s saw US dance music experience a uniquely innovative gold rush. Records from that period narrate a burgeoning rave-obsessed sub culture, experimenting with the psychedelic sounds of tech house and progressive, with further flirtations with trance, breaks and beyond.

Many of those era’s artefacts have been increasingly difficult to find, and even rarer to hear out in the contexts they were constructed for. Relik exists as a means to preserve the legacy of this formative era, honouring the artists and labels that helped shape an ethos and sound unique to North America, and pivotal to the Earth Dog vision, while exposing this music to a new generation of listeners.

Each reissue will be released with permission and in collaboration with the original artists.

R001: The Vortex Archives

Volume one shines a light on Gainesville’s legendary Vortex Records.
Founded in 1996 by Boyd Westerman and Kyle Hogan, lifelong underground innovators (with Boyd remaining the undisputed king of the Discogs comment section). Vortex was home to a catalog of sounds that helped define a unique tech house and progressive flavoured corner of the North American underground.

Vortex Archives compiles four of our favourite cuts from the label’s discography, that for our money showcases their unmistakable sound best; a seamless fusion of progressive house, tech house, trance and breaks.

Nearly three decades on, these tracks (and the label from where they came) are as timeless and prescient than ever. We’re honored to certify their legacy by bringing them back into circulation.

A huge thank you to Boyd for trusting us with this release and helping to bring a sample of the Vortex catalog back into the world.

Endless respect to all the OGs who archived their catalogues, continued to make incredible music and subsequently paved the way for future generations. We wouldn’t be here without you.

Leroy "Heptone" Sibbles
Garden Of Life (Horns cut)

This raw, deep roots grail by Heptones and Studio One legend Leroy Sibbles has been near impossible to find, until now.
Most reggae fans will be familiar with the Heptones’ Lee Perry sessions including their outstanding “Garden Of Life” from 1979.

Few but the most grizzled collector knew that Sibbles had recorded a deep roots cut in Toronto several years earlier in 1975 while living in Canada.
Urgent, soulful and raucous with its killer horns section and bubbling organ, this version of Garden Of Life is actually Leroy’s favourite.
The dub version transports us right into the converted garage/studio in 1975 as snatches of conversation between musicians are immortalized on wax.

One of 3 official releases showcasing Sid Lovejoy's Toronto productions including the long out of print “Rebel” by Rothadam and the roots missile “King Kong Man” by Sid Lovejoy.

down2push the sixth outing.
d2e006: aedis’ salt echoes

a deep endeavour with four tracks that move the needle.

Lunfardo presents Heroica, the fifth chapter in its conceptual series, inspired by the Three Defences of Paysandú, events that remain embedded in the city’s memory and the history of Uruguay.

Among them, the Heroic Defence of Paysandú (1864–1865) stands as the most enduring symbol: a weeks-long resistance led by Leandro Gómez against overwhelming forces during the Brazilian intervention and allied advance. Across generations, these events have come to embody resistance, sacrifice and permanence.

Heroica is Lunfardo’s tribute to Paysandú, the city where the label was born.

The release explores this narrative through the work of Andrew Lagowski, one of experimental electronic music’s enduring figures. Active since the early 1980s, Lagowski has released more than 60 albums and over 10 vinyl singles, leaving a lasting mark across electronic, experimental and techno music.

For Heroica, Lunfardo revisits selected works from Lagowski’s 1995–2000 CD era, presented on vinyl for the first time, alongside a contemporary composition produced in September 2024.

Bridging archival electronics and contemporary vision, Heroica unfolds through themes of resistance, memory and permanence.

Artwork by @estudio.polar

For more info @Lunfardo.records

Crush is Delian League’s debut release on Causal Chain, presenting a tightly constructed yet
exploratory take on contemporary club music. The record recontextualizes a range of dance music traditions – electro, grime, UK bass, techno and dub – through a controlled, megamix-like approach that prioritizes flow and transformation over genre fidelity. Tracks shift between lopsided rhythms, club motifs and washed-out pads, creating a sense of constant motion and tension. Unified by themes of intimacy and unpredictability, Crush reflects an
outsider’s perspective on club music and gestures toward possibilities beyond current trends.

“Bajka” is a Slovenian word for a folk tale stories shaped by unusual events and imagination. The label launches with a trilogy titled Zybelka, starting with its first chapter, Zybelka 1.

Based in Slovenia, Bayka brings together local artists Devai and Tzena, alongside international support from Marcus Holder and Hustache.

A new chapter in underground house and visual artistry, rooted in Slovenia.

Introducing (Common) Side Effects, a new Brazilian reissue label dedicated to digging up lost and forgotten sonic treasures. For its debut release, the label unearths a holy grail from the 2000s brazilian electronic scene: DJ Eraldo Palmero’s 'Arujá' EP.


Originally released in 2002, the record is now an incredibly rare find; back in the day, the vast majority of the original pressing was destroyed, leaving only a handful of copies in existence.


This reissue brings back the three original tracks that first defined the release. To make this return even more essential, (Common) Side Effects has added 'Looking for Love', a standout track previously exclusive to the 2002 CD version, now making its first-ever appearance on vinyl.

Previously unreleased jazz funk from Suriname, recorded in 1981 by keyboardist Sonny Khoeblal and his band Thalamus.

The music of Thalamus is a time capsule and the best kept secret of post-independent Suriname. During this turbulent time, the band used the language of jazz to express their desire for unity and freedom.

The generation of Thalamus envisioned a future beyond the ethnic divide their parents knew as social barriers. After independence, young people met at work or in universities and shared principles of unity and international solidarity. Jazz played an important role in translating tensions and experimenting with a sound of the future.

The band members of Thalamus shared interests in jazz-fusion from Weather Report, Chick Corea, Bob James and Carlos Santana. Compared to contemporaries with more pop appeal, their sound remained obscure in Suriname. Still, people listened to them bending conventional rules of jazz, pop, latin, rock and funk. This fusion reflected the band, its diverse members and their country: Suriname is a multi-ethnic country by colonial force. If diamonds are formed under pressure, love and solidarity emerge under oppression.

Thalamus is a unique recording of this revolutionary period, with new people finding each other based on a universal language: jazz-fusion. It culminated in six songs, two of which are 'Summer of Love and Music' and 'Lady Amazone'. This 7" vinyl brings you their story, their experimentation with jazz-fusion and tells the parallel history of Suriname.

South African multi-instrumentalist Mpumi Dhlamini’s Nebula Nomad explores themes of deep inner reflection and cosmic wonder. The EP puts three tracks from the 2024 album on vinyl for the first time: two reimagined versions of earlier compositions ‘The Higher Being’ and ‘Sibusise Nkosi’, along with ‘Culmination’. Dhlamini writes, produces and performs all vocals and instruments, with contributions from Mzizi, Tendai 'Shoxx' Shoko, Ayo Solanke, Sibusiso Mkhize, Zoe The Seed and Sphelelo Mazibuko. A brief introduction to a remarkable talent at the vanguard of South African spiritual jazz who has battled adversity and come out stronger, with something important to say.

For ONO006 we welcome born ‘n’ based Palermo producer, DJ, record shop owner and label head Riccardo Schirò to the ever evolving ONO roster. The Sicilian madman plates a killer exxxtended single, Raga Della Sera, complete with a royal remix treatment from downright hero DJ Sotofett.

Riccardo’s Raga Della Sera is a ritualistic summoning of the 303s and 808s of the past, calling on the sounds of old to conjure up a thrilling 11-minute freakout. Signor Schirò combines an acid-inflected proto-trance and a certain Gregorian Giallo flavour to bring forth one truly unique piece of music. Bellissimo!

On the flip, DJ Sotofett reshapes Raga Della Sera with a signature 909 dub, tried and tested at his preferred romping grounds, Globus. The maestro contorts, unravels and reassembles the mystical original into a club demon – ferociously dance-direct and itching to possess heads around the world.

Riccardo has been producing and releasing music on his excellent Gravity Graffiti imprint since 2019, with more than 20 records under his belt he is a hard working and brilliant musician and label curator in our humble opinion. We are proud to be welcoming him to the family and have this brilliant record as a part of the ONO arsenal.

We are beyond excited to unleash this disc upon the world, with both versions coming to a dancefloor near you very, very soon! Let it rip and turn it up!

The latest update to the Dream Software sonic catalogue is a glossy re-mastered version of the 2003 release ‘Fears’ from ‘Shuffle Progression’. A soundtrack for the space between reality and the higher spiritual planes. Grounding yet otherworldly, an organic groove doused in a warming sensuality and atmospheric liminality. This one is optimised for hazy spaces, morphing layers of floating essence, slowly obscuring all thats visible into blurry shapes of an abstract existence.

Polarity Records returns with its eighth release. After years of experimentation with live performance, new technologies and evolving setups, Luca Piermattei returns his focus to studio production.

Natural Recording Vol.2 marks a new phase in his artistic trajectory: a more essential and distinctive sonic language, balancing emotional depth, harmonic sensitivity and a stronger focus on musicality, dynamics and performance-inspired arrangements. A refined approach where every element finds its place with intention.

2026 Repress

Symmetry is proud to announce the arrival of Solid State Vol. 1 - a special vinyl release from Break. Due to popular demand, we’ve compiled four standout tracks, including some fan favourites that until now were only available digitally.

The EP brings together a serious collection: Release Me, which hit number 1 on Beatport; Overstayed, Symmetry’s highest selling tune on Bandcamp; alongside two more heavyweight cuts, All You Gotta Do and Zodiac.

Pressed and presented in physical form, Solid State Vol. 1 is both a collector’s piece and a must-have for DJs - and this time it’s something you can hold in your hands.

Call of the Wild and Void is the sixth studio album by Hunter Complex and arrives on the Seattle-based label SFI Recordings. It features contributions from Aquiles Navarro (trumpet), new age legend Kat Epple (flute) and many more. Call of the Wild and Void is the follow-up to the critically acclaimed albums Airports and Ports (Burning Witches, 2022), Dead Calm and Zero Degrees (Burning Witches, 2020) and Open Sea (Death Waltz, 2019). The artwork was created by Andrew Crawshaw for Broken Press.

Gradient returns to Alt Dub with Random Layers, a deeply focused EP built around his exceptional control of minimal elements.

With a restrained palette of kick, bass, chords and texture, each track evolves with patience and precision, allowing subtle shifts and carefully placed layers to create a powerful sense of depth and space

Sound layers are introduced with such control that the music evolves naturally, revealing its depth over time. Nothing feels rushed and nothing is unnecessary.

Gradient’s productions have a rare ability to make minimalism feel rich and alive. Nothing is excessive; every sound has a purpose. The result is four timeless, immersive dub techno pieces that balance classic dub techno atmosphere with a distinct sense of detail and control.

The EP also features a timeless remix from Echospace Detroits CV313, One of the most respected figures in the deeper end of dub techno, he brings his unmistakable sense of space and depth to the release, making this a particularly fitting and exciting collaboration.

Elegant, restrained and deeply atmospheric, Random Layers is another strong statement from Gradient and a perfect fit for Alt Dub.

As intended from the start, Acid for the Grandma moves without a fixed direction. No clear starting point — just a path taking shape along the way.

No common ground, except the need to keep making music: instinctive, personal, at times compulsive. Each track stands as a standalone fragment, driven by the same impulse — turning tension into sound.

Raw cuts for the record.

A defining electroclash anthem returns to wax. Tiga & Zyntherius's cult classic Sunglasses at Night gets the deluxe vinyl treatment, featuring the iconic original 12" mix that set dancefloors ablaze in the early 2000s-plus a thunderous rework by techno titan Chris Liebing, who injects it with deep, industrial muscle for the modern floor.

Whether you're chasing nostalgia or sonic intensity, this is a must-have release for collectors, selectors, and nocturnal creatures alike.

Rooted in raw, minimal, dubby and emotional music, the Amsterdam-based Label Delver focuses on expressive recordings rather than polished productions, with releases that wander across genres.
The label’s first vinyl EP grew out of a shared passion for hardware jams between three friends, who regularly come together for live performances. Recorded in the afterglow of the summer of 2025, Delve Deeper Vol.1 brings together four tracks that combine from deep and hypnotic to more ambient and experimental territories.

Vand joins the roster with a collaboration with Holotropic, adding his singular interpretation of techno to the record. Each artist brings their perspective and while dub techno is the common ground here, the record explores a variety of its expressions.

Holotropic opens with “Sabra”, a patient, raw dub techno cut with subtle traces of the deeper Vril catalogue. Sasemoi’s “Those Who Seek” heads into more ethereal territory, its rhythm gradually surrounded by layers of sound that seem to pull the track upwards. “Binary” goes further into Sasemoi’s more experimental side, with broken rhythms and a heavier dub presence. Closing the record, Vantropic’s “Rift” shifts towards ambient and IDM, built from textured sounds and open space rather than a conventional dancefloor structure.

Born from a summer of shared sessions, Delve Deeper Vol.1 carries something of that time with it: the closeness of playing together, the freedom of improvisation, and a shared love of dub techno.

Norway’s finest hardanger fiddle player, performing traditional tunes from her native valley Hallingdal.
Wonderful.

‘Oud-player with The Handover, Eissa was mentored by two legendary figures in Egyptian music: composer and multi-instrumentalist Abdo Dagher, and oud master Hazem Shahin. The music here is heavily rooted in both Egyptian classical music and a number of different folk music traditions, but it goes its own way, through expansive and intricate original compositions.
‘The epic title track, with Eissa playing oud exclusively, takes up two thirds of the album. It seamlessly transitions into heart-stopping recitation of the thirteenth century poet Baha´ al-din Zuhayr… serious, loving, tender and insistent, all at once. Visionary and virtuosic, but at the same time warm and close.
‘A future classic.’

Lityk deivers 4 tunes for a complete travel.
Starting with a freebreak tune that turn 4/4 banging in a old school Okupe style...
Then comes a pure Pumpin booster.

The flip opens with a cheezy pumpin teknoDub old school tune, pure tribounette :)
Last track is a revendicative hardfloor banger !

Wicked open minded sounds !

Splattered version !

A banger of hardfloor to old school tribe !

The re-launch of mars assault records last year brings the possibility to re-issue its back-catalog: the tunes that were released during the first run of the label (1998-2003).
here we have 4 tracks from "Arach", from the studio concept "centiped sound system", ( a duo of composers, also including Peter Pan), which were originally released on two records ( mars assault 3.65b, mars assault 3.7r1) in the years 2000/2001: very sharply produced hard-tekno, very original also (the "sound of centiped" is like no other hardtechno), and yet 100% as relevant on the dancefloor nowadays as it was at the time.
Another mars assault record equality good to play in a party as to listen to at home.
2025 cut with Hervé at dK Mastering /Paris (cut in 33/45rpm for optimum sound quality); 300 copies limited re-press, 180g pressing; a very sober object on the outside, but translucide red within.

To celebrate another year around the sun, we’re proud to present our second vinyl release: Formulation — a 4-track EP that perfectly captures the label’s output over the past year while continuing our commitment to physical formats and attention to detail.

Like its predecessor "Foundation" is a various artists release featuring some of the key names from our latest catalog. The formula goes like this:

A Side: Iron T.C. and Hor-G take control of the slower side of the record with aggressive drums, distortion and the raw energy that defines their sound. Epic atmospheres and humanoid vocals introduce a heavy breakbeat assault from two of the strongest names in the Iberian underground. A perfect blend of dirty electro and industrial breakbeat built to turn the dancefloor upside down.

B Side: Heathen, The Egg & No Rules push the BPMs higher in the other side. Dark landscapes and metallic drums twist into a spiral of tension and halftime rhythms. Three experienced explorers of the niche taking techstep sound beyond its usual limits — for those into density, introspection and long blends

Another solid step into the physical format — and a glimpse of what’s still to come...

Once again, huge thanks to everyone involved in the project and to all our supporters who make this possible.

To celebrate another year around the sun, we’re proud to present our second vinyl release: Formulation — a 4-track EP that perfectly captures the label’s output over the past year while continuing our commitment to physical formats and attention to detail.

Like its predecessor "Foundation" is a various artists release featuring some of the key names from our latest catalog. The formula goes like this:

A Side: Iron T.C. and Hor-G take control of the slower side of the record with aggressive drums, distortion and the raw energy that defines their sound. Epic atmospheres and humanoid vocals introduce a heavy breakbeat assault from two of the strongest names in the Iberian underground. A perfect blend of dirty electro and industrial breakbeat built to turn the dancefloor upside down.

B Side: Heathen, The Egg & No Rules push the BPMs higher in the other side. Dark landscapes and metallic drums twist into a spiral of tension and halftime rhythms. Three experienced explorers of the niche taking techstep sound beyond its usual limits — for those into density, introspection and long blends

Another solid step into the physical format — and a glimpse of what’s still to come...

Once again, huge thanks to everyone involved in the project and to all our supporters who make this possible.

Crafting another beautiful experience in sensorial delight, fleet.dreams returns to Vinezza with the label’s 3rd offering “A Voice Without Color” - born from an ever-deepening practice of groove-powered depth tech melded with realms of dubwise kineticism, enchanted cognition, and expressive, dreamlike synthesis.

“A Voice Without Color” finds fleet.dreams’ music in its most rave-activated mode yet, crafting 4 pieces of infinitely mixable spectral matter - all part of their own universe beckoning to be heard under the glow of stars in the night sky, or floating amidst the mesmerizing fog & lights pumping out of the system on your favorite dancefloor.

Awash in kaleidoscopic splendor and psychedelic intrigue, “A Voice Without Color” finds kinship in everything from the best of expansive dancefloor kineticism, time dilated wonder, and the vivid reverbations of the natural world floating in the mix. At once quintessential, contemporary, and ubiquitous is fleet.dreams’ own remarkable production technique, each track unfurling in seemingly endless swells of simmering rhythm and hypnotizing atmospherics - new memories of circadian entrancement in their molten essence, designed to blissfully guide you deeper and deeper towards the primordial exhilaration of movement. Undulating with vivid pulsations and clarion calls for the hips and mind echoing across a spiraling gyre, the sprawling waltz of “A Voice Without Color” glides through dazzling chroma and effulgent radiance greater than the sum of its parts.

Painting with bold, prismatic strokes of iridescent friction amidst the listless gray of our increasingly dispassionate timeline, fleet.dreams delivers another EP of style, substance, and vision for the dancers and DJs alike - a future classic of a possible world ready to be activated together.

*words by Kiernan Laveaux

Early support from: Kiernan Laveaux, Daniel Rincón (NAP), Scott Zacharias & Amelia Holt

Dark Entries is ecstatic to announce Terminal Fascination, a retrospective release of the music of Camille O’Grady, subversive artist, leather witch, punk poet, and gender saboteur. O’Grady cut her teeth in New York’s burgeoning punk scene at clubs like CBGB’s, where her band Leather Secrets would share the stage with acts like Television. She became one of the few women to be welcomed into the Mineshaft, Wally Wallace’s legendary Manhattan gay BDSM club. Towards the end of the 70s, she would trek west to San Francisco to be with her partner, performance artist and gallerist Robert Opel, who was tragically killed in 1979. O’Grady would pass away from COVID in 2020, with her voluminous works across various media - text, image, and sound - having been unpublished during her lifetime.

Working with O’Grady’s estate, Dark Entries has assembled thirteen of her finest recordings, including instant classics like “James Dean to the Rescue,” “Tourniquet,” and, of course, “Toilet Kiss.” Two songs, “Angel with a Key” and “Love Comes Like a Cutthroat,” were recorded at a studio in Los Angeles for a 7” release that never materialized, while the rest of the material was recorded live in 1979 at The Ambush, a San Francisco leather club. O’Grady’s songs, often written from the perspective of a gay man, explode like a genderfuck version of Patti Smith, like Buffy St. Marie in leather, like the hedonic utopianism of the 1960s dragged (blissfully) through the broken glass of the 1970s. The release of Terminal Fascination coincides with the publication of ‘A Cross-Worlds Angel,’ a 300-page book of O’Grady’s work by Phillip Zimmerman. The record includes an insert featuring liner notes, lyrics, and photographs. Celebrate Camille O’Grady, the artist Jack Fritscher described as an “earth mother, a leather lioness of the arts.”

Tribe old school, minimal, mental and fresh ! A pure plate to mix ! and listen :)