Search:track

Orchester-Interpretationen von Beatles-Klassikern zum 100. Geburtstag. - 100. Geburtstag von Produktions-Legende George Martin. - Erstmals seit Jahrzehnten wieder auf Vinyl erhältlich. - Mastering in den Abbey Road Studios von Giles Martin.

A true blast from the golden era:
Lady Dana & DJ Skorp vs Chronotrigger – Booming Track.

The "TRACK TRAX EP" is the new vinyl of the "Computer Controlled Minds"
The yellow vinyl clearly indicates the direction – ACID!
As the name suggests, it will be a fast-paced race.
On the A side, our track days start with a driving track, it quickly becomes clear that this will not be a leisurely Sunday ride. It's going to be a tough race. When approaching the apex, it is always important to remain seated and open the tap slowly.
The second track is a confession of love to Kerb, he wants to be loved and touched. But this love also harbors great dangers. If you drive too hard over the limit, the Kerb will pay back mercilessly.
With B1, the DOWNSIDER brings ecstatic acid acceleration to the slopes. If the braking point is exceeded, it can fall massively to the ground. The experienced technoracer has everything under control and brings the necessary momentum to the next straight.
As the race goes on, the strength dwindles and a clean line becomes more and more difficult, but at the same time it is the key to the thrill. The struggle with body and machine becomes clear, every action makes the body burn. Giving up is out of the question, the race is only over with the chequered flag. But now off to the bar!
Last but not least on the B-side, two short bonus sounds for all mix DJs

The Computer Controlled Minds show their clear roots, ACID and hard RACE.
TCCM can be booked as a live act via insta: __NEXT_DOOR__. You will never forget the race!

Check The Description Before Asking For A Track ID is a thoughtfully curated four-track journey through modern deep tech house, balancing forward-thinking sound design with emotional depth and dancefloor functionality. The release unfolds across two distinct yet complementary sides, guiding the listener through evolving textures, moods, and states of energy.

On Side A, A1. Overt – Annular and A2. Third Echo – 31th Session introduce a spacious and immersive atmosphere. Built around shimmering arpeggios, airy melodies, and fluid progression, both tracks explore a subtle interplay between progressive motion, trance-like elements, and dub-infused textures. The result is a weightless yet driving experience — refined, hypnotic, and perfectly balanced for setting a tone that feels both futuristic and deeply engaging.

The B-side shifts into more introspective territory. B1. Eric Louis – Grooving In The Future and B2. Severin – Shiti bring a melancholic edge, focusing on emotive melodies and transitional energy. These tracks are crafted for pivotal moments within a set — where the atmosphere deepens, emotions unfold, and the narrative takes a new direction. Warm, bouncy grooves intertwine with cooler, more restrained tones, creating a contrast that feels both elegant and expressive.

Spanning a wide emotional and rhythmic spectrum, NRP006 is a versatile tool for selectors — designed to navigate the subtle shifts of a dancefloor with precision, intention, and depth.

NOREPRESS is a division of MixCult Records. Limited Edition.

After a three year hiatus A Good Christian and Abel return to their beloved Surfing In Kansas label with 4 brand new cutzz..
Throwaway New Wave pop gets twisted into unadulterated Balearic bliss, making it safe to even those who are least in touch with their feelings for a chance to dance. Late night double and early hours trouble guaranteed!

Once I Was Young and The Airplane Album find the producer taking yet another sonic right turn. "These records were made in the same year with a very similar creative process. I moved almost completely away from sampling, experimented more than ever with ambient and techno elements and used the album format as a way to tell a story about moments in my life." Once I Was Young is a storytelling work that journeys through analogue synth-pop, modulated techno and raw, dusty drums with otherworldly melodies. Moments of beauty come through escapist, naturalistic ambient tracks and fusions of Kraftwerkian sequencing with more classical piano, while stark, clubready grooves keep things moving. Airplane contrasts similar shades of light and dark, synthetic and organic, rough and smooth. Glitchy, imperfect analogue sounds, knackered drum machine grooves and eerie synth phrasing evoke a post-human world with icy atmospheres. Elsewhere, warmth comes from bittersweet melodies and loose, funky drums that ooze retro-future charm.
Once I Was Young and The Airplane Album show a diff erent side to Escobar, one that embraces introspection and experimentation while exploring a whole other world of meaningful machine soul

TCHDWN, the former DMC Vice World Champion and Barcelona based artist, returns with the highly anticipated second chapter of his vinyl-only series: "BCN City Of Mind Summer Collection." Following the success of the Spring Collection, which garnered support from artists like Gabbs and Velasco, this new volume elevates the journey. Still calling Barcelona his creative home since 2018, TCHDWN continues his sonic exploration of the city, capturing the heat, the late night energy, and the relentless pulse of a Mediterranean summer!

Don’t Trust The Snippets – Play The Full Track Before Buying A Record is a finely tuned four-track compilation from NOREPRESS Records, exploring a broad emotional and rhythmic spectrum — from atmospheric breaks to dub-infused tech house. Each piece invites deep listening, rewarding full attention rather than surface impressions.

A1. Osman Oz & SUBLIMINAL. – Johto opens with a beautifully crafted breaks track — rich in ambient layers and cinematic depth, setting a contemplative tone. A2. Pat Jensenn – Heaven Tapes follows with crisp percussion and hypnotic melodies, shifting the mood into uplifting, forward-driving territory. The young Argentinian producer blends instinct and elegance in equal measure.

On the flip, B1. Genning & Kirill Matveev – Orbiter lifts off with bounce and finesse — tight, articulate, and designed for that moment when the dancefloor begins to bloom. B2. Neptuna, also by Genning & Matveev, closes the record with sensual dub textures and refined detail — balancing movement and stillness in perfect harmony.

Led by visionary Kirill Matveev, with strong contributions from Genning, Pat Jensenn, and the always-excellent Osman Oz & SUBLIMINAL, NRP005 serves as a reminder: the full track always tells the real story.

NOREPRESS is a division of MixCult Records

The Chicago and Phoenix based duo, Dunes of Dawn, is Yianni Papagiannopoulos and Tanner Dixon. Prosperity Room is their debit EP on Chicago based 4 Track Recordings, aka 4trk. Four tracks on this release with a heavy atmospheric layering throughout.

TCHDWN — former DMC Vice World Champion and Barcelona-based artist — makes his vinyl debut on Track Deluxe with BCN City Of Mind Spring Collection, a sonic tribute to the city that shaped his journey.

The EP includes five original tracks, an intro, interlude, outro, and a unique scratch bank sourced from the project itself. A locked groove nods to TCHDWN’s turntablism roots, making this a treat for vinyl heads.

“Every beat is infused with the energy and inspiration I’ve found here,” says the artist. The result is a fresh, timeless soundtrack that captures the essence of a Barcelona spring.

Early support from: Velasco, Gabbs, Lukas...

Italian producer Deyayu delivers a powerful new EP on Party Tricks, channeling emotion and subtle melancholy into four striking cuts. Blending elements of progressive, deep, and tech house, the release is designed for late-night energy and golden hour moods, capturing the feeling of first light, where rhythm meets reflection.

Limited (200), no repress, no digital.

Philadelphia producer DJ Matpat delivers his third release of the year with a 12” on NYC's Off Track Recordings. Dropping November 21th “Lucky Strike” is a 4 track raw house EP that delivers a timeless feel full of club-ready grooves that are made to keep energy high on the dance floor. From Deeper Love’s belting vocals to ‘Lucky Strike’s’ chunky drums, ‘Falsettos’ minimalist approach this EP hits a few different sounds for any house music head.

REPRESSED !

Truly seminal MAW release from 1993. All 4 mixes re mastered from the DAT's and repressed for 2014.

Last repressed 14 years ago this is the perfect time to pick up this mint copy for your collection.

Off Track is back with a scorcher of an EP from Brooklyn’s
Will Buck. Four 90’s styled deep house grooves stripped back
and ready for the §oor!

Tilman is back on Off Track with a four tracker for your
dance§oor pleasure. Raw and ready, these cuts will take you
back to the good ol’ days. The Mainz based producer has
been on ¦re with a string of 90’s Italo-House styled records
on his Pleasant Systems imprint and they just keep getting
better and better.

Eli Escobar returns for his 9th full length LP. While his last few projects found him exploring downtempo beats, EBM and ambient in§uences, this latest offering of Eli's studio craftsmanship marks a return to the sound of his early releases like Up All Night and Happiness. Warm samples expertly woven into classic drum machine rhythms and searing synth lines, The Beach Album takes listeners on a journey through golden era hip hop beats, feel-good NYstyled house grooves into sweaty techno bangers. Similar to Eli's DJ sets, the 16 track long player has something for everyone. Created during the uncertainty of the pandemic when as Eli put it, "It didn't feel like the right time to release dance music," The Beach album celebrates the return of NY nightlife and optimism for the future.

transparent-blue vinyl 12' (500 copies hand-numbered)

Galaxy 2 Galaxy) on strings, and the return of STRIPPERTM (Sleeve) on the B side for some twisted bass work. Holding light and shade, and pushing out plenty of low end, this record has two cuts for different times of night…
The A side, "In Light," starts with a pulsing kick, bright chords, and shakers, with a string line that slowly builds towards a soaring conjunction with the massive bassline that drops underneath. Filled with bittersweet emotion, this collaboration represents a beacon of light, like the golden hour after sunrise.
On the B side, "In Darkness," gnarly bass textures come to the fore as a harbinger of the dark, turbulent night, dropping into a massive twisted groove. Shakers, tribal percussion, and pulsing sub-bass keep things in a tight rhythm, while Esteban’s strings arrive to guide us through the darkness to dawn.

Die fünfköpfige Band 1000 Rabbits (ehemals hießen sie Rabbitfoot) veröffentlicht mit "Are we friends yet?" ihre Debüt-EP - ein sechs Tracks umfassendes Werk, das die ersten zwei Jahre ihres Bestehens festhält. Die EP enthält unter anderem die Singles "Virgin Soil" und "Rubik"s Cube" und erscheint digital sowie als limitierte 12"-Vinyl über das Label Young. Sie versteht sich als Momentaufnahme einer Band, die sich noch im Prozess der Selbstfindung befindet und ihre Identität in Echtzeit formt. Die Songs entstanden über einen Zeitraum von zwei Jahren hinweg - in Wohnzimmern, Proberäumen und auf Bühnen - und spiegeln ein prägendes Kapitel der Band wider. Einige Stücke reichen bis in ihre Anfangszeit zurück, andere sind erst kürzlich entstanden. Gemeinsam ergeben sie jedoch ein stimmiges Gesamtbild und bieten einen lebendigen Einstieg in die Klangwelt von 1000 Rabbits. Besonders prägend war dabei die Live-Erfahrung: Jeder Song entwickelte sich durch Auftritte weiter und wurde Abend für Abend neu geformt. Der Titel "Are we friends yet?" geht auf einen wiederkehrenden Moment in ihren Konzerten zurück. Während des letzten Songs "Spring Cleaning" stellt Sänger River diese Frage ans Publikum - ein Augenblick, der Nähe, Offenheit und Verletzlichkeit vereint und den Kern der Band widerspiegelt. Wie die Band selbst sagt, verstehen sie die EP als ehrlichen Ausdruck ihrer bisherigen Reise: ein erstes Statement, das zeigt, wer sie sind und wohin sie sich entwickeln könnten.

back in !

Comeback tells the story of Ava, a 14-year-old girl trying to navigate the complex relationship between her divorced parents. Her mother, Naomi, a former successful techno DJ, is determined to revive her career and make an international comeback. Ava's father, Dominique, has withdrawn from the hectic nightlife and now leads a quieter life. As Ava becomes increasingly drawn into her mother's vibrant nightlife, she finds herself entangled in the expectations and dreams of her parents.

With a musical score by Raf Keunen and techno tracks by Jeroen De Pessemier (One Track Brain) – founder of the Belgian electro band The Subs – and the visually stunning cinematography of Sander Vandenbroucke, Comeback, shot on 16mm film, combines intimate family conflicts with the energetic, pulsating rhythm of techno.

“Oui Ou Non” by One Track Brain ft. Omani (aka Veerle Baetens) is one of the tracks from the movie "Comeback", now available on 7-inch.

Rough Trade Records freut sich, die Veröffentlichung einer neuen Single von Lankum anzukündigen. Ursprünglich für die Tanzshow "Specky Clark" von Oona Doherty im Sadler"s Wells Anfang des Jahres komponiert, ist die Single eine eindringliche, fast übernatürliche Interpretation des Nummer-eins-Hits "Ghost Town" von The Specials aus dem Jahr 1981. "Ghost Town" erscheint als 12"-Vinyl mit einer kunstvollen Gravur auf der B-Seite. Zur Entstehung des Stücks erklärt die Band: "Ghost Town kam unter ungewöhnlichen Umständen zu uns. Oona Doherty, deren Arbeit wir bereits aus dem Video zu Gilla Bands 'Shoulderblades" kannten, erzählte uns von einem neuen Stück über ihren Ururgroßvater, der als Kind nach Belfast geschickt wurde, um bei seinen Tanten in einem Schlachthof zu arbeiten. Sie wollte für eine Halloween-Party-Szene ein Musikstück, das zunächst verschwommen und unkenntlich beginnt und sich dann in den bekannten Song von The Specials verwandelt. Anfangs waren wir zögerlich - ein Ska-Cover war nicht unbedingt unser Stil -, doch schließlich entschieden wir uns, es zu versuchen. Dabei entstand eine spannende Studioerfahrung, in der wir begeistert mit Synthesizern und Drum-Machines experimentierten, um einen rauen 90er-Techno-Sound für das Outro zu schaffen. Wir sind sehr zufrieden mit dem Ergebnis und dankbar, dass Oona uns ermutigt hat, neue Wege zu gehen. Es ist uns eine Ehre, diese ikonische Nummer neu zu interpretieren, deren Themen - städtischer Verfall, wirtschaftliche Not und Frustration der Arbeiterklasse - heute so aktuell sind wie damals."

Chicago based producers Jason Patrick, and 4trk label owner, DJ Hyperactive team up for their 3rd collab on 4TRK-036 as Aliasing “Off the Grid” EP. 3 tracker of hypnotic, atmospheric tracks for the dance floor.