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An artist whose reputation has long been forged by his engagement and musical exchange with local scenes and cultures from across the world. Quantic"s vast discography of electronic releases spans two decades, ranging from focused solo productions and intimate collaborations to expansive ensemble projects. Now, the multi-instrumentalist, DJ, composer and producer Will Holland delivers his DJ-Kicks compilation, which fittingly radiates friends and family energy. The mix bursts with unreleased exclusives and places the art of curation at its core, giving the listeners space to go and dig more of the songs and sonics which resonate the most. Will Holland includes a glistening breadth of new material, including new music from Quantic alongside another of his aliases Sobredosis, creating a mix teeming with vitality.

Stereogum: »Here’s a cool new musical project that feels both out-there and extremely mundane. In 2022, the great Colorado experimentalist M. Sage teamed up with Lieven Martens (Dolphins into the Future) under the name Sage Martens. Their album, »Riding Fences«, was an ambient classical exercise designed to explore the idea of ›Western‹ music. They’re back this year with another conceptual offering (...)«

»Chamber Music for Lawn Mowers« is the second album by Sage Martens. This time, Matthew Sage (RVNG, Fuubutsushi) and Lieven Martens (Edições CN, Dolphins into the Future) sing the lawn.

Did you know a clean-cut lawn is a desire we inherited from the British?

Yes, the British dumped this pleasure into our collective consciousness. Those humorless Victorians who enjoyed having their black pudding on the lawn. They came to this uninspired impression while mis-looking at Italian paintings. Yes indeed, while gazing at these paintings they mistook green lanes for green lawns. Thus it became hip. Every stuffed truffle commanded his gardener to cut the grass.

As a result, this Victorian lust for sterile gardens with pretty green lawns nudged our world into water spillage and pesticide clouds. This new priority produced exhaust clouds and prudish monocultural landscapes. Just by looking at Italian paintings.

As with most of Western history, the practice was exported to America and then turbocharged. By shearing clear the prolific brush of pastures, prairies, forests and glens, biodiversity becomes an aesthetic casualty with long-suffering ecological ripples. An inherited practice narrows the bandwidth of experience.

And so, the childhood habit of humming along in key to the drone of a gas-powered mower while trimming a suburban lawn extrapolates into something expanded — an unanswered question about the harmonics of landscape practices.

M. Sage: Bb clarinet, alto saxophone, sine wave, lawn mowing, processing L. Martens: computer, analog synthesis, digital processing With W. Van Gils: lawn mowing

New Generation Carnival Riddims from St. Lucia and Dominica A hurricane of turbo-charged, body-buzzing tracks collide on Road Fever, a compilation of razor-produced, road-tested instrumental riddims from St. Lucia, Dominica & Guadeloupe that showcases the producers forging the future of Caribbean music in 2025. Road Fever draws together instrumental Dennery Segment and Bouyon riddims originally made for vocalists, presented for the first time as stand alone pieces of music. Distilling carnival riddims down to the bare bones, producers push minimal 150+bpms, FL-percussion packs, DJ/vox samples & synth riffs, bridging trap, drill, dancehall, sped-up Haitian konpa & Angolan kuduro. Ricocheting at the intersection of TikTok culture, best heard blasted through walls of speakers travelled by stage-sized carnival trucks or via bluetooth car speakers, St.Lucia"s "Dennery Segment" sound, (as iconic producer, G6 described in an interview), "sparks your inside; a sound you can"t hear and not move". Amsterdam-based, Curaçao-raised compiler Rozaly echoes G6: "Once you hear it, you can"t unhear or unfeel it. This is a musical movement with an entire history with so many relevant reasons why it still exists, and why it exists the way it exists right now". Rozaly concludes, "there is nothing more simple, let the artists speak."

Labelboss Harald Björk presents an energetic and trancy, yet deep and playful minimalistic techno 12" of swirling melodic soundscapes accompanied by raw beats and danceable grooves. A record consisting of four club tracks for different moods of the night. If you enjoyed Harald's track 'Aluco' from the recent Dots & Pearls sampler out on Cocoon Recordings last spring, make some up front room in your bag for this special record. "Something wild, something deep, something acid, something geil!" as the old teshno say goes for a well blended 12". A tense remix package is coming up from Ida Engberg (Kompakt), Gregor Tresher aka Sniper Mode (Turbo Recordings) and Martinou (Nous'klaer/Mule Musiq).

Zoetrope Vinyl. Schrank zu klein, Arsch zu groß, blasse Waden, hellgrüne Luftballons in der Steckdosenfrisur - das ist Schwiegermutters Fiebertraum in Reinform, das ist der körperhafte Stinkefinger an die Selbstoptimierer*innen-Gesellschaft, das ist Punk in der Jetztzeit-Version, das ist der "EXTRA"Lifestyle. Paula Carolina zelebriert eben diesen Lifestyle Woche für Woche erfolgreich auf den Festivalbühnen der Bundesrepublik - und hat ihm mit "EXTRA" ein musikalisches Denkmal gesetzt. Paulas neue Single ist eine Musik-gewordene Ode auf die Weirdness und das Besonderssein, ein augenzwinkernd-romantischer Vorstoß gegen Normschönheit, Langweilertum und "Otto Normal"-Standards - "als wär' auf der Tanzfläche jedem scheißegal, was man anhätte". "EXTRA" ist nicht umsonst der Namensgeber des Ende September erscheinenden Paula Carolina-Debütalbums - dieser Song steht exemplarisch für die künstlerische Vision seiner Macherin, die ihren Platz zwischen den Stühlen unlängst gefunden hat: "Fühl' ich mich heute wie ein Punk oder doch nur wie die Göre von Nebenan? Egal!". Paula-Carolina-Musik ist "irgendwie anders" und jedes Mal ein bisschen neu. Zwischen rustikalem Gitarren-Geschrubbel, tanzbar-schiebenden Drums und kaum erwartbaren Airhorn Einschüben blüht die Weltenbummlerin in "EXTRA" erstmals überhaupt mit einer Rap-ähnlichen Stimmperformance auf. Paulas Vocal-Experimente münden zwischendurch in einer Vulkanausbruch-artigen Ohrwurm-Hook und im letzten Drittel des Songs in einer epochalen SingSang-Bridge. Zwischen Punk-Attitüde und Techno-Club-eske Hektik mischt sind also auch die nötige Portion Pop-Appeal. Wer "EXTRA" lieber in einem anderem Genre-Gewand hören will und sich in Jungle-, Dancehall- oder Happy-Hardcore-typischem Tanzstill zum Song bewegen möchte, kann dies übrigens auch tun. Ja, richtig gehört: Ab 3. August - also einen Tag nach Single-Release - wird täglich ein neuer Remix des Originalsongs veröffentlicht. Star-Produzent Marti Fischer, den Paula-Carolina-Fans spätestens seit seinem erfolgsgekrönten "Schreien! - Turbo Remix" kennen dürften, hat ein umfangreiches Begleitwerk zu "EXTRA" realisiert und mehrere, verschiedenartig elektronische Alternativ-Versionen der Außenseiter-Hymne zusammengeschustert. Als wäre das nicht genug "EXTRA" zu "EXTRA", haben auch Großstadtgeflüster eine stilechte Remix-Version der Single gefertigt und der Bonus-EP ihren Stempel aufgedrückt. "Es geht wieder los", im Kosmos Paula Carolina - und zwar so richtig.

Hello Softies,
Too Slow To Disco NEO is back with a (mellow) bang

A colored, strictly limited teaser 12 Inch featuring two exclusive new tracks:
Side A - a warm, lazy dub-disco track by L.A.'s electronic-slow-disco musician TURBOTITO
Side B - a funky Vibes4YourSoul Remix for mysterious New York artist 1-900.

Both tracks will be released on our sister label Too Slow Too Disco NEO, invented by Dj Supermarkt for modern, warm Sunset Disco.

Side A is also the first track from our upcoming summer compilation THE SUNSET MANIFESTO 2.
(featuring exclusive tracks/remixes by Poolside, Young Gun Silver Fox, Prep & Eddie Chacon, Woolfy, Lovetempo, Joel Sarakula a.m.m.
Side B will exclusively be available only on this 12 Inch

The tracks take the listener on a warm trip into a modern, laidback electronic sunset disco land, where groovy Westcoast-vibes meet dreamy Balearic sounds, mixed with a modern Nu-Disco/Daytime Disco style.

Enjoy your bottled sunshine (responsibly)!

Walter Astral's debut album tells the story of Light, its journey through the day and catalyzes it in the Éclispe, a suspended moment when space and time stop to contemplate the universe.

Over the past two years, the two druids have transmuted light into sound in the form of a concept album that explores all facets of Walter Astral, from folk and techno to pop, drum & bass and psychedelic rock, always in the presence of their totem banjo.

Sound explores and is explored, to represent light; magic and the everyday, between digital and analog sounds expressing the natural and the supernatural, humans and the cosmos. Transposing the invisible, the presence of absence, the Eclipse, into silence and sound.

“Eclipse” questions the shadows hidden by light, and the glimmers hidden by shadows, the ambivalence of a state, its capacity to transform, to mutate. Like ancient alchemists, Walter Astral set to music the transitions of states, stars, humans and emotions.

Repress!

Techno phenomenon Charlotte de Witte today announces her brand-new EP “Power Of Thought”, out October 19 on her own KNTXT label. The trio begins with the title track “Power Of Thought” - which immediately erupts into a hypnotic techno beat interspersed with spoken mantras of mindfulness. This is followed by “Pria”, a pulsating journey featuring hypnotic, mantra-like vocals. The EP ends with ambient track “Abada”, punctuated with the occasional drum and chanting vocals before it quickly strips away to silence.

“For ‘Power Of Thought’, I wanted to create an EP that touches deeper emotions and captivating the meditative trance you have when you let go on the dance floor,” says de Witte. “‘Pria’ has already brought me a lot of joy over the last few months when I have played it during my sets. It offers a moment of reflection and a chance to catch your breath during the rougher, more peak time tracks I play. ‘Abada’ is a track that I really enjoyed making. I discovered these magical chanting vocals and I just knew I wanted to use them in a track. Though this track is maybe less playable in one of my sets, I feel that Abada found its home on this EP and completes the ‘Power Of Thought’ circle.”

Best known for her “dark and stripped-back” brand of techno and crossover to other sounds of the underground, Charlotte de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that
have won her a dedicated fan base and critical acclaim.

“Power Of Thought” is the followup EP to de Witte’s “Overdrive” EP, campaign and tour, which recently wrapped with a Los Angeles takeover last month and included performances at Brooklyn Mirage, Primavera Sound, Rock Werchter, Super Bock Super Rock, Lowlands and Rock En Seine. The “Power Of Thought” release will include an exclusive apparel drop as well and will coincide with the opening day of KNTXT Turbo Club, de Witte’s epic 3-day pop-up event series taking over Amsterdam Dance Event (ADE) from October 19 - 21, 2023.

With a different “KNTXT” each day, the turbo-charged pop-up will feature a massive lineup of performances, a dedicated KNTXT shop, immersive music experiences and other surprises at an undisclosed location in Amsterdam. Capacity will be very limited and tickets can be purchased now at https://kntxt.be/events/ade.

Following ADE, de Witte will embark upon the KNTXT Latin America Tour on October 26, which will take her to Mexico City, Buenos Aires and São Paulo.

WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.

Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.

Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.

Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!

The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.

Fasten your seatbelt and join the fun.

Das achte Album der Punkrock-Gruppe Turbostaat: Wo sonst Möwen und Wattenmeer waren, sind jetzt Tauben und Beton

Junger Punk steht breit lächelnd in kahler Raumecke vor zerschlissener Tonbandmaschine; kurzgeschorene, blondierte Haare, schnittige Sonnenbrille mit dünnen Metallbügeln, angejahrte Lederjacke über buntem Flanellhemd; Trainspotting-Ästhetik. Beschriebenes Foto ist gewiss kein typisches Albumcover-Motiv - und doch ziert es das Cover vom neuen, achten Studioalbum der Husumer, Hamburger, Berliner Band Turbostaat. Der Mann im Zentrum des angegilbten Schnappschusses? Turbostaat-Stammproduzent und Toningenieur Moses Schneider in seinen späten Zwanzigern; oder in seinen frühen Dreißigern - jedenfalls in einem Lebensabschnitt vor Kamillentee und Hochglanz-Equipment. Dreck, Wut, Tatendrang, Aufbruchsstimmung, rotziger Pessimismus, unverhohlen grantiger Punk-Geist - das sind die Parallelen zwischen jenem Foto und der Platte, die es bebildert. Sie hört mit Fug und Recht auf den Namen 'Alter Zorn', klingt mehr nach Stunde null als nach Spätwerk-LP und probt - anstatt friedfertig zu umarmen - den unsanft aufrüttelnden Würgegriff.

Okay, geschenkt: Friedfertig umarmt haben Turbostaat ihre Hörer*innen auf musikalischer Ebene Zeit ihres Bestehens ohnehin nie. Da war immer mehr Understatement und nordfriesische Nüchternheit als Charmeoffensive oder Frohmut, immer mehr Sehnsucht als Wohlbehagen, immer mehr Krach, wirre Worte und bärbeißige Mine zum bösen Spiel als gut gelaunter Humbug. Turbostaat-Musik, das ist Punkrock, dem Wattenmeer-Nebel in den Lungen hängt - seitdem sich die Band 1999 in der schleswig-holsteinischen Provinz formiert hat und auch ein Vierteljahrhundert später.

Wo sonst Möwen, Wattenmeer-Nebel und graue Weiten waren, verdecken nun Taubenschwärme, endzeitlich versmogte Betonburgen und eine gottverdammte Bismarck-Statue, die dem Szeneviertel ihren metergroßen Arsch entgegenstreckt, die Sicht auf alles Schöne. 'Alter Zorn' blickt auf die »Affenstraße«, auf verwahrloste Eckkneipen, in der sich düstere Schatten stapeln, auf »Ruinen zwischen Glas und Stahl«, auf Metropolen voll »greller Sommerkotze« und Spiegelscherben, die immer enger werden - und nur selten starr auf’s offene Meer. Was den schwammigen Protagonist*innen des Turbostaat-Universums dennoch geblieben ist, ist die bohrende Einsamkeit - dieses wütend-resignierte Gefühl, es nicht zustandezubringen, »hier mitzumarschieren«. 'Alter Zorn' zeichnet eine Dystopie - eine Welt zwischen Novembergicht und Hitzestau, in der sich tote Schwäne im Graben stapeln, Panzer rollen, die Luft knapp wird, Obdachlose die Straße umarmen, alle alles mit Karte bezahlen, in Ledersitzen zittern, die Laune im Arsch und überhaupt »wirklich Sense« ist.

Das achte Album der Punkrock-Gruppe Turbostaat: Wo sonst Möwen und Wattenmeer waren, sind jetzt Tauben und Beton

Junger Punk steht breit lächelnd in kahler Raumecke vor zerschlissener Tonbandmaschine; kurzgeschorene, blondierte Haare, schnittige Sonnenbrille mit dünnen Metallbügeln, angejahrte Lederjacke über buntem Flanellhemd; Trainspotting-Ästhetik. Beschriebenes Foto ist gewiss kein typisches Albumcover-Motiv - und doch ziert es das Cover vom neuen, achten Studioalbum der Husumer, Hamburger, Berliner Band Turbostaat. Der Mann im Zentrum des angegilbten Schnappschusses? Turbostaat-Stammproduzent und Toningenieur Moses Schneider in seinen späten Zwanzigern; oder in seinen frühen Dreißigern - jedenfalls in einem Lebensabschnitt vor Kamillentee und Hochglanz-Equipment. Dreck, Wut, Tatendrang, Aufbruchsstimmung, rotziger Pessimismus, unverhohlen grantiger Punk-Geist - das sind die Parallelen zwischen jenem Foto und der Platte, die es bebildert. Sie hört mit Fug und Recht auf den Namen 'Alter Zorn', klingt mehr nach Stunde null als nach Spätwerk-LP und probt - anstatt friedfertig zu umarmen - den unsanft aufrüttelnden Würgegriff.

Okay, geschenkt: Friedfertig umarmt haben Turbostaat ihre Hörer*innen auf musikalischer Ebene Zeit ihres Bestehens ohnehin nie. Da war immer mehr Understatement und nordfriesische Nüchternheit als Charmeoffensive oder Frohmut, immer mehr Sehnsucht als Wohlbehagen, immer mehr Krach, wirre Worte und bärbeißige Mine zum bösen Spiel als gut gelaunter Humbug. Turbostaat-Musik, das ist Punkrock, dem Wattenmeer-Nebel in den Lungen hängt - seitdem sich die Band 1999 in der schleswig-holsteinischen Provinz formiert hat und auch ein Vierteljahrhundert später.

Wo sonst Möwen, Wattenmeer-Nebel und graue Weiten waren, verdecken nun Taubenschwärme, endzeitlich versmogte Betonburgen und eine gottverdammte Bismarck-Statue, die dem Szeneviertel ihren metergroßen Arsch entgegenstreckt, die Sicht auf alles Schöne. 'Alter Zorn' blickt auf die »Affenstraße«, auf verwahrloste Eckkneipen, in der sich düstere Schatten stapeln, auf »Ruinen zwischen Glas und Stahl«, auf Metropolen voll »greller Sommerkotze« und Spiegelscherben, die immer enger werden - und nur selten starr auf’s offene Meer. Was den schwammigen Protagonist*innen des Turbostaat-Universums dennoch geblieben ist, ist die bohrende Einsamkeit - dieses wütend-resignierte Gefühl, es nicht zustandezubringen, »hier mitzumarschieren«. 'Alter Zorn' zeichnet eine Dystopie - eine Welt zwischen Novembergicht und Hitzestau, in der sich tote Schwäne im Graben stapeln, Panzer rollen, die Luft knapp wird, Obdachlose die Straße umarmen, alle alles mit Karte bezahlen, in Ledersitzen zittern, die Laune im Arsch und überhaupt »wirklich Sense« ist.

Das achte Album der Punkrock-Gruppe Turbostaat: Wo sonst Möwen und Wattenmeer waren, sind jetzt Tauben und Beton

Junger Punk steht breit lächelnd in kahler Raumecke vor zerschlissener Tonbandmaschine; kurzgeschorene, blondierte Haare, schnittige Sonnenbrille mit dünnen Metallbügeln, angejahrte Lederjacke über buntem Flanellhemd; Trainspotting-Ästhetik. Beschriebenes Foto ist gewiss kein typisches Albumcover-Motiv - und doch ziert es das Cover vom neuen, achten Studioalbum der Husumer, Hamburger, Berliner Band Turbostaat. Der Mann im Zentrum des angegilbten Schnappschusses? Turbostaat-Stammproduzent und Toningenieur Moses Schneider in seinen späten Zwanzigern; oder in seinen frühen Dreißigern - jedenfalls in einem Lebensabschnitt vor Kamillentee und Hochglanz-Equipment. Dreck, Wut, Tatendrang, Aufbruchsstimmung, rotziger Pessimismus, unverhohlen grantiger Punk-Geist - das sind die Parallelen zwischen jenem Foto und der Platte, die es bebildert. Sie hört mit Fug und Recht auf den Namen 'Alter Zorn', klingt mehr nach Stunde null als nach Spätwerk-LP und probt - anstatt friedfertig zu umarmen - den unsanft aufrüttelnden Würgegriff.

Okay, geschenkt: Friedfertig umarmt haben Turbostaat ihre Hörer*innen auf musikalischer Ebene Zeit ihres Bestehens ohnehin nie. Da war immer mehr Understatement und nordfriesische Nüchternheit als Charmeoffensive oder Frohmut, immer mehr Sehnsucht als Wohlbehagen, immer mehr Krach, wirre Worte und bärbeißige Mine zum bösen Spiel als gut gelaunter Humbug. Turbostaat-Musik, das ist Punkrock, dem Wattenmeer-Nebel in den Lungen hängt - seitdem sich die Band 1999 in der schleswig-holsteinischen Provinz formiert hat und auch ein Vierteljahrhundert später.

Wo sonst Möwen, Wattenmeer-Nebel und graue Weiten waren, verdecken nun Taubenschwärme, endzeitlich versmogte Betonburgen und eine gottverdammte Bismarck-Statue, die dem Szeneviertel ihren metergroßen Arsch entgegenstreckt, die Sicht auf alles Schöne. 'Alter Zorn' blickt auf die »Affenstraße«, auf verwahrloste Eckkneipen, in der sich düstere Schatten stapeln, auf »Ruinen zwischen Glas und Stahl«, auf Metropolen voll »greller Sommerkotze« und Spiegelscherben, die immer enger werden - und nur selten starr auf’s offene Meer. Was den schwammigen Protagonist*innen des Turbostaat-Universums dennoch geblieben ist, ist die bohrende Einsamkeit - dieses wütend-resignierte Gefühl, es nicht zustandezubringen, »hier mitzumarschieren«. 'Alter Zorn' zeichnet eine Dystopie - eine Welt zwischen Novembergicht und Hitzestau, in der sich tote Schwäne im Graben stapeln, Panzer rollen, die Luft knapp wird, Obdachlose die Straße umarmen, alle alles mit Karte bezahlen, in Ledersitzen zittern, die Laune im Arsch und überhaupt »wirklich Sense« ist.

Das siebte Studioalbum der Husumer Legenden Turbostaat, die auf ihre Art Role Model für eine ganze Generation von deutschsprachigen Post-Punk-Bands sind.

Suffocating, the hidden child of Plastikman, Farmer's Manual and Warp. The glitches could just as well be the disgusting sound system of the club crackling under the humidity as a rhythmic pan too well timed to be honest. From durations to sound grain, the gloves are removed. The standards are far behind, the pleasure vibrates from the ears to the lower abdomen. The listener manages to get lost on a straight line, the perfect labyrinth according to Borges, but the exits flash red for those who want to escape. Will Elvis leave the building?.

2024 Repress

Fratelli Malibu is an original idea of Andrea De Fazio with the cooperation of Paolo Petrella, drummer and bassist for the “Nu Guinea” live band. Their love for synthesizers and drum machines brought them together to create the shiny world of Ciro Miami.
We could think of Ciro as a neapolitan expat in the american dream, where he discovers a world of excess, flashy cars, cocktail bars, beautiful women, cocaine, gambling, spaceships and videogames that erodes all of his money forcing him to go back to Napoli
completely broke, but with a fistful of wonderful memories.

Mit ihrer neuen EP ,audiochimaere" brechen DYSE wieder einmal die Grenzen und zeigen, wieviel musikalischer Wachstumswillen und Kreativität in ihnen steckt. Sechs Lieder werden hier mit der Nadel aus der Rille gekratzt. Dabei trifft Hip Hop auf Punk, Punk auf Elektro und Elektro auf Hörspiel. Als hätten sich die Beastie Boys Deichkind, Dendemann, Turbonegro und David Bowie zu einer Session eingeladen. Darf man das? Nein, man MUSS es sogar tun. DYSE senden mit ihrer EP eine klare Botschaft: Wir lassen uns nicht einschränken. Öffnet euch und erlebt die Begeisterung Neues zu entdecken. Neugierig?

Fourth Disturbo release, this time proudly welcoming two great artists such as Ceri Suss and Tribaan, alongside the everyday more disturbed : Potatox, Moloch and RobV.

techno and Hard Techno banger, with a splendid sleeve by from Borneo ! Punks and Tekno united service :-)

Turbostaat - Role Model für eine ganze Generation deutschsprachiger Post-Punk-Bands - feiert das 25-jährige Bandbestehen mit der Wiederveröffentlichung ihres Katalogs über das bandeigene Label 18Null9. 'Vormann Leiss', mit dem 2007 die enge Zusammenarbeit mit Stammproduzent Moses Schneider begann, erscheint auf 180g schwerem Vinyl mit großem Textheft im Orginal-Artwork.

- Ltd LP: (180g, inkl. Textheft im 7" Format)

Turbostaat - Role Model für eine ganze Generation deutschsprachiger Post-Punk-Bands - feiert das 25-jährige Bandbestehen mit der Wiederveröffentlichung ihres Katalogs über das bandeigene Label 18Null9. 'Das Island Manöver'', mit dem 2007 die enge Zusammenarbeit mit Stammproduzent Moses Schneider begann, erscheint auf 180g schwerem Vinyl mit großem Textheft im Orginal-Artwork.

- Ltd LP: (180g, inkl. Textheft im 7" Format)

Soul Jazz Records’ new collection, ‘Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89’, is a journey into the outer reaches of electro, a galactic roller-coaster ride of turbo-charged sci-fi grooveology.
The album is comprised of mainly private-press and independent label electro jams of the highest calibre (with some as rare as space ships landing on Mars) all created in the 1980s, at a time when a vocoder, a Roland TR-808 drum machine and a groove was all that was needed to get the party started.
With a few notable exceptions (Michael Jonzun’s Jonzun Crew and The Packman) the album features mainly under-the-radar killer tracks from a host of one-off artists and back-room electronic pioneers – including Pretty Tony, Planet Detroit (James McCauley, aka Maggotron) and Rich Cason – who together helped shape the sound of electro across the USA from Miami to New York, Los Angeles and beyond during the 1980s.
This album is released on super-loud double vinyl, packaged in a gatefold sleeve complete with full sleeve notes (from Derek Walmsley of The Wire), plus download code and digital.

Die sächsische Band TURBOKILL um ex-Alpha Tiger Sänger Stephan Dietrich, meldet sich mit ihrem zweiten Album zurück. Nach den beiden
Vorab-Singles „Time to Wake“ und „Tear it Down“, folgen dieses Jahr drei weitere Singles, bis das neue Album „Champion“ am 27. September 2024
auf SPV/Steamhammer weltweit digital sowie als CD und Vinyl erscheint.
TURBOKILL haben sich dem europäischen Powermetal verschrieben. Geprägt von starken Melodien und der einprägsamen Stimme Stephan Dietrichs.
Eine Kurz-Tournee Anfang des Jahres, unter dem Banner „New Wave of German Metal“ mit den Bands SINTAGE und FIREBORN im Package,
verdeutlichte die instrumentellen Fähigkeiten des Quintetts und den erstklassigen Powermetal. Das Rock Hard zählte TURBOKILL nach deren Show im
Backstage München immerhin zur „Elite des Teutonenstahls“. Dieser Auszeichnung wollten die Musiker der Band natürlich gerecht werden. Belebt
von der Energie ihrer Live-Auftritte, nahm die Band in der Folge ein entsprechend inspiriertes Album unter der Regie von Lars Rettkowitz (Freedom
Call) in seinem Emperial Sound Studio auf.

Mutant is proud to present Academy Award-winning composer Michael Giacchino's latest album, Exotic Themes for the Silver Screen – Volume 1, featuring iconic scores from Giacchino's extensive portfolio rendered in the retro lounge style of Exotica from the 1950s.



“It's no secret that we at Mutant are huge fans of Michael Giacchino,” says Spencer Hickman, Co-Founder of Mutant. “We're excited to release a retrospective of his astonishing three decades as a composer. Rather than just curating a simple compilation of his previous works, Michael went back into the studio, rearranged and re-recorded every major theme from his career. These tracks have been recorded in an Easy Listening style inspired by such greats as Martin Denny and Les Baxter, creating not just a unique and incredible look back at some of the most beloved movie and television themes of the modern age, but also bringing a fresh, exciting take to the beautiful journey he has taken us all on with him. It feels like you are discovering these songs for the very first time: timeless, beautiful, and a joy to listen to. These newly recorded themes transport you to a far-off sunset, looking out at the ocean, complete with a cocktail in hand, providing a much-needed escape from the stress of modern times, and we can all agree that is something we all crave right now.”



Exotic Themes for the Silver Screen – Volume 1 spans nearly two decades of Michael Giacchino’s music, from his early video game scores to his television hits and blockbuster films. The album transforms these works through the lens of Exotica, replacing epic strings and thundering drums with vibraphones and marimbas.



“This album was inspired by the work of Arthur Lyman and Martin Denny,” says Giacchino. “What would they do with the Star Trek theme? Or video games like Medal of Honor? It was a way for me to play in that world I loved so much growing up. I thought it would be fun to create a fantasy world, where this album was recorded back in 1967 and then lost, only to resurface today.”

The album showcases Giacchino’s unerring talent for melody, stripping down grand symphonies to their essential elements while retaining their aesthetic and emotional core.



“So much was rooted in the big orchestral sound, so it was really about scaling it back. The real trick is figuring out the little fun hooks and things you can add along the way. There were no rules; I was up for anything. It was a way to re-engage with the material and be creative in a new way.”



Exotic Themes for the Silver Screen – Volume 1 includes an array of reinterpreted pieces from Michael Giacchino’s career. Highlights include ‘Primordial Forest’ from the 1997 video game The Lost World: Jurassic Park, ‘Life and Death’ from Lost, the theme from Ratatouille, ‘Roar!’ from Cloverfield, ‘Enterprising Young Men’ from Star Trek (2009), ‘A Man, A Plan, A Code, Dubai’ from Mission: Impossible - Ghost Protocol, and a Super 8 suite.



Featuring package design by Luke Insect, and liner notes by Charlie Brigden.

LRK are excited to announce their latest limited edition 45 (LRK-28) release:

Dylan Chambers - I Can Never Get Enough/Comin' Up

Dylan Chambers is a vintage pop/R&B/soul singer, songwriter and guitar player from Arlington, TX. After graduating high school, Dylan got accepted to the Berklee College of Music in Boston but ended up moving to LA to work on his music career. He has since shared the stage and worked with numerous artists such as Haley Reinhart, Brett Young, Sabrina Carpenter, Gavin DeGraw, Dave Koz, Three Dog Night, etc. and toured around the country with ABC's hit television show "Dancing With The Stars" as a featured singer/guitarist on their 2014-15 National Winter Tour. For the past five years, Dylan has traveled around the world as a guest artist aboard the "Dave Koz and Friends" Live at Sea Jazz Cruise. As a songwriter, Dylan co-wrote jazz legend Herb Alpert's first single "Skinny Dip" off of his album, "Slow Down Turbo" for Indonesian rapper Rich Brian as well as country star, Brett Young's "Kiss by Kiss". Live TV appearances include the Radio Disney Music Awards, Access Hollywood, Hallmark's Home and Family, and The Today Show.
Since 2020, he has released over a dozen singles as a solo artist which he co-produced with longtime friend and musical collaborator, Stefan Lit (Lil Nas X, One Direction, Andy Grammer). Throughout the years, he has shared the stage with Flatland Cavalry, Charley Crockett, Molly Tuttle, Haley Reinhart, Sabrina Carpenter, Delvon Lamar Organ Trio, and Prep. As a songwriter, Dylan has written tracks for UMI and Rich Brian, and he's also collaborated on singles with Cory Wong from Vulfpeck, G. Love and Special Sauce, and Alex Lambert

We are proud to welcome Myungho Choi to the family of Sakskøbing for our twenty-third release. Residing in the big apple New York and baptised in the early 90’s of the warehouses of the Midwest we can safely say the man has seen and experienced the music first hand. Boss of Transit records with the first official vinyl release dating to 1999, Myungho has acquired a ton of knowledge through the years of digging and listening to the music on any medium it came on. Having an opportunity to witness his heroes and get inspired by them sufficiently to create his own story within the sound frequencies.

The EP is a boat of smooth sailing but with the turbo jets attached to it, to get to any needed destination as comfortable as possible. Heavy influenced by the sounds of Detroit and Chicago, having grew up with an abundance of the music that comes from there resulted in JET, the formation of the artist’s skill and knowledge which has been executed on the canvas that is a beautiful to look at and pleasure to listen - the 12” vinyl record we are beholding today.

Italian artist Fedele unveils exciting upcoming album ‘Depth Of Being’ which again finds him exploring all new electronic music realms. The 11 track album arrives on his own label Obscura and is his first since going solo. Fedele is a key part of the underground scene and has been working alone for the last three years since his departure from Agents of Time.

He has truly made his mark in that time with music on the likes of Ellum Audio, Tiga’s Turbo Recordings and his own Obscura. This superb new album is a mix of stylish progression from the signature sound Fedele is known for while the other side of the album dives more into the experimental world, using more vocals than before.

The brothers Fognini aka Mind Against return to Life And Death with their new single Love Seeking with a remix from friends and fellow masters of the emotional dancefloor Âme.
It’s fitting that techno storytellers Mind Against should revisit the home of their first EP with a revamped sound and turbo-charged take on current-day disco. Their history with DJ Tennis and Life and Death is almost as old as the label itself, harking back to their days living together in Berlin.
Now the brothers leave behind their signature hypnotic techno palette for a boogie-fied stepper that’s equal parts pop breeze and deep synth trip, full of hopeful anticipation. For the remix, Innervisions duo and cultural tour-de-force Âme twist the knobs and stretch out the heartstrings for an extended slice of big room goosebumps.
In the words of Mind Against themselves:
“10 years after releasing our very first EP Atlant on Life and Death, we’re excited to come back to our first imprint with such a special track and remix by Âme.
We’ve stepped out of our usual comfort zone and done something that can be both linked to our own musical world and to the sounds that Life and Death have evolved in recent years.
Our friendship with DJ Tennis is about as old as the label is, bringing us back to the times we used to share a flat in Kreuzberg. One may say this release is both an ode to the past and to a bright future, full of promises.”

From listening to pirate radio recordings, putting on illegal parties and working for one of the UK’s original rave promoters, Greg Hepworth, aka Settle Down, has always had roots in the foundations of UK dance music.

Settle Down’s 30 year journey began when the sounds of Fantazia drifted into his childhood bedroom at the age of 10. After wearing out cassettes of pirate radio recordings and immersing himself in a growing culture, what followed was putting on illegal raves across the South Coast and packing tapes for Dreamscape, before crossing over to Creator and releasing for Metalheadz and Reinforced as 'Ulterior Motive' and reinventing himself as 'Settle Down'.

From fan to facilitator to maker. Voyage is a documentation of Settle Down's 30 year journey through UK breakbeat culture. Presented as a recording of a 90’s rave cassette mix, it chronicles the journey through house, breakbeat, hardcore and jungle and the influences that make up these genres, a love letter to the past and an ode to the vibe.

Voyage will be released on a limited edition mixtape cassette, 12” vinyl and digitally mixed and unmixed single tracks alongside some limited edition merchandise.

TIPP! :)

For the latest Cognitiva release the label present the 4th release of their Point of View series which focuses on dance floor-oriented sounds, this time they invite the marvellously talented Dr. Sud to deliver a wondrous, jazz laden odyssey, which entices as much as it delights - with some expert remixes to boot….
Dr Sud is the main alias of Gregorio Marigliano, an Italian music maker who was raised in Berlin. Marigliano’s music revolves around the principles of Jazz-meets-Dance music, drawing up the rich tradition that has come before in bringing a high level of musicality and ingenuity within his tunes. Moving fluidly between rhythms and feels, as Dr Sud he captures the imagination with thought provoking and captivating sequences, striking a fine balance between depth and danceability. Harmonies and groove play a key part within his music, such as was highlighted on his 2023 EP ‘Heading South’, coming courtesy of the Q1E2 imprint. This record really highlighted his profound abilities and deep set affection for instrumentation but also mood and tone, and it left many waiting for his next release with baited breath.

‘Point of View 4’ continues forth with the supreme feels that permeated through ‘Heading South’, with the key movement onwards being the inclusion of some killer remixes from Gary Superfly, Broke One, Turbojazz and Reekee. Two original cuts, ‘Breakfast Sun’ and ‘Desert Wind’, lead Sides A and B respectively, and do much to help create a distinctive balance and bookend kind of feel to the record. ‘Breakfast Sun’ begins with a wondrous polyrhythm to get things going, a lone vocal sample thrown in for good measure, and before long we are joined by some delicate but hyper precise melodic features. The slow drawn out chords contrast superbly with the short sharp stabs, acting in accordance with the drums, with the first breakdown providing space for the keys to really flourish and take over. The breakout back into the core rhythm allows for a lead synth line to emerge, and provide those bountiful feels we were all yearning for. The remixes do much to add flavour and some diverse alternative perpectives on the original, with the Turbojazz/Broke One remix taking things in a house-y leaning direction, with the hats and kicks shifting the rhythmic perspective towards sun kissed horizons. The Gary Superfly remix however takes things into a much more cosmic space, with a punchy acid line weaving within the underbelly of the track, providing that late night dance feel for club land scenarios.

On the B Side, ‘Desert Wind’ kicks things off, and once again the drums here start us off in a winning space. The groove is so delicate, poised and perfected, and when the first breakdown arrives the chords come into view, and its glorious to say the least. This track focuses on a much more smooth melodic sequence, with a greater emphasis placed on the lead line, but its just as impactful and soulful as the EPs opener. Delicate waterfall style keys shift in and out of view, providing an overall picture of sonic beauty that we can get behind time and time again. To wrap things up, the Reekee remix of ‘Desert Wind’ comes into view, with this track again moving into dance floor realms with a swinging garage beat that feels unstoppable, shifting and moving between the lines with a joyous ease.

Dr Sud may be a producer to keep a keen eye on, with this latest EP certainly doing that sentiment a great level of justice. This EP provides not only two beautiful original cuts from the man himself, but some imaginative remixes that honour the originals and provide us with an record that will linger long in the memory. For home use, down by the rivera, or in the club, this one has the lot…..

Tetsu Shibuya, better known as simply Tetsu or BRISA is a Japanese producer and DJ known for works on the iconic Japanese Jazzy Sport imprint, King Street sub-label Nite Grooves and his own BRISA Music. Leading the EP is title-track 'Stir', in collaboration with Turbojazz BRISA delivers a classic slice of deep house built upon layers of bright stab sequences and loose organic percussion. Detroit's beloved Jon Dixon turns his hand to 'Stir' next, encapsulating the soul of his hometown in reshaping fragments of the original composition. The original of 'Reverie' opens the B-side, laying down a broken rhythm, low-pitched vocal hooks and elongated bass grooves for a more bruk tinged feel. Byron The Aquarius then extracts the core of 'Reverie' and spins it into bumpy, subtly nuanced house workout. Lastly the third original 'Flux' rounds out the release, shifting deeper in funkinfused realms with a playful plucked bass groove and heavily swung drums.

Pressed On White (Lp1) & Red (Lp2) Vinyl. How do you define the music of Mantronix? Is it Hip Hop? Electro? Funk? House? Maybe the answer is all of the above (or is it none of the above?). It is true that Mantronix will be remembered for their multi-faceted sound as well as their ability to bend and blend genres flawlessly into a cohesive musical tapestry, but they will also most importantly they will be remembered as musical innovators and sub- genre pioneers. Kurtis Mantronik and MC Tee formed the group Mantronix In the early 80s. Their Sleeping Bag Records debut: Mantronix: The Album shot to commercial success on the strength of their debut single, "Fresh Is The Word". The influence of this groundbreaking debut is still felt in popular music today, having been sampled by the likes of Beastie Boys, Beck, The Prodigy and more. Kurtis Mantronik was also as dangerous behind the desk as he was behind the boards. Working as A&R for Sleeping Bag while signed to the label, Mantronik also helped recruit, sign, and produce for artists such as T La Rock and Just-Ice. Notable records from this era include, Just Ice's "Cold Gettin' Dumb" and "Back to the Old School" as well as T La Rock's "Breaking Bells (12" Version)". Traffic Entertainment Group in conjunction with Sleeping Bag Records and Warlock Entertainment now presents; Mantronix: King of the Beats, The Anthology 1985-1988. This carefully curated double LP compilation combines the best of Mantronix's work from the early, and arguably, best era of their career into one amazing listening experience. Whether you are an avid Mantronix fan or are looking for a place to start - this is the collection to wrap your ears around.

A1. Mantronix - Needle To The Groove (12” Version) A2. T La Rock - Breaking Bells (12” Version) A3. Just-Ice - Back To The Old School B1. Mantronix - Fresh Is The Word (12” Version) B2. Just-Ice - Turbo Charged B3. T La Rock - Breaking Bells (Dub Version) C1. Mantronix - We Control The Dice C2. Just-Ice - Cold Getting Dumb C3. Just-Ice - Cold Getting Dumb II C4. T La Rock - Bass Machine (12” Version) D1. Mantronix – Bassline D2. Tricky Tee - Johnny The Fox D3. Mantronix - Fresh Is The Word ‘88

Reel People Music breaks new ground, in more ways than one, with the launch of fresh compilation series Broken, Deep & Dope. A spin-off from acclaimed compilation brand Soulful, Deep & Dope – introduced back in 2015 – this new series sees the much-loved independent imprint pushing further at the boundaries of soulful music. All with that customary Reel People feeling.

Broken, Deep & Dope 2024, the series’ first instalment, unleashes 20 superlative examples of the soulful ‘bruk’ (broken beat), nu beat and nu jazz sound that has so innovatively informed contemporary dancefloors around the world since its inception back in late Nineties West London.

Bringing together classic cuts from the Reel People Music stable (including those by Daz-I-Kue, Monkey Brothers and Reel People) and key productions from some of its closest affiliates and biggest inspirations (such as Vikter Duplaix, Jazzanova, Bugz In The Attic, Kaidi Tatham, and Sean McCabe), this white-hot selection nips and tucks beautifully between stuttered Latin and Afro rhythms, deep house-edged jams and soaring flights of soul-jazz fancy.

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and authentic soulful groove.

Broken, Deep & Dope 2024, with its scattered yet compulsive beats, frisky basslines and acrobatic melodies, promises to further expand Reel People Music’s reputation for soulful depth and drama. Gathering old and new favourites from some of the world’s finest taste-making DJs and producers, this is another scorching, oh-soul essential hustle. End of.

The new album ”ICON” by Sweden’s Liar Thief Bandit is something else. After 200 shows and numerous landmark anthems, everything has led up to the fourth full-length album that truly lives up to its name. ”ICON” is a staple and instant classic on the rock scene, blending everything you would ever wish for in a melodic rock record. The raw and pure elements are caught on tape in a live setting to capture the true essence of the band, the melodies are added with clinical precision. The heartfelt lyrics set the tone to deliver a melancholic and insightful message. From the first intense second to the last, you’ll be overwhelmed with a dynamic soundscape rarely witnessed in this genre. Every element serves its purpose musically as well as lyrically. The listener should be prepared for an 11 track long journey through exceptional audible environments, dark passages and hopeful awakenings. ”ICON” is recorded, produced and mixed at Studio Sickan in Malmö by the multiple award-winning Joakim Lindberg who has worked with The Dahmers, Terrible Feelings, Nightmen, Black River Delta, Solen, Arre! Arre! among many others. ICON is released by The Sign Records on May 24, 2024. The album is released on black vinyl, transparent orange vinyl, and digitally. For fans of: The Hellacopters, Turbonegro, Kiss, Danko Jones, Foo Fighters, Thin Lizzy

The new album ”ICON” by Sweden’s Liar Thief Bandit is something else. After 200 shows and numerous landmark anthems, everything has led up to the fourth full-length album that truly lives up to its name. ”ICON” is a staple and instant classic on the rock scene, blending everything you would ever wish for in a melodic rock record. The raw and pure elements are caught on tape in a live setting to capture the true essence of the band, the melodies are added with clinical precision. The heartfelt lyrics set the tone to deliver a melancholic and insightful message. From the first intense second to the last, you’ll be overwhelmed with a dynamic soundscape rarely witnessed in this genre. Every element serves its purpose musically as well as lyrically. The listener should be prepared for an 11 track long journey through exceptional audible environments, dark passages and hopeful awakenings. ”ICON” is recorded, produced and mixed at Studio Sickan in Malmö by the multiple award-winning Joakim Lindberg who has worked with The Dahmers, Terrible Feelings, Nightmen, Black River Delta, Solen, Arre! Arre! among many others. ICON is released by The Sign Records on May 24, 2024. The album is released on black vinyl, transparent orange vinyl, and digitally. For fans of: The Hellacopters, Turbonegro, Kiss, Danko Jones, Foo Fighters, Thin Lizzy

Die norwegische Punkband Aktiv Dödshjelp aus Oslo hat sich in den vergangenen Jahren in ihrer Heimat durch ihre explosiven Liveshows und nicht zuletzt durch ihre supermelodiösen Songs mit witzigen und ironischen Texten einen hervorragenden Ruf erspielt. In den 17 Jahren seit ihrer Gründung im Jahre 2007 ist die Band pausenlos im Inland und Ausland getourt und kann nun endlich ein von den Fans lange gefordertes Album präsentieren! Das Album ?Send Dudes? liefert 12 (na OK: 11) kraftvolle und hochmelodische Titel zwischen Punk und Metal , die nicht nur Fans von Bands wie Turbonegro, Kvelertak und The Good The Bad and The Zugly aufhorchen lassen.

The EP "Turbojazz & Friends" once again brings to light the sound and vision of Turbojazz, following the success of his debut album "Whateverism". This time collaborating with Rona Ray on the instant classic "Like You" with a remix by Sean McCabe, Broke One on the modern "Take 3" and closing the EP with the solo track "Star Chaser" which discovers the deep-tech side of Turbojazz.

Tellusalie is a four-piece band from Fredrikstad, Norway. Their third album «The Man Across The Fountain» originally released in 2009, was produced by Knut Schreiner (Turbonegro, Euroboys) and contains no less than 18 timeless folk/country rock tunes. The press compared them to artists like Grizzly Bear and Neil Young, wich should also give a good sense on where to place Tellusalie musically.

"The Man Across The Fountain" by Tellusalie includes the following tracks: "Mistress M.", "Good Man", "Inside You", "If I'm Hazy" and more.

MIHN records proudly presents the new EP ‘Apollo’ by the duo from Washington DC, Rush Plus. The title track offers up heady, cerebral, celestial techno. Ready to kick up dust and initialise the dance floor. French producer Amor Satyr provides a rambunctious, bass heavy twist to ‘Apollo’. Flip it around and turn it you get ‘Flexibility’, a track that at first builds a minimal thread of tension between rhythm and sound that widens and relaxes to open up a projection of night skies eager to part so daylight can break. ‘Orange Turbo (feat. Bordon)’ injects charged, syncopated static into bodies to accentuate an angular degree of posture to move the collective’s sensations toward a euphoric climax. The tracks all combined exerts focus and mindfulness for the dancefloor. Apollo is a summoning of forces ready to conjure an electrifying, ecstatic experience. For devotees at the altar of atmospheric techno, inquire within. Style: Techno + Electro

The nineties are often described as a hedonistic decade, a party decade when all arrows pointed upwards. In music culture, first things that comes to mind is the peak of club music, big-mouthed and drunken British rock bands, extreme Black Metal, and the high-energy "Scandi-rock" - a scene that the Euroboys members themselves were part of, in bands like Gluecifer, Team Spirit, Fair Fuck and Turbonegro. "Soft Focus" broke out from the noise after the nineties, and started introducing new vibes in the rock genre. With inspiration from the music scene that grew out of Laurel Canyon and California in the early seventies, Euroboys came up with a rock album that was soft on the edges, warm sounding with bittersweet melodies. Today, names like Fleetwood Mac, Eagles and David Crosby are of course gods on the retro sky, but it wasn't like that in 2004. This first time on vinyl reissue of "Soft Focus" has been remastered from the original tapes, and also features two bonus tracks that resurfaced in the process, mixed and released for the first time.

”Road Runner” is the debut album by Gothenburg, Sweden’s Upploppet. A perfect mix between punk and rock, this electrifying 10 track studio recorded release pays homage to the old punk and rock ‘n’ roll legends while at the same time embracing the new. Upploppet injects a vibrant and youthful energy into their performance resulting in a release that’s equal parts fresh and vintage sounding. Filled to the brim with fast paced, guitar-driven tracks, ”Road Runner” is an 28 minute minute, hard hitting explosion that is destined please the rock-yearning ears of any fan of Turbonegro, The Sonics, Gluecifer, The Hellacopters, and New Bomb Turks, and other high octane acts. ”Road Runner” was recorded at Welfare Sounds. The album is produced, recorded, and mixed by Per Stålberg (Division of Laura Lee, Pablo Matisse) and Pontus Robertsson. Mastered by Hans Olsson Brookes (Bombus, Spiders, Graveyard, Blues Pills) in Svenska Grammofonstudion. ”Road Runner” is released by The Sign Records on vinyl and digital formats.

"Road Runner" by Upploppet includes the following tracks: "I Want To Love You", "Ibuprofen", "Thinking of me ", "Bombay Boogie" and more.

This version of the album comes as a 1LP on transparent red vinyl.