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If you could ever stop thinking about... you know... for just a moment, you might hear something else...

Foehn & Jerome return to Perfumed Freedom for the label's first release of 2026. Three refined minimal house tracks, balancing groove, restraint and dancefloor energy. Understated, hypnotic and exactly where the duo's sound feels most at home.

A1 More Than Money
B1 Las Yolo
B2 Hammerfest

Cover changed

With his Periodical EP, Isaiah delivers a six-tracker rooted in the foundations of early techno, built around percussion, groove, and stripped-back functionality. As a driving force in the underground scene, both as a DJ and the founder of the Frenzy and Vulged collectives, Isaiah meticulously designed this EP for selectors and club settings.

Opening with 'Monthly', the EP sets the tone with a punchy kick, crisp high-end percussion and a driving bassline, while smeared textures and subtle effects create depth within a minimal framework. 'Yearly' intensifies the approach, with sharper hi-hats and layered mid percussion pushing the energy forward, maintaining a hypnotic yet no-frills momentum.'Hourly' keeps the focus on rhythm, pairing dense percussion work with a bouncing bassline that locks into a steady groove, while occasional pad accents add flashes of brightness.

On the second half, 'Real' strips things back, centering around a rolling bassline and sparse percussion, with shimmering synth touches guiding the track into deeper territory. 'Everlasting' reintroduces a tougher edge, driven by a hard-hitting kick and a bouncing low end, while eerie synth elements add a darker tone. Closing the EP, Beau Didier, a rising force in the Techno scene and fellow Frenzy collective member, reshapes 'Everlasting' into a smoother, more low-end focused roller. Known for his heavy basslines and powerful rhythms, Didier brings the bassline to the forefront, softens the percussion and introduces vocal chops that expand the atmosphere.

On his debut EP on Regal's Backspin Records, the 8th release of the newborn imprint, Isaiahpresents a focused collection of percussive techno tools built for diverse sets, offering tracks for every moment while maintaining a consistent, groove-driven identity throughout.

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

Futuristica is 20!
This independent imprint has been producing and releasing music for friends and family for 20 years, so what better way to celebrate than by releasing a 2xLP limited edition 20 track compilation of rare and never before released on vinyl recordings exclusively selected by label manager Simon Skolfield.
This is a beautifully varied selection of deep soul, jazz and hip-hop music from a group of like-minded independent artists creating their own brand of soulful gems. From the early electro soul of Electric Conversation, the multi layered jazz samples of Kira Neris to the lush vocal harmonies of Deborah Jordan, production and remix class from Marc Rapson and the contemporary spiritual soundtracks of The Peter Franks Group.
Over the years there has been generous support from Gilles Peterson, Tony Minvielle, Marc Mac, Patrick Forge, Kev Beadle and so many more worldwide. Artists like As Valet, Emanative, LaNote and Georgie Sweet have gone on to produce fine work with several different independent labels with our artists garnering fine remixes and production work from the likes of DJ Spinna, Nostalgia 77, Kev Bown, Mr Beatnick, Nicolay, Kaidi Tatham, Atjazz, Simbad, K15, Domu, Mecca:83 and so many others. And all of this organically grown since the release of Low Budget Soul, the label’s debut project back in 2006.

TRON: Divergence (Companion-Album zum Soundtrack)
Mit „Tron: Divergence“ veröffentlichte Nine Inch Nails das Companion-Album zum Soundtrack des aktuellen TRON-Films Tron: Ares, dem neuesten Kapitel des legendären Sci-Fi-Franchise, das 1982 mit Tron
begann und 2010 mit Tron: Legacy fortgesetzt wurde. „Tron ARES: Divergence“ vereint neue Songs und
Remixes. Darunter Tracks, die im Film selbst zu hören sind und zusätzlich neue Interpretationen von einer
stilistisch vielfältigen Riege an Kollaborateur:innen. Mit dabei sind u.a. Boys Noize, The Dare, Pixel Grip
und Chilly Gonzales, die dem digitalen TRON-Universum ihre ganz eigene klangliche Handschrift verleihen.
Das physische Album wird am 5. Juni erscheinen.

For decades, dancers, collectors, and fellow selectors have asked Beppe Loda the same question: "Where do you find these records?” The answer remains classified. What we do know is that few figures in dance music have spent as much time digging, discovering, and championing forgotten sounds as the Italian maestro. Long before algorithms, reissue campaigns, and online marketplaces made obscurity accessible, Beppe was uncovering hidden treasures and introducing them to adventurous dance floors. His influence stretches from the legendary Typhoon club to the present day, inspiring generations of DJs, collectors, and cosmic music devotees along the way. Italian Spaghetti Disco Freak Vol. 5 offers four more clues. Drawn from Beppe's vast archive and lovingly retooled for modern-day disco freaks, these edits are a reminder that the best dance floors are built on surprise. Strange records become anthems, forgotten melodies become obsessions, and once again Beppe proves that nobody keeps dancers guessing quite like he does. By now, the evidence is overwhelming. Beppe's well of Italian disco appears to be bottomless. Every time it seems impossible that another forgotten gem could emerge, the maestro somehow uncovers another one. The mystery continues. In Beppe ci fidiamo.

Ketiov joins Radio Slave’s Rekids with the ‘I’m Okay’ EP The artist, also known as one half of the Catz ‘n Dogz duo, released on the REK’D sublabel last year.

Ketiov, AKA Voitek Taranczuk, drops the ‘I’m Okay’ EP on Rekids 17th July 2026, following his ‘10 Hours Extravaganza’ EP with Edvvin on sublabel REK’D last year. Opening track ‘La Dopamina’ sees Taranczuk, also known as one half of renowned touring duo Catz 'n Dogz, team up with Equatoguinean Spanish DJ, vocalist, producer, and visual artist Megane Mercury. Their mesmerising voice, paired with ‘La Dopamina’s raw, infectious groove, drives this club tool forward, while ‘Shut Up’ follows with playful, crunchy, glitchy dancefloor energy. On the fl ip, the mind-melting ‘My Version Of A Kickdrum’ builds pressure to distorted intensities before dropping into a hypnotic spoken-word ritual, while ‘Guiri 2026’ closes in a whirlwind of Ketiov’s own chopped-up vocals and muscular, jackin’ drums.

“This EP is all about experimentation and just jamming out. I wanted to keep the arrangements super raw and get back to the roots of music—capturing a specific feeling in the moment so people can experience it on the dancefloor later. Overall, I wanted to make an old-school club EP with different tracks for different parts of the night.” – Ketiov

As part of Catz ‘n Dogz, the Madrid-based Ketiov has shaped global dance fl oors and contributed to his own co-founded Pets Recordings and its off shoot, Step Recordings, alongside labels like Radio Slave’s flAgship Rekids imprint, Defected, and plenty more. He also runs the local queer party CARBS alongside his husband and is a resident at Madrid’s Cafe Berlin and fetish party MyPleasure.

pressure control’s second release comes from the hands of Shift label-head Phase O’Matic.

Following seismic hits on Libertine, Exarde, EYA, New Fair Tracks and Chandelle, our boy wonder crashes into the pressure control spotlight with a deadly five-tracker primed for the floor.

Touching all corners of what we know and love – you can run, but you can’t hide.

Available for pre-order now via One Eye Witness.

All music by Jules Von Daniken
Pressing and distribution by One Eye Witness
Design by Al Robertson
Mastering by Marco Pellegrino

"There are records that move between genres and records that dissolve them into something with no clean name. Tomb is the second kind. Eight tracks from Maltese producer OS 1R 1S, where Detroit electro, dub and braindance are pulled through a sonic elixir, so specific, that the genre tags become a formality. As Digital Empathy's third outing, Tomb, cements the label's 'sinister futurism' ethos in its sharpest form yet. The lore is its own document: a Dantesque collapse, a young Malassian psyche fractured by events on Terra, a landscape where all water has been replaced by coke. An angelic Unipolan risks immortality to pass one message through - 'all axioms are false in this system'. 'RIP' opens with illbient dread of early Actress, 'St. Peter' pulls a Drexciyan chassis under metres of dub, 'False Axioms' time-shifts in a thematic unresolved structure, and 'Misplaced Prayer', a floor-track with enough mid-range distortion that can hallucinate spiral engravings. That OS 1R 1S originates from Malta, home to the oldest standing stone structures on earth, sits exactly right in the record's ritualistic undertones. For heads of the negative space of Stingray, the unnerving melodies of Terrence Dixon, but none of the comfort of knowing exactly where you are."

How time flies when we’re talking truly classic House Music.

Incredibly it is 35 years since the epic BREAK OF DAWN was released. Track creator Geoff Hibbert had released the much loved A PLACE CALLED BLISS by CYCLONE on Network before coming up with the stunning BOD.
It was decided that a change of artist I/D away from Techno/Bleep influenced Cyclone was required and RHYTHM ON THE LOOSE was born.

Network came up with an initial limited edition 12” press on their One After D label to tie in with the Rave zeitgeist of 1991, to help kickstart a buzz on the track. Once this was ignited the “ suitcase at the door “ gem was properly released on the main Network label.

Acclaimed as an instant classic both in the UK and USA - where Network label mate Kevin Saunderson was an enthusiastic early advocate - BREAK OF DAWN is one of the tracks that truly shaped and defined the House Music explosion. Since then it has matured like fine wine.

To celebrate the 35th anniversary Network invited M.A.S.C (Mark Archer and Shadow Child) to come up with a remix that befits the as good as it gets status of the mighty BOD. They duly obliged..it’s a gem.

First copies of the remix are on a unique ADVANCE DJ COPY label with the track on both a and b sides.

An instant do you know the score collectors item …1991 to 2026 35th Anniversary Remix 12.

Pariter return with a second archival reissue from three key figures of the original London tech house movement, David Coker, Timmy S and Justin Baileys.

This double header pairs a heavyweight house groover on the A side with a rolling acid tech house cut on the flip. The A side is driven by commanding vocal samples and Timmy's finely tuned engineering, channeling the raw, sound-system focused energy that defined the era's most enduring club records.

On the B side, a relentless acid-fuelled roller emerges from the vaults, a secret weapon that has remained deadly on underground dance floors for more than two decades, quietly championed by those in the know.

Now, 26 years on, original copies are nearly impossible to find in clean condition with rare copies regularly changing hands for hundreds of euros on the collector's market.

Carefully restored and remastered by Yossi Amoyal, this reissue revives a long lost and highly sought after underground classic.

Catch the Signals from Fantastic planet, made for Heterotopian Bodies.

Fantasic planet 002 EP from well known Bassiani resident Hamatsuki incl Eversines remix

The underground strikes again.

Here is the second brand‑new vinyl release on K.N.O.R. Records:

A raw throwback to the true rave era.

Pressed on wax for the real collectors and die‑hard fans of the original sound. K.N.O.R. is back, and it’s louder than ever​.

Straddling an intriguing intersection of Drum & Bass, Jazz, Fusion and unidentifiable electronica, ‘You Won't Find Your Way From Here’ is the debut album from Jhauk.

An extremely talented multi-instrumentalist from Sheffield, UK, Jhauk came to Blu Mar Ten’s attention when, in 2017, he created a wild prog-rock inflected remix of BMT’s track ‘Titans’
Further conversations with Jhauk revealed the depth of his unorthodox approach to electronic music and unearthed a treasure trove of production skills, culminating in the album before you.

Oscillating between the late-night, moody calm of late 50s Miles Davis, John Coltrane & Bill Evans, the riotous 70s instrumentation of Weather Report, the modern cool stylings of Matthew Halsall and the gritty edges of modern D&B production, it’s scarcely believable that this collection of tracks came from one person working alone in their studio. With tempos and time signatures skittering all over the place, Jhauk uses genres as catalysts rather than containers, he finds the interesting stuff in the hinterlands of their structural relationships and tensions. 

Talking about the album, Jhauk has strong opinions:

“Drum & Bass emerged as club music, and club music comes with its own logic. Specific structures, specific build-ups, a formula that supports that context. 
That's fair enough, but almost 40 years later, why is 99% of D&B still made the exact same way when 99% of the time it's never heard in a club? The same structure, the same formula, barely any development beyond the core idea. Tracks where you can hear 10 seconds of the drop and know almost beat-for-beat how the next 5 minutes sound. No real musical depth or exploration. People regurgitating the same material ad-nauseum but never actually saying anything for themselves. 
This period of composition for me was about taking what I love about D&B, the rhythmic energy and potential for creative freedom it presents and really stretching it to its limits. Of taking drum & bass as a starting point and seeing where it ends up without an idea of what that destination might be. Most people would probably never call a lot of the results D&B, but that's okay because it was never the point.”

 
Dripping with melancholy, euphoria, longing and pure urgency ‘You Won't Find Your Way From Here’ is unlike anything else you’ll hear this year. The sound of an artist entirely unconcerned with impressing peers or performing on ‘socials’; you're hearing a true musician at work, expressing ideas through the skill of his hands, mind and ears. The album’s secrets aren’t revealed with a single play-through, but bears (or even requires) multiple listens to expose its layers.
In previous times, they called this ‘art'.

Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available. The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.

With roots in New York’s revered ‘90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre’s most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern underground renaissance, Knowledge fuses golden-age grit with new wave innovation—bridging generations while staying firmly rooted in New York’s timeless sound.

Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Entertainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.

The Round Table stands as a testament to his evolution—an uncompromising body of work laced with Roc Marciano’s signature production and Knowledge’s lived-in lyricism. It’s not just a record—it’s a meeting of the minds, an audio council of kings.

“The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life” Knowledge professes. “This album is like an Honorable Elijah Muhammad book; How To Eat To Live. Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance.”

Straddling an intriguing intersection of Drum & Bass, Jazz, Fusion and unidentifiable electronica, ‘You Won't Find Your Way From Here’ is the debut album from Jhauk.

An extremely talented multi-instrumentalist from Sheffield, UK, Jhauk came to Blu Mar Ten’s attention when, in 2017, he created a wild prog-rock inflected remix of BMT’s track ‘Titans’
Further conversations with Jhauk revealed the depth of his unorthodox approach to electronic music and unearthed a treasure trove of production skills, culminating in the album before you.

Oscillating between the late-night, moody calm of late 50s Miles Davis, John Coltrane & Bill Evans, the riotous 70s instrumentation of Weather Report, the modern cool stylings of Matthew Halsall and the gritty edges of modern D&B production, it’s scarcely believable that this collection of tracks came from one person working alone in their studio. With tempos and time signatures skittering all over the place, Jhauk uses genres as catalysts rather than containers, he finds the interesting stuff in the hinterlands of their structural relationships and tensions. 

Talking about the album, Jhauk has strong opinions:

“Drum & Bass emerged as club music, and club music comes with its own logic. Specific structures, specific build-ups, a formula that supports that context. 
That's fair enough, but almost 40 years later, why is 99% of D&B still made the exact same way when 99% of the time it's never heard in a club? The same structure, the same formula, barely any development beyond the core idea. Tracks where you can hear 10 seconds of the drop and know almost beat-for-beat how the next 5 minutes sound. No real musical depth or exploration. People regurgitating the same material ad-nauseum but never actually saying anything for themselves. 
This period of composition for me was about taking what I love about D&B, the rhythmic energy and potential for creative freedom it presents and really stretching it to its limits. Of taking drum & bass as a starting point and seeing where it ends up without an idea of what that destination might be. Most people would probably never call a lot of the results D&B, but that's okay because it was never the point.”

 
Dripping with melancholy, euphoria, longing and pure urgency ‘You Won't Find Your Way From Here’ is unlike anything else you’ll hear this year. The sound of an artist entirely unconcerned with impressing peers or performing on ‘socials’; you're hearing a true musician at work, expressing ideas through the skill of his hands, mind and ears. The album’s secrets aren’t revealed with a single play-through, but bears (or even requires) multiple listens to expose its layers.
In previous times, they called this ‘art'.

Back in stock and highly coveted, The Smiths - Best… II is a compilation of some of The Smiths’ biggest tracks featuring Heaven Knows I’m Miserable Know, Ask, There Is A Light That Never Goes Out and more.

2026 Repress

ANNE & SERA J return for the second edition of their Symbiosis series on Mutual Rytm.

ANNE, known for potent techno on the likes of Soma and Hardgroove, and Nechto and Life In Patterns associate Sera J, have had standout years that have seen them put out a stream of essential club tracks. They are partners in both life and music, and the first volume of 'Symbiosis' on SHDW's Mutual Rytm imprint was their first release together. Delivering an honest representation of their innermost feelings, having also contributed to the label's 'Federation Of Rytm III' VA in February, this new six-track EP (plus bonus cuts) presents a 'mature and refined connection between their souls'.

The second instalment of 'Symbiosis' reflects not only their deep personal connection, but also their collaborative synergy as musical peers with the same goals. The EP captures the essence of their mutual artistic journey and showcases the strength of their bond both in life and through their shared creative vision - to create a storyline through sounds coming from their souls and convey a narrative that many listeners may find relatable.

SERA J kicks off with the lithe and melodically elegant techno of 'Your Soul Is Art' which will have both heart and heels dancing. 'Illusions' is a more heavy and dubby cut with paired back grooves and pulsing synths, while 'Glacial Pace' is an urgent deep techno roller with turbocharged stabs and huge icy hi hats locking you into a trance.

ANNE steps up on the B-side with 'Floating Waves' exploring physical, chunky drum funk and raw synth textures. 'Planetary Dust' is a dark and moody astral techno journey to the stars, before 'Sweet Seventeen' brings a more melodic cut with a sense of hope and joy in the bright pads that shimmer above the glitchy grooves.

Both artists also offer two digital bonus cuts with SERA J's 'Syncrosonix' and 'Space Velocity' delivering perfectly reduced minimal techno monsters, while ANNE's 'Gentle Loop' and 'Starburst' are interplanetary trips with widescreen cosmic synths.

For the first release of Les Enfants Black Series, we have the pleasure of welcoming Villaça, a Brazilian native now based in Barcelona.

For this release, he brings us a selection of deep cuts created for his live act between 2023 and 2024, featured in the tracks “A1. You Don’t Know”, “B1. Energy!” and “B2. A Moment of Reflection”, alongside the more uplifting “A2. Ready” that was made specifically the day after his first time in the club, with final touches and musical direction tips from Francesco Carvetta.

Expect an emotional and powerful journey from an artist who is constantly evolving, and keep an eye on the upcoming material on the Les Enfants Black Series, this is just the beginning.

Dam Swindle make their debut on PIV with 'Do What You Want'. The legendary Dutch duo has become one of the most prolific figures in the scene by now, and every release they put out is proving their consistent quality that hasn't changed since the past decade. This EP is a strong selection of 3 original tracks with the signature Dam Swindle sound we all know and love, with a remix from none other than UK maestro Burnski rounding off the release, with his own twist

Hotel bed in a cold sweat, a ceiling fan rotates slowly, flashbacks of helicopters and drones. He closes his eyes but it’s all strobes and explosions.

What to do? Escape? Or stay and finish the mission? Meanwhile, sounds heard through the radio static turn into a motoric pulse, the clicks and clacks of the Complex, encryption deciphered, zoned-factor authentication - reprogramming its listener until all that’s left is a scrambled man.

Dam Swindle nail 2026 as the year of House music’s glorious return with their new “Call me” EP.
2026 is the year of House music. Festivals, clubs, bars and living rooms have been craving for more warmth and soul in electronic music and you know we’re here for it.

It’s only been a few months since we celebrated the 100th release on Heist with our ‘House of House’ compilation; a 19-track embodiment of everything we love about house music where label heads Dam Swindle teamed up with Detroit legend DJ Minx on their track ‘Back to the old school’. Now, landing just in time for summer, the Amsterdam duo deliver a new EP filled with dancefloor energy across 5 original cuts and vocals courtesy of British-Bengali rapper Surya Sen.

The title track ‘Call me’ is a stabby and string-heavy peak time jam, where chopped female vocals and offbeat cowbells deliver a simply irresistible groove. ‘5 to 9’ features the vocals of London rapper Surya Sen whose deep voice add an instant vibe to Dam Swindle’s deep and Detroit’esque production. This track sits somewhere between gritty dark rooms and sweaty dancefloors.
Definitely not the stuff for your 9 to 5, but with plenty of funk for your after-work pleasures. The track comes in 2 versions; the vocal mix and a longer club-dub with some cleverly chopped vocals that comes in handy for the DJ sets.

The B1 is saved for ‘I like it’. A track full of old school Swindle swing, Rhodes chords, a dash of electronics and soulful vocals chops for good measure. The EP closer is ‘A house track’; a song dedicated to the old school New York house sound and an affirmation that great house music doesn’t have to be complicated. It just needs to groove.

This one has been road-tested all year and is now ready for your listening and playing pleasure. As always, share the music and play it loud!
Yours,
Heist HQ.

Transparent Green Vinyl Repress

The Sound of Love International 008 curated by Ivan Smagghe.

The next chapter of Love International's compilation series with Test Pressing arrives through the lens of Ivan Smagghe. Guided by his long-standing mantra, “the style of no style,” the 12-track selection drifts effortlessly between shadow and light - a reflection of the festival as he knows it.

This is Smagghe’s version of Love International: unpolished in the right places, intuitive, and deeply attuned to the stranger corners of the Adriatic experience. The compilation captures the balance at the heart of the festival: connection, curiosity, and a shared rhythm that holds it all together. Slightly out of reach yet exactly where it should be.

After years of being lost at sea, the ancient scrolls containing the long sought after fragments of X-Coast were discovered. It was decided that the transcripts be pressed onto plates and scattered throughout the realms, so that the age-old knowledge may never be forgotten.

On the front side of the disc, we deciphered two XTC transmissions. The first, "XTC I" dates from the original session. The second is the final attempt known to us, "XTC V".

The reverse side unfolds with an interpretation of "XTC V" by the prophet known as Foamek, who brings it to new, uncharted reaches of euphoria. The next scroll, titled "Horns" is a real collector's gem, played just once before during the inaugural X-Coast Boiler Room - transmission Belgrade.

The plate ends with what we believe is the first X-Coast session ever recorded. Simply called "Horizon”, it was evident that the inhabitants of the island stumbled upon something legendary.

This is a one-time opportunity to obtain the scrolls. Do not let them fall into the wrong hands!

Riviera Records is a brand new label that kicks off with ‘Move’ - a statement of intent from founder X-Coast. Continuing to perform across the USA, Canada, Europe and Asia, X-Coast is an unconventional character and little is known about the mysterious Serbian other than the concept for the alias is that it exists “somewhere in the deep blue Caribbean Sea, between your imagination and what’s real.” Having released on labels like Hot Haus, Lost Palms and Steel City Dance Discs, X-Coast now launches Riviera Records with a promise to be an uncompromising clash of sounds” and the label stays true to that from the get-go.
There is no mucking about here as X-Coasts demonstrates his versatility as a producer with three varying mixes of ‘Move’ making up the bulk of the package. First up is the Trans Mix: an arms-in-the-air, throwback trance track with euphoric vocal stabs all primed to inject real energy into any set. House Mix then bounces and bumps with a refracted garage vox and endless old school dynamism, before the twisting and turning Breaks Mix follows with its thumping drums, hits and rattling dub sounds that all explode to life. Finally, ‘Naos’ totally flips the script with a slow, deep, cosmic workout build on a rugged bassline. A breathy voice, warm chords and balmy pads all wash over you like a Balearic breeze and take you to hedonistic dance floor somewhere in 80s Ibiza.

Sciahri and Sublunar are proud to welcome Spanish artist Vilchezz to the family. Known for his releases on labels such as KEY Vinyl and Vault Sessions, he makes his Sublunar debut with the powerful EP Deadlock, showcasing his unique ability to seamlessly blend contemporary sound design with timeless techno aesthetics. The release opens with the title track, "Deadlock", a highly groovy cut driven by sophisticated sound design and a compelling rhythmic flow. It is followed by "Ghost In The Code", where refined textures and carefully crafted elements create a hypnotic groove that remains effortlessly engaging. On the flip side, "Lamina" explores darker territory, delivering deep, shadowy atmospheres and a more intense energy. Closing the vinyl edition is "Room101", the deepest track of the EP, a versatile and timeless tool capable of creating memorable moments at any stage of a set. With Deadlock, Vilchezz demonstrates an impressive range of moods and sonic approaches, confirming himself as one of the most exciting and versatile artists emerging in today's techno landscape.

Logout Record Shop Firenze is happy to present its first official release: LGT 001, signed by Novosti Kulturi. Known for his raw blend of electro, raw synth and underground industrial textures, Novosti Kulturi has been active within the darker electronic circuit through the Waveform community — a cult underground platform and party series connecting artists and dancefloors across Europe and beyond. Alongside connected to legendary German coldwave label Kernkrach, Berlin-based cassette label Detriti Records and London’s Meta Moto. Widely associated with contemporary electro, dark disco, techno and EBM-oriented dancefloors, Novosti Kulturi continues to shape a personal sonic language balancing cold machine-driven rhythms with saturated synth pressure, cinematic atmospheres, tape saturation and distorted nocturnal nostalgia. Built around classic TR drum machines, VCO and DCO synthesizers, 12-bit sampling and tape recordings, Novosti Kulturi operates like a transmission from an unidentified place — where past and future dissolve into raw sonic waves and frequency distortions.

This debut EP delivers five tracks moving across sharp electro rhythms, stripped techno structures and darker EBM-infused territories. Cold machine grooves, industrial tension and late-night melancholia define the release, balancing dancefloor functionality with a distinctly cinematic approach. Influences from electro-industrial, new beat and dark synth-driven club music emerge throughout the record’s sonic palette. With LGT 001, Logout Record Shop introduces a vision centered on artistic identity and storytelling, embracing a broad sonic spectrum rather than a fixed aesthetic direction. The label’s first release reflects this approach through Novosti Kulturi’s personal language — crossing styles, moods and textures while keeping a strong connection to modern underground dancefloors.

How many orbits before human becomes machine? How many moons are to be found in space?

From the cockpit of 92moons, a celestial mystery broadcasting from earth, comes 'ALT/ERA : The Cockpit'. Her latest transmission forms OG03, a cosmic journey through the birth, revival and expansion of a different era...
Who better to take the controls for the remix than Human Space Machine, steering these signals deeper into the fringes of the (un)known.

Mit "Tourist History" veröffentlicht die britisch-irische Indieband Two Door Cinema Club eines der einflussreichsten Debütalben der 2010er Jahre in einer besonderen 15th Anniversary Edition. Das Album, das 2010 erschien, gewann den Choice Music Prize als Irish Album of the Year und markierte den Start einer Weltkarriere, die von Festival-Headliner-Shows bis zu über 1 Milliarde Streams von "What You Know" führte.

Zur Feier des Jubiläums erscheint Tourist History in drei liebevoll gestalteten Formaten - inklusive bisher unveröffentlichter Remixe und Raritäten.

Seit dem Garageprojekt in Bangor haben Alex Trimble, Sam Halliday und Kevin Baird eine beeindruckende Karriere hingelegt - mit Top-10-Alben wie Beacon, Gameshow, False Alarm und Keep On Smiling und ausverkauften Touren weltweit. Diese Jubiläumsausgabe ist ein Muss für Indie-Fans und Sammler - ein Meilenstein moderner Gitarrenmusik.

Danou P Serves Up Deep, Funky Heat with his 'In The Brine EP' on Definitive Recordings.

Rotterdam-based producer and DJ Danou P delivers a standout four-tracker with 'In The Brine EP,' released on Definitive Recordings. Known for his warm, soulful and funk-infused take on house music, Danou channels raw rhythm and musical flair into a collection that feels both classic and freshly personal.

Opening track 'The Flex' sets the tone with stomping deep house drums, playful chord stabs, and clever vocal sample play that gives it a raw, jacking feel. It's got attitude and groove in equal measure. 'On My Own' keeps things rolling with a classic deep house bassline, gradually introducing a soulful vocal loop that blossoms with the arrival of shimmering synth layers. Danou brings emotion without ever losing grip of the dancefloor.

Next comes 'Spirit', flipping the rhythm into broken beat territory. Another catchy vocal sample rides alongside vibey, jazzy stabs, offering a breezy, uplifting moment that's both heady and driving. It's the kind of track that sneaks into your set and ends up stealing the show. Rounding out the release is 'Bronstige Bakvissen', a deep and moody closer built on a heavy, rolling groove and rich classic house chords. It's stripped back but full of warmth, closing the EP with a nod to soulful late-night sessions.

Best known for his work alongside Jamie 3:26, and with releases on Glitterbox, Tru Thoughts, and Soulfuric Trax, Danou P is steadily building a solo catalogue that's as musical as it is danceable. His 'InThe Brine EP' is a bold step forward, out on Definitive on July 25th 2025.

Across twelve original compositions, Ludwig traverses a broad sonic landscape, each track threaded together

by a signature touch that feels unmistakably his. Opener ‘Three Cases Forty Years’, alongside ‘E-Trinity’ and

‘Dieper en Dieper Goes Portugal’, highlights his singular take on dub techno, while ‘This I Didn’t Know’, ‘Practice

All Their Life’ and ‘Metropolixer’ drift into more textural, exploratory electronica.

Elsewhere, Ludwig leans into the raw, stripped-back aesthetic he’s long celebrated for on ‘Come to The End’,

‘Starlab Translate’, ‘Ill Progressions’, ‘Go Real Cloudy’ and ‘Things Are Moving’, before closing track ‘Galaxie C’est

Boom’ surges forward with a percussive, driving house energy primed for the dance floor.

Born and raised in the birthplace of House Music, Paul Johnson was known for his raw, soulful, and infectious sound, that helped shape Chicago's house scene and inspired generations of DJs worldwide in particular he was a massive inspiration to Daft Punk and the 'French Touch' scene.
Releasing a vast amount of music throughout the 1990s for some of the most consistently underground dance labels including legendary Chicago imprints Cajual, Relief and Dance Mania he finally gained global fame with his 1999 hit “Get Get Down,” a dancefloor anthem that topped charts across Europe. Despite facing physical challenges, including losing both legs in accidents, he remained an unstoppable force in music—touring, producing, and uplifting others with his resilient spirit and signature groove.
Re-pressed for our 35th anniversary, Paul Johnson’s classic 1995 debut album on Peacefrog, Bump Talkin is a timeless showcase of Paul’s signature deep, soulful house sound, blending irresistible peak-time, piano-driven anthems with a playful touch of bouncy Ghetto House energy.
They dont make em like this anymore...
RIP Paul Johnson.

2024 Repress

Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.

The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.

"One of the most innovative new names around" NME

"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR

"Kaleidoscopic techno-pop" DJ MAG

"A real anti-depression remedy"LINE OF BEST FIT

"Their main goal? To make everybody dance" METAL MAGAZINE

‘It’s hard to find an act as distinctive as PPJ » MIXMAG

Indulge in a delicious audiophile preview with this Appetizer 12" from the upcoming 2024 compilation by Swiss DJ Princess P. This musical amuse-bouche offers a taste of her eclectic sound, in anticipation of her full, richly curated collection.

Swiss DJ Princess P, known for her eclectic sound, has been a dynamic presence in the electronic scene since the 90s. From her early days exploring house music to working at Plattfon Records, she's honed a genre-defying style. Her sets, a blend of savory house with indie and techno, are renowned at clubs and festivals alike, showcasing her deep musical knowledge and innovative spirit.

Half Speed Cutting and mastering by Sidney Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon).

Liner notes by Kirk Degiorgio

This is the very limited marbled vinyl version of the repressed Lords of The Null Lines EP.

Here we have the beautifully remastered Foul Play and Foul Play ft Randall remixes of Lords Of The Null Lines. There is little to say about these definitive classics that has not already been said. You know ‘em, you love ‘em, they are essentials. However, the Danny Styles remixes are perhaps deserving of some explanation. There were created in the early 90s, and were cut, but quickly stopped by Moving Shadow as they were not really official remixes. A few test presses got out, and the result has been these remixes reaching a near mystical status in the passing decades, and the vinyl changing hands on discogs for absurd prices.
So it was with great pleasure that Hyper-On Experience and myself managed to broker a deal with Moving Shadow and Danny Styles to bring these amazing remixes to a legal and official release! It took over 25 years, but they can finally be bought...

Repress!

Kirk Degiorgio’s influence on electronic music cannot be overstated, having been responsible for producing some of the most emotive and soulful machine music dating right back to the early 90’s. As a leading figure in UK techno his As One, Elegy and Future/Past output on labels such as B12, R&S and his own Applied Rhythmic Technology (A.R.T.) have rightly become revered classics and helped shape ambient techno and what would come to be known as IDM/Future Electronica. His connection with Cyphon co-founder Jamie Odell also dates back to the turn of the millennium when Kirk invited Jamie to play keys on his 21st Century Soul LP released on Ubiquity and subsequently releasing an EP together under the name Super Aloof on Exceptional.

The Jack Ruby releases have been some of the most sought after dnb/jungle tracks on Discogs, mastered from the original DAT by Beau and pressed on 180g vinyl, sounding incredible!

made at the Green Room in 1994

BTW - in the rush to get these made in time for The Run Out i messed up the label - I write these out by hand (using an Ipad so its cheating really) and i put the cat number as KR007 and KR008, overlaid a layer or something like that. anyway - my mistake, hold my hands up...

The Jack Ruby releases have been some of the most sought after dnb/jungle tracks on Discogs, mastered from the original DAT by Beau and pressed on 180g vinyl, sounding incredible!

The new album by breakbeat mastermind Fanu drops in May. 'Ether' is a testament to the multiple styles and tempos Fanu is known for: jungle, drum and bass, hip hop, and much more. Four of the album cuts are available on a beautiful limited edition green vinyl.