Buscar:u man

MUST HAVE !!!
Played & supported by Anderson Noise, Davide Squillace, Franco
Bianco, Patrick Kunkel and many more.

After several releases on labels like Bar25, Microtonal, Dantze and Etui Records End Of Tape finally hit the box with their Tape Jam EP.

These guys don´t talk with each other, they just do music and that´s the best. The result of this gone wrong musician friendship (but tight producer team at the same time) you can celebrate with this EP.

This is no snow from yesterday, it´s the musical climatic change of tomorrow - without any opportunity. Played & supported by Paco Osuna, Anderson Noise, Lexy, Electric Rescue, Beatamines, Gabriel Ananda, Piemont, Carlo Lio, Markus Kavka and many more.

After his Remix for Raumakustik´s "Great Love" (MICROHYB001) and several Eps for AFU Lab Felix is finally ready for a whole EP. Played & supported by Format B:, Electric Rescue, Popof, Max Cooper, Marc DePulse and many more. !!

2023 Repress

Two true heroes of underground electronic music, Alex Flatner & Lopazz step up the game with this brand new outing on Poker Flat. The original version of "Dinosaurs' is a pacy, energetic jam with a super-solid bass foundation.

Originally the Fairmont project was initiated with Jacob Fairley together with Traum resulting in two 12's (Mansfield and Palace Pier EP) and a full length album called "Paper Stars" in 2001.Fairmont later released two 12's and an album on Border Community in 2007/2008.So Traum is happy to see Fairmont's comeback with 4 brand new unreleased tracks.
massive support from laurent garnier, timo maas, flrorian meindl, max cooper, deepchild, john digweed and many moore

Played & supported by Rodriguez Jr, Max Cooper, Erman Erim, Dubfire, Dinamoe, Alec Troniq, Electric Rescue, Kaiserdisco, Microtrauma, Abnormal Boyz, Jorge Ciccioli, and many more (...)

Titel der 12" MICRO010 "Generation Einzelkind" ... Formation Rosarot Blind ... Schau, der Himmel ist blau ... Du kannst mehr sein als 'TV'.

Baile is the third strike from the Mangue Crew. This time supported by Pierre Deutschmann (Low Spirit, Vandit, Platform B, Exx Records) and Click Click (Kassette, Autist, Kaufe Digital). Great tribalistic Four Tracker. Played & supported by The Advent, James Zabiela, Paco Osuna, Gel Abril, Someone Else !!

Mentalic's follow-up to "Highway Man" contains 4 tracks ranging from freak out slapstick Techno to more melodious pieces.
Played & supported by Stephan Bodzin, Paco Osuna, Style of Eye, Lexy, Marc DePulse, Max Cooper, Roland M. Dill and many more !!!

Played & supported by Max Cooper, Markus Kavka, Marc DePulse, Patrick Lindsey, Sweet n
Candy, Michel De Hey and many more....

Played & supported by Loco Dice, Afrilounge, Solomun, David K, Danny Tenaglia, Matt Tolfrey, Ripperton, Dan Drastic and many more. Superb follow-up to their last EP by Helly Larson & Rik Elmont.

start of the miditonal sub-label for reduced techno music - supported by gabriel ananda, troy pierce, paco osuna, dominik eulberg, ivan smagghe, holgi star, remute (denis karimani), renato figoli, tim xavier, perc, blood & tears, nudisco, chris fortier, joseph capriati, da fresh, david keno, xpansul and many many more !!!

Red Axes step into the fabric presents series with a release that feels both inevitable and deeply personal. Known for their hypnotic, psychedelic approach to club music, the Tel Aviv–based duo bring a narrative-driven sensibility that aligns seamlessly with fabric’s legacy of long-form storytelling and forward-thinking curation.

Across years of performances at fabric and other key global institutions, Red Axes have developed a reputation for sets that unfold patiently and unpredictably, drawing dancers into a world where groove, tension, and atmosphere take precedence over genre or trend. Their contribution to the fabric presents series reflects this ethos: a carefully sculpted journey that prioritises mood, momentum, and emotional depth, while remaining firmly rooted in the physical language of the dancefloor.

Formed by Dori Sadovnik and Niv Arzi, Red Axes emerged from Tel Aviv’s underground with a sound shaped by post-punk, acid, krautrock, and cosmic disco influences. Over the past decade, they have built a catalogue defined by raw textures, twisted melodies, and a distinctly human looseness, qualities that translate as powerfully in the club as they do on record. Their releases and remixes for labels such as Phantasy, Correspondant, Running Back, Dark Entries, and Permanent Vacation have established them as artists who consistently operate just outside the expected.

As DJs, Red Axes are celebrated for their ability to stretch time on the dancefloor, weaving obscure selections, unreleased material, and leftfield classics into slow-burning, trance-inducing narratives. This approach has seen them invited to venues and festivals including Panorama Bar, De School, Bassiani, Dekmantel, Sonar, and Primavera Sound, where their sets are defined not by peaks alone, but by the tension built between them.

With the forthcoming fabric presents Red Axes release, the duo deliver a statement that captures years of shared musical intuition and a deep respect for the club as a communal, transformative space. It is a mix that rewards close listening as much as physical immersion, a snapshot of Red Axes at their most focused, expressive, and uncompromising.

To mark the launch of their forthcoming fabric presents album, the duo unveil the lead single, “Hot Rod To Hell”, a bold reworking of Man Parrish and Roy Garrett’s 14-minute spoken-word electro epic, reimagined through Red Axes’ signature psychedelic lens.

Stripped back and refocused, the original’s narrative tension is transformed into a hypnotic, downtempo house track built for late-night immersion. A rolling, elastic groove anchors the track, while pulsing low-end, subtly warped synth lines, and tightly controlled percussion create a sense of slow, smouldering momentum. The spoken vocal elements drift through the mix like fragments of memory, lending the track a ritualistic, cinematic quality without overwhelming the dancefloor.

Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.

With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.

Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.

Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.

Two turntables and a microphone. There is a truth in the clarity of that simple coda, a truth that also belies the breadth of what is possible within its confines. Sometimes you gotta get reminded. I Guess U Had To Be There, the new album from NYC rapper ELUCID and veteran producer Sebb Bash, is one of those ones. So fresh it sounds like it was made tomorrow, but bet money you could put this on in ’89 and get heads bopping.
There are moments in music when masters of their craft cross paths at the height of their respective powers—records like Madvillainy, Liquid Swords, Dr. Octagonecologyst, and Hell Hath No Fury—where the result is more than the sum of its parts. ELUCID and Sebb Bash find themselves in this heady, seemingly effortless ephemera on I Guess U Had To Be There. Everything is both familiar and groundbreaking. The beats shift and flip under ELUCID’s feet but he tightropes it all, delivery nimble as a mountain goat, producer and rapper moving in perfect synchronization. Some shining stars make memorable appearances: billy woods, Breezly Brewin, Estee Nack, Shabaka Hutchings. But this is a two-man show, and the duo keep the spotlight where it belongs. I Guess U Had To Be There is a captivating, convention-defying listen and a high-water mark for two of the best artists in the genre.

Matias Aguayo drops debut single on Rekids‘El Internet’ is a prelude to the Coméme founder’ upcoming album on the label. Chile’s Matias Aguayo debuts on Rekids with ‘El Internet’, the first single of his upcoming album on Radio Slave’s acclaimed label. Coméme co-founder Aguayo’s ‘El Internet’ is a dancefloor-tested, pumping and uptempo track with personal, intimate vocals phoning in.

“El Internet” tells about walking through the city in hot summer nights looking for the perfect dancefloor and about moments in life where you feel (musical) freedom and change, revolutions in music and dreams in community, about YouTube, MySpace, Fotolog and about people who dance in their houses, yards and on the streets to primitive, raw, and direct music (like the rhythm of the track itself).” - Matias Aguayo

Chilean-born musician and DJ Matias Aguayo has been active for three decades, co-founding the Cómeme label in 2009 and releasing work on the likes of Kompakt, Pschent, Hard Fist, and Permanent Vacation. Beyond music, he has organised underground parties and led social projects, including a theatre production at Le Châtelet in Paris.

Radio Slave’s Rekids was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Hilit Kolet, William Kiss, Tal Fussman, Tiger Stripes, Harry Rimero, The Hacker, Sean Johnston, and many more.

Produzent, Multiinstrumentalist und Lazy Robot-Labelbetreiber Tom Funk veröffentlicht sein funkiges und souliges Debütalbum - mit 10 Tracks von P-Funk und Neo-Soul bis zu Einflüssen von Marvin Gaye, James Brown und Lonnie Liston Smith. Mit gefeierten Gästen, darunter die britische Soul-Legende Omar Lye-Fook, David Mrakpor (Blue Lab Beats), Keyboard-Virtuose Matt Cooper, der Londoner Sänger Andre Espeut und die langjährigen Lazy-Robot-Partner Valentina Russo und Brae Leni aus Arkansas.

Kritikerstimmen:
- "Ein absolut großartiges Album." – Colin Curtis
- "Unglaublich!" – Reuben James, Jazz FM
- "Was für ein wunderschönes Stück Musik!" - Nick Hosier, Stomp Radio

Shokolokobangoshay was a collaboration between three members of Pogo Ltd. The three of us felt we were crazier than the other members of Pogo Ltd. and decided to work together on the Kosmik 3 album. Robo was worked in the graphics department of NTA Benin. He was an amazing artist, a crazy guy, he was extremely creative, he invented a musical notation language that only he understood. He was amazing, he took me to his place in Asaba and showed me his compositions, he must have had over 500 songs.

Emman Osagie was my floor manager when I was a producer at NTA (Nigerian Television Authority) Benin. We were all on the same wavelength. He was a member of Severe 7, and heavily involved in the Bini music scene working with Ehi Duncan and others. we really enjoyed making Shokolobangoshay, it’s a river of influences, a bit of this, a bit of that, but it is really our thing. The musical ideas we were playing with at the time.

Emmanuel Ogosi. 3rd March 2026.

This record is why I went into reissuing records with Odion. The feeling to sharing records that went under the radar when they were initially released, with a greater audience. Shokolokobangoshay is uniquely Nigerian in a very personal way, it makes references to the societal and political ills that plague us in Africa. It’s title, Shokolokobangoshay, references a play song, kids in Lagos and western Nigerian sing when they play in the streets. Most Nigerians can relate. The music references afro beat, country music, reggae without falling firmly on any side. This is one for the ages. Amazing production, I personally love this record for the free spirit, creativity and excellent song selection. We had to licence it, we just had to. Limited repress only 500 copies.

It is also excellently produced. Big up to all involved, from the Vinyl Rip (James Law, Fidgit Studio, South Africa), to the master production by DJ Simbad (Cape Town, SA) and the cover restoration by Angelo Mitchell (SA). I am so happy to be doing it with the boys in the motherland. Peace and appreciation to all. Special dedication to Mother Tongue for creating a great pressing. Please file under Afro.
Blessings,

Temitope Kogbe, Odion Livingstone

2026 Repress

relies heavily on techno and dub elements. Releasing their first two albums on Creation Records sublabel Infonet, the group has also released albums on Blanco y Negro, Foundation Sound Works and Music Man Records. The group recorded three sessions for John Peel's BBC Radio 1 show.The trio also recorded under the names Thunderground, New Adult, Sons of the Subway, and Space DJz.

Sally C steps up to inject CC:DISCO!’s sensual anthem ‘Chez Moi (feat. Confidence Man)’ with an inimitable streak of pumping house flavour. Originally released on Phantasy as CC’s debut single in the summer of 2024, the scene-setting Irish DJ and producer’s remix ticks like a Balearic bomb, riding waves of rushing chords and shuffling drums, built for the biggest sound systems.

After years of demand, Spray takes two wildly alternate approaches to ‘Chez Moi’, pressed to wax for the first time. His euphoric ‘Club Spriitzz’ mix fizzes toward the undistilled euphoria already beloved to festival crowds worldwide. In contrast, a swampier ‘Witching Hour’ cut recalls the experimental acid of early Hardfloor or Plastikman, for a heavyweight treat.