Nu Groove spotlights the artists that made this cult NYC label a favourite of crate diggers then and now with this special vinyl release of their vital tracks revisited by leading selectors of today. The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. ‘Nu Groove Edits, Vol. 8’ opens with DJ Steaw’s Autumn Reshape of ‘Window Guards’, originally by N.Y. House’n Authority - a moniker of Rheji Burrell. Next up is Steve Mac’s remix of NYC favourites The Sound Vandals’ ‘Tonight’s The Night’, followed by another seminal N.Y. House’n Authority record, ‘APT. 3B’ remixed by Dazzle Drums. A third track from the mind Rheji Burrell closes out this vinyl collection of future record box staples, with Seamus Haji reworking The Utopia Project’s ‘File #1’.
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- A1: Lucky Cloud (Ft. Peter Zummo)
- A2: Jackpot Pothole Eleven
- A3: Tomber
- A4: Aquatint
- A5: Pad Tide
- A6: Vila Inerane
- A7: Howler Hiccup (Vc-10 Eternal Selectric)
- A8: I'm Honkin' Here
- A9: Five Five Three (Ft. Jeremy Strachan)
- A10: Five Three Three (Ft. Ryan Driver)
- A11: You The Vandal
- A12: Bolan Muppets (Dan Bodan Remix)
- 1: Lucky Cloud (Ft. Peter Zummo)
- 2: Jackpot Pothole Eleven
- 3: Tomber
- 4: Aquatint
- 5: Pad Tide
- 6: Vila Inerane
- 7: Howler Hiccup (Vc-10 Eternal Selectric)
- 8: I'm Honkin' Here
- 9: Five Five Three (Ft. Jeremy Strachan)
- 10: Five Three Three (Ft. Ryan Driver)
- 11: You The Vandal
- 12: Bolan Muppets (Dan Bodan Remix)
20 Jahre nach ihrem selbstbetitelten Debütalbum bringen Glissandro 70 jetzt ihr nächstes Album raus. Es besteht aus Aufnahmen aus einem ganzen Jahrzehnt, die aufgegeben wurden, bei einem Festplattenunfall verloren gingen, in Form von rohen Stereomischungen wiedergefunden, mit der Zeit neu bewertet und schließlich restauriert/ergänzt/verbessert wurden und nun endlich das Licht der Welt erblicken.
- 1: Rebel Outlaw
- 2: Black Gold
- 3: Last Of The Sellouts
- 4: Rock & Roll Man
- 5: Charge Of The Love Brigade
- 6: Beneath The Underground
- 7: If You Feel Like Rockin
- 8: One Of The Greats
- 9: Fire In Malibu
- 10: Beneath The Underground Part
Brandnew album by Ian Svenonius (Nation of Ulysses, Make Up, Chain & the Gang, XYZ) latest project, his best yet, packed with super hits and provocative songs! ESCAPE-ISM - the found-sound-dream-drama - are back in action and out in front! And this time, they're leading a "Charge of the Love Brigade." Their fifth record, and fourth "sound" record - (the third one was "A Protest Against Sound"- an entirely silent LP) - "Charge of the Love Brigade" is revolutionary in its own right. Besides being packed with tunes with super-hits such as e.g. "Black Gold", "Last Of The Sellouts", "The Rebel Outlaw", & "Fire in Malibu", the new album proposes a reformation of the traditional notes and scales, an entirely new sound alphabet! "The violent overthrow of musical conventions will lead to the reintegration of humanity into the natural order, the reordering of life itself into a cosmic congruity. This means the convention of time itself will be ended." Play "Charge of the Love Brigade" and listen as ESCAPE-ISM go "over the top" against the note-letters of accepted musicality in a world premiere of a new upside-down antiscale! An album which furthers Svenonious' mission of upending and vandalizing indie-rock, garage and electronic norms and repurposing them in the context of a found-sound fever dream!
- A1: Asaf Avidan & The Mojos - One Day / Reckoning Song (Wankelmut Remix)
- A2: Michael Gray - The Weekend
- B1: Bob Sinclar - I Feel For You (Morillo Re-Edit)
- B2: Temper - No Favors
- C1: Reza - Solitude (Jondi & Spesh Remix)
- C2: Bakermat - One Day (Vandaag)
- D1: Ricky L Feat. M Ck - Born Again (Pastaboys Main)
- D2: Robin S - Show Me Love (Tonka's Pianomission Remix)
Since 2020, 12 Inch Lovers has embarked on an exhilarating journey, characterized by sold-out parties and samplers that have built a loyal fanbase. These samplers consistently find their way to collectors in search of contemporary classics. Samplers 7 & 8 once again constitute a collection of true classics, rare gems, and club tracks that have never before appeared on vinyl.
Sampler 8
Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with this special vinyl release of their vital tracks revisited by leading selectors of today. The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. Nu Groove Edits, Vol. 7 opens with the NiCe7 Edit of ‘Feel It’ by NYC favourites The Sound Vandals. More monikers of Rheji Burrell appear in the collection too, as the seminal ‘APT. 2B’ by N.Y. House’n Authority is reworked by Steve Bug, followed by Darius Syrossian’s edit of ‘C’Mon’ by Rheji’s Avant Garde moniker. Make A Dance’s edit of the Rhano Burrell classic ‘I’ve Fallen And I Can’t Get Up’, under his You Know Who! alias, closes out this vinyl collection of future record box staples.
- A1: 303 Force - House U Tonight (Vocal)
- A2: Desert Storm - Scoraig 93
- B1: The Sound Vandals - On Your Way (Deep Mix)
- B2: The Beloved - Pablo (Special K Dub)
- C1: Bizarre Tracks - Sensory Delights
- C2: L.u.p.o. - Hell Or Heaven (Extended Mix)
- D1: Jetstream - Seriously (F.u.s.e. Remix)
- D2: Bass Bumpers - Touche Me (Factory Dub)
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
The compilation is inspired by a moment in time when musical boundaries were being redrawn in a wave of carefree optimism and the freedom that fueled new rave scenes across Europe and beyond.
The Mental Groove Classics series returns with a treasure trove of rare and hard-to-find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series released last year, Olivier Ducret (founder of Mental Groove and Musique Pour La Danse, half of WRWTFWW) takes us back to the turn of the '90s. It was a time when he was promoting parties in fields, squats, forests, warehouses and former factoriesin and around Geneva, all while working behind the counter of a record shop called Mental Groove. While others in Switzerland's emerging dance music scene gravitated towards trance and garage, Olivier and his crew opted for a sound focused on bass, breaks, and techno. This unique approach was inspired by their regular trips to clubs, raves, and record shops in the UK. Drawing directly from his own record box and a memory bank full of euphoric dancefloor moments, this fourth installment sees Olivier reaching for more cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant classics - each selection has left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, a historical archive, and a personal musical statement all rolled into one. The compilation is inspired by a moment in time when musical boundaries were being redrawn, if not exploded, in a wave of carefree optimism and thefreedom that fueled new rave scenes across Europe and far beyond.
Original artwork by Mark Wigan, co-owner of Soho's Brain Club and an artist of early British club culture.
Following the release of the single Maqlab, the Marseille-based duo Caïn و Muchi presents their debut full-length album Dounia دنيا.
This takes listeners on a journey through a rich tapestry of industrial gloom woven of dubstep, grime, and contemporary hip-hop. In this album, these ‘labels’ matter as much as they don’t, given the heavy mutations they undergo, in a That’s Hara Kiri fashion (RIP Sd Laika).
At the heart of this record lies a dense yet harmonious sound palette, featuring meticulous vocal processing of lead singer Vanda’s voice, which engages reflection on their shared and individual lives.
As the album progresses, the lyrics reveal layers of stress and trauma linked to colonial experience, intertwined with multiple references to North African ghost stories and legends.
The result is a resonant experience, where the wraithlike and glacial instrumentals crafted by the duo encapsulates the introspective act of witnessing the turmoil of our current world.
- A1: Machine Messiah
- A2: I Am The Enemy
- A3: Phantom Self
- B1: Alethea
- B2: Iceberg Dances
- C1: Sworn Oath
- C2: Resistant Parasites
- C3: Silent Violence
- C4: Vandals Nest
- D1: Cyber God
- D2: Chosen Skin (Bonus Track)
- D3: Ultraseven No Uta (Bonus Track)
- D4: Machine Messiah
- D5: I Am The Enemy
- D6: Phantom Self
- E1: Alethea
- E2: Iceberg Dances
- F1: Sworn Oath
- F2: Parasites
- F3: Silent Violence
- F4: Vandals Nest
- G1: Cyber God
- G2: Chosen Skin (Bonus Track)
- G3: Ultraseven No Uta (Bonus Track)
"Reprint of ""Machine Messiah"". The 40th Anniversary Edition will be available as 2LP - 180g Ruby Red Marble in gatefold. Sepultura are a Brazilian heavy metal band formed in Belo Horizonte in 1984 by brothers Max and Igor Cavalera.
"
- A1: Monty & Trail - In The Cut
- A2: Amoss - And We Go
- A3: Villem & Phase - Cut Em Loose (Dlr Remix)
- B1: Kublai - Hot Shot
- B2: Arcatype - Kernal
- B3: Forum - Sonar
- B4: Molecular - Subterfuge
- C1: Klinical & Objectiv - Minesweep
- C2: Arclight - Jellystone (Visla Remix)
- C3: Redeyes - Past Lives
- C4: Was A Be & Redraft - U&M
- D1: Enei Feat Madrush - Freeze
- D2: Sks - A Lifetime
- D3: Shield - Bandwagon
- E1: Broma - Capsule (Waeys Remix)
- E2: Fre4Knc - Trailblaze
- E3: Minor Forms - Them Days
- F1: Klippee Feat Rider Shafique - Work It
- F2: Submarine - Agonies
- F3: Broma - Depths
Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with this 12” release of their vital tracks revisited by leading selectors of today.
The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. In this fashion, ‘Nu Groove Edits, Vol. 4’ opens with ‘Tonight’s The Night’ by NYC favourites How & Little, AKA The Sound Vandals, re-edited by Italian duo NiCe7.
More monikers of Rheji Burrell appear in the collection too, with N.Y. House’n Authority’s seminal classic ‘APT. 2A’ reworked by UK deep tech aficionado Hugo Massien, and The Utopia Project’s ‘File #3’ remixed by Leeds underground duo Mak & Pasteman. Closing out this collection of future classics, GRAMMY award winning production duo Honey Dijon & Luke Solomon return to edit ‘Luv 2 Luv U’ by A.B.T.
- A1: Niet Of Nooit Geweest
- A2: Groeten Uit Maaiveld
- A3: Laat Me Slapen
- A4: Ren Lenny Ren
- A5: Mooi Liedje
- A6: Vondelpark Vannacht
- B1: Het Regent Zonnestralen
- B2: Als Je Bij Me Weggaat
- B3: Totdat Ik Jou
- B4: De Kapitein Deel Ii
- B5: (Noem Me) Oud Verdriet
- B6: Als Het Vuur Gedoofd Is
- C1: Lopen Tot De Zon Komt
- C2: Dag Esmee
- C3: De Kapitein
- C4: Brussel Moeten Heten
- C5: Lena (Live)
- C6: Schoolplein (Live)
- D1: Morgen Is Ze Weg
- D2: Jaren Ver Van Hier
- D3: Vandaag Ben Ik Gaan Lopen
- D4: De Stad Amsterdam
- D5: Verkeerd Verbonden
- D6: Een Spaanse Moslim Groet Zijn God
Odd Mob returns with a kaleidoscopic new record ‘Been Dreaming’ and introduces his alter ego GD Vandal. As the first official release under this moniker for Brisbane-based Harry Hope, he sets out to combine the very best of Odd Mob’s banging basslines with the lo-fi, disco stylings that GD Vandal has become known for in his exclusive raw cuts.
Swirling with a mysterious ‘90s-tinged vocal loop, his flair for working a sample is on full display throughout ‘Been Dreaming’, which is both dynamic and determined to get you moving. Propelled forward by energizing percussive grooves and one tasty guitar riff working flawlessly in tandem, prepare to be magnetized to the dancefloor as Odd Mob’s signature juicy low-end takes over.
On the flip, the dance floor warper ‘XTC’, melding industrial leaning sounds with a thumping baseline and hypnotic vocal.
Whether it’s as Odd Mob or GD Vandal, or combining the best of both worlds, one thing is certain: there’s no doubt he knows how to craft an absolute banger.
ESCAPE-ISM — the found-sound dreamdrama— are back in action & out in front. And this time, they’re leading a “Charge of the Love Brigade. ”This “charge” isn’t the traditional scramble across a muddy, bloody field though, like in the days of yore. This one is a furtive insinuation into the senses of the tuned-in listener.
Their fifth record, and fourth “sound” record — (the third one was “A Protest Against Sound”- an entirely silent LP) — “Charge of the Love Brigade” is revolutionary in its own right. Besides being packed with tunes — super-hits such as “Black Gold,” “Last Of The Sellouts,” “The Rebel Outlaw,” & “Fire in Malibu,” for exam- ple, Charge of the Love Brigade proposes a reformation of the traditional notes and scales; an entire new sound alphabet!
That’s right, ESCAPE-ISM —the “act of musical vandalism”— famous for their development of new prototypes for stomping & smashing, are reforming the scales, chords, & notes (e.g. A, B, F#, etc) that comprise musical literacy to achieve the group’s primary aim: the repurposing of music as we know it. Though many musicians of note have operated their instruments with "alternative tunings," up until now no one has obliterated tuning absolutely or abolished letter-notes for the destruction of bourgeois society.
According to ESCAPE-ISM, this will have a very profound effect: “Music will no longer be cordoned off from the rest of experience as a commodified, specialty freak show, but instead be a pastime which can be prac- ticed and enjoyed –not only by non-musicians and amateurs– but also by plant life, wild animals, and even inanimate objects such as rocks.
“The violent overthrow of musical conventions will lead to the reintegration of humanity into the natural order, the reordering of life itself into a cosmic congruity. This means the convention of time itself will be ended.” Like so-called nature itself, the ESCAPE-ISM group is also on a “loop.”
Play “Charge of the Love Brigade” and listen as ESCAPE-ISM go “over the top” against the note-letters of accepted musicality in a world premiere of a new upside-down antiscale.
- 1: Crocodile Tears And The Velvet Cosh
- 2: Too Clever By Half
- 3: The First Incision
- 4: Imitation Pearls
- 5: Light And Shade
- 6: René
- 7: Stop This City
- 8: Justine
- 9: The Ballad Of Cain
- 10: The Vandal And The Saint
- 11: Boats
- 12: Slip The Rope
- 13: Greener
- 14: A Day In The Life Of The One That Got Away
- 15: Small Death Of A Broken Doll
- 16: Frosted Glass
- 17: Heaven Knows Hell Can Wait
- 18: Penelope's Web
- 19: Greener (Full Song Demo)
- A1: Ann Sexton – You’ve Been Gone Too Long
- A2: Psychodelic Frankie – Putting You Out Of My Life
- A3: The Sweet Vandals - Papa’s Got A Brand New Bag
- A4: The Tom – Emmanuel And Ron Experience – When You Lose Your Groove
- A5: Sharon Jones & The Dap-Kings - What Have You Done For Me Lately (Part 1)
- A6: Tony & Tandy – Two Can Make It Together
- B1: The T.s.u. Toronadoes – What Good Am I?
- B2: Coke Escovedo – I Wouldn't Change A Thing
- B3: Maxine – A Love I Believe In
- B4: Carl Carlton – I Can Feel It
- B5: Al Supersonic & The Teenagers – Paint Yourself In The Corner
- B6: Esther Phillips – Just Say Goodbye
- B7: Joe Valentine – I Lost The Only Love I Had
LP with printed Innersleeve with Linernotes by Eddie Piller (Acid Jazz) The compilation series “DJ's Choice” was launched in 2008 and has already enjoyed the participation of several high-profile curators, such as Keb Darge, Marc Hype, and DJ Suspect. A few years before the death of Unique Label founder Henry Storch in 2018, a DJ's Choice edition was created with his long-time friend and fellow DJ Eddie Piller. Unfortunately, it never came to fruition—as is so often the case, life had other plans, and sadly not all of them were pleasant. However, the idea was never completely forgotten, and with the help of Eddie and Henry's DJ partner in crime Sandra (Frollein Taube), a list of tracks that were on Henry's quick-select list for his sets was finally compiled.
- A1: Original Version
- B1: Strictly Ballroom Edit
John Paul Youngs Karriere erreichte mit der Veröffentlichung von „Love Is in the Air“ 1977 (international) und 1978 (Australien) ihren internationalen Durchbruch. Die von Harry Vanda und George Young
geschriebene Disco-Pop-Hymne wurde zu einem weltweiten Phänomen. Die B-Seite wurde seit 1992 nicht
mehr veröffentlicht (und war der Titelsong in Baz Luhrmanns Film „Strictly Ballroom“), was diese Vinyl-LP
zu einem echten Sammlerstück macht.




















