Search:vibes

Pera Sta Ori returns at To Pikap Records with a 90’s rave scene inspired EP. Old school jungle vibes meet modern production skills in four tracks of furious breakbeat manipulation, pitched vocal samples and heavy bass, made up for the dance floor.

Super-Sonic Jazz Records is set to release the brilliant debut album ‘Every Move’ from Dutch neo-soul risers ROSEYE.

Led by the captivating vocals Tallulah Rose, ROSEYE is a 5-piece ensemble that intricately weaves together psychedelic grooves with ethereal narratives. Their music transcends genres, effortlessly blending soul, jazz, and rich electronics. Drawing inspiration from luminaries like Jordan Rakei, Hiatus Kaiyote, and Robert Glasper, ROSEYE delivers an authentic, groove-infused, and explosively soulful sonic experience.

Speaking about the upcoming album, the band explain: “We're all about diving into that deep connection music brings - mixing up explosive, groovy vibes with some trippy and peaceful sounds. Our upcoming album 'Every Move' touches on some personal themes like sexuality, spirituality, nature, and grief, we wanted it to be liked a journey through the highs and lows of life”.

EVERYBODY LOVES THE SUNSHINE is more than a classic.
It is “THE” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide.

This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety.

The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers.

This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals.

Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track.

It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop.

For the first time ever, this classic is now available on a SEDSOULCIETY RECORDINGS 7” vinyl,
including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Unhinged Aussie grunge captured just as the Scientists were imploding/attempting to explode. Recorded over three days in February 1986, Weird Love is the band''s last ditch effort to bring their bad vibes to bedrooms the world over, a colossal failure and brilliant mistake that sounds best when blasting out of 1982 Corolla's blown Alpine tweeters.

A heavyweight astral shower of rhythm and vibes, Ash Walker’s third album ‘Aquamarine’ is set for release on
19th July via Night Time Stories / Late night Tales
An avid collector of jazz, blues, soul, funk, reggae, and all things in-between; Ash has DJed far and wide... from the infamous
Royal Mail squat party to the canals of Venice, spinning vinyl in Brixton with The Specials to scattering dub across San Francisco and LA.

3rd release in the "LTD SERIES" imprint from SUDD WAX delivers a versatile 4 track 12" from label stalwarts STK. The dark speedy electro of A-side "STONED" gets reworked by newcomer UNIQUE REASON into something resembling jit, while jazzy breaks conjure old school London vibes on the B-side.

Introducing "Uprising Volume 2" by Zaratustra, the Highly Anticipated Second Installment of the Acclaimed Series on Skylax Records. Following the Groundbreaking Success of "Uprising Volume 1" in the Indie Dance Scene, Zaratustra Returns With a Collection of Tracks That Push the Boundaries of Genres, Inspired by Indie Dance, Italo Disco, Ebm, New Beat, Acid, and Ethnic Music. Prepare to Be Captivated by the Infectious Energy of "Uprising Volume 2." the Ep Opens With the Mesmerizing "Dark Clouds" (Club Mix), Reminiscent of the Futuristic Vibes of I-F's "Space Invaders Are Smoking Grass" and the Early 2000s Brilliance of Tiga. the Instrumental Version of "Amours Electroniques" Takes You on a Nostalgic Journey, Evoking the Spirit of Miss Kittin & the Hacker's Iconic Sound. Emilio Van Rijsel Delivers an Astounding Acid Trance Techno Remix of "Dark Clouds," Surpassing Expectations and Becoming an Undeniable Highlight of the Ep. for an Extra Treat, Those Who Purchase the Vinyl on Our Bandcamp Will Receive the Full Instrumental Version of "Dark Clouds," the Vocal Version of "Amours Electroniques" (Feat. Angst for Greta), and the Vocal Version of Naranja's Remix. Speaking of Naranja, the Ep Features a Dynamic and Uptempo Remix of "Amours Electroniques" (Instrumental) by the Talented Producer. Naranja's Remix Infuses the Track With a Pulsating Rhythm and Compelling Grooves, Elevating the Energy to New Heights While Maintaining the Essence of the Original. It's a Captivating Reinterpretation That Will Ignite Dancefloors and Leave Listeners Craving More. "Uprising Volume 2" Is a Powerful Testament to Zaratustra's Ability to Revive the Spirit of the Early 2000s New Wave and Electroclash Era. Each Track Encapsulates the Essence of That Time, Infusing It With a Modern Touch That Will Leave Listeners Craving More. Join the Uprising and Immerse Yourself in the Electrifying Soundscapes of Zaratustra. This Vinyl Release Is a Must-Have for Any Music Enthusiast Seeking a Sonic Adventure That Defies Genres and Rekindles the Spirit of a Bygone Era. Grab Your Copy of "Uprising Volume 2" and Witness the Evolution of Zaratustra's Artistic Prowess, as He Continues to Shape the Future of Electronic Music....

"Palm Reader", das zweite Album der Texaner HIGH DESERT QUEEN, strotzt geradezu vor roher Kraft und dem Donnern von gefühlt 666 heißblütigen Dieselpferden. Der Langspieler steckt voll von coolen Vibes, packenden Leads und jeder Menge Desert-Feeling. Dabei liegt der Fokus der Wüstenrocker auf großartigen Songs, statt sich hinter Genre-Zäunen zu verstecken. Diese ungezähmte Attitüde fand den Zündfunken für ihre sprudelnde Energiequelle auf der letzten Tour. Als die Band nach sechs Wochen auf Europas Straßen und Bühnen mit den legendären FATSO JETSON nach Texas zurückkehrte, hatte sie sich von deren allabendlichen Improvisationen und Jamsessions inspirieren lassen und zahlreiche Ideen notiert. Trotz Jetlag konnten es HIGH DESERT QUEEN kaum erwarten, mit neuen Aufnahmen zu beginnen. Dabei konzentrierte sich die Truppe weniger darauf, wer bestimmte Parts wie einspielte, sondern sie erlaubte sich Unvollkommenheit und ließ den Click weg. Frei von künstlichen Schranken begann ihre Musik so frei zu fließen wie nie zuvor. Schon bei der ersten Studiosession nach der Tournee entstanden gleich drei neue Songs. Die Band aus Austin, Texas hat den musikalischen Jackpot geknackt, und "Palm Reader" ist der schlagende Beweis dafür. HIGH DESERT QUEEN waren schon immer etwas anders und viel mehr als nur eine weitere Desert Rock Band. Von Sänger Ryan Garney und Gitarrist Rusty Miller im Jahr 2019 in Houston, Texas gegründet, rekrutierte das Duo bald darauf Schlagzeuger Phil Hook (MONTE LUNA) und zog 2020 nach Austin um. HIGH DESERT QUEEN wurde von Anfang an das Zeug dazu nachgesagt, die dümpelnde Wüstenrockszene wieder in Schwung zu bringen. Ihre vielseitigen musikalischen Einflüsse, die von Grunge bis Funk, sowie von Old School Metal bis Doom und vielen weiteren Musikstilen reichen, boten eine ideale Grundlage für neue Ideen und die nötige Verjüngung des Genres. Ihre donnernden Verzerrer-Hymnen kommen mit einer gesunden Portion Groove und eingängigen Melodien daher, die massiven Anschub durch eine seltene emotionale musikalische Intelligenz erhalten. Der frisch geprägte Sound ist dennoch eng mit dem reichen Erbe des Wüstenrocks verbunden - was in ihrer Stilbezeichnung "Texas Desert Rock" ein Echo findet. Mit "Palm Reader" vollziehen HIGH DESERT QUEEN den nächsten Quantensprung ihrer rasanten Entwicklung. Die Texaner haben die perfekte Balance zwischen den kräftigen Wurzeln ihres Genres und dem pointiert-eigenen Ausdruck gefunden. Angetrieben von Geist und Kraft der live gespielten Musik, rockt dieses Album hart und ehrlich!

Unhinged Aussie grunge captured just as the Scientists were imploding/attempting to explode. Recorded over three days in February 1986, Weird Love is the band''s last ditch effort to bring their bad vibes to bedrooms the world over, a colossal failure and brilliant mistake that sounds best when blasting out of 1982 Corolla's blown Alpine tweeters.

Strawberry Wind, produced by Richard Swift (Nathaniel Rateliff and The Night Sweats, Foxygen, The Shins) not only delivers on a promise to create an honest album for kids and parents but it represents what Baylin calls the “beautiful divide,” of juggling family life with her creative life, a difficult task by any measure. “The divide in me is easy to feel because I invest 100% of myself into my family and often the creative gets put to the side,” she explained, “so when I decided to begin writing for this album it just poured out of me.” Now singer / songwriter Jessie Baylin shares that creative outpouring on her debut children’s album, ‘Strawberry Wind’. Throughout the album, Baylin doesn’t hold back on telling it like it is. Weaving through lyrical themes of dream life, supermoons and summertime vibes are some gentle doses of reality. “I don’t want to lie to my kids. Life is hard sometimes and you need to find a way to deal with it... there will always be things in life you can’t control. But, you can dream of a better world and make your own refuge,” says Baylin, who is mom to 4-year-old Violet and is expecting her second child with her husband. Baylin, who’s released four critically-acclaimed albums over the years, says the seed was planted for this album after recording a cover of Harry Nilsson’s He Needs Me from the kids’ film Popeye. “The song has a childlike sense, but the message is very deep. It’s magical, it’s dark, and it hit all the right notes. I wanted to do an album that feels like that” she says. “Since becoming a mother, I found myself being around the house a lot and I started gravitating to these wonderful albums I remembered from my own childhood - The Beatles, Harry Nilsson’s The Point!, John Lennon, Roger Miller’s Robin Hood and Carole King’s Really Rosie." The magic of those iconic 1970s records she mentions is that they’re all grounded in solid songwriting and were never dumbed down for the audience. “Those records felt very honest and that was my mission here. I also wanted it to feel magical and remind people of the child inside of all of us that is filled with a sense of wonder and pure joy and hope.”

(Jam El Mar Remix) DJ Ghost and Robert Armani resurrect their hugely popular turn-of-the-millennium collaboration with the superb ‘Hit Hard Baby (WTF)



DJ Ghost and Robert Armani resurrect their hugely popular turn-of-the-millennium collaboration with the superb ‘Hit Hard Baby (WTF)’. A formidable duo when it comes to churning out mind bending techno and hard-edged grooves, these guys first got together in 2001 delivering the bouncy vibes of ‘Hard One’ followed by ‘Airport’ and ‘Funk That’, all of which got included on a raft of compilations and enjoyed by many around the world. Individually they are accomplished in their own right. Ghost is an iconic figure in Belgium and a stalwart within the Bonzai family. Robert Armani needs no introduction, ‘Circus Bells’, ‘Ambulance’, ‘Hit Hard’ anyone? Since the mid-eighties he’s been right up there with DJ greats, and in 1992 he started releasing his own brand of house, acid house and techno. Legend is an understatement when it comes to both these guys and we’re delighted to see them back at it in the studio once again.



The release opens with ‘Hit Hard Baby (WTF)’, introing with dark kick drums and raspy hi hats. Classic techno percussions weave intricate patterns as tension mounts, taking us to the break where hypnotic notes build alongside a snare roll to the drop and back to full-on dark mode for the duration. ‘The Underground’ is up next, combining sick techno grooves with massive rave stabs and murky acid lines. Powered by a solid drum arrangement that packs a punch, this one is destined for peak time greatness. The first of two versions of ‘H.O.H’ begins with the Original Mix. Keeping with darker tones of the release, this one goes straight for the jugular as chunky kicks and pulsating, mesmeric basses combine along with clangy percussions and a classic vocal hook that will destroy the dancefloor. Another legend joins us to round out the release with Jam El Mar stepping up for remix duties on ‘H.O.H’. Hailed as a pioneer of trance alongside the late great Mark Spoon, Jam El Mar remains a much-revered name on the scene and we know amazing things happen when he’s let loose in the studio. Ramping up the energy on this one Jame El Mar whips up a frenzy to get the crowd moving. Heavy hitting kicks with layers of rhythmic percussions get the toes tapping while gnarly techno basses and electrifying synths combine alongside that instantly recognisable vocal. A monster tune that is not to be missed.

Source 02 is the second release from the Uruguayan label New Source. We are pleased to have the debut of Lorenzo Batlle, Uruguayan producer and DJ.

Track A1 - IDRIS:
Opening the EP, IDRIS invites you to a disorderly dance through time, weaving dub influences, atmospheric acid lines, and fragmented vocals creating an eclectic sonic landscape.

Track A2 - MEDEA:
MEDEA emerges with a soft and hypnotic embrace, drenched in hypnotic bells and delayed acid lines.

Track B1 - SIRIUS:
Inspired by Cyrus, woods, and '80s shades, SIRIUS is a blended journey guided by a pulsating baseline—an invitation to move forward on the dancefloor.

Track B2 - God works in mysterious ways:
Closing the EP, God works in mysterious ways leaves a moody imprint, resonating with house vibes and playful synths bringing joy to the dancefloor.

Backward Futura, exploring the sounds and vibes of 80’s and 90’s electronica thru the lenses of the new Millennium.

Third release courtesy of Rifeño.

Cinematic breaks and tropical bleep, the soundtrack for the Axel Foley of the new millennium.

Dj Tsygan, an Integral Member of the Skylax Crew, Has Been Making Waves With His Latest Release, "Purple Dreams." He Ventures Into Uncharted Territory This Time, Infusing Elements From New Beat and Ebm, in Homage to the Late '80s Icons, Including Boytronic, Daf, and Visage. the Ep Opens With a Remarkable Track, the Exquisite "Putain," Which Effortlessly Transports Us Back to the Poetic Vibes Reminiscent of Belgian Legend Arno, All the While Seamlessly Intertwining the Aforementioned Influences. Following This, We Are Treated to a Starkly Different Yet Harmonious Piece, the House Anthem "Jestem Twoje," Evoking Memories of the Early '90s at Its Finest, Akin to the Iconic Latour Era (Sharon Stone, Anyone?). Concluding the First Side Is the Enchanting "Grey," a Barely Disguised Tribute to Visage's "Slow Is the New Fast." Flipping to Side B, We Are Greeted With the Aptly Named, Sultry, and Seductive "People Are Still Having Sex." It Instantaneously Conjures Images of Confetti (The Sound of C) but Without the Cheesy Undertones, Delivering a True, Vintage Banger. the Journey Concludes With the Deeply Personal and Profoundly Italian "Never Lost." This 12-Inch Record Is Nothing Short of Breathtaking, a Musical Odyssey That Resonates With Both the Nostalgic and the Contemporary, Promising an Unforgettable Auditory Experience....

Seine kubanischen Verbindungen machten ihn zu einem grenzenlosen Künstler, durch Auftritte mit internationalen Künstlern wie Cimafunk (Grammy-nominiert) oder dem Rapper/Texter Barbaro el Urbano Vargas. Als vielseitiger Sänger/Rapper, Komponist und Produzent besteht Harris' Universum aus prägnanten Melodien, einem charakteristischen rauen Ton, poetischem und ehrlichem Songwriting und beeindruckenden Produktionsfähigkeiten. Seine Musik ist die Fusion von den Genres R&B, Soul und Hip-Hop, gewürzt mit Jazz-Vibes. Seine Single 'The Hill' war neben Künstlern wie Little Simz und Pa Salieu im offiziellen Soundtrack von FIFA 2022 zu hören. Hendrix' neues Album 'Awakening' nimmt uns mit auf eine Klangreise durch seine Gedanken. Er findet Trost in hypnotischen Melodie-Loops und kräftigen, bassgetriebenen Beats. Sein intimer, aber kraftvoller Vortrag reflektiert über Vorstellungen von sich selbst, Gesellschaft, Beziehungen und Wachstum. Klanglich und lyrisch sein bislang ehrlichstes Werk. Erhältlich als Black Vinyl!

Remedy, a dynamic and cutting-edge melodic rock metal band originating from the heart of Stockholm, Sweden, burst onto the music scene in 2022 with an unmistakable presence. Their debut album ‘Something That Your Eyes Won't See' charted in Sweden and had a massive impact, including truly incredible positive feedback from the Rock and Metal World. Now it's the time for the second album ‘Pleasure Beats the Pain', co- produced with the Swedish S-Rock Music Production, a huge sound journey between catchy melodies, powerful riffs, huge sound and mesmerising guitar solos. With these new songs, the band presents a sound even more personal, pushing boundaries even further. Drawing from the lively sounds of the 80s, but adding a modern twist, Remedy captivates listeners with their contagious energy.

Their magic is driven by energetic guitars, powerful vocals, and catchy hooks across Rock, Pop, and Metal genres, blending retro vibes with fresh innovation seamlessly. In line with the production of Remedy's debut album, ‘Pleasure Beats the Pain' is mixed and mastered by Erik Martensson (Eclipse) at Mass Destruction Production. “Fuelled by the success of our debut album, stepping back into the studio felt like the most natural progression for us. With 'Pleasure Beats the Pain,' we reached a defining moment in Remedy's journey, solidifying our sound. With a balance of light and dark, day and night, pleasure and pain, love and hate, our music mirrors life's complexities, melding melodic rock & metal into a harmonious blend. Through this, combined with a distinctive approach to instrumentality and songwriting, Remedy emerges”, Rolli concludes.

If you love groove, irresistible basslines, and a sonic universe that dances between Italo house, Balearic, and funk, consider it as a new hit for your playlists:

“Euro Nettuno – Après Le Paradise” on POLYAMORE Records.

The first single is titled “Si Fua,” exotic rhythms blend with tropical sounds to produce Calypso vibes, yet charged with positive energy. Absolutely not to be missed is the remix by the well-established DJ and producer ELADO, who offers listeners a total immersion in drum solos that transform the dancefloor into a tribal dance.

The second single, on the other hand, is titled “Il Diavolo” (“The Devil”). Magic cults, esoteric sects, and dance floor devotees all come together for an unrestrained dance. The perfect fusion of house and Italo disco creates a true anthem for those who never stop when it’s time to dance. To close this fantastic EP, the remix of “Il Diavolo” by Marvin & Guy will teleport you on a mystical journey where dark yet colorful sounds alternate with a combination of astral rhythms that will lend sensuality and vigour to the powerful basslines of this remix.

José James - the forward-looking, genre-defying Jazz singer for the hip-hop generation - has done it again. “1978” (his 12th studio album since 2008’s “The Dreamer'') announces an instant classic, combining James’ deep love of jazz and hip-hop with songwriting and production nods to R&B heroes Quincy Jones, Michael Jackson and Leon Ware. Produced by James and featuring an all-star ensemble including Grammy nominees Pedrito Martinez (Camilla Cabello, Eric Clapton), Marcus Machado (Daniel Ceasar, Pharoahe Monch), Jharis Yokley (Sleigh Bells, My Brightest Diamond) Chad Selph (Bilal, FREELANCE) and David Ginyard (Solange, Blood Orange), “1978” pulsates with the socially conscious feel-good vibes of Marvin Gaye, Prince and Stevie Wonder. James also skillfully explores the boundaries of Black music, featuring Brazilian rising star and recent Latin Grammy nominee Xênia França as well as Congolese-Belgian rapper/filmmaker Baloji.

The mighty Modern Funk band from Annecy France hit one more time with this double sider. Two heavy electro funk tracks with creamy vocals from Mae Rojas on the A side, both track are fully made with analog synths and drum machines.
Enjoy the vibes of that French Touch !!

Tyler Daley, eine Hälfte des Soul/Hip-Hop-Duos Children Of Zeus aus Manchester und Featurepartner von Ghetts, Goldie, Shy FX und Bugzy Malone, kombiniert auf seiner Solo-Debüt-EP "Son Of Zeus" einen frischen kompromisslosen Sound mit einer klaren Fokussierung auf seine Fähigkeiten. Geprägt von seiner Liebe zum Piratenradio und inspiriert von Roots-Reggae, Street-Soul, R&B, aber auch Hip-Hop und UK Rave, beschreibt Daley die 7 Tracks als "gefühlvollen Zeus-Sound, eine Mischung aus staubigem Low-Fi-Soul, Hip-Hop und R&B für anspruchsvolle Stumpfköpfe und Vibes-Seeker."

Es ist 2021, und eine Pandemie würgt die Welt ab - und niemand scheint Spaß zu haben. Der scheinbar unermüdliche Musikfreak Peter Tägtgren kümmert das wenig, denn er landet einen Volltreffer mit - Entschuldigung für die harte Sprache - einer verdammt eingängigen... naja, Partyhymne.

Wir sprechen natürlich über den Song ?Party in My Head' von Tägtgrens synthinfiziertem Metal-Projekt PAIN. Unser geliebter Planet mag am Ende sein, aber in der Welt von PAIN scheint immer noch nicht viel falsch zu sein, da 2024 schnell im Kalender voranschreitet.

Es kann einfach nicht sein, denn das sehnlich erwartete neue Studioalbum von PAIN, "I Am" ist bald hier - ja, nach acht Jahren des hingebungsvollen Wartens. Das kraftvoll klingende "I Am" ist wirklich eine vielseitige - wenn nicht die vielseitigste - musikalische Rakete in PAINs reicher Diskographie. Die neuen Songs bewegen sich überall mit schweren industriellen Riffs, eindringlichen melancholischen Vibes und groove-gefüllten Rhythmen - ohne Überraschungen natürlich zu vergessen.

NeighbourSoul Rhythms proudly presents the latest sonic masterpiece from Tony B.Nimble – the NeighbourSoul Edits Vol. 4. This three-track wonderland release is set to shake your soul. Featuring three soul-stirring tracks – "Jesus," "Afrodemo," and "Your Love" – this EP takes you on a musical roller coaster through the realms of gospel, disco, and soul. Nimble's artistry knows no bounds as he seamlessly blends together spiritual vibes with funky beats and soulful melodies.

Archival reissue of the Afro-prog-psych Zamrock masterpiece Presented For The First Time Ever In A Yellow Vinyl Pressing

"Electrified by a diet of James Brown, the Stones and Deep Purple, WITCH were the stadium-filling kings of 70s Zamrock. - ****" - MOJO

WITCH’s musical arc is contained to a five year span and, in retrospect, is a logical one. The band’s fifth and final rock album - released before the band splintered and an offshoot band traveled to Zimbabwe to record and release disco albums - makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. Like Lukombo Vibes before it, it is in the Osibas “afro-rock” style.

The multi dimensional Emcee and Vocalist Yinka, is redefining his sound by releasing a fully deep bass project. The album cover a big space of the urban sound spectrum, featuring Dubstep and Grime fills, UK Garage vibes and futuristic Hip-Hop beats. Yinka is getting in touch with his roots as he started as a Drum & Bass and Jungle MC grinding in clubs and bars in Greece.
This project will make you dance and flow as the veteran Emcee dives in to his inner soul and unfolds his lyrical and vocal skills over hard, space and deep beats.

Diving is released on vinyl by the label Mind The Wax and on all digital platforms by Stay Independent as of May 17th, 2024 and includes 10 tracks.

Dive into the revolutionary Latin rock vibes of Traffic Sound with their 1970 masterpiece, "Virgin."

Originating in Lima, Peru, this iconic album marked a turning point for the band, fusing psychedelia, hard rock, and a touch of progressive rock with a distinct Latin flavor. The self-written tracks, notably the anthem 'Meshkalina' with nods to local culture, showcased the band's unique blend of influences.

Includes extensive liner notes and the original artwork on tip-on gatefold sleeve.

2024 Repress

Berlin based Alignment returns to Voxnox for what Italians are best known for: straight and forward-thinking Techno music. Floor orientation with heavy basslines, marching drums and an ever modulating Plug is therefore guaranteed on opening title "Infinity".

Second in order is "Distorted Signal", which specialises on a modulated rhythm with plenty of soundscapes, best up severed for a sweaty Saturday night on a solid sound system, highlighting the many layers and styles on this production work.

The bigger, the better. "Alienist" reminds and also focusses on the classic rave attitudes from the late 90s, with energising synths and an 808-inspired clap programming, ready to heat up the night no matter when and regardless where.

Closing this release is the fourth title "Distance", showing another high-energy production building up epic acid-vibes with various atmospheres just to finally drop them several times par excellence.

DJ Support: David Morales, David Penn, Kevin Yost, Mark Knight, Michael Gray, CJ Mckintosh, Hector Romero, Marc Cotterell, DJ Meme, Melvo Baptist, Seamus Haji, Dr. Packer, Dj Romain, Angelo Ferreri and many others.

From 1990 to 1994 Irma Records Italy was on a top level with house music. 'Alright Alright' by Centric House was one of the main successful projects of that years. 30 years later Groove Culture bosses Micky More & Andy Tee pay tribute to the pioneers, restoring this amazing track in a modern way but keeping the main beautiful ingredients. On The Flip We have A super team-work made by MM & AT, Don Carlos and Chaka Khan’s Sister Taka Boom, who provides a new version of 'The Music Of Your Mind', here vibes are more disco-house with epic piano chords and fire bass notes, everything melt and arranged smoothly around the powerful vocals of Taka Boom.

Straight from Rio de Janeiro, Dippin' Records introduces the studio album 'ASA', by the sizzling hot modern Brazilian Multi-instrumentalist/Producer Fabio Santanna. Flyest modern Brazilian tropical disco-boogie you'll find in the market! Following up on his most recent collaborations with JKriv and Joutro Mundo, Fabio modernizes the MPB vibes of Joao Donato, Marcos Valle, Ed Motta for the current dance music lovers.

ASA: Dia (Day) evokes a sunny Balearic boogie 'day time' feels just in time for the Brazilian summer skies opening up. So sit back, put on your shades and sip on your tropical drinks and press play to vibe with the fabulous Fabio sounds.

UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.

Although they love to mix things up, their roots are in the classic acoustic jazz quintet sound of the late 1950s/early 1960s, back when hard bop and modal jazz ruled. They have already explored this musical path well on their previous albums but they still deliver a couple of classic inspired jazz cuts here. "Chasing Fantasies" and "Fuffle Kerfuffle" both give the band some space to cut loose on solos over swing jazz beats that will keep their original jazz audience happy. The latter bubbles away with a jazz shuffle beat that would make drum legend Art Blakey smile.

"Meanderthal" and "Snakebite Playfight" bring soul to this jazz party. Exactly like jazz legends Lee Morgan/Herbie Hancock/Freddie Hubbard etc did back in the early-mid 1960s. The first is a feel-good, toe-tapping gem that's heavy on the backbeat and short and snappy on the solos, the exact reasons that made it the perfect opening single from the album. "Snakebite Playfight" comes with a jaunty New Orleans shuffle before transforming into a heavy psychedelic soul jazz burner, flipping back with ease to the NOLA shuffle for the Mardi Gras meets bebop piano solo by band leader George Cooper.

"Rolling On A High" is a hip-hop/jazz banger that sees the band continue their collaborations with UK rapper Doc Brown, a perfect combination that began on their second album "King Phoenix''. This time, the Doc spits some old-school block party-style bars over a bouncy uptempo funky beat with the band cooking up some soul stew behind him. Definitely dancefloor material.

Another uptempo jam is the heavy jazz fusion jam "Net Zero". It kicks off with some live broken beat kit playing and piano/bass staccato vamping before taking off into Headhunters territory on the solos, sounding both contemporary and classic at the same time. This is The Jazz Defenders at their fiercest and toughest and delivering a track that will have jazz dancers worldwide in an utter frenzy.

It's not all uptempo numbers or dancefloor-oriented compositions on this album. Two tracks take the musical dynamics right down to give a temporary break from the high-energy numbers. "Take A Minute" has a rolling double bass line locked into the groove while the horns play a lazy and laid-back theme with vibes embellishment, sounding like some trippy independent film soundtrack. Another recurring musical reference point for this band over the years.

The album finishes on a poignant and introspective note with a beautiful piano and double bass feature for George Cooper and bassist Will Harris. It's called "Enigma", it was recorded live in Paris and it closes the album on a peaceful note evoking the music and playing of Bill Evans. The perfect way to close this brilliant third album from The Jazz Defenders.

With Memory In Motion, pianist George Cooper and his band undoubtedly pay great homage to a golden era of jazz music that they love, but also elaborate on this influence with a wealth of modern musical experience, to create their own raw and vibrant compositions. The result is an enthrallingly unique sound that is as danceable as it is listenable.

"ECHOES PART 1 and 2 scheduled for release on 17th of May is the first of three singles set to introduce the next album project of Ulrich Troyer - TRANSIT TRIBE - to be released later this year.

Featuring the jazz vibes of Flip Philipp of the Vienna Symphony Orchestra, "ECHOES" has all the resonance of pure gamelan in dub, stately, processional and instrumentally rhythmic with its sparser second part isolating contrasting pulses as the complexity unfolds and dazzles.

Twenty years in the making, now the fully developed vision of multi-instrumentalist Vienna-based Ulrich Troyer can be heard coming to its final fruition. The interface of electronics and the unique warmth of human interplay is apparent on this track as well as all the other sounds to be heard on the album where a remarkable array of new and old friends contribute to the proceedings. Thematically the album, as may be gathered from its title, is a clear appeal for humanity to be shown as the people of the world struggle to cope with increasing problems, whether caused by movement or lack of movement."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023,

now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Flip Philipp: vibraphone, c-marimba

Ulrich Troyer: analog synthesizers, drum-machine, sampler, field recordings, dub effects

Written & arranged by Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow except Vibraphone, C-Marimba recorded by Ulrich Troyer at Konzerthaus, Vienna

Mixed by Ulrich Troyer at 4Bit Bungalow, Vienna

Produced by Osman Murat Ertel & Ulrich Troyer

Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin

Cover Drawing by Ulrich Troyer

Kindly supported by the City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bozen (IT)

Special Thanks: Steve Barker, Osman Murat Ertel, Eva Kelety & Flip Philipp

Warehouse Find!

Last month saw the re-release of the this stone-cold classic from 1988. Now we give you the re-edits from The Black Madonna, Adjowa and Jimpster. The Black Madonna should need little by way of introduction seeing as she is almost singlehandedly regenerating Chicago's House music legacy through brilliant
her brilliant productions as well as her position as booker and resident at the legendary Smart Bar. It seemed only right and proper to have the youngest generation of Chicago native revisit such an infuentional classic from the first wave of House. With only the stereo track to work with she stretches things out
and teases with a filter-frenzied arrangement and plenty of twists and turns to bring a fresh new spin to In The Heat Of The Night.
Adjowa grabbed our attention after his amazing Science And Soul 10' last year and seemed the perfect choice to bring some seriously raw warehouse vibes to the release. He certainly goes for the jugular with a more in depth remix adding extra bass and beats with plenty of grit and dirt. Finally, Jimpster gives us his Stretchdit, keeping the vibe of the original intact but offering up an extended DJ friendly version with extra hats, FX and a
sprinkle of pixie dust adding sizzle and drama. We hope you agree that with club music like this sounding every bit as mind-
blowing today as it did in 1988 it seems only right to help introduce such innovative, influential and timeless music to a wider audience.

This live album is a recording of the last live performance by Drumwolf (Toru)'s with the band. The concert was held at W.W.W.X. in Shibuya on March 11th, 2023 and includes 13 of the songs that they played at this gig.

It is the last memorial live performance for Toru, the bedrock of Guitarwolf for many years and will be permanently etched on vinyl. This is a must record that fans need to get hold of, as it is the live recording of the band's latest performance featuring many of their classic songs.

Guitar Wolf have been expanding their horizons of their activities in recent years, including an appearance at the Shimane Jet festival, and they hope you can appreciate the pure joy of their universal rock 'n' roll vibes on vinyl that might be too hot for the whole world to handle!

And as a bonus item, you can stream the full live performance of this monumental concert of Guitarwolf in its entirety as well! It was directed by Tetsuro Takeuchi who has previously worked on Guitarwolf's music videos for many years.

This video of their live performance was edited full of tension and speed and it truly displays how much Guitarwolf deserves the title of Japan's number one rock 'n' roll band. This fact can also be relived by seeing this video included in this deluxe edition.

Guitarwolf
Members:
Seiji (Guitarwolf): Lead Vocals, Guitar
GOTZ (Basswolf): Bass, Vocals
Shingo (Drumwolf): Drum Note: Joined the band in 2022

Real-life rock 'n'roll super heroes that rock fans all over Japan continue to admire.
While creating numerous legendary myths in the 1990s, being unique beyond comparison, they continue to consistently blare out their spontaneity to the present day,

The band's unusually extreme and bombastic sound amplifies the embryonic impulses of rock 'n' roll, while Seiji's lyrics mix words that evoke the 'universe' and the 'Showa era' with his own unique sense of humor. In their relentless pursuit of a style that has remained unchanged since the band's formation, the music that the three members who don their entire bodies in black leather play, emits power that transcends time and space. While doing so, they continue to gain enthusiastic fans from all over the world.

Formed in 1987, the original members, Seiji and Billy (bass, vocals) and Toru who joined the band later, started their musical activities together and released their debut album "Wolf Rock" in 1993 from the Memphis-based Goner Records. Later, they signed to Matador Records, one of the leading indie labels in the USA. They also made their major label debut in 1997 with the album, "Wolf Planet" on Ki/oon Records/ Sony Music in Japan.

They have released 12 albums to date. The band has also continued to tour energetically around the world, not only in Japan but also in the US, EU countries, Australia and South America. Billy suddenly passed away in 2005. After having two mighty support casts, U.G. and Hikaru, GOTZ (Gotz) joined the band in 2018 as the new bass wolf. Also, Toru who had been with the band as drum wolf for many years left in 2022 and the band is now more energetically active with their new drum wolf, Shingo.

Clone Royal Oak for all things House! This one for the deep house warriors... John Daly delivering two cuts reminiscent of the early 90's NY deep house vibes. On the a-side we got the warm jazzy ''I Get So High'' in the AM mix and the original mix featuring vocals by Barbara Vulso and Saxophone by Jabin Ward. On the flip side we have the dreamy ''Two Days'' in the original version and one of those rare house mixes by Alden Tyrell & Serge who added some bump to this release. John Daly, the og Irish deep house maestro is back!

Celebrating a decade of hip-hop excellence with the 10th Anniversary Vinyl Reissue of Statik Selektah's groundbreaking album, Extended Play. Pressed onto high-quality vinyl and housed in a silver laminated jacket, this limited edition reissue pays homage to the timeless collaboration between the legendary producer and some of the finest wordsmiths in the game.

Extended Play showcases the essence of authentic hip-hop, seamlessly blending old-school vibes with innovative production. Featuring an all-star lineup of rap luminaries, including Action Bronson, Mac Miller, Joey Bada$$, Sean Price, Raekwon, Black Thought, Prodigy, Evidence, Termanology, Posdnous of De La Soul and Talib Kweli amongs several others, this album is a masterclass in lyrical prowess and beatsmithing finesse.

Immerse yourself in the artistry of Statik Selektah as he crafts intricate beats that serve as the canvas for the lyrical dexterity of hip-hop's finest. Each track is a testament to the genre's evolution, capturing the essence of both its roots and its future. From the gritty realism of Sean Price's verses to the introspective musings of Mac Miller, every moment on this album is a revelation.

This commemorative vinyl reissue not only offers listeners a chance to experience the album in its purest form but also provides a glimpse into the collaborative spirit that defines hip-hop culture. The album cover artwork has been meticulously restored and printed onto a silver laminated jacket. Join us in celebrating the legacy of Extended Play and the everlasting impact of Statik Selektah's musical vision!

Manzo's new drop is a volume packed with four shamelessly pleasurable edits, a ray of sun shining brightly over the green pastures ready to bring summer vibes to every farm and ranch! Ici C'est Toujours Les Vacances opens with a wheel of french- roquefort-house that is all smiles and grooves.

Then, Belgian Mambo slows down the beat, swaying into a mystic acid trip. We shake horns and cowbells like there's no tomorrow on the alluring beat of Sea Urchin before the final epic ride of Ferramenta nº20, an interstellar tractor that shoots you straight into a disco-infused outer space.

White Viny 2024 Repressl

Following the fiery motion and ecstatic energy of their first release, Riga-based imprint 'Tooflie' are back for round two.

Paying tribute to 90s Eastbloc low-brow pop music, four anonymous producers are breaking new ground and breathing new life into the lipstick traces of the kitschy melodies of the era in their edits for 'Tooflie'. 'LKA' boasts galloping percussion, funktastic breaks, and infectious vocals in an epic but sensual dance floor trip. 'KFE' turns into a deep, slo-mo house jam with sharp melodies and soulful vibes.

On the flip side 'MAXIM VS. TDJ' is as high and steamy as it gets with the whole thing sure to boost and uplift any crowd. Building up to its explosive finale 'LIND' goes in slow, with thrilling beats, haunting overtones and a yearning female vocal that slowly but surely rises into bliss.

'Tooflie' is a label that's squarely on the spot, re-imagining unknown sounds from all over the globe into the new sonic grooves for dancefloors and diggers' collections.

As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”

There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.

The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.

Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

Warehouse Find! - Test Pressing!

It seems like ages since we last had Roberto Rodriguez on the label with his excellent Be Somebody back in 2008, so we're plenty happy to welcome him back for a long overdue follow up. Roberto clearly hasn't just been sitting on his arse the last 4 years however, having established the Serenades label which released his own LP Dawn last year, as well as putting out the killer Thinking Of You release on Fina plus numerous remixes for rock solid labels such as Let's Play House, On The Prowl, Moodmusic and 2020 Vision. Those familiar with Roberto's productions and credentials will know he has a fine ear for disco and 90's house born out of years collecting records and DJing in the best clubs in his native Helsinki.
Kicking off with Dance Like Nobody's Watching, we see Roberto tread confidently into pure, unadulterated retro house territory with NJ organ stabs, swinging 909 drum groove and choice vocal hits.
Oxymoron keeps things a little deeper with tracky filtering chords and driving drums resulting in a garage-influenced feel with bucket loads of raw attitude.
Finally we have The Black Madonna on board for a remix of the title track. The Chicago producer impressed us recently with her brilliant disco-infused tracks on Stripped & Chewed and Home Taping labels and thought her the perfect choice to contribute to the release. Here she delivers a lesson in stripped back Chicago warehouse vibes keeping everything to a bare minimum for maximum club bump. Kick, claps and piano stabs form the basic groove as she confidently develops the arrangement slowly and surely.

Join Us on a Journey Through Hedonistic Disco Escapades With Our 7th Label Release by HOLDTight. For This Release, HOLDTight Delved Deep Into His Vinyl Treasure Trove, Unearthing Disco Funk, Folk, and Soul Gems, Which He Has Breathed New Life into.
On Side A1, We Present "Disco Ladies," a Mellifluous Disco Track Overflowing With Positive Vibes That will Enrapture Your Very Soul. on A2, Prepare for "Everytime," a Slow-Burning Soul Rework Infused With an Irresistible Swing. on Side B1, We Invite You to "Reach Out" to a Disco Funk Sensation Tailor-Made for Dance Floors and Sheer Pleasure. Lastly, on B2, "Cool Lady" Awaits, a Hypnotic Folk Masterpiece destined to Transport You to Uncharted Musical horizons.
This Release, as Always, Is a True Gem for Collectors and Avid Vinyl Enthusiasts. Dig Deep and Embrace the Allure of HOLDTight's Sonic Treasures....