Suche:vin s

Bloody good Hardcore ! Kicker to death !!!

MINT copy from stock !

REPRESS of B.E.A.S.T. 19

Repress of the oldschool Pressurehead Speedcore inferno !!

Marbled edition

Bloody good Hardcore ! Kicker to death !!!

REPRESS of B.E.A.S.T. 19

Repress of one of the best French hardcore from 97 with this meticulously remastered edition.
A all time classic with the iconic West Coast-inspired track, it blends ferocious energy.

The album Lo-Fi Ghibli, featuring covers of Studio Ghibli songs in a lo-fi hip-hop style, became a worldwide hit and made Grey October Sound known not only in Japan, but overseas too. The series was even discussed on Japanese television, and it has become commonplace to see tourists visiting Japan carrying the 'Lo-Fi Ghibli' LP from record stores to the till. P-VINE is thrilled to announce the release of the highly anticipated sequel, Lo-Fi Ghibli 3. For this new release, Grey October Sound's producers have arranged Ghibli songs that are completely new, even if songs included in the previous volume. The visual imagery, including the album cover, continues to be created by illustrator Rika Nagatani. Playing this record will instantly provide you with a relaxing time of nostalgia for the Ghibli films.

Afterimages is the debut vinyl LP from experimental musician Urner. Across ten compositions, the album unfolds as an adventurous ambient record, inventively constructed yet warmly immersive. Speculative pasts and emergent futures intertwine through gestural manipulation and improvisatory sampling. The sound sources of Afterimages include Sanukite lithophone tones, VGM soundfonts, uncanny PCM loops, modular synthesis, and the artist’s voice, all converging into a shifting, tactile sound world. In a thriving experimental scene filled with fresh voices, Urner’s world proves surprisingly addictive.

The LP is released by adventurous electronic music label topo2 on April 3, 2026. The record is pressed on 180 grams of ICCS-certified bio-vinyl and housed in a heavy full-colour sleeve. Mastering is done by Ike Zwanikken and artwork by Rohan Chaurasia.

Conscious and intentional. The Transnationality EP marks the first release of TEMAS Records, fully composed and mixed between Paris and Lisbon, featuring artists from both countries: Paul Cut (FR), Flabaire (FR), Sara Wual (PT) and Mayan (PT). Within the spectrum of House Music, each artist captured a selection of oldschool aesthetics using gear from different eras. The intention is to praise the references that shaped their path as artists, where they find beauty. Mastered by DJ Steaw at Rutilance Lab Paris. TEMAS Records is an independent music label founded by Sara Wual, Paul Cut and Cíntia Aguiar Pinto. The label prioritizes a slower release schedule for a more sustainable music industry, with only 1 vinyl record release per year. The albums are mindfully produced in Portugal through the use of recycled vinyl left-overs, that otherwise would go to waste. Funded by the European Union via Goethe-Institut.

Rough n' wild funk jam loaded with insane psychedelic effects - all the way from sunny Bermuda! Reissueing now these two instrumental funk masterpieces taken from the mega rare LP by The Invaders. 'Spacing Out' is an instrumental funk masterpiece only ever issued in Bermuda at the turn of 1970, taken from an exceedingly rare album sought out by rock, funk, soul and hip hop sample fiends - and bootlegged - for decades. It lays out the band's funk bonafides: a relentlessly tight conga-filled groove, the punchy wall of intertwined horn leads, and raucous unintelligible background vocals adding extra mystique. Above all was the exaggerated deployment of reverb and echo (a decision most of the group's members credit to recording engineer Ian Marshall) which ricocheted off and reanimated every lick as an otherworldly transmission, infusing a vibe both earthy and interstellar. On the flip we find 'Latin Lips' a heavy funk cut with a jazzier vibe, also taken from the mega rare LP by The Invaders. 7" vinyl reissue of these essential funk masterpieces from Bermuda loaded with insane psychedelic effects!

Blue & Black Marble Vinyl. Anlässlich seines 10-jährigen Jubiläums erscheint Tychos Grammy-nominiertes Album ,Epoch" (Bestes Dance-/Elektro-Album) in einer brandneuen limitierten Farbversion. Es ist der letzte Teil einer Trilogie nach ,Dive" (2011) und ,Awake" (2014) und der Höhepunkt von über einem Jahrzehnt Arbeit. Das Album dokumentiert die Entwicklung des Projekts von einem feinfühligen Soloprojekt zu einer kraftvollen, vielschichtigen Live-Band. (2011) und ,Awake" (2014) und der Höhepunkt einer über zehnjährigen Arbeit. Das Album spiegelt die Entwicklung des Projekts von einem zurückhaltenden Solokünstler zu einer kraftvollen, vielschichtigen Live-Band wider, die auf den größten Bühnen der Welt auftritt (Kia Forum, Red Rocks, Meow Wolf + weitere...).

2026 Black Vinyl Repress

We are extremely excited to share with you this wonderful piece of old skool hardcore. Created in Bristol in 1993 and released on a limited white label back then, this record has become a holy grail over the past 30 years. Very rare, very sought after and 100% original West Country vibes.

Written by Rich Williams, who emigrated to LA many years ago and James Towler – producer for John Lydon these days! These guys were on some next level vibes when they wrote this ultimate slice of darkcore rave!

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Jupiter and part of a 4 vinyl Cosmik series.

Is it dark enough???

This is the third of the Mad Dog releases – and is often cited as the best release they did back in the day. Pure hardcore jungle flavours written in 1994 in sunny Bournemouth by Dave ‘Aquasky’ Wallace and Shaun ‘Aurora’ O’Hara.

Originally released by Olly on Underdog Recordings, who shared a house with Dave and also Brent from Aquasky. A hub of hardcore – the studio was on the ground floor, the bedrooms on the second floor and the top floor was the record label and pirate radio that ran for a while!

Around the same time this record was made, Dave was also producing as Fugitive and engineering for Kieron Aquasky’s various drum and bass tracks. On top of that he was making happy hardcore as Rebel Alliance and engineering hip hop for Brent Aquasky. A very busy guy who is still producing in 2024!

Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Neptune and part of a 4 vinyl Cosmik series.

OMG!

On 6th October, multi BRIT-nominated DJ/producer Joel Corry releases his debut album, ‘Another Friday Night’ via Asylum / Atlantic Records, with the pre-order going live on the 18th August.

To be released on both vinyl & CD, as well as via streaming/download, ‘Another Friday Night’ is a collection of Joel’s most iconic records of the last five years, including breakthrough hit ‘Sorry’, ‘Lonely’, multi-platinum UK #1 single ‘Head & Heart’ ft. MNEK, ‘BED’ w/ RAYE & David Guetta, ‘OUT OUT’ w/ Jax Jones, Charli XCX & Saweetie, plus fresh 2023 cuts like ‘Dance Around It’ with Caity Baser and the anthemic ‘0800 HEAVEN’ with Nathan Dawe & Ella Henderson, ‘Another Friday Night’ toasts a remarkable run of releases that’s seen Joel become one of the UK’s biggest and most impactful dance acts.

“My debut album ‘Another Friday Night’ is the biggest moment of my life”, says Joel Corry. “Everything I have dreamed about and worked so hard for has come together with the release of this record. It has been an incredible journey and I am so proud to have reached this moment in my career. I want the songs to make people feel good and bring happiness to their days, and the album includes everyone’s favourite bangers from over the years, as well as some really exciting new material. This is the ultimate Joel Corry playlist, perfect for Another Friday Night.”

Ahead of the release of ‘Another Friday Night’ on October 6th, Joel has also announced a special headline show at London’s Ministry Of Sound on Friday 29th September – his first London headline date since playing at former 5000-cap venue, Printworks, in autumn 2021.

Fans who pre-order ‘Another Friday Night’ will be granted early pre-sale access to tickets on August 24th, before general sale opens on August 25th

In the spring of 1977, Millie Jackson was in Muscle Shoals, Alabama, laying down tracks for what became “Feelin’ Bitchy” with co-producer Brad Shapiro. Released in August 1977, the album reached #4 and #34 in America’s Billboard’s R&B and Hot 100, going gold with over 500,000 copies sold. Jackson’s cover of ‘If You’re Not Back In Love By Monday’ – already a hit for Merle Haggard in March 1977 – also reached #5 R&B and #43 in the Hot 100 in August. Although the album did not chart in the UK, “Feelin’ Bitchy” sold strongly to a dedicated fanbase who had voted her the #1 female singer in the Blues & Soul magazine annual poll. Jackson also performed much of the material on her sold-out UK dates in early 1978.

“Feelin’ Bitchy” was not only a commercial success, cementing Jackson’s no-nonsense reputation, but is now considered an all-time classic. Her rap on Benny Latimore’s ‘All The Way Lover’ stretched the original out like chewing gum to 10 minutes. “’Back In Love By Monday’ is a great song an’ that,” she told Black Echoes, “but it didn’t sell the album. ‘All The Way Lover’ sold the album.” Indeed it did, but other tracks like ‘A Little Taste Of Outside Love’ ‘Lovin’ Your Good Thing Away’, ‘Cheatin’ Is’ and ‘Feelin’ Like A Woman’ show that while Jackson’s tongue – front and centre on the LP cover – was always ready to hand out a lashing, it also helped her sing beautifully.

Ace are delighted to reissue “Feelin’ Bitchy’ on vinyl and Millie Jackson spoke to Ian Shirley about the recording of the album. This interview runs on an inner sleeve along with classic photographs of Jackson from this period.

The Four Owls debut album ’Nature’s Greatest Mystery’ returns on 2x12” Black and Yellow Galaxy Repress across 500 copies (never to be repressed in this colourway).

Celebrating FIFTEEN YEARS since the original release (and with rumours of a new album in the works) ’Nature’s Greatest Mystery’ Black and Yellow Galaxy Repress is a critically acclaimed UKHH classic!

The Four Owls are Big Owl (Fliptrix), Rusty Take-Off (BVA), Bird T (Verb T) and Deformed Wing (Leaf Dog) who also handles all of the production.

’Nature’s Greatest Mystery' features guest appearances from Q-Unique (Arsonists), Dirty Dike and Jam Baxter. A critically acclaimed modern day UKHH classic!

Limited edition pressing of 500 copies.

Black and yellow galaxy vinyl, full colour 350gsm reverse board gatefold sleeve. 14-track album. Shrink wrapped.

Diffuse Reality presents TOBAS 004. Four tracks crafted by Obscur. Deep, intense techno that invites reflection from the very first beat. Each sound wraps around you with subtle precision, shaping a unique atmosphere with a minimalist spirit that breathes through every bar. Prepare yourself for a journey with no return. A sonic landscape unfolding in the shadows, guiding you through until the last pulse. Released on vinyl and digital, this edition captures a world of shadows and tension. There will be no repress. A single, definitive cut.

Ready for 10 Years since "Guns of Gothenburg"? Here's the last collector's reissue of the "rare and sold out since years"-CS albums on vinyl! The Swedish Punkrockers often heard that their 3rd album "Guns of Gothenburg" is still their best release! The combination of riot street punk, pub rock anthems, some high energy glam-elements and melodic rough'n'tough Oi! was considered as an absolute genre-highlight 2016 "Guns of Gothenburg features 12 songs like "Kids from the Streets", "United we stand", "Fuck the Upper Class" or "Street Punk Bop", which is still the encore-highlight at every City Saints show Stefan, singer and bandleader about the new release: "When we released Guns of Gothenburg on CD back in 2016, we felt that the songs were good, but we soon began having doubts about the mix of the album. In 2017, when we were approached to release it on vinyl, we had it remixed and remastered with a new song order. This version never made it onto the streaming services, and the limited edition of the LP has been out of print for a long time. Now we're thrilled to present this re-release of Guns of Gothenburg. The original painting used for the cover has been dusted off and restored and the recording has been remastered once again to bring it closer to our original vision. We sincerely hope you enjoy it. "Guns of Gothenburg" comes on 180gr. strongly limited vinyl in classic black and two multi-colored variants (only 333 copies all in all)

Ready for 10 Years since "Guns of Gothenburg"? Here's the last collector's reissue of the "rare and sold out since years"-CS albums on vinyl! The Swedish Punkrockers often heard that their 3rd album "Guns of Gothenburg" is still their best release! The combination of riot street punk, pub rock anthems, some high energy glam-elements and melodic rough'n'tough Oi! was considered as an absolute genre-highlight 2016 "Guns of Gothenburg features 12 songs like "Kids from the Streets", "United we stand", "Fuck the Upper Class" or "Street Punk Bop", which is still the encore-highlight at every City Saints show Stefan, singer and bandleader about the new release: "When we released Guns of Gothenburg on CD back in 2016, we felt that the songs were good, but we soon began having doubts about the mix of the album. In 2017, when we were approached to release it on vinyl, we had it remixed and remastered with a new song order. This version never made it onto the streaming services, and the limited edition of the LP has been out of print for a long time. Now we're thrilled to present this re-release of Guns of Gothenburg. The original painting used for the cover has been dusted off and restored and the recording has been remastered once again to bring it closer to our original vision. We sincerely hope you enjoy it. "Guns of Gothenburg" comes on 180gr. strongly limited vinyl in classic black and two multi-colored variants (only 333 copies all in all)

Ready for 10 Years since "Guns of Gothenburg"? Here's the last collector's reissue of the "rare and sold out since years"-CS albums on vinyl! The Swedish Punkrockers often heard that their 3rd album "Guns of Gothenburg" is still their best release! The combination of riot street punk, pub rock anthems, some high energy glam-elements and melodic rough'n'tough Oi! was considered as an absolute genre-highlight 2016 "Guns of Gothenburg features 12 songs like "Kids from the Streets", "United we stand", "Fuck the Upper Class" or "Street Punk Bop", which is still the encore-highlight at every City Saints show Stefan, singer and bandleader about the new release: "When we released Guns of Gothenburg on CD back in 2016, we felt that the songs were good, but we soon began having doubts about the mix of the album. In 2017, when we were approached to release it on vinyl, we had it remixed and remastered with a new song order. This version never made it onto the streaming services, and the limited edition of the LP has been out of print for a long time. Now we're thrilled to present this re-release of Guns of Gothenburg. The original painting used for the cover has been dusted off and restored and the recording has been remastered once again to bring it closer to our original vision. We sincerely hope you enjoy it. "Guns of Gothenburg" comes on 180gr. strongly limited vinyl in classic black and two multi-colored variants (only 333 copies all in all)

How do losers dance? According to Helmut, almost weightlessly, with soft feet, warm gestures, sometimes alone, sometimes together. Content Creatures, Helmut's fourth album, evokes the pop archetype of the "beautiful loser", who had almost disappeared from view in so-called late capitalism. In a present in which even suffering is often similarly instrumentalised and tailored to clicks like a competitive sport, this album sets a counterpoint: those who listen to it suddenly want to be enchanting losers again, useless and joyfully messing up, losing something beloved, having their hearts broken, giving up a dream, sinking into beauty.
You don't sink alone. Comforting harmonies envelop you, the voices of friends appear, accompany you for a while and then disappear again. Warm grooves, floating synths and delicate guitar lines characterise an indie sound that remains open and breathes.
Self-produced for the first time in his home studio in Neukölln, 'Content Creatures' sounds thoughtful and light at the same time. The album will be released digitally and on vinyl on 10 April 2026 on Berlin-based label St.Vladimir. There are four songs on one side and four songs on the other. The cover is adorned with an exceptionally pretty guinea pig. Helmut shows the special in the seemingly ordinary: a child's pet, the most ordinary of all, is his cover star and headstrong protagonist.

Wie tanzen Verlierer? Wenn man nach Helmut geht, dann fast schwerelos, mit weichen Füßen, warmen Gesten, manchmal allein, manchmal gemeinsam. Content Creatures, Helmuts viertes Album, evoziert den Pop-Archetypus des "beautiful loser", der im sogenannten Spätkapitalismus fast aus dem Blick geraten war. In einer Gegenwart, in der sogar das Leid oft ähnlich durchinstrumentalisiert und auf Klicks getrimmt ist wie ein Leistungssport, setzt dieses Album einen Kontrapunkt: Wer es hört, möchte auf einmal gern wieder ein bezaubernder Verlierer sein, nutzlos und freudvoll abkacken, etwas Geliebtes verlieren, das Herz gebrochen bekommen, einen Traum aufgeben, in Schönheit versinken.
Man versinkt nicht allein. Tröstende Harmonien legen sich um einen, die Stimmen von Freundinnen tauchen auf, begleiten einen ein Stück weit und verschwinden wieder. Warme Grooves, schwebende Synths und feine Gitarrenlinien prägen einen Indie-Sound, der offen bleibt, atmet. Erstmals in seinem Neuköllner Homestudio selbst produziert, klingt "Content Creatures" bedacht und leicht zugleich.
Das Album erscheint digital und auf Vinyl am 10.04.2026 auf dem Berliner Label St.Vladimir. Es hat vier Songs auf der einen und vier Songs auf der anderen Seite. Das Cover ziert ein außergewöhnlich hübsches Meerschweinchen. Helmut zeigt das Besondere im scheinbar Gewöhnlichen: Ein Kinderhaustier, das normalste von allen, ist bei ihm Coverstar und eigensinnige Protagonistin.

Über Jahre hinweg hat Cactus Lee still und leise ein einzigartiges Werk geschaffen, indem er in Honky-Tonks rund um Austin auftrat und gleichzeitig in einem gleichmäßigen, selbstbestimmten Tempo Alben veröffentlichte. Lee's Dream, sein zweites Album für Western Vinyl, wirkt wie die natürliche Essenz dieser Reise - unterwegs geschrieben, zu Hause verfeinert und geprägt vom Spannungsfeld zwischen der Hingabe zur Musik und der Hingabe zur Familie. Die Songs entstanden während einer einmonatigen Solotournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Die Songs entstanden während einer einmonatigen Solotournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Die Songs entstanden während einer einmonatigen Solo-Tournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Als Kevin Dehan nach Hause zurückkehrte und dort persönliche Umbrüche erlebte, wandte er sich nach innen und schrieb Songs, die Unruhe mit Entschlossenheit, Sehnsucht mit Verantwortung in Einklang bringen. ,Lee's Dream" wurde in den Fort Horton Studios mit Produzent Billy Horton aufgenommen und lehnt sich an klassische Country-Formen und die Sensibilität der Sun-Ära an, geleitet von Vorbildern wie John D. Loudermilk, Glen Campbell und dem frühen Gordon Light Aufgenommen in den Fort Horton Studios mit Produzent Billy Horton, lehnt sich Lee's Dream an klassische Country-Formen und die Sensibilität der Sun-Ära an, geleitet von Vorbildern wie John D. Loudermilk, Glen Campbell und dem frühen Gordon Lightfoot. Das Album, das mit Beiträgen eines engen Kreises von Mitwirkenden fertiggestellt wurde, wirkt gemeinschaftlich und lebendig - gleichermaßen fröhlich und melancholisch. Verwurzelt in texanischen Bildern und Country-Folklore, wirkt Lee's Dream wie ein vertrauter Fiebertraum, der die Tradition ehrt und sie gleichzeitig leise an Dehans unverwechselbare Stimme anpasst.