“There's a clarity here that feels hard-won. Honing ideas first explored with his Organic Music series, Tiago Sousa unlocks the final puzzle pieces on Sustained Tones Vol 1. This music is enchanted, the way each layer moves in conjunction with the others: complex structures that feel less constructed than discovered, like stumbling upon ancient mechanisms still whirring beneath the earth. "Readily Reliance" opens as an effervescent sea, waves gilded in neon creating an enveloping sense of eternal motion. Bright organ timbres throw silhouettes and cast Sousa as the deft puppeteer keeping everything moving with an effortless precision. These evolving shapes suspend listeners somewhere between the physical and the cosmic, held in place by nothing but intention and sound.
Drones build rippling foundations in other places, using slower tempos to construct immersive, off-kilter sound worlds where minimalism becomes emotive, almost poignant. The fluctuating tones have a gossamer sheen, creating this interesting sonic dichotomy: a solid surface with fragile rotations beneath. It's music that commands attention; it is so much more than simply aural furniture. Sousa writes these beautiful sequences that are all interconnected, intricate sonic architecture that pulls us further into some kind of unknowable ether.
On the piano pieces, "Smooth Flow Into It" and "Swirling Mist and Thin Dust," Sousa shines sunlight through all the cracks. Washes of melody are effervescent, clouds clearing to reveal the day has not gone. Not yet. Positioned in the middle of Sustained Tones Vol 1, these pieces ground the album in something transcendent yet still earthen: moments of breath inside all that cosmic drift. Darkness finds its way through on "Restlessness," where Sousa smears sinuous electronics into a ghostly sonic mesh that seeps through the skin. It feels like a slow inhale, time suspended long enough to take note of where we are and how we feel before moving forward. Expressive, almost sparkling synth arrangements return to send us back into reality on closer "Becoming a Landscape." Its title hints at larger concepts at play throughout this album, where lines between our physical beings and the wider environment are blurred. The tones that echo throughout these six pieces mirror the echoes inside our bodies, from heartbeats and voices to something quieter, something much smaller and more elemental. By immersing us inside these mesmerising, beautiful soundscapes, Sousa immerses us within ourselves.’’
Brad Rose, 2025
Suche:vol
- A1: Vula – Want Ur Love
- A2: Terri Walker – Missing You (Ronnie Herel Remix)
- A3: Lukas Setto – Can You Feel The Love
- B1: Bon Garcon Ft. Michele Escoffery – Love Is Real
- B2: Tyler Daley – All I Need
- B3: Legato – Thug Luv
- C1: Zoe Kypri – Holding You
- C2: Vula – Tru Luv
- C3: Tyler Daley – 4So Long
- D1: Sebastian Mikael – Next Chapter
- D2: Anamé Rose – I Am
- D3: Slakah The Beatchild – The Cure
Blues and Soul Award winner and double MOBO Awards nominee Ronnie Herel is back with his 2nd volume of his excellent compilation series Neo-Soul Sessions. Ronnie, a massively important figure in the UK Black music scene, is a radio presenter with Mi Soul and includes BBC 1xtra in his broadcasting credits. He is a DJ of international renown and was one half of the Quartz production duo which scored memorable hits with Dina Carroll. His undisputed love for and knowledge of the Neo-Soul genre shines through in the Neo-Soul Sessions and this latest, volume 2, is no exception. Featuring tracks from artists such as Vula, Terri Walker, Aname Rose and Slakah the Beatchild, among others, Neo-Soul Sessions volume 2 is a brilliantly curated and pieced together selection of twelve tracks that absolutely nails the beauty of the later releases in the Neo-Soul genre. Played from start to finish the track selection and order is a pre-made DJ set that flows in a way that would soundtrack a dancefloor, a house party and an excellent backdrop of tunes for any time and day of the week. Ronnie's passion for championing independent artists is also evident in his selections here and the compilation serves as a platform for those voices who deserve to break through. The decision to choose six of his favourite tracks to sit alongside six exclusive and unreleased gems means that a light is now shined on every artist featured on the compilation. An absolute must for serious lovers of Neo-Soul, RnB and Black Music, Neo-Soul Sessions volume 2 is released on double vinyl LP and CD formats.
In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa.
The fourth volume of the Organic Music Tapes series concludes this cycle that has significantly transformed Tiago Sousa’s music. Compositions in a fluid state, forming nebulae of sounds with vague contours for piano, organ, and tape loops, based on techniques pioneered by American minimalism, particularly by composers such as Steve Reich, Terry Riley, and Charlemagne Palestine.
While throughout this series the electric organ has played a more prominent role in contrast with pre-recorded loops, this is the moment when this technique is extended to the piano compositions. New opportunities arise for the repetition and variation of small motifs to induce subtle perceptions and psychoacoustic effects. This final edition represents the maturation of the Portuguese composer’s intentions surrounding the idea of organic music. In music, too, the organic world is quite different from the one built on the rules of syntax and grammar. It refers instead to a type of interdependent relationships and patient, repetitive processes that are simultaneously spontaneous and unpredictable, which shape rivers and mountains, the grain of wood, muscle fibers, or marks on a jade stone.
Enter then the fourth volume and be locked in a new theatre of eternal music by an artists that keeps pushing his own style to ebullient highs.
- 1: Tião Carreiro & Pardinho - Bully 02 4
- 2: Lambarí & Laranjinha - I Was Called To A Party 0 47
- 3: Nhô Pires & Pirangueiro - Product Of The Cane 02 5
- 4: Xerém & Bentinho - Little White Hawk 02 32
- 5: Flauzino & Florêncio - Orange Fashion 02 8
- 6: Mandi & Sorocabinha - What A Beautiful Girl 02 5
- 7: Raul Torres & João Pacífico - Festival Of Bugs 02 41
- 8: Irmãos Kurimori - Burned Horse 02 5
- 9: Retrato & Retrói - New Love 03 13
- 10: Irmãos Falsetti - Disappointment 01 57
- 11: João Goiano & Goiazinho - Heartless Son 02 48
- 12: Riachão & Riachinho - The Life Of Aleijadinho 03 15
- 13: Nizio & Nézio - Lady Of Aparecida 02 35
- 14: Zé Carreiro & Carreirinho - Canoeist 02 50
- 15: Laranjinha & Zequinha - Ugly Boy 03 01
- 16: Leôncio & Leonel - Saying Goodbye 02 42
The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 50s and the beginning of the 60s.
Somewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the "outback"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss & betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country & western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.
Raw deep house pressure from Sascha Dive, four cuts blending soul, groove, and late-night mood, with Roland Clark blessing the mic. Limited green vinyl for those who still move to the real sound.
DJ Feedbacks :
Laurent Garnier : Cool tracks
Josh Wink (Ovum) : Liking 'Im Inspired' the best here.
C-Rock : Those Nights for me, nice NYC dub House touch!
Radio Slave (Rekids) : I've always been such a big fan of Sasha's productions and "There Is No Tomorrow" hits the spot.
Fleur Shore (Undergrowth / Cuttin' Headz) : im inspired, beautiful track
Reboot (Cecille / Cadenza) : schöne tracks ️
Satoshi Tomiie (Abstract Architecture) : Solid release!
Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) : Nice one
PBR Streetgang : Invocation and Im Inspired are great
D'Julz (Bass Culture) : those night is the one for me here
Damian Lazarus (Crosstown Rebels) : Thanks for sending. Xx
Ben Sims : Now downloading... will check asap!
Archie Hamilton (Microhertz / FUSE) : Nice thanks
Eddie Fowlkes (Detroit Wax, Rekids, Classic Music Company) : thanks
Tim Sweeney (Beats In Space) : Lovely
Doc Martin (Sublevel) : Sascha on a good one,with the voice of house music Roland Clark no less!!!
Terry Farley : THOSE NIGHTS WORKS FOR ME
Chloe Caillet (Smile Records) : love this!
Oliver $ (Classic Music Company / Play It Down) : Sooo gooood!
Ame (Innervisions) : thanks
Danny Tenaglia : Downloading for Danny Tenaglia, thanks!
Robert Owens (Trax / Musical Directions) : Cool tracks
Kai Alce (Real Soon) : Nice deep tracks from Sascha
Mark Farina : dig them.
Lea Lisa (Phonica Records / Folklor Club) : Really good definition of House
Alexkid (Rawax / FUSE / NG Trax) : Phonogramme (and Sascha Dive) on fire at the moment...
Harri (Sub Club) : lovely stuff, will play and support
Our journey through “Música Para Boliche” literally “music for the club” from Argentina’s underground scene doesn’t stop. We dug even deeper, right into the ’90s.
Four tracks plus one, all visionary even at the time of their release. Once again, you can feel the magical touch of the Italian and Argentine DJs who worked on it.
Jack Bulgaro did his part, bringing home an instrumental unreleased version of Podés Seguir Sin Arriesgarte, taken from the album Undermalabia, produced by El Signo, pioneers of electronic music in Latin America.
The version will be officially released for the first time, vinyl only, by Maledetta Discoteca Records.
- A1: Four Tet - Scythe Master (7 55)
- A2: Charlotte Adigery & Bolis Pupul - Mantra (4 22)
- A3: Jane Paknia - Glimmers (John Wizards Remix) (3 39)
- A4: Sylvan Esso - Hey Mami (Live) (3 41)
- B1: John Wizards & Nzaramba Jean Thierry (Ras Magic) - Rwangaguhunga (2 49)
- B2: Caribou - Sunsesame (4 05)
- B3: Falle Nioke - Weatherman (2 54)
- B4: Mount Kimbie - Se15 (3 25)
- C1: Ride Vs Robert Smith - Vapour Trail (Vapour Mix) (7 20)
- C2: James Yorkston & The Athletes - Tender To The Blues (2001 Demo) (4 16)
- C3: Cranes - Fragile (4 03)
- C4: Arab Strap - We See You (3 05)
- D1: Electrelane - Oh Sombra! (2 56)
- D2: Tyson - In Pursuit (2 13)
- D3: Michelle Gurevich - Aliens Wanna Touch (2 32)
- D4: Anna Calvi - Hunter (Live At The Roundhouse) (5 46)
25 Years Edition
- Lj Johnson - Floating
- Marv Johnson - Better
- Carolyn Crawford - Which
- Marv Johnson - Heart
- Tahira Jumah - Love
- Tahira Jumah - I
- Lj Johnson - Daydreams
- Carolyn Crawford - Timeless
- Saundra Edwards - Tow
- Saundra Edwards - No
- Tyrone Ashley - Just
- Tyrone Ashley - Put
- Evelyn Thomas - Have
- Evelyn Thomas - I
- Ebony Alleyne - This
- Ebony Alleyne - Like
- Originals - Take
- Originals - Please
- Pat Lewis - Just
- Pat Lewis - Could
This is the first vinyl release of our label, from the Canary Islands to the world! The founder and Spanish producer Luis Pitti captures in this release some of the sounds and style that marked an era on our beloved island. On this record you will find Oldskool Hardcore sounds, breaks, enveloping pianos, synths and sounds from the 90s fused with a modern and fun touch.
Released in a limited edition by ExperimentalBass Records on 150 gram black viny
Four producers, four shades of motion: dubby pressure, sleek trance energy, and tripped-out house psychedelia built for the floor. Our eleventh VA release brings together versatile club cuts sitting between house and trance. Familiar faces return — Tifra, Gearmater (fka Abdul Raeva) — and newcomers Olsvangèr and Earth Trax, each adding their own weight to the release.
- Meta Y Guaguancó
- Si Los Rumberos Me Llaman
- Cuando Suenan Los Tambores
- Galletana (Aka Calletana And Cayetana)
- Dulce Con Dulce
- El Sabio
- Caramelo A Kilo
- Mulence
- Yiri-Y Ri-Bom
- Sancocho E'güesito
- Invitación Guaguancó
- Tumba Tumbador
- Macho Cimarrón
- Rompe Saragüey
Classic Latin Tunes Became Sals Hits! Pablo Yglesias -aka DJ Bongohead- compiles Grosso Recordings an amazing serie with classics tunes from Caribbean music that became great successes of "Salsa". Some tracks have been remastered and restored, others are presented on vinyl again after many many years. "This is the four volume in our series on the Roots of Salsa...The main criterion was to pick tracks that sounded adequate for today's DJs to play at a gig or were sufficiently interesting (or enough of a surprise to fans of the later version) to merit inclusion. The other measuring stick was that they needed to come from the old-school, before the more modern era (from 1962 on) and all of its recording innovations and marketing strategies...for now, listen to these dozen gems and then go back to their more familiar cousins from recent times and compare and contrast, and we're sure you'll be enlightened and entertained." Liner notes by Pablo "Bongohead" Yglesias. Format and selection designed for DJs, collectors and general public.
- Big Mouth's Going To High School!
- Weird Green Wonderful You
- Whatever You're Into
- Love Is A Psycho (And I'm A Psycho For Love)
- Cycle Of My Life
- Bad Hookup
- The World Is A Jerk-Offer's Dream
- The World Is A Jerkoffier's Dream (Reprise)
- It's A Condo Not A House
- How Can I Tell You
- Pussy Don't Lie
- Mouthful Of Manhood
- Are You In Love (Or Just An Asshole)?
- Esperando Pelitos
- Badi Baddy
- Who Am I?
- You Are The Worst
- Big Mouth's Going To High School... Really!
- Dirty Dick Patriots
- Is It Normal?
Vol.2[29,62 €]
Soundtrack-LP mit Originalsongs aus den Staffeln 4, 5, 6 der erfolgreichen Netflix-Zeichentrick-Serie BIG MOUTH, geschrieben und komponiert von Mark Rivers. Das Album enthält Gesangsdarbietungen der angesehenen Besetzung, darunter Nick Kroll, Maya Rudolph, Andrew Rannells, John Mulaney, Crissy Guerrero, Jason Mantzoukas, Paul Pell, Jon Daly, Joe Wengert u.v.m. Rotes Vinyl.
Hot on the heels of Luv (LuvLuv) comes a sublime new Drum Chums from midland's madlads Wrekin Havoc.
Over the years we've shared great tunes, fun times and A-grade dance floor debauchery with these permanent party people (our first encounter almost exactly like that Spiderman pointing meme) so it made more sense than we usually do to invite them aboard the V*nga bus for some Balearic-Disco edit excellence.
Things kick off with the sexy throb of 'Shine A Light', a stonewashed funk workout complete with Paisley guitars, Troutman bass grunts and some big time blue-eyed soul vocals. It's a bit like an extended and unheard collaboration between George Michael and Tears For Fears recorded immediately after a particularly heavy night at Future. Unsurprising perhaps that this one's been getting a whole lot of love from DJ Harvey.
'Mars Bar Party' grabs you by the hips from the first bar of its swaying Mediterranean house rhythm, then tugs at every single one of your heartstrings with melancholic pads and a silken vocal croon. Fuuuuuuckin' hell! Sorry, was totally bewitched by the primal power of piano house magic - it's like John Rocca was in the room for a second. Armed with an awesome arrangement and clocking in at ten massive minutes, this may be the ultimate Balearic house journey.
If all this wasn't enough to have you stocking up on 5-HTP and sinus rinse, those crafty cats close the set out with the shimmering disco euphoria of 'Leccy Meet Her'. The bottom end pulses endlessly, Cowley synths trill and a crystal clear Vox soar above, sending us far off into mirrorball orbit. If this isn't a hit at Horse Meat, we'll neck a bottle of poppers and never eat a tomato again.
Each and every track Wrekin Havoc touch is a pearler, but we're particularly chuffed with ourselves for snapping this top trio up.
100% Drum Fun Guaranteed. .



















