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PAUL SITTER - Mood EP

Paul Sitter

Mood EP

12inchFS10ISLS
Funky Shit Edits
23.09.2022

turntable warrior Paul Sitter is back with another bout of cut-up grooves to give the nimble-fingered plenty to get busy with. This is all about bad-ass 45s to rock the party by pasting together all manner of iconic licks. 'Paul's Mood' is a midtempo strutter which revolves around the 'Funky Drummer' break and slips plenty more samples into every bar. 'How You Feeling?' pulls up a rave MC call-out you might well have heard from the likes of The Prodigy in the early days, although here the sample gets planted into some classic funk. Given the spectrum of sounds across each track, this 7" feels built for those who like to pick their favourite bits and juggle them to kingdom come.

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12,19

Last In: 3 years ago
Led Zeppelin - The Ultimate Tribute Vol. 2 LP

Mit über 300 Millionen verkauften Platten, gehören Led
Zeppelin zu den erfolgreichsten Bands aller Zeiten, was mehr
als Grund genug für eine Tribute mit vielen illustren Gästen ist.
Nach den großen Erfolgen von Led Zeppelin - The Ultimate
Tribute Vol. 1 folgt nun Vol. 2.

Und mit dabei sind diesmal namhafte Künstler wie Alan White
(YES), Steve Lukather (Toto), Vinnie Colaiuta (ex Zappa
Band), Albert Lee, Walter Trout, Artimus Pyle (Ex Lynyard
Skynyrd) u.v.a. Alles, was Rang und Namen hat, ehrt die
Band auf dieser Scheibe.

pre-order now23.09.2022

expected to be published on 23.09.2022

13,82
Yhdessa - Along The Simple Line

Purple Vinyl

Concentric Records present this special edition EP by the Berlin-based duo YHDESSA - composed of Dutch-Italian composer and poly- instrumentalist Grand River and Sardinian electronic music experimentalist Enrica Falqui.

Entitled Along The Simple Line, the 5-track EP is a unique sonic journey that merges in pure form the distinct worlds of the two composers, exposing a warm and delicate essence. Perfectly punctuated, and in a pace of its own, the album gently and precisely unfolds through touching musical spaces, dramatic textures, entrancing rhythms and unexpected vocal lines, revealing a wonderful depth. The result is so perfectly uniting as if woven by the same two hands.

Yhdessa is a collaborative project made up of Grand River and Enrica Falqui which was conceptualised in 2017 while the duo shared a music studio and were living as a couple in Berlin. Their first piece, released in 2018 on the label One Instrument Records, was named after the Vermona E-Piano and is composed entirely using the analogue synthesizer that was built in 1978. Following this came their lingering soundscape Waldorf Micro Q featured on the record “One Instrument Volume 01” as well as an impelling remix of Dunes by Jiska Huizing and Rudi Valdersnes.

Aimée Portioli is a Berlin-based Dutch-Italian composer and sound designer who records and performs as Grand River. The name Grand River evokes nature, scale, and movement, all key forces in Portioli’s work. Her first release as Grand River was the resolute 2017 Crescente EP, which includes Flies, a composition named by XLR8R as one of the best tracks of that year. She followed this with her melodious debut album Pineapple (Spazio Disponibile, 2018), which garnered praise from The Quietus, amongst others. The moving and dynamic subsequent album, Blink A Few Times To Clear Your Eyes (Editions Mego, 2020) was lauded by Resident Advisor and The Verge, and was elected among the best albums of 2020 by Inverted Audio. Separately, Grand River’s work has appeared on compilations by Ghostly International, Tresor, Longform Editions and has composed an official remix for Tangerine Dream.

Enrica Falqui is a Sardinian music producer and DJ currently based in Berlin. With artistic versatility as one of her defining traits: she comfortably traverses between the dimensions of electronic music. For over a decade she has dedicated herself to the study of sound and the relentless excavation of lesser-known music, which has earned her bookings all over the world and commissions for her productions from some of the most respected labels including Marignal Returns which released Plexus, a mini-album of cool, divergent compositions. Enrica is also part of the coveted duo, ERIS, whose debut and sophomore EPs, Moments and Champions League, found their home on the illustrious Cabaret Recordings. The releases entwine the forceful with the ethereal and create an original, future-facing and club-orientated sound. Moloko, a drum-focussed track laced with weaving synths, was considered by Resident Advisor as one of the best tracks of 2019.

Aimée and Enrica’s musical union through Yhdessa, is one of colour and warmth. It expresses an experimental electro-ambient side of the two composers, to form a style that is meditative, other-worldly and at times introspective. Although, the two are now, no longer romantically engaged, they maintain a passionate friendship to match this profound musical partnership.

pre-order now23.09.2022

expected to be published on 23.09.2022

20,46
BLUR - BUSTIN’ + DRONIN’ LP 2x12"

Blur

BUSTIN’ + DRONIN’ LP 2x12"

2x12inch0190296345111
Parlophone
23.09.2022
  • A1: Movin’ On (William Orbit Mix) - 08:00
  • A2: Death Of A Party (Well Blurred Remix) - 06:46
  • A3: On Your Own (Crouch End Broadway Mix) - 03:32
  • B1: Beetlebum (Moby's Mix) - 06:43
  • B2: Essex Dogs (Thurston Moore's Mix) - 09:01
  • C1: Death Of A Party (Billy Whiskers Mix) - 04:47
  • C2: Theme From Retro (John Mcentire's Mix) - 05:43
  • C3: Death Of A Party (12” Death) - 07:08
  • D1: On Your Own (Walter Wall Mix) - 15:00
pre-order now23.09.2022

expected to be published on 23.09.2022

39,45
Chick Corea - The Montreux Years
pre-order now23.09.2022

expected to be published on 23.09.2022

34,24
COLD GAWD - GOD GET ME THE FUCK OUT OF HERE LP

COLD GAWD ist der Name, unter dem der in Kalifornien lebende Multiinstrumentalist Matt Wainwright stürmische, verletzliche Shoegaze-Musik mit offenen Stimmungen und R&B-Melodien kreiert. Inspiriert von diesen Klängen, präsentieren COLD GAWD eine verfeinerte, modernisierte Version des Genres. Das insgesamt zweite Album der Band, "God Get Me The Fuck Out Of Here", nahm im Winter 2020 Gestalt an, während Wainwright lange Solo-Schichten in einem Coffee Shop in Chicago arbeitete. Angetrieben von dem Traum, in seine Heimatstadt Rancho Cucamonga zurückzukehren und alte Freunde aus früheren Hardcore-Bands wiederzutreffen, verkroch sich Wainwright mit seiner begehrten rosa Jazzmaster, einer Reihe von Effektpedalen und einem Laptop und schrieb das gesamte Album in einem Monat. Im März 2021 zog er zurück in den Westen ins Inland Empire, wo er bei Gabe Largaespada im Open Ocean Sessions zum Aufnehmen und Abmischen buchte. Obwohl er jedes Instrument selbst einspielte, haben die Ergebnisse das lebendige Gefühl einer geübten Live-Band (was COLD GAWD jetzt sind, da sie zu einer sechsköpfigen Band angewachsen sind). Kaskadenartige Gitarrenwände wirbeln, wallen und plätschern, umrahmt von versunkenen Rhythmen und Wainwrights entfernter, geschlagener Stimme, die in violetten Dunst gehüllt ist. Wainwright nennt die thematischen Gemeinsamkeiten zwischen Shoegaze und R&B als zentrale Muse, die beide obsessiv auf Liebe, Lust und Sehnsucht fixiert sind, in abwechselnd grandiosen und molligen Formen. Textlich schwankt das Album zwischen schräg und verzweifelt, sehnsüchtig und resigniert - mit Ausnahme von "Comfort Thug", einem grüblerischen, größtenteils improvisierten Spoken-Word-Stück, das durch den bemerkenswerten Mangel an schwarzen Musikern im Shoegaze inspiriert wurde. COLD GAWD ist hier, um das zu ändern. "God Get Me The Fuck Out Of Here" kanalisiert Unwohlsein und Melancholie in hauchdünne, energiegeladene Hymnen über Flucht, Veränderung und Introspektion. Das erdrückende Schlussstück "Passing Through The Opposite Of What It Approaches" wabert und schwebt wie drohende Gewitterwolken, unter denen Wainright singt (und sein Bandkollege Arturo Ramirez schreit), was einem Mission Statement so nahe kommt, wie es das Album bietet: "leave what you know / and get grown / everyday / remember / why you left".

pre-order now23.09.2022

expected to be published on 23.09.2022

21,22
COLD GAWD - GOD GET ME THE FUCK OUT OF HERE LP

COLD GAWD ist der Name, unter dem der in Kalifornien lebende Multiinstrumentalist Matt Wainwright stürmische, verletzliche Shoegaze-Musik mit offenen Stimmungen und R&B-Melodien kreiert. Inspiriert von diesen Klängen, präsentieren COLD GAWD eine verfeinerte, modernisierte Version des Genres. Das insgesamt zweite Album der Band, "God Get Me The Fuck Out Of Here", nahm im Winter 2020 Gestalt an, während Wainwright lange Solo-Schichten in einem Coffee Shop in Chicago arbeitete. Angetrieben von dem Traum, in seine Heimatstadt Rancho Cucamonga zurückzukehren und alte Freunde aus früheren Hardcore-Bands wiederzutreffen, verkroch sich Wainwright mit seiner begehrten rosa Jazzmaster, einer Reihe von Effektpedalen und einem Laptop und schrieb das gesamte Album in einem Monat. Im März 2021 zog er zurück in den Westen ins Inland Empire, wo er bei Gabe Largaespada im Open Ocean Sessions zum Aufnehmen und Abmischen buchte. Obwohl er jedes Instrument selbst einspielte, haben die Ergebnisse das lebendige Gefühl einer geübten Live-Band (was COLD GAWD jetzt sind, da sie zu einer sechsköpfigen Band angewachsen sind). Kaskadenartige Gitarrenwände wirbeln, wallen und plätschern, umrahmt von versunkenen Rhythmen und Wainwrights entfernter, geschlagener Stimme, die in violetten Dunst gehüllt ist. Wainwright nennt die thematischen Gemeinsamkeiten zwischen Shoegaze und R&B als zentrale Muse, die beide obsessiv auf Liebe, Lust und Sehnsucht fixiert sind, in abwechselnd grandiosen und molligen Formen. Textlich schwankt das Album zwischen schräg und verzweifelt, sehnsüchtig und resigniert - mit Ausnahme von "Comfort Thug", einem grüblerischen, größtenteils improvisierten Spoken-Word-Stück, das durch den bemerkenswerten Mangel an schwarzen Musikern im Shoegaze inspiriert wurde. COLD GAWD ist hier, um das zu ändern. "God Get Me The Fuck Out Of Here" kanalisiert Unwohlsein und Melancholie in hauchdünne, energiegeladene Hymnen über Flucht, Veränderung und Introspektion. Das erdrückende Schlussstück "Passing Through The Opposite Of What It Approaches" wabert und schwebt wie drohende Gewitterwolken, unter denen Wainright singt (und sein Bandkollege Arturo Ramirez schreit), was einem Mission Statement so nahe kommt, wie es das Album bietet: "leave what you know / and get grown / everyday / remember / why you left".

pre-order now23.09.2022

expected to be published on 23.09.2022

22,48
The Bogie Band - The Witnesses / Take Them On

(feat. Joe Russo)


The 10-piece ensemble founded by saxophonist Stuart Bogie and drummer Joe Russo is comprised by musicians who hail from a long list of groups, including Antibalas, The Dap Kings, Red Barat, Arcade Fire, Joe Russo’s Almost Dead, David Byrne’s American Utopia, St. Vincent, The Budos Band and Superhuman Happiness. A collaboration between old friends, Bogie's horn arrangements meet Russo's propulsive drumming in an explosive combination of woodwind and brass instruments that reimagine wind music in bold and dynamic new ways.

‘The Witnesses' speaks to urgency of the times in a musical language that laid the ground work for the project. The brass knocks, the saxophones scream, and the drums keeping you running for your life. Backed with ‘Take Them On’ - a battle song, soundtracking the internal and external summoning of the energy required to enter conflict. Featuring Eric Biondo on trumpet.

pre-order now23.09.2022

expected to be published on 23.09.2022

12,82
Samuel Rohrer - HUNGRY GHOSTS LP

With his Arjunamusic label and a growing catalog of category-defying releases, Samuel Rohrer
continues to quietly, yet confidently, make a name for himself as a genuinely unique figure within
the European electronic music realm. Over the past decade he has assembled a repertoire of
music that fills a sadly neglected gap in the modern musical landscape. That is to say, he has
made a number of “electronically”-aided works that never seem to make “electronic-ism” the main
selling point or raison d'être. Rohrer understands that we inhabit a networked media landscape
that no longer sees a novelty value in every synthetic or technological sound, and by realizing
this, he makes a music that fully engages with the present without completely disregarding the
exciting speculative sensibility that has allowed electronic music to solidify into a tradition. His
latest solo album, Hungry Ghosts, again shows the high quality of sonic design that can be
achieved by conceptualizing musical passages as living, breathing entities rather than as
signposts to some still distant reality.
Maybe more so than any of Rohrer’s solo records to date, Hungry Ghosts is the one that
most unambiguously displays the artist as a kind of inspired sound “cultivator” or landscaper
rather than just a straightforward “producer”. The emphasis here seems to be biological growth
processes rendered in musical form, and in fact some track titles namechecking the biodiversity
of the external world (“Slow Fox”, “Ctenophora”) and neurochemistry (“Serotonin”) lend some
additional credence to this interpretation.
As with previous outings, Rohrer starts with his skills as a genre-resistant percussionist
and builds from there, with dense clusters of drum hits and icy cymbal exclamations leading the
way into a wide-open atmosphere full of fragmented phrases, marked with strange reversals or
compressions of time. The percussive portions and other ambiences merge together in such a
way that the latter seems like a kind of shifting, holographic camouflage for the former; an effect
which makes for a greater than usual number of shifts in mood. Rohrer’s already established
ambiguity and mystery are the moods that permeate throughout, to be sure, but there are also
surprising moments of humorous whimsy (the flourishes of cartoon mischief and teasing silences
on the tracks “Human Regression” and “Bodylanguage”), reverence (the optimistic organ swells
and steady sequencer guiding “Ceremonism”), and meditative focus (the slow-motion spectral
waltz of “Treehouse”). Also notable here are very brief etudes, such as “Window Pain,” whose
dark, lush ebb and flow actually seem tailored to repeated or looped listening.
It’s particularly remarkable that almost all of this material is recorded solo and in a “live /
no overdubs” mode, given how much it feels like well-rehearsed ensemble playing, and given the
impeccable timing involved in continually exchanging the sounds at the very forefront of the mix.
And here we come full circle to the idea of “electronic music” mentioned at the beginning here:
instead of making us feel that we are in the presence of some fully-realized form brought back
from “the future,” Rohrer invites us instead to witness fascinating processes of transition and
mutation, and to value them for what they are now as much as for where they are headed.

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18,45

Last In: 3 years ago
Various - Whom the Moon a Nightsong sings LP

"Whom The Moon A Nightsong Sings" ist eine Zusammenstellung von seltenem Wert. Auf zwei CDs und einer Gesamtspielzeit von über 100 Minuten sind hier Stücke sämtlicher Protagonisten sowie der vielversprechendsten Newcomer eines namenlosen Genres enthalten, das sich über die (überwiegend) akustische Vertonung von Naturszenarien und -impressionen bzw. in der Natur gespiegelten persönlichen Empfindungen definiert. Die Tatsache, dass fast alle enthaltenen Lieder exklusiv für diese Zusammenstellung geschrieben und aufgenommen wurden oder seltene, nicht mehr erhältliche Stücke sind, unterstreicht einmal mehr den außerordentlichen Charakter der Veröffentlichung. Besonders hervorzuheben ist hier mit Sicherheit der Beitrag Empyriums, die erste neue Aufnahme des Ensembles seit vier Jahren und der eindrucksvolle Beginn einer neuen Schaffensphase. Auch die Genre-Begründer Ulver sind mit einer äußerst seltenen Aufnahme aus dem Jahr 1997 vertreten: Ihr Lied 'Synen' war bislang nur auf einer Underground-Compilation in kleiner Auflage erhältlich und ist das wahrscheinlich am meisten gesuchte Lied der Norweger.

pre-order now23.09.2022

expected to be published on 23.09.2022

40,29
Space - Tin Planet LP

Space

Tin Planet LP

12inchDEMREC1042
Demon Records
23.09.2022

Das Nachfolgealbum von 'Spiders' aus 1998 konnte sich bis auf Platz 3 der UK-Charts schieben. Singles waren 'Avenging Angels' und 'The Ballad Of Tom Jones' mit Cerys Matthews von Catatonia als Gastsängerin.

'Tin Planet' wird im Zuge der 2022er UK-Tour der Kritiker-Lieblinge nun nochmals als LP aufgelegt. Das Vinyl ist Clear mit Suilber-Splittern.

pre-order now23.09.2022

expected to be published on 23.09.2022

14,92
Hassan Abou Alam - Ice EP

Egyptian artist Hassan Abou Alam debuts on Nehza Records. On Ice, the producer and DJ delivers a 4-track collection of unusual textures that glide through multiple soundscapes, including techno, breaks, bass and unclassifiable noise.

The opener "Shmoolaire" starts with a skittery drum pattern before descending into a squelchy bassline while squeaky vocal clips snake through the track. It's weird, wonky and the perfect dancefloor curveball. Dominated by massive drums, the title track blends a sultry vocal with bleepy percussion, conjuring a sticky atmosphere. Things get spooky on "Hollow In C#" as Hassan pairs a voice saturated in reverb with chugging drums and eerie pads. Freaky but fierce. The closing track "Lost In A Jar Of Thyme" ends on a distinct note. A warbling bassline slithers throughout the track as siren-like sound FX and hyperactive drums evoke tension. A true artist aligned with the vibe of Nehza Records.

Hassan Abou Alam has spent the last decade exploring several sound palettes and genres, from breaks to techno to bass. Today, his curiosity is unwavering. Hassan produces music with a hybrid setup of analog and digital instruments, conveying organised but compelling chaos that's won him legions of fans worldwide.

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11,30

Last In: 5 months ago
Abstract Division - Midnight Ensemble LP 2x12"

Black White Splatter Vinyl

When two musicians intensively work together for a period of time, at some point the whole becomes greater than the sum of its parts. If Paul Boex and Dave Miller hadn't already reached that status under their Abstract Division moniker, they certainly have now, with the release of Midnight Ensemble, their first full length album.

Those who have followed the duo since their early days of playing dj-sets together, know that it's hard to define their style anywhere beyond techno or even electronic music, as it is ever evolving and always dependent on the time of the day or night. When listening to this album, the resemblance between their unpredictable selection behind the decks and the eclectic range of subgenres on this album is more obvious than ever before. Midnight Ensemble could be interpreted as an ode to nightlife; a reminiscence of all that happens between dusk and dawn, captured and compressed into about one hour of music. An hour in which they so delicately time their changing of styles and tempos, always reading the room and always being one step ahead of the crowd.

This album is a reflection of that skill, starting its journey with soothing, moodsetting ambient, followed by timeless pieces of Detroit and dubtechno. A daring electro cut providing a refreshing break from the four to the floor tradition, only to be followed by the stripped down sound the duo is so comfortable with.

The final minutes consist of experimental breaks, one last banger to pull out the last bits of energy that is left and a beautiful outro, which concludes the allnighter vibe. There are no open endings, it doesn't make you want to stay in the dark forever. Rather it makes you want to close your eyes one last time before walking outside to see the sun come up again before going home, overwhelmed and satisfied.

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25,17

Last In: 10 months ago
DON KAPOT & FULCO OTTERVANGER - UN PEU LIVE

The Brussels based power trio Don Kapot has gained a lot of attention on the national and international music scene in recent years. Their raw and energetic in your face mix of punk, free jazz, afrobeat and other global sounds took them to stages all over Europe.

Their first two records were based on the unique combined sound of Viktor Perdieus' baritone saxophone, the raw and pumping electric bass of Giotis Damianidis and the powerful and creative drumming of Jakob Warmenbol. Recently, the band has been experimenting with incorporating other sounds and instruments into their repertoire. In anticipation of their new full album, they invited a number of musical friends to their rehearsal room at various times at the end of 2021 and recorded an improvised repertoire with them on the spot. One of those musicians is the multi-talented all-round musician and singer Fulco Ottervanger (known from FULCO, De Beren Gieren, BeraadGeslagen). The recording they made turned out to be so successful that they couldn't just let it pass.

In two twenty-minute suites, Don Kapot & Fulco Ottervanger take the listener on a haunting musical trip, in which numerous influences and genres are reviewed: Classical Indian music, blues, krautrock, free jazz, synth-pop, post-punk, ambient, ... you name it. The musical brilliance of these four extraordinary musicians reaches unprecedented heights.

The record, simply titled 'un peu live', will be officially released on the Belgian jazz not jazz label WERF records on September 23.

pre-order now23.09.2022

expected to be published on 23.09.2022

21,39
The Wedding Present - The Hit Parade

The Weddingpresent

The Hit Parade

12inch19658708791
Sony Music
23.09.2022

In 1992, The Wedding Present decided to release a limited edition single every month, each featuring an original track on the A side and a cover on the B side. The tracks were compiled as two LPs called Hit Parade 1 and Hit Parade 2 and re-released as a double CD in 2003 called The Hit Parade.

The plan to release 12 singles in a year was an attempt to match Elvis Presley's record of 12 top 40 singles in a year which he had achieved in 1957. The singles, each in an edition of 10,000, were deleted soon after release. They were critically acclaimed and each charted in the top 40


Pressed on black vinyl.

pre-order now23.09.2022

expected to be published on 23.09.2022

40,29
PARADISE 3001 - Selected works from between 1992 and 1995 (2x12")

A retrospective double LP compilation of the work of dutch producer Aad De Mooy. Specifically focusing on the first half of the 90's with his aliases as Interface, Time Warp and Paradise 3001 on ESP Records. This compilation attempts to encapsulate and expose the masterful prowess of Aad's work as a producer with a focus on maximum dancefloor efficiency. This double LP consists of 10 tracks ranging from downtempo acidic breaky chuggers to full on floor activators channeling tribal and early progressive trance inducing elements perfectly arranged in highly effective compositions. Can't go wrong – all killer no filler is all one can say about Aad's meticulous productions. Compiled by Castro & Nemo and re-mastered for vinyl at manmade mastering.

out of Stock

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28,11

Last In: 47 days ago
Sick of it All - Based on A True Story LP

2010er Veröffentlichung der New Yorker Hardcore-Band. Mit einer 20-jährigen Karriere und Hunderttausenden von weltweit verkauften Alben fügt Based On A True Story der Sick Of It All-Legende ein aufregendes neues Kapitel hinzu. Zweifellos das bisher härteste Werk der Band, erreicht Based On A True Story
mühelos die hohe Qualität seines Vorgängers und bietet Tonnen von bald klassischen Hardcore-Hymnen
wie „Domination“, „Long As She’s Standing“, „The Divide“. “ und „Lowest Common Denominator”. Es
enthält das eingängigste und kraftvollste Material, das die Band je geschrieben hat. Das Album wurde
mit Tue Madsen aufgenommen, diesmal in den Starstruck Studios in Kopenhagen, Dänemark, was zu einer
massiven metallischen Härte führte.

pre-order now23.09.2022

expected to be published on 23.09.2022

25,17
Tamino - Sahar LP

Tamino

Sahar LP

12inch9618879
COMMUNION
23.09.2022

Die Ankunft von Tamino reicht aus, um selbst einen Agnostiker über die Vorsehung nachdenken zu lassen.
Der belgisch-ägyptische Sänger kam erst als Teenager zur Gitarre, als er auf dem Dachboden seines verstorbenen Großvaters einen seltenen Resonator fand. Heute spielt er sie zusammen mit der Oud, einer
doppelten Verbindung zu seiner kulturellen Vergangenheit, die er nutzt, um seine emotionale Gegenwart
zu verstehen und zu artikulieren. Und wenn Tamino, dessen Kieferpartie zum Erröten bringen könnte, von
Geheimnissen und Wundern, von Romantik und Hingabe, von Sorgen und Hoffnung singt, dann spürt man,
dass er an diesen Orten war und zurückgekehrt ist, um das, was er erlebt hat, mit einer Stimme zu teilen,
die ebenso stark wie zart, fesselnd wie tröstlich ist. Genau so klingt „Sahar“, sein fesselndes zweites Album
- als wäre Tamino geboren worden, um diese Lieder zu singen, und wir dazu bestimmt, sie zu erleben.
„Sahar“ erscheint als CD und Vinyl.

pre-order now23.09.2022

expected to be published on 23.09.2022

29,37
Kid Kapichi - Here’s What You Could Have Won LP

Kid Kapichi, die Rock-Schwergewichte aus Hastings, haben sich 2019 einen festen Platz in der britischen Rockszene erspielt. Sie bieten eine einzigartige Mischung aus explosiven Riffs, knochenbrecherischen
Liveshows und ohrwurmverdächtigen Melodien des Duell-Lead-Gesangs und der Gitarre.
Die Band wird von Jack Wilson und Ben Beetham (gemeinsame Leadgitarre/Gesang) angeführt, während
die andere Hälfte ihres ohrenbetäubenden Sounds von George Macdonald (Schlagzeug) und Eddie Lewis
(Bass) stammt. Kid Kapichi hat die Bühne bereits mit Frank Carter & The Rattlesnakes, Slaves und
Nothing But Thieves geteilt und ist mittlerweile in aller Munde. Das neue Album ”Here’s What You Could
Have Won” erscheint am 23.09.

pre-order now23.09.2022

expected to be published on 23.09.2022

26,35
Falco - Titanic LP

Falco

Titanic LP

12inch4816744
EMI / Virgin
23.09.2022

Anlässlich des 30-jährigen Jubiläums der Hit-Single Titanic von „Österreichs einzigem Popstar von Weltrang“, wie Falco oft genannt wird, erscheint am 23. September 2022 endlich die Neuauflage des Klassikers
als limitierte farbige 10” Vinyl Edition. Jahrzehntelang war es für Sammler und Fans praktisch unmöglich,
das begehrte Stück zu erwerben.
Zeitreise ins Jahr 1992. Zwei Jahre kein echtes musikalisches Lebenszeichen, Scheidung, Drogen, Alkohol. Doch Falco lebt - und er meldet sich zurück: laut, selbstbewusst, ikonisch. Zwei Jahre kein echtes
musikalisches Lebenszeichen, Turbulenzen, private Probleme. Doch Falco lebt - und er meldet sich zurück:
laut, selbstbewusst, ikonisch.
In einem Interview kündigt er sein neues Album Nachtflug an, und mit ihr die neue Single Titanic. Das
neue Stück soll die „Quintessenz der letzten fünf Jahre sein“, in denen er eine Weltreise, inklusive Findung
seines Selbst und einer neu gewonnen Freiheit, hinter sich brachte. Es gehe ihm „hervorragend“ und die
Musik würde dies widerspiegeln.
30 Jahre später - der Mensch hinter der Kultfigur Falco, Johann „Hans“ Hölzel, lebt nicht mehr. Ein
Autounfall beendete seine aktive Karriere nach vielen Höhen und Tiefen abrupt und tragisch. Doch seine
Musik lebt bis heute weiter, und sie hat nicht vor zu sterben wie der Mensch, der diese einst schuf.

pre-order now23.09.2022

expected to be published on 23.09.2022

18,03
Tarja - I Walk Alone LP

Tarja

I Walk Alone LP

12inch4814210
Vertigo Berlin
23.09.2022

Tarja Turunen ist seit 2005 auf Solopfaden unterwegs. Die ehemalige Sängerin der finnischen SymphonicRock-Formation Nightwish nennt sich seither nur noch Tarja und hat inzwischen zahlreiche Alben veröffentlicht.
Ob klassisch, live eingespielt oder farbenfroher Symphonic Rock, mit ihrem englischsprachigen Rockdebüt My Winter Storm” legte sie bereits 2007 den Grundstein für ihren späteren Soloerfolg.
Die stilistisch abwechslungsreiche Platte erreichte in Deutschland Platz 3 der Albumcharts und wurde mit
Gold ausgezeichnet. Im Zuge des Jubiläums wird der Album-Opener ”I Walk Alone” als limitierte 10-ZollSonderedition auf weißem Vinyl veröffentlicht.
Der fast meditative, von Metal-Gitarren und symphonischem Orchester untermalte Track zu Beginn gipfelt
in einem eingängigen und monumentalen Hardrock-Refrain, dem Tarja die funkelnde Gesangskrone aufsetzt.
Neben der ”Single Version” und der ”Artist Version” enthält die 10inch-Single drei weitere Mixversionen
des Songs: Den markanten ”In Extremo Remix” mit den typischen Sounds der deutschen Mittelalterband,
den stark elektronisch angehauchten ”The Tweaker Remix” und den wahrhaft düsteren ”The Darkroom
Mix” von Deviousnoise.
I Walk Alone” stammt übrigens aus der Feder des erfolgreichen schwedischen Songwriter-Teams Wollbeck/Lindblom/Sommerdahl (das u.a. auch für Tina Arena, den Jazzer Till Brönner oder Südkoreas Girls’
Generation arbeitete).

pre-order now23.09.2022

expected to be published on 23.09.2022

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ERIC COPELAND & JOSH DIAMOND - RIDERS ON THE STORM LP

Basslines like a clumsy, exuberant puppy. A braid of guitar notes tickling your neck. The jittery buoyance of a marimba, so cartoonish you can picture its unblinking technicolor eyes. A snare that cracks like every friend knocking on your door at once. These are the fragmentary beats and visions that Josh Diamond and Eric Copeland spent the last two years exchanging, the magnetic, romantic, completely unashamed chunks stacked into the bubbling delight of "Riders on the Storm." These two are, yes, known for vastness, transcendence, and suffocation. Eric is a founding member of Black Dice, weaponizers of volume, misdirection, and alien language. Josh is a founding member of Gang Gang Dance, whose haunted, murky explorations drag listeners to infinite, irreversible revelations. Given these pedigrees, it's natural to anticipate their collaboration as an itchy, opaque monolith. Within the shit and terror of 2022 it's even understandable to yearn for something like that. But "Riders" with its light heart and wiggle and squirm is actually the record we need. "It's intentional," confirmed Josh of the record's lightness: "just wanting to make the opposite of what's going on outside." Eric reinforced this feeling of liberation and inversion, recalling the freedom of sharing unfinished ideas, of trusting Josh's creativity. "Nobody was vying for anything," he explained, "we were just trying to do it for each other." The completed exchange of sound unrolls like a laughter-filled conversation, Josh and Eric each banking on the other's improvements and re-configurations. The most remarkable thing about this trust, this generosity, is how their pair have managed to invite listeners into it, making everyone a part of this free-spirited dance. "Riders on the Storm" is the first full length collaboration between Josh Diamond and Eric Copeland, following their contribution to Mary Staubitz and Russ Waterhouse's 2020 `Distant Duos' project. It was recorded and mixed with the guidance of Ivan Berko (Hidden Fees, Ghost Exits). In addition to their work with Black Dice and Gang Gang Dance, Eric and Josh are both solo artists. Diamond released his debut solo album, "Seek Rips," in 2021. Copeland released his 16th solo album, "Spiral Stairs," in 2022.

pre-order now23.09.2022

expected to be published on 23.09.2022

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AVR - SANKOFA LP

Uruguayan music that sheds light on a new path, guarded by candombe & hip hop. An hypnotic, contemporary and ancestral record. To listen from beggining to end, in a trance. Include contributions of Hugo Fattoruso y Ruben Rada. Txt: Martín Buscaglia . DESCRIPTION Sankofa is the debut album by Avr (Alvaro Silva), a work that takes form through the research and fusion of Candombe and other Afro rhythms from Río de la Plata region with Hip Hop and Black American Music. Avr, the great-grandson of Juan Julio Arrascaeta (one of the first afrodescendant poets to be published in Latin America) writes throughout the album, using several "africanisms" and lost words that date back from colonial and slavery times, giving the lyrics a connection with his great-grandfather's work, introducing himself as a skilfull MC who travels through past, present and future while using several Candombe rhythms in his flow. Highlighting several personalities from the Afrouruguayan culture and from across the American continent, it also presents itself as a valuable work for those interested in researching cultural figures of Black America, especially, Uruguayan. Under the production of Felipe Fuentes, an album knitted with tons of messages, some direct, some to be discovered, came to life. Sankofa means "to look back, to go forward" which is exactly from the beggining what this musical journey is, from a very heavy and dense, ancestral, drum presence, to complex harmonic compositions and arrangments, a work that counts with important contributions of some of the main afrouruguayan artists. A musical "Guiso" (South American stew) Sankofa is the vision of the world of a young black male, his way of feeling and interpreting the past, present and future; and how to transform it in order to generate something new.

pre-order now23.09.2022

expected to be published on 23.09.2022

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MARISA ANDERSON - STILL; HERE  LP

Marisa Anderson is one of the most eminent guitarists working today. Her lucid, eloquent approach to guitar music and composition has established her as an unparalleled artist and an insightful, coveted collaborator. Anderson"s work draws on a mosaic of folk musics and lives in conversation with myriad musical traditions. Her music is inviting and candid, beckoning the listener into sprawling ecosystems and intimate corners alike, from barren landscapes to verdant thickets, impassioned communal experiences to pensive reclusions. As a master of her instrument, Anderson translates abstractions into undeniably moving music, tracing through traditional folk tunes, imagined Sci-Fi films, and foggy sanctuaries of sound. Still, Here is Anderson at her most direct, laying bare her practice of processing and understanding the world through music and distilling that practice into pieces as expressive as they are transfixing. The pieces of Still, Here center around Anderson"s present. The album is a compendium of living moments captured by her preternatural ability to mold human realities into enduring, lyrical compositions. Away from the road for the longest stretch of her career, the making of Still, Here affirmed for Anderson the role of the guitar as an essential tool in processing external and internal realities. "I don"t get ideas and then turn to the guitar, rather I turn to the guitar to find out what my ideas are. I turn towards it for meaning." The discordance of protest and upheaval emanates from a propulsive acoustic ostinato and mournful dueling pedal steel guitars on "The Fire This Time," pausing only to allow space for the blare of sirens on the Portland street near Anderson"s studio. "The Crack Where the Light Gets In" rapturously revels in the glimmers of hope that peek through a pall of darkness. Across Still, Here, Anderson"s playing transmutes the tributaries of fluctuating emotions into a unified flow, stirring and sublime.

pre-order now23.09.2022

expected to be published on 23.09.2022

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MARISA ANDERSON - STILL; HERE  LP

Marisa Anderson is one of the most eminent guitarists working today. Her lucid, eloquent approach to guitar music and composition has established her as an unparalleled artist and an insightful, coveted collaborator. Anderson"s work draws on a mosaic of folk musics and lives in conversation with myriad musical traditions. Her music is inviting and candid, beckoning the listener into sprawling ecosystems and intimate corners alike, from barren landscapes to verdant thickets, impassioned communal experiences to pensive reclusions. As a master of her instrument, Anderson translates abstractions into undeniably moving music, tracing through traditional folk tunes, imagined Sci-Fi films, and foggy sanctuaries of sound. Still, Here is Anderson at her most direct, laying bare her practice of processing and understanding the world through music and distilling that practice into pieces as expressive as they are transfixing. The pieces of Still, Here center around Anderson"s present. The album is a compendium of living moments captured by her preternatural ability to mold human realities into enduring, lyrical compositions. Away from the road for the longest stretch of her career, the making of Still, Here affirmed for Anderson the role of the guitar as an essential tool in processing external and internal realities. "I don"t get ideas and then turn to the guitar, rather I turn to the guitar to find out what my ideas are. I turn towards it for meaning." The discordance of protest and upheaval emanates from a propulsive acoustic ostinato and mournful dueling pedal steel guitars on "The Fire This Time," pausing only to allow space for the blare of sirens on the Portland street near Anderson"s studio. "The Crack Where the Light Gets In" rapturously revels in the glimmers of hope that peek through a pall of darkness. Across Still, Here, Anderson"s playing transmutes the tributaries of fluctuating emotions into a unified flow, stirring and sublime.

pre-order now23.09.2022

expected to be published on 23.09.2022

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memotone - Clever Dog LP

The illustrious memotone debuts on Accidental Meetings, with a sublime & wonderful thirteen-track LP... Huge tip

The next installment for the AM imprint is headed up by the critically acclaimed artist, memotone. Following previous work for entities such as Black Acre, Disktopia & Termina. Not to mention supplying instrumentation for Batu's debut album, and scoring works for Palace Skateboards.

The multi-instrumentalist showcases his entire repertoire within Clever Dog, thirteen emotive and ambitious tracks traversing between back-alley jazz, low-slung experimental & blissful ambient oddities.

memotone's discography is vast, however, this release truly stands out as a masterpiece. Enough words - dive in.

pre-order now23.09.2022

expected to be published on 23.09.2022

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BOOKERT & THE MG'S - THE SOUL BROTHERS LP
pre-order now23.09.2022

expected to be published on 23.09.2022

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JOHN COLTRANE - MY FAVORITE THINGS LP
  • 1: Giant Steps
  • 2: Naïma
  • 3: My Favorite Things
  • 4: Aisha
  • 5: Soul Eyes
  • 6: Tunji
  • 7: Nancy (With The Laughing Face)

The Music Legend, the collection presenting the history of modern music, is back with a nice gatefold vinyl presenting no other than John Coltrane - the American jazz saxophonist and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.

pre-order now23.09.2022

expected to be published on 23.09.2022

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TOLEDO - How It Ends LP

Toledo

How It Ends LP

12inchGJ00751
Grand Jury Music
23.09.2022
also available

Cassette[9,20 €]


Dan Álvarez de Toledo and Jordan Dunn-Pilz have a special bond. Growing up in Newburyport, Massachusetts, the two were fast and unshakable friends through sleepovers, school choir practices, and discovering formative bands, to the point that now, as roommates in Brooklyn, they finish each other’s sentences. This shared history and obvious love for each other are tangible in their songwriting project TOLEDO, named after the Spanish town and Álvarez’s familial namesake. Their music, which is full of seamless harmonies throughout, skirts the softer edges of indie rock and the darker fringes of pop with each song imbuing a heaping dose of vulnerability and emotional openness. On How It Ends, their debut album which is out September 23 via Grand Jury Music, the two dive into each other’s family histories and traumas as they navigate their own lives as twenty-something musicians. These tracks are striking for their blunt honesty but also for the way Álvarez and Dunn-Pilz’s real-life chemistry translates on record: the 12 songs are as tender as a warm hug and as clarifying as a needed reality check. This LP is the product of deep self-reflection and the necessary hard work that comes with any relationship.

pre-order now23.09.2022

expected to be published on 23.09.2022

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TOLEDO - How It Ends LP

Toledo

How It Ends LP

CassetteGJ00756
Grand Jury Music
23.09.2022
also available

Vinyl[21,39 €]


Dan Álvarez de Toledo and Jordan Dunn-Pilz have a special bond. Growing up in Newburyport, Massachusetts, the two were fast and unshakable friends through sleepovers, school choir practices, and discovering formative bands, to the point that now, as roommates in Brooklyn, they finish each other’s sentences. This shared history and obvious love for each other are tangible in their songwriting project TOLEDO, named after the Spanish town and Álvarez’s familial namesake. Their music, which is full of seamless harmonies throughout, skirts the softer edges of indie rock and the darker fringes of pop with each song imbuing a heaping dose of vulnerability and emotional openness. On How It Ends, their debut album which is out September 23 via Grand Jury Music, the two dive into each other’s family histories and traumas as they navigate their own lives as twenty-something musicians. These tracks are striking for their blunt honesty but also for the way Álvarez and Dunn-Pilz’s real-life chemistry translates on record: the 12 songs are as tender as a warm hug and as clarifying as a needed reality check. This LP is the product of deep self-reflection and the necessary hard work that comes with any relationship.

pre-order now23.09.2022

expected to be published on 23.09.2022

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Beth Nielsen Chapman - CrazyTown LP

On May 6th 2022 two-time Grammy nominee Beth Nielsen Chapman returns with her bluesy new single ‘Hey Girl’, her first new music in over four years, and the first taste of her upcoming 15th album, CrazyTown, out this autumn on Cooking Vinyl With a career spanning nearly 40 years, Beth proves she’s still as vital as ever with this anthemic new track written in reaction to the ‘Me Too’ movement, a song Beth calls her “celebratory shout out to our sisters making their way in the world.”

pre-order now23.09.2022

expected to be published on 23.09.2022

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Jessie Baylin - Jersey Gir LP

“I had to write myself back into existence,” says Jessie Baylin. “I’d been feeling lost, empty, unsure if I’d ever make music again, and I think this album came along to remind me of who I really am, of who I could still become.” Indeed, Jersey Girl is more than just another record for Baylin; it’s a radical act of self-actualization, a moving work of reflection and rebirth from an artist who’s spent the better part of her adult life running from her roots. Written and recorded with GRAMMY-winning producers Daniel Tashian and Ian Fitchuk (Kacey Musgraves, Birdy), the collection marks Baylin’s first release since the passing of her longtime collaborator Richard Swift, whose influence looms large here even in his absence, and it signals the start of a profound new chapter, one marked by love and empathy for the face staring back in the mirror. The songs are lush and dreamy here, drawing on a hazy palette of warm guitars and vintage keyboard tones, and Baylin’s performances are nothing short of mesmerizing, her tender voice front-and-center in the mix as she grapples with guilt and shame, pain and healing, purpose and identity. Baylin’s the first to tell you this wasn’t an easy record to make—in fact, it wasn’t a record she intended to make at all—but sometimes the biggest breakthroughs come from the most unexpected places. “I had to be tricked into writing these songs,” Baylin confesses, “but it was a good kind of trick. I didn’t realize what was happening until I was already in the midst of it, and that turned out to be exactly what I needed.”

pre-order now23.09.2022

expected to be published on 23.09.2022

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Alina Bzhezhinska - Reflections LP

Issued on BBE Music, “Reflections” is the new album by London based harp player and composer Alina Bzhezhinska, alongside her HipHarpCollective. Following up her critically acclaimed debut album “Inspiration” (Ubuntu 2018), Bzhezhinska puts together a second long player, collaborating with British jazz stars Tony Kofi (Saxophones), Jay Phelps (Trumpet), Julie Walkington (Double Bass) and vocalist Vimala Rowe, strongly supported by international talents Mikele Montolli (Electric Bass), Joel Prime (Percussion), Adam Teixeira (Drums) and Ying Xue (Violin & Viola).

 Alina creates a unique sound on the harp with layered effects and electronics, combining original works and covers to pay homage to some of jazz, funk and hip-hop’s greatest innovators. Throughout the record she draws from a variety of influences, including the likes of Dorothy Ashby’s ‘Afro-Harping’, Alice Coltrane’s spiritual outputs, Joe Henderson’s free-form jazz experimentation, 90s Acid Jazz and Trip Hop.

“This album is very vibrant and reflects directly on London’s multicultural community. We had so much fun making this recording - it truly built up our morale in the middle of the pandemic and I hope our fans will feel this energy too. For ‘Reflections’ I tried to break from any stereotypes and limitations - what you hear is my own choice of sounds and influences, taken from the many mixtapes I've been making since I was a teenager. I put together the music I like to listen to when I am happy or sad, when I feel like dancing or meditating. The tunes we play are my own reflections on what I love the most - a free spirit, courage, innovation and all the beautiful things life gives us. I hope our music can reach people’s hearts and evoke all the spectrum of colours and emotions that only the arts can do.” - Alina Bzhezhinska

 Reflections is released on double LP vinyl, limited edition CD & digital formats.

pre-order now23.09.2022

expected to be published on 23.09.2022

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Razor - Cycle of Contempt LP

Anyone that cut their metal teeth with The Big Four, and then dug a little deeper into the indie scene, should receive a major endorphin rush when they discover that speed and thrash masters RAZOR are about to release their first studio offering in 25 years. The album, Cycle of Contempt, is a direct, cutthroat record that pulls no punches and takes no prisoners. From the catchy, concise riffs and insistent beats of album opener “Flames of Hatred” to the double-barreled assault, muted power chord chugging and combative gang vocal of album closer “King Shit,” Cycle of Contempt is a trenchant reminder of a time when clubs around the world were packed with long-haired bands that played as fast as they could and mosh pits that spun and tumbled like clothes in a short-circuiting dryer. As energetic and exciting as Evil Invaders and as urgent and powerful as RAZOR’s 1989 speed-fest Violent Restitution, Cycle of Contempt showcases a band that never stopped spewing venom. “I tried to write songs that everybody could listen to and say, “Yeah, I know a guy who's done that to me or done this, or I know that situation. I can relate to that,” band founder Dave Carlo says. “And I didn’t want to make everything specifically about me because when you do that, you exclude people. I wanted to include everyone that’s ever felt pissed off about anything.” An unrelenting slab of old-school thrash that showcases RAZOR's encyclopedic knowledge of the past along with Carlo’s growth as a songwriter, player, and lyricist, Cycle of Contempt is here to show that RAZOR are as dominating as ever.

pre-order now23.09.2022

expected to be published on 23.09.2022

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Monster Magnet - 4 Way Diablo LP (2x12")

Recorded in four different studios (Sound City Studios, American Studios, The Sunset Lodge and Hydeaway Studios) throughout 2006-2007, 4-Way Diablo is the seventh offering from legendary riff masters Monster Magnet. Featuring rippers such as “Wall of Fire,” “You’re Alive,” and a cover of an obscure Rolling Stones song “2000 Lightyears From Home,” 4-Way Diablo is a true gem in the Monster Magnet catalog. The album is being reissued on August 19th via Napalm Records on white vinyl with gold and black splatter, as well in a limited, special glow in the dark vinyl variant! Don’t sleep on an album Blabbermouth called: “A mix of MAGNET styles old and new, it still bears the unmistakable stamp of one of stoner rock’s most identifiable and unique voices.”

pre-order now23.09.2022

expected to be published on 23.09.2022

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Space Of Variations - IMAGO LP

Space Of Variations

IMAGO LP

12inchNPR999VINYL
Napalm Records
23.09.2022

Unstoppable Ukrainian metalcore unit SPACE OF VARIATIONS ascend to the next level of mind-bending modern metal on their upcoming, in-your-face full-length, IMAGO, out March 18, 2022. Following their 2019 Napalm Records debut, the XXXXX EP, the unbridled outfit breaks new ground and transcends all expectations with their exciting and undeniably fresh second studio album. IMAGO’s multifaceted, cathartic delivery seamlessly mixes gut-punching hardcore riffs and catastrophic breakdowns with colorful electronics, brutalizing vocals and, at times, trance-like synth – exploring elements of djent, hip-hop and even hyperpop influence along the way. The album’s addictively erratic, emotive atmosphere echoes their spontaneous live performance; having previously toured with modern metal giants JINJER, the four-piece relentlessly smashed European stages while captivating each listener with futuristic stylings reverberating the likes of Bring Me The Horizon, Architects, Norma Jean and LANDMVRKS. Furiously crashing opener “SOMEONE ELSE” sets free the uncompromising spirit of SPACE OF VARIATIONS – instantly breaking down genres and placing a forceful exclamation mark at the start with smashing instrumentation and a feverish vocal and lyrical assault by Dmytro Kozhukhar and Olexii Zatserkovnyi. Devastatingly heavy “1M followers” takes no prisoners from the first second and features a hefty appearance from former Asking Alexandria vocalist Denis Stoff, resulting in a fearless, addictive metalcore banger. Tracks like eponymous “IMAGO” and intense mid-tempo “Serial Killer” emphasize the multifaceted nature of SPACE OF VARIATIONS with sporadically scaled-back instrumentation and emotion turned to 10. On the contrary, previously released penultimate post-hardcore dystopia “Ultrabeat” delivers bone-crushing beats and is by far no stranger to the band’s devotees. Closing with an insane verse from Ukrainian rap sensation ALYONA ALYONA, the track undeniably marks a milestone in the unit’s soon-to-be revered history while representing the seething desire to expand all limits of songwriting and creativity. This mindset embodies SPACE OF VARIATIONS and their sonically boggling ode to the future, IMAGO. 1. SINGLE - EN Unstoppable Ukrainian metalcore unit SPACE OF VARIATIONS steps up its game with hard-hitting opener “SOMEONE ELSE” from the upcoming full-length album IMAGO. Previously touring with modern metal giants JINJER, the five-piece already smashed numerous stages across Europe. “SOMEONE ELSE” promises aggressive screams, charging transitions and deadly synth parts straight to your face. Stay tuned for this futuristic metal monster called SPACE OF VARIATIONS! 2. SINGLE - EN Unstoppable Ukrainian metalcore unit SPACE OF VARIATIONS drifts off into distant universes with their second single “vein.mp3” from the upcoming full-length IMAGO. Previously touring with modern metal giants JINJER, the five-piece already smashed numerous stages across Europe. Like a bestial alien, "vein.mp3" goes wild with its shattering drums, thudding bass, heavily distorted guitars and evil screams. Beware of this musical demon called SPACE OF VARIATIONS! 3. SINGLE - EN Unstoppable Ukrainian metalcore unit SPACE OF VARIATIONS reveals its album title track “IMAGO” from the upcoming full-length IMAGO. Previously touring with modern metal giants JINJER, the five-piece already smashed numerous stages across Europe. With melodic, yet distorted and heavy riffing, booming drums and deep growls, "IMAGO" proves itself as SPACE OF VARIATIONS’ anthem! 

pre-order now23.09.2022

expected to be published on 23.09.2022

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Trouble - Live In Stockholm LP (2x12")

Live in Stockholm has Trouble riffing through a fantastic greatest hits setlist that will leave no fan untouched! Finally availble on vinyl for the first time! Remastered and cut in DMM! Trouble were invited by Leif Edling and Candlemass as special guests. The vinyl release (on CD it is available as a bonus disc that we added to the remastered deluxe CD edition of “Simple Mind Condition” covers all 14 tracks the legendary Doom Metal pioneers played that evening, and by hearing Trouble in action you can hear where the band leader of Candlemass, Leif Edling, was inspired. The whole gig is 75 minutes, and the guys serve us the best (lets call it a “Greatest Hits” set) from their long career on a fantastic 2-LP. Everything is played with an incredible passion and love for the music, and it’s really fun to hear the old Doom Metal icons on stage. Eric Wagner didn’t move too so much, he mostly hung over his mic with shades and a cigarette, but that turned out great, because of his amazing voice that was still intact. The tracklist should speak for itself with classics like R.I.P., Fear, Psalm 9, Run to the Light, The Skull and more!

pre-order now23.09.2022

expected to be published on 23.09.2022

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RALPH VAUGHAN WILLIAMS - 1872-1958 LP (2x12")

12 October 2022 will mark the 150th anniversary of Ralph Vaughan Williams’ birth

- A concentration of absolute masterpieces by the best-known British symphonist!
- Ideal performance by his compatriots BBC SO under the baton of Sir Andrew Davis with the participation of Tasmin Little.
- A must-have!

“Sir Andrew lives and breathes this music as to the manner born and takes his beloved BBC SO on a moving journey from shadowy darkness to blazing light. With sumptuous sound this is easily the best "modern" version in the catalogue.”

pre-order now23.09.2022

expected to be published on 23.09.2022

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Motörhead - Hammered (20th Anniversary) LP
  • 1: Walk A Crooked Mile
  • 2: Down The Line
  • 3: Brave New World
  • 4: Voices From The War
  • 5: Mine All Mine
  • 6: Shut Your Mouth
  • 7: Kill The World
  • 8: Dr. Love
  • 9: No Remorse
  • 10: Red Raw
  • 11: Serial Killer

Hammered is the 16th studio album by British rock band Motörhead, released on 9th April 2002. It was recorded in Hollywood and Motörhead was now a three-piece band, with Mikkey Dee on drums, Phil Campbell on guitar and Lemmy on vocals and bass.

This gold and black splatter vinyl is to celebrate the 20th Anniversary of Hammered. LIMITED TO 3500 COPIES IN THE UK.

pre-order now23.09.2022

expected to be published on 23.09.2022

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MÖTLEY CRÜE - Theatre Of Pain

(Remastered)

1st Time EVER on LP for the 40th Anniversary Remasters
‘Theatre of Pain” is certified 4x platinum in the US and their first top 10 album – making it all the way to #6. Includes the timeless classic, with the record-setting video “Home Sweet Home” and first top 40 hit “Smokin’ In The Boys Room” (#16)

pre-order now23.09.2022

expected to be published on 23.09.2022

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Abel Selaocoe - Where is home (Hae Ke Kae) LP

"Here’s a star in the making, a brilliant instrumentalist, an inventive singer and an assured performer who can draw the audience into the palm of his hand"
Tim Cumming, The Arts Desk, January 2022

“…can’t think of one who radiates so much heart and joy as Abel Selaocoe... winningly combines his cello with throat singing, improvising, exhorting the audience to shout or clap, and treating his body as a percussion instrument."
Geoff Brown, The Times, August 2021

pre-order now23.09.2022

expected to be published on 23.09.2022

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Glenn Fallows & Mark Treffel Pres. - The Globeflowers Master Vol.2 LP

Glenn Fallows and Mark Treffel released their first album, ‘The Globeflower Master Vol. 1’, on Mr Bongo in September 2021. With its lush, warm and timeless productions paying homage to classic 60s and 70s soundtrack composers, it was very well received and struck a chord with the scene’s connoisseurs. Louder Than War emphatically stated, "It’s impossible not to like The Globeflower Masters Vol. 1.”, with Gigwise echoing that praise “slickly compelling retro vibes”.

The Globeflower Master Vol. 2 is the slightly edgier and more grown-up sequel to Mark and Glenn's 2021 debut album. For this excursion, the Brighton-based duo wanted to lean a little further into their European film soundtrack influences, with particular inspiration mined from the works of Stefano Torossi, David Shire, and Roger Webb. This expansion of their sound builds upon the rich tapestry of cinematic funk à la David Axelrod, Serge Gainsbourg and Morricone that fashioned Vol. 1. Here the arrangements, melodies, and harmonies have been refined; only what is needed is left. Pulled into its vortex for the ride. This record doesn’t pull any punches.

The recordings are drenched in visual imagery; they stimulate the senses and invite the imagination to roam. Ethereal, hazy memories of lost summers are triggered; the beauty of listening to music when driving along a deserted road in the Italian countryside lined with cypress trees heading towards the sun, and beyond. As the musical journey progresses, we even take a voyage to another planet. Whether these memories are real or constructed recollections of scenes from film and television, the tracks evoke a feeling of nostalgia and comfort. Like all the best music, 'The Globeflower Masters Vol. 2' takes us out of ourselves even if it's only temporarily.

To consolidate the shape of the sound, drummers Timmy Rickard and Ollie Boorman (who also featured on Vol. 1) and John Maiden (Tricky collaborator) sprinkled their magic and forged their stamps onto the recordings. Collaborating with other talented musicians contributed to the picture Mark and Glenn wanted to paint. The ‘Globeflower Master Vol. 2’ is a fitting tribute to the music they love and care deeply about and a glorious addition to their musical world.

out of Stock

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Last In: 3 years ago
Kid Kapichi - Here’s What You Could Have Won LP

Kid Kapichi, die Rock-Schwergewichte aus Hastings, haben sich 2019 einen festen Platz in der britischen Rockszene erspielt. Sie bieten eine einzigartige Mischung aus explosiven Riffs, knochenbrecherischen
Liveshows und ohrwurmverdächtigen Melodien des Duell-Lead-Gesangs und der Gitarre.
Die Band wird von Jack Wilson und Ben Beetham (gemeinsame Leadgitarre/Gesang) angeführt, während
die andere Hälfte ihres ohrenbetäubenden Sounds von George Macdonald (Schlagzeug) und Eddie Lewis
(Bass) stammt. Kid Kapichi hat die Bühne bereits mit Frank Carter & The Rattlesnakes, Slaves und
Nothing But Thieves geteilt und ist mittlerweile in aller Munde. Das neue Album ”Here’s What You Could
Have Won” erscheint am 23.09.

pre-order now23.09.2022

expected to be published on 23.09.2022

28,11
Tini Trampler & Playbackdolls - Chansons 2084 LP

Tini Trampler & Playbackdolls senden genre-transzendente, deutschsprachige Chansons aus der utopischen Zukunft als kosmopolitische Folklore ins Jetzt!

Tini Trampler & Playbackdolls sind bekannt für ihre lebensfrohen, tanzbaren & politischen Lieder, die mit Herz, Empathie und Phantasie zu geistigen Rebellionen führen. Ihre 'Chansons 2084' sind Liebesbriefe aus einer utopischen Zukunft an die Gegenwart im poetischen, deutschsprachigen Wortgewand à la Hildegard Knef und Marlene Dietrich. Vaudeville kulminiert mit wienerischem Blues, Folklore, Rumpelrock à la Tom Waits, Ragtime und Reggae zu hochemotionalen und tanzbaren Chansons.

pre-order now23.09.2022

expected to be published on 23.09.2022

20,63
Death Cab For Cutie - Asphalt Meadows LP
  • 1: I Don't Know How I Survive
  • 2: Roman Candles
  • 3: Asphalt Meadows
  • 4: Rand Mcnally
  • 5: Here To Forever
  • 6: Foxglove Through The Clearcut
  • 7: Pepper
  • 8: I Miss Strangers
  • 9: Wheat Like Waves
  • 10: Fragments From The Decade
  • 11: I'll Never Give Up On You
also available

Black[36,09 €]


pre-order now23.09.2022

expected to be published on 23.09.2022

30,04
Keith Fullerton Whitman - Meakusma (Generators)

Keith Fullerton Whitman brings his 3-part Generators series for Japan’s NAKID label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz.

Hazing into a solemn start of floating organ and slurred drums, the first part fizzes into action with pranging irregularities, tentatively allowing the system to voice varying pitches and nimble rhythms that resemble balletic footwork plies as much as classically-trained instrumentalist flurries. It’s deeply trance-inducing, meditative gear that over the course of 25 minutes slowly gains momentium and complexity, first adding robust arps to complicate the structure, treading the finest line of chaos and discipline. In time, those arps turn themselves into a rhythm track, landing somewhere between Whitman's earliest junglist works as Hrvatski and a sort of plucked rhythmic minimalism that reminds us of Mark Fell’s Sensate Focus, gliding on natural, brownian motion and flux of texture, punctuated by what sound likes a plucking of a drum machine from the inside-out.

In part 2 the mood pools and diffracts in slow-fast meter, bristling ruptures of atonality that send limbs flailing one way and then another, adding subs for a dimensional shift that’s rhythmically fractured but always grounded at the low registers. The wavy embroidery of Whitman's machines trigger each other in endlessly fascinating forms of gyring workshop ballistics and dub reverberations.

A special bonus piece ‘Meakusma (Generators, Soundcheck)’ is the most curious of the lot, with a lone clarinet heard in the air, perhaps a serendipitous inclusion form someone else’s soundcheck, lending an enchanting depth perception to his frolicking bleeps.


[a] 1 | MEAKUSMA [Generators] (190606) Part 1
[b] 2 | MEAKUSMA [Generators, Redactions] (190606) Part 2
[c] 3 | MEAKUSMA [Generators, Soundcheck] (190606)

pre-order now23.09.2022

expected to be published on 23.09.2022

29,37
Perc - Dirt

Perc

Dirt

12inchTPT093
Perc Trax
23.09.2022

Perc returns to Perc Trax with 'Dirt', one of his most raw and uncompromising works to date. Across three versions of the track, one remixed in collaboration with rising US star EAS, Perc fuses together dry looped techno with caustic industrial sounds and just a splash of rave euphoria.

Opening up the release is the original mix of 'Dirt' layering searing top end percussion over cropped breakbeats before dropping unexpectedly to an unmistakable classic piano riff. The riff has been completely replayed and reproduced rather than sampled and provides the kind of sudden jolt that Perc's productions are famous for.

On the B-side Perc teams up with Los Angeles DJ and producer EAS who returns to the label for the first time since his devastating remix of Perc's own 'Dumpster' in early 2021. Perc provides the beats and EAS serves up the 303 lines, as the hedonism of the original mix's piano drop is swapped for a screw faced slice of warehouse acid.

Rounding off the release is Perc's own 'Crowd Mix' which focuses on the beats with additional layers of percussion and atmospheric crowd samples filling the space taken by the piano hook and acid lines of the first two mixes.

'Dirt' will be released as a hand-stamped white label release in a stickered black paper sleeve. The release was mastered by regular Perc Trax mastering engineer Matt Colton at Metropolis studios with Adult Art Club handling visual presentation and design.

out of Stock

Order now and we will order the item for you at our supplier.

10,88

Last In: 2 years ago
Hexagon - Information Paradox LP 2x12"
out of Stock

Order now and we will order the item for you at our supplier.

19,96

Last In: 3 years ago
Popa Chubby - Emotional Gangster

Popa Chubby stands before a sold-out crowd in Paris at l'Olympia - The
theatre where Hendrix, Miles, The Beatles and so many greatsplayed - He
tells the audience : "Je T'aime Mes Amis" !"I love you my friends" and in
that moment it's like the pandemicnever happened.Popa has not stopped
working
He followed the 2020 release celebrating his 30thanniversary ("It's A Mighty Hard
Road") with an introspective outing reflecting his timeat home : "Tinfoil Hat". The
year that has followed has lead to more upbeat themes andtimes. This is strongly
reflected on his latest recording, "Emotional Gangster", out worldwide on
Dixiefrog records on March 2022.And indeed the emotions run high on this
recording. 11 tracks featuring The Chubbfatha on many instruments and doing all
the mixing and recording duties. "Thisrecord definitely reflects happier times and
good solid dose of classic blues !" Says Popafrom his studio full of guitars in the
Hudson Valley. "I specifically included covered like"Hoochie Coochie Man" and
"Dust My Broom" to show respect for the Fathers. WillieDixon has always been my
idol you know".But the real gems here come in Popa's original compositions.
"Equal Opportunity"is a light-hearted sing along that celebrates the feminine at a
time when it is seriouslyneeded. And songs like "Fly Away" and both French and
English versions of "Why YouWanna Make War?" are big standouts !There is more
than an ample amount of pure guitar bliss on this record and slideguitar on tracks
like "Tonight I'm Gonna Be The Man" add flavor to a savory mix ! For an added
bonus Harmonica Wizard Jason Ricci joins Popa on the Blues Rockanthem "New
Way Of Walking" and the swing shuffle "Best For Last".Popa has been given many
accolades in a 30 years career. He shuns recognitionand has little use for awards
as he says it just gets in the way of the music. This has notstopped his last 3
outings from reaching the Billboard Blues Charts. He has also beengiven the
prestigious Red Rooster Award by Willie Dixon's family and been nominatedfor a
Grammy and a W.C. Handy Award.With "Emotional Gansgster Popa puts his heart
on the line and makes a play tosteal yours !

pre-order now23.09.2022

expected to be published on 23.09.2022

30,46
Sandy Denny - The North Star Grassman And The Ravens

Known for her time as vocalist in Fairport Convention and respected
globally , Sandy Denny left a beguiling, ever-evolving body of work - Kate
Bush was to namecheck her in song, and Denny's influence can be heard
in generations of singer-songwriters
After leaving Fairport Convention in late 1969, Sandy Denny formed Fotheringay
with husband Trevor Lucas. After one UK Top 20 LP in summer 1970, the band
split while recording a follow up, leaving Denny free to make her first solo album.
A beguiling mixture of covers and originals, The North Star Grass Man And The
Ravens is one of THE essential British folk-rock albums. From the dreamlike Late
November to the plaintive Next Time Around to her reading of the traditional
standard Blackwaterside, the album is a near perfect capture of the talent on the
scene at that juncture: including Richard Thompson's unmistakable guitar playing,
John Wood's production and Harry Robinson's string arrangements. Released in
September 1971, its reputation has understandably grown exponentially over the
years. Out of print on LP for a number of years, this re-issue faithfully replicates
the original 1971 Island Records UK release with gatefold sleeve and is pressed
onto high quality 180g vinyl

pre-order now23.09.2022

expected to be published on 23.09.2022

27,94
Sandy Denny - Sandy

Sandy Denny

Sandy

12inchUMCLP007
PROPER RECORDS
23.09.2022

Known for her time as vocalist in Fairport Convention and respected
globally , Sandy Denny left a beguiling, ever-evolving body of work - Kate
Bush was to namecheck her in song, and Denny's influence can be heard
in generations of singer-songwriters
From its David Bailey cover photo inwards, 1972's Sandy is arguably the definitive
Sandy Denny album. Recorded at John Wood's Sound Techniques studio, and
produced by Trevor Lucas, it adds some special guests into its mix – 'Sneaky'
Pete Kleinow from The Flying Burrito Brothers enhances It'll Take A Long Time
with his unmistakable pedal steel playing, and New Orleans legend Allan
Toussaint adds a brass arrangement to For Nobody To Hear. But it is Denny's
album. Often, it is impossible not be stopped in your tracks by that beautiful, long
gone yet so-full-of-life voice, especially on two of her career-bests – The Lady and
Listen, Listen. Out of print on LP for a number of years, this re- issue faithfully
replicates the original 1972 Island Records UK release with gatefold sleeve and is
pressed onto high quality 180g vinyl.

pre-order now23.09.2022

expected to be published on 23.09.2022

27,94
Cass McCombs - Heartmind

Cass Mccombs

Heartmind

12inch275461
Anti
23.09.2022

Now available on vinyl, Heartmind is Cass McCombs' biggest album in
years, garnering the best reviews of his career to date
UNCUT ALBUM OF THE MONTH - "One of the most impressive bodies of work of
the century so far."
MOJO ALBUM OF THE MONTH - "On a mission to find out where the heart and
mind intersect.....there is real emotional impact here."
Songs like "Karaoke" are a god-level burst of powerpop perfection, as fetching as
anything Cass has ever cut: Cass triangulates a perch of his very own out among
The Go-Betweens, The dB's, and The Cure,and vibrates there, a beacon. And then,
of course, there is the song's playful if painful lyrical conceit — the lover who is
making all the sacred motions of commitment but whose feelings may be no
more deep or real than someone simply reading the lyrics for "Vision of Love" or
"Stand by Your Man" from some crowded bar's TV screen.
Cass recorded these songs in multiple sessions on both coasts, in Brooklyn and
Burbank. The great Shahzad Ismaily not only cut the staggering "Unproud
Warrior" and four others here but also played lots of bass. Buddy Ross tracked
"New Earth," a paean of post- humanity renewal with several sharp wisecracks.
Ariel Rechtshaid — now a dozen years into his collaboration with Cass, which
began with 2009's Catacombs—captured Cass' scintillating guitars on "Belong to
Heaven," a thoughtful consideration of what we all lose when we lose an old
friend to the inevitable end. The steadfast Rob Schnapf (who previously produced
McCombs' ANTI- debut, Mangy Love) mixed and merged it all. Wynonna Judd
(yes, that one) offers harmonies, while her beau Cactus Moser provides some lap
steel. Joe Russo, Kassa Overall, Danielle Haim, Nestor Gomez are featured on the
album, too.

pre-order now23.09.2022

expected to be published on 23.09.2022

24,58
Jackie Cohen - Pratfall

Jackie Cohen

Pratfall

12inchLPEL255
EARTH LIBRARIES
23.09.2022

Jackie Cohen decided the only way forward was to succumb to crisis, to
relax into it instead of fighting, to find beauty even in the flame an
approach that fuels her sublime new album, Pratfall
Because of the record's pandemic origins, Cohen was only aided in studio by two
collaborators: her husband, Foxygen's Jonathan Rado, and engineer Rias Reed.
"We were a tight pod," she laughs. The three musicians holed up at Sonora
Recorders in Los Angeles, tapping into the studio's vaulted ceilings and haunted
feeling to amplify Cohen's widescreen songwriting. "Elliott Smith recorded some
stuff there, and it always seemed like there was a ghost banging around in there,
turning lights on and off," she says, before adding a cheery followup: "Shakira
recorded there too, can't forget another 5'2" icon." On Pratfall, Cohen renders both
extremes of that range of experience in warm, inviting indie pop. "I didn't want to
write a dirge inspired by the darkest moments of my life, I wanted a cathartic
moment, to experience the emotion and build from it," Cohen says. "This record is
a climax where everything becomes explosive and you can just close your eyes,
give in, and dance it off."
LP Tracks: Two Days / Coup De Grace / The Valley / Pratfall / Ghost Story /
Moonstruck / Dire Love / Lost Without Fear / Some Days / Extra Credit / Scraps
Of Love

pre-order now23.09.2022

expected to be published on 23.09.2022

29,62
The Cradle - Radio Wars

The Cradle

Radio Wars

12inchLPNNA148
NNA Tapes
23.09.2022

Of all the celebrated home recording artists that haunt the pages of
Bandcamp and the basements of the DIY touring circuit, few have had an
output as eclectic, enigmatic, and consistent as The Cradle's Paco
Cathcart
In a departure from The Cradle's more lo- fi works, "Radio Wars" bounces from
track to track with a polished exuberance as Cathcart delivers some of their
catchiest music to date. Pumping with auto- tuned nursery rhyme hooks and
densely-programmed drum machine beats, the album boasts a sonic palette that
owes as much to the production of DJ Rashad and the erratic vocal approach of
Playboi Carti as it does to Cathcart's more familiar Dub and Gamelan influences.
It's a musical world that draws you in quickly and leaves you deeply immersed
throughout its 22 - track running time.
As with previous releases, Cathcart's lyrics celebrate and reflect on the profundity
of day-to-day city life experiences. The words are delivered through deceptively
simple refrains that often mask challenging subject matter. Radio Wars was
written and recorded in NYC in the lead up to and during the COVID-19 pandemic,
a time which included the run up to the electoral defeat of a fascist president,
historic protests against police abuse across the country, as well as the early
months of the pandemic, when NYC was at the center of the outbreak. Social and
political dissonance, alluded to in the album's title, was at a high, and that air of
contradiction can be heard throughout, bleeding into moments that feel intimate
and reflective. Coupled with bold production choices and feverish energy
throughout, "Radio Wars," is a Cradle album of and for the times.
Tracks: Lights Off / Tell Me What You Want / Ha Ha Ha! / Black River Side / My
Right Side / American Spirit / I Went in and You Came Out / Radio Wars / Let’s
Clean Up / City Life / Numb Time / I Love that Music / It’s Not Related / What’s in
Between / I Love the World I’m In

pre-order now23.09.2022

expected to be published on 23.09.2022

27,94
Sorcha Richardson - Smiling Like An Idiot

Sorcha Richardson's debut album 'First Prize Bravery' was the
culmination of her experiences throughout young adulthood, a time
during which she ventured from home in Dublin to New York, Los Angeles
and then back again
After spending time alone over the last two years to focus on creating a body of
work. The result is her second album, 'Smiling Like An Idiot', which she says,
focuses on what her life looked like over the course of those eighteen months."It
mostly tracks one specific relationship," she says. "It's about falling in love with a
person and a place, which in this case is Dublin, and how those two are
interlinked." Thematically it highlights a pursuit of happiness and the full- blown
intensity of new love, but gaining something so life-affirming comes with the fear
that it could just as easily be swept away. 'Smiling Like An Idiot artfully articulates
those moments in life that you don't want to have to go through, but it emerges
with the optimism that - somehow - things will work out for the best in time.
LP Tracks: Archie / Shark Eyes / Spotlight Television / Stalemate / Purgatory /
525 / Good Intentions / Hard to Fake It / Holiday / Jackpot / Smiling Like An Idiot

pre-order now23.09.2022

expected to be published on 23.09.2022

26,26
Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR Big Band - Center Stage

For the first time, super drummer Steve Gadd reunites with his friends
from the "Gadd Gang" days, Eddie Gomez and Ronnie Cuber for a
production with the multiple Grammy Award-winning WDR Big Band
Under the direction of Michael Abene, a deeply grooving album was created,
centered around Steve Gadd and his friends. They are joined by Bobby Sparks II
and Simon Oslender as special guest musicians. The recordings took place in
Studio 4 of the WDR in January and February 2022. Classics from the Gadd Gang
repertoire can be found on Center Stage: "I Can't Turn You Loose," "Che Ore So',"
"Them Changes," "Way Back Home," "Lucky 13," "Honky Tonk/I Can't Stop Loving
You" and "My Little Brother."
A perfect mixture of groovy songs and an excellent ensemble around Steve Gadd
guarantee highest entertainment value.

pre-order now23.09.2022

expected to be published on 23.09.2022

38,24
Connie Han - Secrets Of Inanna

Connie Han

Secrets Of Inanna

12inchMAC1193LP
Mack Avenue
23.09.2022

Rising star pianist/composer Connie Han brings the ancient Sumerian
culture to the present day by channeling Inanna - the ancient Sumerian
goddess of love, beauty and war - on her third release for Mack Avenue
Records
Featuring Katisse Buckingham (alto flute and piccolo), John Patitucci (bass), Rich
Perry (tenor saxophonist) and drummer Bill Wysaske, Secrets of Inanna creates a
new world open to interpretation, harkening back to the ethereal soundscapes of
1970s spiritual jazz with the modern composition Han has received praise for
since her 2018 debut Crime Zone, creating a truly unique soundscape of great
depth.

pre-order now23.09.2022

expected to be published on 23.09.2022

48,53
Kinetika Bloco - Legacy

Kinetika Bloco's 'Legacy' now on limited-edition vinyl with 6-panel poster
of the cover artwork
'Legacy' celebrates the 21st anniversary of the carnival group of the same name,
which was founded by Mat Fox in South London. Usually around 100 strong, this
scaled-down group of Kinetika alumni led by Mat's son Ruben Fox revisit some of
the Bloco's iconic pieces on this landmark recording and features saxophonist
Nubya Garcia, pianist Reuben James and trumpeters Mark Kavuma, Claude
Deppa and Ife Ogunjobi.
They revisit some of the Bloco's iconic pieces on this landmark recording. What is
effectively a big band with guitar, Hammond B3 and a four-piece rhythm section
of Brazilian surdos (bass drums), bells and snare drums, their sound is
refreshingly new, enthralling, and vibrant.
George Clinton: "Don't ever stop grooving like that, you (Kinetika Bloco) own the
world."
Press quotes:
"Kinetika Bloco has created a unique new British carnival sound, drawing its
influences from the Caribbean, Brazil, Africa and New Orleans." - Jazzwise
"Kinetika Bloco are a phenomenon - over the last twenty years the percussion and
horn heavy collective have evolved their own irresistible version of carnival music,
drawing on the many traditions of the Black Atlantic, while acting as a hothouse
for talent development for generations of young London musicians." - Jazzviews
"The group sounds like a British carnival for today, drawing on a Caribbean,
Brazilian, African and New Orleanian influence. Legacy celebrates Kinetika Bloco's
21st anniversary." - Jazz Journal
Kinetika Bloco were featured in the Queen's Platinum Jubilee Pageant, as seen on
TV by millions.

pre-order now23.09.2022

expected to be published on 23.09.2022

31,89
Eugen Cicero & Decebal Badila - Bucharest 1994

Deluxe audiophile 2LP pressing of 'Bucharest 1994', the first joint
performance of Romanian-German jazz pianist Eugen Cicero and
Romanian bassist Decebal Badila, a congenial duo that worked together
successfully until Cicero's early death in 1997
Eugen Cicero - critics reverently called him the man with the "golden hands". For
over 30 years, his name stood for pianistic virtuosity, phenomenal sense of
rhythm and imaginative ingenuity. He masterfully connected works from the
Baroque, Classical and Romantic periods with sophisticated harmonic sequences
from jazz and an infectious rhythm - no one who had attempted such symbioses
before him achieved a similarly inspired and technically accomplished result.
With 'Bucharest 1994', In+Out Records now presents a very special live event by
this man who has created something unique in his mediation between classical
music and jazz standards. This is the first concert with exceptional bassist
Decebal Badila, which laid under lock and key for 28 years. Already at a young
age, Badila adored the music of his older compatriot and was already very
familiar with Cicero's repertoire before their first meeting, which can impressively
be heard on the recordings.
'Bucharest 1994' contains both entertaining, technically demanding and
documentarily indispensable material from the early work of a rising virtuoso
musician and the late work of an exceptional artist whom the jazz world lost far
too early.

pre-order now23.09.2022

expected to be published on 23.09.2022

43,49
Roberta Gambarini - Easy To Love LP 2x12"

In+Out Records releases Italian vocalist Roberta Gambarini's 2006 debut
album - for the first time on vinyl in a limited audiophile signature edition
She is backed by two rhythm sections, consisting of bass players John Clayton
and Chuck Berghofer, drummers Willie Jones III and Joe La Barbera and pianists
Tamir Hendelman and Gerald Clayton. Saxophonist James Moody guests on two
numbers and even contributes some inspired scatting. This album is a real
masterpiece that was recorded live on tape over two afternoons in L. A.

pre-order now23.09.2022

expected to be published on 23.09.2022

43,49
Napalm Death - Scum

Napalm Death

Scum

12inchMOSH003FDRUS
Earache Records
23.09.2022
also available

Marbled Blue Vinyl[32,73 €]

LTD Pink Sleeve[32,73 €]


Universally credited as the band that invented grindcore, it's no
exaggeration to say that Napalm Death are one of the most important
acts in metal history
Earache Records' third ever release (MOSH003), classic debut album 'Scum' had
an immediate, seismic impact in 1987 and its influence can still be felt far and
wide today. To celebrate its 35th anniversary, this essential album is repressed
with a limited-edition Blue colour sleeve. An absolute 'must have' for any heavy
metal collector. Pressed from the original master tapes, the album has been
specially recreated using 'fdr' – full dynamic range mastering - allowing the
music's nuances to shine through and giving the classic album a more ferocious
and dynamic sound, enabling the listener to immerse in the full audio heaviness
like never before.
LP Tracks: Multinational Corporations / Instinct of Survival / The Kill / Scum /
Caught in a Dream / Polluted Minds / Sacrificed / Siege of Power / Control / Born
On Your Knees / Human Garbage / You Suffer / Life? / Prison Without Walls /
Point of No Return / Negative Approach / Success? / Deceiver / C.S. / Parasites /
Pseudo Youth / Divine Death / As the Machine Rolls On / Common Enemy / Moral
Crusade / Stigmatized / M.A.D / Dragnet

pre-order now23.09.2022

expected to be published on 23.09.2022

27,94
Napalm Death - Scum

Napalm Death

Scum

12inchMOSH003FDRUSB
Earache Records
23.09.2022
also available

Black Vinyl[27,94 €]

LTD Pink Sleeve[32,73 €]


Universally credited as the band that invented grindcore, it's no
exaggeration to say that Napalm Death are one of the most important
acts in metal history
Earache Records' third ever release (MOSH003), classic debut album 'Scum' had
an immediate, seismic impact in 1987 and its influence can still be felt far and
wide today. To celebrate its 35th anniversary, this essential album is repressed
with a limited-edition Blue colour sleeve. An absolute 'must have' for any heavy
metal collector. Pressed from the original master tapes, the album has been
specially recreated using 'fdr' – full dynamic range mastering - allowing the
music's nuances to shine through and giving the classic album a more ferocious
and dynamic sound, enabling the listener to immerse in the full audio heaviness
like never before.
LP Tracks: Multinational Corporations / Instinct of Survival / The Kill / Scum /
Caught in a Dream / Polluted Minds / Sacrificed / Siege of Power / Control / Born
On Your Knees / Human Garbage / You Suffer / Life? / Prison Without Walls /
Point of No Return / Negative Approach / Success? / Deceiver / C.S. / Parasites /
Pseudo Youth / Divine Death / As the Machine Rolls On / Common Enemy / Moral
Crusade / Stigmatized / M.A.D / Dragnet

pre-order now23.09.2022

expected to be published on 23.09.2022

32,73
Napalm Death - Scum

Napalm Death

Scum

12inchMOSH003FDRUSP
Earache Records
23.09.2022
also available

Black Vinyl[27,94 €]

Marbled Blue Vinyl[32,73 €]


Universally credited as the band that invented grindcore, it's no
exaggeration to say that Napalm Death are one of the most important
acts in metal history
Earache Records' third ever release (MOSH003), classic debut album 'Scum' had
an immediate, seismic impact in 1987 and its influence can still be felt far and
wide today. To celebrate its 35th anniversary, this essential album is repressed
with a limited-edition Blue colour sleeve. An absolute 'must have' for any heavy
metal collector. Pressed from the original master tapes, the album has been
specially recreated using 'fdr' – full dynamic range mastering - allowing the
music's nuances to shine through and giving the classic album a more ferocious
and dynamic sound, enabling the listener to immerse in the full audio heaviness
like never before.
LP Tracks: Multinational Corporations / Instinct of Survival / The Kill / Scum /
Caught in a Dream / Polluted Minds / Sacrificed / Siege of Power / Control / Born
On Your Knees / Human Garbage / You Suffer / Life? / Prison Without Walls /
Point of No Return / Negative Approach / Success? / Deceiver / C.S. / Parasites /
Pseudo Youth / Divine Death / As the Machine Rolls On / Common Enemy / Moral
Crusade / Stigmatized / M.A.D / Dragnet

pre-order now23.09.2022

expected to be published on 23.09.2022

32,73
Gazpacho - When Earth Lets Go

Gazpacho

When Earth Lets Go

12inchKSCOPE1178
KSCOPE
23.09.2022
also available

LP2[38,24 €]


ACCLAIMED ALBUM FROM NORWEGIAN POST-PROGRESSIVE ART
ROCKERS BACK ON VINYL
Formed in Oslo in 1996 by childhood friends Jon-Arne Vilbo & Thomas Andersen
along with Jan-Henrik Ohme (later joined by Mikael Kromer, Robert R Johansen &
Kristian Torp), Gazpacho have honed their unique sound over a string of critically
acclaimed albums & numerous tours, including several with long-time supporters
Marillion.Albums & tours, the internet & word- of- mouth praise that has greeted
them, have helped the band build a substantial international fan base. While still
an independent band, they were contacted by producer Steve Lyon (Depeche
Mode, The Cure, Paradise Lost, Reamonn, etc). This ended up as a collaboration
on one of the tracks featured on the album, 'Substitute for Murder'.
'When Earth Lets Go', originally released in 2004 has the band joined by drummer
Robert Johansen & sees them take the step from being a "studio band" to a "live
band". 'When Earth Lets Go' is seen by many as a rougher edged album than
'Bravo', a direction Gazpacho wanted to take without repeating themselves.
'When Earth Lets Go' is now available for the first time on single LP via Kscope.
"Norway's best kept Prog secret" CLASSIC PROG ROCK (UK)

LP Tracks: Snowman / Put It On The Air / Souvenir / Steal Yourself / Dingler's
Horses / 117 / Beach House / Substitute For Murder / When Earth Lets Go

pre-order now23.09.2022

expected to be published on 23.09.2022

27,69
Gazpacho - When Earth Lets Go

Gazpacho

When Earth Lets Go

12inchKSCOPE890
KSCOPE
23.09.2022
also available

LP[27,69 €]


ACCLAIMED ALBUM FROM NORWEGIAN POST-PROGRESSIVE ART
ROCKERS BACK ON VINYL
Formed in Oslo in 1996 by childhood friends Jon-Arne Vilbo & Thomas Andersen
along with Jan-Henrik Ohme (later joined by Mikael Kromer, Robert R Johansen &
Kristian Torp), Gazpacho have honed their unique sound over a string of critically
acclaimed albums & numerous tours, including several with long-time supporters
Marillion.Albums & tours, the internet & word- of- mouth praise that has greeted
them, have helped the band build a substantial international fan base. While still
an independent band, they were contacted by producer Steve Lyon (Depeche
Mode, The Cure, Paradise Lost, Reamonn, etc). This ended up as a collaboration
on one of the tracks featured on the album, 'Substitute for Murder'.
'When Earth Lets Go', originally released in 2004 has the band joined by drummer
Robert Johansen & sees them take the step from being a "studio band" to a "live
band". 'When Earth Lets Go' is seen by many as a rougher edged album than
'Bravo', a direction Gazpacho wanted to take without repeating themselves.
'When Earth Lets Go' is now available for the first time on single LP via Kscope.
"Norway's best kept Prog secret" CLASSIC PROG ROCK (UK)

LP2 Tracks: Intro (00:46) / Snowman (04:26) / Put It On Air (05:10) / Souvenir
(03:37) / Steal Yourself (03:52) / 117 (06:23) / Beach House (05:07) / Substitute
For Murder (06:10) / Dinglers Horses (04:19) / When Earth Lets Go (04:49) /
Etching

pre-order now23.09.2022

expected to be published on 23.09.2022

38,24
Status / Non-Status - Surely Travel

Status/Non-Status have spent untold hours gazing out the passenger
side windows of a succession of band vans, watching the country go by
That feeling of observing from a moving object, being somehow both in a place
and outside of it, looking in, is what the band captures on Surely Travel. The
album is a travelogue; a series of snapshots, rooted in history and landscape but
relentlessly looking forward, through the windshield, straining to see what might
be waiting just around the next bend in the road.
Surely Travel trades the band's long-established sludgy, heavy sound (as heard on
2019's Polaris Prize nominated album Warrior Down, released under the band's
previous name Whoop- Szo) for a bold musical clarity and powerfully narrative
lyrics, intense truth seeking, and a heart on the sleeve expression.
Status/Non-Status follow up the 1,2,3,4,500 Years EP and Ombiigizi, band-leader
Adam Sturgeon's collaboration with Zoon, with the anthemic and powerful Surely
Travel.

pre-order now23.09.2022

expected to be published on 23.09.2022

24,50
Cormorant Tree Oh - Swoontide

Swoontide is being released on 12” Limited Edition x 500 sea green 180GSM colour vinyl this September. Cormorant Tree Oh announces the release of folk horror masterpiece, via Trapped Animal! “Marrying skeletal balalaika and disembodied samples with low-lying synth organ lines and a focal point here – Keane’s arresting vocals, it doubles as one of our favourite Irish tracks of the year thus far.” The Thin Air // Trapped Animal is very excited to announce we will be working with new visual and aural talent, Mary Keane aka Cormorant Tree Oh on her folk horror masterpiece that is Swoontide. The Cave, the first single from Swoontide dropped in June on digitals. Mary says on the track: “This song is a celebration of the form and symbolism of caves. They are portals to another realm, the site of our earliest artistic expression, places of transcendence, the hermit’s refuge. They are colossal gees in the landscape. They are where picnicking lovers go to make mischief on a summer’s day. The cave in question is located in Portrane Co.Dublin.” Swoontide is the distillation of several years of Mary Keane’s life, recorded on her laptop as and when a new song or idea would come along. Mary talks about her process: “I love to stitch in samples from nature as so many of my songs are inspired in some way by the natural world. I’m also drawn to more domestic sounds like my mother’s washing machine or water coming to the boil. I play some unusual instruments throughout the album including balalaika, theremin, psaltery and lots of improvised percussion including bread bins, biscuit tins, stones, and a spiral staircase.” Try taking a walk in the dark with this album, we dare you. Track Listing: 1 Thirty Deer Heads 2 Zip Issues 3 Sphere Of The Sensory 4 Pareidolia 5 Holiday Rigor Mortis 6 Pissing Stones 7 All Of It 8 The Cave 9 We Are Fruiting Bodies

pre-order now23.09.2022

expected to be published on 23.09.2022

22,90
Petbrick - Liminal

Petbrick

Liminal

12inchLAUNCH256
Rocket Recordings
23.09.2022

In a world hurtling towards new frontiers of horror on a daily basis, there’s precious little time for pause. For the self respecting artist, the only reasonable solution is psychic warfare. Such is the terrain of Petbrick on the titanic and transformative Liminal. Here on their second album the duo of Wayne Adams (Big Lad/Johnny Broke) and Iggor Cavalera (Sepultura/Cavalera Conspiracy/Soulwax) lays waste to all or any constrictions in its path, Blending a vast sonic landscape with a relentless compunction to break the pain barrier, Liminal is a dizzying exercise in overdrive which can take in industrial abrasions, pulverising rhythmic drive, acid-damaged freakery, cinematic tension and balladic gravitas in disarmingly coherent fashion. Other heads and personalities also came on board to add richness and intrigue to the onslaught - “I believe we got an amazing team of collaborators - from old school friends like Neurosis’ Steve Von Tilll and Converge’s Jacob Bannon to new school artists like Paula Rebbeledo from Rakta and New York doom rappers Lord Goat and Truck Jewelz” notes Iggor. This is an album birthed in difficult times and expressly engaged with raging against the dying of the light. As Iggor puts it “Liminal is an insane mirror of what being isolated feels like - madness through noise experimentations” An alchemical vision fit to both elevate the spirit and destroy everything in its path, ‘Liminal’ is the sound of Petbrick blasting their way through the boundaries of a fresh hell. Tracks: 01. Primer 02. Arboria 03. Pigeon Kick 04. Raijin 05. Lysergic Aura (Feat. Lord Goat & Truck Jewelz) 06. Damballa 07. Ayan 08. Grind You Dull (Feat. Jake Bannon) 09. Chemical Returns 10. Distorted Peace (Feat. Paula Rebellato) 11. Reckoning (Feat. Steve Von Till

pre-order now23.09.2022

expected to be published on 23.09.2022

24,58
TV Blonde - Ghost In My Mirror

TV Blonde is a veritable triple threat—singer, songwriter, producer. Bear witness to the LA native's infectious bedroom soul masterpiece entitled Ghost In My Mirror. Whether your tastes call for harmonics, punchy rhythms, or both - best believe this LP has them in spades. Smoky vocals deliver deep vulnerable expressions, while rolling dreamscapes stain these fluttering reverb laden tracks. The LA native transfixes us with infectious groove after infectious groove. The icy heat of Fuck It Up’s plucked harmonics bleed into warm synth lines with biting vocals. With snares shuffling seismically atop a pastiche funk ground, Fool’s driving percussion pulsates towards a breakdown that emanates a quiet, slick cool. Idyllic soundscapes are in no short supply either and are tenderly crafted; A pillowy bassline sitting beneath crisp high-mids on Where is My Baby adds depth, with liquid synthwork drizzled atop the break. Plucked strings slide underneath grounded musings on Come Back Again, slowly taking the album’s built-up energy and distilling it into slowed down concentrate. While maintaining an aged realism, TV Blonde weaves dreamlike aural tools into inviting and entrancing cuts on Ghost In My Mirror. Soulful and beat-driven tunes lie ahead on this 11-track scape - savor the journey.

TRACKLIST: 1. Ghost 2. Fuck It Up (featuring Palmer Eldritch) 3. Pick Up Your Phone 4. Fool 5. Where Is My Baby 6. My Love Is The End 7. Before The Lie (Prelude) 8. Why Do I Lie 9. Searching For 10. I Feel Ugly Today 11. A Song For My Little Woeful Sinner 12. Don't Break My Chest

pre-order now23.09.2022

expected to be published on 23.09.2022

27,10
Joanna Macy & Anita Barrows - Be Earth Now (Selections From Rainer Maria Rilke's 'The Book Of Hours’)

This is a limited edition pressing of 500, 140-gram, black vinyl records in deluxe tip-on “old style” jackets. Exquisitely printed on textured, water color paper. Digital download included. Be Earth Now comprises forty minutes of potent poetic recitation by Joanna Macy and Anita Barrows from their seminal translation of Rainer Maria Rilke’s The Book of Hours. Channeled in a spiritual fervor in 1899, The Books of Hours remains a profound and highly prescient body of work. Rilke’s poems illuminate paths of embodied mysticism, passionately express ecological grief, and reveal the exquisite expanses of the human heart. The Book of Hours, and now Be Earth Now, offer a poetic map for navigating the heartbreak, rage, and soaring love that so many of us feel in these ecologically urgent and socially emergent times. Rilke’s poems surge with passion and pain for a world that was already teetering toward peril at the turn of the last century, due to the rapid industrialization of Europe, and humankind’s increasing alienation from nature. This work flowed through Rilke in a torrent with sometimes as many as five or six poems arriving in a single day, each self-complete and with no need for later revision. While truly mystical poetry, Rilke’s musings on spirituality overtly critique fundamentalism and organized religion. Instead, Rilke extolls what he finds sacred in the mundane and conjures a sense of wonder for both the more-than-human-world and simply for existence itself. So, who better to give voice to these mystic treasures than Joanna Macy and Anita Barrows? Not only because of their enchanted translations, but also because these women are unquestionably two of our righteous elders. Macy and Barrows have worked diligently for many decades, through art, activism, education, psychology, and spiritual practice, to bring some balance back to this world. The same world that Rilke pleaded with his God to sustain for “just a few more hours,” so that we might have time to mend our relationship with the natural world, to cherish and connect with what is good and real, and to possibly even learn to “be earth now.” A1 Anita Barrows Recites Selections from Rainer Maria Rilke's 'The Book of Hours' B1 Joanna Macy Recites Selections from Rainer Maria Rilke's 'The Book of Hours'

pre-order now23.09.2022

expected to be published on 23.09.2022

28,78
Adult Mom - Driver

Adult Mom

Driver

12inchLR86LP
Lauren Records
23.09.2022

Their third studio album Driver (CD is Available from Epitaph). Lead track “Sober” examines how people’s perception of each other change and deteriorate over time, especially in the wake of a relationship gone sour. On Driver, co-produced by Stevie Knipe and Kyle Pulley (Shamir, Diet Cig, Kississippi), Knipe delves into the emotional space just beyond a coming-of-age, where the bills start to pile up and memories of college dorms are closer than those of high school parking lots. Ultimately seeking the answer to the age-old question posed by every twenty-something; what now? Over the course of 10 tracks, Knipe sets out to soundtrack the queer rom-com they’ve been dreaming of since 2015. Driver incorporates an expert weaving of sonic textures ranging from synths and shakers to ‘00s-inspired guitar tones which convey a loving attention to detail. Lyrically, Knipe radiates an unmistakable honesty mixed with a level of wit and a sense of humor producing intimate yet relatable indie pop songs. Adult Mom began as the solo project of Stevie Knipe at Purchase College. Adult Mom now falls between the playful spectrum of solo project and collaborative band with beloved friends and musicians Olivia Battell and Allegra Eidinger. Since forming in 2012, Adult Mom has released ­ve EPs and two full-length albums; Momentary Lapse of Happily (2015), and Soft Spots (2017). Knipe writes clever and intimate indie pop songs that o‑er a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth.

Tracklist: 1. Passenger 2. Wisconsin 3. Breathing 4. Berlin 5. Sober 6. Dancing 7. Adam 8. Regret It 9. Checking Up 10. Frost

pre-order now23.09.2022

expected to be published on 23.09.2022

26,26
Shahzad Ali Ismaily vs. Niño Lento es Fuego - Ahora Contra el Resto de los Tiempos, Vol. 1

This album records a mystic standoff between Shahzad Ismaily on drums and Niño Lento es Fuego on electric guitar, featuring hypnotic synth storms and spiritual beats brewed into a heavy healing trance. “It was like having that conversation that we never really had,” says Niño Lento es Fuego (a.k.a guitarist Camilo Rodriguez), “‘cause he’s shy, and me too.” Niño Lento and Shahzad Ismaily – multi-instrumentalist, producer and studio owner – have been circling each other for years. They are both legendary players and leaders in their own right who have built many musical worlds in Brooklyn. Ismaily records and performs with artists such as Laurie Anderson, Lou Reed, Tom Waits, Laura Veirs, Sam Amidon, Ceramic Dog, Secret Chiefs 3, John Zorn, Will Oldham and Nels Cline. Rodriguez is a NY-based guitarist and percussionist who co-founded Combo Chimbita, M.A.K.U Soundsystem, Bulla en el Barrio, and Carolina Oliveros y la Nación along with fellow Colombians in New York. He also performs with La Cumbiamba eNeYé, where he first met Ismaily. On September 22, 2022, Figure & Ground releases Ahora Contra el Resto de los Tiempos, Vol. 1, an exploratory and improvisational project comprising six original tracks composed in real time by Shahzad Ali Ismaily (drums) and Niño Lento es Fuego (electric guitar). Produced, recorded and mixed by Lily Wen, the duo recorded guitar and drums live in the room at Figure 8 Recording.

pre-order now23.09.2022

expected to be published on 23.09.2022

25,17
Witch - Introduction LP

Witch

Introduction LP

12inchNA5200LP
NOW AGAIN
23.09.2022

“Electrified by a diet of James Brown, the Stones and Deep Purple, WITCH were the stadium-filling kings of 70' Zamrock." ****MOJO. Archival reissue of the private-press, first issue of the album that launched Zamrock movement in 1972. Completely different recordings of the songs from the better-known Zambia Music Parlour album. Originally pressed in a run of just a few hundred copies and sold by the band at their live shows, this is the first ever reissue of this garage-rock masterpiece.

pre-order now23.09.2022

expected to be published on 23.09.2022

29,37
Lungfish - Pass and Stow

Lungfish's third full-length LP, released in 1994. Produced by Ian MacKaye.

This album was remastered and reissued both 12" LP and CD in September 2010.

This LP pressing is on Green Vinyl.

pre-order now23.09.2022

expected to be published on 23.09.2022

19,29
Jean Claude Vannier - L'enfant Assassin Des Mouches

Within the last ten years the resurgence of sixties Gallic Pop, once known as Ye-Ye music, has escalated beyond an inter-stellar dizzy height. What might have been a waning, embarrassing genre destined for a shelf life/death gathering dust amongst the Eurovisions of yesteryear, the ‘jerk-beat’ psychsploitation records of the latter day French-Disco had soon found new floor space in some of the most credible nightspots in London and Japan.

Without a shadow of doubt, the flagship LP with best odds on becoming a discerning household object was “Histoire de Melody Nelson” by one Serge Gainsbourg. An inimitable, 45-minute concept LP handcrafted by a bass-driven psychedelic rock group and a heaven sent, 1001 piece orchestral and choral symphony. The album left hip hop producers alongside progressive rock aficionados crying out for more and more for years to come. This LP was in a league of its very own… or was it?

The seldom-sung musical arranger for Melody Nelson has become one of the most enigmatic names in French-funk; lorded by many as the “French David Axelrod” Jean-Claude Vannier’s name is the lesser-spotted, tell-tale seal of sample-friendly quality when it comes to crate-digging ‘en Francais’. Suitably, when rumours amongst French record dealers claiming “the band who played Melody Nelson recorded a follow-up lp” became a legend of psychedelic folk-lore. Another unconfirmed rumour about JCV taking the remaining out-takes of the beloved Melody Nelson to create a promo-only experimental rock LP left sample hungry producers and DJs in turmoil…

For those in the know the answers to these mysteries lay flat between the anonymous gatefold sleeve of an undiscovered conceptual album bizarrely entitled “L’Enfant Assassin des Mouches” by a custom-built avant-rock entourage called Insolitudes. The rocking-horse manure treasure hunt began.

So here we have it. The mythical teen-tonic for all those suffering from Melody Nelson withdrawal symptoms. For record collectors looking for that special something, this LP contains the extra-special EVERYTHING. Peruse the following genres: Psychedelic, Classical, Soundtracks, Jazz, Hip Hop, Samples, Avant Garde, Funk. Then place a copy of “L’Enfant Assassin des Mouches” in each section.

History denotes that when ‘our man in Paris’ Msr. Gainsbourg first heard the initial bones of this LP he took his poetic pencil to paper providing bizarre liner notes, thus consummating the most extraordinary concept album of all time. The story “The Child Assassin Of The Flies” was to be included as the only information to grace the LPs highly collectible, concertina gatefold sleeve. The story in full is reproduced in its native-tongue on this very special re-release package. The CD also includes the bonus track “Je M’ Appelle Geraldine”, a beat heavy John Barry-esque track taken from Vannier’s super-rare 7? EP “Point D’Interrogation”.

DJs and Producers such as Jim O’Rourke, Stereolab’s Tim Gane and David Holmes have spent sleepless nights in perusal of original copies of this perfect release and now regard it as ‘One Of The Best’. Recent copies on eBay have commanded ridiculous price-tags, and is now one of the most sought-after articles amongst the vinyl hungry hip-hop community.

pre-order now23.09.2022

expected to be published on 23.09.2022

14,50
Paolo Mosca - Transition LP  2x12"

The Italian magician comes back home with a stellar LP. This is his first album, but it’s a very mature piece, carefully crafted, where all his main influences and genres live in perfect harmony. Dub, house, breaks, acid, ambient, progressive… you name it. Instant classic.

out of Stock

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22,06

Last In: 61 days ago
VIEUX FARKA TOURÉ & KHRUANGBIN - ALI LP

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed "the African John Lee Hooker," one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence. Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka "the Hendrix of the Sahara," an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend. Ali isn't just a greatest hits compilation. It's a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. "To me, music is magic, it is spontaneous, it is the energy between people," Vieux says. "I think Khruangbin understands this very well." The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to playto bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin's reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they're poised to bring Malian music to broader groups of listeners. Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. "I hope it takes them somewhere new, or puts them in a place they haven't felt or heard," Lee says. "It is about the love of new friendship and making something beautiful together," Vieux continues. "It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all."

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23,91

Last In: 8 months ago
VIEUX FARKA TOURÉ & KHRUANGBIN - ALI LP

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed "the African John Lee Hooker," one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence. Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka "the Hendrix of the Sahara," an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend. Ali isn't just a greatest hits compilation. It's a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. "To me, music is magic, it is spontaneous, it is the energy between people," Vieux says. "I think Khruangbin understands this very well." The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to playto bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin's reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they're poised to bring Malian music to broader groups of listeners. Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. "I hope it takes them somewhere new, or puts them in a place they haven't felt or heard," Lee says. "It is about the love of new friendship and making something beautiful together," Vieux continues. "It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all."

out of Stock

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18,70

Last In: 2 years ago
THE SOFT MOON - EXISTER LP

"The whole point of this record was to share every emotion that I feel," sagt THE SOFT MOON aka Luis Vasquez. "No two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life." Daher auch der Titel "Exister", ein Album, das von den ekstatischen Freuden und lähmenden Tiefen des Lebens handelt und davon, dass das Durchhalten und die Existenz manchmal alles ist, was wir haben. Der Grund, warum das Album für Vasquez so persönlich ist, liegt darin, dass sich sein Leben während der Entstehung des Albums stark verändert hat. Er verließ Berlin, sein langjähriges Zuhause, und zog in den Joshua Tree, um während des Lockdowns musikalisch und persönlich etwas Freiraum zu finden. Es fühlt sich wie eine Art musikalischer Neustart für Vasquez an. Das Cover des Albums zeigt ein Foto von Vasquez als Kind und steht stellvertretend für eine Platte, bei der es darum ging, sich wieder mit seinem jüngeren Ich zu verbinden, wobei eine Mutter-Sohn-Beziehung im Mittelpunkt des Albums steht. "It's my child self that you hear all over it," sagt er. "I was reminiscing and hurting a lot during the writing process. This is possibly my most vulnerable record yet." Doch trotz des Schmerzes, der Wut, der Verletzlichkeit und des Schmerzes, die im Kern dieser Platte zu finden sind, gibt es auch ein tiefes Gefühl von Hoffnung und Schönheit. Auf dem abschließenden Titel-Song "Exister" scheint das Album einen Ort des Friedens und des Trostes zu erreichen und endet mit einem ruhigen, nachdenklichen und ergreifenden Moment, der ein Gefühl des Optimismus nach einer Zeit des Umbruchs einfängt.

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21,22

Last In: 3 years ago
Unknown Artist - Habits Stamped Wax 002

After the success of HSW001, we thought it was about time to announce the second stage of our exciting unknown artist vinyl series. HSW002

Early
support from ; Priku, Cosmjn, Barac, Vlad Arapasu, Costin Rp, Rossi, Iuly.B, Rich Nxt, Olivian Nour, SUAT, Mikhu, Dragutesku, Mariano Mateljan, Kirik, Rhadow, Pascal Benjamin, XXX Culture, Lee Hasty & more

Limited Edition (500) (No Repress)
Multi colour 180g Vinyl
White Label
Hand Stamped & Signed with love
Specially designed outer sleeve artwork

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16,51

Last In: 3 years ago
Biertoifel - Skinhead Party LP

180gr. Vinyl limited 100 copies in blood-black haze Color, 350gr Heavy Weight Hardcover, sowie A2 Poster, Download-Code und Textbeiblatt. Fast genau 2 Jahre nach der Veröffentlichung des Debut ''Unsere Strassen Unsere Lieder'' erscheint nun mit ''Skinhead Party'' das zweite Album der Oi! & Streetpunk Band. Und schon nach den ersten Klängen und Gesängen dürfte klar sein: Nicht nur der gleichnamige Titelsong hat dabei locker das Zeug zum Gassenhauer zu werden….BIERTOIFEL hauen hier eine Hymne nach der anderen raus und gehören mit dieser Scheibe neben den Gewohnheitstrinkern wohl derzeit zur Speerspitze deutschsprachiger Oi!-Musik. Parole Spaß, Zusammenhalt, Leben am sozialen Rand in einer Subkultur, wilde Nächte und Oi!Oi!Oi! bis hin zur Liebeserklärung an alle Renee´s….Biertoifel besinnen sich auf alte Tugenden textlich und musikalisch…besingen das was für viele vom Way of Life in den letzten Jahren abhanden gekommen ist. Fette Bassläufe und Gitarrenmelodien paaren sich mit dem Biertoifel typischen Wechsel aus rauhen und melodischem Vocals der beiden Sänger, Mitgröhlrefrains und ""Fäuste bzw Humpen hoch"-Perlen inklusive . Und wer als besonderes Bonbon "Oi-Konzert" von den ehemaligen Mainzer Droogs "Springtoifel" covert, hat eh alles richtig gemacht.

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17,02

Last In: 3 years ago
Makaya McCraven - In These Times LP

Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.

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19,79

Last In: 3 years ago
COMPRO ORO - BUY THE DIP LP

Compro Oro

BUY THE DIP LP

12inchSDBANULP24LTD
SDBAN ULTRA
21.09.2022

Ghent based psych jazz collective Compro Oro, are set to release new album 'Buy The Dip' on the 2nd September via the groove-obsessed Sdban Ultra label. Having received critical acclaim for their 2020 album 'Simurg' - a collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel - the band's fifth album is less ethno- and more techno-logy, both on a musical and conceptual level.

With tastemaker fans including BBC 6 Music's Gilles Peterson and Stuart Maconie alongside Jazz FM's Jez Nelson, the band's spontaneous quest for psychedelic sounds and jazz grooves has not stopped expanding since their formation in 2014.

After imaginative musical trips to Havana, Mogadishu and Istanbul for previous releases, Compro Oro went looking for sounds and inspirations from other corners of the globe for 'Buy The Dip'. Synthesizers and electronic effects spice up Compro Oro's distinctive musical marriage of vibraphones, electric guitars, jazzfunk rhythms, exotic percussions and dubby bass patterns. Band leader and composer Wim Segers created these new compositions often on piano or vibes in a more analogue way, leaving enough room for his band mates to colour each track when fine tuning the song.

Segers was inspired by the world of crypto markets and the specific concept of 'buying the dip': bitcoin diggers who play the markets at specific 'low' moments to gain higher profits when prices go up again. Are we all reduced to consuming creatures, seeking for nothing more than the thrill of pointless spending and endless profits? It's a fairly philosophical question - especially for an instrumental album - but it's key for the punchy and eclectic sounds on 'Ben Hur' and 'Bitcoins'.

Apart from those synths and fx, a fair bunch of neo-noir western vibes sprout up on this album as well - think detuned piano's, flamenco-like guitars, rattling snare drums, and imminent whistles. Add to that some laid back sunny pop sounds ('Kayak'), off-hook and swaying Turkish psychedelica ('Karsilama') and even some haunted, kraut-ish vocal parts ('Dungeon'), it's evident Compro Oro has a musical voice without any equal in Belgium and beyond.

Compro Oro released their first album 'Transatlantic' in 2015, an ode to jazz vibraphonist Cal Tjader, an icon of the 1950's Latin jazz movement. The release received critical acclaim back home, lauded in the press as a drunken mix of Buena Vista Social Club and guitarist Marc Ribot's, Cubanos Postizos. Subsequent live shows have been called a celebration for the hips, the ear and the soul.

2017 saw the release of 'Bombarda', a bold EP that sailed South and East of Cuba, incorporating different ethnic rhythms and melodies in elaborate jams. No palm trees and cocktails in Havana this time, but instead dingy basements and LSD in West African cities. The critically acclaimed 'Suburban Exotica' followed in 2019 with 'Simurg', released in 2020, earning the band global success.

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23,49

Last In: 3 years ago
LOVA - Gypsophila Remixes EP

David Lovato’s first outing as LOVA, the superb Gypsophilia EP, was one of NuNorthern Soul’s most lauded and cherished releases of 2021 – a gorgeous collection of emotive, sun-soaked sounds from the mind of a producer who got his chance on the imprint after handing a USB of tracks to Phil Cooper at Hostal La Torre in the summer of 2020.

Now, the EP returns for 2022 in expanded form, with a trio of fresh, mood-enhancing remixes joining the three original tracks featured on last year’s release. It’s those – ‘Cecilia’, Lovato’s glistening, emotionally resonant musical tribute to his baby daughter, mid-tempo nu-disco gem ‘Echoes of Memories’ and the stunning, sunset-inspired ‘Esperanza’ - that form the first half of the EP, with a trio of reworks following in hot pursuit.

Long-time friends of the label Leo Mas and Fabrice, an Italian duo famed for their brilliant Balearic reworks whose individual and collective histories stretch right back to the late 1980s (Mas, for example, was one of the resident DJs at legendary White Isle venue Amnesia at the back end of that decade). Given this shared Balearic history, it’s fitting that they step up first and give their spin on ‘Cecilia’. Making the most of Lovato’s stunning, reverb-drenched guitar licks, dreamy chords and atmospheric pads, the pair delivers a shuffling, club-ready interpretation underpinned by a locked-in dub disco groove. It’s a fine take on a track brimming with positivity and joy.

Hear & Now, an Italian duo best known for delivering a trio of brilliant albums on Claremont 56, give their interpretation of ‘Echoes of Memories’. Beginning with a mixture of quietly colourful chords, enveloping sonic textures and hazy guitar motifs, the mix gently builds as it progresses, with the pair introducing a pitched-down house groove, chiming electronic melodies and alluring elements from Lovato’s original version. Like much of Hear & Now’s work, it sits somewhere be-tween Balearica, slow-motion electronic disco and the Rimini-friendly dream house sound that marked out Italian club cuts at the turn of the ‘90s.

To close out the EP, rising star Danilo Braca – an Italian producer based in New York City who began DJing in his home country way back in 1996 – gently leads ‘Esperanza’ towards the dancefloor. Braca is a member of production duo Synth & Soda, whose 2020 remix of DJ Harvey presents Locussolus track ‘Berghain’ was selected by the man himself as the winner of an online competition. On this solo revision, Braca wraps a punchy, Latin-tinged house beat in cascading melodic motifs, bubbly synthesizer arpeggio lines, rising and falling electronics and pads so sumptuous you might want to marry them. Simultaneously morning fresh and sunset-ready, Braca has delivered a classic-sounding chunk of Balearic nu-disco/deep house fu-sion.

Gypsophilia Remixed is the latest volume in NuNorthern Soul’s Myths of Ibiza series of EPs, which all feature specially commissioned artwork from illustrator Emily McGuinness. This time round, McGuinness’s distinctive artwork depicts Tanit, the ‘protector goddess’ of Ibiza. A warrior deity of dance, fertility, creation and destruction, her spirit is said to watch over the island’s West Coast, particularly the area around Atlantic and the mysterious Es Vedra rock.

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19,75

Last In: 2 years ago
10th Street - (Gonna Get) Hot Tonight / Hot Tonight Part II

Mighty Eye Records is proud to present the first single off its debut release, the self-titled full length album by 10th Street. Comprised of some of the best NYC musicians to grace the music scene in the past 20 plus years, this ode to late ‘70s disco, funk and bogie is sure to be a future classic!

Recorded at Soul Fire Studios (Williamsburg, Brooklyn) over the course of two years, more than twenty musicians were involved in the making of this album, boasting members of El Michels Affair, Lee Fields & The Expressions, The Dap-Kings, Antibalas and more.

“Hot Tonight” is a tight and sexy mid-tempo groover, driven by sultry female vocals from Terri Walker, Katt Rockell, Camille Sledge and a string arrangement by Leon Michels. B-side can seamlessly be mixed into the A-side for a five minute total play time. Get your doubles today!

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13,24

Last In: 3 years ago
MOUNTAIN BREWS - MOUNTAIN BREWS LP 2x12"

Perpetual Doom is proud to present a special double-LP from Mountain Brews. Spearheaded by Jake Longstreth, Los Angeles-based painter and co-host of Apple Music’s Time Crisis with Ezra Koenig, Mountain Brews was founded around a vital American tradition: sippin’ cold ones to the “tasteful palette of seventies rock.” Full of warm melodies and guitars that evoke a Mojave glow, Mountain Brews occupy the sunny spot right between the studio-slick hits of early Eagles and the laidback jams of the Grateful Dead. And now that their four previous EPS are available in a single package, there’s nothing left to do but grab a seat, turn up the music, and crack one open.

Mountain Brews are pros at keeping things loose and light. Recorded by the same group of old pals that make up a LA based Grateful Dead cover band, Richard Pictures—including Longstreth, Aaron Olson, Ryan Adlaf, and John Nixon—these seventeen tracks celebrate the early seventies’ spirit of easy-going collaboration. You can hear it when a guitar slide greets the opening strum on the title track, an assuming ode to the pleasures of drinking and hiking: “As we get to the top of the mountain, there’s a view,” Longstreth sings. “Take a load off and crack a few mountain brews.” And while the song boasts virtuoso playing worthy of Desperado, the vibe is less barstool machismo than six-pack camaraderie.

It’s a self-aware R&R mindset that pulses through tracks like “You Eagled,” which ponders both a great golf score and the trials of becoming “classic,” and “It’s My Masterpiece,” with its tightly coiled licks and breezy nonchalance with regards to inevitable civilizational demise. Sure, the Brews know there’s a down for every up. “Raised in a Place” and “Big Bummer Hotel” acknowledge that even the chillest California cowboys get the middle-aged blues, resurrecting the heartland synthesizers of late eighties Don Henley and Bruce Hornsby to find a little meaning in the madness. And Ezra Koenig and Danielle Haim contribute vocals to help “The Worst Margarita of My Life” go down just a little easier.

These four EPs were recorded between 2019 and 2021 in various bedrooms and studios across California. “Uphill From Here” brings it all back around as guitarist Aaron “Bobby” Olson sings about meeting Jake on the trail once again: “And it’s all uphill from here,” he sings. “We may have to stop and down these beers.” But whether it’s uphill or down, Mountain Brews makes it clear—the journey is better with company.

pre-order now21.09.2022

expected to be published on 21.09.2022

45,59
Marsen Jules - Herbstlaub

Marsen Jules

Herbstlaub

12inchKEPLARREV08LP
Keplar
20.09.2022

»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Castrejón, shines a new light on a record that paved the way not only for the artist’s later work, but also further developments in electronic and ambient music more broadly.

»The noughties were a special time,« says Marsen Jules today. »It felt like there was a new tool made available practically every day that allowed you to create new musical worlds on your computer.« Hence, this prolific phase saw the emergence of a plentitude of genres and styles that can be traced back to individual records—»precious gems that opened up new possibilities and anticipated a lot of what later would be picked up on,« as he describes them. »Herbstlaub« surely falls into this category, having paved the way for a distinct approach to combining elements from classical and electronic music.

While Wolfgang Voigt was focusing on the marriage of romanticism and techno with his Gas project at the same time, the six pieces on »Herbstlaub« follow a very different concept. Through repetition and reduction, Marsen Jules threw any sense of time out of joint while also inserting an emotional component into the music. »What would remain if you abstract musical contents to this degree, how much of your personality would still resonate in it,« he sums up the questions that shaped his approach. »When will reduction result in monotony, and how could unique, magical moments created through repetition?«

More than one and a half decades later, »Herbstlaub« seems both melancholic and brimming with excitement. This is the sound of an artist experimenting freely with the sounds and structures of two supposedly irreconcilable musical traditions with new and exciting tools, creating something previously unheard of in the process.

All tracks composed and recorded by Martin Juhls.
Originally released on CCO in 2005.
Remaster by Stephan Mathieu. Vinyl cut by LUPO.
Cover art by Daniel Castrejón based on the original by Alphazebra.
Text by Kristoffer Cornils.

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13,66

Last In: 70 days ago
Loren Connors - Airs

Loren Connors

Airs

12inchR10LP
Recital
20.09.2022

Over the 15 years since Loren Connors' Airs was first published, it has drawn a thick circle of fans. Gently recorded to cassette tape in 1999, (with wonderfully subtle multi-tracking). Airs is comprised of a series of brief electronic guitar poems. Intimately composed with the patience and purposeful hesitation we have reverently come to expect from Connors. Lyrical melodies recur in different forms throughout the LP, as shifting figures in a dream. Shadowy and sunken, the tone evokes an overcast landscape. The album feels singular; woven along as one flowing piece

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29,37

Last In: 3 years ago
Rick Astley - Whenever You Need Somebody LP

Whenever You Need Somebody" ist das Debütalbum von Rick Astle y, das weltweit für Furore sorgte. 2022 jährt sich der 35. Jahrestag des mehrfach mit Platin ausgezeichneten Albums, das die Albumcharts in
Großbritannien, Australien, Deutschland und Spanien und die Top 10 der Charts in vielen weiteren Ländern anführte. Es ist ein Album, das eine ganze Generation von 80er-Jahre-Popmusik geprägt hat, unter der Leitung des legendären Songwriter-Trios Stock Aitken und
Waterman.

Das in Abbey Road remasterte Album bescherte der Welt eine der bekanntesten und beliebtesten Singles aller Zeiten, "Never Gonna Give You Up", sowie die Hitsingles "Together Forever", den Titelsong "Whenever You Need Somebody" und Ricks Cover des Nat King
Cole-Klassikers "When I Fall In Love".

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25,59

Last In: 3 years ago
Toureau - Telecommande

Toureau

Telecommande

12inchMÜLLER2095
Müller Records
20.09.2022

Limited White Vinyl

nearly ten years ago, toureau releases his last single and there were people who said there was nothing more to come... but it was worth the wait because sometimes things need their time - especially the good ones! so 2022 is the perfect mment to reanimate with müller one of germanys hottest and legendary techno labels, join the forces and start a new chapter.
"telecommande"(french for remote control) is a perfect summer tune with some emotional trancey melodies for the festivalseason. munichs deejay gigolo martin matiske interprets this track in his own unique detroit-infected electro-style a la dopplereffekt and brings back some 80s-retro to the floors. on the flipside AFUs felix bernhardt shows us the "stompy" side of techno and the
perfect sound for the next megarave. last but not least italys rising star vicky montefusco who already releases on marc houles "items&things" presents his own groovy and deep minimalistic remixversion. This release comes in a limited white coloured vinyl edition with a beautiful coverartwork and pictures of famous photographer ralf peters, who already has exhibited
his art in miami, zurich or tokyo...

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13,24

Last In: 3 years ago
Albert Van Abbe & Jochem Paap - General Audio

Albert van Abbe & Jochem Paap join forces for General Audio.

Recorded at Willem Twee studios in Den Bosch, General Audio explores a unique and esoteric approach to sound creation. Using test and measure equipment from the 1950’s, originally designed for the maintenance of various audio and radio transmitters, van Abbe and Paap create otherworldly walls of sound and dense rhythmic abstractions with an early form of synthesis. Rudimentary signals are combined and processed before being committed to tape via mic’s set up to capture the Willem Twee studio’s unique acoustics. The equipment itself predates the invention of the analog, modular synthesizers developed in the 70’s that are now commonplace in many studios.

The record opens with 220Lock-in, a gently undulating drone composition. Effervescent at the top end and fathoms deep at the bottom, it shifts ominously with ring modulated tones that build and then give way to thick washes of white noise. A single synth flourish provides a surprising final moment. The record continues with WZ-1Wobbel Zusatz, a low-sunk percussive piece with an off-kilter rhythm and wet spring reverb doing the bulk of the sonic heavy lifting. Deep in the mix, delicate shifts in pitch and tone deliver a kind of arcane musicality, and as the recording approaches its final moments the piece descends into an exhilarating chaos, with sonic components falling slowly by the wayside. Pegelmesser riffs on a similar reverb characteristic, but this time a driven, arp-like lead propels the work forward. Crisp shifts in colour and distortion arrive unexpectedly, providing a curious musical sensation once more – and harsher moments of feedback break up the recording in its later stages. On Rel 3L 212c LC-pi the pair strip things back, with more present percussive components and subtle distortion lines, before Wandel ups the ante with a corrosive dirge broken up by sporadic submerged synth hits. The penultimate recording SR 250 Boxcar Averager shows off impressive pitch modulation, resulting in a variety of intriguing sensations. Cinematic and remarkably visual, it charts a strange and affecting course, the synth lead underpinned by a repetitive percussive motif and all manner of sends delivering fascinating details. Nim Bin closes the record and once more van Abbe and Paap invite that subtle musicality into the recording. A tight VCO modulation drives the piece while various percussive synth strikes provide a kind of rhythmic component, though they remain untethered to any time signature – a neat conclusion to an intriguing and exploratory record.

Written and Produced by Albert Van Abbe & Jochem Paap

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18,95

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Itzhak Perlman - Tschaikowsky: Violinkonzert, Serenade melancolique LP

Tschaikowsky, so Perlman, "trägt sein Herz auf der
Zunge", und sein Violinkonzert ist ein Werk der
"unverschämten Romantik". Bei aller Sensibilität und
Substanz seiner Interpretation gleitet Perlman nie in
Sentimentalität ab, und im Finale führt er einen
beschwingten Tanz auf. Dieses Konzert hat ihn mehr als
jedes andere durch seine gesamte Karriere begleitet. In
der Tat hat Perlman oft behauptet, er könne es praktisch
im Schlaf spielen. Man könnte es sogar als emblematisch
für seinen Stil ansehen, da es sowohl ungeheure virtuose
Anforderungen an den Interpreten stellt als auch eine
charismatische Wärme ausstrahlt.

pre-order now20.09.2022

expected to be published on 20.09.2022

22,90
Itzhak Perlman - Beethoven: Violinkonzert LP

Itzhak Perlmans Darbietungen dieser beiden großen
Violinkonzerte sind umwerfend und erlangten bereits bei
ihrer Veröffentlichung Legendenstatus. Mit Carlo Maria
Giulini (Beethoven) und Eugene Ormandy (Tschaikowsky)
hat er zwei legendäre Dirigenten als perfekte
Aufnahmepartner gefunden.

Perlman beschreibt es als "eine Reise, die ihn für den
Rest des Lebens begleiten wird" und betont, dass das
Beethoven-Violinkonzert zu den größten musikalischen
Meisterwerken gehört. Seine Bedeutung spiegelt sich in
dieser großartigen Aufnahme wider, die von Carlo Maria
Giulini mit Noblesse dirigiert wird

pre-order now20.09.2022

expected to be published on 20.09.2022

22,90
Pineal Navigation/Daniel Andréasson - COMBINATION 1 EP

When Irish DJ and producer Pineal Navigation set up Awareness System in 2020, he intended to use the label as an outlet for music, specifically Techno & Electro, that told an evocative story. As the world went into lockdown, Niall, aka Pineal Navigation, decided to hone in on a sound that produced a positive frequency and dismantle the negative energy that started to seep into everyday life. Two years on, the Dublin-based artist launches Awareness System with a split EP called ‘Combination 1’. Swedish producer Daniel Andréasson contributes two tracks to the release, adding another layer of intensity that aligns with the label’s aesthetic. Andréasson is an artist who approaches music with a no-frills attitude, which inspired Niall to invite his long-time friend into the fold of Awareness System. On ‘Sensory Open’, Pineal Navigation creates an eerie atmosphere with swirling synths and gnarly basslines — a response to the chaos unfolding in the modern world. Daniel Andréasson cranks up the pace on ‘Enable’ with wonky drum patterns and distorted FX, veering into the darker textures of techno. The flip-side opens with Daniel Andréasson’s ‘Money Is A Motivator’ where he mutates bleeps and crackling percussion, luring the listener into a dystopian soundscape. Pineal Navigation closes the EP with ‘Off The Earth’, a stomping blend of rumbling bass and stabby percussion. A potent club-orientated track to mark the first chapter in the story of Awareness System.

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10,71

Last In: 3 years ago
Shavonne - So Tell Me Tell Me

Emotional Rescue completes the Dancefloor Records trilogy with a detour from House to the oft forgotten movement, Freestyle. Shavonne's So, Tell Me, Tell Me is a unique combination of all time-classic, but underground jam too. Emanating out of Hamilton, Ontario the one off project came about when Rose Iovio was introduced to Massimo Rosati. Her voice and tone instantly made the team pitch at their love of the burgeoning Freestyle scene and the raw track was soon formed. Things came together when they fell in to the orbit of Dancefloor's Jeffrey Osbourne. His expanding labels were looking at the new scene via the M-Pire label and under his guidance the record developed and was released in 1989. With 3 versions included here, the breathless vocals of the original Vocal Mix encapsulate Freestyle in essence. Pitched Lovers vocals atop arpeggios, electro-house bass and skipping hats meets breaks-influenced percussion and its all there. Do you smirk or dance For the deeper heads simply flip it for the Trance Mix. Accentuating the bass, added Enigma-style vocal samples and a yearning key line and you have a late night heads down DJ tool. The Dancefloor series ends with the all out Clubhouse Mix. A time capsule in vinyl form, everything is thrown in the mix. Held together with a stepping bass line and stabbing keys and there you have it - things can also end with an E.

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14,24

Last In: 3 years ago
Marvo Genetic - New World Basics

repressed in Clear Orange Marbled Vinyl


Splendid re-issue of this sought after Dutch ambient techno classic from the early 90's. Produced by the same team behind the It's Thinking project: Gerd, Dirk & Mark. Originally released through Deviate from Utrecht. Now manufactured by the self titled Marvo Genetic imprint, a one-off subsidiary to Gerd's own Frame Of Mind. Including a previously unreleased track called The Reprise found on the original session tapes. Tip!

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11,55

Last In: 3 years ago
MARCOS VALLE - GIRASSOL

Marcos Valle

GIRASSOL

7"-VinylMRB7215
Mr.Bongo
19.09.2022

It comes as no surprise to discover we are massive fans of Marcos Valle here at Mr Bongo, but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently.

'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7”. Composed by Marcos Valle, Paulo Sérgio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.

It’s a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved ‘Estrelar' era of Marcos Valle’s glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.

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15,92

Last In: 3 years ago
Various - You Wanna? / Let's Get it / Freaks

CircoLoco Records is proud to announce CircoLoco Records & NEZ Present CLR 002, now on vinyl with cover art designed by TOILETPAPER.

The second release from the collaborative record label project between CircoLoco and Rockstar Games, CircoLoco Records & NEZ Present CLR 002 features three genre-blending tracks from the Chicago-born, LA-based artist and producer, with guests including Detroit master Moodymann, Three 6 Mafia’s Gangsta Boo, and longtime collaborator ScHoolboy Q:

NEZ – “You Wanna?”
NEZ and ScHoolboy Q – “Let’s Get It”
NEZ, Moodymann, and Gangsta Boo – “Freaks”

CircoLoco Records & NEZ Present CLR 002 takes NEZ’s blend of house, hip-hop, R&B, and electro elements are taken to new heights, adding to his illustrious catalog including heavy-hitting house anthems with Felix da Housecat, Theophilus London, 8AE and others, alongside his production work with Rio on tracks like ScHoolboy Q’s “Man of the Year” and A$AP Rocky’s “Lord Pretty Flacko Jodye 2.”

The tracks have made appearances in sets from BBC Radio 1’s Pete Tong and has support from the scene with artists such as Paul Woolford, Myd, Black Coffee, Jamie Jones, Marco Carlo, Joris Voorn, Tim Sweeney, Luke Solomon, and more.

The EP is also featured in Rockstar Games’ Grand Theft Auto Online, with appearances on in-game radio and as a media collectable within the dynamic world of Los Santos. “Freaks” made its debut appearance in the teaser trailer for Los Santos Tuners.

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14,71

Last In: 6 months ago
DEUX FILLES - SILENCE & WISDOM LP

Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The.

Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.

Silence & Wisdom – the duo’s 1982 debut – is a series of musical vignettes, like the score of an unrealized arthouse film. Blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, the album is recommended for fans of Durutti Column and Virginia Astley’s From Gardens Where We Feel Secure.

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17,44

Last In: 3 years ago
Jamie Leeming - Resynthesis

Jamie Leeming

Resynthesis

12inchSEKITO11
SEKITO
19.09.2022

Having established himself as one of the most sought-after young jazz guitarists in London, Jamie Leeming has steadily carved out his own musical niche, during his extensive work for the likes of Alfa Mist, Tom Misch and Jas Kayser. His debut EP ‘Heartsong’ gained support from Jazz London Radio as one of the “Best Jazz Releases of 2015” and his follow-up collaborative album ‘Flow’ (with pianist Maria Chiara Argirò) received critical acclaim for The Guardian’s “Jazz Album of the Month”. Leeming now unveils his debut solo long-player ‘Resynthesis’ via Alfa Mist’s Sekito imprint.

Jamie’scuriosity has always been a key part of his ever-evolving relationship with music. Whether that be as a teenager and being captivated by the cover of Miles Davis’ Bitches Brew in a local HMV, or his fascination with how we experience memories. ‘Resynthesis’ sees the guitarist creatively hitting his stride and exploring new sonic territories as he takes on the role of producer.

‘Resynthesis’ was created with the help of a handful of close friends, regular collaborators and some of the tightest young players around, many of whom met at an improvised music night hosted by Hugo Piper (who also plays on Resynthesis) called Champion Sounds. It was at one of these nights that the basis for ‘Champion’ was formed, plucked from a twenty second snippet recorded on a phone of one of the legendary jams, which has in turn been reimagined on ‘Resynthesis’ by some of the musicians that were present on the night itself. In addition to the trio instrumentation, Quinn Oulton and Nathaniel Facey lend their skills on saxophone. The album is tied together by artwork from painter and musician Kaya Thomas-Dyke, which includes reference to a number of the memories the album is inspired by.

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25,00

Last In: 3 years ago
Joey Chicago - The Best Of Joey Chicago Volume 1

Fogbank presents The Best of Joey Chicago, an intro collection to some of Joey's best work on the label since its inception in 2011.


DJ Feedback

Roy Davis Jr:
"The entire EP Bangs the floor! Especially J Paul Ghetto’s Remix, keep the heat coming!!!"

C. Da Afro:
"One of my fav disco house producers finally on my favorite format. Vinyl. 4 track ep for every dj who respects the dancefloor. Get your copies & rock the crowd."

Angelo Ferreri:
"All mixes are killer! Really nice funk!"

Nicky P (Johnick/Henry Street)::
"If you're a fan of Joey Chicago, this is for you!!!...obviously, "The Funk Hustle" is the worldwide monster smash here, but, my personal favorites would be "Remember The Way" and "Feels So Good", as they both have the sound of those 90's house tracks that we were making back then, in the jackin' style of today! Grab this entire collection, you won't be disappointed!!!"

Sean Biddle (Bid Muzik)::
"I have been a fan of Joey since his early days. This EP is classic Chicago at his best."

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12,56

Last In: 3 years ago
Prism / 246 aka Susumu Yokota - Remix EP

Prism/246aka.Susumu Yokota

Remix EP

12inchCOS006
Cosmic Soup
19.09.2022

Remastered rarities by the late Susumu Yokota under his 246 and Prism monikers. Go Up was originally a defective release which has since been corrected and remastered and Vol 3 - 02 was not released. It also features a megamix of Ambient Love and Squeeze Up (which feature on Cosmic Soup 005) by Gene On Earth and a remix of Flare's Grip - Prism Remix by Matthew Herbert titled "Herbert's Make It Right Dub". Three legends on this EP. Superbly remastered and cut by Mike Grinser at Manmade in Berlin. Artwork by John Williams.

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20,13

Last In: 3 years ago
Various - 30 Years – We Couldn't Save The Entire Planet, But We Still Like To Save Your Soul

INFRACom!, one of the longest operating Independent labels in Germany, celebrate it´s 30yrs anniversary with a vinyl compilation consisting of tracks that have never been released on vinyl before. Label co-founder Jan Hagenkötter handpicked these from various artist in the catalog, true to the spirit of the label and its operator – We couldn´t save the entire planet but we still like to save your soul.

The artwork was once again designed by Rafael Jimenez Heckmann, a well-known graphic designer from Offenbach. He is responsible for most of the artworks and designs on INFRACom!... his covers have already been awarded several times e.g. in Lürzers Archive and others.

The inlay was designed by the long time friend & well known artist Jim Avignon. In the nineties before Jim went to Berlin and New York to get world famous he lived in Frankfurt for a few years and drew and partied a lot with Jan Hagenkötter & Namé Vaughn…the two DJ´s, friends and founders of INFRACom! He even contributed a song to the very first INFRACom! production. Since that time they cultivate a lovely friendship and Jim was happy to contribute an artwork to this anniversary release.

Most of the tracks included on the compilation were released only on CD and then digitally in the so-called 2000s or noughties, as it was very difficult to release any album on vinyl during that time due to the situation in the music market while the transition from physical to digital products and the piracy phenomenon. Fortunately, today the different formats can coexist again.

INFRACom!, once started locally in Frankfurt with artist like Shantel who released his first recordings on the label. He is featured by a collaboration with the Brazilian duo Rosanna & Zélia. Soon INFRACom! expanded to an international platform for artist from all over the world like Jhelisa (USA), Mop Mop & Gabriele Poso..both from Italy, Metropolitan Jazz Affair the brainchild of French producer and musician Patchworks, Taxi from the UK, Rime from Finland or Aromabar from Austria…all with different styles of music.

The vision of the two founders Jan Hagenkötter & Namé Vaughn was and still is artistically oriented and has never favored just only one style of music.
The roots of INFRACom as a label are based in the various form of black music culture - conditiopned to the influences and personal history of the two founders - but also deeply rooted in the club and DJ culture and various forms of electronic music. The compilation can only show a small glimpse into the universe with tunes that stand the test of time.

One of the best examples is Matthias Vogt with whom the label has a long standing collaboration and who just this year released the album PIANISSIMO on INFRACom!. He can be heard with his Matthias Vogt (Jazz) Trio in a cinematic remix from Joash and two pieces by the highly successful re:jazz band which he leads.

With Valique we are happy to feature a Belarus/Russian artist on the release these days….one who already showed ten years ago on his album artworks what he thinks about the politics of his government. As an open minded label and ethnical diverse ppl. we think “Fuck Putin and his disciples and like-minded people, but let's not condemn all Russian-born people. Some prefer to worship Herbie Hancock...like Valique and we want to support that.”

With Nekta, Dublex Inc. feat Stee Downes and Kosma this release features three more artists from various regions in Germany, each with their great moments.….and last but not least the mysterious Woodland Conclave (UK)…a waltz and a story yet to be told and hopefully will be…on INFRACom!…in the near future!




d A4 | re jazz Feat N'dea Davenport - Don't Push Your Luck (Wagon Cookin´ Vocal Remix)

f B2 | re jazz Feat Mediha - Tears




d A4 | [Re:Jazz] feat. N'Dea Davenport - Don'T Push Your Luck (Wagon Cookin' Vocal Remix)

[f] B2 | [Re:Jazz] feat. Mediha - Tears

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23,95

Last In: 18 months ago
Lemonheads - Creator Lp

Lemonheads

Creator Lp

12inchFIRELP255
Fire Records
19.09.2022

Black vinyl LP with DL.

Note - Sleeve says contains a bonus CD, these represses do not have a bonus CD, they have a download card.

Hate Your Friends is the 1987 debut album by the Lemonheads, one of only three full-length releases to feature the original band line- up of Evan Dando, Ben Deily, and Jesse Peretz. The album showcases a hardcore-punk-to-pop-rock sound and sensibility as playfully fierce as it is surprising…especially to listeners who know the band only from their better-known major label recordings of the 1990s. The roots of Hate Your Friends begin with the genesis of the band itself: when high school friends Ben Deily and Evan Dando—inspired by a shared love of the 70’s absurdist comedy troupe the Firesign Theatre, literature, and punk rock—began playing their own songs together in 1985. Dando and Deily first started out as a two-piece ensemble: swapping back and forth between a shared Guild guitar (and a crappy amp) and vocal mic, and pounding a drum kit “borrowed” from the high school jazz band. With the addition of classmate and friend Jesse Peretz on bass, the two-man outfit quickly became a power trio. With a handful of original songs, a passionate love for their favourite bands—from Husker-Du, the Replacements, Black Flag and the Germs, to the Saints, Wire and ‘77 UK punk—and a tiny recording budget, the Lemonheads set about their first studio session within days of their high school graduation in June of 1986. During that summer, a significant amount of what would become the band’s debut album was recorded in Brookline, Massachusetts, with Deily and Dando sharing vocal, guitar and drumming duties. Above and beyond bass, Jesse proved pivotal as the band’s manager, booker and tireless promoter—helping arrange for the Lemonheads self-released debut EP, Laughing all the way to the cleaners, later that summer, and shortly thereafter helping establish the relationship with Curtis Casella of TAANG! records that paved the way to full-length LP Hate Your Friends. Finally, with the addition of full-time (and fairly short-lived) drummer Doug Trachten, the last songs of Hate Your Friends were recorded in the winter of 1986-7. BONUS TRACKS: This Fire Records re-issue features bonus tracks including 12 never-before-released live tracks from a 1987 radio session, rare tracks from the early compilation Crawling From Within, and additional tracks not included on the original release of Hate Your Friends (“Buried Alive” and “Gotta Stop”).

pre-order now19.09.2022

expected to be published on 19.09.2022

24,33
Nature Boy - Unreleased Ruffness 1993-1994

repressed !

Last in the Nature Boy series we offer you another 6 previously unreleased pumping house trax produced by Milo Johnson in the early 90's. Yes the ruff disco years! Found on dusty DAT tapes, now carefully mastered and cut on wax.

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11,56

Last In: 3 years ago
JOAO GILBERTO - CHEGA DE SAUDADE

Born in Juazeiro, Bahia, Brazil on June 10, 1931 (and 87 years .old at this writing), singer/song writer Joao Gilberto is a living legend of bossa nova. While Antonio Carlos Jobim set the standard for the creation of bossa nova in the mid-’50s (with songs like “The Girl from Ipanema” and “Desafinado”), it was Gilberto who brilliantly reimagined (and, arguably, defined) the genre. The first bossa nova song, titled “Bim-Bom”, was written as Gilberto watched passing
laundresses on the banks of the Sao Francisco River balance loads of clothes on their heads. In 1956 he went to Rio de Janeiro and struck up old acquaintances, most significantly Antonio Carlos Jobim, who was by then working as a composer, producer and arranger with Odeon Records. Jobim was impressed with Gilberto’s new style of guitar playing, and set about finding a suitable song to pitch the style to Odeon management. In 1959 Gilberto presented his first LP, Chega de Saudade. The title song turned into a hit, launching Gilberto’s career and the bossa nova craze. Besides a number of Jobim compositions, the album featured older sambas and popular songs from the 1940s and 1950s, all performed in Gilberto’s distinctive style. This album was followed by two more in 1960 and 1961, by which time the singer featured new songs by a younger generation of performer/composers such as Carlos Lyra and Roberto Menescal.
By 1962, bossa nova had been embraced by North American jazz musicians such as Herbie Mann, Charlie Byrd, and Stan Getz, who invited Gilberto and Jobim to collaborate on what became one of the best-selling jazz albums of all time, Getz/Gilberto. Chega de Saudade was issued in the United States as The Warm World of Jo o Gilberto.

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21,81

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Skinshape - Arrogance Is The Death Of Men LP

Second album in less than a year from the prolific William Dorey. Includes the singles ‘Another Day, ‘Behind The Sun’ and ‘Losing My mind’. CD packaging is gatefold with choice of 5 inserts to ‘choose your own cover’. Building on the success of 2018’s ‘Filoxiny’ (listed as one of Q Magazine’s ‘354 Albums to Blow Your Mind’) and this year’s ‘Umoja’ (“a pleasure to listen to from start to finish” – Songlines magazine) – both of whose singles have peppered the playlists of BBC 6 Music and have lead to his helming of a Bandcamp takeover - Skinshape returns with the witheringly, prophetically titled ‘Arrogance is the Death of Men’. Written and recorded between November 2019 and July 2020, Skinshape bids torecreate something akin to the ‘old style’ of ‘Oracolo’ (2015) and ‘Life & Love’ (2017). With ‘Arrogance…’, Will Dorey’s blueprint points to a simple formula, aligning a bank of fresh drum breaks recorded at the end of 2019 to whatever he had to hand, for a long player recorded in the majority at home due to the COVID-19 lockdown. Forever balanced between sweetness and a sigh, as per his position ‘Behind the Sun’, the Skinshape essence, intricate yet always reachable, at times tailored in a single session and sourcing archive bric-a-brac when required, is all around on the sweetly strummed ‘Tomorrow’ and ‘The Eastern Connection’, featuring Ivan Kormanak on drums. Maintaining an incisive knowledge of global sounds that keeps him in the filmic company of Khruangbin and El Michels Affair, Dorey’s listening to vintage Vietnamese music and Asian film scores provides the basis of ‘Sound of Your Voice’ and ‘Flight of the Erhu’, starring Wan Pinchu on Erhu violin. Acutely aware of the world’s ongoing health crisis without preaching about the whys and wherefores, the title track and ‘Losing My Mind’ reflect enforced confinement as tranquil songs of both quiet consideration yet powerful release. Dorey’s guitar pieces and wraith-like soul continue to flicker with fascination as Indian Summers and fireside retreats beckon, with ‘Watching From The Shadows’ - about “standing up for yourself, and avoiding the limelight for your own good”– and ‘Outro’ gently bringing the album to rest.

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22,65

Last In: 3 years ago
Various - Right On Time Trojan Rock Steady 2x12"
 
24

Right On Time - Trojan Rock Steady is the 2nd part of the exclusive Music On Vinyl’s Trojan compilation series, which celebrates the best works from the legendary reggae label Trojan Records. It was compiled by Laurence Cane-Honeysett, who also wrote the linernotes. Some of Trojan’s finest are featured on this compilation; as there are The Gladiators, The Melodians, The Gladiators, Ken Boothe a.o.

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35,25

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ARUSHI JAIN - UNDER THE LILAC SKY LP (2x12")

Leaving Records presents Under the Lilac Sky, the debut LP by Arushi Jain, an India-born, US-residing composer, modular synthesist, vocalist, technologist, and engineer. At six songs spanning 48 minutes of ambient synth ragas intended to be heard during the sunset hours, Under the Lilac Sky invites the listener to transport themselves through intentional listening. Jain states, “You know that moment when the sun is bidding farewell to the sky, and the colors turn into beautiful hues of purple and pink and everything in between? That is the moment that this album will shine the most. The deeper you listen, the more shades you’ll see.”

Jain’s work focuses on reinterpreting traditional Indian classical music through the lens of electronic instrumentation. She re-contextualizes ancient sounds in a modern framework, carrying the torch of electronic luminaries such as Suzanne Ciani and Terry Riley while pursuing personal explorations of her musical heritage and upbringing. Under the Lilac Sky is a cinematic statement of intent, an album that reverently nods to Jain’s musical history while presenting a bold sonic point of view. Jain states, “This album is the coming together of two distinct cultures of Hindustani classical and modular synthesizers representing the two parts of me that evolved into one whole in between my time in India and California”

Voice is emphasized as an essential element of the album, not just for the lyrics or the melodies but also as a source of texture. It is most recognizable when Jain sings aalaaps or sargam of the different ragas the songs are composed in, however her voice is deeply embedded in other, sometimes quieter layers of the record. Jain, who spent her childhood studying indian classical as a vocalist says, “At any given point, there is at least one layer in the record that carries my voice. The human voice is powerful and unique to every individual. My voice is unique to me, so I decided it should be present at all times even if it’s unrecognizable.”

Another core theme of Under the Lilac Sky is the time of day, and the role it plays in influencing how one interacts with the music. “Intrinsic to Indian classical music is the concept of Time and Seasonality. For each raga, there is a specific time of the day when it is meant to be heard for it to shine in it’s authenticity. It harkens to the question of when the environment around you is most in tune with your own sound and breath, and how it supports you in realizing your vision of the moment. This album is meant to be an ode to those timely rituals, and is best heard while you take a moment to do what you love.”

Jain’s exploratory musical ethos finds a like-minded home within Leaving Records’ “All Genre” philosophy. Jain is acutely aware of her role as a composer and modular synthesist reinterpreting a historical art form. “For Indian classical music, this is atypical. The music I compose is inspired by a centuries old tradition, yet aestheticized in a novel way, using the tools and technical innovations of analog synth movements. My art is crafted using machines that I’ve slowly fallen in love with and made my own.”

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26,01

Last In: 3 years ago
ACT! - Strange Bounty / About Life

Toronto-based musician and producer David Psutka aka ACT! (fka Egyptrixx / Anamai / Ceramic TL) will release his latest project ‘Strange Bounty / About Life’ for his own Halocline Trance imprint.

‘Strange Bounty / About Life’ is Psutka’s debut album proper as ACT! following the release of the “sonic mixtape” ‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’ in 2021; a series of Snapchat filters created by artist Karen Vanderborght and soundtracked by ACT! which explored the poetic and existential potential of AR and social media.

The new album represents a refinement of aesthetic and compositional ideas that exist across Psutka’s various projects and collaborations. It is a bold blend of new psychedelia braided with ecstatic groove. It’s a collage of physical sound, composition and freeform electronics that is simultaneously original, bold, and balmy whilst retaining a certain timeless familiarity and the obvious, indelible hallmarks of Psutka’s creative vision.

“‘Strange Bounty / About Life’ is in some ways my most refined record. The previous period of solo material was quite experimental and spontaneous, whereas this was written slowly and with more intentionality, and as a result, feels very clarified. Robin Dann of Bernice, and Alanna Stuart of Bonjay both contributed lovely vocal work to the record and it was written and performed primarily on guitar. I think it is fair to call this an 'experimental guitar record'.” David Psutka (ACT!)

On opener ‘Oblivion Shuffle’ synths trickle and squelch beneath vintage arcade bleeps, an off-kilter rhythm and mournful vocals. The palette of faintly dystopian electronics, unnerving ambience and scorched, wonky rhythmic pulses reoccur across the album on tracks like ‘Separation Code Is Togetherness Meta’, ’50 Million Motives For Making’, ‘Peace Javelin Heaven Bound’ and ‘Street Racer’.

Elsewhere on the record the guitar is more obviously prominent, and its presence allows the thematic subtleties of ACT’s music to flourish. It becomes clear after numerous listens that there is a push and pull at play across the whole project; one of optimism vs existentialism, of anxiety vs hope - a consistent theme of Psutka’s back catalogue. The track titles themselves even begin to reveal juxtaposition contained within and a deeper inspection of the lyrics reveals more.

‘Lotto’ and ‘Rebuild Your Body’ and title track, ‘Strange Bounty / About Life’ all feature slick classic soul hooks, silky vocals and smooth Balearic guitar licks over the idiosyncratic beats and distinctive electronic instrumentation. A perfect melding of the two seemingly disparate stylistic directions on the album. A real testament to the refinement promised by Psutka on this project.

In addition to ACT!, Psutka has released music with numerous projects including Anamai, Egyptrixx and Ceramic TL, he has collaborated widely with artists such as Junior Boys, Ipek Gorgun, and Kuedo as well as Jessy Lanza (2016) and an official remix for Massive Attack’s ‘Hymn of the Big Wheel (2012). The contributions on this album, from Robin Dann and Alanna Stuart, reflect the deeply collaborative nature of the Halocline Trance label and the Toronto creative scene more broadly.

Many of Psutka’s releases have received critical acclaim from media outlets such as Pitchfork, Exclaim, The Quietus and Resident Advisor. As a live performer, he has toured extensively including performing at Sonar Festival, Roskilde, Mutek, MOMA PS1 Warm-UP and CTM Festival. He’s also presented sound installations at various institutions such as Galeria Civica Commune di Modena, and Art Gallery of Ontario (AGO).

In 2015, Psutka launched Halocline Trance as a home for his various sound projects, events and collaborations. Now a creative collective and label, it has grown to include a diverse array of artists including Casey MQ, Xuan Ye, Myst Milano, Colin Fisher and others. The label is described as “genre-agnostic” and conceptually open, supporting work across a wide spectrum of creative fields including soundtrack recording, AR design and traditional artist albums. Their impeccable roster also includes, theorist/improviser Eldritch Priest, and AR/VR artist Karen Vanderborght. In recent years, Halocline Trance has established itself as a platform that facilitates many of Canada’s most exciting creative music projects. Many of the releases have received critical acclaim from outlets including Pitchfork, Exclaim, Bandcamp and Resident Advisor.

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12,56

Last In: 3 years ago
M-High - Enchant Me EP

M-High

Enchant Me EP

12inchLCS017
Locus
19.09.2022

M-High makes his LOCUS debut with his four-track EP, ‘Enchant Me’.

With Amsterdam’s house scene continuing to flourish, M-High has seen his stock surge in recent months. Still young in the game, his releases and remixes via labels such as META, Moxy Muzik and Politics Of Dancing have seen him flying high alongside his fellow compatriots while also evolving from a label regular to A&R duties at PIV alongside founder Prunk. Having featured for the label’s New Year’s Day party in London, the Dutchman touches down on LOCUS for the first time with four fresh productions via his ‘Enchant Me’ EP.

Title cut ‘Enchant Me’ is a slick and classy effort fusing rich chords and skipping drums with zipping acid lines, while ‘Do You Even Groove’ pairs things back as rolling drums and sweeping electronics zig-zag through sparse textures. Next, ‘Endless Whispers’ combines sharp organ stabs with breezy pads and warm basslines, with the low-end heavy ‘Faded Senses’ closing the show and offering up yet more late-night dancefloor grooves.

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15,55

Last In: 8 months ago
Various - All You Need Is Love  - The Beatles Reggae Songs LP

Released on 180m gram RED vinyl. As Beatlemania approached its peak, Jamaican music was undergoing a transition that started with ska, and then morphed into rocksteady, before assuming its ultimate form as reggae. Inevitably these cultures collided, with artists such as the Paragons and Marcia Griffiths establishing a tradition of creating dynamic reggae covers of the Beatles hits that continues to this day. This album extends this lineage, as some of the best reggae Reggae artists set out on a series of version excursions that include some of the Fab Four’s best loved bitter-sweet cuts.

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24,75

Last In: 3 years ago
Bobby Odonnell / Reeshy - 05

Bobby Odonnell/Reeshy

05

12inchPILOT09
Pilot UK
19.09.2022

After this pair of Leeds residents made waves last November with their first EP for Pilot, Bobby O'Donnell and Reeshy return to lay down four new tracks that definitely stray towards the electro end of the breaks/electro spectrum. There's a sense of continuity, as the first EP's tracks - labelled 1-4, are followed by tracks 5-8, as well as being executed with a proper human touch that not all such machinefunk can boast. '6' is full of spiralling Drexciyan mystery, before being pared down to an LFO-style bass prod. '8' also echoes the former legends of Leeds with its dreamy pads and acid backdrop - something in the local water supply. Definitely funky enough to keep the breaks DJs onside, but with a thorough knowledge of love of 40 years of electronic music heritage at its disposal too, this is one release you should make sure you not miss.

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12,40

Last In: 3 years ago
ML - Life Always Breaks Your Heart

AM006 is by Berlin's ML, titled 'Life always breaks your heart'. Two 30-minute pieces were written, constructed, collaged and fixed together by himself. It's an important story, so there's a copy from ML below and also ours was written by Bokeh Version Industrial to do it justice.

Hallucinated Brazilian poetry read by text to voice engines, supernatural thrillers ripped from Youtube, the clang of cutlery and distant canteen conversation, that noise wire fencing makes when you rake it with a stick, crickets chirping over odd dance emotions, a sample you think your recognise but can’t name…..

The trivial is cosmically important, the cosmically important is trivial. ‘It’s about the product’ - all of life’s a sample. You contain universes.

Alice in Wonderland, late night sessions with kosmische guitar legends, ethnographic chants from an unknown land, “There’s no monopoly of knowledge / there’s no monopoly of power”: forecasts from global political trends, China will be important they say, someone’s whistling a tune that doesn’t exist, I’m thinking of times long before I was born . . .

Growing naturally like a beautiful montage from his field recordings (a rich library of personal psychoacoustic details) and his 150 Session on NTS, ML's Life Always Breaks Your Heart is mixtape-concrète:

Gamelan of the soul, Bio-Curry-Wurst in Kreuzberg, zither overlays the booms of the squatter’s homegrade grenades…

Mark Leckey vs. Alvin Curran, Gustav Flaubert vs Cabaret Voltaire, free association flashbacks with the timestamps mixed up, with added bass guitar, OP-1, Ableton, distinguishing the ‘real’ instruments becomes unimportant….they’re absorbed by memory foam….

No country, no flag – outernational without a cause!

There is no purpose, there is only reverie.

ML -

"A useless ruin, things are falling apart, even in our deepest, we long for harmony. A hypothetical path, for obscure reasons, fades into transparency. The mediocrity of Western culture, sicken by P.R., life offers a chance, a place for enthusiasm. The texture of the world, them can read it in your eyes. In the heart of schizo-culture, distance, suddenly shortened, forms characters as symbols. Deafen by mass media, embittered by unsettled chemistry, the willing body, forever in transition. The pre-invented existence, owned by language, creates a passage towards chaos. Paragraphs of currents, amplify the feelings, while silence leaks into the new luxury of time. Gentrification of sentiments, beneath our palms, all these memoirs. A modern consciousness, stretching over years in narcissistic differentiation. In touch with another human spirit, blowing backwards, beneath dark waters. We put our hands on your body, onto a new landscape, employed by metaphysical mutations. At the edge of the cosmos, prairies and mountains hide the truth in tactical silence. Apparently so, a number of months ago, above our head, a landscape of journals. Mystical content, statistically insignificant. A new patio, them crawled through the walls."

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13,40

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Marxist Love Disco Ensemble - MLDE LP

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Yes, this is a press release, and they are always full of hype, but we were blown away when we heard this album, and we hope it enriches you too.

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24,58

Last In: 3 years ago
Alabê Ketujazz - Kan

Alabê Ketujazz

Kan

12inchPOE0001
Poeira Music
19.09.2022

Candonble rhythms meets Jazz

Alabê Ketujazz was founded in 2012 by french percussioinist/composer Antoine Olivier and brazilian saxophonist/composter Glaucus Linx.

Together, Glaucus and Antoine creatd orignal musica and textures inspired from the rhythms and the rituals, where the saxofone assumes the part of the Orixás telling their story through musical movements.

This artistic approach oponed many esthetic possibilities, transforming the raw material of the rituals in a new music format, essentially brazilian, where the spontaneous creativity of Jazz meets the traditional rhythms of the Ketu Nation: Alabê Ketujazz

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25,42

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Vic Spencer & Small Professor - Mudslide LP

Chicago-meets-Philly when Vic Spencer and Small Professor connect on Mudslide, the incredible new album from this pairing of raw talents. Coalmine Records is proud to share this project with the world, and it marks Small Pro’s third collaborative release on the label after he previously linked with Guilty Simpson and the late Sean Price. For the producer, it was an exciting new opportunity to team up with an emcee who’s gruff-voiced, hilarious, and can out-rap anyone on the planet. “Plus, my past Coalmine projects have their own neo/prog-boom-bap vibe, and ‘Mudslide’ continues that particular sonic blueprint,” Small Pro said. And for fans of that sound, you’re not going to find a better example of that sound than this album. It’s just as experimental as it is steeped in the traditions of rap thanks to Vic’s boundary-pushing rhymes and Small Pro’s immensely satisfying instrumentals. Tracks like “Lil Jon’s Weed Stash,” “Ew McNasty’s Revenge,” and “Selfcare Welfare” marry psychedelic vibes with grounded and clever lyricism. Another immediate standout is the lead focus track “Pitfall Music,” which features a mean-mugging guest verse from Flee Lord with cuts supplied by acclaimed turntablist, DJ Revolution.

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35,08

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Panix / DJ Snowy Buffet - Panix Vs DJ Snowy Buffet

Our second sound-clash instalment sees Panix lock heads with Dj Snowy Buffet.

Based out of South London, Panix made a name for himself in the dubstep scene, before emerging as one of the most exciting producers of UKG and breaks.

The A1, "Premium Dubz" combines moody bass-lines with ravey stabs to make the ultimate 2-step dance floor killer. The A2, "Hefty" does exactly what it says on the tin.. Hefty basslines and squeaky clean 4 to the floor drums.

Dj Snowy Buffet is another veteran of the dubstep game, producing under the well known WZ. Surfacing as his new alias, the Czechoslovakian producer shows depth to his game with a bouncy UKG sound.

The B1, "Can I Tell" provides skippy garage drums and synths certain to light up any set. The B2, "Club Life" showcases the darker side of UKG, with warping basslines and amen breaks.

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12,90

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Full Moon Ensemble Claude Delcloo - Crowded With Loneliness

Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.

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22,65

Last In: 2 years ago
Dianne Elliott - When He Speaks

** FANTASTIC VOCAL JAZZ 2-SIDER - ONE OF THE FINEST OUT THERE **

It was high time for a re-release of Dianne Elliott's monstrous double-sider. We here at TRAMP are very proud to be responsible for this re-issue and we hope that everybody who learns about it is as pleased as we are. For those who are interested in learning more about this incredible 45rpm single we strongly recommend to check out MOVEMENTS Vol.11.

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10,50

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Frederic Rabold Crew - Beatschön

FIRST TIME ON 45! GERMAN JAZZ-FUNK AT ITS BEST!

The Frederic Rabold Crew was found in 1968. The group soon became a well known name within the german modern-jazz scene. On behalf of Goethe-Institut they toured through several eastern european countries. Between 1972 and 1980 they released a total of six albums. The two tracks to be found on this 45 are taken from the 1975 album "Open House". Another fabulous track by Frederic Rabold Crew can be found on our spiritual jazz compilation album "Peace Chant". Well worth to check out too.

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10,71

Last In: 3 years ago
Johnny Walker - Advent LP

Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions.

This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle ‎– Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records.

Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy fat beats laid down by the excellent rhythm section complementing Johnny Walkers cool horn stylings.

Reminiscent of the albums of that early Jazz Dance era by Tom Browne and Rahmlee but with less of a commercial edge and wholly instrumental this is Funky Jazz that has not dated and sounds like it was fresh out of the studio in 2022.

Funk all the way on "Dipping" and "Dirkie" while "Arrival" is one for the Jazz Dancers.

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9,87

Last In: 3 years ago
Zake / Wayne Robert Thomas - To Those Who Dwelt In A Land Of Deep Darkness

zake & Wayne Robert Thomas come together to serve up a thoughtful and healing deep dive into "what it means to continue living life in the face of loss and uncertainty." Their album is one of great depth emotional and full of subtle struggles that we can all relate to. 'To Those Who Dwelt in a Land of Deep Darkness' was first put out as a 10" lathe but now gets pressed dup properly to 12" vinyl with three extra tracks taken from the original recording sessions. They say the best art comes out of adversity and that is certainly true here.

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30,21

Last In: 3 years ago
Jerry Bell - Tell Me You’ll Stay / Call Me

SO, it all started with a conversation with Mark GV Taylor of Reference Point: ‘Do you know anyone who has a Grady Tate 7” ‘Lady Love’ promo single in decent condition for sale?’ It’s the song penned by Jon Lucien.
Sometime after our conversation the man himself, Gilles Peterson then dropped it as his last record in his Boiler Room x Dommune x Technics: A celebration of 50 years of the SL-1200 set and so it snowballed from there. We did some research and found out that to try and find this promotional track in form of good condition was as rare as rocking horse poo!
So here we now are, with Diplomats of Soul & Expansion Records proud to announce the first official release (from the actual master tapes) of the Grady Tate cover of the Jon Lucien classic ‘Lady Love’ with the in demand, first time 7” release of ‘Moondance’ as the B side!!
Why this never got an official release back in 1974 nobody seems to know and we will not attempt to describe this version as no words can really do it justice, if you have not heard it then once you do you will understand why we are so excited!!

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15,08

Last In: 3 years ago
Various - SOMEWHERE Summer '22 Sampler

SoHaSo continues their summer sampler series. Again, the Utrecht based record label brings you some forgotten beauties from the past. Mostly from the Lowlands this time. Perfect Virtue by British trio Shi Take is one of those gems. Tribal house rhythms from 30 years ago, with a bassline that makes you want to wiggle all the way to the center of the dance floor. SoHaSo label head honcho Nuno had been playing a demo of Tools for Fools by Dutch producer Sluwe Vos for years, when he found out the energetic rhythm track never got a proper release. Well, now it has. Flip over for some more forgotten Dutch house history. Jibaros is a project from dance veteran Eric Cycle. It has all the elements that made house music from the lowlands so good in those days: percussive beats, a decent baseline and good melodies sprinkled on top. It's a layercake of sweet stuff that just keeps on building. Very pricey on Discogs nowadays, but luckily Cycle still had the original DAT-tape lying around. Nozem is a bit of the odd one out. It's actually a project by a young dude from the south of Holland but it sounds like he stepped into a time machine which warped him back to the 90s. The vocals (in ancient Greek!) are from Sister of Iris. Closure track Tinkling Sensation by Delta (Alex Dijksterhuis) is more than 25 years old. With it's fast-paced rhythms this piano driven tune could well be something post-progressive from Scandinavia. But this is the real deal. Uplifting rave music from the days people were still carrying fluor sticks.

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12,40

Last In: 3 years ago
J Dilla - Big Booty Express - Remixes

J Dilla

Big Booty Express - Remixes

12inchBBEBG001EP
BBE
19.09.2022

Taken from Dilla's 2001 BBE Music debut solo album Welcome 2 Detroit, 'Big Booty Express' gets the remix treatment from German duo Âme, Parisian Pépé Bradock and London's Coda Deep. Alongside the OG version these new productions add up to a six track exploration of Dilla's tribute to Detroit's melding of the Motor City's Black music heritage with Kraftwerk's experimental Euroelectro. Contributing two mixes to the EP, Parisian producer Pépé Bradock AKA Julien Auger first forays into music were after learning guitar as a 14 year old and playing with various Jazz-Funk bands. At this time he also started DJing with Hip-Hop bands and turning his hand to producing their tracks. As the 90s progressed he also discovered Techno and House music. His musical influences range from Jazz to Dub Reggae and he has remixed for Blaze, Cassius and Alex Gopher among others. Also providing a remix of Big Booty Express is the German production duo of Frank Wiedemann and Kristian Beyer who work together under the name of Âme. After first meeting in Kristian's record shop in their home town of Karlsruhe and bonding over a shared love of Chicago House and Detroit Techno the pair started working together and producing records for Sonar Kollektiv in 2003. The final two remixes on the Big Booty Express EP and only included on the digital package come from the Londoner Coda Deep. Influenced by avant-garde Electronica, Nu Wave and African Tribal sounds, he is a DJ and producer playing deep and melodic Tech and Techno and will also be known to music fans for his 2019 BBE release 'The Running of the Bulls'. This EP of remixes sits very well alongside the catalogue of J Dilla releases on BBE Music and adds to the rich heritage of innovative beat making and music production that we can associate with Dilla and those he worked with.

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21,81

Last In: 2 years ago
Moresounds - Roll G In Dub LP

New instrumental album from French producer Moresounds (Cosmic Bridge, Astrophonica), his second release for Italian label Original Cultures.

Originally intended for a rap project that was never finished, Roll G in Dub takes beats Moresounds had made for MCs and gives them a dub twist in his typical fashion. The result is 9 tracks of club ready, dubbed out trap beats.

Released as a 12" with artwork from Paper Resistance and mastering from Ian Carter (Stick In The Wheel, Various Production).

Early support from Om Unit, Fracture, Kutmah.

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15,92

Last In: 3 years ago
Lewis Parker - Frequency Of Perception LP 2x12"

Lewis Parker continues to dig deeper and get stronger in ways, on his most recent addition to his impressive and wide body of work. 20 plus releases into his career, Parker goes in from the opening bars of his new LP ‘Frequency of Perception’. The veteran producer and rapper comes in hot, clearly rooted in his ideas and views, wasting no time dropping knowledge and his opinions on social issues, current rappers, and the rap industry itself.

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34,41

Last In: 3 years ago
AEIT - Asylum

Aeit

Asylum

12inchRRR029
RIOT Radio Records
19.09.2022

Manchester, UK based duo Leon Wellings Jones and Thomas Filbee form AEIT together, acting as one. These DJ / producers share the same vision of techno, that being a combination of unrelenting drums, blistering pace, raw atmosphere and aggression which is the foundation of AEIT’s powerful approach to industrial underground techno.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, and you thought you’d be safe, you thought you’d be kept hidden from the ravaging storm of mental techno abuse with a place of protection and shelter? NOT HERE, THIS IS RIOT.

We guarantee you’ll require sonic psychiatric treatment after the mayhem, chaos, turmoil, pandemonium, extreme confusion and vivid flashbacks that’ll all play their part after you’ve been mentally broken to pieces by this onslaught of incapacitated disbelief. Just how much this release smashed your head in so gracefully, with forethought of menace, will become apparent once a state of near-unconsciousness from your soul bleeding into the sound system has been released.

WARNING: DEVIANCE IS A GIVEN ……………….. ONCE YOU’RE A RIOTous DEVIANT

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7,44

Last In: 16 months ago
Kaylah - Deviant

Kaylah

Deviant

12inchRRR030
RIOT Radio Records
19.09.2022

This is the BIG 30th release on RIOT Radio Records, our fiercely independent techno label based in Scotland.

Kaylah from Hackney, London is a forward thinking and driven artist who never fails to create or play the heaviest hitting big room destroyers with the most reaffirming explosive energy. Whether it’s his own music productions or when DJing, his tough captivating pace means he’s always ready for the rave.

Continuing with the ‘Limited As Fuck’ series of releases with some twisted screaming techno here that’s so perverted it departs from any usual or accepted standards of behaviour. All four tracks featured are bonified party stompers so full of debauchery and shamelessness you may be regarded as morally corrupt to persecute the dance floor into such a devout compunction of metamorphosis, transforming it into a stalkers paradise.

WARNING: CONDITION RED: HAS BEEN ACHIEVED, THE RIOT INVASION CAN COMMENCE

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7,98

Last In: 6 months ago
Kenny Larkin - Keys, Strings, Tambourines LP 3x12"

From 2008 comes 'Keys, Strings, Tambourines' - Kenny Larkin's fourth full length LP.

Yet another advanced, singular and funked out techno milestone that bears all of Larkin's idiosyncratic stylings and melodic touches. Once more he shows us how it's done, sounding like nothing you've heard from him previously, 'Keys, Strings, Tambourines' is a truly adventurous record that defies categorisation today. Quietly influencing producers and DJs since its release, it points to where techno can go and what it can be and is a truly and criminally overlooked modern Detroit techno classic. This is an essential purchase for all electronic machine-funk aficionados worldwide. This special expanded edition boasts a slightly reshuffled track order and some additional cuts that were only available on singles at the time, now giving the world 3 solid slabs of futurist techno sonics for the believers! Essential music from the motor city.

'Keys, Strings, Tambourines' has been legitimately reissued for 2022 on Kenny’s own Art Of Dance imprint. Remastered from DAT tapes and original sources by Curve Pusher. Artwork redesigned by Atelier Superplus.

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32,35

Last In: 3 years ago
Borders of the Sun - Sa Pa LP

Borders Of The Sun

Sa Pa LP

12inchLMSU01
Lamassu
19.09.2022

Sa Pa's 3rd ep following releases on Marcel Dettman's MDR and last year's release on Australian label, Rosa.

This builds on highly acclaimed album releases for the likes of Mana and Forum as well as a collaborative piece with Felix K, Marcell Dettman and Simon Hoffman for A-Ton under the moniker Rauch.

This record builds on Sa Pa's reputation for lush dub techno soundscapes and can be played either as a whole as one complete piece or broken down into it's constituent parts. It also includes a locked groove edit created with Scott Monteith (Deadbeat) who also helped with post-production.

The record was cut and mastered at Dubplate & Mastering by Helmut Erler.

Part profits from the record will go to homeless charity Caring in Bristol.

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12,40

Last In: 6 months ago
Blackploid - Planetary Science

The Blackploid resurgence of recent years continues to gather steam. After laying dormant for some time, Martin Matiske's project roared back into life in 2021 with a pair of EPs for Central Processing Unit. It doesn't look like he'll be taking his foot off the gas any time soon - not only does the new Blackploid collectionPlanetary Sciencecomplete Matiske's hat-trick for the Sheffield label, but it also serves as a prelude to the full-length album which Blackploid will deliver on CPU in 2023.

If that LP is as good as the tracks we get here, then it's safe to say that we're on to a winner. This EP contains a quartet of top-tier machine-funk productions, the kind of crisp post-Drexciya joints we've come to know and love Blackploid for. Each track onPlanetary Sciencemakes good on the record's title by delivering club tackle flecked with FX which sound distinctly like spaceships blasting off into the cosmos.

There is also progression acrossPlanetary Science. While it still aims for the dancefloor,Planetary Scienceis a somewhat more textured listen than eitherStrange StarsorCosmic Traveler, Blackploid's previous CPU drops. Most notable is the increased use of synth pads, with Matiske draping chord progressions over all of these tracks in order to give his music a newfound depth.

Blackploid's subtle evolution is clear from the opening track. 'Dimension Unknown' may begin with a precision-engineered groove reminiscent of an early Legowelt joint, but things soon soften with the introduction of some rich keyboard chords. A few well-chosen bleeps and bloops flit in and out of the mix, but whereas some would use these to scuff up the track further here they are warm and playful.

The more confrontational stance of following cut 'Magnetron' makes it a yin to 'Dimension Unknown's yang. Blackploid works with similar tools here - machine-gun beat programming, chords playing off boinging bass - but there is a tension and buzz to the track which isn't apparent on its predecessor. The synths have a slight Eighties deep space thriller vibe about them, and the FX cut through the mix with more bite.

'Magnetron's energy carries through to 'Wire', the first track on thePlanetary ScienceB-side. Here a big, brutish bassline takes centre stage from the off, a chunk squarewave equal-parts Dopplereffekt and early Eskibeat. Around this swirls a queasy brew of synthesised tones, with the component parts all arranged in order to channel 'Magnetron's sense of unease.

Planetary Sciencecloses out with 'Neurotransmitter'. On this cut, Blackploid returns somewhat to where we started off, finding a midpoint between 'Dimension Unknown's more spacious feel and the livewire flavour of 'Magnetron' and 'Wire'. Tension remains, particularly when Matiske serves up one of the EP's snakiest basslines, but there's also a deftness to the synth pads here which makes 'Neurotransmitter' a little softer around the edges.

Blackploid limbers up for a forthcoming full-length on Central Processing Unit withPlanetary Science, an EP of stargazing electro joints that quietly expand the project's sonic world.

RIYL:Drexciya, Dopplereffekt, DMX Krew, I-F, Annie Hall

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11,72

Last In: 23 months ago
Motte - Cold + Liquid

Motte

Cold + Liquid

12inchBING173LP
Ba Da Bing
16.09.2022

Anita Clark’s new Motte album, »Cold + Liquid«, builds glacial atmospheres, frozen moods and isolated impressions. Portraying New Zealand through socio-geological sound, breathing in Christchurch cultures and locales, the album embodies an artistic simulation of the Kiwi environment. Motte borrows from an array of sound sources to create an immense entity, with each piece situated precisely along the path. »Cold + Liquid« offers this rich sensory experience, transporting the listener into a world of Clark’s imagination.

As a master violinist, Clark is a favorite of the NZ music scene. She’s been employed by Nadia Reid, Marlon Williams, Lawrence Arabia and Maryrose Crook of The Renderers for her skills. Currently, she plays with The Phoenix Foundation, Luke Buda and Don McGlashan and The Others. Her skillful reach across genres fuels her popularity both with the rock under and overground, and she has also built a rich CV of film soundtracks and contemporary dance compositions.

With such a powerful musical force behind it, Cold + Liquid germinated as a result of a prolonged silence. Clark was suffering from vocal cord paralysis, leaving her with a culminating sense of frustration which could only be released through songwriting . The album’s early life was purely instrumental. But as she prepared for the studio and was searching old voice memos hoping to find vocal tracks, her voice returned. A fervent week followed, where she reimagined the entire album, now with singing. She aimed to make something colossal, and set about finding the right textures to add. A friend who works at Oamaru Freezing Works gave her field recordings of the temperature control room, a vast cold space of isolated machinery, where ice grows and dissolves in ever-evolving sculptures. Getting her hands on shortwave/longwave radios, she incorporated frequency sweeps. Another friend provided her with the mechanical drones underneath the deck of a cement cargo ship, as it lay docked in Lyttelton Harbor. Still more sources came from Sign of the Bellbird, an historic environmental site in South Christchurch, where Clark and Thomas Lambert recorded bellbirds, rolling boulders, snapping sticks, thrown dirt and the papery sound of the native harakeke plant.

While violin dominates the first Motte album, Clark sought to expand instrumentation. She was gifted a handmade Pūrerehua puoro, a traditional Māori instrument that sounds similar to the whirling and hovering of a moth (which is “motte” in German). A reacquaintance to the guitar occurred after developing an alter ego project entitled 'Sex Den,' with sleazy noir-esque guitar riffs in response to a failed rumour from a local drug-addled dive bar. Guitar and synth allowed for a broader songwriting palette along with a sometimes Dadaist approach to lyric writing. These new tools accent the extreme ambiences of »Cold + Liquid«, while additional work was provided by Ben Woods on synth and bowed guitar.

pre-order now16.09.2022

expected to be published on 16.09.2022

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Yutaka Hirose - TRACE: Sound Design Works 1986-1989 2x12"

WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.

TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.

Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".

The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."

TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.

All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.

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25,17

Last In: 3 years ago
CECIL TAYLOR - THE WORLD OF CECIL TAYLOR LP

REISSUE

The World Of Cecil Taylor is the fifth studio album by radical, free jazz pianist pioneer, Cecil Taylor. Taylor"s music is often described as ahead of its time. And it"s easy to imagine what the reaction of the average jazz fan was to this 1961 recording. It is arguably a tremendous departure from what jazz was widely considered to be at the time. At once a modern approach to standard material and a genre pushing exploration, it is a document of an artist pushing the boundaries of what jazz meant and where it was capable of going. This brand new reissue is available on CD and LP (180g) and has been remastered from the original Candid Records master tapes by Bernie Grundman.

pre-order now16.09.2022

expected to be published on 16.09.2022

28,53
The Bled - Found In The Flood

The Bled

Found In The Flood

12inchHOFFVR25V13
Hassle Records
16.09.2022

: Found In The Flood was the second studio album from Arizona hardcore / punk band The Bled, originally release in August 2005.

Found In The Flood was produced by Mike Trombino (Jimmy Eat World, Blink 182, The Starting Line), and was the band's first release after signing with Vagrant Records. The band’s guitarist Jeremy Ray Talley recently commented on their time with the label, speaking with Kerrang Magazine: “We signed to Vagrant because it was a label with a great reputation of taking care of their bands and helping them get to the next level, without having to compromise artistic vision,”

This new pressing is the first since 2014, with two new colourways available and packaged in a hand-numbered outer sleeve. The re-issue is released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

pre-order now16.09.2022

expected to be published on 16.09.2022

27,10
The Bled - Found In The Flood

The Bled

Found In The Flood

12inchHOFFVR25V13
Hassle Records
16.09.2022

: Found In The Flood was the second studio album from Arizona hardcore / punk band The Bled, originally release in August 2005.

Found In The Flood was produced by Mike Trombino (Jimmy Eat World, Blink 182, The Starting Line), and was the band's first release after signing with Vagrant Records. The band’s guitarist Jeremy Ray Talley recently commented on their time with the label, speaking with Kerrang Magazine: “We signed to Vagrant because it was a label with a great reputation of taking care of their bands and helping them get to the next level, without having to compromise artistic vision,”

This new pressing is the first since 2014, with two new colourways available and packaged in a hand-numbered outer sleeve. The re-issue is released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

pre-order now16.09.2022

expected to be published on 16.09.2022

27,10
Chantal Acda & Eric Thielemans - Koyaanisqatsi

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece. Slow deep electric waves, lonely synths in sonic desert landscapes, rhythmic pulses, transporting drums and bells, and deeply longing sounds and voices make up the audible fundamentals of this imagined, neo shamanic, ritualistic music to accompany the Earth as it keeps on supporting our post human frenetics even today. This release contains a selection of the musical material scored for a live performance together with the screening of the movie. The live performance premiered on Film Festival Gent and Vooruit in the fall of 2022.

Currently based in Belgium, Dutch-born Chantal Acda (b. 1978) has worked under the Sleepingdog moniker since 2006, making three acclaimed albums that closed on the 'With Our Heads in the Clouds and Our Hearts in the Fields' (2010) album for which she collaborated with Adam Wiltzie (Stars of the Lid, A Winged Victory For The Sullen). They toured the UK and Benelux with Low in 2011. After all this, it was time for her first real solo record. Playing in various formations (Isbells, True Bypass, Marble Sounds) had made her conscious of the patterns that we all, as humans, share in. So, she sought out kindred spirits with whom she might record an album filled with freedom and intensity, and who were conscious of the patterns we so often fall back on. Nils Frahm was the first of these to cross her path. The inventive German pianist and producer is an intense and adventurous performer and was a perfect match for it. Acda also experienced a direct bond with Peter Broderick, a multi-instrumentalist known from his solo work (on labels such as Bella Union and Erased Tapes) and from his work with, among others, Efterklang. Cellist extraordinaire Gyda Valtysdottir from Icelandic group Múm had previously worked with Chantal as a member of the Sleepingdog live band. And lastly, Shahzad Ismaily stumbled into this picture by chance, but when Acda and he found themselves in the same room they formed an instant rapport. After this first record, 3 other solorecords followed. Chantal kept on searching for a deeper connection with the outside world and recorded "The Sparkle In Our Flaws" (2015) and "Bounce Back" (2017). She also released some live recordings with her band and also Bill Frisell, a highly respected jazz guitarist.(2018). These records were released on the German label Glitterhouse. Chantal and her band toured with these records in Europe. In 2019 Chantal created her first music/theatre performance P_wawau for Oerol Festival, The Netherlands. She worked with Valgeir Sigurdson (Björk, Bonnie Prince Billy,...) and singers from Het Nederlands Kamerkoor. As a result of this, she released the recorded music: Puwawau (2019). In 2021 Chantal released her most recent album Saturday Moon. (2021) For this album she worked with her band (Eric Thielemans, Alan Gevaert, Gaetan Vandewoude and Niels Van Heertum) but also with Bill Frisell, Shahzad Ismaily and Mimi and Alan Sparhawk (Low). Saturday Moon was very well received, internationally, by the press.

Eric Thielemans is a drummer and percussionist. Travelling across music scenes and disciplines, Thielemans navigates by means of his own compass. Most known for his resonant solo works like a Snare is a Bell, Sprang, Aural Mist and Bata Baba Loka and many collaborations with musicians in the experimental music scene, as well as the Jazz scene, and indie folk/pop/rock scenes Thielemans keeps on pushing the borders and expanding conscious aural spaces and territories. Recently, Thielemans has collaborated with PVT - a trio together with Mika Vainio & Charlemagne Palestine (album released April 2020) , PAT - a new trio together with Oren Ambarchi and Charlemagne Palestine, A new duo together with Oren Ambarchi, Billy Hart ("Talking about the Weather"), Chantal Acda ("The Sparkle in our Flaws", "Bounce Back", "Puwawau", "Saturday Moon"), Marshall Allen (Sun Ra), Tape Cuts Tape, Distance Light & Sky, Jozef Dumoulin, Trevor Dunn, Shahzad Ismaily, Vaast Colson, Nico Dockx, and many more. Currently Thielemans is working on r-e-s-o-n-a-n-c-e , a culminative work that encompasses and brings to the surface the underlying currents within his life in and with music. Withing r-e-s-o-n-a-n-c-e he investigates the everyday magic through conversations, writing and score writing to invite as many souls as possible to experience and co create the magic in the everyday.

pre-order now16.09.2022

expected to be published on 16.09.2022

18,28
Order Of The Toad - Spirit Man LP

Order Of The Toad

Spirit Man LP

12inchWAAT080LP
Gringo
16.09.2022

3rd album of kaleidoscopic 60s psych pop from Glasgow quartet, feat. members of The Wharves, Nightshift and Current Affairs. Now in their 5th year of existence, Order of the Toad forge onwards with 12 frenetic new compositions, pulled together throughout windows of opportunity during the covid era. Recently a four piece (new guitarist Fionnan joining the Order just before the lockdowns began), Gemma Fleet (Current Affairs/ ex- The Wharves/Kasms) remains the spiritual lynchpin and main energy conductor from which Chris Taylor (Personality Toilet/Open Face), Andrew Doig (Robert Sotelo/Nightshift) and of course now Fionnan (Open Face) are powered. With added twin guitar dimensionality, the band flirt with an 80s new wave sound at times on Spirit Man, garnishing their regular sound with new hues of blue and purple atop the amphibious green of previous efforts. ‘Subterranean’ which opens the set is evidence of a B52s style composite, Doig’s now familiar faux organ guitar franken-sound holding steady beneath the wild and youthful six string movement that Fionnan brings to the toadstool. Elsewhere Taylor takes the lead Vox on ‘Salt of the Earth’, ‘Upstairs Downstairs’ and ‘The Dumbening’, all further progressions of the ensemble’s sound. Song structure and chord elements subtly mutate away from the 60’s nucleus of yore, Taylor bringing a Kevin Ayers meets Bill Callahan vocal approach to his cleverly assembled lyrical narratives, the band weaving about tempos with eccentric colour around him. Of course Fleet’s voice is central throughout, always simultaneous with her precise elasticity on the 4 string bass guitar, providing the likes of ‘Golden Rod’ with a sweeping Grace Slick meets Dolly Parton wail, a hollering Kate Bush style octave leap during the kinetic ‘Fog Horn’ and the fast paced crescendo of hollers at the back end of ‘Beyond the Pale’, a breathless 4 chord slammer. Her graceful and acute vocalisms paint the world of Order of the Toad and never before as vibrantly.

pre-order now16.09.2022

expected to be published on 16.09.2022

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Location Services with Derek Hunter Wilson - Wake

Ryuichi Sakamoto, Daniel Lanois, Loscil, K Leimer, Deaf Center, Tangerine Dream, Arvo Pärt Wake is a distillation and reflection of the work of three Portland musicians thrown, like the rest of the world, into forced isolation by the continually-mutating curse of a natural world in disequilibrium. The product of involuntarily inward-looking emotional landscapes, Wake emerged sounding surprisingly expansive and confident. The trio uses a variety of instruments –including harp, fretless bass, piano, and a variety of synthesizers– to conjure sparkling panoramas of the imagination that are deep-pooled and impressionistic, bracing yet comforting. Mike Grabarak and Joshua Ward have performed together for years as a duo under the moniker of Location Services, while Derek Hunter Wilson has primarily worked as a solo composer in the classical realm. For the Points Of No Return compilation, Beacon Sound's 50th release and a benefit for the Beirut Musicians Fund, they recorded a collaborative piece entitled "Interdependence In Solitude" that was so promising the label offered to release an album if they continued down the path they had started upon. The resulting eight songs are simply mesmerizing. Made during a period of change and upheaval in the world and society where many people were disconnected from others, the album is the product of a collage-like dialogue built on trust and patience. While the musicians couldn’t physically be together for much of this time, they began sending musical ideas to one another in a conversational back-and-forth that acted as an anchor of stability – something they found they could turn to and depend on when things felt uncertain elsewhere. This comfort zone led to some transcendent moments of experimentation. “Delicate Need”, for example, features recordings of exaggerated pizzicato that were sampled and then run back through processing effects, which were then subsequently performed live over the original track. As things became less risky on the Covid front, they would occasionally meet for backyard rehearsals. Indeed, a recording of one of these rehearsals became the basis for the opening track “Photo Aware”. Wake will be available later this summer as a limited edition LP, with design work by Berlin-based Studio Bernhardt. The cover painting was created by Portland artist Nate Ethington. Highlights: – Derek was invited by the artist Gregory Euclide (Bon Iver, Erased Tapes) to participate in his label project, Thesis, along with artists such as Benoit Pioulard, Loscil, and Julianna Barwick. – Derek‘s first and second albums as a solo artist were released by Beacon Sound (Travelogue, 2017; Steel, Wood, & Air, 2019). – Location Services likewise released their 2019 album Reincorporate on the label. – The artists plan to tour together in 2023. Cascadia release shows TBA. Bios: Location Services is the Portland-based project of multi-instrumentalist Mike Grabarek (Magic Fades) and harpist Joshua Ward. They’ve released music on Beacon Sound and Beer On The Rug. They perform both written and improvised music. Derek Hunter Wilson is a composer and multi-instrumentalist based in Portland. He has released two solo albums on Beacon Sound and has also collaborated with visual artist Gregory Euclide for his Thesis Project label, resulting in a split 10" with Spanish musician Rauelsson. He has additionally collaborated with poets Zachary Schomburg and Brandi Katherine Herrera for several sound and performance pieces. He has performed live on the West Coast and in Berlin, sharing the stage with artists such as Colleen, Amulets, and Liima.

pre-order now16.09.2022

expected to be published on 16.09.2022

27,31
Lemonheads - Lick Lp

Lemonheads

Lick Lp

12inchFIRELP258
Fire Records
16.09.2022

Repress!

Note - Sleeve says contains a bonus CD, these represses do not have a bonus CD, they have a download card.

Fire Records will be reissuing the first 3 albums by the Lemonheads, Hate Your Friends (1987), Creator (1988) and Lick (1989), featuring copious bonus tracks and many never-before released rarities and live recordings on the download card. Together, these seminal albums showcase the band's early punk rock roots and trace the Lemonheads’ transformation towards becoming one of the most successful and influential bands in indie rock. Before the 90s. Before the internet. Before Nevermind. Back when something called “independent music” first began reaching a wider audience, through college radio, word-of-mouth, and that small “underground” record store you seem to find in every town…there was a band from Boston called Lemonheads. High school friends Ben Deily and Evan Dando, Lemonheads’ primary songwriters, co-guitarists and co-vocalists, first recorded together on 4-track cassette in the spring of 1985; by the end of the decade they—together with bass player Jesse Peretz, sometimes-guitarist Corey Brennan, and successive drummers Doug Trachten and John P. Strohm—had created a body of recordings which would see them on MTV’s fledgling “120 Minutes,” beating out the Grateful Dead on college radio charts, and entering the consciousness of a generation of music fans. Cited as influences by artists as varied as Billie Joe Armstrong and Ryan Adams, these fledgling Lemonheads recordings—part rock, part pop, part unique hybrid of the 80s punk styles beloved by the band members—mark the start of the trajectory that would eventually lead to “mainstream” success and stardom for a later version of the band. But they also represent a distinct, never-repeated phase of the band’s history: one that is finally receiving the attention it deserves. Lick is the third full-length album by the Lemonheads, and the last to feature founding member Ben Deily. It was the group's last independent label-released album before signing to major label Atlantic. An odd mixture of brand-new, and considerably older, sounds, 1989’s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton. The difficulties of writing and creating a new full-length album every year (Hate Your Friends and Creator were released in 1987 and 1988, respectively) are clearly in evidence on Lick. While the newest material (“Mallo Cup,” “A Circle of One,” “7 Powers,” “Anyway”) hints at promising new song writing directions for both Deily and Dando, there’s an almost valedictory sense of the past in the inclusion of versions of “Glad I Don’t Know” and “I Am a Rabbit” (from the band’s first-ever, self-released EP), and the now-classic track “Ever,” a previously-unreleased tune from the original 1986 Hate Your Friends sessions. At moments, Lick almost sounds like an elegy for itself—or an elegy for a band that has reached the end of the beginning. Also audible in the heterogeneous songs are the tensions of line-up changes—and inchoate, growing frustrations. After various band break-ups or threatened break ups (such as Dando’s brief departure to play bass for Boston band the Blake Babies), the Lemonheads convened to record new material for Lick now featured Dando on drums, Peretz on bass, Deily on guitar (and “piano,” according to the album credits) along with the addition of long-time band friend—and former member of TAANG! labelmates Bullet LaVolta—Corey Loog Brennan on lead guitar. And yet the frenzied, quasi-ironic hammer-ons of Corey’s axe provide some of Lick’s most entertaining moments—like the unaccountably-translated-into-Italian paen to 70s detective Ironside, “Cazzo Di Ferro.” (The song’s music was originally composed by Brennan for his Italian punk band, Superfetazione.) After the album’s completion, Deily opted out of the subsequent European tour, before leaving the band permanently. Jesse Peretz stayed on to record their Atlantic records debut Lovey, but left after the supporting tour in '91. Since then, Dando has been the Lemonheads' sole permanent member. BONUS TRACKS: Features bonus tracks including several never-before-released live tracks from a 1987 radio session, live tracks and an interview from the 1989 European tour, and the 4 tracks of the Lemonheads self-released debut EP, Laughing all the way to the cleaners.

pre-order now16.09.2022

expected to be published on 16.09.2022

25,17
Patrice Rushen - Pizzazz LP 2x12"

Pizzazz is the fifth album by American Jazz singer Patrice Rushen. Pizzazz was her second highest charting album, reaching #39 in 1979. It features the hit single "Haven't You Heard". The single soared to the top of R&B radio play lists and remains among Rushen's biggest hits.

When Patrice Rushen was being lambasted by Jazz fans for making the switch from Jazz instrumentalist to R&B/ Pop singer, she was also winning over a quite a few people: R&B fans loved her singing. Her profile in the R&B world continued to increase with Pizzazz.

The whole album is excellent, drawing on influences as Earth, Wind & Fire, Minnie Riperton and Stevie Wonder. Pizzazz might have received some negativity from Jazz critics, but from an R&B/Pop perspective, it's among Rushen's most rewarding and essential albums.

out of Stock

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34,24

Last In: 10 years ago
Various - Watergate 28 EP #1

Various

Watergate 28 EP #1

12inchWGVINYL93
Watergate
16.09.2022

A generous DJ/party-friendly 6-pack from Biesmans’ brilliant, intense contribution to Watergate’s revered mix LP series, selecting from the 17-track LP collaborations with Adana Twins, Shubostar, Dusky, Kasper Bjørke & Jacob Bellens and Zombies in Miami, plus a solo from the Belgian Indie dance maestro.

out of Stock

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12,40

Last In: 15 months ago
Fatso Jetson - Cruel & Delicious

FATSO JETSON was formed in Palm Desert, CA, in 1994 and are often credited as one of the fathers of the desert strain of stoner rock made most famous by their slightly younger neighbours Kyuss and Queens of the Stone Age. While musically similar to some of their stoner brethren, FATSO JETSON incorporate a broader variety of musical influences that includes punk, blues, jazz and surf music. That is not to say that the band isn't capable of dishing out supremely heavy riffs... Certainly grounded in dense hard rock, FATSO JETSON experiment with many musical textures, angular instrumental epics, and bizarre lyrics to create a punk, blues art rock all their own. In 1995, the group recorded their debut "Stinky Little Gods" and followed that up in 1997 with "Power of Three" (both appeared on SST). Brant Bjork briefly joined up as second guitarist and appeared on two 7" releases. The band then teamed up with Bongload Records, who released FATSO JETSON's third full-length, "Toasted", in 1998. Guitarist and old friend Gary Arce joined the band to record their fourth LP "Flames for All" in 2000 for Artist Frank Kozik's Mans Ruin Label. FATSO JETSON also contributed to "The Desert Sessions" releases that Josh Homme organized, bringing desert musicians and other creative like-minded rock musicians together to collaborate. It was Homme's record label Rekords Rekords that released the next FATSO JETSON album in 2001 "Cruel and Delicious". For this session the band was joined by Vince Meghrouni on Sax and Harp, adding a new dimension to FATSO's hard to pin sound. The band continues with this line up in 2009. There must be something in the sand of sweltering Palm Desert, a California town that has birthed Kyuss and Queens of the Stone Age, as well as Fatso Jetson. Like Kyuss/QOTSA, Fatso Jetson built a name for themselves by putting their own unique spin on the Sabbath sound, but unlike their counterparts, larger than life singer/guitarist Mario Lalli's true love lies in both jazz (Thelonious Monk, Eric Dolphy) and experimental rock (Frank Zappa, Devo). On paper, this conglomeration of different styles sounds like the perfect recipe for a train wreck, but it somehow all comes together on disc, as evidenced by the trio's 2003 offering, Cruel & Delicious. Issued on old pal Josh Homme's label, Rekords Rekords, the trippy songs perfectly fit the feel of the album's cover (a sun-bleached photo of a long stretch of desert highway), especially such standouts as the saxophone free for all "Drinkin Mode," the melodic "Light Yourself on Fire," the bouncy instrumental "Heavenly Hearse," a barely recognizable cover of the Devo obscurity, "Ton O Luv," and the jazzoid freak-out, "Pig Hat Smokin." Cruel & Delicious is an enjoyable slice of hard rock, well off the beaten path. Originally released on CD via Josh Hommes rekords rekords label. Right in time for its 20th Originally released on CD in 2001 on Josh Hommes own Rekords Rekords-label and now on vinyl for the first time! 20th anniversary! Remastered for the vinyl release. This record is a classic and we’re happy and proud to put it out on wax! Track listing: Pleasure Bent; Drinkin’ MODE; Light Yourself On Fire; Died In California; Heavenly Hears; Ton O Luv; Pig Hat Smokin’; Superfrown; Iron Chef; Sunshine Enema; Party Pig; Stranglers Blues; Mountain Of Debt

pre-order now16.09.2022

expected to be published on 16.09.2022

20,38
The Mellons - Introducing The Mellons

Introducing - The Mellons finds that balance somewhere in pages of the
Beach Boys book of psych pop.Jepson and Beck unlocked the expansive
potential of their songwriting when they found their match in another pair
of collaborators
Multi- instrumentalist and producer Dennis Fuller and percussionist Ian Francis
had worked together in a handful of bands, and Jepson and Beck enlisted them to
join The Mellons and round out their sound. "All of these pieces of songs that Rob
and I had swirling around in our heads started to magically come together," Beck
says. Though the resultant tracks are jampacked with everything from clarinets
and violins to sleigh bells and trumpets, the layers never overpower the intimate
harmonies and honeyed lyrical emotionality at the songs' core. "I wanna get
closer/ I wanna go deeper/ I wanna know it all," they sigh on opener "So Much to
Say", surrounded by twirling guitar riffs and glimmering bells. The Mellons play a
symphony's worth of instruments, and self-producing the record largely at Fuller's
No. 9 Studios in Salt Lake City allowed them to chase that stratified sweetness to
its heartfelt extreme. "Writing, arranging, and composing everything ourselves
gives us the freedom to really get the exact sound we're all interested in," Fuller
says. Always focused on the power of a taut hook, The Mellons made sure that
freedom was used for a purpose. "We stay true to the musical stylings of the midto late-'60s while still creating room for the vogue," Francis says. "It's all about
finding that balance." The nostalgic vibe to the psychedelia doesn't end at the
music, as the quartet opt for paisley or matching turtlenecks as well as vintage
collage. A trained illustrator and designer, Beck funnels visual influences into The
Mellons' vibe. Pressed on Yellow color vinyl.

pre-order now16.09.2022

expected to be published on 16.09.2022

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Die Sterne - Hallo Euphoria LP

Das neue Album von Die Sterne heißt 'Hallo Euphoria' (VÖ 16.09.22 über PIAS Recordings), und da fragt man sich natürlich gleich, ob die noch alle Tassen im Schrank haben. Denn Euphorie ist von allen Gefühlen, die man derzeit so haben kann, das unwahrscheinlichste. Dann hört man die zehn neuen Lieder, und spätestens vierzig Minuten später, wenn die Streicher vom letzten Stück – dem traurigsten Sterne-Song aller Zeiten – verklungen sind, spürt man sie, die Euphorie.

Musikalisch ist 'Hallo Euphoria' typisch Die Sterne, aber weitergedacht und freigedreht. Es gibt den Funk, die Licks und Riffs, das sexy Eckige, aber nun auch Streicherharmonien und so was Treibendes auf der Autobahn zwischen Köln und Düsseldorf – Krautpop, Baby. Die Band lässt es konzentriert verspielt und oberlässig laufen, mit Kraut und Funk und kurzen Schlenkern zur Bongo oder zum Schönklang.

'Hallo Euphoria' könnte auch als Debüt durchgehen, so frisch, leicht und relevant wie das Ding um die Ecke biegt.

pre-order now16.09.2022

expected to be published on 16.09.2022

25,00
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