Search:will b

This album marks the beginning of Chiemi Eri's popularity, which continues to transcend generations and borders.
Seven vinyl titles focusing on jazz are released simultaneously! This is her second collaboration album with Carl Jones.
The lineup also includes a stellar lineup, including Sadao Watanabe, Hideo Shiraki, and Sharps & Flats.

Limited black vinyl. One pressing only. 700 copies worldwide. NON-RETURNABLE.

Full colour sleeve with unseen pics of Ron Geesin in his studio with Marianne Faithful, who was
supposed to provide the spooky voices but was so (allegedly) smashed out on various drugs she had no voice.

Wow! So you’re telling me Ron Geesin made this kooky electro jazzy score to a really unusual
British folk horror weirdy film that is also sometimes called Madhouse Mansion or Asylum of
Blood?

So what we have here is a unique and unreleased British horror score like no other - because
Ron Geesin made it and also because he used trad ideas and modern sonic developments at the
same time. So it’s bonkers. Half the pressing will go immediately to the Trunk mailing list, the
last 300 for the rest of the world. Be quick…

The single, strictly limited to 100 copies, feature songs that Narco Marco conjured up with his Korg synthesizers. All Italo, all licensed, all fresh! As with all of his releases, including his last and final production on his label, there will be no represses in the future. So hurry up and grab it!

Masterpieces of jazz and performances are reproduced in exquisite detail with meticulous sound quality.
The 17th installment of Yasukuni Terashima's carefully selected "For Jazz Audio Fans Only" series!
Listening to the performances in this 17th installment of the "For Jazz Audio Fans Only" series will make you feel as if you're experiencing a live performance right
before your eyes. Launched in 2008, this series is a highly regarded compilation series, rivaling the "Jazz Bar" series in popularity, combining both musical quality
and sound quality, and this latest release lives up to those expectations. Experience the texture of the music and sound while experiencing the three-dimensionality
and depth of the sound, making this a must-listen for audiophiles. Released on limited edition vinyl! It features works by Grant Stewart, long-time acclaimed artist of
Yasukuni Terashima's, and Henrik Gunde, whose piano trio work on Terashima Records is still fresh in our minds.

“From Birmingham and centred around the extraordinary songwriting talent of James and Patrick Roberts – initially as The Sea Urchins and since 1993 as Delta – they’ve only just got round to releasing their debut album, Slippin’ Out. It is a work of some beauty”. 9/10 NME ALBUM OF THE MONTH, 2000

“It’s classicist for sure, shot through with the influence of The Beatles, Byrds and Buffalo Springfield. In James’ downright beautiful closing ballad ‘I Want You’ one can also discern the school of ambitious English balladry that peaked in about 1968: The Casuals, Love Affair, Barry Ryan. The impression of accomplished old-schoolery is only furthered by the dizzying string arrangements penned by Louis Clark Jnr, son and namesake of the one-time orchestral chief of Electric Light Orchestra” – Mojo lead review, 2000


Having ended the 90s with the spirited ‘Laughing Mostly’ compilation of singles and demos (Guardian Album Of The Week) Delta finally released their debut studio album of twelve songs in the summer of 2000 on the Dishy Recordings label. Accepting that this might be their sole studio album the band threw everything at these recordings allowing it to exist in its own sphere, unbothered by their contemporary generation and disregarding the idea of even releasing a single.

Recorded at DEP International there was a notable difference to the scruffier, looser charm of their 1990s recordings, a tighter focus developed by having the experienced Lenny Franchi mixing the LP with them. Lenny had been working with a number of Island artists including My Bloody Valentine and Tricky so knew his way around a desk. There was also the question of budget (a few months passed between recording and mixing whilst funds were raised) so every day counted. Ultimately though you can hear the joy in the recordings, even amongst the melancholy and angst. As James recently recalled in an interview in Shindig! Magazine: “It was such a big deal for us. It’s one of my fondest memories doing that record. Everyone was happy. If there’s anything that I’d stand by, I think it would be that”

Louis Clark Jr joined the band towards the end of the ‘90s and brought a classically-trained element to the recordings particularly with his string arrangements. For ‘Cuckoo’, ‘I Want You’ and the prophetic ‘We Come Back’ Louis brought in eight players from the Birmingham Conservatoire; the baroque style is partly why the record often receives comparisons to Love’s ‘Forever Changes’.

On release ‘Slippin’ Out’ was a big favourite with writers at the NME, Mojo and The Guardian again and before long the band were signed to Mercury/Universal for their second studio album ‘Hard Light’, a far more expensive and expansive love affair. It was a temporary palatial home where things quietly fell apart again, but that’s another chapter.

“If long-term memory is nothing more than selective editing and only pop’s most weighty visceral works are built to last then it’s quite possible that in 50 years the Britpop era will be best recollected for the two bands it ostracised. Earlier this year we met Shack and thought their story of mercurial brilliance indicated the biggest music biz oversight of the 90s. We were wrong because we hadn’t met Delta yet. This is richer and more engrossing than anything by Shack” 

After fifteen years in the making, and his first major body of work since his split with Calyx, TeeBee's debut album on Flexout is a testament to his enduring talent and dedication. This long - awaited release is a significant turning point, elevating his signature sound to new heights and solidifying his place as a pioneer in the drum & bass scene.
The album is a true love letter to the genre, meticulously crafted and rich with the experience of a seasoned veteran. It showcases a refined and evolved sound that is both a nostalgic nod to his roots and a bold step into the future. Each track is a masterclass in production, demonstrating TeeBee's unparalleled ability to weave intricate soundscapes and powerful rhythms. This isn't just an album; it's a monumental comeback, a triumphant return to form that will undoubtedly resonate with fans old and new.

As the label floats into it's first release with a set of euphoric tinged VA, featuring 6 tracks from artists with different influences and backgrounds, RYS is proud to present Killer Tracks Chapter 1.

Each rider of the grooves had stamped in their unique sound for rumble & clatter.

This release reveals the diversity and amplitude which label will stand for future releases.

The Muppet Christmas Carol soundtrack on clear glitter vinyl containing original score composed by Miles Goodman and original songs by Paul Williams. You and your loved ones will be singing along to classics like Kermit's "One More Sleep 'til Christmas" or Scrooge's “Thankful Heart" all holiday season! A delightful Christmas album that reminds us of the importance of sharing kindness and compassion all year long.

Sydney punks Party Dozen (Kirsty Tickle and Jonathan Boulet) return with new single "Mad Rooter', taken from their upcoming AA-single 7" 'Mad Rooter / Ghost Rider' out Dec 5th via City Slang. The duo will be touring throughout the UK this November with shows in London, Brighton, Leeds, Bristol, Manchester and Glasgow.



On the new track, the band said, "It doesn’t always happen, but sometimes it’s your night. You feel like the maddest rooter. Every step you take is a step closer to glory. No f*cks left to give, the charisma of Jon Hamm. 'Mad Rooter' is 10 feet tall and can walk through a wall. Stuck here with all you rookies eating fortune cookies."



They added, "We didn’t record it with a click, so it has this sort of off-grid pull and push that gives it swagger. There’s a sax solo that’s giving David Letterman opening sequence. We recorded the sample with Jon’s guitar, which is old and barely hanging on. The electronics are shot, it’s missing strings, and it’s been sort of half-modified then given up on."

Longstanding streetpunk resolutes, NOi!SE are set to release On and On, a full length collection of singles, B-sides, split 7" tracks, and a few completely unreleased songs, via Pirates Press Records, with whom the band share a long and productive history. On and On is a companion piece to the band's previous collection record, Pushing On, and like that album, it provides a bookend to a period in the band's career. This collection represents the final release from the band's lineup featuring Nate, Jesse, Kenny, and Matt, clearing the vaults and providing a fresh start for the band's upcoming recordings with their new lineup. Bringing together tracks from several rare or out-of-print releases in one place, this collection is essential to any fan of the band. Even those that have diligently collected every release will be excited by the presence of a few previously unreleased tracks, and the chance to listen to these individual songs as an extraordinarily thoughtful, unified body of work.

(What’s The Story) Morning Glory? Deluxe 30th Anniversary Edition featuring newly unplugged versions of five classic tracks ‘Cast No Shadow’, ‘Morning Glory’, ‘Wonderwall’, ‘Acquiesce’ and ‘Champagne Supernova’, all newly mixed by Noel Gallagher. Available on limited edition 2CD and 3LP formats plus exclusive coloured vinyl including Amazon Exclusive ‘Wonderwall’ inspired sepia marble 3LP, Indie Exclusive 'Cast No Shadow' Inspired Crystal Clear 3LP, and HMV Exclusive 'Morning Glory' Inspired Blue Marble 3LP. All formats will include the 2014 remastered version of the album alongside the new bonus versions.

Wir liegen hier auf unserem Dach und bleiben stundenlang wach - immer wieder auf unserem Dach - unserem Dach - uns trägt das Wir . Das sind Zeilen aus der ersten Single Dach von LEA, die von dem Versprechen, sich niemals zu verlieren, singt. Das Album klingt frei und weit, Stimme und Musik tragen sich gegenseitig. Die junge Sängerin und Texterin schafft es auf ihrem Debütalbum Vakuum , die Zuhörer mit in ihre Welten einzuschließen. Vakuum" erscheint am 22. April 2016 und ist ein Monolog, eine ständige Selbstsuche, das Ausloten eigener Gefühle. Letztes Jahr hat sie bereits Fabian Römer und Johannes Oerding supportet.

White Vinyl Repress

World Party was a musical group, predominantly the solo project of its sole consistent member, the songwriter, producer and multi-instrumentalist Karl Wallinger. Wallinger started the band in 1986 in London after leaving the Waterboys.

Featuring the #2 most downloaded/ streamed hit Is It Like Today?, small limited runs of each World Party album (5 total) will be pressed on white vinyl, with the run marketed as “The White Albums”, cheekily referring to Karl’s re-recording of The Beatles and his fans eternal quest to hear them.

Die Musik von Vulture Feather scheint extra dafür gemacht zu sein, die heimtückische Angst zu durchbrechen, die unsere Wahrnehmung in der heutigen Zeit beeinflusst. Es ist Musik voller Dringlichkeit, aber auch voller tiefem Mitgefühl. Vulture Feather ist zweifellos eine Punkband, aber es ist auch klar, dass sie spirituelle Praktiker der Musik sind. Wenn man Vulture Feather spielen sieht oder hört, hat man das überwältigende Gefühl, dass sie diese Musik nicht nur machen, weil sie es wollen, sondern weil sie es müssen. ,Craving and Aversion", vier Songs, die im Anschluss an ihr gefeiertes zweites Album ,It Will Be Like Now" aufgenommen wurden, zeigen die Band, wie sie sich noch intensiver mit ihrer einzigartigen Praxis des emotional kraftvollen, vom Post-Hardcore beeinflussten Art-Rock beschäftigt. Während frühere Werke hier zwar nicht zum Thema gehören, kennen Fans McCann und Gossman aus ihrer Zeit bei den prähistorischen Don Martin Three (deren Katalog kürzlich von Numero Group neu aufgelegt wurde) und später bei Wilderness (Jagjaguwar). Zweifellos ist das der Sound von Leuten, die seit über 25 Jahren zusammen Musik machen. Die Gitarre und der Gesang glänzen ebenso wie sie heulen und funktionieren als Duett, das ,The Only Story Ever Told" über einer prägnanten und donnernden Rhythmusgruppe präsentiert. Es ist der Sound, der überall und jederzeit zu hören ist, durch dichte Wolkendecken, von Canyonwänden widerhallend, durch unruhige Gewässer und schließlich zu deinen Geräten, deinen Ohren, deinem Herzen, wenn du dich entscheidest, ihn zu hören.

Sometimes, the most beautiful stories begin simply between friends, over laughter, late nights and shared music. That’s how the collaboration between Oscar and the Wolf and Roméo Elvis was born. What started as an unexpected jam session after dinner soon evolved into something much greater: a modern-day Romeo and Juliet where two distinct worlds, North and South, pop and rap, light and shadow, meet and merge effortlessly.

Their first collaboration, “Ceiling”, captures that magic: the perfect balance between intimacy and grandeur, where contrast becomes harmony. Premiered live before 100,000 people during Belgium’s National Day celebrations, the single immediately resonated, becoming a radio hit and surpassing one million streams within weeks.

Now, the duo present JARDIN, an eight-track EP arriving this December. Here, Oscar and the Wolf and Roméo Elvis push each other beyond their comfort zones, exploring new sonic landscapes and blending their unique identities into one sound. From the pulsating energy of “Crocodila” and “Je M’en Balec”, to the tender alternative rock ballad “Lose My Baby”, and the groove-driven “Chargé (Monet)” or the club-ready “Bon Sense”, JARDIN unfolds like a living garden, a vibrant space where every track blossoms into something new.

To celebrate the release, the duo will perform together for the first time on December 15 and 16 at Ancienne Belgique in Brussels. Both shows sold out within hours, a testament to the excitement surrounding this groundbreaking collaboration.

With JARDIN, Oscar and the Wolf and Roméo Elvis don’t just unite genres and languages; they build a bridge between regions, emotions and artistic worlds, a celebration of sound, connection and friendship.

Repressed for the first time since its original 2014 release, ‘A Los Campesinos! Christmas’ has been freshly remastered for the 2025 festive season and will be available on CD and a record store exclusive Evergreen colourway vinyl. The EP features four Los Campesinos! originals, plus a modern take on the traditional ‘the Holly & the Ivy’ and their somehow even more sorrowful cover of the Mud sob-along classic ‘Lonely this Christmas’. Available on CD for the first time ever and on vinyl for the first time in over 10 years, this EP is ready to cement its rightful place in the Christmas canon, and become a tradition for a new generation of fans.

Featuring 10 of his own compositions, Grossi's renowned virtuosity flows with deep sensitivity through various genres, reflecting the solid trajectory of one of the greatest instrumentalists and most creative musicians in Brazilian music. Collaborating with prominent names from both the national and international music scenes, 'Plural' showcases Grossi's music without borders, offering the world a glimpse of his extensive career. For this celebration, outstanding guests were invited to join the musical journey. Several tracks also highlight Grossi's sensitivity as a songwriter and lyricist. In 'Onde Nascem as Ondas', Ed Motta delivers a soulful ballad carried by his distinctive timbre. Zelia Duncan, sings a unique samba in 'Nosso Amor Vadio' with a captivating cadence. 'Chamego no Salao' captures the spirit of north-eastern Brazil and is brought to life by Lenine's vibrant voice and joyful interpretation, adding a playful tone with a jazzy touch. The art of improvisation is beautifully represented by 'Catarina e Teresa', an improvised composition created in collaboration with the legendary Hermeto Pascoal and dedicated to Grossi's twin daughters. Other tracks include 'Banzo', which showcases a rhythmic dialogue featuring Cuban pianist Omar Sosa. 'Motion', with the brilliance of both Jacob Collier and Seamus Blake, merges jazz and pop in a seamless melodic conversation.

With an open mind and without boundaries, he invites us to explore a vast musical universe, embracing art with profound emotion and passion. This is what you will hear and experience in 'Plural': a deep love for the art of sound and a profound respect for musical diversity - qualities that have defined his career.

Recorded amidst the Vietnam War's turmoil and the tragic Kent State shootings of 1970, Alarm Clock was Havens' urgent wake- up call to a generation - a powerful warning against an overreaching government. This reissue includes two never- before- released tracks: ' Nobody Knows', recorded during the same sessions, and a deeply moving rendition of Graham Nash's 'Military Madness'. A testament to Havens' artistic integrity and commitment to social justice, Alarm Clock remains a timeless masterpiece. "Alarm Clock was just as the title suggested: a warning. It was also one of the few times I have used a song's title to name one of my albums.

Alarm Clock was being made in the context of the Vietnam War that was still raging. Four students protesting the war had been shot dead in May 1970 on the Kent State University campus in Ohio. Large crowds were gathering in many cities, pleading for the end to America's involvement, but the administration did not care about anything the public seemed to feel. The war would go on, regardless of public sentiment. We were seeing our government step way over bounds. Alarm Clock felt like a warning to awaken." - Richie Havens

Highlighted by Kathy's own exquisite compositions like 'Fly off with the Wind' and 'For Emile', it also includes her unique interpretations of songs by Jimmie Spheeris and Jackson Browne. This is the first official reissue - 180g vinyl in deluxe gatefold packaging.

Her superlative voice is supported by a team of heavyweight studio musicians, among them Jan Hammer, Warren Bernhardt, Tony Levin, Jerry Jemmott, Don Alias and Jeremy Steig. Remastered from the original analogue tapes, this edition includes two exceptional previously unreleased bonus tracks - 'For Emile' (demo version), and 'Hang On To A Dream'. Smith emerged from the same Orange County, Californian milieu as Tim Buckley and Jackson Browne. Championed by singer- songwriter- guitarist Richie Havens, Kathy recorded two hauntingly beautiful albums, 'Some Songs I've Saved' and 'Kathy Smith 2', for his Stormy Forest label, and then quietly disappeared from the scene. 'Kathy Smith 2', presented here, is the first authorised reissue of the LP

Kurt Vile once sang that he had a freeway in mind, but Matt Kivel (Vile’s former Woodsist labelmate) literally has a freeway mind. Kivel grew up in Santa Monica, California, getting shuttled up and down the 10, the 101, PCH, and all the other freeways Angelenos lovingly affix definite articles to. He started out in music as part of the buzzy, Eagle Rock-based indie band Princeton, toured the country relentlessly, burned out, and then resurfaced with a series of bleak, hauntingly spare solo albums that garnered widespread critical acclaim.

Over the ensuing decade, Kivel collaborated closely with a growing set of brilliant, and varied musicians from across the globe, including Bonnie “Prince” Billy, Alasdair Roberts, Madi Diaz, Robin Pecknold of Fleet Foxes, Jana Horn, and Satomimagae. He moved to Austin, Texas then left for New York City for a spell and then returned to Austin where he settled down. In 2017, he started writing the songs for what would become his eighth solo album, Escape From L.A. Escape From L.A. is an autobiographical song cycle that chronicles the first thirty-three years of Kivel’s life in the City of Angels. The material was labored over, rewritten, rearranged, and rerecorded numerous times, between LA, New York, and Austin. Kivel self-effacingly refers to it as his “bootleg as hell Blood On The Tracks” with myriad alternate sequences, tempos and arrangements that will never see the light of day. It involved over twenty collaborators, a string section, pedal steel guitars, and a renewed lyrical and vocal clarity that allows the narrative vignettes to unspool in vivid detail. It’s a beautiful, grounded statement and one of Kivel’s best.

“Stornoway’s best work yet: big music, which deserves the largest stage.”★★★★★ – The Guardian


Lauded on release as Stornoway’s most expansive and confident work, Bonxie remains a hymn to connection, ecology, and the beauty of life. This expanded edition includes previously unreleased B-side tracks from the original recording sessions, new liner notes from each member of the band, and some of their well-known unplucked versions of tracks on the album.


Bonxie is Stornoway’s boldest and most outward-looking record, an album infused with a sense of wonder for the natural world and humanity’s place within it. Produced by Gil Norton (Pixies, Foo Fighters, Twin Atlantic), and a contribution from Craig Potter (Elbow), the songs carry field recordings of birds (20 species appear across the album), weaving them into melodies that soar like the great skua (or “bonxie”) that gives the record its name.


Stornoway will be playing a very special show at the Royal Albert Hall on 30th March 2026.

Following the release of the 7-inch "La Tua Amica Più Cara / Corteggiamento Lento" last September, Marengo is thrilled to announce Lumiero's debut LP, Il Primo Grande Disco Di Lumiero. Distributed by Four Flies Records, the album will be available starting Friday 5 December.

Featuring a timeless voice and a sophisticated touch, Lumiero sends poetic postcards from Milan and its Barona district that expertly blend auteur pop, chanson, and 60s exotica. Born in '97, Lumiero is the city's new chansonnier. Drawing inspiration from both the core and fringes of Milanese life, he offers a romantic, nuanced, yet playfully irreverent look at contemporary Italy and its profound longing for new horizons.

Marquis's compositions and arrangements provide the perfect backdrop for Lumiero's captivating melodies, acting as both canvas and frame. Meanwhile, the lyrics explore passionate romances, fleeting summer escapades, and a nation striving to reconnect with its core identity.

Moving between exotic waltzes and theatrical atmospheres, Lumiero's full-length debut is imbued with lightheartedness, underpinned by elegant songwriting and vocals that combine irony and melancholy. Living fully in the present but rooted in tradition, the album's tracks are little musical gems that bridge eras and generations, infusing the classic style of Italian songs with a modern, elegant, and cinematic quality.

And so, as time comes full circle, we find ourselves at a new beginning.

Ein vor über hundert Jahren verstorbener Magier scheint zurückgekehrt zu sein. Wer will den Abriss seines Wohnhauses verhindern? Noch immer hat Aden Tangury viele Fans, die das Grundstück des Magiers retten wollen. Sie erzählen noch heute davon, wie Tangury sich damals bei einem seiner Zaubertricks in einen riesengroßen Barrakuda verwandelte. Nun demonstrieren seine Anhänger vor der Baustelle und es kommt sogar zu nächtlichen Sabotageakten. Können die drei ??? für Klarheit sorgen und die Demonstranten aus dem Bann des Barrakudas befreien?

Ein vor über hundert Jahren verstorbener Magier scheint zurückgekehrt zu sein. Wer will den Abriss seines Wohnhauses verhindern? Noch immer hat Aden Tangury viele Fans, die das Grundstück des Magiers retten wollen. Sie erzählen noch heute davon, wie Tangury sich damals bei einem seiner Zaubertricks in einen riesengroßen Barrakuda verwandelte. Nun demonstrieren seine Anhänger vor der Baustelle und es kommt sogar zu nächtlichen Sabotageakten. Können die drei ??? für Klarheit sorgen und die Demonstranten aus dem Bann des Barrakudas befreien?

Silva Screen Records präsentiert „Music from The Crown“, ein mitreißendes neues Album, dass die Emmy-prämierte Netflix-Serie mit frischen orchestralen Interpretationen ihrer einprägsamsten Melodien feiert. Aufgenommen vom renommierten Ensemble London Music Works und mit ausdrucksstarken Cello-Soli von Nick Squires, umfasst die Sammlung die Hauptthemen und wichtigsten musikalischen Momente aller sechs Staffeln und zeichnet die Reise der Krone von der jungen Elizabeth II. bis zum Ende ihrer Regierungszeit nach.

Diese neuen, für ein volles Orchester arrangierten und mit modernem cineastischem Glanz versehenen Versionen würdigen den musikalischen Ton von „The Crown“ und verleihen den prägnanten Themen von Hans Zimmer, Rupert Gregson-Williams und Lorne Balfe die Unmittelbarkeit eines Konzertsaals. Hans Zimmer ging das Projekt mit dem Gewicht eines Spielfilms an und erkannte die weitreichende Vision des Schöpfers Peter Morgan. Rupert Gregson-Williams erinnert sich an lange Gespräche, in denen der majestätische und doch zurückhaltende Ton des ersten Themas festgelegt wurde, während Lorne Balfe betont, wie die Filmmusik mit Königin Elizabeths Entwicklung von der Unschuldigen zur Monarchin mit gereift ist. Als Martin Phipps in Staffel 3 das Ruder übernahm, schuf er ein Gleichgewicht aus Respekt vor dem Bestehenden und einer frischen musikalischen Identität, die die neue Ära der Serie widerspiegelte.

2025 Repress

What Two Great Producers Other Then Lee Perry And Bunny Lee Would Be Best Suited For A Dub Soundclash.
Both Producers Were Integral At The Birth Of Dub Music And Would Share Many Rhythms And Sessions, Their Musical Paths Would Cross All Through Their Careers.
It Was In Fact Bunny Lee's Rhythm That Provided The Back Drop To Lee Perry's 'shocks Of Mighty Cut.
Jobs Were Passed From One To The Other, Bunny Lee Taking Over Lee Perry's Position At Wirl Records.
Yes Two Producers Whose Paths Always Seemed To Cross As It Does With This Release.
We Have Selected Some Of Lee Perry's Rhythms, Side One Of This Set, Against Some Bunny Lee Rhythm On Side Two.you Can Hear The Distinctive Sound Of Lee Perry's Black Ark Studio With His Echo-plex Giving His Trademark Whirling Sound Against Bunny Lee's Rhythms Cut At Many Different Studios.
The Winner Of The Soundclash We Will Leave That Decision Up To You The Listener.....
But In This Dub Session There Is No Loser...
All Killer ..no Filler...enjoy...

c1 | NUCLEAR GURU (MANS RUIN EP VERSION)
c2 | HAND OF DOOM (BLACK SABBATH COVER)
d1 | BLACK SHAPES OF DOOM (TROUBLE COVER)
d2 | BLUE SNOW (BBC SESSION)

We're delighted to announce the release of all Orange Goblin's Rise Above Records releases on vinyl, many of which will be for the first time. Next in the series is their classic 1998 album, Time Travelling Blues. Goblin singer Ben Ward recalls the album: "Time Travelling Blues came very hot on the heels of Frequencies and is considered by a lot of people as their favourite Orange Goblin album. As a band we had found our niche, the songwriting was developing all the time and we were starting to get recognised by a wider audience. Again, we still play a lot of the material from this album live but a lot of the younger fans havent heard it so much as its been out of print. Were exceptionally proud that this record is being made available for the first time on vinyl from the original masters which really makes the songs stand out! Throw in the bonus tracks and the additional artwork and it makes for an awesome package." Deluxe vinyl edition of ORANGE GOBLIN's second album released for the very first time on vinyl from the original masters. British Doom/Stoner Metal legends. Features never before seen pictures & exclusive liner notes from singer BEN WARD. Hi quality 180gm vinyl. Gatefold sleeve with full colour insert. Includes a bonus 10 EP with 4 exclusive tracks! 10" Tracklist: Side A 1. Nuclear Guru (Mans Ruin EP version) 2. Hand of Doom (Black Sabbath cover) Side B 1. Black Shapes of Doom (Trouble cover) 2. Blue Snow (BBC Session)

2025 Repress

Repress of original 1996 classic which has built up over recent years to be a cult house classic with select headsy DJs and players, especially championed by Chris Stussy whose set spins have pushed copies up to £100 on Discogs, support from Saint Lukez on his Instagram channel who now offers an exclusive bonus edit. This will be strictly limited with pre-sales essential. Buy of cry.

"Ray Fernández is a name that cannot be forgotten when we talk about the new generation of Cuban singer-songwriters.
"The current moments the world is going through are reflected in his lyrics. What better for this artist than to be accompanied by the Zanja All Stars! Ray Fernández, accompanied by the Zanja All Stars under the direction of Julio Padrón, make a formidable combination. This allows us to see new shades by blending his lyrics with a selection of the best musicians in Cuba today.
"The social and political issues shaking the world right now are perfectly reflected in his work, which, like all songs, can be interpreted in different ways. Ray’s lyrics become a bridge that should foster understanding between different sides of thinking, where the most important bridges are formed by art.
"The largest of the Antilles, Cuba, is one of the few places in the world where such revolutionary music can emerge. His lyrics deserve to be heard at a time when the world needs people unafraid to express ideas and willing to give everything."

Tina Records presents the apocalyptic visions of Nokuit. Constructing a hellish diorama across six tracks of industrial electronics, Gates of Horn and Ivory uses biblical allegory to map out our current End Times. With sleeve notes by Andy Sharp a.k.a The English Heretic.

Eurosleaze film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels including wannamarchi club and NKT. Alongside Cut Hands (William Bennett of Whitehouse), he remixed Roberto Musci on the inaugural Tina Records release, as well as having been remixed himself by schuttle, Kinn and Sonae. He has performed internationally, including at Cafe OTO alongside Mun Sing as part of a lineup curated by Flora Yin-Wong and has received radio support from Ad93's Nik Tasker and Ana Quiroga of Editions Mego's LCC, amongst others.

English Heretic is an autonomous creative research project helmed by writer, occultist and multimedia artist, Andy Sharp. Having released over a dozen albums and booklets since it's inception in 2003, the project culminated with the publication of The English Heretic Collection in 2020 by Repeater Books. Friend and collaborator of the late Mark Fischer, Andy has talked at academic conferences and counter-cultural events on a wide range of subjects drawn from his research.

This is the second release from Tina Records, following Cargo Cult by Roberto Musci. Featuring remixes from Cut Hands and Nokuit, that record received airplay from the likes of Surgeon and Not Waving on stations such as NTS, Noods, Resonance and Intergalactic FM. It was also named one of the best releases of 2024 by Bleep. Tina Records is based in London and Rome.

'The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid-1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congolese Rumba, continuing the tradition of the African Jazz school started by Joseph Kabasele.
'The VITA label, with African Fiesta as their sole provider, besides four songs of Eduardo De Veracruz Vinagre et Son Orchestre, ran between May 1963 and early 1966. It created a spectacular legacy and back catalog full of tasteful sentiments and sensual melodies, deeply rooted in the Afro-Latin sound.
'This new compilation offers a few of the classic African Fiesta songs and complements them with an eclectic and original selection, divided into four thematic sides: Showcase, Rumba Lingala, Cha Cha Cha & Bolero. This double LP album comes with a 16-page booklet featuring the history of VITA and African Fiesta, song commentary by Congolese journalist Herman Bangi Bayo, and a written catalog of the VITA label. The heirs of Roger Izeidi kindly gave permission in Kinshasa to release this album of African Fiesta on Planet Ilunga.'

2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

Composed by John Williams for George Lucas’s 2005 film "Star Wars: Episode III – Revenge of the Sith," this soundtrack captures the tragic
fall of Anakin Skywalker—his fear of losing Padmé, his desire for recognition, and his growing arrogance lead him down the dark path to
become Darth Vader, an agent of fear across the galaxy. Yet, even within the darkness, traces of light remain. Alongside the series’ iconic themes,
Williams introduces powerful new compositions such as "Battle of the Heroes" and "Anakin vs. Obi-Wan." The album concludes by returning to
the beginning of the saga with "A New Hope and End Credits."

Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

Coast-to-coast stripped back hypnotic techno with a funky edge.

Words from the label:

NYC’s premiere live techno maestro, Kanyon dials in three cerebral melters on the A-side that resemble the spiraling sound design of early Surgeon releases with his signature locked groove approach. Headbanger cuts from a hardware rockstar.

B.ROD hits the B-side with a Sterac-like touch that showcases the ease of his West Coast finesse. Both “Exit” and “Down With It” will be a TIP! for all long-blend DJs and perfectly molded for the turntable jugglists too. Vinylists take note!

Thomas Anders celebrates 40 years of Modern Talking with the re-imagined sixth and final chapter: In the Garden of Venus

Leading-pop icon Thomas Anders returns with the culminating album of his tribute project …Sings Modern Talking, re-interpreting the timeless hits of Modern Talking’s sixth studio album. On In the Garden of Venus, Anders offers fresh versions of the original tracks, infused with contemporary production, along with two new bonus songs crafted especially for this milestone.