Unveiling Nu Zau's "Synthetic EP" – a cutting-edge masterpiece, your ticket to a realm of fresh sounds.
Act fast! Early support from Traumer, Priku…
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A1 Lose It All… an 18 minute journey of epic proportions, crescendo after crescendo with high percussion sounds and chest pounding drum grooves. Medu’s signature low end control that rumbles under the swinging key rhythm which dominates the vibe is absolutely mesmerising. The finishing touch to this late night dance floor heavyweight sound is the combination of Odille Lima’s chopped up ad-libs, harmonies and story telling voice that keeps you moving with wonder. This track is laced with energy and excellence.
The B side comprises of 2 break beat inspired tracks that are mysterious and full of heavy hitting percussion, dusty grooves and dark driving basslines. Odille is on both tracks with her unique vocals that fit perfectly with this underground sound. A must EP have for any DJ or collector.
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Reissue of the 1997 album from Britpop outfit Salad
RIYL Elastica, Echobelly, Sleeper
Critically received as one of their best albums, the album shows a clear development from theirearlier playing days and imbibes a more refined, skilled sound palette
Produced by veteran musician and producer Donald Ross Skinner, guitarist for Edwyn Collins and Julian Cope
Features the tracks ‘Cardboard King’ and ‘Yeah Yeah’
Pressed up on 140g black vinyl
Comes with an exclusive signed print from lead singer Marijna Van Der Vlugt
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Following on La Bella Di Notte is a repress we are very proud of. Zero Origin, one of Nathanael Heres' monikers, techno music geek, and producer plus headliners behind Urban Sound Of Amsterdam, as well as the owner himself of Upcult Records, a tight but super sharp label from the mid-nineties, born in the backstreets of the Dutch capital. The original record here is "New Life".
Last on the market as Zero Origin, but perhaps the finest on his chest. Three exciting tracks chase each other in a rhythmic crescendo and increasingly hypnotic decorations are ready to set on fire both the main room of bigger clubs and intimate dance floors of a smoky underground party.
Forbidden to sleep.
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Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.
miu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums – 2016’s Nanook and 2018’s Babasha – that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.
Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.
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Synkroniq adds Iuly B to it’s extending label catalogue with a 4 tracker entitled MANIA.
As the name suggests, the music is destined for peak time moments with its heavy basselines and dubby chords.
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Dana V Andrews is a man who is still very much in love with music of all types. At 23 years old and far from living a perfect life, his love of music led him to go to Los Angeles, California in 1973 with a talented songwriter in search of fame and fortune.
Dana played a role while working on a song and album that was a big hit for the now deceased Mr. Barry White. In 1975 he met David Futch and together they formed a record and publishing company that recorded R&B and Gospel music.
One of the gospel Groups, the Highland Park Community Choir out of Highland Park, Michigan had a song nominated for a Grammy Award in 1976. That same year, Dana V. Andrews recorded two songs titled “Mr. Justice” because he was distressed by the social injustice he saw and still sees in our world. His humble hope was that “Mr. Justice” could be a rallying call for the majority of good people in the world.To unite and vote for responsible, fair, politicians who had helping the people foremost in their hearts. And “Everything’s Gonna Be Alright” because he had faith that eventually right will win out over wrong. He still does to this day. He still believes today that when the majority of people stand for righteous justice with genuine love leading the way that governmental bipartisanship will defeat hate, prejudice, and injustice.
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New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics.
Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada.
Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.
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Under meters of concrete in central Cairo, a relentless buzz rebels and forms a melody. A tired man tunes his machines to catch a snatch of it, and accidentally creates a playground where these abandoned sounds can flourish. They develop a sense of humor and an acid tongue. A few children with bent ears find their way to an alley with an entrance to the playground. They would later describe what they heard as a delicious hybrid: one part cream, one part bubble gum. So, bend your ears and maybe you'll hear it too.
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Limited translucent yellow vinyl LP
'Afro-cuban : that term which sets the world on fire, from rumba to boléro, mambo to cha-cha- cha, before salsa, that 70's spicy sauce, took over from the others. But to speak truly, since the mists of times (of slavery), both Africa and Cuba aim to vamp that umbilical cord. The most recent example, CubAfrica, a record born from the reunion of a master from Africa and this very living institution from Cuba, during a show around Albi (in the south of France) where they were both headlining in spring 1996. Manu Dibango's sax melted perfectly with the rural music of Eliadès Ochoa and his Cuarteto Patria, here's the beginning of an idea.
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This record is a collection of tracks I made from the start of 2019 to the end of 2021. They all exist completely independent of each other. My intention while working on music during this time was to create a time capsule/memory album for me to remind myself of my moments with. I had a lot of different experiences and substantially changed during this time. The early tracks were made by a completely different person than the person typing this. Of the 6 tracks on this EP, only one of them was made with the knowledge that it would be put together with the others and released as one cohesive article.
I wanted to make music again after abandoning it for 3 years. One of these tracks marks the turning point where a projected pipe dream of determined mastery was cracked through by what the speaker cone did when piano roll blocks were placed intuitively for the first time.
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Step into the sonic universe of NIKI IL B with the latest "Parkplesso EP." This remarkable release is the culmination of NIKI IL B's dedication to electronic music since 1995. The EP pays homage to the golden era of electronic music, featuring four tracks crafted exclusively with analog and modular instruments, capturing the warm depth and richness of analog sound.
"Parkplesso EP" is more than just tracks; it's an immersive journey reflecting NIKI IL B's passion for electronic music. Each track is carefully crafted, showcasing meticulous attention to detail and delivering a high-quality sonic experience.
As a celebration of authentic electronic music, "Parkplesso EP" adds an exciting chapter to RoundQubeMusik's renowned catalog. Don't miss the chance to own this extraordinary release. Purchase now and embark on a unique sonic adventure with "Parkplesso EP" by NIKI IL B.
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The UK's legendary producer since 1994, known for iconic releases on labels like Mosaic, Pressure Trax, and now a vital part of our catalog. Nail is synonymous with the underground culture, delivering high-quality music. A true legend, his influence extends through the roots of house music, embraced by DJs like Zip and many more.
From chile drive with style.
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Repress.
Mong Tong's latest album, "Tao Fire 道火", not only continues the idea behind their previous work, "Indies 印", but also incorporates more local elements such as gamelan music, phin guitar, tabla drums, and Taiwan sisomi.
While sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia. Different to their last Guruguru Brain release "Mystery 秘神", "Tao Fire 道火" will take us to a land that is both familiar and fresh. Feel the hot, the crowd, humidity, and ecstasy. This time, welcome to Mong Tong's subtropical world.
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BAR Musica Re-Present gets to the third chapter.
After the success of the first and second releases which have been played by many, this is the time to present, with big pleasure, another master of the Riviera Romagnola and house music in general.
The living legend Flavio Vecchi, also called by some The Maestro, is now releasing on BAR Musica Re-Present some gems that never got released before. Hidden in some old DATs we finally found the way to give these incredible three tracks the right light.
A little curious story: one of the tracks is the very first track he completely produced on his Akai MPC 60 when he first bought it in 1995.
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Perceive is a vinyl only imprint dedicated to minimal house music.
For this ninth volume, the one and only Venda is back with a solid four tracker.
Each track of the EP is a classy groover with deep dubby sounds and hypnotic vibe.
The record will be available in limited edition.
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Banoffee Pies Records Black Label Series continues with a very special solo EP from Ukraine born producer & DJ, Adelina. Now Berlin based, the Oracool party founder, and multi medium artist, who’s roots in Kyiv’s underground sound, and passion for music culture, shines through their already distinct sonic signature.
Following the mesmerising dusty cut single “Soft Moving” the full EP extends to combine this haunted 5 track collection via the 7th release on the BPR sub label. Adelina’s introspective approach strikes a magnetism on their surrounding environment using a precise and mature combination of broken structures, dreamy dub basslines and high bliss electronica.
Recently immersed into sound creation while exploring the most cryptic aspects in the connections between sonic spheres, BPBL07 offers a fluid introduction to the imprint while representing the new Ukrainian sound wave. Their choice selections and alluring charisma as an artist reflect their infinite certainty in the power of music as a universal key.
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Arash & quasar is one of the weirdest projects we've ever received & we like that. They recently appeared on make italo great again & tatalo. This EP which is actually a mini album & it will be their last under this name and we can say that it's a masterstroke ! Italo, synth pop & folk music all with Tatar sauce ! If you want to wake up a dance floor, this is the right record. Absolute bangers.
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Moments of silence are when Verum is relentless. Listen close as sonic waves ripple through the air. Equinox EP embodies the motifs of technique and innovation – driven by the artistic skill of Dorothy's Dream, Olivian Nour, Swoy, and Vern. Much like an equinox maintains equilibrium between light and dark, their music pulsates with equal vigor day and night. Catharsis awaits those who journey…
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Francesco Sancricca aka Sancra is a new coming very productive Italian artist. Based in Rome he’s recently releasing his music on independent labels or on his imprint Ipso Facto while playing for local and international venues like, The Magick Bar, Coropuna or Starlane in London. Very emotional and complex when both producing and djing for this release he showcases his ability to blend dark and appealing sounds being never boring but always mental and uplifting like for the A1, a masterpiece ready to smash every dance floor with that endless bassline closing perfectly on the straight 4/4 beat with techno electro influences. The A2 powerful and more techno it’s a 90s echo of warehouse parties together with the malefic melody of the B1 while “closing” the ep with a more breaky B2.
Eternal Return is a must-have for fans of techno, electro, new wave driving music and anyone looking for a unique and innovative take on techno. With its mental sound and high-quality production, this EP is sure to become a classic in the world of electronic music.
Mastered in UK at The Fish Tank Studios pressed and distributed by Vinylfuture.
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Superabundance is back with Extrasolar, the new 2x12” hot wax album on Future Times. The duo of Jackson Ryland (Peach Discs, Fixed Rhythms, Rush Plus) and FT honcho Max D follow up 2021’s self-titled debut LP with a hyperfunk techno gallop, hurtling further out from where they began. Extrasolar’s tracks all burst into existence, produced in a quick, sometimes entirely improvised nature.
Cuts like “Sizable Jackfruit”, “20 Spectrum” and “Tempopalace” show off brash bursts of swinging loopy DJ creation, while “Reset” oscillates between cliff-hanging and solid ground time changes and “Crossfade Diving” slides thru wet streets with a paranoid step.
On tracks like “Perplexion”, “Dex Holo”, and closer “Goth Hi Tek”, the duo paints new shades of their sound, getting into a twist on synthpop, soundworlds and Cure progressions.“Perplexion” enters smudged shoegazing territory, smearing percussion in the mix with soaring chords.
“Particle Busters” repurposes industrial junk into soundsystem punk machinery. “We XL”, a rave slammer featuring one of DC’s best, Nativesun (Black Rave Culture) is for booming warehouses only. “Big Deal” breaks out the sliced funk and melted data. TIP!
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One-off masterpiece release of German Minimal Synth-Pop from Gütersloh, Germany in 1984. Recorded in a DIY recording studio in a former prison for the mentally ill located on the outskirts of a forest near the artists’ homes aptly named Prison Studio.
Back in 1984, the release was privately pressed on 7″ by the band itself, distributed in limited quantities at the time and it has only exchanged hands a few times on public marketplaces since its original release, for very high prices. The record has always been as rare as it is good, to quote Basso. We are delighted to make this outstanding release available again to record collectors and DJs around the world as the first release on Average Records.
Included in this 12″ repress are 2 stunning brand new remixes by virtuoso producers and friends Alexander Arpeggio from Berlin and Aradea Barandana aka Dea who currently resides between Jakarta and Bali, each bringing their own flavour to the table.
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Solee - Rumors / Stimulation (FUR13)
For the next journey on Future Romance, we are proud to announce the arrival of another impressive 2-tracker by labelhead Solee. The leading track „Rumors" is a peak time banger with all necessary components to set the dancefloor on fire. While the electro-influenced „Stimulation" comes much deeper but still strong, armed with a big bassline and beautiful melodies.
Something for your mind, your body and your soul. Embark on a journey and get lost. Early DJ support by Joris Voorn, Marc Romboy, Camel Phat, Quivver, Kevin De Vries, Eelke Kleijn, Timo Maas, Einmusik Guy Mantzur and more.
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Earl Lindo production from 1984... TIP!
Teenage twins Ruffy & Tuffy deliver an apocalyptic slab of synth drenched Rub a Dub with what could be the first use of Vocoder in Reggae for 1982’s If The 3rd World War Is A Must. This release draws from both the original 12” and the master tapes combining the best vocal cut and dub versions.
Though not prolific musicians, many may recognize the twins sparring in matching red Pony track suits in Ted Bafaloukos’ iconic 1978 film Rockers. Ahead of its time in almost every way, the lyrics dealing with global war and the nefarious use of technology, sadly seem as relevant now as they did in 1982 though some of the actors may have changed. Surrounded by elite reggae musicians from childhood it was nothing unusual for the brothers to be in the presence of elders like Gregory Isaacs, Burning Spear, Augustus Pablo, Jacob Miller and especially Bob Marley at recording sessions and in daily life.
If The 3rd World War was their first venture into the studio as solo artists in 1982 first at Channel One and then Tuff Gong where Wailers alumni Earl Wire Lindo and Tyrone Downie (keys and Vocoder) laid down their space age additions to the track creating a genre bending Reggae /Electro/ Dub concoction that still sounds fresh 41 years later. Wire Lindo & the twins took the mastertapes to Texas based mechanical engineer and producer Stephen “Iya” James who ran Marcus Garvey Records and the label African Unity Productions in the unlikely Reggae hub of Austin Texas. The track was not released until two years later in 1984 as a 12” which had a run of only 500 copies and is no easy find these days.
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Club U Nite Records is excited to announce the 4 Track EP "Deep Trax Volume 2"
Side A, Track 01: Blak N Orange - Feeling Real Good
Blak N Orange delivers a deep house masterpiece with "Feeling Real Good." This track features a mesmerizing baseline that harkens back to the old-school era of house music. The irresistible vocal example “Feelin’ real good” will make you feel really good on the dance floor!
Side A, Track 02: Black Chunes - Don't Hold Back!
"Don't Hold Back!" by Black Chunes is a house-stomper that combines minimalism with a powerful punch. Its dope and dirty beat is a secret weapon that will ignite dance floors, making it a standout track on this release.
Side B, Track 01: Black Chunes - Feel The Flow
Black Chunes returns with "Feel The Flow," a track that exudes a jazzy, soulful, and groovy vibe. It's a feel-good masterpiece that is sure to bring positive energy to any dance floor, setting the mood for a night of musical delight.
Side B, Track 02: DMA - That Crazy Thang
DMA's "That Crazy Thang" takes us on a journey through classic organ house territory. With a straight, deep, and kicking groove, this track is both timeless and contemporary. Jazzy vocal samples add an extra layer of dopeness to this minimal yet highly effective dance floor weapon.
"Deep Trax Volume 2" is a testament to the enduring appeal of classic house music. Club U Nite Records is proud to present these four tracks, each offering a distinct experience while paying homage to the roots of the genre.
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Wir entscheiden uns aktiv für das Überleben. Wir warten nicht passiv darauf. Stattdessen treffen wir die Entscheidungen, die wir treffen müssen, um das tückische Terrain des Lebens mit intaktem Körper, Geist und Seele zu durchqueren. DYING WISH haben diesen Kampf auf ihrem zweiten Album "Symptoms of Survival" (Sharptone Records) sowohl untersucht als auch vertont. Das Quintett aus Portland, OR - Sam Reynolds (Gitarre), Pedro Carrillo (Gitarre), Emma Boster (Gesang), Jeff Yambra (Schlagzeug) und Jon Mackey (Bass) - schafft den Spagat zwischen beschwörenden, von Schmerz durchdrungenen Melodien und Klanglandschaften, die aus einer chaotischen Kollision von Heavy Metal und Hardcore entstehen. Mit Millionen von Streams, ausverkauften Konzerten und viel Beifall von Brooklyn Vegan, Revolver, Stereogum, Consequence of Sound und anderen, erweitert die Gruppe auf diesen 11 Tracks ihre Vision thematisch und klanglich.
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Ron Henderson released only one album with his Choice of Colour band, and that was Soul Junction in 1976. The North Carolina-based singer-songwriter has become an object of cult admiration over the years which is what might explain how an original of that album can often go for upwards of $800 at auctions. The 2020 P-Vine reissue soon sold out and included an extra single from 1983, 'Gemini Lady.' It is that which now gets pressed up to its own 7". It comes with the same label design as the original with a special jacket to make it even more of a collector's item.
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Ein weiteres Kultalbum von Jazz Room Records mit Danny Ward & Reality, die Mitte bis Ende der 70er Jahre die Go-To-Funky-Jazz-Band für College- und andere Hardcore-Funk-Party-Gigs in und um Seattle im pazifischen Nordwesten waren.
Sie veröffentlichten Coverversionen der neuesten Disco- und Top-40-Hits und nahmen ihr Publikum regelmäßig mit auf einen musikalischen Trip durch die funkigsten und jazzigsten Sounds der Zeit mit Titeln, die durch George Benson, Lydia Pense & Coldblood, The Headhunters, Mandrill, u.v.m. berühmt wurden.
Diese einzigartige Aufnahme, die die Band live bei einem Auftritt unter der Woche in Bremerton, Washington, einfängt, zeigt ihren unnachahmlichen Stil.
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Hot'n'Spicy' is back for a captivating compilation of hedonistic disco delights.Experience the magic as disco players come together again on this album. Featuring the German groove sensation Delfonic, the iconic House stallion Franck Roger, the very Cosmic Dj Steef , and the Disconimo HOLDTight. Get ready for the musical journey filled with quality slow-disco soul jams, feverish disco beats, and enchanting cosmic grooves. On Side A, a Chicago disco groover « Everything is love » by Delfonic, followed by the slow house cracker « Disco Power » by HOLDTight. OnSide B, « Pinguino Bloumo », a superb piece of disco cooked by Franck Roger, and indulge in the Cosmic journey of « Warp Odyssey »by Dj STEEF. This vinyl release is a must-have for any discerning music lover seeking an exquisite blend ofdisco. Thanks for being with us on this journey. As always, a tasty piece for diggers and late-night DJs...
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Depending on your personal circumstances, the Covid pandemic was either a blissed-out paid holiday or a stressful and seemingly never-ending time of loss and hardship. Both ends of the spectrum are gorgeously captured here by London-based Joy Ellis, who wrote her third album 'Peaceful Place' during those strange weeks.
Though a renowned singer, she decided to strip things back to just piano for this record, with long-time collaborators Adam Osmianski on drums and Henrik Jensen on double bass fleshing out the sound.
It is a poignant listen from front to back, with all the many different emotions of that time conveyed perfectly, from grief to uncertainty, hope to despair, in one immersive record. The sheer beauty of these songs and the meaning of the melodies stay with you long after they have finished playing, making this a real triumph out of adversity and one that is sure to stand the test of time.
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Growing up in the 90s in rural upper Austria, Jakobin spent his time with skateboarding and listening to lots of hip hop before witnessing the halcyon days of the Vienna downbeat era and later being introduced to Austrias club culture. Pursuing his growing passion for collecting vinyl, he started spinning his first records in the region and later moved to the Austrian capitol.
There he quickly connected with likeminded people. Quickly getting immersed in the Viennese electronic music scene, he started producing and DJing with his longtime friend Domino under the moniker Jakobin & Domino and became founding members of Luv Shack Records in 2011. After a number of successful releases he started his solo career and began working on his live setup. His growing collection of analog gear helped shaping his productions. An overview of his current sound is expressed on his new record ‚Forever More‘. Heavily influenced on 90s UK house productions this 3-track EP will activate your senses and move your body with its groovy basslines and drums, creating an irresistible rhythm.
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ECHOES OF GLORY return with its second instalment – after the widely received ISSUE ONE – ISSUE TWO see’s SEAN JOHNSTON’S Hardway Brothers guise and GRANT DELL’S Masonic Noodles moniker, meet in fine style. Sean, known for his lengthy residency with the much-missed ANDREW WEATHERALL at A LOVE FROM OUT OF SPACE has also successfully transferred this innate understanding of a dancefloor into studio alchemy. The Hardway brothers mix of ESCAPE ON THE MIDNIGHT EXPRESS has all the hallmarks of being a ALFOS classic, a real - lights off – smoke machine on - ready for a heady dubby trip across the dance floor. The Masonic noodles mix takes it down a notch with bubbly acid undertones and good use of the samples, taken from Giorgio Moroder’s score of the classic Midnight express Film. Heavy Heavy stuff ! Only 300 pressed on this vinyl only outing.
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On 'Models', Lee Gamble liberates sonic spectres to inform a suite of illusory anthems, subliming vulnerable, half-remembered fragments of dream pop, Soundcloud rap and trance in the process. Sung by cybernetic voices in an almost wordless language, his widescreen memories reverberate across the last few decades of pop history, smudging Elizabeth Frazer's surreal poetry into disembodied diva cries and Lil Uzi Vert's abstract, AutoTuned mumbles. Extracting haunted fragments of synthetic corrupted chatter and indecipherable non-words to sculpt dreamy pop simulacrums, Gamble takes the concept of the pop producer to its logical extreme; examining how intonation and language is engineered to monopolise our attention, his magical inversion of pop playing like a bewitching symphony of earworms.
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Labi Siffre burst onto the UK’s blossoming singer-songwriter scene with his debut album in 1970, alongside contemporaries like Elton John, Bill Fay and Mike D’Abo. Featuring early hit “Make My Day” and
“A Little More Line”, the album was arranged and produced by Ian Green, noted 60s hit arranger.
This half-speed master edition is presented in its original sleeve, pressed on 180 gram heavyweight black vinyl, featuring an obi strip, and housed in a poly-lined inner sleeve, with all the lyrics and credits
on a new 4-page insert, as well as annotation by Alan Robinson based on a 2015 interview with Labi Siffre himself.
This new edition has been expertly mastered by Barry Grint at AIR Mastering from the original stereo tapes using precision half-speed mastering. Half-speed mastering is a vinyl cutting technique that
improves groove accuracy and transient information creating an incredibly detailed stereo image with a natural high frequency response.
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From the shimmering depths of Subosc Records emerges a luminous sonic debut, ushering in a new chapter from France's Charles LCC. His "Introduction EP" unfurls across three ethereal soundscapes of rhythmic immersion and textural wonder.
"Octopus’s Garden" opens like curtains parting to reveal a gleaming aquatic dreamrealm. Rippling percussion and notes dissipating into fathomless seas conjure visions of vivid coraline grottos. In "Introspection," lacey patterns of synthesized thought crystallize upon subdued beats, steeping the listener in hypnotic reflection.
The journey peaks within the kaleidoscopic whorls of "Circles," its radial pulses emanating from a shimmering nebula of tuned light. Within this mesmeric vortex, all notions of terrestrial logic dissolve into rapture's core.
Techno maestro Luigi Tozzi adds his magic with the remix of "Introduction", retaining the original's ethereal aura but ramping up the rhythmic intensity and full-bodied low ends for the dancefloor.
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