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In 2019, Susan Cadogan's first live performance in Italy with Magnetics will be released on LP! The album includes the chart-topping "Hurt So Good," produced under Lee Perry, Jump Up! and features hits from her 48-year career, including the 2017 comeback track "Take Me Back," which garnered a great deal of attention upon its release on the label, and "My Oh My," a duet with The Magnetics that sold out immediately after its 7-inch release. It was an unforgettable night of performances of the greatest hits of her illustrious career.

Transversales Disques proudly presents Alain Goraguer Rare Soundtracks & Lost Tapes.
French composer Alain Goraguer who first made a name for himself as a sideman and arranger for Serge Gainsbourg wrote very few soundtracks, but amongst them, the legendary La Planète Sauvage (1973) is an absolute staple of France’s essential music.

During that same period of time, Goraguer wrote two rare and beautiful scores using the same masterclass arrangements. On L’Affaire Dominici (1975), Alain Goraguer creates a theme of great melodic clarity from a palette of breathy flutes, clavinet D6 baroque textures, wah-wah guitars and slow-paced drums that clearly reminds La Planete Sauvage’s atmosphere. The same can be said about the score of Au delà de la peur (1975) with its descending clavinet melody, twanging bass riff, funky drums and flashes of bended electric guitars. This record also includes never before released tracks found in the vaults of French national radio: beautiful and timeless orchestral compositions recorded at Studio 105, Maison de la radio.

REMASTERED FROM THE ORIGINAL MASTER TAPES

The Hammond organ was first manufactured in 1935. In 1954, the now famous Hammond B3 model was introduced with additional harmonic percussion feature. When the company went out of business in 1985, around two million of various models of the Hammond organ have been produced.

The Hammond B3 was originally marketed to churches as a lower-cost alternative to the wind-driven pipe organ. It quickly became popular with professional jazz musicians in organ trios. Jimmy Smith's use of the Hammond B3 inspired a generation of organ players, and its use became more widespread in the 1960s and 1970s in rhythm and blues, rock, reggae, and progressive rock.

This collection is centered on the exciting and dynamic sounds of the Hammond B3 organ!

Reunion's major musical genre, Maloya, becomes "gazé" (crazy) through the sounds composed by Grèn Sémé for this new EP.
A gassed maloya that combines direct inspiration from the purest line of this traditional réunionese music with the highly contemporary evolution that is the Grèn Sémé group's signature.
Composed during the studio sessions for their latest album, "Zamroza", the first three tracks on this new EP reveal the sunny side of the Creole band.
You can taste their love of lyrics and their thirst for discovery. And the right mix of compositions. Inspired by the tradition of the greatest song/percussion pieces in the island's history, Grèn Sémé offers three anthems that lend themselves perfectly to the remix exercise.

Deluxe bonus: the 3 Remixes of Voilaaa + La Dame + Guiss Guiss Bou bess
Voilaaa and the fabulous Bruno Patchworks take on "Siko" to create a Cape Verdean ballroom hit.
funana with its heady melodies, it's ultra danceable!
La Dame, producer and DJ from Belgium, remixes the eponymous track into an effective batida for the dancefloor, DJs and dancers alike.

Guiss Guiss Bou Bess take remixing a step further, adding Senegalese sabars and the vocals of group leader Mara Seck to Carlo de Sacco's Alkol.

The "ongakudō / droga muzyki" project is ("The way of music" in English). Initiated by Groh - head of the JuNouMi label (est. 2002 Polish hip-hop label), the project is the result of cooperation between Polish and Japanese artists.

First, Twardowski created music based on samples from Japanese albums. Then MCs KANETSUGU (JP) and Prykson Fisk (PL) were invited. The next element were DJs - 1an from Tokyo and DJ Eprom from Warsaw (former IDA world champion).

An important element of the project is the graphic design, for which Małgorzata "Mauko" Korczak is responsible - exploring the art of Japanese Shodō calligraphy. As many as three versions of covers were created. One limited edition (hand-numbered 100 pieces), a version with a black wax and a version exclusively for the Japanese market.

This 7" is the first part of the Polish-Japanese series. It is the beginning of our journey.

Dedicated to the captivating essence of feminine expression, this album pulsates with deep bass and raw emotion. This release is more than just notes and beats; it's a celebration of diversity, creativity, and the profound impact of music on our hearts and souls. Each track is a unique reflection of its creator, showcasing an array of styles and perspectives.

The harmonious nature of creation, the search for symmetry, the perpetual motion of bodies. Characteristics that amplify the sensations when we face something bigger than ourselves. In the same way, the lake reveals itself as a mirror for the soul, and the carp begin to flow into our soul, bringing out some "Distance Problems", able to be filled only with music.

KOI008 is brought to you by the enigmatic yet oniric outer-world creator S.O.N. with three mesmerizing original tracks. On the remix duties, Romanian superstar Sublee delights us with his take on "Vanessa", in front of which we must only surrender.

We are thrilled to announce our 5th vinyl VA. This time with only Belgian Underground artists. All friends and amigos who met each other during their journey in the Belgian music scene over the years.
A diverse ensemble spanning the House-spectrum, on the A-side we take a more deep and funky approach with UC Beatz bringing his known groovy flavours. Followed by Rawdio with some piano house vibes and bendrik keeping it fresh and crispy as always.
The B-side takes a more clubby turn with Deeleegenz dropping the snares and shuffled percussion in his Deep Jackin tune. Followed by Max Telaer who shows a darker side from himself with an absolute stomper that will set fire to the dancefloor.

Very proud to have them all on board!

Here at Bordello, the hot season has already arrived. Championing this warmth is Italy’s very own Hey Cabrera! The Turin based dynamo melds elements of electro disco, italo and house to create a uniquely aromatic blend of dancefloor joy. Clean drum patterns, claps and hi-hats are at the foundation of “Italo Void”. From these percussion points, a bold and ensnaring melody takes flight; glimmering synthlines shining from beginning to end.


Fellow Bordello mainstay, Lauer arrives to bring his own analogue sound to the title piece. Accentuating that irrepressible tune, piano keys give extra ballast with a touch of late evening romance as we wait for the sun to come up. The flip transports us to Scandinavia for some unrequited love. Although “Forelskelse” may mean unexplored passions, this track is brimming with emotions. Burning with a smouldering energy, ingredients from disco to house combine to produce a wonderfully uplifting work.

David Bay, of Zissou Records fame, closes with his interpretation of “Forelskelse”. A measured introduction gives way to those addictive notes of the original, Bay stripping back the samples to allow the instruments to sing. A soundtrack to see us into a magical summer.

Demon Music are happy to present – Electribe 101 - ‘Electribal Memories’, this stunning half-speed master vinyl edition cut from the original tapes by Barry Grint at Air Studios. Formed when Hamburg-born / London-based, sometimes S’ Express member Billie Ray Martin hooked up with four musician / producers from Birmingham, Electribe 101 instantly hit upon a sound heavily influenced by the de rigueur deep house sounds of Chicago and Detroit but with a distinctive European twist. With Billie Ray up front, with a voice like ice on fire and looking as if she’d stepped forward in time from a circa-1966 Mary Quant catwalk, the band were instantly snapped up by Mercury Records, and taken under the wing of Pet Shop Boys manager Tom Watkins. The band released five singles in the UK, and all featured on their debut album ‘Electribal Memories’ – ‘Tell Me When The Fever Ended’, ‘Talking With Myself’, ‘You’re Walking’, ‘Lipstick On My Lover’ and an incredible cover of Odyssey’s deep soul classic ‘Inside Out’. When the album arrived in 1990, it was an instant hit with critics – immaculately produced, poised, luxurious and soulful, it was difficult to believe it was a debut record at all. After ‘Electribal Memories’, Electribe 101 called it a day. Since then, the album’s reputation has grown in stature and many of its’ singles’ attendant remixes have become sought-after rarities. The cultural earthquake prompted by the late-1980s arrival on these shores of house, acid and rave prompted many a legendary club night and a generation of superstar DJ / producers. While there were a myriad of great club tracks produced in that heady period between 1988-1991, classic albums from the scene were rather more of a rarity. One towering exception was the debut by Electribe 101…

French producer Panthera steps up to Melodize with a pair of Italo inspired cuts that come remixed by the legendary Lauer and Endrik Schroeder.

Panthera prefers to remain secretive about his identity, but his music has plenty of people talking. It has come out on labels such as Bordello A Parigi, Polaris and Correspondant so far and contains a distinct, synth-heavy, euphoric sound.

This is evident from the beginning with ‘Hustle’, a colourful and cosmic cut with rich melodies, occasional vocal touches and shimmering arps. They bring sugary rushes of joy to the mid-tempo nu-disco drums and will douse dance floors in subtle euphoria. Remixing this one is the underground stalwart Lauer, who always brings his retro style to his disco and house on labels such as Permanent Vacation and Running Back. His version is faster and more direct, though still packed with starry melodies and subtle synth motifs that bring it to life.

Panthera’s ‘Western Union’ then brings more raw percussion and slapping drums but again takes flight through the cosmos on sleek synth lines with hints of 80s nostalgia. It’s a track that is always on the rise and full of bright, irresistible melodic suspense. Remixer Endrik Schroeder also hails from France and is a fast-rising talent with credits on the taste-making Bordello A Parigi, Ritmo Fatale, and Roam Recordings. He flips the original into a more propulsive and urgent nu-disco weapon with crashing drums and synth loops spiralling around the track as extra melodies fall like stardust to light up the groove.

There is real quality as well as plenty of feel-good energy to these four shiny, synth-heavy tracks.

Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.

Hi! We are ready to present the second record from My Cup Of Tea produced by founder Piero, it includes 4 house tracks and broken beats with a warm and danceable sound, includes a remix by Carlo from Aterral.

We hope that this copy will find its place not only on the shelf, but also in the bag and will always be relevant at any party. From the southern latitudes - with love!

2024 repress!

Approaching 20 years since its original release (2007 via Smallfish), now remastered to pure analogue bliss from the original ampex tape masters.

The sound on display here I could imagine as a soundtrack while submerging in a submersible diving deeper than the Marianas trench!

The B side now features an epic live version captured @ AIR, Tokyo, Japan.

Made in the heart of Detroit, with love!

Retromigration makes a welcome return to WOLF Music following up from Straight Foxin, his debut album on the label. For Cloudin he presents six deep cuts that once again showcase the German producer talents and abilities. Dusty samples sit alongside original compositions, hitting that musical sweet spot. Fans of Retromigration, this might be his best work to date! This one’s for the heads.

Burnin Music bossman Pegasvs returns with his first new material in several years, and it's a classy collection that's been worth waiting for. '(No) Peace' begins the journey: a languid slice of ambient / downtempo beauty with hypnotic spoken word vocals from MA.MOYO which eases you into the EP in meditative fashion. 'Take It' ushers us more towards the dancefloor with some mellow synth-funk stylings and punchy raps from The S.O.S. weaving in and out of Twyla's effortlessly yearning vocals. 'Traffic Jam' is a sumptuous patchwork of deep house motifs, where Rhodes chords, funky guitar flecks and plump bass tones interplay beautifully, and 'La Nuit' rounds off in stripped-back Detroit house style—all murky chord stabs, throbbing low end and classic drum beats.

É Soul Cultura captain, originator of Manchester’s legendary Electric Chair and definitive people’s champion, Luke Una taps into a lifetime’s worth of musical discovery for the second volume in our Mr Bongo Edits series. A cosmic coming together that sees two of Luke’s secret weapons, re-edited and re-contextualised by the man himself to provide optimal dancefloor euphoria.

A stalwart of the underground for nearly 40 years, Luke has become an appointed leader of the late night disenfranchised, with an unquestionable ability to pick records that make minds tick. Not least through his two É Soul Cultura compilations released on Mr Bongo over the past two years.

A taste that traverses genres as much as it does emotions and decades, who better to give an insight into the tracks he has chosen to edit, than the man himself. “I've been an avid collector of afro-beat house, techno and underground black heart disco since before the basement soul days of Electric Chair 30 years ago. Both these bombs were very much holy grail finds, plucked from the last four decades of digging in random crates of dusty vinyl all over the world.”

First up, Thandi Zulu & The Young Five’s interpretation of Pure Energy’s early ‘80s disco power play – ‘Love Game’. With a distinctive South African synth bass and killer keys combo, Luke explains the original has this “bonkers alchemy of heavy machine soul, uptempo rawness and a majestic disco evangelism”, making it ripe for a re-edit.

On the B side, Lionel Pillay’s Jazz dancer ‘Plum’. “The original was a relentless 18-minute raw jam”, Luke states, “which despite its late ‘70s South African origin kinda reminded me of a 1986 Chicago piano House record”.

“These edits strip the tracks back and rebuild them, giving them more sonic weight with that looped up drum jacking militancy from the days of Chicago, combined with a boosted sense of transcendental, psychedelic, cosmic disco. They have always had such an explosive reaction on so many dancefloors including the heavier electronic club, so it felt only right to reshare them”.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston.
Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.
The label and studio were closed when Dodd relocated to New York City in the 1980s.

After releasing on Local Talk Records in 2023, ManooZ contributes his new EP to the Raw Soul vinyl series. Dive into the captivating sounds of the 'Midnight Madness EP', where ManooZ, renowned for his 90s inspired house music vibes, takes listeners on a rhythmic journey. Armed with vintage MPC drums and evocative FM synths, he crafts tracks that echo the golden era of house. It's evident that ManooZ has burned the midnight oil, channeling his soul into every synth line and percussive groove. This EP promises to be a timeless addition to any vinyl collection, a true testament to the artist's dedication to the craft.

Three years on from the bands acclaimed ‘Grateful End’ album, and following up last years reissue of their live release ‘Psychedelic Scum Freaks’. Taipei's underground psych monsters Dope Purple return with their new album proper, ‘This Is The Harsh Trip For New Psyche’

The album is co released again by Riot Season & WV Sorcerer Productions and is available on three vinyl variants, and also digitally.

The album, it's a mixture of harsh noise and psych rock, the noise element being well recorded and presented so we can hear many details, and blends perfectly with the other instruments in all frequencies. The whole album moves between a spectral sadness and insanity, each track takes a rather different direction, recognising the influence of Classic Japanese bands such as High Rise, Mainliner, and Les Rallizes Dénudés.

The album is a collaboration with Berserk, a young underground pioneer from the Taipei scene, and has been performing chaotic frequency manipulation and carefully textured post-apocalyptic soundscape since 2015.

What I Breathe is the debut album from Mall Grab AKA Jordon Alexander. The Australia-born London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date – loudly defining the raw energy that has become synonymous with the moniker.

“This album is deeply personal and an exploration of all influences, sounds and sides of the Mall Grab project. It follows my journey of the last 6 years from a university dropout in Newcastle (Australia), making music as a source of happiness and expression.”
While glances of what Jordon gravitates towards in dance music can be heard in the record label imprints he steers—Looking For Trouble and Steel City Dance Discs—it's with What I Breathe that he elaborates on and articulates his diverse ear for music. Through collaborations with Brendan Yates of Turnstile, Novelist, D Double E and Nia Archives, the Mall Grab repertoire of emotive electronics is used to traverse his love of hard-to-define energies that exist between genres like Hardcore, Hip-Hop and Soul.
“I have been lucky enough to work with some of my favourite artists which have really been the glue that keeps the project coherent. There are a lot of familiar sounds on this album that my listeners and followers have become accustomed to and joined me in the deep dive. Elements of emotional but hard and pumping club music are intertwined with House, Jungle, Rave and Grime. My adopted home city of London has been a huge inspiration to how my music has evolved and progressed, and on What I Breathe I wanted to create a body of work which not only had something for everyone who has been with me the past 6 years, but also those who aren’t yet aware of what I’m about or the music I make.”
Jordon’s long-standing penchant for all things DIY blossoms in tracks like Lost In Harajuku and Without The Sun which feature his own original lyrics and vocals. As the album twists and weaves from one song to the next, gleaming melodies flare up into club-ready anthems such as Metaphysical and Breathing. The kinetic flow of the music as a whole can be attributed to the many years of cutting his teeth as a DJ, a skill that can be testified by anyone who has witnessed a Mall Grab set.

“As I was a DJ for many years before I delved into producing electronic music, I had a wide appreciation and love for all types of music, predominantly gravitating towards ‘band' music when creating my own projects, before evolving into a fully-fledged electronic producer – however always retaining the influence and love for all things live and genre-fluid.”

Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce declaration of what’s to come for Mall Grab.

“I’m grateful for everything and everyone in my life, those I love and those who support my music, through all the ups and downs. I live and breathe this shit. I cannot do anything else. I will continue until there is nothing left for me to say.”

Embark on a sonic odyssey with Foreign Material's latest release on Navigare Audio. Drawing inspiration from the all-encompassing influence of Saturnus, the god of time, transcendence and agriculture. Martins musical universe is both explorative and traditional, taking listeners on unexpected paths while maintaining an innocent and joyful sense of discovery. You can never really expect where he will take you with his new release, you get the sense that he's carving out the path as he's walking. On the B-side, we find none other than brother Toffe, the master of suspense - dubbing it out with a reshape of the title track "Saturnian Dub" in an homage to the deity of the golden age of abundance and peace.

Theory Of Swing is proud to announce another great release from “ R.O.P Underground Traxx ”.

A project from the Bari-based artist also known for his Italian Sound as Rhythm Of Paradise.

With this very special one-shot EP called “Project #1” we go back to the old Detroit House roots with 5 classic cutz .

Side A is opening with a classic hymn of glory called “ Feel My Body ”, followed by a Remix delivered by Label Boss St. David.

If you have been a fan of the Acacia records, Happy Records or the Intangible Records sound this is a must for you.

Mixed & Mastered by St. David at TOW Records Studio in Bari, South Italy

Steeped in the sounds of electro disco, italo and new beat, Ace Vision is an artist raised on the synthesizer traditions of Italy.

Following on from his debut EP,”Not An Ordinary Story”, the musician returns with four pieces of crafted electronics; Snapping percussion lays a path for arcs of melody, bruised bass and computer game chords for the driving energy of “Enigmatic Flow.” The same rhythmic strength is carried into “Middle of the Night.” Kicks and snares are the foundation from which perfumed keys ascend. In the exquisite “Goodbye,” warm analogue waves are punctuated by beats while rolling arpeggios and soaring lines drift above vocoder lyrics. “Synthpop Voyager” ends the EP. Warm playful melodies are central in this elegant and emotional finale, crisp drum patterns being the central columns around which Ace Vision weaves his analogue tapestry. Four tracks that tell a very different musical tale.

Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint


This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound.


First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat.


2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss.


On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way.


Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.

When the first cargo ships from Western Europe docked in Klaipėda after the fall of the Iron Curtain, no one could have imagined that a completely new and unknown musical culture would arrive in Lithuania along with them. It was the first city in this country to get a taste of what was then called electronic rave music. This is why it is unsurprising that the most iconic Lithuanian electronic music band of the 1990s was born in Klaipėda, the port city of this country.

The first release from Lizdas Records is a nod to the past. Because if it weren’t for EXEM and their legendary tracks, which even made their way into the mainstream media in those days, today’s Lithuanian electronic music scene would be completely different.

BopdyParts Vinyl long-awaited twenty-ninth release welcomes veteran Tommy Vicari jnr to the imprint with "No You Neednt Explain EP", a groovy four-track solo release spanning from warm, deep minimal to shuffle house dancefloor stompers. Tommy Vicari jnr has made all sorts of dance music over the past two decades, usually proof-ready for the most refined dance floors worldwide.

The EP's first and title track, 'No You Needn't Explain' (A1), fully displays Vicari's signature: syncopated beats, shuffled squicky basslines and exquisitely looped samples for maximum dancefloor hypnotism. 'Issacgroove' (A2) continues the story with its slapping drums on top of deep pads and percussive samples, creating a particularly jazzy atmosphere full of quirky filtered samples for added funk. On the flip side and in pure Vicari fashion, 'Anytime' (B1) doubles down on pitched-up vocals and sampled guitars & keys, reminiscent of the early 00's French House era. 'Chapter and Verse' (B2) closes the EP with a slightly eerie tone and a total focus on the atmosphere and its apparently non-stop groove. Dancefloor-ready and captivating, "No You Needn't Explain EP" is no different than all other Vicari releases around - a must.

2025 Repress!

Remastered and, for the first time, back to back on vinyl, two of Greg Wilson's best-loved edits/mash-ups (plus a bonus track never previously available).

'Two Sides Of Sympathy' combines a pair of P.T.A. mash-ups built around Amerie, Massive Attack and the Rolling Stones. A signature GW edit, originally pressed in 2007, that would feature in his classic 2009 Essential Mix.

'Gotta Keep Workin' It was a GW mash-up pressed back in 2005, its main elements being PM Dawn (sampling Imagination) and Missy Elliot. It would also find it's way into the Essential Mix. A later version, 'Working The Illusion', this time going straight to source with Imagination, whilst retaining Missy Elliot's rap, is made available here for the first time as a bonus addition.

*Vinyl Only*

Saturazione Momentanea is the first single from the upcoming album by 291out, set to be released on Tasty Treats Records at the end of this year.

It is a warm soundtrack, built up on a hypnotic groove, enhanced by electric piano and brass solos and it's a blend of electronic music and jazz/fusion, sound of the 70/80's era. B side Saturazione Sistemica is built upon the motif of the other track but create a different atmosphere and it's characterized by a huge brass section, electronic arpeggiators and smooth flute solo.

291out are known for their passion for soundtrack and on these pieces you can hear the influences from notable italian composers such as Riz Ortolani, Francesco De Masi and Augusto Martelli, just to name a few.

Mood Child unleashes Sirus Hood and Trangaz’s ‘Ghetto Corazon’ EP, a blazing fusion of African, Latino, and Asian influences.

Label father Sirus Hood and Mood Child favourite Trangaz join forces to craft two original bangers, ‘Ghetto Corazon’ and ‘Boothy’, while Manda Moor, Mood Child's mother, spices things up with two different versions of remixes of the second track.

‘Ghetto Corazon’ is one of those tracks that ignites the dancefloor and highlights a DJ set. It’s primal, unique, tribal, and groovy. It has a Techno vibe with its high BPM and killer kick drum that has the power to tremble any dancefloor.
We can sense the Latin roots with the Spanish vocal singing "mi corazon" and the African flair with its broken swing percussion pattern.

‘Boothy’ is a playful acid-led tune enhanced by a unique hi-hat game, with vocals from Trangaz himself talking about the DJ booth adventures. The vocal depicts situations that are bound to happen in any club.

Manda Moor delivers two different remixes of ‘Boothy’: a ‘Punchy’ and a ‘Spicy’ remix. Her ‘Punchy’ rendition is vinyl only and adds a dirty punch to the original, while her ‘Spicy’ version has all the essence of the ‘Manda Moor groove’ - an addictive drum pattern with her unique style that is recognised right away. She is known for her picante sound, adding the perfect spice to this EP.

This release showcases the best of the heat from three minds with different roots. An irresistible melting pot, with early supports from all stars like the king Carl Cox and The Martinez Brothers.

Sirus Hood & Trangaz ‘Ghetto Corazon’ EP drops via Mood Child on 22nd March 2024.

The scenic artist and multi-instrumentalist CLARAGUILAR moves from performing arts to cinema as a composer and live performer. Over the last few years he has created soundscapes that blend electronics and sampled elements with orchestral arrangements, becoming one of the main names of the Spanish theater scene when it comes to soundtrack and sound design creation.

After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.

'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.

Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range

Here is the new “EP Volume 2” by Italian dj producers Marco Fratty (FPI Project), Marco Flash and Alex Time.

After achieving an excellent result with the EP Vol. 1 the three DJ producers create this new album with 2 tracks super Afro on Side A, the first is the cover of "Happiness" by Fuhrs Frohling and the second also on Side A is an unreleased modern Afro Beat entitled "OM" already released digitally on their label Audio Recordings.

Side B is instead markedly Funk, with the first track “Ultrafunk” inspired by a song from the 70s and the second, “Excellent Funky”, with a more pronounced dancefloor beat.