Search:x mix

First-time repress of Thrum's 1994 cult classic Rifferama, newly remastered with enhanced depth and clarity. Features Monica Queen (Belle and Sebastian / Snow Patrol), the album offers a signature blend of shimmering hooks and fuzzed-out guitars. The long-awaited reissue of Rifferama, the acclaimed debut album by Glasgow indie trailblazers Thrum. Out on Fire Records, the remaster revisits one of the most revered cult records of the 1990s UK guitar scene (the vinyl release includes an exclusive digital download of the band's reunion show recorded live at Airdrie Town Hall in 2025, along with a new studio version of 'Hey Joe'). Originally released to critical acclaim, Rifferama captured a moment when melody, distortion and emotional urgency collided to create something timeless. Now newly remastered from the original recordings, the album returns with enhanced depth and clarity, reaffirming its reputation as a lost classic of the era. Fronted by the unmistakable voice of Monica Queen (known for her work with Belle and Sebastian and Snow Patrol), Thrum's sound blended shimmering pop hooks with driving, fuzz-laden riffs. Alongside Johnny Smillie's distinctive guitar work, the band forged a sonic identity that stood proudly alongside the era's most influential alternative acts. This reissue is dedicated to the late great Phil Vinall, who mixed the album.

Roots HiFi are the leading Dub Sound System out of Santiago, Chile. Their 1st two 7” releases sold out instantly and are now collectors items .. here their 3rd release features a heavy UK style Dub mixed by the original maestro VIBRONICS in his Dub Cupboard Studio in the UK. Music for lovers of OBF, Iration Steppas and all sound system dub fans.

Shiverstruck, the latest album from IAN SWEET, finds songwriter and multi-instrumentalist Jilian Medford at her absolute best. Produced and mixed by Ben Allen (Deerhunter, Washed Out, Belle and Sebastian), the record centers a deliberate return to analog instrumentation, with acoustic guitars, piano, strings, and live drums at the forefront. Medford’s writing is more confident, direct, and emotionally exposed than ever, with soaring, melodic tracks like “Criminal Kissing” and “Jilian” revealing a striking new dimension of IAN SWEET.

IAN SWEET’s music has amassed millions of streams worldwide and earned praise from FADER, The New York Times, Stereogum, The New Yorker, Rolling Stone, and Pitchfork, which named Show Me How You Disappear one of the Best Rock Albums of 2021 and profiled Medford as a Rising artist that same year.

Having made their back catalog available to a wider public via High Roller Records, Mexican speed and thrash metal force Phantom will release their third full-length assault „Not Midnight Yet“ via the label. Recorded and mixed once again with Héctor “Northen” Ibarra at Nehtron Studios in Guadalajara and mastered by Patrick W. Engel at Temple Of Disharmony in Germany, this new album captures the band at their most technical and dynamic. “I am never fully satisfied with my records and I try to push forward and expand our boundaries with every new material—without changing the soul and core of what Phantom stands for: Old School Heavy Metal,“ explains mastermind J.C. García. „This record puts together very well everything that we are. Because of that, I think this is a juggernaut of an album.” Tracks such as ‘Hordes Of Bats’ deliver relentless speed and riff-driven aggression, while ‘Dracula’s Curse’ and the title track lean into powerful midtempo dynamics and complex structures. ‘The Pale Remains Of Time’ stands out as one of the album’s most ambitious moments, combining melodic vocals, clean guitar interludes and subtle progressive touches. “I try to break the established formula and add more textures and layers while keeping the old school spirit,” J.C. states. “It’s a very personal record and a work I’m very proud of. I think this is the most solid Phantom record to date.” With “Not Midnight Yet”, Phantom sharpen their identity and deliver a powerful, atmospheric statement—proof that the night is far from over.

Super-cosmic Dub album by bass & keys wizard Slim Levy, full of song writing magic and it’s very own cassette tape mojo.

Fourteen beautifully messy dub tracks, psychedelic floor movers and short curveball riddims, inspired by Lee Perry’s radical mixing desk treatment on “Dub Revolution” but infused with the musicality of the “Pet Sounds” album by the Beach Boys.

Initially a professional bassist, Slim Levy fell in love with the golden age of Jamaican music of the 60s and 70s after a formative tour alongside the legendary Lee “Scratch” Perry.

In 2020 he launched his career as a producer. At his home studio in Strasbourg / France he is always on the search for sound artifacts and magic imperfections, shaping his distinct sound.

There’s a new sound shaking up the Upper East Side — and it’s not related to Serena this time.

It’s ‘gg’, the new track from Lolina.

We've all heard the rumors of L performing this one around the globe for months, & some of the lucky ones got the chance to catch it live... but now the wait appears to be over for the general public. There are officially plans to release the studio version of ‘gg’, and it's safe to say the track is scandalous. Meeting same time, same place to get to the bottom of it all. Confusion lingers, yet everything stays comfortably in strife. It all keeps moving.

Who is the city even for now? What’s our own involvement in the distress? That’s one secret I’ll never tell!

Why is it that L must use song to persist in this city that never sleeps? Have fables fallen so out of fashion that princesses have to do everything themselves now?

Well... according to some tips we received this doesn't seem to be the case. L has enlisted help from some very exciting sonic connoisseurs, resulting in remixes stronger than a knight in shining armor could ever provide.

So let's check out this track list, shall we?

A-Side
gg (Extended Version)
gg (NEW YORK Remix)

B-Side
gg (Arca Remix)

Sounds like the perfect soundtrack for eating a yogurt cup on the steps of the MET to me.

We seriously doubt you'll be able to ignore this release.
Run the credits, roll the dice.

xo xo
GOSSIP GIRL

Press release by Kaitlin Simotics
Mastering and additional mixing by Amir Shoat
Artwork by Lolina
Vinyl design by Termite Lounge

Als eine der prägendsten und einflussreichsten Künstlerinnen unserer Zeit vereint die mehrfache Grammy- und BRIT-Award-Gewinnerin Charli xcx Musik, Mode und Film wie keine andere. Ihr mit Spannung erwartetes neues Album „Music, Fashion, Film“ erscheint am Freitag, den 24. Juli, und führt ihren visionären Mix aus Mainstream und innovativem Underground perfekt fort. Das Meisterwerk enthält bereits gefeierte Tracks wie „SS26“ und „Rock Music“ und besticht durch ein ikonisches Cover von Aidan Zamiri, auf dem Legenden wie John Cale, Marc Jacobs und Martin Scorsese zu sehen sind.

DYING VICTIMS PRODUCTIONS is proud to present JORDSJØ’s highly anticipated new album, Pestkrønikene, on CD and vinyl LP formats. JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene. Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock.

Als eine der prägendsten und einflussreichsten Künstlerinnen unserer Zeit vereint die mehrfache Grammy- und BRIT-Award-Gewinnerin Charli xcx Musik, Mode und Film wie keine andere. Ihr mit Spannung erwartetes neues Album „Music, Fashion, Film“ erscheint am Freitag, den 24. Juli, und führt ihren visionären Mix aus Mainstream und innovativem Underground perfekt fort. Das Meisterwerk enthält bereits gefeierte Tracks wie „SS26“ und „Rock Music“ und besticht durch ein ikonisches Cover von Aidan Zamiri, auf dem Legenden wie John Cale, Marc Jacobs und Martin Scorsese zu sehen sind.

Psychic Zebra third 12" release, TMRS by Todd Modes and Ryan Spencer. Todd and Ryan put everything into this one and came out with something that genuinely moves. I brought back Hugo Capablanca for the artwork, Dietrich Schoenemann on mastering, and Archer Record Pressing to press it right. ‘Talk Talk (LA Guitar Mix)’ is the slow burn with guitars from Scott McNamara weaving through Todd and Ryan's production. Sounds like flying into 1980s LAX at night. Wheels down. City lights. No luggage. ‘Talk Talk (Frantic Mix)’ flips it on its head. Same bones, completely unhinged with Sarah O's vocals stacked over a groove that doesn't quit. ‘Risk Of The Road’ sits in heavy space between dance and dub. ‘Weird Wave’ is exactly does what it says. Trust the description.

TMRS is already receiving early support from Richard Sen, Dave Harvey, Jenö and The Warehouse Preservation Society.

Crackazat returns to Freerange for his latest EP entitled Shine, and sees the artist in his finest form to date! An absolute anthem in the making the title track appears here in Club Mix and Mana’s Dub form, plus an amazing flip of Crouching Tiger from Baltimore legend Karizma Shine is a soulful, jazz-inflicted epic which will have any dance floor worth it’s salt fully locked in. Crackazat’s own vocals bring hints of Jamiroquai whilst his production calls golden era MAW and Blaze to mind. Add an incredible arrangement, live horns, bass and drums to this already heady concoction and you get an idea of why we’re so excited about this release. These kind of club tracks are few and far between these days! Next up we have one of Crackazat’s own Mana’s Dubs of Shine.

A chance for Ben to strip things back, loop things up and dub things out. Keeping the funk intact, we’re treated to a feelgood party-starting house track which has a classic sound that can’t fail to warm the cockles! Flip over for a proper curve-ball from everyone’s favourite Baltimore house hero Karizma who turns Crouching Tiger into the kind of twisted, rolling, jazzy and leftfield workout we love him for. A driving force of the city’s underground, he always comes with the raw energy and fearless creativity. A staple of the dance floor and a leader beyond it, Karizma represents the past, present, and future of Baltimore House and once again proves why he’s such a don.

Drop this one and run for cover whilst the dancers throw crazy shapes! Closing out the EP we have Crackazat’s Mana’s Dub take on previous single Watchu Say. Looping up the killer piano hook and his live bass line, Ben manages to craft the kind of warm, uplifting slice of house music which simply works. And for those who love a big drop, this one should fit the bill with a trademark Mana’s Dub seratonin-boosting build that hits all the right buttons.

Fresh wax from Lance Desardi, on his own Legwork imprint.

The Gods Must Be Angry comprises 3 tracks that have been doing the rounds with some of the heaviest-of-the-heavy house DJs, available for the first time on vinyl. We’ve combined these into one release and added a new track - What I Know - as a vinyl-only exclusive. Across all four tracks there’s a balanced mix of headiness and body-jerking funk.

Downtown Boys have pushed relentlessly forward as an artistic and political project since their founding. Singer Victoria Marie and guitarist/singer Joey La Neve DeFrancesco first met at union meetings while working together at a hotel in Providence, RI, writing many of the band's early songs about labor organizing and exploitative workplaces. The quintet is completed by Joe DeGeorge (sax/synth), Mary Jane Regalado (bass), and Joey Doubek (drums). Over years of touring, and three acclaimed albums, Downtown Boys have continued to grow as artists, musicians, and organizers. Now, the band has arrived with Public Luxury, an enthralling album that keeps politics front and center while summoning the band's most urgent and powerful sound to date. The definition of Public Luxury falls very much in line with that of the title of the second Downtown Boys LP, Full Communism. Straight up, Public Luxury means, "everything for everyone." It's the stubborn insistence that a better world is possible, while fully recognizing the horrors we witness daily, and the individual and collective responsibility to resist the nihilism and hopelessness we all feel. Sentiments like "everything for everyone," and "we will have it all" perfectly represent the cathartic, communal live experience this cadre of multi-instrumentalists create. These sentiments also encapsulate the inclusive, joyful sonic fusion that defines the album: anthemic punk and indie rock mix with Latin traditions, drum machines blend with acoustic drums, saxophones punctuate riffs, and layers of synths add flourishes from new-wave to industrial. The amount of ground covered on Public Luxury can't be overstated, and yet the album feels totally vital and cohesive. Public Luxury is a revisitation of the band's past for the sake of their future. It was co-produced by DeFrancesco with recording engineer and longtime Downtown Boys supporter Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz) at the Pawtucket, RI studio and arts space Machines With Magnets, not far from the band's first home of Providence, RI. Victoria Marie's grandmother-a monumental figure for the band throughout their existence-passed away in May of 2025, and her influence looms large over the album; the songs "No Me Jodas" and "Sirena" are crystallized representations of the love between a woman and her ancestor. Beyond the loss, rage and frustration of the present, Public Luxury points boldly towards a vibrant, open-hearted vision of both music and the world: "Our music is simply for anyone and everyone who believes in the new future we can make together," Victoria Marie declares. "A world that will be awkward, inconsistent, yet truly free when it comes to all that matters."

Lorelle Meets The Obsolete return with their seventh album. It's the Mexican duo's finest, most ferocious work to date which sees them turbo-charge their psychedelic post-punk with a new electronic engine. Mixed by Antoine Goulet (live sound engineer for SUUNS) and mastered by Mikey Young (Eddy Current Suppression Ring), the most obvious comparison in terms of mood and mode is Primal Scream's classic XTRMNTR, another record that processed personal and political conflicts and spat them out as distorted dance music. It shows the influence of the duo's DJ sets and last year's radical Remezcla remix collection on their way of thinking and why they are now namechecking the likes of Moor Mother, MF DOOM, Patrick Cowley, The Bug, Paula Garcés, Phil Kieran, Coby Sey, Run the Jewels and Anadol."Playing other artists' music is different," says Lorena Quintanilla about the change of direction towards the dancefloor. "You're not just listening, you're watching how energy flows and how it affects other people. It gives you the chance to witness what moves other bodies." And Corporal, as the title suggests, is all about the body. "The body is what carries the weight of stress, exhaustion, sadness. It's the body that the system breaks first," explains Lorena. "Unintentionally, while composing the album, our bodies were seeking joy in the songs. Reconnecting with pleasure became a way to open new dimensions - a way to escape, yet remain present." The theme is carried over into the lyrics which, according to Lorena, variously refer to "the bodies that disappear, the abused bodies, the bodies we miss, the bodies that march together in protest, the bodies that are being controlled".

Simsara Records is proud to announce Syrr, the new album by Egyptian artist Maryam Saleh, arriving 27 March 2026. A mythic and introspective work, Syrr transforms memory, loss, and lived experience into a shifting world of sound, voice, and embodied emotion. Written and composed by Saleh, the album traces a three-part journey—Origin & Image, Vessel, and Intuition & Echo—in which the self is fractured, questioned, reassembled, and ultimately expanded. Blending raw expression with subtle dramatics, Saleh crafts an immersive sonic autobiography rooted in intuition, embodiment, and human becoming.
Co-produced by Maryam Saleh, Maurice Louca, and Kamilya Jubran—who also perform keys, oud and backing vocals throughout—the album’s songs are set to or inspired by existing Egyptian and Arabic song forms (including mawwal, lullaby, madih, muwashshah, taqtuqa and more). The project underwent a rigorous three-year journey of songwriting and composition by Saleh with Kamilya Jubran as mentor before recording.
“Syrr” is mixed by Mokhtar El Sayeh and mastered by Heba Kadry, with artwork by Pauline Gouablin (photography), Omar Mostafa (image editing, treatment and inserts design), and Maged El Sokkary (typography and illustration). Lyrics translation by Nariman Youssef. Produced by Simsara Music with support from the Arab Fund for Arts and Culture (AFAC).

From 1993, a hallmark UK Dub album returns to the light. Originally pressed in a small run and extremely hard to find, this record was produced at Earthquake Studio by TNT Roots and Winston Dread.

Together, they provided a raw contribution to the early UK Dub scene using a basic setup: a Siel DK-80 synth, a Yamaha home keyboard, a Casio RZ-1 drum machine, and an Atari 1040 computer running Cubase V2.0. The tracks were shaped through an old Dynamix 8-channel mixer and captured on a Casio portable DAT machine.

TNT Roots provided the drum, bass, and chord patterns, while Winston Dread added the lead lines and performed the mixing duties. This raw, undiluted music reflects the evolution of Dub and contains the seeds of all their future work. Their dubplates were staples for legendary UK sound systems like Aba Shanti-I and Iration Steppas, becoming sought-after anthems that defined the "heavyweight" digital roots sound.

These are heavy sounds that stand the test of time. Back on the streets after 30 years, the album has been fully restored and remastered to honor the dubplate masters of UK Sound System culture

Italian producer Gledd has been quietly carving out a reputation for groove-led house music that balances raw dancefloor energy with rich musicality. Drawing on influences that span gospel, afrobeat, and classic deep house, his productions channel both heritage and forward-thinking club culture. My House Is Your Church marks his debut release on Delusions Of Grandeur - a fitting home for his expansive, souldrenched sound - and signals a bold new chapter in his evolution as an artist.

The EP opens with On His Way, a percussion-heavy deep roller built for maximum dancefloor impact. Anchored by fat, heavyweight production and a massive low-end presence, the track surges forward with relentless energy. An incredible gospel vocal cuts through the mix, elevating the groove into something transcendent - equal parts spiritual and physical. On It’s Not That Easy, Gledd leans further into his gospel house influences. Highimpact and rhythmically rich, the track weaves together organ fills and subtle tropical flourishes, creating a vibrant, sun-soaked energy while keeping the pressure firmly on the floor.

It’s a track that feels both uplifting and commanding. Flipping to the B-side, Habibi Gospel pushes into more “outernational” territory. A wild, expressive lead vocal takes center stage, riding atop a heavy, driving groove. Organ stabs punctuate the rhythm, locking dancers into a hypnotic flow that bridges cultures and styles with effortless confidence. Closing the EP, Can You Hear My Noise? brings things to a richly textured finale. Slightly more organic in feel, it blends echoing synth stabs, percussive melodic lines, and chopped vocals into a melting pot of sound. The result is a seamless fusion of gospel, afrobeat, and classic house - deep, emotive, and undeniably danceable. With My House Is Your Church, Gledd delivers a statement of intent: music as ritual, the dancefloor as sanctuary.

Next up on Minato Music is ‘Caught Me Falling’, a new 4-track EP by Naibu featuring 4 cuts of pure drum n bass that will please fans from all corners. Following up his genre bending solo album ‘Abandon’, Naibu returns to pure 170bpm form with this release, going back to a sound he’s well know for: deep, beautiful, breakbeat driven music. Starting off with ‘Descente’, a deep diving, emotional roller that takes you on a musical journey, followed by ‘Les Profondeurs’, a dark, more intense blend of vintage Reinforced and Soul:R flavours. On the flip side, Naibu revisits one of his older, personal favourites, ‘The Way You Turn’, which gets the 2026 treatment in a simplified, straight to the point rolling version. A club weapon tailored for DJs and an absolute joy in the mix.
To finish things off, title track ‘Caught Me Falling’ is a more laid back number, featuring original drums from upcoming talent Joe Mandeno. This track is a serious nod to late 90s 4hero, one for the late evenings and early mornings.

DJ NOTOYA, who was among the first in Japan to spotlight Japanese music and gained international attention with his mix CD “Tokyo 1980s”—which became an
instant classic upon release. Now, his compilation “Tokyo 1980s Victor Edition,” which focuses on Victor Records’catalog and showcases his deep understanding of
the essence of 1980s Japanese music—blending elements of disco, boogie, and modern soul—is finally being reissued as a long-awaited color vinyl edition!

This release features a carefully curated selection of gems—tracks that received high praise internationally in previous digital releases—specially compiled for vinyl.
Notably, Reiko Takahashi’s “Sunset Road” is included on vinyl for the first time, a long-awaited treat for fans as the original 7-inch is now extremely hard to find.
This must-have collection for fans of Japanese music and city pop is now complete, featuring cover artwork by Hiroshi Nagai. It’s the definitive album, perfect for
everything from club nights to casual listening!

DJ NOTOYA, whose mix "Tokyo 1980s" has garnered attention from listeners around the world. His previous release, “Tokyo 1980s Victor Edition”—a compilation
of selected tracks from the Victor archives—was a massive hit on streaming platforms and in vinyl format! Now, the long-awaited vinyl release of the second
installment has been confirmed.

As the subtitle suggests, this release features a diverse lineup showcasing DJ NOTOYA’s signature taste, ranging from Japanese boogie to AOR and slow,
mellow tracks. The album features eight tracks, including the popular “I'M IN LOVE” by Aru Takamura—a Japanese track with an unusually thick bassline and
a swaying beat—as well as “YOU'RE THE ONLY ONE” by ONE LINE BAND (the predecessor to SHOGUN, led by Fujimaru Yoshino), and the refreshingly mellow
dance track “ADIOS” by Sadistics, which included YMO’s Yukihiro Takahashi and Masayoshi Takanaka, who is currently making a big splash overseas.
The cover artwork is by Hiroshi Nagai.

Sushitech continues its expertly curated mission of uncovering hidden gems adding to its ever-green catalogue with another immersive, rare house classic from the West Coast of the late '90s.

Tim Buna and Eric James (RIP), who produced as E.T.I. and formed part of the solid bedrock of the West Coast sound alongside DJ Garth (together as Rocket) and the Wicked crew, join forces with Tony Hewitt, another titan of the era.

This rare genre-crossing underground record has been treasured by collectors for years, earning support from key players and featuring in the infamous Tyrant mix of Craig Richards and Lee Burridge.

Carefully restored and recut, this monster of a record is now available once again on Sushitech in its full form. Three decades on from its original release, its raw, dirty, high-energy vibe remains hard to match, with authentic, magical sound that stands second to none. Late '90s acid house at its finest.

Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

An Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

“From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.” - AARON TURNER

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

On every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.

FITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.

Internationally acclaimed DJ Natasha Diggs and UK-born, Lisbon-based DJ/vocalist Megatronic are proud to announce their first collaborative EP People, set for release via The Jazz Diaries. This new project began in the summer of 2023 when Diggs and Megatronic first joined forces, bonding over a shared vision of dance music as a joyful, soulful, community-centered experience. Over the past two years, the transatlantic duo has channeled that ethos into People, a record that merges their distinct talents and global influences into a vibrant, uplifting sound.

The young French doctor and producer Disciple Of The Sun makes his debut EP, with a refreshing take on classic progressive house. Powerfull and uplifting vibes that have been long tested by the crew.

Deluxe 12" Tip-On (pasted card) Gatefold Edition (Limited Edition)

A new solo album from Seu Jorge reveals his 'other side' on this new solo album featuring Beck and Maria Rita. Produced by Mario Caldato Jr. (Beastie Boys), the album moves between jazz and bossa nova and is the result of a 16-year musical journey.
Seu Jorge is ready to present to the world the most ambitious project of his international career. After 16 years in the making, “The Other Side” finally arrives on streaming platforms in May. A departure from the soul and samba that defined his solo career, the new album is a sophisticated orchestral celebration of Brazilian music, moving between jazz and bossa nova.

The seed for this meeting between the Brazilian soul and orchestral sophistication was planted by a longtime friend and admirer: the legendary producer Mario Caldato Jr., known for his work with the Beastie Boys and Jack Johnson. The partnership, however, goes back further. “It’s not often that you find a voice and talent as vibrant and powerful as Seu Jorge’s. That’s what I felt in 1999, when I met him in Los Angeles,” recalls Caldato. “Since then, our friendship and admiration have only grown, allowing us to create music together with total freedom.”

The spark for “The Other Side” came from a moment of pure sensitivity. “This album was born when I recorded Jorge playing a simple version of ‘Girl You Move Me,’ by the band Cane and Able, on a nylon-string guitar. The performance was very sensitive and dynamic, which moved me deeply,” says the producer.

It was then that Caldato had the idea to invite multi-instrumentalist and arranger Miguel Atwood-Ferguson to orchestrate that demo. The partnership, which began in 2009, blossomed organically. “I shared some ideas with Miguel, and he understood perfectly, creating a beautiful arrangement that elevated the song to a much more luxurious and sophisticated dimension. That experience planted the seed for this orchestral adventure. "

With his characteristically deep, velvety voice, Seu Jorge guides the listener through a repertoire that revives gems of MPB. The artist cites as references the catalog of the German label ECM Records and the arrangements of Claus Ogerman, a conductor who worked with Tom Jobim and João Gilberto.

Recorded in stages between 2009 and 2018, the album is a true work of musical
craftsmanship, created with calm and friendship. The live rhythmic foundations were
provided by Seu Jorge’s band. “Jorge has a lot of confidence in and pride for his musicians, allowing them to express themselves freely. Each one brings a special flavor to every song; this was their album too, ” notes Caldato Jr.

“It was a week of pure joy for me and for all of us, recording and capturing that magical spirit and vibe,” adds the producer, who saw the work come together with arrangements by Miguel Atwood-Ferguson. “When it came time for mixing, everything felt very natural. The album revealed itself and came together magnificently. For me, it’s a timeless album.”

The album features covers of songs such as “Crença” by Milton Nascimento (from his 1969 debut album); “Caboclo” by Arthur Verocai, in a version with psychedelic guitars; and, of course, “Girl You Move Me” by the Canadian band Cane & Able, which inspired the project. Among the tracks featuring guest artists, “Vento de Maio” by Márcio Borges (a hit with Lô Borges and Elis Regina) features an intense duet with Maria Rita. Another major collaboration is with American singer Beck, a self-proclaimed fan of Brazilian music and Grammy winner. Together, they perform “River Man” by the revered British singer Nick Drake.

Whodamanny expands the Biloba catalog with a new double‑single: two cuts that echo the energy of Onda Biloba while opening a fresh chapter. Italo disco meets Spanish tones and Latin rhythm in a crisp, memorable blend.

“Vamos” delivers mid‑tempo late‑80s private‑press heat; “Energia” fires upward with a classic driving bassline in pure Cerrone spirit.

The release also includes two alternate, differently titled versions — “Chocolate Dub”, a dubbed‑out excursion built on delay‑feedback spirals, wild send‑return abuse, and live mute‑solo action on the mixer, and “1,2,3,4!”, a more percussive, stripped‑down take

RAW SOUL returns with its twelfth release, welcoming Hamburg-based producer, multi-instrumentalist, and creative force FRAG MADDIN - also known as BERUS and FMN - to the catalogue.
Across four tracks, Maddin channels the energy of live improvisation straight into hardware, capturing each take in the moment before refining the best parts himself and passing them on to mastering engineer Matthias Heinstein for the final polish. The result is a tightly focused, floor-ready record: deep, cavernous basslines, raw drum programming, and a sound firmly rooted in the spirit of original Chicago house while remaining fully present in today's underground.
Since 2012, FRAG MADDIN has been active internationally, releasing on respected labels such as Kerri Chandler's Madhouse Records, DVS1's Mistress Recordings, Glasgow Underground, and Snatch! Records. As an artist, he moves fluidly between groove, experimentation, and cross-genre expression - something that also shines through in his projects BERUS and FMN.
A standout moment on the EP is "Excuse Me," on which Maddin provides his own vocals - unfiltered, direct, and perfectly placed in the mix.

5 ausgewählte Maxi Singles in einer Box. Eine limitierte Sonderauflage für unsere vielen treuen Fans.

DJ Schwede
F.E.D.O.
Slice & Case
Lewis, D. Emix
Dietbox

Ein Highlight zu einem unschlagbaren Preis!

Jon Schaffer's Sons of Liberty - Thought Crimes (Volumes 1 & 2) is a bold new mix that fuses the raw essence of the "Brush-fires of the Mind" LP (2009) and the "Spirit of the Times" EP (2011), breathing fresh life into a message that has proven eerily prophetic in an era of escalating world challenges. " Thought Crimes (Volumes 1 & 2) " is out now on all streaming platforms, inviting listeners everywhere, old or new, to discover its urgency. For collectors, a special physical rollout will arrive via The Circle Music on July 4, 2026 , marking the 250th anniversary of the signing of the Declaration of Independence. At its core, Sons of Liberty's music exposed the machinations of a fraudulent financial system and the insidious creep of authoritarianism, serving as a stark warning to humanity. Today, with those shadows cast longer than ever, this music stands as a timeless testament to truth, unfiltered and unapologetic.

What sets Sons of Liberty - Thought Crimes (Volumes 1 & 2) apart is its transcendence of partisan divides. This is not an echo chamber of political agendas; it's a universal wake- up call, championing freedom as the bedrock of peace and prosperity for every person on the planet. In a world fractured by division, Schaffer's lyrics rally for pro-freedom/pro-humanity ideals: anti-authoritarian, non-partisan, and rooted in the unyielding principles of liberty. It's a reminder that true empowerment comes from questioning and resisting systems that promote aggression and erode our shared dignity, fostering unity through principles of liberty, individual sovereignty, and collective resilience. Elevating the original material to new heights, this release features thunderous, newly recorded drums by longtime friend Mark Prator , whose precision and groove has powered classics from Iced Earth ( The Dark Saga , Something Wicked This Way Comes ), Demons & Wizards (Self- Titled Debut), and Jon Schaffer's Purgatory (EP 2018).

Paired with a cutting- edge modern mix by Jim Morris , the result is a sonic powerhouse that has matured like a fine wine - delivering an intensity and honesty that's all too rare in today's pop culture landscape. In an age where ideas can be silenced, this stands as the most censored and cancelled heavy metal music in history. It begs the question: Why? Are thought crimes an inevitable reality in a world that fears unbridled truth? Dive in, reflect, and educate yourself-- because freedom isn't a spectator sport; it is difficult, it requires action, and it's the only path to a better world for all of us

Jon Schaffer's Sons of Liberty - Thought Crimes (Volumes 1 & 2) is a bold new mix that fuses the raw essence of the "Brush-fires of the Mind" LP (2009) and the "Spirit of the Times" EP (2011), breathing fresh life into a message that has proven eerily prophetic in an era of escalating world challenges. " Thought Crimes (Volumes 1 & 2) " is out now on all streaming platforms, inviting listeners everywhere, old or new, to discover its urgency. For collectors, a special physical rollout will arrive via The Circle Music on July 4, 2026 , marking the 250th anniversary of the signing of the Declaration of Independence. At its core, Sons of Liberty's music exposed the machinations of a fraudulent financial system and the insidious creep of authoritarianism, serving as a stark warning to humanity. Today, with those shadows cast longer than ever, this music stands as a timeless testament to truth, unfiltered and unapologetic.

What sets Sons of Liberty - Thought Crimes (Volumes 1 & 2) apart is its transcendence of partisan divides. This is not an echo chamber of political agendas; it's a universal wake- up call, championing freedom as the bedrock of peace and prosperity for every person on the planet. In a world fractured by division, Schaffer's lyrics rally for pro-freedom/pro-humanity ideals: anti-authoritarian, non-partisan, and rooted in the unyielding principles of liberty. It's a reminder that true empowerment comes from questioning and resisting systems that promote aggression and erode our shared dignity, fostering unity through principles of liberty, individual sovereignty, and collective resilience. Elevating the original material to new heights, this release features thunderous, newly recorded drums by longtime friend Mark Prator , whose precision and groove has powered classics from Iced Earth ( The Dark Saga , Something Wicked This Way Comes ), Demons & Wizards (Self- Titled Debut), and Jon Schaffer's Purgatory (EP 2018).

Paired with a cutting- edge modern mix by Jim Morris , the result is a sonic powerhouse that has matured like a fine wine - delivering an intensity and honesty that's all too rare in today's pop culture landscape. In an age where ideas can be silenced, this stands as the most censored and cancelled heavy metal music in history. It begs the question: Why? Are thought crimes an inevitable reality in a world that fears unbridled truth? Dive in, reflect, and educate yourself-- because freedom isn't a spectator sport; it is difficult, it requires action, and it's the only path to a better world for all of us

Jon Schaffer's Sons of Liberty - Thought Crimes (Volumes 1 & 2) is a bold new mix that fuses the raw essence of the "Brush-fires of the Mind" LP (2009) and the "Spirit of the Times" EP (2011), breathing fresh life into a message that has proven eerily prophetic in an era of escalating world challenges. " Thought Crimes (Volumes 1 & 2) " is out now on all streaming platforms, inviting listeners everywhere, old or new, to discover its urgency. For collectors, a special physical rollout will arrive via The Circle Music on July 4, 2026 , marking the 250th anniversary of the signing of the Declaration of Independence. At its core, Sons of Liberty's music exposed the machinations of a fraudulent financial system and the insidious creep of authoritarianism, serving as a stark warning to humanity. Today, with those shadows cast longer than ever, this music stands as a timeless testament to truth, unfiltered and unapologetic.

What sets Sons of Liberty - Thought Crimes (Volumes 1 & 2) apart is its transcendence of partisan divides. This is not an echo chamber of political agendas; it's a universal wake- up call, championing freedom as the bedrock of peace and prosperity for every person on the planet. In a world fractured by division, Schaffer's lyrics rally for pro-freedom/pro-humanity ideals: anti-authoritarian, non-partisan, and rooted in the unyielding principles of liberty. It's a reminder that true empowerment comes from questioning and resisting systems that promote aggression and erode our shared dignity, fostering unity through principles of liberty, individual sovereignty, and collective resilience. Elevating the original material to new heights, this release features thunderous, newly recorded drums by longtime friend Mark Prator , whose precision and groove has powered classics from Iced Earth ( The Dark Saga , Something Wicked This Way Comes ), Demons & Wizards (Self- Titled Debut), and Jon Schaffer's Purgatory (EP 2018).

Paired with a cutting- edge modern mix by Jim Morris , the result is a sonic powerhouse that has matured like a fine wine - delivering an intensity and honesty that's all too rare in today's pop culture landscape. In an age where ideas can be silenced, this stands as the most censored and cancelled heavy metal music in history. It begs the question: Why? Are thought crimes an inevitable reality in a world that fears unbridled truth? Dive in, reflect, and educate yourself-- because freedom isn't a spectator sport; it is difficult, it requires action, and it's the only path to a better world for all of us

Jon Schaffer's Sons of Liberty - Thought Crimes (Volumes 1 & 2) is a bold new mix that fuses the raw essence of the "Brush-fires of the Mind" LP (2009) and the "Spirit of the Times" EP (2011), breathing fresh life into a message that has proven eerily prophetic in an era of escalating world challenges. " Thought Crimes (Volumes 1 & 2) " is out now on all streaming platforms, inviting listeners everywhere, old or new, to discover its urgency. For collectors, a special physical rollout will arrive via The Circle Music on July 4, 2026 , marking the 250th anniversary of the signing of the Declaration of Independence. At its core, Sons of Liberty's music exposed the machinations of a fraudulent financial system and the insidious creep of authoritarianism, serving as a stark warning to humanity. Today, with those shadows cast longer than ever, this music stands as a timeless testament to truth, unfiltered and unapologetic.

What sets Sons of Liberty - Thought Crimes (Volumes 1 & 2) apart is its transcendence of partisan divides. This is not an echo chamber of political agendas; it's a universal wake- up call, championing freedom as the bedrock of peace and prosperity for every person on the planet. In a world fractured by division, Schaffer's lyrics rally for pro-freedom/pro-humanity ideals: anti-authoritarian, non-partisan, and rooted in the unyielding principles of liberty. It's a reminder that true empowerment comes from questioning and resisting systems that promote aggression and erode our shared dignity, fostering unity through principles of liberty, individual sovereignty, and collective resilience. Elevating the original material to new heights, this release features thunderous, newly recorded drums by longtime friend Mark Prator , whose precision and groove has powered classics from Iced Earth ( The Dark Saga , Something Wicked This Way Comes ), Demons & Wizards (Self- Titled Debut), and Jon Schaffer's Purgatory (EP 2018).

Paired with a cutting- edge modern mix by Jim Morris , the result is a sonic powerhouse that has matured like a fine wine - delivering an intensity and honesty that's all too rare in today's pop culture landscape. In an age where ideas can be silenced, this stands as the most censored and cancelled heavy metal music in history. It begs the question: Why? Are thought crimes an inevitable reality in a world that fears unbridled truth? Dive in, reflect, and educate yourself-- because freedom isn't a spectator sport; it is difficult, it requires action, and it's the only path to a better world for all of us

Hailing from Sheffield, MAU MAUS were one of the pioneering hardcore punk bands of the early to mid 80s, releasing a string of classic singles and an album for Pax/Rebellion at the time. They returned reborn in 2021, with new singer Danny, and with 10 songs recorded through lockdown which were released on Boss Tuneage as "The Enemy Within" 12" - the first official MAU MAUS new release in over 30 years! That release mixed 5 brand new songs with 5 re-recordings of classic 80s tracks, and it showed that the 21st century MAU MAUS had not lost any of their energy, bite and anger over the years and subsequently the release sold out within a couple of months and the band went on to show they were blistering live as well across numerous gigs and tours. Now, Boss Tuneage is delighted to announce the long awaited follow up to "The Enemy Within" and the bands full length album "THE BATTLE SCARS OF HUMAN DEBRIS" which features 13 slices of raging hardcore punk which feels as relevant for 2026 as it would have done in 1986!! The band have tours/gigs planned around the world to coincide with this album and it's great to put a new MAU MAUS album out to the world!

The Hillmen is a bluegrass super-group of including future Byrd Chris Hillman, country music legends Vern and Rex Gosdin, and banjoist Don Parmley. The Hillmen is the seminal bluegrass LP recorded by a super-group of players including mandolin prodigy (and future Byrd) Chris Hillman, country music legends Vern and Rex Gosdin, and banjoist Don Parmley. Recorded in 1963-'64, these recordings would not see official release until 1970 as an 11-track LP. The Hillmen displays their unique takes on Bob Dylan, Pete Seeger, Woody Guthrie and Maybelle Carter, alongside several original songs by the Gosdin Brothers. The original 11-track album is now enhanced with 6 bonus tracks and will recreate the original artwork by Dean Torrance of Jan & Dean fame. Produced by Byrds manager Jim Dickson, all of the tracks were mixed from the original 3-track tapes in 1970 by engineer Dave Hassinger (Rolling Stones, Jefferson Airplane, Jackson 5). This new expanded release is a must-have for fans of bluegrass music and is a true treasure of Americana. For fans of the Nitty Gritty Dirt Band, Billy Strings, Nickel Creek and The Del McCoury Band Includes the original album artwork designed by Dean Torrance (of Jan & Dean fame) with album liner notes by Chris Hillman. Includes six bonus tracks not on the original 1970 LP Has not been available re-released on vinyl in many decades

Media Puzzle is a mysterious figure in Lismore’s nightlife, named after the Irish horse that claimed victory in the 2002 Melbourne Cup (naturally). 

Over the last 3 years, Media Puzzle have churned out 3 scuzzy post-punk albums and 2 blisteringly short, and fun EPs. “Residing somewhere between Suicide’s dark melodies, and Uranium Clubs remote eccentricities”, the last two releases landed an exclusive vinyl feature in Rough Trade, and a solid 7.6 score from Pitchfork, praised for its “uncanny creativity that egg-punk weirdos love to tout”.

Having carved out a space between drum machine-riddled egg-punk and fuzzy scuzz-pop, their newest record is a departure from previous efforts, and it seems, a maturing…

After a year of DIY recording and touring, media puzzle grace the track with their 4th (and still somewhat speedy) album, “New Racehorse”. Ditching the previous drum machine-focused, egg-punk fashion.. This fourth album is the most collaborative yet, mixing oddball pop and garage punk.

Clap Your Hands Say Yeah is the eponymous debut studio album by Clap Your Hands Say Yeah, the musical project of American singer, songwriter, and multi-instrumentalist Alec Ounsworth, active since the early 2000s in and out of Philadelphia. Produced and mixed by Adam Lasus, the album and the band rose to fame after buzz and attention built up on various MP3 blogs and a very positive ("9.0/10") review from influential music website Pitchfork. The album cover was created from a drawing by artist Dasha Shishkin and was designed, colored and lettered by group member Robbie Guertin.

Auf ,Reflections Vol. 3: Water Poems" bringen Félicia Atkinson und Christina Vantzou ihre Freundschaft und ihre atmosphärische Kunstfertigkeit in einem feierlichen Fokus zusammen. Gesprochene Worte und orchestrale Fantasie fließen wie Nebenflüsse in einen einheitlichen Strom und ergeben eine Sammlung traumhafter Lieder und Klanglandschaften, die im Meer, im Himmel und in den Steinen verankert sind. Mit elektroakustischen Instrumenten, Gesang und Umgebungsgeräuschen lädt Water Poems die Zuhörer in einen unbewussten Raum ein, irgendwo zwischen alltäglicher Intimität und dem Geheimnis des Ozeans, aus dem alles Leben entsteht. Atkinson und Vantzou haben sich 2009 kennengelernt und seitdem immer mal wieder zusammengearbeitet, aber ein Konzert 2019 in der Philharmonie in Paris hat dieses Projekt richtig in Gang gebracht. Da beide jetzt an der Küste leben (Félicia am Ärmelkanal, Christina am Mittelmeer), wurde das Meer natürlich zu ihrer Muse. ,Das Meer wurde nicht als monolithische Postkarte betrachtet", erklärt Atkinson, ,sondern eher als eine Person an sich; eine Energie, ein Geheimnis, ein komplexer Charakter, dem wir als Menschen, die am Meer leben, jeden Tag begegnen." Im Dialog mit dem Land und der Küste nahmen ihre Sprache und ihre Klänge einen sakramentalen Charakter an. ,Ein feierliches Gefühl, ein Gefühl des Dienens, zieht sich tief durch dieses Album", bemerkt Vantzou, ,ich habe das schon einmal gespürt, aber hier, in der Zusammenarbeit mit Félicia, ist es stärker." Stimme, Atem und wässrige Texturen prägen den Ton des maritimen Mysteriums von Water Poems. Neu in Vantzous Praxis und seit langem ein prägendes Merkmal von Atkinsons Werk, gewinnen ihre gesprochenen Worte hier an relationaler Intimität, indem sie sich gegenseitig und die Uferpromenade ansprechen. Die Texte wurden über zwei Jahre hinweg gemeinsam zusammengestellt. Mit radikaler Unschuld lenken sie das Bewusstsein auf die verborgene Auftriebskraft und die unbewussten Strömungen, die durch das Leben fließen: ,Wie kann ein Boot schwimmen? Wie kann ein Flugzeug fliegen? Wie kann ein Körper schwimmen? Wie kann ein Mensch träumen?" Was mit nah aufgenommenen Stimmen und Feldaufnahmen begann, wurde um Synthesizer, Gongs und Metallophone, Klavier, Vibraphon, Rhodes, Gitarren und Mellotron erweitert. Das Gezeitenklavier des Eröffnungstracks ,Film Still / The Sea" zieht uns in die unbewussten Gewässer des Albums. Enthalten sind Feldaufnahmen, die Vantzou in Delphi in der Nähe des legendären Orakels von Pythia aufgenommen hat - ihr griechisches Erbe verleiht diesem Ort der Vorfahren eine zusätzliche Dimension. Dieser Track und ,Water Poems" als Ganzes sind Ausdruck unseres geologischen Erbes und rufen zum Schutz der Küsten und zu einer Vertiefung unserer Beziehung zu unseren Küsten auf. Ein Teil der Einnahmen aus dem Album geht an Arion, ein gemeinnütziges Naturschutzprogramm für das griechische Mittelmeer. Der langjährige Freund und Mitstreiter John Also Bennett hat bei ,Scorpio Purple Skies", dem kosmischen Finale des Albums, mit E-Gitarre, Lap-Steel-Gitarre und Gesang mitgewirkt. Diese üppige Instrumentierung passt super zu den Science-Fiction-Visionen und der feierlichen Atmosphäre des Albums. Water Poems wurde in The Old Carpet Factory, einem Herrenhaus aus dem 18. Jahrhundert auf der griechischen Insel Hydra, in der Villa Medici aus dem 16. Jahrhundert in Rom und in Les Dunes, Atkinsons Heimstudio in der Normandie, aufgenommen. Mehr als das historische Prestige dieser Orte war es die spürbare Geschichte ihrer Landschaft, die die Musik geprägt hat. Atkinson sagt, dass sie sich zu ,Orten mit seltsamer Anziehungskraft" hingezogen fühlten. In der Villa Medici ,haben Steine und Mineralien das gesprochene Wort beeinflusst", bemerkt sie. ,Wir beide legen Wert auf Gefühl, Atmosphäre und Klang", fügt Vantzou hinzu, ,was er hervorruft und was er bewirkt. In unserem Fall konzentrieren wir uns auf die grundlegenden Elemente: Wasser, Luft, Fels, Kosmos - allesamt lebenswichtig.» Von der Insel Kreta aus arbeitete Vantzou den finalen Mix fertig und tauschte dabei Dateien mit Atkinson aus. Immer noch mit der Küste verbunden, verlief der Mixing-Prozess geduldig und wurde von wichtigen Pausen geprägt. Water Poems spiegelt wider, was die Meeresbiologin Rachel Carson uns in Erinnerung ruft: ,Am Rande des Meeres zu stehen bedeutet, Wissen über Dinge zu haben, die so nahezu ewig sind, wie es das irdische Leben nur sein kann." Es zelebriert rituell dieses ozeanische Gefühl als wichtige Quelle der Gelassenheit und Intelligenz. In einer Welt, die von hitzigen Meinungen und ökologischer Vernachlässigung geprägt ist, lenkt Water Poems unsere Aufmerksamkeit auf ,die Quellen der Quellen". Damit schafft es Raum, um uns wieder mit unseren elementaren, animalischen Instinkten zu verbinden und uns auf tiefere Strömungen einzustimmen. Water Poems von Félicia Atkinson und Christina Vantzou ist der dritte Band von Reflections, einer Reihe zeitgenössischer Kollaborationen von RVNG Intl..

Marble Vinyl. Clap Your Hands Say Yeah is the eponymous debut studio album by Clap Your Hands Say Yeah, the musical project of American singer, songwriter, and multi-instrumentalist Alec Ounsworth, active since the early 2000s in and out of Philadelphia. Produced and mixed by Adam Lasus, the album and the band rose to fame after buzz and attention built up on various MP3 blogs and a very positive ("9.0/10") review from influential music website Pitchfork. The album cover was created from a drawing by artist Dasha Shishkin and was designed, colored and lettered by group member Robbie Guertin.

The name RUTHLESS in itself means “without mercy.” Since the early 1980’s, lead by vocalist Sammy DeJohn, the band has stayed true to its style of metal, from the classic first EP “Metal Without Mercy” (1984) and the debut cult album “Discipline Of Steel” (1986), to the later albums “They Rise” (2015)” and “Evil Within” (2019), they’ve never wavered on the power of bands like JUDAS PRIEST, ACCEPT and BLACK SABBATH, always staying true to their roots.

Their latest album “The Fallen” was released in January 2024 on their new label Fireflash Records (WOLF, HOLY MOSES a.o.), followed by a European tour as support act for their fellow believers JAG PANZER, cementing their reputation as a magnificent live band. Now, RUTHLESS are proud to announce the release of their next studio album “Curse Of The Beast”. The band has created an album full of power and passion, combined with the classic 80s metal sound, ready to become a future classic and a must-have for anyone who loves traditional heavy metal like METAL CHURCH, JUDAS PRIEST, EXCITER, and others. “Curse Of The Beast” was recorded along with producer Ron Sandoval (KERRY KING a.o.), who also did the final mix and mastering. The album will be released on July 17th, 2026. “We can't wait for you all to hear it. We have a couple of surprises on this one and it's going to destroy,” reveals vocalist Sammy. Immediately afterwards, the band will play selected shows in Europe, along with MINDWARS as well as THE TROOPS OF DOOM, including the legendary “Headbangers Open Air.”