Cosmological Record begins its journey with Red Shift EP, five original tracks produced by Roberto Manolio, with an experimental touch and abstract-style artwork by the young and talented Luca Maestro. Techno and house imprint for the first chapter, with various nuances ranging from acid to deep house, with a touch of electro and minimal sound,unite to sensual, thoughtful and direct vocals.
Its flow has the aim of channeling whatever kind of energy is emanated in that instant, creating a direct connection with its source of origin, favoring the perception of the key frequencies that fuel our spirit.
"Everything in the universe has a rhythm, everything in the universe dances"
Buscar:ya ya
New album of the Swiss/Lebanese experimental duo (Raed Yassin & Paed Conca). Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics.
Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada.
Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators.
Rudimentary Music garners worldwide high praise with their first release. A strong, fluid and very well-rounded EP with something for every electronic dance fan. The Barcelona based butItalian born artist Deiv, sets the foundation and tone with the stunning 'Paranoik Android' EP forthe fledgling label whose everyday life revolves around and embodies the synergy and spirit of dance music culture. 'Take control of your shit' is the first cut and is the ideal smooth late night electro jam. A sexy, melodic deep machine groove that is nothing short of pure class. Thishighly addictive track is sure to get many repeat plays. To complete the A-side is the technostormer 'Technology'. A body grabbing bassline that will surely get everyone's attention. Thiswicked,robotic workhorse is guaranteed to move the main room by any DJ who selects it.Inspired by the label's search for music that fits every part of life, this track encapsulates thepower of techno in the late night. The reverse side showcases the title track 'Paranoik Android'.It rides a strong balance of house and funk sentiments for the primetime slot on the dancefloor.The killer acid line, island percussion and blips and bleeps, makes this a great ying and yang of futuristic and retro sounds. The title track, it stands out from the crowd but here in this EP, it blends perfectly into the wide array of vibes blossoming here. 'Dolphins' closes out the EP inelegance. With the soothing almost aquatic melody notes it exudes the perfect vibe to drift away your cares to. Overall, this is a very versatile EP with a track for every emotion and time during a night out with dance music
- A1: Intro
- A2: Escape (Feat.asa)
- A3: Parallel Distortion (Feat Dj Sak)
- A4: Inorganizm (Feat Dj Kensei & Dj Hide For Kemuri Productions)
- B1: Deltaforest (Feat Jun Sawada)
- B2: Crimson
- B3: The Dawn (Feat Shawn J Period For Fruition Music)
- B4: Interlude
- C1: 85 Loop
- C2: Rust (Feat Kk Of The Lo-Vibes Crew)
- C3: 1200 (Feat Hideo)
- C4: Krushed Wall With Rhythm Troops
- D1: The Kinetics (Feat Sinista Of The X-Ecutioners)
- D2: Final Home
- D3: No More (Feat Dj Yas & Dj Hazu For Kemuri Productions)
- D4: Outro
- D5: Final Home (Bonus Track - Vocal Version)
The fifth album of DJ Krush Kakusei was released in 1998. Continuing his series of solo albums as collaborative efforts, this album is an invigorating, moody, and powerful release. Krush once again lets his abilities at both musical creation and turntablism work together for great results.
'Escapee', a track worked on with fellow beatmaster A.S.A., is almost stereotypically Krush, but it sounds so great, the crackle of vinyl and acoustic bass moan steering the course. Other musical collaborations abound, unsurprisingly: 'Parallel Distortion' with DJ Sak features odd video game noises and a quirky synth bass rhythm echoing through the flow, while 'Krushed Wall' has the Rhythm Troops having a blast with the usual Krush sound and tons of unexpected stops, scratches, and cuts
It's been 40 years since Michal Turtle released his seminal, ground-breaking album "Music From The Living Room" into the world and promptly disappeared back into the aether.
An extremely obscure cult classic known only to deep diggers and aficionados of the finest order, it wasn't until Music From Memory reissued some of the tracks from it via retrospective compilations of Turtle's unreleased music almost 30 years later that his name become more widely known and a new generation were able to discover the artist's unique and pioneering style of experimental electronic music production, the majority of it very much ahead of its time, and to this day, still timeless.
Invisible Inc contacted Turtle in the summer of 2023 about releasing something else by him and it was during this exchange of emails that ideas were expressed about releasing not simply a straightforward reissue of "Music From The Living Room" to mark its 40th anniversary (the album has never been reissued in full) but rather a re-imagined/re-constructed take on the album bringing contemporary techniques, styles and newly recorded vocal and instrument parts into the mix and breathing new life into these wonderful compositions.
Collaborators old and new were brought into the studio and the songs re-created from the ground up. Familiar songs like "Are You Psychic?" and "Village Voice" get overhauled and echo remnants of their original counterparts but simultaneously sound like completely new tracks. The always mesmerising "Phantoms of Dreamland" is represented through a live recording at Café Oto featuring original album vocalist Lucianne Lasalle and regular collaborator HOVE on electronics. The remaining tracks, however, will be completely new to the ears of most people, never having been reissued or heard in these new forms ever before.
Regardless, whether in some way familiar or not, these hypnotic and repetitive pieces of beautiful sound art, all very different in style from one another, have an entirely new identity that even diehard devotees of the originals will fall in love with.
“Holy shit. This record is amazing. 'Are You Psychic?' is really something” dj_2button Dummy Hand / Weirdos Inc.
“What a record!” Cosmo Vitelli I'm A Cliché
“Amazing release. Probably your best release yet! Does everything an amazing record should and more...” Alexis Le-Tan Oddity Radio / Full Circle / Offen Music
- A1: Mista Sweet - Queensbridge To The Hague City (Intro)
- A2: Mista Sweet Feat Blaq Poet - Everything's Real
- A3: Mista Sweet Feat Tragedy Khadafi - Stand Up
- A4: Mista Sweet Feat Blaq Poet - Hit You With It
- A5: Mista Sweet Feat Big Noyd - It Ain't Safe
- B1: Mista Sweet Feat Tragedy Khadafi - Elite Era
- B2: Mista Sweet Feat Blaq Poet - Way Back In Queens
- B3: Mista Sweet Feat Tragedy Khadafi - Hood Therapy
- B4: Mista Sweet Feat Godfather Pt3 - Know Ya Enemies
- C1: Mista Sweet Feat Tragedy Khadafi & Nature - Snakes
- C2: Mista Sweet Feat Blaq Poet - Long Enough
- C3: Mista Sweet Feat Tragedy Khadafi - Queens Commander
- C4: Mista Sweet Feat Piif Jones - Cold Lesson
- D1: Mista Sweet Feat Tragedy Khadafi - Say Less
- D2: Mista Sweet Feat Capone & Craig G - Second Hand Smoke
- D3: Mista Sweet Feat Tragedy Khadafi - Stay Committed
- D4: Mista Sweet Feat Blaq Poet - Real Street Music
- D5: Mista Sweet Feat Tragedy Khadafi - Stand Up (Remix)
Mista Sweet presents: Queensbridge To The Hague City
New York City's Queensbridge aka "The Bridge" is one of the most famous and fruitful areas in HipHop.
A raw, gritty street sound with excellent lyricism is the trademark.
Where many new Rap releases seem to have lost their rawness, the double album "Queensbridge To The Hague City" brings back that original hardcore Rap.
The album is entirely produced by The Hague City's Mista Sweet, a HipHop veteran known for his production quality and superb DJ-ing.
For this release he teamed up with some of the most legendary MC's to ever do it, creating one of the rawest albums in years.
"Queensbridge To The Hague City" features: Blaq Poet (of Screwball), Tragedy Khadafdi (aka Intelligent Hoodlum), Big Noyd (rapper Noyd), Capone (of C-N-N / Capone-N-Noreaga), Nature (The Firm/Dr.Dre), Craig G (original Juice Crew), Godfather Pt3 (Infamous Mobb) and Piif Jones (Dave East affiliated).
Not to exaggerate, but "Queensbridge To The Hague City" is definitely what the worldwide hardcore heads have been longing for.
Brought to you by Redrum Recordz and Next Gems.
Yin and Yang... Dark meets Light... Two founding members of area127 present you their fusion beats, live jams of various caliber, pure, raw and hot off press.
Dreems do come truu.
That's it.
- A1: Arash & Quasar - Double Moon
- A2: Arash & Quasar - Dugai (Feat. Eres Duo)
- A3: Eolika - Ya Zabyl Tvoe Litso (Arash & Quasar Remix)
- B1: Arash & Quasar - Khoomei (Feat. Eres Duo)
- B2: Kola Beldy - Song Of Fisherman (Arash & Quasar Remix)
- B3: Orchestre Poly-Rythmo De Cotonou - Ako Ba Ho (Arash & Quasar Remix)
- B4: Super Soul - You Are Wasted In Life, Cause You Drink Too Much (Arash & Quasar Edit)
Arash & quasar is one of the weirdest projects we've ever received & we like that. They recently appeared on make italo great again & tatalo. This EP which is actually a mini album & it will be their last under this name and we can say that it's a masterstroke ! Italo, synth pop & folk music all with Tatar sauce ! If you want to wake up a dance floor, this is the right record. Absolute bangers.
Between improv, pop and r&b abstractions, and contemplative balearics, Sam Gendel and Ugné Uma “Tam tikri objektai erdvėje” subtly meanders through a fragile and forward cosmos both inward and out.
Sam Gendel and Ugnė Uma’s Tam Tikri Objektai Erdvėje album sketches a layered, melismatic and intertextual view on what both performers define as a lightness of being. Ugnė Uma’s musical stance is influenced by experimental poetry and Lithuania’s 20th century underground music scene - jazz and folk, resulting from the liberation of the country’s independence movements. Sam Gendel, from Los Angeles, is a saxophonist and producer, proficient on more instruments than the saxophone alone, whose recorded work both solo and collaborative has brought him acclaim as a vital new voice in modern jazz and beyond.
Tam Tikri Objektai Erdvėje is Lithuanian and translates as Some Particular Objects in Space. The six tracks on the album stand for every letter of the word Saturn. They sketch out a sound palette both fragile and full of forward momentum. With hints of improv, sampling their own recorded work and sounds of a childhood’s Yamaha Portasound PSS-290 synth into abstractions of pop and r&b, some of these tracks reach an almost balearic feel, the more contemplative end of it. With lyrics delving into cosmic phenomena, Tam Tikri Objektai Erdvėje is an album about space, whether cosmic or inward or the one in between. It easily surpasses the sum of its influences and the materials and tactics used to produce it.
Wir entscheiden uns aktiv für das Überleben. Wir warten nicht passiv darauf. Stattdessen treffen wir die Entscheidungen, die wir treffen müssen, um das tückische Terrain des Lebens mit intaktem Körper, Geist und Seele zu durchqueren. DYING WISH haben diesen Kampf auf ihrem zweiten Album "Symptoms of Survival" (Sharptone Records) sowohl untersucht als auch vertont. Das Quintett aus Portland, OR - Sam Reynolds (Gitarre), Pedro Carrillo (Gitarre), Emma Boster (Gesang), Jeff Yambra (Schlagzeug) und Jon Mackey (Bass) - schafft den Spagat zwischen beschwörenden, von Schmerz durchdrungenen Melodien und Klanglandschaften, die aus einer chaotischen Kollision von Heavy Metal und Hardcore entstehen. Mit Millionen von Streams, ausverkauften Konzerten und viel Beifall von Brooklyn Vegan, Revolver, Stereogum, Consequence of Sound und anderen, erweitert die Gruppe auf diesen 11 Tracks ihre Vision thematisch und klanglich.
A command across genres has distinguished Yasushi Ide’s work as a DJ and producer since emerging from the multiscene spawning big bang that was Tokyo’s highly influential club milieu of the 1980s. His productions draw variously from hip-hop, dub, house, punk, jazz dance, exotica and electronic music - and at their most expressive, synthesize sensibilities within a single track. The respect Ide’s earned is well evident in the impressive roll call of collaborators he’s accrued over the years - Masters At Work, Tom Verlaine, Don Letts, James Chance, DJ Krush, Pharaoh Sanders, U-ROY, and Bongo Herman, just to name a legendary few.
Now available for worldwide distribution from Love Injection Records in both digital and 7-inch 45 vinyl formats, the Yasushi Ide “A Place In the Sun (Kaoru Inoue Remix)” is paired with the equally gorgeous “A Place In the Sun (Dub).” On the former, Inoue’s treatment largely strips away the track’s beats, anchoring it to a subtle percussion pulse that emphasizes the composition’s irresistible melodic qualities. The latter finds Yoko Ota at the controls restoring and pushing reverb-soaked drums to the forefront of the mix, accentuating Ide’s affection for the sound system aesthetic while exercising just the right amount of spacial arrangement flourishes to inject some brawn amidst the beauty.
These serendipitously rediscovered renditions of a back catalog deep cut are just the latest examples of Yasushi Ide’s artistic reach. In addition to recording such acclaimed albums as 2020’s Cosmic Suite and its 2022 sequel (for which Love Injection has remixed a track), his work has spanned music supervision of some 200+ compilations for major labels, artist management, his Grand Gallery shop/gallery proprietorship, and books showcasing the depth of his archival sensibilities, including vintage t-shirt and ephemera curation. Perhaps most inspiring, however, is that Ide is still winning new appreciators and collaborators in unexpected ways four decades into a revered career that continues to evolve and expand.
Debut album from UK jazz saxophonist and composer Miles Spilsbury, featuring Carlos Niño. Produced by Slugabed.
Light Manoeuvres is about warmth, generosity and openness. The music which would become Light Manoeuvres was sketched in fragments, but began to take shape in earnest during a period of living under the Marseille haze in the South of France.
The specific character and opacity of the light in Marseille inspired the album title which imagines the movement of light passing over different subjects and spaces in intricate motion. Sand blows over from the Sahara on the Sirocco wind and is whipped up by the Mistral, the Marseille sky becomes golden and vapoured, then intermittently pastel blue. That image stuck while shaping this body of work, and became integral to the function of the compositions - which act as jumping off points for the players and myself, vehicles for improvisation and gateways to something else entirely.
Miles Spilsbury is a saxophonist, composer and multi-instrumentalist. Light Manoeuvres may be Spilsbury’s first full-length as bandleader, but the Brighton-based artist brings more than a decade of experience to bear on this record. In addition to a list of collaborators which includes Carlos Niño, Iglooghost, Nate Mercereau, Surya Botofasina and Yasei Collective, Spilsbury has been a permanent member of celebrated avant-rock experimentalists The Physics House Band since 2018. He has performed at prestigious UK venues such as the Southbank Centre and the London Jazz Festival, and has toured extensively throughout North America, Europe and Japan.
In time between other musical projects, Spilsbury spent several years sketching fragments of solo material. The music which would become Light Manoeuvres began to take shape in earnest during a period of living in Marseille. The specific character and opacity of the light there inspired the album title, which imagines the movement of light passing over different subjects and spaces in intricate motion.
Noise pollution results when man does not listen carefully. Noises are the sounds we have learned to ignore. Which sounds do we want to preserve, encourage, multiply?
When we know this, the boring or destructive sounds will be conspicuous enough and we will know why we must eliminate them. Only a total appreciation of the acoustic environmentcan give us the resources for improving the orchestration of the world soundscape.
Back To Life deliver the second reissue of a Z-Formation's EP originally released in 1991. Four old school deep house and techno tracks. Chords progressions, lfo bass kick, melodic lines and italo house style piano are the elements that peoples likes from this stunning release by Nick Holder and Nick Fiorucci.
Mountain Series is back with a second installment. This time with the very talented and good friend Ox7f from Germany.
Stefan Klaas, known also as 0x7f, started music production at the age of 16 with a Roland MC-303/XP-10, Yamaha QY-70 and a few years later a couple of Korg Electribes. His current style is a mix between subtle minimal techno and deep melodic tracks with a unique talent to twist his own field recordings into choppy rhythms or atmospheric crackling textures. 0x7f will surely be enjoyed by everyone who loves minimal and glitch.
only 300 / no repress
- A1: Drone Ra Feat Yazz Ahmed & Alessia Obino
- A2: Conscious Friendship Feat Emanative, Tamar Osborn & Grove
- A3: Tunnel Of Jealousy Feat Lady Blue Eyes
- A4: Acid Vaccine Feat Clap! Clap!
- A5: Layers Feat Joshua Idehen
- B1: Female Side Feat Tommaso Cappellato
- B2: Mental Coach Feat Gabin Dabiré
- B3: Romantic Loco Feat Tenderlonious
- B4: Tribal Noise
On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever evolving musical vision. The record, out on September 29th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018's highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab's live performances, and embodies the transcendental power of music making as a collective art form.
- A1: Intro / Toilet
- A2: Mouths
- A3: Nathan Armstrong / Dom Buys Photo
- A4: Traffic Lights (Part 1 & 2)
- A5: Yas & Dom / Seesaw
- A6: Dom's Flashback / Spilt Popcorn
- A7: Sweet Thing
- A8: Chemistry / Happy Dom
- A9: Rollerblades (Rye Lane Version)
- A10: Brockwell Park (Walled Garden)
- A11: I Haven't Decided Yet / Skyline From Brockwell
- A12: Yas' Flashback / Basic / Spilt Hummus
- A13: Mischief (Part 1 & 2)
- B1: Bbq Raid / What Have You Done? / Panic
- B2: Smooch / Moped
- B3: Jules Raid
- B4: Argue
- B5: Reminiscing
- B6: Fallout
- B7: Lgoyh (Let Go Of Your Hurt) Feat. Sampha & Tirzah
- B8: Moving Forward (Original Percussion Mix)
- B9: Wave At Boats
- B10: Open Up (Credits Version) Feat. Sampha & Tirzah
Kwesi Sey aka kwes., geschätzter Produzent und Kollaborateur von Solange, Sampha, Tirzah, Damon Albarn, Kelela, Nubya Garcia und Hudson Mohawke, veröffentlicht nach seiner Musik für die Kurzdoku 'Little Miss Sumo' (Netflix) nun seinen ersten Spielfilm-Soundtrack. 'Rya Lane', das Filmdebüt der britischen Regisseurin Raine Allen-Miller feierte mit begeisterten Kritiken seine Premiere auf dem Sundance Festival 2023. kwes.' Score untermalt den sublimen Trip der beiden Protagonisten dieser schrulligen, zeitgenössischen RomCom im impulsiven und fröhlichen Chaos der Londoner Rye Lane perfekt und ist so süß wie der Film selbst.
- 'The Best British Rom Com to hit our screens in more than 20 years.' - The Sunday Times




















