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"Killing Ground is the fifteenth studio album by British heavy metal band Saxon, recorded and released in 2001. It was the last to feature Firtz Randow on drums, as he left the band in 2004. The album was met with positive critique, praising Saxon’s heavy sound, catchy lyrics and their fantastic cover version of King Crimson’s classic hit “Court Of The Crimson King”. Killing Ground is available is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print. "

Killing Ground by Saxon, released 12 April 2024, includes the following tracks: "The Court Of The Crimson King ", "Until Hell Freezes Over", "You Don't Know What You've Got ", "Running For The Border " and more.

This version of Killing Ground comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

John Calvin Abney rises again from the Oklahoman prairies with his latest album Transparent Towns. The ten songs focus on how we remember, and ultimately accept, though he is not always certain the memories we carry adequately mark the moments that make us. "This record is wrapped around the passage of time, whether or not we can trust the memories that we swear on, how we forgive ourselves and others as seasons turn, and how we define what is important as we roll the boulder back up the hill," Abney says of Transparent Towns. "We build these routines and live our stories, we rely on our histories and our memories - spoken and recorded. Now, we're relying on copies of copies, memories of memories, all packed like sardines into our phones, and we're losing the ability to tell our own stories. I have to constantly remind myself, as well as redefine what matters at the end of a day." Transparent Towns is the seventh studio album for Abney, and his first since 2022's Tourist, which he crafted after spending the pandemic as an itinerant writer. In contrast Abney penned most of the album's 10 tracks during a period of introspection and convalescence while recovering from vocal cord surgery in 2023. The time to himself - "I didn't sing for nearly a year, and after surgery, I couldn't talk for a month, and couldn't sing for over three months," he says, left him contemplating how to trace his experiences in the silence. The album's title track is Abney's take on the inaccessible past, witnessing loss and grief through the years, damning the "days we let go left unsaid", and accepting the uncontrollable circumstances we are sometimes placed in. "The troubles and the joys exist vibrantly in your memory, but you're wondering if you remember correctly," Abney remarks. "I've sometimes had this sort of confusion between memory and dreams - you crafted this ideal in your head of how things were or might be, in order to soften the blow of a harsher reality." The places we inhabit dictate how our memories form, and for Abney, there is one place to which he is constantly drawn: Oklahoma. Although he was born in the biggest little city in America, Reno, Nevada, he grew up learning guitar and piano in Tulsa, playing bars and DIY spaces from Norman to Stillwater. His affinity for the land that raised him is evident in the production of Transparent Towns. Abney self-produced the record, tracking most of it at Cardinal Song outside of Oklahoma City, with Michael Trepagnier handling mixing and engineering. The band was comprised mostly of Sooner State musicians too, along with Lydia Loveless and John Moreland contributing harmony vocals. His signature vulnerable voice and lyrical handiwork comes through in each of the songs, along with his penchant for alternative pop melodies set against colorful chords and subtle soundscapes. Having toured for years backing up artists like Moreland, Wild Child, Ben Kweller, and S.G. Goodman, Abney embraces a lead role again, as he presses forward with the loving lament and defiant joy throughout Transparent Towns, calling us to leave behind the pressures we place on our ourselves and recognize that just because there is an ending, it doesn't mean it's the end.

Ken Boothe and Lloyd Charmers - two soul-driven innovators - deliver a bold statement. Each vocal cut is paired with a raw version: stripped to drum and bass - raw, unfiltered. It's a format that would shape reggae's future. This is where it starts - no filler, just foundation.

On its original release, Dido’s breakout debut album ‘No Angel’ spent seven weeks at #1 in the UK before being certified a staggering 10 x Platinum and earning Dido BRIT Awards for Best British Album and Best British Female Artist. Worldwide, the album has sold over 15 million copies, amassing a total over 1.2 billion streams. This special anniversary edition of the album features new artwork housing the vinyl, and includes the hit singles ‘Thank You’, ‘Here With Me’, and ‘Hunter.’

On its original release, Dido’s breakout debut album ‘No Angel’ spent seven weeks at #1 in the UK before being certified a staggering 10 x Platinum and earning Dido BRIT Awards for Best British Album and Best British Female Artist. Worldwide, the album has sold over 15 million copies, amassing a total over 1.2 billion streams. This special anniversary edition of the album features new artwork housing the vinyl, and includes the hit singles ‘Thank You’, ‘Here With Me’, and ‘Hunter.’

These albums are the end result of a collaboration between Cartridge 1987 and the YouTuber Edward who created the YouTube channel "Retro Discovery". With over 200,000 subscribers, this YouTube channel aims to highlight everything related to the "Retro Gaming" culture and the nostalgia that surrounds it.


These albums put together all the musical credits of the 3rd and 4th seasons of Edward's YouTube channel. All the remixes come from the games featured in Edward’s videos.


This is like a tribute to the original composers of these tracks, who have carried these videogames even further than expected, thanks to their musical talents.

Soulful and radiant, ALA.NI shines in Sunshine Music. Ten years after "You & I", which left a mark in France and internationally (with collaborations including Iggy Pop, Lakeith Stanfield, and Jon Batiste), the golden-voiced Londoner returns with a new album blending vintage tones and Caribbean influences. Shaped by a two-year stay in Jamaica, the musician delivers eleven timelessly elegant tracks infused with the laid-back charm of life surrounded by lush nature. Calypso, ragga, bossa, rocksteady... In this new album, ALA.NI allows herself subtle rewritings of the most emblematic Caribbean rhythms, with interpretations that go as far as Brazil. Her crystalline voice dances, with jazz inflections reminiscent of Sade Adu and Minnie Riperton.

DANCE PROTOCOL Number two here for your ears. Rhythmical interpretations of life, rhythms climbing on top of rhythms. Harmonies for the mind Melodies for the soul.

Open your mind and then your body.

Austin Ato is back with Vol 2 of his I Love Your Edits series. “Lisa” is a rolling, modern house take on an early 2000s forgotten hip hop banger. “Carnival” is a rework of a jazz-funk classic with whole new layers of live keys and chopped-percussion. Was built to be a DJ set closer. “Human” reworks our Icelandic queen into a swung, deep house tune. “Pop Off” takes French disco, chops it up and lays fat synth basslines over it.

Limited Pressing get in quick!

Joan Shelley folgt ihrem von der Kritik gefeierten Album ,The Spur" aus dem Jahr 2022 mit ,Real Warmth". Ihr siebtes Album, das in Toronto mit dem Produzenten Ben Whiteley (The Weather Station) aufgenommen wurde, enthält 13 Titel mit zahlreichen Gästen aus der fruchtbaren Musikszene der Stadt (Tamara Lindenman, Doug Paisley). Shelley tourte bereits mit Richard Thompson, Patty Griffin, Wilco und anderen um die Welt. Sie spielte im Lincoln Center, beim Newport Folk Festival, war auf den Covern des Acoustic Guitar Magazine und des Fretboard Journal zu sehen und war zu Gast bei WTF with Marc Maron und Fresh Air.

Newton Faulkner"s eighth studio album, OCTOPUS, marks a bold new chapter for the multi platinum selling singer-songwriter - his most authentic and adventurous to date. Over five years in the making, the album sees Faulkner stepping into a new era with a refreshed sense of artistic freedom, blending unexpected influences from funk and R&B to soul and Latin grooves. Swapping his trademark acoustic guitar for a distortion-charged Hofner Violin Bass, he unlocks a fresh songwriting approach that fuels standout tracks like the anthemic lead single "Alright, Alright, Alright." Rich in collaboration, OCTOPUS features contributions from Lissie, Los Bitchos and Bloom Twins, bringing new textures to his sound. It"s a record that celebrates creative reinvention, grounded by moments of heartfelt reflection and driven by a renewed passion for making music.

Newton Faulkner"s eighth studio album, OCTOPUS, marks a bold new chapter for the multi platinum selling singer-songwriter - his most authentic and adventurous to date. Over five years in the making, the album sees Faulkner stepping into a new era with a refreshed sense of artistic freedom, blending unexpected influences from funk and R&B to soul and Latin grooves. Swapping his trademark acoustic guitar for a distortion-charged Hofner Violin Bass, he unlocks a fresh songwriting approach that fuels standout tracks like the anthemic lead single "Alright, Alright, Alright." Rich in collaboration, OCTOPUS features contributions from Lissie, Los Bitchos and Bloom Twins, bringing new textures to his sound. It"s a record that celebrates creative reinvention, grounded by moments of heartfelt reflection and driven by a renewed passion for making music.

On its original release, Dido’s breakout debut album ‘No Angel’ spent seven weeks at #1 in the UK before being certified a staggering 10 x Platinum and earning Dido BRIT Awards for Best British Album and Best British Female Artist. Worldwide, the album has sold over 15 million copies, amassing a total over 1.2 billion streams. This special anniversary edition of the album features new artwork housing the vinyl, and includes the hit singles ‘Thank You’, ‘Here With Me’, and ‘Hunter.’

”The Definitve Croce”, eine Sammlung von Jim Croces unvergleichlichem Studioalben, die 1972 und 1973
veröffentlicht wurden, ist wieder als limitierte 3LP-Box aus farbigem Vinyl oder als limitierte 3CD-Box
erhältlich. Alle drei Alben enthalten aktualisierte Mixe von Paul Hicks (George Harrison, John Lennon).
Disk 1 ist das Studioalbum von 1972 „You Don’t Mess Around with Jim“. Das Album erreichte Platz 1 und
ist mit GOLD ausgezeichnet, und enthält die Nummer-1-Single „Time In A Bottle“, sowie die Hits „You
Don’t Mess Around With Jim“ und „Operator (That’s Not The Way It Feels).“ Disk 2 ist das Studioalbum
von 1973 „Life and Times“. Das Album erreichte die Top 10 und ist mit GOLD ausgezeichnet, und enthält
die GOLD-Nummer-1-Single „Bad, Bad Leroy Brown“, sowie den Hit „One Less Set Of Footsteps“. Disk
3 ist das letzte Studioalbum von Jim Croce „I Got A Name“, das 1973 veröffentlicht wurde. Das Album
erreichte Platz 2 und ist mit GOLD ausgezeichnet, und enthält die Top 10 Hits „I’ll Have To Say I Love
You In A Song“ und „I Got A Name“ sowie den Top 40 Hit „Workin’ At The Car Wash Blues.“

HOWARD GUYTON
Official release from the original master tapes of this soul masterpiece, originally issued on the verve label in 1966. Produced by Teddy Randazzo “I Watched You Slowly Slip Away” was a featured on a Wigan Casino Anniversary CD collection. Howard sang in groups The Pearls and The Top Notes.

Indie-Store-Version Gold Coloured 2x12" Vinyl in Gatefold

Nach über drei Jahrzehnten Karriere und über zwei Millionen verkauften Alben bleiben PARADISE LOST die unangefochtenen Könige der dunklen Seite des Metal.
Die 1988 in Halifax gegründete Band wurde mit ihren frühen, bahnbrechenden Alben wie dem treffend betitelten „Gothic“ von 1991, einer Mischung aus Härte, düsterer Melodie und Atmosphäre, schnell als Pioniere des Gothic Metal bekannt. Sie waren nie eine Gruppe, die kreativ statisch blieb, und haben im Laufe ihrer Karriere unzählige Wege dunkler Musik erkundet, von schlammigen Doom-Death-Wurzeln über die Eroberung des Metal-Mainstreams mit den gewaltigen, satten Klängen von „Draconian Times“ von 1995 bis hin zu experimentelleren, elektronischeren Einflüssen. Sie haben so unterschiedliche Künstler wie CRADLE OF FILTH, HIM, GATECREEPER und CHELSEA WOLFE beeinflusst.

Jetzt, im Jahr 2025, kehrt das Quintett aus Yorkshire mit seinem atemberaubenden 17. Album „Ascension“ zurück, einem Album, das ihre Krone weiterhin strahlen lässt und unterstreicht, wie sie ihre Position erreicht haben. Produziert von Gitarrist Gregor Mackintosh in den Black Planet Studios in East Yorkshire, mit Schlagzeug und Gesang aus den NBS und Wasteland Studios in Schweden, durchqueren die zehn Tracks die gesamte Klangvielfalt der Band – von knallhartem Heavy Metal bis hin zu himmelhohen Melodien – und bewahren dabei eine unwiderstehliche Moll-Melancholie.

„Die Leute sollten erwarten, dass wir noch trüber werden“, scherzt Frontmann Nick Holmes auf die Frage, was Fans 2025 von PARADISE LOST erwarten können. Die Erklärung des Albumtitels und der Texte macht jedoch deutlich, dass sie ihr Handwerk weiterhin beherrschen, wenn es darum geht, solche Erwartungen zu erfüllen. „Der Albumtitel entspringt dem Glauben an den Aufstieg zu einem besseren Ort, in der Fiktion von der Erde in den Himmel, und all den damit verbundenen Anforderungen“, führt er aus. „Im wirklichen Leben streben Menschen oft von Geburt an danach, an einen besseren Ort zu gelangen und ein besserer Mensch zu sein, ungeachtet der Tatsache, dass der einzige Lohn der Tod ist.“ „Die Texte handeln von allem, was das Leben uns entgegenwirft“, fährt er fort. „Es ist nie vorhersehbar und kann gleichzeitig auch erschreckend sein. Wie Menschen mit dem Tod umgehen, welche Krücken sie benutzen und wie der mentale Zustand von lebensverändernden Situationen beeinflusst wird, ist immer wieder faszinierend.“

Genau wie die Musik selbst. Der Album-Opener „Serpent on The Cross“ beginnt mit einem herrlich düsteren Riff, bevor er nach der Hälfte in donnernden klassischen Metal übergeht, angetrieben von Doublebass-Drumming und einem fast METALLICA-artigen Riff. In „Silence Like The Grave“ singt Nick „über die Sinnlosigkeit des Krieges, das Sammeln von Punkten für die Menschheit“, untermalt von perfekter Gothic-Metal-Kulisse. „Tyrant’s Serenade“ zeigt derweil die tief verwurzelte Fähigkeit der Band, Einfachheit gewaltig klingen zu lassen, gekrönt von Gregors charakteristischen, eindringlichen Gitarrenleads. „Lay A Wreath Upon The World“ beginnt als ruhige Elegie, bevor es zu einem traurigen Höhepunkt gelangt, und das Schlussstück „The Precipice“ führt mit Klaviermelodien, bevor es zu einem würdevollen Abschluss führt.
All dies zeigt meisterhaft die Bandbreite dessen, was PARADISE LOST geleistet haben und leisten können, auf eine Weise, die bis heute keiner anderen Band vergleichbar ist.


„Nach 35 Jahren ist alles bewusst“, sagt Nick. „Bei einem so umfangreichen und abwechslungsreichen Backkatalog ist es schwierig, nicht hundertprozentig sicher zu sein, woher alles kommt. Aber letztendlich kommt es einfach darauf an, ob uns die Musik gefällt, die wir machen. Wenn ja, bleibt sie! Das hat sich seit unserer Jugend nicht geändert.“ Ascension ist ein stolzer Bestandteil von PARADISE LOST. Das Elend hört nie auf, aber, sagt Nick, so mögen sie es eben. „Ironischerweise“, lacht er, „ist es immer am angenehmsten, miserable Musik zu hören – und zu schreiben, schätze ich.“

Following the "rich jangle and big, well-developed songs" (Bandcamp) of 2023's Bananasugarfire, Edling sought to deconstruct his creative process by centering collaboration instead of a more solitary pursuit in songwriting, even as personal matters made isolation a more natural instinct. He describes taking time to make notes of the ways, timing and forms in which songs came to him in the process of demoing the record, and regularly questioning if his approach was like that of "watching a pot of water boil" or waiting for a bolt of light to appear in the sky. In many ways, Shooting Star is an appeal to the muse, a record of "songs about writing songs" born from Edling's desire to trust his instincts despite the posturings of inner demons and creative roadblocks, and to celebrate the little wins along the way. The result is a sprawling new work packed to the brim with playful eccentricities and dynamism, one that owes as much of its inspiration to mid-century folkies like Michael Hurley and Karen Dalton as it does to alt rock of the nineties like Yo La Tengo and Stereolab. Shooting Star is a constellation of influences, experiences, reckonings-with the state of the world, with others, with creativity, with oneself-with no two songs created in the same way. Instead of holing up in a recording studio, the creation of the record was formed by a patchwork of collaborations in a variety of recording locales, all which were later alchemized by mix engineer Matthew Schimelfenig. - RIYL Sparklehorse, John Cale, Yo La Tengo, Superviolet, Spirit of the Beehive, Horse Jumper of Love, Of Montreal

Blue House Rockin’ is the result of a unique collaboration between Soul Sugar and Dub Shepherds — two projects united by a shared love for roots reggae, vintage studio gear, and warm analog sound.

The album was recorded live over two intense days at Blue House Studio by Christophe “French kiss” Adam, using ribbon and tube microphones from the ’50s and ’60s from the ’50s and ’60s, a Hammond organ, upright piano, Fender bass and Gibson guitars, classic amps and preamps, along with drums, syndrums and percussion. The sessions were transferred to a 24-track tape machine, and final mixes were crafted the old-school way by the Dub Shepherds at their own Bat Records Studio, using analog consoles and hardware vintage effects.
The tracklist brings together deep cuts, timeless classics, and original compositions. Curtis Mayfield’s Give Me Your Love and Aaron Frazer’s My God Has a Telephone (Colemine Records) — two soul gems, one vintage, one modern — are reimagined in reggae style, both featuring the great Jolly Joseph on lead vocals, working wonders with his falsetto. He also shines on Hold My Hand, a sweet and mellow original composition with lovers rock flair, written on the spot during the session.
Other standout moments include the soulful fire of UK singer Shniece McMenamin, who lights up Family Affair (Mary J. Blige / Dr. Dre) — flipped into a fiery hip-hop-meets-reggae version packed with energy and attitude.

Instrumentals like Disco Jack, Choice of Music, and Drum Song — all originally composed by Jamaican organ legend Jackie Mittoo — bring Guillaume “Booker G” Metenier’s Hammond work to the front. The playful exchange between organ, guitar, and a rock-solid rhythm section is elevated by swirling spring reverb, dub echoes, and filter sweeps.
The album’s explosive title track — Blue House Rock — was composed and recorded on the spot at the end of the session. A raw, greasy groove that sounds like The Meters jamming at Studio One or a lost instrumental from a Beastie Boys B-side.
Blue House Rockin’ is a vibrant blend of soulful roots reggae and funk, wrapped in the deep, dusty tones of analog tape. A joyful and authentic studio experience, captured live — and played loud.

Impressed is partnering with Burning Rope Records & Faction Records to bring you an exclusive Australian pressing of James Vincent McMorrow's debut album - Early in the Morning, celebrating it’s 15th anniversary and his forthcoming tour.

Originally released in 2010, and recorded in isolation at a house on the Irish coast, James Vincent McMorrow produced every sound on the album himself, including piano, guitar, and drums - resulted in an album that captivated the world.

The album quickly garnered critical acclaim for its warmth and intimacy. Critics highlighted McMorrow's soft falsetto and the Americana/Folk influences present in the tracks. The opening song, If I Had a Boat, begins with a cappella harmonies before developing into a reflective ballad, illustrating the album’s understated style.

5-Track-Minialbum (2013) der Brooklyner Punkband Parquet Courts, das eine geniale Mischung aus Punk, Garage-Rock & Alternative mit der rohen Energie und dem Spirit der legendären 70er CBGB-Szene abliefert.

King Street Sounds return for the fifth sampler in the series. This release showcases four releases from six house music aficionados such as Mood II Swing, DJ Romain, Jon Cutler, Studio Apartment, Quentin Harris and Pal Joey under his Loop Trick guise.

The EP opens with New York duo Mood II Swing’s “Driving Me Crazy” originally released in 1995 and still sounds as good now, 30 years later. Up next is DJ Romain & Jon Cutler with De Ja Vu (Mr.V Roots Main Mix) featuring Jeannie Hopper delivering a mesmerizing vocal. This one’s built for those dim lit rooms.

Kicking things off on the B side is “Beat Freak” (The Shelter Dub) by Loop Trick (otherwise known as Pal Joey). An already outstanding record got a distinguished touch up from New York house legends Blaze.

Drawing this wonderful EP to a close is Studio Apartment featuring Terrance Downs with “We Are Lonely” (Quentin Harris Vocal Mix). The NYC legend adds his deft touch to the Japanese duo’s soulful offering.

Once more King Street Sounds have delivered a powerful EP that any respected collectors & DJ need in their collection.

„There’s Love In This World If You Want It“ ist ein Album, das den Geist von Higher Power auf eine Weise verkörpert, wie es nur diejenigen schaffen können, deren Herz wirklich in der Band verwurzelt ist. Sie haben Schichten von Annahmen und Ideologien, die ihnen von anderen auferlegt wurden, abgetragen und sich wieder auf die genreübergreifenden Experimente konzentriert, die sie ursprünglich zu ihrer gemeinsamen Arbeit inspiriert hatten. So entstanden neun Songs, die in einem schreienden Regenbogen aus Farben zeigen, was in ihnen steckt.Während sie auf „27 Miles Underwater“ mit dem legendären Alternative-Produzenten Gil Norton zusammenarbeiteten, blieb „There’s Love…“ komplett in Eigenregie, mit Gitarrist Louis Hardy, der nach einem kurzen Ausstieg im Jahr 2021 2022 zur Band zurückkehrte. Er nahm das, was sich in 40 verschiedenen Demos angesammelt hatte, auf dasjenige zusammen, das für die Band im Hier und Jetzt Sinn ergab. Allerdings haben es auch Ideen in die Platte geschafft, die bis auf ihre Tournee 2018 mit Vein.FM zurückreichen. Es ist unbeständig und lebendig, seltsam und wunderbar, grenzenlos und frech. Eine Symphonie des Ausdrucks, die Higher Power definiert und ihnen gleichzeitig eine ganz eigene Richtung gibt.

Die HC-geneigten Punkrocker aus Schweden melden sich mit ihrem dritten Album zurück! "Liminal State" kann als Schwellenzustand beschrieben werden - der Übergang zwischen zwei verschiedenen Phasen, Orten oder Realitäten. Ein Dazwischen, in dem man nicht mehr der Mensch ist, der man einmal war, aber auch noch nicht der, der man werden wird. Genau in diesem Zustand befinden sich die Mitglieder von Death By Horse - oder sie haben ihn seit ihrem letzten Album "Reality Hits Hard" (2019) durchlebt. Dieses Album ist kein Hilferuf - es ist ein Schrei direkt ins Gesicht! Es ist ein Weg, die emotionale Achterbahnfahrt der letzten Jahre zu verarbeiten. Death By Horse stürzt sich kopfüber in diesen Sturm voller existenziellem Zorn, dem Kampf gegen toxische Muster, dem Tod von Familienmitgliedern und dem Tragen einer Maske aus falschem Selbstvertrauen, um Selbstzweifel und Selbsthass zu verbergen. Das ist Punkrock mit einer melodischen Hardcore-Kante - schnell, gnadenlos und mit Texten voller Widersprüche, unbequemer Wahrheiten, Ironie und der brutalen Selbstreflexion, für die Death By Horse bekannt ist. Keine geschönte Fassade, kein Filter - nur rohe, raue Energie und eine Ehrlichkeit, die weh tut. Gleichzeitig ist "Liminal State" eine Erinnerung daran, dass das alles nur eine Fahrt ist - nicht mehr und nicht weniger. Also: Genieß jede verdammte Sekunde davon! Wenn du dich jemals wie ein Freak, ein Geist oder wie eine Granate kurz vorm Explodieren gefühlt hast - willkommen zu Hause! Klassisch schwarze oder farbige Splatter Vinyl-LP, CD kommt im schmalen Cardboard.

Die HC-geneigten Punkrocker aus Schweden melden sich mit ihrem dritten Album zurück! "Liminal State" kann als Schwellenzustand beschrieben werden - der Übergang zwischen zwei verschiedenen Phasen, Orten oder Realitäten. Ein Dazwischen, in dem man nicht mehr der Mensch ist, der man einmal war, aber auch noch nicht der, der man werden wird. Genau in diesem Zustand befinden sich die Mitglieder von Death By Horse - oder sie haben ihn seit ihrem letzten Album "Reality Hits Hard" (2019) durchlebt. Dieses Album ist kein Hilferuf - es ist ein Schrei direkt ins Gesicht! Es ist ein Weg, die emotionale Achterbahnfahrt der letzten Jahre zu verarbeiten. Death By Horse stürzt sich kopfüber in diesen Sturm voller existenziellem Zorn, dem Kampf gegen toxische Muster, dem Tod von Familienmitgliedern und dem Tragen einer Maske aus falschem Selbstvertrauen, um Selbstzweifel und Selbsthass zu verbergen. Das ist Punkrock mit einer melodischen Hardcore-Kante - schnell, gnadenlos und mit Texten voller Widersprüche, unbequemer Wahrheiten, Ironie und der brutalen Selbstreflexion, für die Death By Horse bekannt ist. Keine geschönte Fassade, kein Filter - nur rohe, raue Energie und eine Ehrlichkeit, die weh tut. Gleichzeitig ist "Liminal State" eine Erinnerung daran, dass das alles nur eine Fahrt ist - nicht mehr und nicht weniger. Also: Genieß jede verdammte Sekunde davon! Wenn du dich jemals wie ein Freak, ein Geist oder wie eine Granate kurz vorm Explodieren gefühlt hast - willkommen zu Hause! Klassisch schwarze oder farbige Splatter Vinyl-LP, CD kommt im schmalen Cardboard.

12 Bob Dylan classics produced and arranged by Steve Howe (Yes/Asia), features guest vocalists Jon Anderson, PP Arnold, Max Bacon, Allan Clark, Dean Dyson, Annie Haslam, Phoebe Snow and Keith West, first time on ltd. 2LP available (red vinyl, 300 ww copies, etched d-side).

Julia Wolf ist eine einzigartige Künstlerin, eine genreübergreifende Geschichtenerzählerin und eine Inspiration für Musikfans, Trendsetter und Musikkollegen gleichermaßen. Ihre Reise ist eine lebendige Erzählung von Verletzlichkeit, Wachstum, Experimentierfreudigkeit und menschlicher Erfahrung. Julias digitales Debütalbum ""Good Thing We Stayed"" (2023) verband eindringlich schöne Vocals und gefühlvolles Songwriting mit Trap-inspirierten Popmelodien. Mit ihrer neuen, auch physischen LP ""PRESSURE"" samt der Single ""In My Room"" kehrt die Künstlerin aus Long Island wieder zu ihren Rockwurzeln zurück, zeigt ihre vielseitige Kunstfertigkeit und Missachtung konventioneller Grenzen. Julias Bindung zu ihrem Publikum geht über die Musik hinaus; ihre Texte finden eine so tiefe Resonanz, dass Fans sie oft in Tattoos verewigen, während sie auf Spotify auf über 2 Millionen monatliche Hörer bauen kann.

A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton's albums. Stevie received his first major label producer credit with Was (Not Was) when he co-produced the UK hit "Out Come the Freaks" from the album "What up Dog?" Rolling Stone Magazine listed "What up Dog?" as one of the top 100 records of the decade. With an extensive solo career, Stevie has now teamed up with Deko Entertainment to reissue some of these albums starting with the 30th Anniversary of "Back From The Living (Deluxe Edition)"













k MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)











[k] MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)

Jennifer Touch release her next LP 'Aging at Airports' on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: "It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it."

When you name Barrington Levy, Roots Radics, and Scientist at King Tubby's studio, you can't go wrong. Produced by Hyman "Jah Life" Wright, Bounty Hunter captures the transition from roots reggae to early dancehall, blending deep rhythms with Levy's distinctive vocal style. A landmark album that defines an era and showcases the evolution of Jamaican music.

On Wednesday, September 10th, WHIRLWIND TRAX drops its debut vinyl release, presented under the banner of the label's ULTRANOVA clubnight series. Marking two years of ULTRANOVA at RSO.BERLIN, this first edition brings together a heavyweight selection of past guests and standout producers, including Bours?, Danny Wabbit, Faster Horses, KTK, and label founder Xiorro. Packed with dark, driving grooves, each track is built for maximum impact-essential peak-time weapons for any record bag.

The psychedelic supergroup, The Third Mind, returns with their third studio album, Right Now! Band members include Jesse Sykes, GRAMMY award-winning guitarist Dave Alvin, Victor Krummenacher, David Immerglück, Michael Jerome, and Willie Aron. Right Now! includes the band's mind-bending take on legendary Elizabeth "Libba" Cotten's "Shake Sugaree" and a new original by Jesse Sykes and Dave Alvin, "Before We Said Goodbye". Digital album includes bonus track "Reap What You Sow"!