Search:you

Bunny 'Striker' Lee's standing in the Jamaican recording business has remained unassailable for over four decades.Known by many aliases including 'Gorgon'.
The legend of the Gorgon originated in Greek mythology some three thousand years ago and has become a common image in art, literature and in Jamaica...Music.
The name actually derives from the ancient Greek word gorgos which means 'dreadful' ,appropriate when one considers that the avalanche of Gorgon inspired records came as a direct result of the influence of the Rastafarian movement on the Jamaican musical mainstream and the dread locked hair of the Rasta brethren was likened to that of the Gorgon sisters.
''About her shoulders she flung the tasselled aegis, fraught with terror...and therein is the head of the dread monster, the gorgon, dread,awful....'' Homer

Trek With Quintronic are the duo, formed from the ashes of prog rock band Masque in 1979. They recorded two pioneering albums of unique electronic rock. 'Landing Plus' compiles the complete discography of Trek With Quintronic on a double vinyl for the first time in over 30 years. Trek With Quintronic wrote songs with a powerful sound, myriads of compositional ideas, synthetic noises and catchy melodies. Paul's rather unique vocals lie somewhere between David Bowie and Richard Butler of the Psychedelic Furs.nThis collection highlights a lost duo with a big sound on par with Ultravox, Human League, OMD or Devo

Very rare early Arthur Russell & Nicky Siano co-produced single from 1984.
Re released in conjunction with Arthur Russell's co-founded Sleeping Bag Records.
Re mastered for 2014 and in original Sleeping Bag artwork. Contains both the original and extended mixes.

Fourth release for Serie Limitee. 180g, pressed loud and limited, as always. Now Berlin based, Californian Lady Blacktronica provides a raw beatdown pearl with -Never Heard The Word Impossible-... Straight from Japan, Yusuke Yamamoto aka Freischwimmer joins the SL crew with a classic-house track named -You Want-. With -Back to the House-, Deymare pays his regards to the original Chicago sound with this timeless piece. SL004 also announces the return of the mysterious Parisian duo ERMAN & Abtomat, with five minutes of steamy after-hours disco-influenced house-music! As usual, expect a short bonus track by Monsieur Cedric.

The second of the Decadub vinyl-only releases dedicates three of its four sides to a volley of woozy and twisted footwork from most of the key members of Chicago's Teklife crew. Side One starts with DJ Rashad and Gant Man's squiggly 303 banger 'Acid Life' and moves onto Taso & Djunya's Darwinian banger 'Only The Strong Will Survive'. Side Two descends into DJ Spinn's bombastic 'All My Teklife' and then Earl, Rashad & Taye's 'Bombaklot' which takes Hyperdub full circle with a yardcore bomb like a 2014 upgrade of the label's early days. Side Three leads with DJ Earl's immaculate diva vocal cut-up of 'I'm Gonna Get You', then moves on into DJ Taye's fizzling R&B jam 'Get Em Up' and the stone cold, warped humour of 'Icemaster' by Heavee. On the fourth and final side, Tokyo-based ally Quarta330 returns to craft 'Hanabi', an epic, uptempo synthesiser jam. Young gun Champion follows with 'Power Cut', its minimal, energetic and militant kicks and bass molded with cowbell and lots of tight edits, before dropping some neat keys and a warping bassline two thirds in. Ikonika finishes things off with the solemn march of 'Tug Zone', opening slow but building in flickering high hats and gaseous cymbals into a track which could have emanated from Battlestar Galactica.

Fokuz Recordings, founded early 1999 by Dreazz and Drum Origins, has been through a lot over a long, winding road. Thanks to the boundless dedication of our talented artists and the loving fans, we can now celebrate our 15th anniversary! Expect six 12'' records and a double CD packed with tracks by some of the most upfront names in present day drum & bass. This is 15 Yearz Of Fokuz - Episode 1.2.

On the A-side Malaky brings the sweetness with 'Connected'. Heavy delayed chords, spacious strings and vocals in combination with a warm bass make this an abolute beauty! Great sounds coming from a producer you need to watch.

On the flip 'With U' by Moscow based Impish turns up the heat. Don't let the groovy intro fool you because the drop comes in unexpected! Rolling amens with soaring bass sounds make this a proper dancefloor banger, with a bit of class ofcourse. Not to be missed!

Among a thousand projects, Para One is back on the dance floor with 'Club", a new album which was not meant to be one, but believe it or not: it's serious stuff! 'The 'Passion' album is the background for this, as I decided to reshape it for my live act, explains Para One. I've rebuilt the tracks entirely, making live versions for festivals and bigger clubs. Then I found myself with a totally different album. It's not a live album. The tracks have been modified and reinterpreted. It's my tribute to Soulwax's 'Night Versions". Subtlety was not really an option, it had to hit kind of hard. The tracks had to sound real in a club situation and people are now meant to dance to them! It's also a 'treasure hunt' kind of record with many references. It sounds like my DJ sets, when I mix many things and styles, old and new, because that's how a club should sound. It's a place where memories belong.' The pop, melancholic and highly danceable 'Passion", was meant to be listened to at home or on quiet dance floors, but 'Club' only retains the melodies and vocal hooks. It smells like sweat, joy and abandoned bodies. Packed with English acid house piano, huge beats, elegiac vocals, references to UK Garage, EDM filtered french touch and house, 'Club' dives into the heart of dance music. It's a 3.0 rave emblem, a daring record to make people dance without selling out.

7 years after the last Zhark Vinyl Release, Heavyweight Techno Nihilist & Labelhead kareem opens up another
chapter of advanced technoid NOIZCORE with his 11th full length EP on Zhark.
After a few years of silence kareem had just reemerged with releases on Foundation Sonore (FS 01) ,
PORTO RONCO on Death of Rave or MESMER on Zhark Digital but is now threatening to inspire more
uncompromising percussive hostility. Let this just be the beginning:
Whereas Side A emphasis on a very distinguished DANCE FLOOR groove concept of Machine Funk embedded
in metal Layers Side B leaves room for a less formatted approach building up tension which is leading to a free
firezone of depravity.
While methodic differentiations can be discovered on each side, the listener is continously confrontated
with haunting sonic extremism.

Repress

Rarely you come across a record which embodies Dubstep so well that rallies the entire scene behind it. From the brosteppers to the deep heads this record has been getting love from all corners of the earth. We're talking about "Under Control" the latest outing from Germany's next top wobble aka Bukez Finezt. Its eerie intro sets the tone perfectly to interlude this hypnotic stomper. Once the sonic warfare is unleashed it'll transport you to a word of desolation, where aliens run rampant and technology has absorbed everything around them.
"You Don't Belong Here" & "Pace Yourself" are on a equal tip. 2 bigtime subloaded heavyweights that'll remind you that Dubstep is still very much alive and reminds us why we fell in love with this minimalistic bass heavy genre to begin with.

Here's what some DJ's had to say about Under Control:
"VERY NATTY!" - N-Type (Wheel & Deal)
"This one destroyed Contact last night" - J:Kenzo (Tempa)
"Three words.... Gun, Finger, Riddim." - Kaiju (Deep Medi)
"DUDE TUNE" - Megalodon (Never Say Die)
"System tune. Don't even bother playing this at home!" - TMSV (Artikal)
"Biggest tune of the year" - Tunnidge (Chestplate)
"One of the heaviest, most refreshing records of the year" - Compa (Deep Medi)
"Pfft more like OUT OF CONTROL" - Beezy (HENCH

On the back of an exciting debut album in 2012 that saw him perform live at Sonar festival and later with his band at Vienna's Volkstheatre, before disseminating music on Permanent Vacation, Suol and Connaisseur Recordings, enigmatic Basque Country producer El_Txef_A returns with his sophomore longplayer 'We Walked Home Together'.
El_Txef_A (pronounced 'Elchefa') has crafted a work that just like its journey-conjuring title, charts a shifting palette of sounds and moods, exemplifying its creator Aitor Etxebarria's breadth of skill.
Produced entirely in Aitor's homeland of the mountainous Basque Country, the album showcases the talents of not just its creator who producers, sings and plays piano on the record, but also some of the Spanish region's most outstanding musicians.
Local artist Biskonti is one contributor, whose vocals coat a brooding bed of rough-cut drums on the ice-cold slice of electronica 'I'm Going to Paint You', while Hannot lends his pipes to the moving 'You Left Us In This Physical World' that sweep over a delicately crafted brew of guitars and keys. Both Basque vocalists featured on El_Txef_A's debut 'Slow Dancing in a Burning Room'. Sublime title track 'We Walked Home Together' turns into a family affair, with Aitor's brother Hibai playing the grand piano.
A graduate at 2013's Red Bull Music Academy in Madrid, El_Txef_A has an impressive array of sonic strings to his bow and the Detroit techno inspired 'Claim of Planet Earth' deliciously rubs shoulders with the album's single, the alternative slice of pop 'The Love We Lost' featuring DFA's Woofly.
Elsewhere, Aitor paints a dream-like soundscape with the sublime shoegaze-inspired trip '0730' that seamlessly bleeds into 'Every Day Is Blue Monday', with its atmosphere-heavy swirl of subtle acid lines, floating synths and evocative vocals delivered by Suol records contributor Meggy.
An artist whose music is inextricably connected with his homeland, the album concludes with the stirring 'Mugarrirantz' sung in the native tongue of Euskera by country folk band Napora Iria. It's proof that El_Txef_A is equally adept at doffing his cap to tradition as moving a dancefloor with his inspired brand of electronica.

Inspiriert von der Musik der Pianisten Comlon Nancarrow und Gyorgy Ligeti präsentiert Squarepusher fünf neue Kompositionen, eingespielt von den drei Robotern Z-Machines. Die drei Roboter, darunter ein Gitarrist mit 78 Fingern und ein Drummer mit 22 Armen, sind eine Entwicklung junger japanischer Roboteringenieure unter der musikalischen Leitung von Kenjiro Matsuo. Die CD ist ein Japan-Import im Klappcover mit Obi-Einleger und japanischen Liner Notes.

"To make music using instrument-playing robots fascinates me. People have often assumed that for music to be emotionally powerful it has to come directly from a human hand, whereas i disagree with that, and enjoy proving these people wrong. This project is an excellent way of exploring that area more." - Squarepusher

You Know Who You Were Multi-faceted producer and DJ Ben Westbeech has accomplished something that eludes most artists - after ten years in the industry he successfully stands with 'one foot in the underground, one in the commercial' - and nowhere is this more apparent than on his first release on Aus Music as Breach which see's Ben digging deeper than ever before. After a year of high-power, unshakably catchy chart topping singles ("Jack' and 'Everything You Never Had"), a killer collaboration with Naked Naked cohorts Dark Sky and a well-received DJ-Kicks mix, Breach indulges some of his more underground and experimental tendencies on the 'Artis' EP. Bringing in bits of his past (the exotic, colorful vibe of 'Fatherless' can be detected in the lush atmosphere of 'Artis") along with some sounds newer to the moniker, Breach gets beautifully moody here and will once again keep people guessing as to what's coming next...

Following the release of virtuoso new singles Mr. Cover Up and No-Operative across January and February, seminal DnB duo State Of Mind are to present their fourth album, Eat The Rich, on March 31st. To be released by Black Sun Empire s Blackout imprint, the album celebrates some of the best work of their career to date, underlining their remarkable pedigree and with it, their ability to fuse darker, hard-edged sounds with genuine dance floor mcredibility. Famed for their rugged basslines, steely percussion and huge, driving synth lines, State Of Mind also showcase different sides to their craftsmanship on Eat The Rich, with a number of vocal features taking centre stage. As well as NZ
rapper PercIEve s appearance on the storming, tear-out anthem Mr. Cover Up, the duo also join forces with promising songstress Sacha Vee on the wonderfully eerie Black Raven; although still bullish in style, it highlights a softer, more thoughtful side to State Of Mind. Heavyweight second single No-Operative is also an album highlight, as are further future dance floor anthems like Where You At and Put It On, as well as two unique collaborations with fellow revered DnB figureheads Black Sun Empire. To compliment the rich diversity of sound on offer, the idiosyncratic, breaks-driven heat of Fast Life and the outer-worldly, synth-laden intro on U Control Me complete what is a stunning, career-defining album.
With a European tour in support of the album set to commence in March, ahead of further headline dates in Australia and New Zealand throughout April, Eat The Rich is set to cast State Of Mind into the spotlight like never before.

The band's seminal album is being reissued as an exact replica of the LP released 25 years ago, featuring original artwork and heavyweight 180gm vinyl.
Tracklisting

The latest drop from Retrometro is not for the faint-hearted, as Germany's Myk Derill brings the metal machine music. You Are is a stomp and grind monster, with speaker-troubling kicks and torture chamber soundscapes. Zerone is a brutal, relentless Berlin warehouse workout, with deep reverbs, on-point percussion and a juicy roll on the low end. Alert brings yet more of the factory floor pump, with its white noise build-ups and decayed percussion. And the caustic rhythms and haunting synths of Between bring another dynamic to the EP! Bruising!

inc. Poster + CD!!!
First a roar steadily builds, then we hear the first piano tone of The Unknown - along with the voice of Dominique Dillon de Byington. There it is again, the unique timbre of the young Berlin-based artist who captivated the music press and arts critics alike with her 2011 debut album on BPitch Control This Silence Kills.

Showcases acts who have performed at Something Cold over the years, + friends & allies. North America's minimal DIY synth explosion is represented by bands from East coast to West. LTD 200 repress.

The productions of producer Bunny 'Striker' Lee were so extensive in the early to mid 1970's that labels were created just to handle his ever expanding output.
Three labels that came about during this time when dub was king were Jackpot. Justice and Attack.
Here we look at the Jackpot label and have compiled a collection of some of its finest dub cuts.
Jackpot Records was formed in the early 1970's as a subsidiary of Trojan Records to handle the output from the hitmaker from Jamaica..Bunny 'Striker 'Lee
Bunny was at the birth of dub and worked closely with Dubmaster King Tubby,having his masters stored at Tubbys allowed his rhythms to be worked on by Tubby, whether it was to remix or add vocals to an existing tape,the new interest in the dubbed version would see the next single being worked on for its version side.
We have gathered here what we think are some of the best dubcuts from this label and era..
Hope uou enjoy the set

Proper Fachwerk style techno with vocals by Envoy. Comes with remixes by Mike Dehnert and Roman Lindau.

Traversing with an understated technical assuredness, the ambitious shapes of Steely Dan, the popping lounge funk of McDonald era Doobie Brothers, the sweet mourning of the Stylistics and Delfonics, and the exquisite song-craft and flawless harmonising of CSNY, Daniel Collas (The Phenomenal Handclap Band), Bart Davenport and Quinn Luke aka Bing Ji Ling have recorded an absolute darling of an album under the name Incarnations. They are three friends with enough musical guises, side-projects, collaborations and production jobs to fill the annual itinerary of your average musician twice over. When three CVs like these get together on a regular basis, it's only logical they speculate and hypothecate on the possibility of an album together. But, how to make those congested diaries synchronise? Bart lives in Oakland and Quinn and Daniel are in New York, all three of them are on tour for the better part of the year. One sunny day in Madrid, Spain, a plan was hatched and a proposal was made. Lovemonk, a small, eclectic and affable Spanish label, dangled the carrot that clinched the deal; 'find two weeks between gigs/productions/recordings and head down to this little place we know in Tarifa, Southern Spain'. A family-run studio, in a house 5 minutes from a wild beach and a short ferry ride from the coast of Africa; the perfect ambience for the fleeting melody and sultry grooves of the Incarnations debut album, "With All Due Respect". Arriving with bits and bobs of half-songs, grooves and melodies, Daniel, Quinn and Bart, sketched and improvised their way to the most intensely evocative songs you'll hear this year. Punctuated by a day trip across the water to Tangiers, all 9 songs were written and recorded inside a fortnight in October 2009 and laid to rest while our protagonists jetted off to their respective diary appointments. Whether it was the beach, the soft weather, the fact that you can smell Africa from the studio, the home cooked Spanish food or the relaxed environment of the recording room, when the band returned to the songs at a New York studio earlier this year, they found an album as fresh and resonant as the moment it came into being. Quickly mixed down with no over-dubs or re-records, "With All Due Respect" captures the combined gifts of Tarifa and the three very talented friends that paid a visit. Incarnations are: Daniel Collas: DJ, drummer, organist, and one half of production team Embassy Sound Productions, the minds behind The Phenomenal Handclap Band. Plays - drums, percussion, organ and synthesizers. Bart Davenport: Collaborator with Greyboy, General Elektriks and The Phenomenal Handclap Band; Singer-songwriter with The Loved Ones, The Kinetics and Honeycut, and most recently a touring member of the Kings Of Convenience. Plays - guitar, bass and vocals. Quinn Luke a.ka. Bing Ji Ling: Part of The Phenomenal Handclap Band, one half of DFA recording artists Q&A and long time member of Tommy Guerrero's band; Solo artist on labels Ubiquity and Lovemonk among others. Plays - guitars, keyboards, vocals The band are named after Encarnacion "Nini" Sagrista, owner of the recording studio in Tarifa, who housed and fed them during their stay.

Ben La Desh may hover above radars despite his extensive back catalog for the likes of Sleazy Beats/Black Ops, Dirt Crew, Outernational and a recent contribution to the Young Adults House Slippers compilation.

One of the unsung modern forefathers of gradient chug, the Rotterdam native has carved out a niche for engulfing body movers that organically unfold like subtle origami.
Wondering What We Are explores the ever expanding spectrum of the Ben La Desh aesthetic in a compact 4-track capsule.

'Afrodesia' soundtracks a high speed chase through tropical back roads with swirling synths and pulsing drops.
'Your Love' has a slinky half-tempo bounce that skates along an infectious horn loop and vocal refrain.
'We Are' finds La Desh in his signature groove wheelhouse - buttery builds and smoothed-out repetition.
'Why Don't You' may very well be his deepest moment yet, a driving baseline is lathered with clattering percussion and sultry female croons to devilishly sinister effect.

Classic Big Bucks Northern Soul Sides On Nice Lookalike Label Reissue 45

JUSTUS KÖHNCKE & THE WONDERFUL FREQUENCY BAND - his first major release in five years after SAFE AND SOUND


JUSTUS KÖHNCKE & THE WONDERFUL FREQUENCY BAND - his first major release in five years after SAFE AND SOUND (Kompakt CD 63) - is JUSTUS KÖHNCKE's long-awaited return to the full-length format: neatly coinciding with Kompakt's exuberant 20th anniversary activities, the leftfield house virtuoso, former Whirlpool Productions member (see "From: Disco To: Disco") and producer of seminal cuts such as "Was Ist Musik", "2 After 909" or "Timecode" hits the floors with an entirely new set of future classics, remedying desolate crowds in dire need of a party to remember.

The German producer Team Shuko & F. (of Audiotreats) are back with their third part of the Cookies & Cream series. After releasing the second part producer Shuko had multiple productions to catch the audience's attention.

He was by producing beats for well known rappers like Talib Kweli & Ra the Rugged Man. He also participated in production for platinum-albums of french rap crew 1995 & also Sexion D'assault, which both became No.1 in the French Charts this Summer.

He also worked on german rap-phenomenon Cro's #1 Album in Germany & co-produced a track for the newcomers of GENETIKK, who stepped on the scene of german HipHop quite recently with a #1 chart entrance. The JBG2 album of Farid Bang & Kollegah sold 80.000 units via Selfmade Records in first week in Germany, containing eight productions by Shuko on the album.

Shuko did also please his backpacker-fans by releasing his collabo with westcoast-MC Blu via JAKARTA RECORDS as a strictly limited 10inch LP. F, who is also part of the Audiotreats producer-team created beats for acts like Chima, Joy Denalane & Dendemann.

The third part of Cookies & Cream series is soulfull & eclectic as his preceding LPs & shows instrumental HipHop music as it's best & lifts german productions into the company of the worldwide beat-scene.

Love is Loops Vol.2 is the next instalment on from Plymouths 14th best DJ (though # 1 in the self-deprecation charts). The EP contains the locked on smash 'Get A Hold On This' featuring soul queen Kylie Auldist, as well as some vintage off kilter Vanucci in the shape of 'Something 'bout the way' featuring vocalist Boo. 'So Good' is a Rhythm & Blues inflected belter while 'You Don't Know My Name ' featuring Stone Kawala channels daisy age hip hop through the Vanucci blender.

ARTS is an independent label established in 2013 based on Sonic dimensions.

ARTS go forward with the immense talent of Jonas Kopp,No Need To Introduce Jonas Kopp Anymore.

The 4 tracks define the debut of Jonas on ARTS in the best way possible. Techno, Concrete and Functional.

Always Stays The King This ist he Vinyl edition of Tigerskin's Album - All Those Goodbyes. This special Vinyl features 3 exclusive tracks that are not on the CD version of the Album. - The Essence', - Out of Breath' and - The King always stays the King' are three club bangers that will destroy your floor. As part of this 2LP we also added the strongest dancefloor titles from the CD. Main Info Album : After being the main artist on Dirt Crew Recordings for over seven years and with a staggering 13 EPs in that period either solo or with his buddy Till von Sein, the Berlin based Alexander Krüger has finally put together a full artist album for the Dirt Crew team. The album also features various collaborations featuring established artists such as Ulrich Schnauss, Eddie Richards and of course Till (all titans in their respective fields of 'electronica', 'techno and 'house') plus new producers and vocalists that Alexander has been working with such as The Lazarusman, Sebastian Oehlschlegel and Uffe.Alexander Krüger is one of Germany's most consistent producers and has a huge release list on Discogs ranging from the mid nineties when he started out as Korsakow and Dub Taylor on classic labels like Force Tracks, Müller and Raum Musik. The output of this man is enormous, not only solo under his 3 monikers but also with fellow producers he works with, most prominently the work he does with DJ Phonique. It has also been nine years since his last 'real' album on Resopal Schallware back in 2004 so 'All Those Goodbyes' comes as a welcome relief for Tiger fans. On the album you will find 14 tracks that reflect a broad variety

Highly recommended! Enlightened Wax is proud to harbor on the side A
of its fourth chapter all the dirtiness of the legendary DJ Octopus
(Muscle Records) has been. 'The Black Face' is a funky, abrasive,
filthy track and 'Heavy Breathing' is nasty twisted house anthem.
Marieu, the boss of the label showcases on the B side two sci-fi
inspired cuts. 'Talk to me' is a jacking piece of quasar techno,
while 'About You' is a smoother delightful excursion into broken beats
territories. Vinyl Only!

Narratives Music proudly present the debut EP of the artist Rhyming in Fives. The 'Hindsight' EP sees a well respected producer
embark on a new journey under a new alias, with an intention to breach the boundaries of Drum and Bass and the 170bpm template.
Fusing drift space ambience, glassy synths and retro drum machines with gritty warm bass grooves, Rhyming in Fives has gathered
sensibilities from the austere 80s pop of Depeche Mode and Gary Numan, the soundscapes of Cliff Martinez and Vangelis, and
transcended to something altogether more futuristic.
This highly anticipated release has already caught the imagination of DJ's across the genres with huge names such as Paul Woolford,
Om Unit, Com Truise and Zomby working it into their multi tempo sets while still finding its way into the record bags of Drum and
Bass' hottest players such as Doc Scott, Jubei.and BBC Radio's Friction.
Lead track 'Hindsight' glistens with the trademark Narratives sound of emotion and contrast. Melancholic calling synths build over
pumping kick drums and beckon the classic bass to grow and soar to an euphoric drop of arpeggiators and driving percussion. The
ability to draw the listener completely in to its immersive groove and simplicity, only feigns the depth of this beautiful track, a depth
which reveals more with each listen.
Turning many heads has been the track 'With You'. Instantly recognisable, it builds on the same retro influences as the flip but is
injected with the vocals of Hana. Bubbling basses, beautiful keys and a song like structure make this a golden addition to the
Narratives catalogue; one that evokes the summer decadence of Kavinsky's 'Drive' movie soundtrack.
The last track on the EP, 'All's Well' takes the Rhyming in Fives sound to a much more brooding and meditative place. Cavernous
bass, reverbs and FX lead this wave of haunting ambience to create a heartwrenching close to this debut EP. Sentimental, emotional
and relentlessly engaging, 'All's Well' refuses to let the listener do anything but be drawn in.
Only furthering Narratives reputation for releasing music of bold quality and longevity, this EP embraces experimentation and genre
shifting sounds whilst having relentlessly moved dancefloors and festivals over the summer months.
DJ Support includes : Friction, Paul Woolford, Doc Scott, Om Unit, Kuedo, Com Truise, Zomby

When Ostgut Ton released it's first compilation - Fünf' in 2011 to mark the 5 year anniversary of the label, it was a huge undertaking featuring 23 artists on 7 pieces of vinyl in a boxed set. The sound approach to include field recordings made inside the Berghain building in all recordings was ambitious but suited the signature production aesthetics of the Ostgut Ton artists perfectly. After the success of - Fünf' a new compilation on Ostgut Ton had to take a different approach.