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High Roller Records, reissue 2023, black vinyl, ltd 450, 425gsm heavy cardboard cover, 4 page insert printed on uncoated paper, A5 photo

Around 1983 it looked as if Tokyo Blade were destined to become the next Iron Maiden. But somehow it wasn’t to be – history was not kind to them! In the end Tokyo Blade never became the next superstars of the glorious New Wave Of British Heavy Metal movement. “Night Of The Blade” was the follow-up to Tokyo Blade's extremely successful self-titled debut album. The band's second record was originally released in 1984 on the English Powerstation label and contained classic Tokyo Blade songs such as “Lightning Strikes”, “Unleash The Beast” or the title track. On the other hand, Tokyo Blade presented some more melodic numbers such as “Someone To Love” or “Rock Me To The Limit”. This slight alteration of the band's musical direction was partly due to the change of the vocalist (Alan Marsh was substituted by Vicki Wright). Guitarist Andy Boulton comments on the differences between Marsh and Wright: “Vic was a different person to Alan, but Alan had been a friend I had known for quite a long time and was a key figure in the band's early success, it was a sad day when we parted ways. Alan was just different from Vic and he had his own distinct sound. I don't want to talk about who was better or whatever, it's for the fans to decide. The material on 'Night Of The Blade' was all brand new, no leftovers from from Killer or Genghis Khan.” Tokyo Blade's debut (1983) and “Night Of The Blade” (1984) are two of the best albums of the entire New Wave Of British Heavy Metal period. “Night Of The Blade” was recorded by Vicki James Wright (vocals), Andy Boulton (guitar), John Wiggins (guitar), Andy Wrighton (bass) and Steve Pierce (drums). High Roller Records is proud to re-issue this long-deleted classic once again on glorious vinyl.

Havukruunu's RAUTAA JA TULTA reissued in April Svart Records continue to reissue the albums of Havukruunu, bringing their 2016 album RAUTAA JA TULTA back on the market in April 2026. Originally meant as an EP and recorded before the debut album HAVULINNAAN (2015), RAUTAA JA TULTA contains four added tracks from later sessions and was expanded into an album. ”Rautaa ja Tulta (SPIRITUAL RESILIENCE AND VIGOR, THE IRON AND FIRE OF THE SOUL) are the first 6 tracks recorded in 2014 which cemented the recognizable soundscapes of Havukruunu. These furious songs broke the recording equipment at the time, and the remaining four songs were finished in a separate session in 2016”, comments Stefa. RAUTAA JA TULTA is available now on new limited vinyl colours, housed in a single pocket jacket and comes with an insert.

Havukruunu's RAUTAA JA TULTA reissued in April Svart Records continue to reissue the albums of Havukruunu, bringing their 2016 album RAUTAA JA TULTA back on the market in April 2026. Originally meant as an EP and recorded before the debut album HAVULINNAAN (2015), RAUTAA JA TULTA contains four added tracks from later sessions and was expanded into an album. ”Rautaa ja Tulta (SPIRITUAL RESILIENCE AND VIGOR, THE IRON AND FIRE OF THE SOUL) are the first 6 tracks recorded in 2014 which cemented the recognizable soundscapes of Havukruunu. These furious songs broke the recording equipment at the time, and the remaining four songs were finished in a separate session in 2016”, comments Stefa. RAUTAA JA TULTA is available now on new limited vinyl colours, housed in a single pocket jacket and comes with an insert.

Havukruunu's KUU ERKYLÄN YLLÄ reissued in April Svart Records continue to reissue the albums of Havukruunu, bringing their highly sought after 2021 EP KUU ERKYLÄN YLLÄ back on the market in April 2026. Statement from the band: "There has been a lot of rumors and mystery surrounding the album cover art for Kuu Erkylän Yllä EP. Why was the album cover art different on the cassette version and the Vinyl/CD version at the time of release? The most well-known theory is probably that the original cover art was destroyed with an axe, which is why "the blue cover" ended up only on the cassette release and the damaged artwork could no longer be transferred to the CD/Vinyl versions. We completely deny this rumor: "the blue cover" was not destroyed with an axe, but was run over by a car, and we also confirm that "the blue cover" was not even the original cover art. The original cover art has now been found from the archives and the reissue published by Svart has now been made for the first time ever with the cover art that the release was originally intended to have." The Quorthonian homemade assault Kuu Erkylän Yllä contains Havukruunu‘s earliest and, at the time on recording, latest compositions combined, reworked and finished finally to do justice for the original vision of the band. Journey to the pitch-black star-night of Erkylä, where the Night Tower stands ever vigilant under the sign….. Presented for the first time with the original, previously unused album art by Heidi Kosenius, Kuu Erkylän Yllä is available now on new limited vinyl colours and housed in a gatefold sleeve. Kuu Erkylän Yllä was performed during first four full moons of MMXXI by Stefa - Voice, Guitars, Synth Bootleg-Henkka – Guitars Sinisalo - Electric Bass Guitar Kostajainen - 125 INTERCITY EXPRESS

Havukruunu's KUU ERKYLÄN YLLÄ reissued in April Svart Records continue to reissue the albums of Havukruunu, bringing their highly sought after 2021 EP KUU ERKYLÄN YLLÄ back on the market in April 2026. Statement from the band: "There has been a lot of rumors and mystery surrounding the album cover art for Kuu Erkylän Yllä EP. Why was the album cover art different on the cassette version and the Vinyl/CD version at the time of release? The most well-known theory is probably that the original cover art was destroyed with an axe, which is why "the blue cover" ended up only on the cassette release and the damaged artwork could no longer be transferred to the CD/Vinyl versions. We completely deny this rumor: "the blue cover" was not destroyed with an axe, but was run over by a car, and we also confirm that "the blue cover" was not even the original cover art. The original cover art has now been found from the archives and the reissue published by Svart has now been made for the first time ever with the cover art that the release was originally intended to have." The Quorthonian homemade assault Kuu Erkylän Yllä contains Havukruunu‘s earliest and, at the time on recording, latest compositions combined, reworked and finished finally to do justice for the original vision of the band. Journey to the pitch-black star-night of Erkylä, where the Night Tower stands ever vigilant under the sign….. Presented for the first time with the original, previously unused album art by Heidi Kosenius, Kuu Erkylän Yllä is available now on new limited vinyl colours and housed in a gatefold sleeve. Kuu Erkylän Yllä was performed during first four full moons of MMXXI by Stefa - Voice, Guitars, Synth Bootleg-Henkka – Guitars Sinisalo - Electric Bass Guitar Kostajainen - 125 INTERCITY EXPRESS

WRWTFWW Records releases THE GENTLE PEOPLE - The Peel Sessions, available on vinyl for the first time ever, in conjunction with the worldwide expanded reissue of the group's Soundtracks for Living. Lounge/Chill Out music reborn !

This is an exclusive 4-song EP recorded in 1997 on BBC's Peel Sessions, as The Gentle People were doing the rounds for the release of their legendary debut album. These live versions have never seen the light of day before - a must have for all the gentle fans !
When The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge's cult label Rephlex, this multinational "E-Z-Core" lounge unit took the aesthetics of 50s/60s easy listening and exotica and gently smuggled them into 1990s club culture.

Imagine KLF's Chill Out or Space growing up on French 60/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That's The Gentle People : music that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace.

The Gentle People weren't just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine.

It's here! We are thrilled to announce the first record from Reggaescape Records, the first of many to come. After years of touring with Dawchy, we're releasing the track "Keep Shining," an invitation to keep your inner flame burning bright.

It's a 7" with a dub track on the B-side, mixed and produced by Fullness.

Following the success of the first vinyl release from the Moroccan label Sotor Records, featuring Zadig, Perc & Oscar Mulero, Sotor writes a new chapter in its discography with its second vinyl release. Meaning "lines" in Arabic, Sotor reflects its commitment to championing the diversity of the techno genre.
The label's ninth release, "Processing Range," is a musical ode to the lines of space-time. With four original tracks from the Portuguese producer, Sotor invites you on a techno journey between mental tension and physical release.
The album opens with DJ Dextro's "Controle," which delivers a massive, sharp rhythm, dystopian synths, and a true immersion into a techno black hole.
The journey continues with the second track on side A. This time, DJ Dextro unleashes an uncompromising version of "Blue Dot," achieving a precarious balance while showcasing his signature percussive style. The Portuguese artist delivers the perfect track to unleash a crowd.
On the B-side, DJ Dextro offers us the eponymous track, "Processing Range." We're quickly drawn into an allegory of this decadent modern world where humanity is rushing towards its own destruction. Expect dusty techno rhythms and that sumptuous synth that sounds like the end of times. Probably a future classic!
And you'll finish on a gentler but no less dynamic note from DJ Dextro. He concludes the EP with "31 Atlas," which will leave you weightless with its galloping bassline and abyssal synth.

2026 is the 50th anniversary of the iconic fourth album by Average White Band, released in June 1976.

Reaching #9 and becoming their third consecutive US Top 10 album, “Soul Searching” includes the much-sampled classics ‘A Love Of Your Own’ and ‘Queen Of My Soul’, with the latter reaching the Top 40 Singles Charts on both sides of the Atlantic. Two further singles in ‘Everybody’s Darling’ and ‘I’m The One’ were also released as singles in various parts of the world.

Snoop Dogg, Fatboy Slim, Ice Cube, Puff Daddy, TLC, Rick Ross, will.i.am and Mark Ronson amongst countless others, have all borrowed sections of their grooves.

Mit ihrem nun schon siebten Studioalbum im Gepäck zerlegen die beiden selbsternannten Weltverbesserer quer durch die Republik eine Venue nach der anderen - begleitet vom stetig wachsenden Schmierlappen Kommando: Liedfett sind längst kein Geheimtipp mehr, sondern ein kollektiver Zustand aus Euphorie, Haltung und Lebensfreude. Mit ihrem neuen, selbstbetitelten Album "liedfett" klingen Liedfett so nah, so direkt und so ungeschönt wie selten zuvor. Zwischen Aufbruch und Überforderung, zwischen breitem Grinsen und ehrlicher Selbstbefragung bündeln sie Songs wie "Alles wird gut", "Zu kurz", "Einsamkeitsgefahr", "Das war ich" und "Partybrille" mit sechs neuen Tracks zu einem Album, das mitten ins Jetzt und vor allem jedes Herz trifft: Es geht ums Stolpern durchs Leben, ums Weitermachen trotz Zweifel, ums Lautsein, wenn es nötig ist - und ums Verletzlichsein, wenn es sein muss. Haltung zeigen, ohne den Zeigefinger zu heben. Egal ob auf der Bühne oder am Lagerfeuer. Überall. Musikalisch bleiben Liedfett ihrem druckvollen Mix aus deutschem Pop, Punk-Energie und kompromisslosem Live-Charakter treu. "liedfett" ist kein Rückblick und kein Konzeptalbum, sondern eine Momentaufnahme: ehrlich, verbindend, voller Wucht und Wärme. Wer versucht, das Phänomen Liedfett nur über Zahlen oder Worte zu begreifen, wird scheitern. Erst live entfaltet sich das ganze Bild - und erst dann versteht man wirklich, warum so viele einstimmen, wenn es heißt: Kommt ihr mit?

,Don't Settle - Transmissions East" ist die erste Veröffentlichung von zwei Alben, die in diesem Jahr erscheinen werden. Es beleuchtet eine äußerst produktive und vielfältige Karriere und ist nicht nur ein ,Best Of", sondern ein Live-Studioalbum ohne zweite Takes, ohne Autotune und ohne Bearbeitung. Es ist einfach live, roh und direkt und fängt die Magie von Glen ein wie nichts zuvor. Aufgenommen im legendären Funkhaus in Berlin, einem historischen ostdeutschen Radio- und Aufnahmestudio mit einem riesigen, akustisch perfekten Orchester-Live-Raum, wurde das Album in einer kontrollierten Studioumgebung über zwei Nächte hinweg aufgenommen und gefilmt. Das Album wurde von Glen selbst produziert und gemischt, mit Unterstützung von Toningenieur und Produzenten Mike Goldsmith und dem Toningenieur und Produzenten Markus Schmitz.

Join Kirika and Mireille on their dangerous adventures!

Noir is an anime series created by Ryôe Tsukimura, produced by Victor Entertainment and Bee Train and directed by Kôichi Mashimo. First broadcast in 2001, it enjoyed worldwide success and is now considered a classic of Japanese animation.

It was with this original soundtrack that composer Yuki Kajiura truly defined her signature style, creating a fascinating contrast between the violence of the plot and music imbued with melancholy and sacredness. The music for the series was unanimously acclaimed, particularly for its unforgettable songs Canta per me and Salva nos, performed by Yuriko Kaida.



The Noir original soundtrack is available for the very first time, remastered on vinyl in this double LP collector's edition!

Julia Cumming’s solo debut Julia opens with an unadorned declaration of independence: her voice and a piano uniting for a liberating proclamation of self that rejects doubt, misogyny, and the notion of being “too much.” Julia unlocks a creative door years in the making for the New York–born multi-instrumentalist and Sunflower Bean bassist, culminating after nearly two decades of bands, releases, labels, and relentless touring. As Sunflower Bean’s Headful of Sugar era ended in 2023, Cumming decamped to Los Angeles, where a two-year, deeply healing collaboration with producer Brian Robert Jones — her “second artistic puberty” — took shape. Drawing freely from formative influences: Burt Bacharach, Carole King, Joni Mitchell, Carly Simon, and Brian Wilson. Julia emerges as a joyful, anti-cool coming-out: a celebration of the dorks, the misfits, and the enduring truth of being enough.

Julia Cumming’s solo debut Julia opens with an unadorned declaration of independence: her voice and a piano uniting for a liberating proclamation of self that rejects doubt, misogyny, and the notion of being “too much.” Julia unlocks a creative door years in the making for the New York–born multi-instrumentalist and Sunflower Bean bassist, culminating after nearly two decades of bands, releases, labels, and relentless touring. As Sunflower Bean’s Headful of Sugar era ended in 2023, Cumming decamped to Los Angeles, where a two-year, deeply healing collaboration with producer Brian Robert Jones — her “second artistic puberty” — took shape. Drawing freely from formative influences: Burt Bacharach, Carole King, Joni Mitchell, Carly Simon, and Brian Wilson. Julia emerges as a joyful, anti-cool coming-out: a celebration of the dorks, the misfits, and the enduring truth of being enough.

Manchmal hörst du eine Band, die sich gleichzeitig neu und vertraut anfühlt, und das lässt dich innehalten. TV Star ist so eine Band. In den letzten Jahren hat die fünfköpfige Band aus Seattle-Tacoma, Washington, still und leise an ihrer Stärke gearbeitet - EP für EP, Show für Show -, bis ihr lang erwartetes Debütalbum ,Music For Heads" rauskam und klar machte: Sie haben sich zu etwas Besonderem entwickelt. Eine Mischung aus jangly-psych, Garage-Grit und Soft-Focus-Tiefe; diese Songs leuchten von innen heraus mit einer beeindruckenden Originalität. In einer Zeit, in der so viel Musik in algorithmischer Gleichförmigkeit verschwindet, klingt TV Star trotzig menschlich. Auf den zehn Tracks der LP schärft die Band ihre Instinkte, die sie über die Jahre verfeinert hat - sie kombiniert zeitlose Pop-Sensibilität, psychedelisch angehauchten Jangle in der Tradition von The Brian Jonestown Massacre, punkige Rhythmussektionen und Vocals, die mit der Wärme von Mojave 3 dahinschweben, um etwas ganz Eigenes zu schaffen. Mit Music For Heads greifen sie nicht nur auf die Musik der Vergangenheit zurück, sondern treiben eine neue Welle voran. Die Band wurde 2020 aus der gemeinsamen Bewunderung für den Psych-Rock der 90er Jahre, klassischen Shoegaze und Alt-Country-Underdogs gegründet. Der Startschuss fiel, als jemand die Kassette ,Electriclarryland" der Butthole Surfers aus dem Jahr 1996 von der Wand nahm und auf den Track ,TV Star" zeigte. Was folgte, war weniger die Gründung einer Band als vielmehr die Entstehung eines kleinen Ökosystems. Ashlyn Nagel (Gesang, Keyboard), Bryan Coats (Gitarre), Che Hise-Gattone (Gitarre), Mark Palm (Bass) und Tucker Devault (Schlagzeug) brachten ihre eigenen Instinkte, Eigenheiten und musikalischen Hintergründe mit ein, bis die Songs schließlich nach allen gleichzeitig klangen. Aufgenommen in einer Reihe gemütlicher Studios im Nordwesten - The Unknown in Anacortes und ein paar Verstecken in Seattle - ist ihr Debütalbum ,Music For Heads" eine Mischung aus klirrender Gitarrenmusik, psychedelischem Pop und authentischem Indie-Rock, ohne sich ganz auf einen Stil festzulegen.

In den letzten zehn Jahren haben sich Portrayal of Guilt als feste Größe in der extremen Underground-Musikszene etabliert. Mit unerbittlich konsequenten Veröffentlichungen wie dem orchestralen Albtraum ,Devil Music" aus dem Jahr 2023 und ganzjährigen Welttourneen mit Bands wie Deafheaven, Uniform und Pg. 99 haben POG zweifellos ihren eigenen Weg eingeschlagen. Seit ihrer Gründung lassen sie sich nicht in eine bestimmte Kategorie stecken. Das Trio mischt Elemente aus Black, Death und Nu Metal mit Crust, Screamo, Powerviolence und Hardcore, wobei ,The Beginning of The End" die Genregrenzen weiter verwischt. Die Band hebt die verstörende Disharmonie in den Album-Highlights ,Ecstasy" und ,Human Terror" auf die nächste Stufe, mit KoRn-ähnlichen Gitarrendissonanzen, gnadenlosen Death-Metal-Tiefen und eindringlichen gesprochenen Passagen, die selbstbewusst die Grenze zwischen ,Life is Peachy" und ,Scum" überschreiten.

In den letzten zehn Jahren haben sich Portrayal of Guilt als feste Größe in der extremen Underground-Musikszene etabliert. Mit unerbittlich konsequenten Veröffentlichungen wie dem orchestralen Albtraum ,Devil Music" aus dem Jahr 2023 und ganzjährigen Welttourneen mit Bands wie Deafheaven, Uniform und Pg. 99 haben POG zweifellos ihren eigenen Weg eingeschlagen. Seit ihrer Gründung lassen sie sich nicht in eine bestimmte Kategorie stecken. Das Trio mischt Elemente aus Black, Death und Nu Metal mit Crust, Screamo, Powerviolence und Hardcore, wobei ,The Beginning of The End" die Genregrenzen weiter verwischt. Die Band hebt die verstörende Disharmonie in den Album-Highlights ,Ecstasy" und ,Human Terror" auf die nächste Stufe, mit KoRn-ähnlichen Gitarrendissonanzen, gnadenlosen Death-Metal-Tiefen und eindringlichen gesprochenen Passagen, die selbstbewusst die Grenze zwischen ,Life is Peachy" und ,Scum" überschreiten.

Swiss powerhouse The 18th Parallel presents another slice of fine modern roots reggae! All Fruits Ripe is a heavyweight showcase album rooted in the foundations of reggae while firmly anchored in the present. Recorded between 2015 and 2025, the project brings together a powerful lineup of Jamaican vocalists — Micah Shemaiah, Keith Rowe (from rocksteady duet Keith & Tex), Rod Taylor, Var (Inna De Yard, Pentateuch), Hezron, and Itral Ites — each representing a different generation of conscious reggae music.

The album features six vocal cuts and five dub versions, highlighting both lyrical strength and sound system culture. Carefully mixed by master engineer Roberto Sánchez, All Fruits Ripe stands as a transnational reggae statement: Jamaican voices carried by a European band deeply connected to the roots with a profound respect for the culture that gave birth to reggae and dub. It features legendary guest Jamaican musicians Leroy ‘Horsemouth’ Wallace, Scully Simms, Dalton Browne, or Errol ‘Blacksteel’ Nicholson.

A mature and carefully crafted release where every track feels essential — like fruit finally ready to be harvested.

For if their first album ALLOMBON could be seen as the opening of a secret passage, this second record, FLOWERS TOO, is something else entirely: no longer the discovery of a world, but its methodical exploration, its feverish mapping, its deepening down to the underground layers. At a time when contemporary psychedelia seems at a standstill, when ecstasy has lost its effect, when the vast territories of the imagination have been parceled out, signposted, monetized they keep digging. And deeper still. Esoteric pop the noblest, the most dangerous kind is no longer practiced on the surface. It has abandoned the grand avenues to retreat into hidden laboratories, mental back rooms, basements more deeply buried than those of garage, punk, or black metal. It is there that the secret society Dorian Pimpernel has been working for years, with a stubbornness that feels less like a career than a calling.

UGHH – Underground Hyper Hero is the moniker of Vítězslav Špalek — composer, multi-instrumentalist, and singular sonic architect hailing from Karviná, a gritty coal-mining town in industrial Silesia, now living out his days under the sundrenched skies of southern Corfu. He improvises across synthesizer, trumpet, and voice, weaving musical collages from poetic texts spanning genres and movements. His collages carry an unsettling depth and pull you somewhere you didn't plan to go. They are distant lands beyond the water — where the trumpet cuts through space and time lurches forward in a sudden rush, only to nearly freeze and turn inward, listening to the echo of a far-off voice calling out from nowhere. A flock of birds drifts over a vast landscape while a powerful, repetitive beat pulses through all matter — living and dead alike. EP 49.923827, 14.221380 takes its name from the coordinates of its creation, and marks the first released material from the artist's yet-to-be-unveiled catalog. Three original tracks are joined by an eclectic postpunk remix from Berlin-based Menqui, an ethereal minimalist take from fellow Berliner Nadia D'Aló aka DALO, and local scene staple Mike.H — a devoted digger of obscure trance.

Just when you thought you had heard it all.... Evil Grave were an exceptionally unique underground rock band from Malta that shook the islands with uncompromising attitude and dark imagery. In the early 1970s they ruled the Maltese scene and were voted best band in national polls. Heavily influenced by Black Sabbath and early progressive rock with a traditional Maltese flavour, Evil Grave never released any material during their existence. Several low budget demos were recorded at the time but, over the following years, the name Evil Grave simply vanished into obscurity. Until now! During a recent vacation to the islands, label owner Lee Dorrian became aware of the band and has spent the past three years tracking down as much information about them as he possibly could. With the blessing of original guitarist/songwriter John E Zammit Pace, we are excited to release this ungodly artefact upon the work for the very first time. Death From Malta, gathers together all known existing material from the band, the sound quality of which is decidedly lo-fi but, if anything, this only adds to the mysterious vibe of this simply enigmatic band.

Re-Release auf schwarzem Vinyl

Tarantula Nebula Vinyl, limitiert auf 500 Exemplare. Inspiriert von Anna Tsings Buch aus dem Jahr 2015 ist Matsutake ,der Pilz am Ende der Welt", eine Metapher für die Möglichkeit des Lebens in kapitalistischen Ruinen. Matsutake ist eine stinkende Delikatesse, an deren Geschmack man sich erst gewöhnen muss, und ein Pilz, der weder kultiviert noch industriell gezüchtet werden kann. In einer Welt, die von Individualismus, Monokulturen und zusammenbrechenden Ökosystemen geprägt ist, gedeiht dieser Pilz in den Ruinen von künstlich angelegten Kiefernwäldern. Auf Musik und Kreativität übertragen, lädt uns Matsutake dazu ein, in Polyphonien, Flows und Experimenten zu denken, anstatt in einzelnen Basslines, eingängigen Vocals und Hitsongs. Mit Matsutake nimmt uns Bismut mit auf eine Reise weg von der Entfremdung, durch Neugierde hin zur (potentiellen) Unsterblichkeit und lädt uns dazu ein, das zu finden, was es zu retten gibt, anstatt zu erobern und zu zerstören.

Transparent grünes Vinyl. Mikromoon sind fünf erfahrene Musikerinnen und Musiker aus Saarbrücken, die in zahlreichen Bands aktiv waren/sind (u.a. Blind, Pure Bug Beauty, Britney und Oaks) und in dieser Formation seit 2022 Songs ins Universum senden. Ihr Sound ist eine exklusive Mischung aus Indierock, Wave, Postpunk, Folk, TripHop, Grunge, Pop und einer Prise Psychedelik. Mit ihrem Debütalbum "The Nearest Distance" formulieren sie ein trotziges Gegengift zur allgemeinen Weltlage. In acht intensiven Songs tauchen wir ein in eine Welt aus hoffnungsvollen und melancholischen Klängen, die zwischen bedingungsloser Liebe, hemmungsloser Wut, gnadenloser Isolation, Identitätsverlust und dem Finden inneren Friedens oszillieren.