Suche:02

Recorded on the island of Aruba, Farmer Marcus joins Fontoyard for this special dedication to the Healing Of The Nation. Originally off of the "Farmer Marcus Inna Yard Diversity" album, this meditative, cautious & jumpy style of a riddim is now available for distribution on 7". You've got to feel this strain!

Vocals by: Farmer Marcus (M.Tromp)
Mixed by Fontoyard (T.Gibbs)
Mastered at: Earth Works Amsterdam (B.King)

Javier Jiménez Rolo surprises with Saint Malo, a project that explores the intersections of neoclassicism, folk, ambient and electronic textures.

That Saint-Malo is a town in Brittany is the least of it. Even the fact that it exists is unimportant. Javier has never been there. Similarly, his album takes us to remote or not so remote places without moving from where we are. Javier composed these twelve songs between 2019 and 2021 from his room: "One of the problems with recording at home rather than in a studio is that when you move, your recording space changes too. In the case of this album, I was involved in three moves during its whole process. Trying to see the positive side of this situation, I realised that, as well as a collection of songs, it was a testimonial to the different places where I had lived during those years and their respective views: 'Promenade' is an imagined walk from an interior flat; 'Picture In A Frame' is a sunny afternoon in a park in Ciudad Lineal, Madrid, and 'Bells Of Nowhere' is a stroll through the neighbourhood that was once my grandparents' and is now mine."

It's an eminently evocative album but also powerfully narrative, which moves through different emotional states. Along the way, references as heterogeneous as Javier's own tastes come up. From the inevitable Arvo Pärt, Max Richter and Steve Reich to the more unsuspected Thom Yorke, Burial, Caribou, Vulfpeck or even Dua Lipa. Stéphane Grappelli, Andrew Bird, Nils Frahm, Olafur Arnalds or Rene Aubry are other names Javier mentions when he talks about something similar to influences.

The journey, during which the songs miraculously fit with magical precision to the landscapes we are travelling through, begins with the promising 'Beware Of The Dogs' and 'Maltravieso'. It is followed by the obsessive arpeggios of 'Le Havre' that give way to the luminous 'Fields Of Gold', the emotion of 'Cais do Sodré' and the passionate 'Le pont roulant', reminiscent of a restrained Alexandre Desplat. Along the way, dogs will bark, rain will fall on the 'Promenade' and the sun will come out with the perfectly playful 'Dolce Far Niente' ("a mix between elevator music and a song announcing the arrival of summer" according to Javier) in which echoes of Isao Tomita and Raymond Scott resound.

The result of this captivating, unexpected and suggestive mixture is Saint Malo, Javier Jiménez's first album and the empirical demonstration that he does not have, despite his classical training, any red lines. "I've always flirted with jazz, with swing... Then I moved on to messing around with loops, to doing more ambient and experimental things. I also had my folkie phase with the klezmer group Barrunto Bellota Band..."

In Saint Malo the melodies grow, become small, return and intertwine with loops and improbable aromas, to form an album that describes a journey through emotions. From melancholy to joy and the surprise of first discoveries.

da Googie is the solo project of Deb Googe, bass player with My Bloody Valentine, Thurston Moore Group and Brix Smith. Taking a bass IV, a looper and a pile of FX pedals, da Googie blends traditonal basslines with more abstract noises to make intricate, layered soundscapes.

Too Many Things are duo Marion Andrau (The Wharves/ Underground Railroad/Throw Down Bones) & Jem Doulton (Thurston Moore Group/The Oscillation). Marion & Jem play each other’s songs best described as gloomy noise, politico-romantic psych; expect well oiled electronics, guitar, keys and vocals leading you to an underworld reminiscent of the red room of Twin Peaks.

Toronto native Demur is a master of groovy, funky deep house and has been since his fine debut TruSkool back in 2016. He has been busy of late with Visions back in March finding him collaborating with the likes of Fred P and Aaron Gray. Now comes another full length in Under The Waning Moon, another compelling mix of contemporary deep house sounds, well-sourced and deployed samples and elements of everything from jazz to funk to downtempo colouring the grooves. For steamy late-night stuff look no further than '21 Days A Hoe' while 'Wasted Wednesdays' is delightfully sunny and well swung for cosy back room vibes.

More uncommonly good reboots of contemporary jams and reinterpretations of standards (in every sense)

Not done for personal shine, just a shared desire to have some real finery, and not just in binary.

Tried & tested sure-shots one and all, we have a VERY limited run available.

ALMACKS provides community in secret spaces.
The sublime liminal.

After "Il Mare Di Fronte", Flankup Recordings returns with its second album release “Sidi Bou Said” which presents another substantial 5-track EP composed and produced by Paolo Russi (Discojuice) and Marco Lanfranchi (Indy).

Harnessing both disco and Afro Balearic beats, the record will be released both on vinyl and in digital versions and will feature a dynamic remix of the track El Haouharia by none other than Byron The Aquarius titled “Late nite Dub”.

The Last Trane ist ein Album des Jazzmusikers John Coltrane, das 1966 bei Prestige Records (Katalog 7378) erschien.

Es wurde aus unveröffentlichtem Material von drei separaten Aufnahmesitzungen im Studio von Rudy Van Gelder in Hackensack, New Jersey, in den Jahren 1957 und 1958 zusammengestellt. Coltrane war bei allen Original-Sessions als Sideman dabei, die von Trompeter Donald Byrd, Pianist Red Garland oder Schlagzeuger Art Taylor geleitet wurden

It's time for a new match on Waxmania, Lello Di Franco aka L.D.F. vs the Dutch icon Orlando Voorn for the super Challenge EP!

JAPENESE IMPORT! :)

The poetry of the human voice encounters the magic of contemporary electronic musical technology. Heart, mind and spirit, conveyed by the word, are augmented and altered, enhanced and embraced, by electronic sound. Air from Air is a collaboration between Japanese vocalist/producer Dove and American electronic duo Georgia. This singular partnership is a collection of audio poems in which words breathed by Dove are modified and expanded, cradled and celebrated, syllable by syllable and phrase by phrase. Georgia thoughtfully highlight Dove’s voice, transforming breath and air through the ether of circuitry, dismantling meaning, yet paradoxically revealing new meaning, both verbal and musical. Part of the magic here is that Japanese-speaking listeners will find clouds and constellations of meaning in these atmospheres, while those who do not understand Dove’s native language will nevertheless find pure pleasure in these same atmospheres. While some listeners may perceive it as a brand new extension of the attempts of contemporary music pioneers to explore the possibilities of human
voice sound in sound art and electronic music, Air from Air will be rather a foray into the unexplored territory of new music, yet difficult to be named, extended into modern bass music and other fields.

Disc is made of environmentally friendly new material BioVinyl. Cover art by Sakura Kondo.

Diffrent Music roars back into action after an extended hiatus to raise a couple of young giraffes with the electrifying new compilation, ‘Revolution Of The Giraffe’ LP.

Launched in 2010 with the aim of bringing something new to a drum & bass scene that had become overly formulaic, the label has continuously pushed in new directions, often incubated tomorrow’s stars, and evolved beyond even that original grand ideal. ‘Revolution Of The Giraffe’ unleashes 17 tracks of bleeding-edge electronic music, proving that after 13 years, Diffrent still sounds like nothing else.

Core artists from the label’s distinguished history bring their expertise, such as drum & bass mainstay Arkaik and sound architect Fearful, who team up with label boss Dexta for the MC GQ-sampling ‘Old Skool’ — a new track with a classic Diffrent sound. And there are numerous debuts: A.Fruit reworks an all-time Diffrent classic, ‘Boxgroove’ by Dexta & Hyroglifics, into a glitchy halftime stomper; none60 bosses Silent Dust turn Dexta’s ‘SE4’ into a rebellious dancefloor juggernaut; and the mysterious Gaunt’s ‘Firefloor’ becomes locked ‘n’ loaded rave artillery in the hands of Pepsi Slammer.

Label stalwart Mauoq puts his signature psychedelic future dub spin on ‘Departed’ by Cuelock, who in turn delivers the ice-cold, grime-indebted ‘Pages Of Snow’. Lakeway conjures the epic ‘Even Though’, nearly eight minutes of ecstatic, spell-binding, hyper-rave wonder. Dexta goes solo with squelchy techno jungle stormer ‘Giraffes On Acid’. Even Sense MC makes an… appearance.

New-gen Diffrent acts are in fine form too. The inimitable BrandNewTrumpets opens the album alongside Macc; ‘We Are The Tightrope Walkers’ is a powerful spoken word piece that erupts into a hail of punishing breaks. No Nation, Sheba Q and BK Balance, meanwhile, turn out explosive, hi-tek junglism on ‘Too Late’. From Diffrent’s industrial-toned sister label Are We Really Alone? (A.W.R.A.), Amir De Bois joins forces with Fearful for the paranoid, jittering ‘73’; Tokyo’s Itti summons thunderous bass on the ritualistic ‘Rumbling’; and Croatian artist Spaj.A.S.E.’s competition-winning, mind-mashing remix of the first ever Diffrent release, ‘Everyones Mad’ by Chills, finally sees the light of day.

Always looking to the future, Diffrent also welcomes modern jungle visionary Eusebeia, who puts his ethereal touch to Crypticz’s ‘Could Have Been’, and Stateside up-and-comers Illexandra & TGRbass, who deliver the supercharged, elastic bounce of ‘Swampy Swami’.
Closing out with one from deep within the vaults, ‘Aftaparty’ is Beezy and MNTX’s ode to seeing where the night takes you. It’s a fitting note to end on, as a new era of Diffrent Music begins. Where will it take you? Join us on the ride and find out.

"I've loved every moment of the label so far: the fast-paced release schedules, the slow years, the podcasts, albums, singles, EPs, parties, etc. This compilation album signposts where we are at — a bunch of classic Diffrent artists, a load of new faces, and a few remixes thrown in for good measure. Each tune stands alone, but stands tall next to each of its siblings. I hope you all enjoy it as much as we have! The revolution is here, join the revolution!"
- Dexta

The 2nd release from TABBY TRAXX is an exciting mix of acid house, jackin' house and tech house. The title track "STALKER" gets a special Chicago style acid house remix by MATTHEW BRIAN. "FLASHBACK" on the flipside pays tribute to the early days of acid house and gets a remix from label boss MIKE MAPES.

Aiko T. is a concept, an entity, a ghost that appears only through her own music.

"I’ve released various materials over the years under other names, Aiko has been materialized in 2022 through self-published music and with IIKKI it's the first official release that I am very proud of. Despite this, Aiko has been publishing in other forms since 2020, but always within the sphere of ambient music.

This album was born as a long-lasting sound continuum. It was then cut, stitched together and reassembled to give shape and restore unity from the fragments, in order to have an album that shows its completeness halfway between the titles and the compositions themselves. Contrary to what it may seem, it is not born from a concept and does not want to be. The titles were chosen in a poetic, almost naïve way, the sounds of these creatures led me to believe that they could be divided into different distinct phases of the day. What I want to communicate with the titles is just what came to mind in a moment of reflection, a very simple thing, that sometimes time passes too quickly, and the moments we spend with our loved ones could always be better, it could have been a beautiful morning, afternoon, evening or night." - Aiko Takahashi

Music crafted by Aiko Takahashi with laptop and various music devices, analogue and otherwise

LVE1 is the highly anticipated debut EP from East London’s Liv East – a 5-track collection of neo-soul & R&B infused cuts that follows a string of prolific R&B influenced releases, including her much loved collab with in-demand French funk aficionado Folamour & ‘You’re My’ on Defected’s well known disco label Glitterbox.

‘FREAK’ & ‘LVE UNLIMITED’ nod to Liv’s connection with the dancefloor, her silky soul vocals sewn through beatdown edits that would suit the slower moments on the dancefloor. While ‘You Got Me’ swings to a 2-steppin back-beat of funk grooves & popping basslines. Alongside these brand new originals are two hypnotic bonus tracks ‘So Badly’ and ’So Badly (Kid Fonque Remix), available for the first time on vinyl.

Purple Color Vinyl

We are really proud to introduce a new release on Mawimbi Records: "Mawimbi, Vol. 2”. Its title is a nod to “Mawimbi, Vol. 1”, which was the inaugural release of our record label back in 2015. A new compilation, at last, after a decade of music activism and a handful of EPs and albums which have helped unearth some of today’s talents from the new global music scene (Onipa, Loya, Afriquoi, Raz & Afla). It stays true to the driving principles of our artistic direction: support upcoming artists, e ncourage the breaking down of musical frontiers, help make happen new encounters between electronic music and so-called “afro” music. While these encounters can now be witnessed anywhere in pop music’s current zeitgeist, from Beyoncé to South African’s vibrant amapiano scene, we think there’s still plenty to explore.

“Mawimbi, Vol. 2” truly feels like the culmination of a long path for our record label. Because it includes artists who have been actively contributing to the Mawimbi adventure over the years, and also because it’s another convincing testimony of the fruitfulness of this musical intuition we have so heartily been defending for the last decade. Indeed, the 8 tracks of “Mawimbi, Vol. 2” resist all the usual labels. They sound like they stem more from human encounters and artistic dialogues launched in the moment than attempts to be associated with any music scene in particular. Each of the 8 pieces of this compilation presents in a unique way the search for this cross-pollinating sound.

The compilation opens with a really engaging rework of James Stewart’s classic track “Cotonou” by Lyon-based tropical music enthusiasts Voilaaa, who took Peter Solo’s voodoo soul lines on a trip across the Black Atlantic beginning with a horn-heavy cuban cha-cha-cha before falling into a savory triple time dance. As tireless sonic adventurers, Amsterdam-based duo Umoja have brought back a handful of hits from their numerous trips to Kenya meeting with local benga musicians. “Avana Va” is one of their compelling tunes, featuring Kenyan musician and producer Sidney Simila. This urge to collaborate with musicians from across the African continent is also to be found in Village Cuts’ ever expanding discography. On “Sentima”, they showcase their trademark London funky sound, introducing us to the talents of Congolese guitarist and singer Kissangwa.

Afriquoi’s 2020 hit “Ndeko Solo” is presented in a brand new shape, sprinkled with some French Touch flavours. “Djansa”, by Toulouse-based producers Mr. Boom, rides a distinct South African-inspired groove, while inviting us to a nighttime dance by the Balearic sea. On “Silent Runner”, French producer and musician Ozferti moulds his own musical galaxy where East African scales meet cutting edge global club beats. With “Nabi Kumi”, Anglo-Ghanaian duo Raz & Afla delivers their deepest piece, once again inducing a state of trance with a triple-time beat and an hypnotic kora loop. Closing the compilation, “It's Holy” is a unique collaboration between Tom Excell (Onipa, Nubiyan Twist, David Walters) and Dizraeli, one of the most interesting voices in British rap, which by making connections between broken beat, jazz and african music, illustrates the precious mixture of musical aesthetics that make up the current UK musical landscape.

Alpi are a duo from deep in the mountains of northern Italy. Their debut EP on Trule is a clear eyed, psychedelic exploration of the natural environment of their home in the Dolomites, and the connections between the “symphony” of nature and the profound emotional vibration/resonance experienced by humans. 'Flora Resonantia' serves as a reminder of the intimate relation that exists between humanity and the natural environment.


A deep, minimal and organic textural dancefloor journey.

Eusebeia makes a welcome return to Rupture with his next release, the 'Restoration EP'.

The Wiltshire based producer has been super prolific since his Rupture debut ('You Reap What You Sow EP') in 2021, with quality releases coming on labels like Samurai, Western Lore, Livity Sound and Future Retro.

'Restoration EP' has a spiritual feel throughout, drawing you in as it progresses upwards, with Eusebeia setting dreamy pads and keys against deep subs and stripped back breaks.

We are delighted to unveil TrueMendous' sophomore album ‘Great. On
Purpose’. Sporting 15-tracks of evolutionary music, ‘Great. On Purpose’ is without question True's most ambitious body of work to date.

Since sharing the unrelenting lead single 'Talkk' Feat. Mysdiggi,
and after a double serving on follow up 'Really Wanna Love' x
'Still Don't Wanna', the album is a rollercoaster ride. Just listen
to standout single 'Yourself or The World?' featuring the almighty
Skinnyman if you're in need of anymore proof.

Featuring a heavyweight lineup of guest appearances from the
aforementioned Skinnyman and Mysdiggi, but also including Janel
Antoneshia, Vaddy, Princess, Ashley Allen, and DJ Sammy B-Side,
complemented by Illinformed, GhostTown, Pitch 92, Forest DLG,
Muckaniks, Mark Fear and Bear on production duties - ‘Great. On Purpose’ is STACKED from top-to-tail.

a 01 - Womp Uhuh













[So Good]

[a] 01 - Womp [Uhuh]













[So Good]

We are delighted to unveil TrueMendous' sophomore album ‘Great. On
Purpose’. Sporting 15-tracks of evolutionary music, ‘Great. On Purpose’ is without question True's most ambitious body of work to date.

Since sharing the unrelenting lead single 'Talkk' Feat. Mysdiggi,
and after a double serving on follow up 'Really Wanna Love' x
'Still Don't Wanna', the album is a rollercoaster ride. Just listen
to standout single 'Yourself or The World?' featuring the almighty
Skinnyman if you're in need of anymore proof.

Featuring a heavyweight lineup of guest appearances from the
aforementioned Skinnyman and Mysdiggi, but also including Janel
Antoneshia, Vaddy, Princess, Ashley Allen, and DJ Sammy B-Side,
complemented by Illinformed, GhostTown, Pitch 92, Forest DLG,
Muckaniks, Mark Fear and Bear on production duties - ‘Great. On Purpose’ is STACKED from top-to-tail.

a 01 - Womp [Uhuh]













[o] 15 - I Feel Good [So Good]

[a] 01 - Womp [Uhuh]













[o] 15 - I Feel Good [So Good]

BON JOUR ist "eine Art Supergroup" (ORF) und derzeit "eines der spannendsten Musikprojekte" (FM4) aus Österreich. Die Band besteht aus den Musikerinnen Mario & Giovanna Fartacek (Mynth / Berglind), Dominic Muhrer (Makemakes / Loveboat), Leo-Constantin Scheichenost (Olympique / HFA-Studio), Julian Pieber (Good Wilson), Omar Abdalla (Siamese Elephants) und der Singer/Songwriterin Amelie Tobien. Die Vielseitigkeit der Bandmitglieder spiegelt sich in ihrer Musik wieder. Ihre Fähigkeit, sowohl autonom als auch unabhängig zu agieren, verleiht ihrer Arbeit eine einzigartige Leichtigkeit und Originalität. Mit ihrem eigenen Label (Bon Jour Records), selbstproduzierten Tracks und selbstgestaltetem Artwork manifestiert Bon Jour den Geist der Do-it-yourself-Kultur in seiner reinsten Form. Als Vorbote ihres Debüt-Albums "Chapter 1: Growth" kündigt BON JOUR ihre Single "Timebomb" an, die am 29. September über ihr eigenes Label veröffentlicht wird.

2023 Repress

smokey vinyl

Khanate's self titled debut (2001) has all the pleasant ambiance of a plane crash site, a bleak urban waste of mangled and torn metal beams and hissed alarms. When Khanate first issued instructions to the void in 2001, the band was embraced as the next iteration of guitarist Stephen O'Malley's tube-cracking forays into amplifier variance; a fascinating further step of vocalist Alan Dubin and low-frequency shifter James Plotkin's space charts; and a warning for the crawling-pace hammers of Tim Wyskida's drums. But Khanate was not preaching of coming doom or offering emotional catharsis. The band was totally post-dread. The worst had already happened, and would continue to happen, over and over. The 5 songs on Khanate sound like an "orchestrated root canal" (Julian Cope).

Khanate's self titled debut (2001) has all the pleasant ambiance of a plane crash site, a bleak urban waste of mangled and torn metal beams and hissed alarms. When Khanate first issued instructions to the void in 2001, the band was embraced as the next iteration of guitarist Stephen O'Malley's tube-cracking forays into amplifier variance; a fascinating further step of vocalist Alan Dubin and low-frequency shifter James Plotkin's space charts; and a warning for the crawling-pace hammers of Tim Wyskida's drums. But Khanate was not preaching of coming doom or offering emotional catharsis. The band was totally post-dread. The worst had already happened, and would continue to happen, over and over. The 5 songs on Khanate sound like an "orchestrated root canal" (Julian Cope).

Ltd Edition! Augustus Muller (Boy Harsher) kündigt die Filmmusik für den Film My Animal an, unter der Regie von Jacqueline Castel feat. Amandla Stenberg (The Hunger Games, Star Wars) und Bobbi Salvör Menuez (I love Dick, Something In The Air).
Die Filmmusik ist Mullers Debüt als Spielfilmkomponist.
My Animal (Premiere auf dem Sundance Film Festival 2023), Drehbuch von Jae Matthews (Boy Harsher), erzählt die Geschichte von Heather, einer starken, aufmüpfigen jungen Frau, die in einer ländlichen Stadt im Norden lebt und unbedingt in der örtlichen Hockeymannschaft spielen möchte. Sie lernt Jonny kennen und verliebt sich in ihn, einen Eiskunstläufer, der neu in der Gegend ist. Ihre Beziehung gedeiht trotz Heathers versteckter persönlicher Probleme mit ihrer alkoholkranken Mutter, ihrer nicht akzeptierten sexuellen Orientierung und einem familiären Fluch, der sie, ihre Zwillingsbrüder und ihren Vater einmal im Monat in wilde Wölfe verwandelt. Das Stelldichein von Heather und Jonny gerät bald in Konflikt mit ihrer kleinen Gemeinschaft, bringt die Wahrheit ans Licht und führt zu einer leidenschaftlichen, gewalttätigen Nacht der persönlichen Verwandlung. Augustus Muller schrieb und nahm die Filmmusik in seinem Heimstudio in Northampton, MA, auf, wobei er hauptsächlich Hardware und analoge Synthesizer verwendete. Gemeinsam mit der Regisseurin Jacqueline Castel huldigt Muller Klaus Schulzes Musik für "Angst" und John Carpenters "Assault on Precinct 13" als Haupteinflüsse. Muller begann seine Karriere als Komponist im Jahr 2019 mit der Erstellung von fesselnden Filmmusiken für zwei Kurzfilme für die Erwachsenenfilm-Website "A Four Chambered Heart". Die Partituren mit dem Titel "Machine Learning Experiments" wurden 2020 veröffentlicht und stellten mit ihren innovativen Klangwelten sein Talent unter Beweis. Im Jahr 2023 arbeitete Muller erneut mit "A Four Chambered Heart" zusammen und komponierte zwei weitere Partituren mit dem Titel "Cellulosed Bodies".

Managing two record labels and the most successful electronic music school in the country has left Natia Sartania aka sTia with little time for her own music for the past 13 years. However, her musical journeys and transitions brought her back to "home". This 7-track album has been created by Natia since the full-scale invasion in Ukraine. She dedicates this album to all people who had to leave their homes behind.

It's not easy to define the musical genre of this EP. Mostly acoustic piano with some electronic ambience and squeaky pedal that gets in the way. Some melancholic recitative and hypnotic hip-hop instrumental in the end.

In A4 Natia collaborates with Luna Flowers and Sabana, the founding members of the most influential hip-hop collectives in Georgia such as "KayaKata", LTFR and Temple Pharmacy.

In B3 sTia's home is covered by one of the most promising young Georgian hip-hop instrumentalist Nikala







[g] 07: Home (Nikala rework) [feat. Nikala]

Ltd Edition! Das Darkwave Elektronik-Duo BOY HARSHER aus Northampton, Massachusetts veröffentlichen nochmals ihre Katalog-Klassiker in verschiedenen Farben!

‘Rebel Kings’ is the new album from legendary
Queensbridge Emcee Tragedy Khadafi & producer Endemic
Emerald. The Duo met back in 2013 at Goblin Studios in
Queens and have generated a great chemistry on the multiple
songs they have released over the years, leading to this
collaborative record. On ‘Rebel Kings’ we get to hear the
real Tragedy, flowing through a range of topics from the
memory lanes in Queensbridge to revealing his huge
influence on the game while always staying true to the craft.
Sonically the record is filled with that grimy NYC sound; so
characteristic of Endemic Emerald, lifted to another level via
his stellar production. Guest appearances come from DJ
Eclipse, DJ Akil, Kasim Allah & Foul Monday. ‘Rebel
Kings’ is that classic NYC boom bap for the true heads..

George Davis drops part 2 of his ‘Ona’ EP: heavenly house featuring a remix by the legendary Roy Davis Jr.
kickin’ up dust drops part 2 of the ‘Ona’ EP by George Davis. A jazzy bassline, snazzy piano keys and a rhythmical vocal send hips swinging and shoulders shaking in ‘Gomera’, a track which Chicagoan legend Roy Davis Jr. then remixes with a ‘Chitown Vibe’. Squelchy synths and organic percussion enter his version with a stylish swagger, maintaining the keys while moving the vocals to the back of the mix. Next up, ‘Bumpa’ is built for the dancefloor, an infectious groove forming the base for whimsical flute-like melodies, before ‘Soul Journey’ closes out the record with a gorgeous slow-burning vision of sunset shores and distant views.
Following on from his first ‘Ona’ EP which dropped on kickin’ up dust in March, and which won the support of artists like Honey Dijon, Nightmares On Wax, DJ Sneak and many more, George Davis now drops part two in the series. The german label, which initially started in 2021 as a party in the techno capital of Berlin, first turned heads hosting artists with a funkier edge to them such as Maurice Fulton, DJ Deep, and Louie Vega.

#A1# Eighteen months ago the first evidence of intelligent life off the Earth was discovered.
#A2# It can only be attributable to human error.
#B1# I'm not sure, what do you think? I've got a bad feeling about him.

Roland TR-909
Roland TR-808
Roland TR-707
Roland TR-606
Roland TB-303
Sequential Circuits Prophet 5
Oberheim SEM
Oberheim Matrix 12
Ensoniq DP/2
Alesis Midiverb III
Allen & Heath GL2400

Emm Gryner is an award winning singer, songwriter, actor and best-selling author. Emm sang and played keyboards in David Bowie's band, and appears on numerous recordings, including his landmark 1999 SNL appearance, Bowie at The Beeb and Toy. Bowie's acclaimed Glastonbury 2000 documents her performance in front of more than 100,000 fans at Worthy Farm. With Trapper she shared arena stages with Def Leppard, and she also helped bring the first music video recorded in outer space to the world.

Detroit radio formed the soundtrack of Emm's life and career and her brand new record is a celebration of that music. From Motown,jazz and pop, to Steely Dan, Fleetwood Mac and the Doobies, Business & Pleasure is infused with the sunshine soul and stellar playing of the late 70s and early 80s. These songs, produced by Fred Mollin, written with poet Michael Holmes, and recorded with drummer Shannon Forrest (Toto), keyboardist Pat Coil (Michael McDonald), bassist Larry Paxton (Alison Krauss), and guitarists Tom Bukovac (Taylor Swift) and Pat Buchanan (Hall & Oates, Dolly Parton), embody a take on yacht rock that sails deep into the 2020s and introduce the world to a bold new character: a powerful woman whose passion, presence, conviction, humor and grace serves to unite the world in

music, joy and love, once again.

EVERIS'S NEW ALBUM FOR THIS CHRISTMAS 2023

Everis has returned this Christmas with yet another Sell Out vinyl that will make your collection the envy of the Soul Music World!

This new offering by the soul legend Everis entitled, Everis - “Songs in The Key of E”. This limited-edition vinyl album is scheduled for a Christmas 2023 release and features some enormous brand-new tracks. This album comprises of two magnificent award-winning singers, two international rappers, from the US & UK, plus one of the UK’s Biggest Sound System Dance MC’s performing on it. This solid Holiday vinyl smash, see’s Everis deliver exciting vocal performances, with a real feel-good factor, over these tough rehashed and fresh sounding beats that are bound to make you wanna get up and dance, there are 8 solid tracks in all.

Grammy Award winning US singing sensation, Shirley Jones of The Jones Girls, best known for her numerous No:1 hit both here and, in the US, has finally jumped on a record with Everis. She last worked with him on her smash solo album entitled “Shirley” many moons ago, and of late as part of the “Soul Syndicate” crew that remixed her ‘Soul Steppin’ track. Now they have come together on a monster track entitled “This I Know - Filly B Mix (featuring Cam Jones)” which is an absolute club banger for sure, an instant underground hit!

The rest of side A called “This Side” has even more really banging tracks, a Club / House Party smasher entitled, “Come Home Tonight” and the coolest sexiest Neo Soul Vibe titled, “Just Say the Word” with Everis giving a spine-tingling vocal performance that would leave the toughest of you feeling weak. The album also features Everis’s last UK Soul Charts No.1 Christmas hit “What You Doing to Me” which totally sold out in just one day, and had Everis’s name and music heard / played everywhere in the UK, and also earned him yet another award. The album is littered with great music from Mr Smooth from start to finish, with Fresh Cuts too, just take a look.

"North London’s midnight man tumbles out his treehouse to deliver twelve potions of minor healing in “Iron Day”, his questing, soul-salvaging songbook. Brimming with majesty and maraud in equal parts, Genghis Cohn synthesises trad. English folk and woe with surrealist dream sequences on this debut long-player. A romance of two hedgehogs, devotional bone temples, broken shadows and sausage kings, GC conjures Brent Hayward strolling through the silver birch and presents to us, in a warmly recognisable form, a grand slab of folk music that challenges its ancient rewards.

Previous acquaintance with GC's lean, amorphous strain of experimental home recordings may encounter a menacing apprehension whilst trying to settle in the splendour of "Iron Day", unnerved by it's posture and the anticipation of songs dissolving or amalgamating in rust and gob at any moment. Still minimalist and direct, but delivered by an altogether different jester, songwriting that has featured in many previous works is smithed into fine, well-wrought suites that build and blend through paced, tempered sequencing and playful, intricate storytelling.

Amidst cavernous inner-dialogue and brilliant, contorted pastoral sequences, GC’s guitar (reported to be over 100 years old!?) laps and thrashes alongside accompaniments of Lauren Collier’s aching violin, a lethargic harmonica and emphatic hand-percussion that drifts in and then out. A dynamic, earthy collection that places future barn-stormers like “Underneath The Oak” and the gentle blaze of “Onion” in cadence with the doom-stricken, ghostly slides as on “Misunderstood” and “Secrets”, all recorded in dazzling clarity that captures the cascading instrumentation as clearly as the settled, tormented humour of GC’s blues. Indispensable candlemeat and essential, joyous listening for fans of; Davy Graham, The Godz, Leonara Carrington, Smelly Feet, Martin Carthy..."

Kastil, aka of the spanish Mario Castillo, is well known and especially for his role as a producer of furious and intricate techno works with a high industrial influence. But at 30D we like that our close people (and Kastil is very close, since he is responsible for the mastering of all our label's releases) have absolute freedom to release what they consider appropriate, here is a clear example: Mario leaves aside his usual four-to-the-floor vision to immerse himself -completely on purpose- into classic IDM and into the most beautiful, musical and even epic electronica. Only one of the four tracks that conform the EP ('Polymorphic') clearly looks to the dance floor although it shares, along with the three remaining tracks, the artist's passion for the timeless sound of the 90's. QuadroQuill EP will be released on 30D Records' sub-label ExoPlanets, in both, vinyl (strictly limited edition) and digital format.

Mr. Joe Jackson Presents: MAX CHAMPION in ‘WHAT A RACKET’! The genre started in the pubs and streets of London in the mid-19th century and grew into the first form of mass entertainment to be created by the working classes. By 1900 it regularly drew huge audiencesfrom acrossthe whole spectrum ofsociety, from prostitutes to princes, allsinging along with superstar performers in gorgeoustheatres (some of which still survive). Like its American cousin Vaudeville, Music Hall featured magicians, acrobats, and ventriloquists – elements that we still see today in musical theater and cabaret shows. One of the most fascinating of the Music Hall performers was Max Champion. We know little about him, except that he was born in London in 1882. Champion was almost completely forgotten until the sheet music of his songs was found in Valletta, Malta, in 2014. How it got there is a complete mystery. “What A Racket!” presents eleven of Max Champion’ssongsforthe first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20th century, directly to us in the early 21st’. What may sound different to the Joe Jackson you know at first listen, in fact corresponds to his consistent artistic development. This record is 100% Joe Jackson. And perhaps you already guessed it: Joe Jackson and Max Champion have more in common than it appears at first glance. Formats; CD, LP.

Repress!

James Brown. Who doesn't know about the godfather of soul Who doesn't know about the milestone anthem Cold Sweat' Maybe there is nobody, but we are sure that many of you don't know that hidden on that particular song, and in all of James Brown's productions, is one of the best kept secrets in soul music: Mrs. Martha High.

She is the one who sings that crazy soprano note at the very beginning of the song and she is the one who sang behind James Brown for about 35 years. She was with Brown and the Jb's in Boston on the infamous night after the Martin Luther King assassination, she flew with him in the dangerous Vietnam skies to entertain the US soldiers, and was also in Zaire celebrating the Rumble in the Jungle' between Ali and Foreman. Martha was truly a friend, confidant and supporter of the godfather of soul.

Maybe she was just too young and shy to jump over the other soul divas to ask for a solo record. Today is different.

singer of Maceo Parker's band but now she is on fire because finally, she has recorded the album she never made but always wanted to make.

11 killer original tunes produced and arranged by Luca Sapio, the Italian soul ambassador, in true analog super sound. The tunes evoke the best productions of the golden era of Southern soul as well as the sonic landscapes of the Italian soundtracks of the 60's. Here is the middle ground where these two unheralded musical traditions meet and Martha is the undisputed Queen.

Don't miss the chance to take a listen. This record is made of truth, soul, love, and pain - a full spectrum of emotions that only a Queen can deliver to your ears. She spent much time in the studio with Luca and his guys to make it happen. This is not a revival, this is not retro, this is NOW. She took it as a challenge and we are sure that she won.

ONE LEVEL is delighted to announce its latest release, the captivating 'Big Tal's Elements' EP by French DJ/Producer, ALEQS NOTAL.

Following the resounding success of One Level's debut release, the awe-inspiring Afro-futurism of Hagan's 'Forward Focus' EP - a production that ignited a dynamic and fruitful chapter for the London-based artist - the label has been meticulously crafting its return. One Level prides itself on championing quality over quantity, and this ethos is beautifully demonstrated in its second release...

Aleqs Notal, the former scratch champion and consistently evolving producer, joins the label family with a collection of four remarkable tracks. Despite his years of experience, Aleqs admits that he's still in the process of refining his own sound and with 'Big Tal's Elements’, a nickname affectionately bestowed by longtime friend and fellow artist Manaré, his four carefully curated house joints encapsulate a wealth of influences, all beautifully combining to create a modern and innovative soundtrack.

Following his early years of turntable virtuosity, and having embarked on a new creative chapter in the studio, it was 2014 and as a founding member of the innovative ClekClekBoom collective - a group of young French talents who spearheaded a groundbreaking movement that reshaped the Parisian electronic landscape - that saw Notal continue to cultivate his own sound, one rooted in the sounds of Detroit and Chicago. He became a respected DJ on the cities’ club circuit, and has gone on to to feature his music on esteemed labels including Phonogramme, Salon Recordings, Release Sustain and Patrice Scott's Sistrum Recordings.

The EP opens with 'Untwisted Delight', a homage to the timeless sound of the Motor City. A bass-driven DJ tool, pulsating with the resonance of the 808, evoking echoes of Pittman, and igniting a powerful dancefloor energy.

‘Save Ya’ is an ode to determination and self-preservation. A track with its roots deeply embedded in the dancefloor and featuring an archive sound-bank vocal alongside glorious hi-hats, it is a firm favourite of Notals. “I think its from my scratch background. I always work with the hi-hats. For me, when I hear the hats its as though I hear somebody singing." Fully road-tested at Fabric London, Save Ya is now set to rescue many a night.

'Come Get It' channels the spirit of early Chicago house. A fusion of spirited 606 and 808 drum patterns, coupled with the enchanting allure of resounding hi-hats, it offers a heartfelt homage to the revolutionary sounds that defined an era and continue to influence so much of today’s music.

Concluding the EP is 'Hymn Of Passion', a track inspired by Ron Trent's Future Vision imprint. Drawing on a diverse palette of Nigerian percussive elements and samples garnered from past projects, Aleqs weaves a sonic mosaic. Crafted in a single jam session, the track elegantly melds a rhythmic finesse with resonant congas, intertwining with the emotive Rhodes piano, to craft an unforgettable finale.

With a diverse array of influences seamlessly interwoven, Aleqs Notal’s ‘Big Tal's Elements’ EP is a journey through sound that fully captivates the listener.

* Much celebrated and influential album from legendary UK-based producer The Rootsman, which effortlessly merges dub reggae, dancehall, Middle Eastern. Indian flavours with electronic dance music with astonishing and original results

* `Realms of the Unseen’ originally surfaced on the Third Eye Music label back in 1999 on CD and as a mini LP with a plain sleeve
* This welcome features the original artwork in all its glory

Essence of Life was formed in 1973 in Charlotte North Carolina at Johnson C Smith University.

Towan Butler and Craig Young were basketball players on scholarship who were singing in the shower after practice, when a man named Jock Johnson who was a business major who had graduated heard Towan and Craig singing in the shower and asked if we would like to be in a singing group that he was putting together, if we did he asked us to meet him later that evening at a location on campus.

When we arrived we were introduced to Jerry Johnson, who is Jocks brother, Kenny Lock and Larry Graves and Essence Of Life was formed. Essence Of Life has performed with such groups as Blue Magic, The Whispers and The Barkays to name a few.

Essence Of Life sang and danced their way into the hearts of fans all over the United States spreading love through high impact performances.

Leatherette’s 2022 debut album Fiesta offered an intense, inspired and individualist take on post-punk, their caustic riffs, fevered saxophone blasts and impassioned vocals revealing the five-piece skilled purveyors of the form.

The group's second album Small Talk, however, is clearly the work of a group ready to take flight in a new direction all their own. As they toured Fiesta across Italy and Europe, Leatherette grew tired of the genre's constrictions and yearned to spread their wings. Small Talk transcends all the group have done before and coins a voice uniquely their own, driven by the same furies that propelled Fiesta, but finding fresh new forms for expression.

The album boasts some of Leatherette's most unabashed pop-songs to date – albeit pop that's deftly twisted, pointedly perverse and ready to explode when you least expect it.

It also contains some of the group's most challenging and uncompromising noise yet, the violent swinging back-and-forth between ugly din and nagging tunefulness a (molotov) cocktail that grows only more addictive with each listen. Where Fiesta saw the group enter the studio with a batch of anthems they'd honed on the road, their approach for Small Talk was very different, leaving the sessions open to moments of on-the-fly invention and sparks of mad genius. The interplay between the five musicians is so much stronger this time around, the group say, a result of the months of touring the band put in following the release of Fiesta.

Living out of rucksacks and spending hours on the motorway in a tour van might not be everyone's idea of a good time, but that's what Leatherette credit with sharpening their intra-group bond, their almost telepathic feel for the sounds that will complement what their bandmates are playing. “We were more free to play and to rearrange, because we knew each other better now,” says guitarist Andrea Gerardi, “and the interplay is more focused on this album as a result.” The sessions for Fiesta were frustrating, Andrea says, because “we were playing the same songs over and over”.

Their approach was radically different for Small Talk, however, which saw the group file into Bronson, a local club where they've often played before, and record the album on the premises. After the sessions, the album was mixed in Bristol by Chris Fullard (Idles) and mastered in Portland at the legendary Telegraph Audio Mastering by Adam Gonsalves. "We recorded live, all playing together at the same time, rather than overdubbing the instruments," says Michele. The process, he says, "made us more coherent, and the songs more spontaneous." "Our strength is live performance," adds Andrea, "so we tried to capture that interplay. Sometimes we made errors, but we didn't care, because it sounded great. This music is our lives - it doesn't need correction. We were free for the two weeks we recorded the album, and the ideas soared in the most amazing way." Indeed they did. The album's see-saw between angular noise and pop coherence is very much its strength, and very much the sonic identity of this singular group

Repress!

Jason Williamson – “Discourse chapters that dark silence in the vaults of the unskilled worker. The acceptance of all that is horrible and endured. Moments of connection between living vessels are rare but sometimes they they do pass through the wire and lives are understood for a flicker of a second.”
“Eton Alive chronicles the scenes outside, mostly sleeping bags. Dulled reds, greens and cardboard head boards. Paper cups, bitten around the edges, full of copper."

Make Your Own Meaning continues to convey its unique techno message with a new statement of intent from label head Lurka. The artist has been busy of late and continues to be on a roll with another fascinating four tracker that genuinely serves up some original sounds and rhythms. 'Trip' gets things underway with organic percussive patterns stacked up over drilling bass to make for a prickly groove. 'Airlock' is similar but darker and heavier and 'Sick Flips' keeps the nimble feel going with dancing perc, rigid synths and scratchy sound effects all coalescing over broken drum patterns. Last of all is another dense, busy and multi-layered melange of tiny percussive sounds, synths and clipped rhythms that will make any floor move.

The Brazilian Singer Ed Mottais one of the greats in Jazz / Funk, not onlyin the South American Music-Scene, but world-wide.He has been one of the leading artists at the forefront in Brazil with a hugefollowing in his Home-Country and around the world With his new album "Behind The Tea Chronicles" he embarks on a new musical journey, crossing genres from Jazz to Funk, over to Soul. Having worked with many renowned musicians over the course of his career (Greg Phillinganes, Chucho Valdez, Roy Ayers and many more) he established his own style of creating music with a message. On this latest album Ed Motta is singing in English, telling stories that resonatewhich a broad audience. Recording the rhythm in Brazil, backing vocals in LA -featuring the legendary Paulette McWilliams and Phillip Ingram - strings in Prague and horns in Detroit, he worked with the best musicians he could find to find an astonishing sound, that will be recognised by the audiophile audience as top of the class. Being recorded with the highest standard, Ed Motta made sure to raise the bar once more.

A vivid portrayal of Zaltsman’s direction, My Luv delivers 4 hard hitting club tracks, with rhythmic percussion and heavy basslines throughout. ‘The hook’ remaining a staple of this release, the tracks are all equally useful in peak time club scenarios as they are for after-hours listening.

The stripped back, bouncy ‘Moving’ features the vocals of London based poet and musician, James Massiah. An eerie synth runs throughout, complimentary to the vocals and choppy drums. The lead track, 'My Luv', is an out and out club-weapon. Chopped up vocals and a deep dark sub bass. This has seen a Summer of being deployed by some of the best DJs in the scene, taking advantage of its ‘obnoxiously long’ breakdown, before descending into chaos.

Complimenting these two tracks, 'Page 365' is a more sensitive body of music, engaging listeners with a strong bassline hook, before progressing into a more heavy hitting club track, with a large focus on groove, taking influence from the UK Funky scene. Finally, the most club-driven track from the record. 'Flatspot' is dominated by its forceful bassline and rolling percussion. This is out and out designed for peak-hour fun.


Early DJ Support:
Moxie, Saoirse, Louise Chen, Leon Vynehall, Ben UFO, Parris, Moopie, D.Tiffany, re:ni, Amaliah, Stenny

The architects of soul are back with “Big Time Lover”, a 12-track vinyl LP album with highlights from this year’s “Soul On The Real Side #15” CD collection Tracks here are the building blocks of modern soul with a play list of mid-tempo Northern and Crossover Soul – classics and rarities.
It's brought to you from the West Midlands – the stomping ground of Real Side Records founder member Mr Tee.
The LP is packed with modern soul gems all culled from the incredible Captipl Reords soul legacy. They need little introduction to the UK rare soul scene, but here is a snapshot of a few highlights.
Our show opens care of the million-selling group Cornelious Brothers & Sister Rose from Dania Beach, Florida. They shot to fame in 1971 with their hit “Treat Her Like A Lady” and the follow-up “Too Late To Turn Back Now”, both certified gold discs. Here we feature the title track of their 1973 album Big Time Lover.
Trk. 2, “The Game Is Over”, is by the short lived California girl group Brown Sugar featuring the one-hit-wonder Phyllis Nelson. The legendary Tavares Brothers perform trk. 3 while George Soule leads the way on trk. 4 with his #35 R&B hit “Get Involved”. Bettye Swann from Shreveport, Louisiana, delivers a heartrending performance on “My Heart Is Closed...” (trk. 5), her debut recording for Capitol in 1968.
The album closes with the fabulous C. M. Lord “Oh Mama
(Your Daughter’s A Woman Tonight)”

Die-cut sleeve. In the fall of 2013 Bry Webb was putting the finishing touches on his second album Free Will. Released on May 20th 2014, Bry, with his newly assembled band The Providers, spent the following few years traversing North America playing clubs, festivals and storied stages such as Toronto’s Massey Hall. Nothing new for an artist who had spent the aughts in a constant state of motion with Constantines, a band who on average had performed one of every three nights on a stage somewhere in the world. In fact, running in parallel to Bry’s solo touring schedule was a reunion with his former Constantines’ bandmates to once again present their incendiary live show and celebrate the 11th anniversary reissue of the band’s Shine A Light. It is what happened as the decade wound down that seemed out of character for an artist who had spent close to 20 years immersed in the studio and on the stage: the music stopped altogether. Bry explains his feelings at that time, “I lost the musical plot about 5 years ago and stopped playing music entirely, sold instruments and recording equipment, and committed myself to the idea that I was absolutely done”. Webb dedicated himself to his ongoing work in community radio, months turned to years and musical life seemed to be all but gone from view. Now in an unexpected turnaround 10 years on from the recording of his last studio album, there is not only a return to the stage for Bry but also a new record. Primarily composed in a season of upheaval, Run With Me contains some of Bry’s rawest sentiments. Fresh and painfully present there is an immediacy one can hear as emotional walls collapse in real time. Bry explains the context of the album’s creation: “In early 2023 my personal life exploded. In the process of dealing with that, I started writing music again and started recording at home. Advised that I needed to figure out how to ask for, and accept, help from other people, I sent early recordings of songs to friends from twenty-five years of music making - many folks I hadn’t connected with in years - and asked if they’d contribute anything to the songs. People came through in ways that overwhelmed me to the point that I cried when I wrote out the list of players for the liner notes. I felt incredibly cared for. From Andy Magoffin, who recorded the first Constantines album in 1999, to members of the Cons, to my nieces Addy and Ella playing drums, and a doppler recording of my daughter’s heartbeat, the record is a document of my creative life, and the people who made it possible to make music again.” If the cover of Run With Me looks familiar, it is with full intent. The album’s technicolor marbling and die cut text serve to signal the inclusion of the album in a trilogy started with Bry’s first record Provider. Just as that album starts with the track Asa, this new one introduces itself with the instrumental Webb. The trilogy is now completed with his daughter's first, middle and last names represented as the first tracks on each of the three albums. While the LP’s package signals its place in the collection, and tracks such as Older Than The Dirt and What I Do revisit their predecessor’s familiar sonic starkness, Run With Me is the outlier of the trio. A number of new tracks forego the quietude of Provider and Free Will, clearly recalling the rallying rhythms of Constantines’ anthems. Thunder Bay (instrumental backing courtesy of The Harbourcoats circa 2009), with its insistent kick drum and wall of electrics, support one of Webb’s most indelible melodies, and the not so subtly psychedelic Modern Mind reveal an expansion of Webb’s palette. Perhaps the furthest afield is the contextual centerpiece of the album, Goodbye, where we not only hear a joyful voice that lay dormant for years, but hear it reclaim its power. Backed by Constantines’ Will Kidman, Doug MacGregor and Dallas Wehrle, Bry belts out “I’m through with all the rage, now watch the light pour out of me.” As with all of Bry’s work, Run With Me’s lyrics take their time to settle in. Songs of self-examination, reconfigured love ballads, and songs for those who work to help others. Songs of singing abound. It’s there in Older Than The Dirt’s second verse: "Logic to the last intention, logic in the way we kept holding on forever, singing as the floor- was swept”, ten thousand birds sing a warning song in Thunder Bay and again in Goodbye’s telling of a cathartic return to one’s true self with its celebration of those “Who sing - sing all joy - all joy of language, in a single word”. Joining Bry in singing Run With Me’s songs of “death, transition and hope,” are kindred spirits Jennifer Castle, Julie Doiron, Daniel Romano and Steph Yates. All of these singers elevate the album’s healing sentiments and help express the album’s central plea; a prayer of sorts wrapped in the traditional Scottish Gaelic melody of She Is Here’s second verse: “Let the sun rise in the morning and any witness bring. Let all the blooming cosmos teach us to sing”.

Following his first LP "Hafa" released by Soundway Records and a 12inch where he remixed Guts & Les Frères Smith (Pura Vida / Heavenly Sweetness), the nomadic producer iZem continues to blaze his own trail, offering a hybrid of Afro-Brazilian influences and electronic funk. After the release in 2022 of the EP "Yemamaya" composed with the Brazilian LuizGa, which was unanimously acclaimed by the public, he is releasing his second album "in Ze early morning", surrounded by artists and friends who have marked out his journey between South America, Portugal and France.

"in The early morning" is a fusion of musical aesthetics, the fruit of the artist's passionate quest to reveal links between cultures. iZem is constantly on the move, creating songs from loops and ideas initiated on the road, with his laptop as his companion. These first seeds are then developed with musicians from all over the world, to create innovative tracks that blend tropical trip-hop, Afro-Latin music and avant-garde electro beats.

Incl. Radioactive Man Remix

Veterans of the vibrant London underground scene Anna Wall and Thoma Bulwer joined forces to deliver EYA Records’ latest output ‘Liquid Wiggle EP’. These are deep and hypnotic machine-driven tracks for big room and warehouse parties! One of the highlights of the EP here is the nostalgic and moody electro remix by UK living legend Keith Tenniswood aka Radioactive Man.

Are you Looking for Love? Advice? Good Luck? Then you’ve come to the right place. The second release in the Psychic Readings catalog, Peach continues to explore her sound bringing us 3 tracks dedicated to the dance.

On one side, The Art of Casting Spells will bewitch you with its basslines. As they go from squelchy to stripped back, the track is an upfront yet ethereal ride in true peak time Peach style. Then, a track inspired by the sensation of butterflies in your sacrum - Flutter is a deeper cut for the heads down, introspective dancefloor moments. Both come complete with sassy stabs, moving pads & bouncy bongos - all of which are becoming a staple of her sonic palette.

On the flip, Gay Dreams brings us a starry-eyed escape into fantasies. Delicate synths flirt with the weighty bassline, as sentimental pads carry us into a slow surrender of emotion.

All the tracks are a testament to her many moods as a DJ. For club use or home listening, this is an EP dedicated to the dance.

The second serving of Grub is here from Swiss beatmaker - Andy Kas. His animated sound spread heavily across four thick cuts, an all you can eat buffet that packs a punch. Nostalgic gaming energy which the rising producer has built a reputation for, combining that with a fresh
and modern take for the dance floor. Sweet tasting sounds straight out of ”Decay Island GP”, built upon tight elastic grooves full of charming character.

"Platte" von Apache 207 erscheint als Re-Release in Form einer limitierten Picture-Vinyl-Edition im Sleeve (bedrucktes Innersleeve, Lack und Prägung

"2sad2disco" von Apache 207 erscheint als Re-Release in Form einer limitierten Picture-Vinyl-Edition im Sleeve (bedrucktes Innersleeve, Lack und Prägung).

"Reptile Brain Music" - Imperial State Electric's third studio album was originally released in 2013.
Clocking in at a little over 33 minutes RBM boasts a dozen tracks of their particular and peculiar rock'n'roll.
The album is bookended by two high-energy live favorites, "Emptiness into the Void" and "Down in the Bunker" in a classic Andersson style. However, the less obvious songs within also reveal some unexpected treats. The heavy Blackmoresque "Faustian Bargains" showcases some unexpected time signatures. "Dead Things" feels like Beatles meets horror movie soundtrack (Fred Estby contributes lyrics). While the frantic "Born Again" is far from pieous, delivering a blistering blow to religion.

RBM also shows the further development from solo project into a full-fledged band with multiple songwriters and different lead vocalists. Tobias Egge opens new doors with his contribution "Stay the Night" and Rudolf de Borst screams lead vocals for the wonderfully primitive title track - "Reptile Brain".

Recorded at Gutterview Recorders, mixed by Fred Estby & Nicke Andersson & produced by Nicke Andersson.
Originally released on Warner Music and promptly "Out of Print" fans have been clamoring for a reissue.
From the press release 2013 "Imperial State Electric is entering phase 3 in its ongoing battle against mediocrity.
An endless quest to make the rock roll".

Released in 1996, Le Onde "The Waves" was the first solo piano album released by Ludovico Einaudi. The incredible work featured the following quote from the man himself. "If it were a story it would be set on the seafront of a long beach. A beach without beginning and without end. The story of a man who walks along this shore and perhaps never meets anyone. His gaze lingers occasionally to look at some object or fragment brought from the sea. The footprints of a crab or a solitary seagull. I always take the sand, the sky, some clouds, the sea. Only the waves change, always the same and different, smaller. larger. Shorter. Longer." Now released on Blue Vinyl for the very first time.

Der legendäre Hip-Hop-Pionier DJ Muggs und der häufige David-Lynch-Kollaborateur Dean Hurley haben gemeinsam den Original-Soundtrack zum 2023 beim Sundance-Filmfestival uraufgeführten Spielfilm "Divinity" geschrieben und produziert, der am 24. November über Sacred Bones auf CD und LP erscheinen wird. "Divinity" ist eine dystopische Science-Fiction-Odyssee, die von Steven Soderbergh produziert und vom visionären Regisseur Eddie Alcazar inszeniert wurde. Das Zusammenspiel von DJ Muggs und Dean Hurley ergibt einen Soundtrack, der "Divinity" über den Bildschirm hinaus zu einem multidimensionalen Erlebnis macht und den Hörer zu einer unvergesslichen Klang-Odyssee auf unbekanntem Terrain einlädt. Inmitten der außergewöhnlichen Ästhetik und Thematik des Films ist die Filmmusik eine zehn Tonnen schwere Hantel aus Klanggewichten. Mit 8-Bit-Samplern, Wavestation-Synthesizern, erweiterten Chor- und Streichertechniken schafft es der Soundtrack, wild zwischen den Arenen von Musik und Sounddesign zu pendeln. Ein Klangerlebnis, das die gleiche Intensität wie der Film einfängt und wiedergibt. Tracks wie "The Brothers" und "Reflective Dreams" überschlagen sich mit Vangelis-esken Tönen und malen mit breiten Strichen cineastische Erhabenheit und ätherische Wunder. "Main Titles" und "Infinity Techno" hingegen schwingen sich zu unerbittlichen, strafenden Klängen auf, mit brutaler, pulsierender Energie, die für das verdrehte, unerbittliche Streben nach Unsterblichkeit steht. Ein herausragendes Stück des Albums ist zweifellos "Divinity 2 Infinity: The Odyssey" featuring Kult-Hip-Hop-Legende Kool Keith. Der Song wurde speziell für den Film geschrieben und ist eine gelungene Reminiszenz an die End-Credit-Songs der 90er Jahre, die damals auf die Themen des jeweiligen Films zugeschnitten wurden.