Suche:10

Subtle and straight groovin techno mover. All tracks written and produced by Markus Suckut.Revinyl Version.

The deluxe edition of Ministry's "Twitch" highlights their early industrial sound with tracks like "Just Like You" and "Over The Shoulder." It includes remixes and extended versions such as "All Day Remix" and "Over The Shoulder (12” Version)." This edition offers a deeper dive into the band's innovative and brooding style.

On their third full-length album, 'The Signal', the Compact Disk Dummies keep a few interesting balls in the air. They play with the opinions and expectations of the outside world, while also confronting their own desires and doubts. This is aptly depicted on the cover with a table, a bell, two brothers and an impatient crowd: who is waiting for whom? The album is as diverse as its cover is surprising. In a mix of styles and influences ranging from retro house to funk, Lennert and Janus Coorevits demonstrate their versatility. Following their scintillating performances at Rock Werchter and Pukkelpop, and the success of the radio hits 'There's No Sex Without You' and 'fomo', 'The Signal' marks the start of a new era for the Dummies.

Lennert notes, "Pfff, I would think about everything indefinitely. And I'm not the only one, I notice. Stuck in a kind of limbo, a state of uncertainty, surrounded by signals, but still feeling a certain fear of following the signal."

On 'The Signal', 'fomo' dissects human desire, reaching for the unattainable. 'Where We Go (Calypso)' is like the shipwreck no one wants. And in the title track, the female lead character finds herself in a toxic relationship, the signs of which are obvious, at least to the outside world. While the content of 'The Signal' revolves around doubt, contemplation and acting or not acting, the musical interpretation is in direct opposition to that. The Compact Disk Dummies do not doubt; they hold their heads up and their chests out. With certainty, they mix everything that excites them musically into the blender, without grinding the identity of the Dummies themselves; actually enriching it instead. The retro house of 'Solàr' (a song about Louis the Fourteenth? Why not) flows into the rampant funk of 'Ballet Dancer' before expanding into 'Underwater'. In every track, you sense the long road the Coorevits brothers have travelled since their breakthrough - and their then angular electro-punk. This third album is Lennert and Janus' most sophisticated work in the expanding universe of the Compact Disk Dummies.

In addition to being a mix of styles, 'The Signal' is also a mix of collaborations. There is the French touch of mixer Michael Declerck and mastering engineer Alex Gopher. There is the Dutch input of Wieger Hoogendorp (Goldband) and Jens Van Der Meij (Froukje). Beautiful string sections are provided by Wietse Meys and Reinhard Vanbergen, bass licks by Boris Van Overschee and backing vocals by Isolde Lasoen and Judith Okon, among others. Producer Jasper Maekelberg always kept an eye on things. And again, for the third album in a row, after 'Mess With Us' (2013) and 'Neon Fever Dream' (2020), artist Athos Burez also provided the artwork for 'The Signal'.

But however international the music sounds, however great the contributions from other top artists, 'The Signal' remains largely the work of the Dummies, with Lennert as vocalist, lyricist and multi-instrumentalist, and Janus as engineer, producer and all-around tech wizard. The album was not made in New York, Tokyo or Berlin, but in Desselgem. Studio 87, the Coorevits family's garage converted into a studio, remains Ali Baba's cave for the Compact Disk Dummies. In their studio crammed with synths, percussion and guitars, Lennert and Janus could not ignore the signal: time to smash it!

Speckled Dragon Egg Color Vinyl. Being Dead knows how to make an entrance - within the first several seconds of EELS, the duo's new record, the bright, hard-strummed guitar line on "Godzilla Rises" conjures cinematic immediacy, a creature emerging from the depths of the ocean in campy, freaky stop motion, fittingly so. Being Dead's records are mosaics, technicolor incantations, each song its own self-contained little universe. And while the dreamlike EELS probes further into the depths of the duo Being Dead's psyche, it is, most importantly, in the year of our lord 2024, a 16-track record that is genuinely unpredictable from one track to the next: a joyous and unexpected trip helmed by two true-blue freak bitch besties holed up in a lil' house in the heart of Austin, Texas. They decamped to Los Angeles for two weeks to record with GRAMMY-winning producer John Congleton, writing songs for the record until days before they left. The radical shift in process was welcome - a good balance and a challenge, Congleton helping them find new ways to work and helping peel back the layers on the core of their songwriting. Being Dead has grown from a duo to a trio live, including bassist Ricky Motto (who is immortalized finally on record here, particularly in the giggles on "Rock n' Roll Hurts") The resulting EELS is a darker record, tapped more into the devilishness within, but it's also a more raucous, rougher ride sonically. There's heartbreak, excitement, enchantment, dancing - we move through it all at a high-octane pace. Falcon Bitch and Smoofy never want to do the same thing twice on any song, and they don't. From the pummeling garage rock distortion of "Firefighters" to "Dragons II," which appears in its demo form taped on a hand recorder, it's unexpected but intuitive, and, most importantly, singularly Being Dead. Like its animal namesake suggests, the songs on EELS are malleable, the record like slithering through murky waters or strange half dreams, mysterious and beautiful in how it moves, reflective in a wavering sheen. Dipping into each song feels like uncovering a new cavern, plunging into depths unknown but fully open to what will be revealed. On the album artwork, an illustration by the artist Julia Soboleva, there are some weird disparate spectral creatures, a stark glimmer against a cloudy darkness. It's a fitting encapsulation of Being Dead, exuding a welcoming, playful energy even if something foreboding lurks just beyond the pale - more out of frame that's left to uncover, no path unexplored, strange and beautiful in the light.

Rendez-Vous by Erik Tagg, released 6 September 2024, includes the following tracks: "Lover With Stature", "Marja's Tune", "Mutual Feeling", "Life Goes On (Without Me)" and more.

This version of Rendez-Vous comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a translucent, yellow disc.

It's a pleasure, a labour of love and a yearly highlight to present a new volume of the Mr Bongo Record Club series. In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For ‘Spring Has Sprung’, we linked three of our cherished musical family together; the legendary cult artist Asha Puthli, the wonderous band SOYUZ and Swedish maestro Sven Wunder. The result, as you’d expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections. This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The reflection of a more folk / Afro-Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussão Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.

Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences. The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility. What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness? Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools. If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many. In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining a path where the final act is to give back what was received from creation, offering our lives and deaths to sustain existence. once I slough off this human skin I will find my home and ancestral kin_ in the coffin-birth of my cadaver's ecosystem

Contexture is another classic example of a true friends & family gathering. The Nijmegen based imprint, running for over 12 years was born out of a tight group of friends with the same passion. 12 years later, their strongest releases are still based on this exact same principle, collect and release music from the inner circle. Julien Fuentes, Dorcas label head, starts things easy with his Klaridub ambient mix. It's quickly followed by familiar ESHU faces Jocelyn and Yasin Engwer, classic dub techno beats from the ESHU vaults. There's also room for new faces, the recently launched collaborative project between Vand and Shoal as Voal dropping their 'Eight Ball' as their ESHU label debut. Flawless minimalistic grooves that make a perfect fit for their long awaited contribution. Label head Ivano Tetelepta teams up with Pirat Records own Christine Benz. After sharing the DJ booth together multiple times they also joined forces in the studio recently and crafted this squeeky techno drifter. There's also an additional 10", exclusive to the ESHU Bandcamp, includes two beats from Klaridub, bringing some excellent smoke ready, head steady dub-techno cuts.

"Pages' self-titled debut album, released in 1978, marked the beginning of a notable journey for the American rock band featuring Richard Page and Steve George, who later gained fame as members of the successful 1980s band Mr. Mister (with hits “Broken Wings” and “Kyrie”). This album introduced listeners to the smooth and sophisticated sounds that was dubbed as AOR back in the day, but nowadays is making a comeback called yacht rock or yacht soul.

The album Pages is a blend of pop, rock, and jazz influences, showcasing the duo's knack for crafting catchy melodies and intricate harmonies. Richard Page's distinct vocal style, combined with Steve George's keyboard wizardry, set a foundation for the lush and polished sound that would define their future work. Next to the further band members Peter Leinheiser, Jerry Manfredi and Russ Battelene, session musicians included Philip Bailey (Earth, Wind & Fire), Dave Grusin and Michael Brecker. Notable tracks include ""If I Saw You Again"" and ""Let It Go"".

The self-titled debut album by Pages is available as a limited edition of 1000 individually numbered copies on blue marbled vinyl and includes an insert with lyrics. The album is housed in a deluxe sleeve with linen laminate finish.

Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment. The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).

Lee Holman's forthcoming release, 'NECH026,' marks his return to NECHTO, following his 2022 EP on Nastia's imprint. With an uncompromising underground ethos, Holman has built a solid international reputation through his distinctive techno sound. His performances as a live act and DJ have taken him to prestigious venues like TRESOR Berlin, Khidi Tbilisi, and Corsica Studios London. Known for his vast record collection and dynamic performances, Holman's productions have earned international acclaim.
The upcoming EP evolved organically, with three of the five tracks being part of Holman's live shows for NECHTO events. The lead track, "Wave upon Wave," was recorded live after an event in Kyiv, while the other two were from a session at Khidi Tbilisi. Holman initially did not plan to release these tracks, keeping his live performances unique for each night. The bonus track, "It's Not Over," features a beautiful vocal piece and soulful techno accompaniment.
Inspired by nature, particularly the sea surrounding his island home, Holman channels this inspiration into his music. The five tracks of 'NECH026' reflect his signature deep, raw, and energetic techno
sound.

"Loaded – The Collection highlights a stellar selection of 32 tracks from the genres that defined the 90s alternative music across a 2LP.
A monumental music and cultural movement celebrated in this album includes ‘Britpop’, demonstrated in songs featuring the amazing artists Oasis, Suede, The Stone Roses, The La’s and Supergrass. Defining 90s Indie rock and pop is featured on this album from bands including Stereophonics, The Boo Radleys, New Order, The Wannadies, Sleeper, The Cardigans, Ocean Colour Scene and many more. Plus, we celebrate the electronic/club scene of the 90s, showcased by dance hits from The Chemical Brothers, Faithless, Primal Scream, Happy Mondays and Leftfield. For your nostalgic trip through the alternative 90s music scene… we are proud to present Loaded.
Loaded – The Alternative Album is the must have 3CD that combines 62 tracks from multiple music genres that defined the alternative music of the 90s.
"

Returning for his third release on UFO Inc., DJ Europarking conjures up four cuts of high-spirits rave hedonism on The Legend of the Princess. Following on from two unhinged standout EPs on UFO Inc., the Dutchman lays down a mischievous package of the weird and unexpected, fusing references to all sorts with a spring in his step and a donk on his drums. Never one to shy away from experimentation, his belief in the power of playfulness is balanced with a sincere appreciation for sound and a rigorous knowledge of technical production skill, and the results are, as always, complete bangers.

Over 14 days at Henson Recording Studios in Los Angeles, Nikka created Pebble to a Pearl- a quintessential collection of soul, blues, funk & pop infused tracks.

Originally recorded and produced by Justin Stanley (James Lidell, Beck), the album was released on Stax Records in 2008.

This timely Deluxe Anniversary Edition features new feel-good funk track ‘Soulsucka’ and will be released alongside Costa's new album 'Dirty Disco' coming June 2024.

2024 Repress

'Solar Nights' is the long awaited second album from German nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings this April, 'Solar Nights' follows on from Bernhardt's critically acclaimed, and Gold certified, debut LP 'Panorama Pacifico' and features 14 tracks of smooth disco and leftfield pop sounds with guest appearances from the likes of Future Classic's Panama, David Harks, Niya Wells, Emma Brammer and Anduze.

The global success of 'Panorama Pacifico' has seen Bernhardt coaxed out from his remote studio in one of Germany's ancient forests to play to fans across the world, from South Korea to Mexico and beyond, experiences that inspired both the album itself and its title, 'Solar Nights'.

"In recent years the world's become smaller, a more inter-connected place. It can be dark and cold here, with snow all around, and the next day I can be playing to people on a beach. Somewhere on the planet it's always daytime or summer, but beyond that day and night just blend into each other these days," Tim explains. "We have daytime discos so you can go and party while the sun is still high in the sky, and you can go and hit the gym at night. Beit day or night, Satin Jackets is your soundtrack."

And what a soundtrack it is, from the first chords of opening 'Welcome Back' it's clear we're in safe hands here, the warm pads, delicate guitars and pianos providing the perfect introduction to the album. Whether it's the slow burning seductive pop of tracks like 'Just Like You', piano led house tracks like 'String It Again', the Balearic haze of 'All For You' or bonafide hits like the Nordic inspired 'Northern Lights' and 'Mirage' that between them have already scored well over 10 million streams across streaming platforms, 'Solar Nights' takes everything we loved from 'Panorama Pacifico' and polishes it to an ultra high sheen.

And in an age when rough and raw production is seen as an easy shorthand for authenticity, Tim's love of über-smooth production has made him an unlikely iconoclast, "I had always been fascinated by how glossy people like Nile Rodgers made their music," he reveals. "It always sounded like the musical equivalent of a fashion magazine's cover. I'd been making more underground music for a while but really wanted to go in totally the other direction and instead create a really smooth, polished sound."

That obsession with sonic fidelity shines through across every track on 'Solar Nights', and the years since his debut was released have been well spent perfecting his craft. "Even in just the last couple of years I've made some big changes in how I produce music. Compared to my debut, everything under the hood has changed here," he explains. "Every day, with every production, I'm learning new things and when I listen to these new tracks, the depth in the mixes, the clarity, I like to think of 'Solar Nights' as Satin Jackets but in 3D."

From wanting to recreate the sound of magazine covers to appearing on them, the past few years has been quite some journey for the still enigmatic producer. The man behind the golden mask may prefer to stay out of sight but 'Solar Nights' reveals him to be fully in control, producing music that reflects the glamour and glitz of 70s Manhattan, artfully updated for the 21st century.

This tape contains a recording of a live of NPLGNN recorded at Human Razzmatazz (Barcelona) on March 2023.Everything you hear it comes from two Korg Electribe EMX1 +Pioneer DJM900 NXS + Traktor.

To describe the sound it makes sense to bring back what was thepress release of “Sigma/Tau” the first record of NPLGNN releasedin 2014 on Where To Now? (RIP): “NPLGNN creates a less pampered style of body music, stripping away the usual signifiers such as melodies and basslines to create something more utilitarian, brutal and pure.

This is the pre-babel language of dance music - it's cadences are rhythmic and its meaning is comprehensible to all on an innate, primal level.”Ten years later this tape makes those words still remarkable to describe the sound of the Neapolitan head. Among a bunch of unreleased sounds you can go through all the NPLGNN recent records for LavaLava, Youth, Hundebiss and its own lathe cuts series dubbed here and there with vocal cuts intersections.

Coming off like the rude son of early ‘00s breakcore heroes, quotingthe Manchester Boomy heads, NPLGNN delivers a 45 mins mutant soundsystem recording. It's acid dancehall punk, amorphed ragga riddimz, or whatever you want to call it. 100% dancefloor melting .Ask Aphex Twin for a couple of IDs

We are excited to announce the creation of Dentelles Records, a new sub-label of Diki Records, founded by Greg All, the visionary behind the Les Dentelles Electroniques festival, known for its festive atmosphere and resounding successes.

To mark this debut release, Dentelles Records highlights the La Fontaine concept, a flagship event of Les Dentelles Electroniques, centered around House, Tech House, and Afro House sounds. This vinyl features four tracks created by the La Fontaine residents: Francesco Marra, Laurent Top, DJ Steven, and Greg All himself, capturing the very essence of the rhythms that make the most energetic parties come alive.

With this first vinyl, Dentelles Records immerses the listener in festive and enchanting grooves, reflecting the unique atmosphere of La Fontaine and offering a true dive into the world of these parties.

”The start of Susobrino’s four part album. Every part has a different setting. "SU" is a three-song part with vocalists Ngenko, Dyce and Lisandro Skar sharing the theme of love.

Powered by the jazzy electronic feel of Azimuth, Previs–o Do Tempo is a highlight in the Valle discography. This beautiful batch of tracks Marcos Valle has him pushing way past his bossa work of the 60s  into a cool 70s mix of electronics and sexy scoring, for a sound that's a mix of Brazilian rhythms with other styles that evoke Italian soundtracks and French pop backing

A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves - and the result is a masterpiece that yeilded some of his biggest tracks ever. Included here is the great choppy funk track "Ponta De Lanca", plus loads of other goodies like "O Filosofo", "Xica Da Silva", "A Historia De Jorge", and a great remake of "Taj Mahal" - probably his greatest cut ever. Great all the way through  and is a perfect introduction to Jorge Ben if you don't know his work, and an essential addition to your collection if you do! all titles include "Ponta de Lança Africano (Umbabarauma)", "Hermes Trismegisto Escreveu", "O Filósofo", "Meus Filhos, Meu Tesouro", "O Plebeu", "Taj Mahal", Xica da Silva, "A História de Jorge", "Camisa 10 da Gávea", "Cavaleiro do Cavalo Imaculado", "…frica Brasil (Zumbi)"

Giuseppe Scarano, an Italian Artist Based in Antwerp, Belgium, Has Established Himself as a Prolific Figure in the Music Scene. Over the Recent Years, He Has Released a Multitude of Vinyl Records on Labels Such as Nice People, Disco Disco Records, and Core Cardiology. His Work Aligns With the Emerging Italian Wave, a Movement Spanning From Rhythm of Paradise to St. David and Gourmet De Funk. What Sets Scarano Apart Is the Distinctive Punchiness of His Style, Which Seamlessly Fits Into This Musical Landscape. an Exemplary Demonstration of His Talent Is the Ep That Kickstarts the Groove With "De Folies," a Jubilant 90s House Track That Artfully Combines the Vibes of Artists Like Sneak and Dimitri From Paris. This Record Is a Clear Invitation to the Dancefloor, Poised to Get Feet Tapping and Bodies Moving. the Ep Maintains Its Momentum With "Pleasure Dreams," Continuing to Weave a Musical Narrative That Captivates the Listener. Flipping to Side B, We Are Treated to the Disco-Infused Hit, "Walking on Music," and the Closing Gem "Timeless." This 12-Inch Record Is a Manifestation of Spontaneity and Boundless Energy, Guaranteed to Captivate and Delight Audiences. Scarano's Music Exudes Happiness and Is Designed for People Who Revel in the Joy of the Moment. as a Nod to His Roots and Influences, He Also Pays Homage to the Legendary Folie's Pigalle Club, Where Skylax Once Held Court and Organized Memorable Evenings Under the Banner of "House De Folies."...

Not so long ago in 2017, the first release on Michiel Claus' and Ailsa Cavers' Basic Moves saw the light of day and especially the shine of night. Produced by founding father Walrus, BM01 set the tone for a record label that focuses on releasing hidden archives from the 90s, whilst combining them with modern club music from the here and now. By highlighting the musical heritage of the Belgian electronic music scene, the label illustrates the continuity between past and present, history and shaping identities of 21st-century artists, undeniably building on the strong foundations of their forerunners. Seven years and nineteen releases later, Basic Moves is rounding off the series with BM20, a final double 12'' by one of the major figures from the Belgian underground: Circadian Rhythms also known as Dj Deg. After many years of collecting, deejaying and producing music, his musical spectrum ranges from synth, library and wave, to jazz, funk and disco, from house to techno. His journey started in clubs like Bocaccio (1988 - 1993), and La Gait? (1979 -1989), where young Deg came across deejay's like Olivier Pieters or Eric Beysens who made him choose the path of becoming a devoted disc jockey himself. BM20 is a sonic witness of Deg's first musical encounters with his machines, revealing a withdrawn selection of six bedroom patchwork tracks produced between the years of '93 & '99, a time without the internet or user manuals to help you solve the riddles of technology. Though only at the very beginning of his creative process, Deg's unique personality is nevertheless already clearly identifiable: blending techno with jazz, where the sharp edges of 16-step drum-sequences are smudged and bent in different directions. In the lower countries, the second half of the 90s was a period of fast & funky, happy Detroit, 140 BPM techno. Whenever Deg was not oscillating between record shops or gigs and had a moment on his own, mostly during morning hours after the club, he would spend his leftover energy in the studio. Either by himself or with his loyal ally Mike DMA, he would benefit from these moments to slow down and give space to a different, introverted sound - processing moods, feelings and thoughts. This record therefore gathers only a few of many (unrecorded) one-shot live sessions which were never intended to be shared - and only existed for the love of music and its power to take you beyond all things known. Thank you Deg for sharing your music and giving us a glimpse of your universe. Without your productions, your memorable warm-ups and closing sets - many of us would not be where we are now, and Basic Moves might never have been founded. As a last note to a closing song, BM20 is about being fully committed to the music and the club, a medium and place of fruitful settings for encounters, creativity and growth. Where dreams and ideas have a chance to exist, being almost ready and thought out to shape future times to come - and many party nights. Gurl, December 2023

Repress Collecting

Back with Ep 2, Dj Swella delivering more of that nice warm grooving house cuts from down-under on his own local Pleasure Trax imprint. DJ-friendly chord-driven tracks with a seductive vibe and some catchy vocal samples on this Australian label. Recommended & Limited supplies!

Still Music Chicago is thrilled to announce the reissue of Jiraffe's ''Out'A The Box,'' a legendary dance record from New York City. Originally released in 1988 on Goldqwest Records, this track emerged from the collaboration between Richie Weeks and Al Smith. This limited 12'' release includes a full sleeve with a never-before-seen picture of Richie Weeks with Vaughan Mason at Vaughan home studio and a story of ''Out'A The Box''. Richie Weeks, known for his work with The Jammers and Weeks & Co, founded Goldqwest Records after Salsoul Records closed. Inspired by his friend Vaughan Mason, Richie ventured into house music production, recording demos that caught the attention of Reynald ''Crazy Frenchman'' Deschamps of M.T.I Exports. A generous supporter funded Goldqwest's third release, leading to Richie and Al Smith creating ''Out'A The Box'' at Al's home studio in Philadelphia. The track blended post-disco, dance, latin, and proto-house elements, achieving cult status among DJs worldwide.

Zenwerk is an eclectic tech trancethusiast from Belarus, though based in Warsaw, Poland, where he has already established himself as a leading artist and party promoter.

Ne Quid Nimis:
Ne Quid Nimis is Latin for "nothing in excess" – the track is a perfectly balanced subaquatic blend of peaceful yet progressive trance and muffled bloopy sonics. Inspired by the mountains hikes, this tribal trip into the rainforest creates a drifting atmosphere of a celestial and dynamic ride meant to pass a healing power of nature alongside joyful turbulence and inspiration. Ethereal vibrations & deep sound textures create a dreamy universe of wonder and bright hopes for the future.

A2 ‘Dew Kissed Silk’ is a 4x4 walk in trance delirium across predator footprints which becomes satisfactory – silk is being kissed by dew, though not soaked with. This contemporary vanguard trance/breakbeat hybrid creates a perfect mental equilibrium.

Rising Bristol star JOELY brings 2 hot B side tracks which show how hot a talent he is at such a young age. Hive Mind creates a playful grit which will get a dance floor moving in the early hours of a set, providing a steady rhythm which never wavers. Jungle Walk takes us down a darker, ethereal path which will make any soundsystem wobble with the thick wonky textures that JOELY expertly weaves in. Mind this gap.

After recent explorations into ambient and pop under his full name, Sacha Renkas switches back to his Antenna moniker for ALT013. The Kiev-born, longtime Rotterdam-based artist uses a rough-around-the-edges, hiss-laden palette to construct his intricate, pensive club tracks. Often recording on the fly, he embraces the limitations and quirks of the hardware he works with, curating the happy accidents that come with them and that help make his music feel as alive as it does. It is emotional and imaginative in spirit, yet raw, almost instinctive in its rendering. Renkas cites the new wave and synth-pop from his youth and the sounds coming from Chicago and Detroit, as well as the Dutch West Coast he encountered later on, as inspirations. The sensitivity and hands-on approach associated with these are also tenets throughout his work. The ''Another Wave EP,'' a selection of tracks created over nearly a decade, further substantiates this approach. Made on multiple MPCs, Juno synthesizers, and an Akai S900, and mixed on a Mackie 16-channel mixer, it blends, among others, elements of first-wave techno and European proto-trance. Opener ''Alisa'' stacks angular sine melodies and formant basslines one upon another yet flows like silk, its balance immaculately kept in check. On ''Everyone M1,'' the bass organ patch from which the track derives its title finds itself amidst a lo-fi flux of capricious arpeggiators, ethereal pads, and decocted drums. ''Another Wave'' is a carefully sculpted slow burner, collected in its unfolding. Wisps of melody, gated pads, and whisper seem to wind between its drum patterns; the tension looming beneath this patchwork never entirely reveals itself. ''Quasar'' blends signature dramatic chords and off-rhythm bells with a creeping acid bassline and more kaleidoscopic drum patterns. It closes an EP distilled in its form, confident in its intent, and nowhere too bothered by genre boundaries or other formal constraints.

Kulture Galerie returns with its third various artists record featuring Doc Sleep, Rambal Cochet, The Jaffa Kid, Mesmerist, Jack Bags and Undsidedly.

The multi format label run by Filippo MSM (of Metropolitan Soul Museum) is back with its 7th release overall, this time on wax. This new collection continues to show Filippo’s predilection for music with non straight forward drum patterns and moody melodies.

Volume Three is a well thought mix of styles, spanning to and from two Trance oriented tracks from Rambal Cochet and The Mesmerist through the broken techno of Doc Sleep, Jack Bags’s all analogue Acid House track, The Jaffa Kid’s uncompromising Drexcian’s Electro and Undsidedly dreamy’s own take on the genre.

Split #3 is the latest installment in the Split Series released by Overthink Records, showcasing a dynamic blend of techno and EBM from talented producers. This record features two sides, each offering distinct yet complementary styles.

Corsica producer Charlou takes over the A side with two techno tracks, delivering a unique sound that seamlessly blends retro and modern elements.

On the B side, Italian producer Waveratio 618 makes a strong debut with two solid techno/EBM tracks. Waveratio 618's music is marked by its gritty textures, driving beats, and dark / atmospheric tones. The tracks merge the raw intensity of EBM with the precision and complexity of techno, creating a sound that is both intense and hypnotic.

PROXY returns with a new transmission by Dutchman Tifra. Combining inspiration from 90s rave sounds with his own futuristic production style, Tifra’s engineering of the Algorythm EP takes you deep into his realm of house, bass and rhythms. On the B side, Local Group infuse their signature UK breaks, DnB and rave galore into a blasting remix of Bio Lab.

Housepainters is a dynamic post-punk and no-wave ensemble. The band's inspiration is a fusion of krautrock, wave-punk, and dub. Their debut LP is based on dystopian films like 1984 and Basic Instinct. Big tip for fans of Saada Bonaire, ESG & Liquid Liquid. Most essential 2024 Post-punk, disco-no-disco release.

180g vinyl + Silver Pantone print (Featuring a fragment from 'The Myth' (1896), a painting by Jos Dirks)

"agony, anguish, bitterness, despair, grief, heartache, pain,
remorse, sorrow, suffering, torment, woe. Another heartbreak album that is totally worth all of it."

Lenske's 23rd release is a comeback by the undeniably talented Milo Spykers. With his fifth release on the label, the Belgian producer and DJ solidifies his strong presence within the Lenske family. This EP features his distinctive blend of harder techno and psy-elements, delivering an electrifying package and his most mature to date.

This four-track EP is a testament to Spykers' unique style and innovative approach, perfect for the sweaty dancefloor. It kicks off with the title track 'Thunderworld', bringing a stomping kick and a hard, rolling groove. The bouncing lead, reminiscent of a thunderstorm, paired with cinematic alien sound design, creates an intense atmosphere. A breakbeat section provides a contrasting element, heightening tension during the break. Following, 'Ghostrider' features metallic percussion resonating throughout the track, with a rolling bassline and a catchy groove that keeps listeners anchored to the dancefloor. The rising dark bassline adds an intimate
vibe, building suspense and intensity.

With a bouncy groove and a trancy bassline, 'Warp Drive' takes listeners on a mind-bending journey. The synth seems to rise from the underworld, pushed by a distorted bass evoking the sensation of racing through a neon-lit tunnel, akin to a Blade Runner-esque landscape. Closing the EP, 'Croton' showcases Spykers' producer-skills once again, delivering a rolling distorted bassline and saturated percussion that the Belgian producer is best known for. Dark leads dominate the scene, merging seamlessly with the fast-paced, aggressive cut, while delayed leads on the downbeat add color and atmospheric pads unify the composition, introducing a touch of darkness.

(Physical release only, Limited edition of 300 hand numbered copies + insert) Psyched Out Grooves from Hungary compiles ten of the most outstanding singles recorded by the underdogs of this period.



The psychedelic scene that never was – the perfect subtitle to this compilation. There were barely any drugs in Hungary to begin with. In this era, alcohol, music, and imagination have served as the primary means of mind alteration among the youth. The Communist party had a firm grip on culture through monopole control over venues, the media, and the recording industry, western records were not available, clubs enforced a strict dress code of suits, shirts, and longer skirts, and the police harassed young men for not more than having long hair or wearing blue jeans.



There was, however, an undercurrent of smaller semi-professional bands striving to succeed in the shadow of the very few stars privileged by the sole state owned record company. Given their chances to release music were at best limited to a few 7“ singles at the mercy of said record company powers. Psyched Out Grooves from Hungary compiles ten of the most outstanding singles recorded by the underdogs of this period. Some of the bands featured on here have eventually reached wider success by switching to more commercial styles, like Bergendy, Neoton, and Apostol. Most, like Echo, Meteor, Kék Csillag, Non-Stop, were temporal formations that dissolved after a few years due to personal conflicts, lack of success, or both. Others, like Scampolo or Juventus, lasted a longer time without an actual break through. Most of these bands never had a consistent, lasting ’psychedelic’ repertoire or identity at any point. These tracks were the exception, not the norm. That coherence - the illusion of a scene - comes from the curation and sequencing of Budabeats head honchos Von Yodi and Gandharva. It is the arrangement of these puzzle pieces that makes them fit together.



Limited edition of 300 hand numbered copies. Edited excerpt from the liner notes written by Gábor Vályi (Dj Shuriken)

4 track 12", with Jah Mega over the "Little Way Different" riddim, with Sister Jahian voicing The Gladiators' "Jah Works", pecked by the Peckings crew on the flip.

Dialling up the needlepoint rhythmic science and deadly restraint we hold so dear, SPD debuts on Sneaker Social Club with a taut four-tracker built for smashing systems with measured flair. It's no surprise to learn Will Sheppard has graced labels like Keysound, EC2A and Roska Kicks + Snares in recent times, given his sound taps into the UK bassweight lineage while maintaining a necessary futuristic tilt.

'Genbu' deals in the kind of stripped back, snaking sequences that keep a body of people rolling deep into the dance, powered by sounds so crisp you'd think they'd slipped out of a trouser press. Maintaining this sonic poise, 'Systema' is a lean, bleep-speckled roller with a firm grip on the square wave snarls lurking below the midrange.

'Willman' rides a choppier groove, but still Sheppard holds down the dance with a monk-like patience, finding power in the art of holding back before opening out into the subtly emotional swathes of 'OK' to round the record out. The devil is in the detail, and there are deep-diving layers to the sound of SPD, but this is a specific angle on club music that prizes subtlety and meditation over brash arrangement swerves and bait hype trysts. For selectors seeking sublime set builders, SPD has got you.

Konduku's appearance on Amenthia feels like something that happened a long time ago, but with 'Slowworm,' he officially makes his label debut, delivering three solo works that solidify his close relationship with the pioneering Basel crew. 'Slowworm' includes three mesmerizing, slow-paced, tension-building mind trips that are a perfect fit for Amenthia. It's an excellent showcase of impeccable rhythms, morphing from sludgy slow beats to introverted intensity--a style for which both Konduku and Amenthia are celebrated. Konduku's tracks have been a staple in the Amenthia crew's setlists for years. In addition to creating the 2022 release 'Glimmer' by Konsudd, a project with Aa Sudd; and contributing a track on the latest Amenthia x A Walking Contradiction collaboration EP; the partnership has generated a close friendship along the way.

Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.

Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.

Scenic Route Records is proud to announce the first vinyl press of Mark William Lewis's critically acclaimed EPs Pleasure Is Everything and God Complex. These releases, which have collectively amassed nearly 3 million Spotify streams, capture the raw and evocative sound that has earned Mark a dedicated following within London’s underground music scene. Influenced by left-field pop, ambient, and indie rock, is deeply personal, reflecting his experiences and the unique perspective gained from living on the 18th floor of a tower block in London.

Mark's music has been widely praised for its emotional depth and innovative songwriting, with support from publications such as Pitchfork and The Fader praising his ability to create atmospheric soundscapes that resonate with listeners on a profound level. This vinyl press offers fans a chance to experience these early EPs in a format that enhances the warmth and texture of his music.

As Mark continues to build his presence with sold-out shows at Cafe Oto & and international tours alongside NYC rapper MIKE, this pressing serves as both a celebration of his early achievements and a milestone in his artistic journey. Whether you're a long-time fan or new to his music, the repress of Pleasure Is Everything and God Complex is an essential addition to your collection, offering a deeper connection to the intricate, emotive world of Mark William Lewis.

Finnish electro duo Morphology, comprised of Matti Turunen and Michael Diekmann, is set to release ‘Made Up Reality’ on Deeptrax Records, the label with a mission to deliver high-quality, groundbreaking electronic music focusing on the deeper side of electronica and eclectic leftfield dance jams, exploring those spaces between deeper house and techno, with hints from the past and a strong vision of the future.

Continuing Morphology's tradition of dark, melodic, and skilfully produced electro funk that has captivated international audiences, they’ve have been holding down the retro-activism of Detroit and its call for an illuminated future of programmable, motorized, electro-fantasies for over 15 years. With releases on Semantica, Solar One Music and a slew of albums for Germany’s Zyntax Motorcity, it’s been Cultivated Electronics and Central Processing Unit that have given new rise to the music of Morphology. Their Traveller LP released through FireScope, helmed by the UK’s B12 in 2018, the floodlights remain unshakably fixed on the Finnish pair’s brilliance, appearing on landmark compilations like CPU’s 50th release jubilee to DJ Stingray’s Kern mix for Tresor, or holding it down in the underground at Scand nights in London, to bookings at Concrete Paris and Closer in the Ukraine, to Berlin’s unmissable Berghain. With a forever exploratory live set, Morphology’s place as a mainstay of futurist electro is rock solid and burning bright.

Renowned for their soul charged, emotion rich melodies and signature blend of techno and traditional electro, Morphology's new EP takes listeners on an unforgettable auditory journey. ‘Made Up Reality’ showcases the duo's ability to integrate acid lines and vibrant drum patterns creating a sonic landscape that is both innovative and deeply resonant. ‘Seven Fingers’ is a deep dive into the darker side of electro, with haunting melodies and pulsating rhythms. ‘Particle Swarm’ is an acid-infused cut that melds techno elements with classic electro beats. ‘Gradient Descent’ is a more electrifying electro acid heater, blending head nodding bassline with sharp acid riffs and pulsating rhythms that will ignite the floor. ‘Active Inclusion’ is a vibrant, drum-heavy composition that brings the EP to a powerful close.

DJ Sneak with the killer beats. Wether you are partying or chilling; there's a track for you on this record!

‘Before the Odysee, there was the Iliad; a tale of the golden age of heroes and warriors.'

The idea behind the Iliads series has been to return to the sound of the golden age of Jungle/Drum & Bass, and more specifically the original ‘heroes’ of the Odysee label

This third instalment in the series focuses particularly on the darker style of the Hokusai releases; where dystopian landscapes of avant-garde Breakbeat Jazz-infused D&B reigned supreme.

The ever-evolving beat maker and jazz aficionado Shatter Hands audibly took space to grow for his 5th album, amounting to his most versatile body of work yet. His all new approach of recording and sampling musicians around him results in a wild yet super coherent ride through ambient jazz, afro-influenced drum work and stinky basslines that will make you want to get sum. "A Show Of Hands Vol. 1" is packed with knowledge from years of digging and beat making, yet super open and fresh towards the future side of sound.

With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.

Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.

This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.

Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. .

Antwerp's Forbidden Fruit bringing 6 vocoder-laced tracks for an EP on Gent's WeZienWel.

SUNANDBASS ambassador FD returns for his latest EP to guide you back to the familiar shores of our annual celebration in Sardinia. Rich and expressive music that works on the dancefloor can be hard to find but FD brings the goodness once again, with this diverse three-tracker.

“All Yours” hits the sweet spot straight away, with dusky vocals and tight beats. Deft guitar licks keep the funk fluid, wrapping around an essential groove, whilst crystal keys shimmer in the heat haze. An ace opener to any set, this track strikes a rare balance between rhythm and elegance.

Flipping the script with an ice-cold intro, “Second Villain” creeps up close and personal before dropping a murderous bassline on your chest. Produced alongside one of Switzerland’s most respected DJs, Ryck, the ‘Villain’ encompasses and embraces influences from Jungle and Drum & Bass alike.

Finalising the ninth release on SUNANDBASS Recordings is “Wah Wah Track”, which puts the music first to prove that the medium really is the message here. Melodic layers rise and fall like waves on this classy and uplifting piece of future soul music.

Repress!

Absolutely seminal Danny Krivit re-edit of Gary's Gang "Let's Lovedance Tonight"!

Originally released on Nurvous Records a decade ago this finally sees the light of day again... Original 12"s go for $100 each on discogs. Re mastered for 2016 and released in conjunction with the original Sam Records.

2024 Restock

An excellent album by one of the greatest Brazilian funk bands ever – a wonderful blend of funk, jazz, and soul – and a set that rivals any of the best work coming from the US at the time! These guys are right on the money right from the start – moving through sharp changes with effortless ease, yet never in a way that's too slick or commercial – kind of like that perfect balance that Kool & The Gang hit for just a few records in the mid 70s – but with more of a Brazilian feel overall. Jazzy licks abound – and the keyboards, guitar, and horns are just great – but the set's also got some more regional percussion, too – which really rounds out the record wonderfully. The grooves all have a really universal appeal – essential for any fan of funky sounds – and titles include "Mr Funky Samba", "Junia", "Casa Forte", "Na Baixa Do Sapateiro", "Lelbon Via Vaz Lobo", "Baia", "Maria Fumaca", and "Metalurgia".

After a long break Ketiov is back with his Edits.

Ketiov is a new project from Voitek Taranczuk. C/D&E is the second part of the series. Limited 350 copies, Vinyl only, No repress.

Uyama Hiroto, one of the most important artists behind Nujabes works, released his debut album 'a son of the sun' on 2LP after 12 years.

Uyama Hiroto provided "Letter From Yokosuka" for Nujabes "metaphorical music" released in 2003 and was featured on the title track of "modal soul" released in 2005.

A son of the sun" was released in 2008 and continues to fascinate many listeners to this day.

Mit der "Selected Ambient Works Volume II (Expanded Edition)" feiert Aphex Twin das 30-jährige Jubiläum seines legendären Originalalbums. Das mit Anfang 20 von Richard D. James geschriebene SAW II wurde sowohl bei Veröffentlichung als auch im Nachhinein von der Fachpresse hochgelobt (10/10 Pitchfork, #2 Best Ambient Album of All Time). Der Einfluss von Aphex Twin und SAW II ist bis heute ungebrochen und gewinnt über Generationen hinweg neue Bedeutung.

Mit der Expanded Edition enthalten zum ersten Mal alle Formate sämtliche Titel, darunter #3 (bisher CD/digital-only) und #19 (bisher Vinyl-only), sowie die beiden Digitaltracks "th1 evnslower" (aphextwin.warp) und "Rhubarb Orc. 19.53 Rev" (Soundcloud, 2015), die erstmals offiziell und auf physischen Tonträgern erscheinen, letzterer in bislang ungehörter Qualität.

One of the disco underground's crown jewels has an unknown history courtesy of the holy grailsters themselves. Not only do you get the promotional long version, but two unreleased mixes containing a disco dub and an instrumental from the same studio sessions captured on tape. Colored Vinyl

Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.

Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."

Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.

"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."

Old-School-Heavy-Metal der epischen Art! Phaëthon bringt auf ihrem ersten Album monumentalen klassischen Metal hervor, eine Meisterklasse in Sachen Metal. 'Wielder Of The Steel' ist ein acht Songs umfassendes Werk, das Fans von Manowar, Mercyful Fate oder Bathory zweifellos ansprechen wird. Phaëthon wurde 2020 in London gegründet und tauchte im Metal-Untergrund mit der Mini-LP 'Sacrifice Doth Call' auf, die später über Gates of Hell Records auf Vinyl veröffentlicht wurde.
Die Nummern auf dem Album haben einen gemeinsamen thematischen Faden, in dessen Mittelpunkt die warnende Geschichte von Phaëthon steht. Die Songs befassen sich mit den tiefgreifenden Auswirkungen von Erzählungen auf die Menschheit - seien es Götter, Aberglaube oder glatte Lügen -, die über die Grenzen der griechischen Mythologie hinausgehen. Es ist passender Textstoff für ein Album, das auf brillante Weise eine klangliche und erzählerische Reise durch Epochen der Tapferkeit und des Konflikts, verloren gegangene Imperien und epische Geschichten von Trotz und Ehrgeiz webt und dabei den ewigen Gegensatz zwischen der Hybris der Menschheit und ihrem unbezwingbaren Geist offenlegt.

Rock Hard (8,5 Pkt.)
"Vom Bandnamen und den Albumtitel über das Coverartwork und die Produktion bis zu den Songtiteln und den Synonymen, die sich die Mucker gegeben haben: Mehr Heavy Metal geht nicht - und das meine ich im wirklich allerbesten Sinne. PHAËTHON zocken Musik für Fans von (alten) Manowar, Atlantean Kodex, Scald, Visigoth und Eternal Champion; Musik für Menschen, die lieber zum Keep It True, Headbangers Open Air oder Trveheim als zum Wacken oder Summer Breeze pilgern. Der aus London stammende Vierer macht bereits seit Anfang des aktuellen Jahrzehnts mit diversen Veröffentlichungen (ein Demo, eine EP und ein Beitrag für eine Compilation) von sich reden und knüpft mit dem Debütalbum nun nahtlos an sein bisheriges Schaffen an. "Wielder Of The Steel" wirkt nicht zuletzt aufgrund seiner Produktion von vorne bis hinten absolut authentisch; die extrem live klingenden und stark komponierten Songs scheppern, dass es eine wahre Freude ist. Ein extrem guter Einstand - wer´s nicht glaubt, zieht sich als "Appetithappen" den fast zehnminütigen Titeltrack rein."

After 2 years of relentless touring in support of their critically acclaimed debut album, Thee Sacred Souls return with "Lucid Girl", the lead single from their forthcoming sophomore album, Got a Story to Tell. Backed by a heavy beat and lavish arrangement, singer Josh Lane-displaying a soulfulness beyond his years-sings an empowering tale of a girl who has the clarity to put her needs before prospective suitors. B-side features "Losing Side of Love."

After almost 2 years in development, Manata’s debut LP - The Golden Age, is by far the most challenging project we had worked on until this day.

This 9 track double vinyl represents perfectly what our vision is through music and what we aim to do as a label. In this album you will dive into Joao’s biggest influences between house and techno, a journey which will take you back to the golden era of electronic music. As you slide into the tracks, you can notice how the album goes from light to dark, with disc 1 delevering a more housy and groovy vibe, and disc 2 beeing more dark and energetic. Reachable to all ears and dancefloors is how we classify this golden nugget.

La Nota Del Diablo welcomes Lugano's rising talent Matthew Dexter with a diabolical two-tracker that showcases the producer's extensive skills in creating a balance between rich synthesis, intricate construction, drive and ethereal atmospheres, leaning towards the darkness with the dancefloor in mind.

Als Sohn türkischer Eltern und Gastarbeitenden ist er immer noch da, wo er aufgewachsen ist - in seiner Heimat Moabit. Nach fast 10 Jahren Texte schreiben verbringt Apsilon seit gut zwei Jahren viel Zeit im Studio. Inhaltlich gibt es Deutschrap mit antikapitalistischer Analyse ohne erhobenen moralischen Zeigefinger. Provokante Gesellschaftskritik ohne Kompromisse gegen weißdeutsche Bequemlichkeit und Resignation. Die Delivery ist die pure Wut, der Sound ist trappig und modern. New Wave. Apsilon kommt leger um die Ecke und legt Basketballreferenzen neben Rassismuskritik, reiht geschickt deutsche Redewendungen aneinander, während er sie bricht und so mit der deutschen Sprache dribbelt.Mit Songs wie "Baba", EPs wie "32 Zähne" oder "Blei" und Zusammenarbeiten mit Bazzazian, LUVRE47 oder Wa22ermann hat Apsilon sich in gerade mal zwei Jahren vom Newcomer aus Berlin-Moabit zu einem echten Hoffnungsträger für hiesigen HipHop entwickelt. Aus gutem Grund: Apsilon vereint lyrische Schauspiele und nachhallende Performance. Seine inbrünstigen Flows um Lines über Antikapitalismus und Straßenkämpfe umgeben dabei den Hauch einer (Rap-)Revolution, die nicht nur antirassistisch, inklusiv, sondern sogar ohne Zeigefinger auskommt. Selten war politischer Rap so zwingend und zwanglos. Mit "Haut wie Pelz" veröffentlicht Apsilon jetzt sein langerwartetes Debütalbum. Die 14 Tracks setzen sich auf unterschiedlichen Ebenen und aus verschiedenen Perspektiven mit der Geschichte von Apsilons Familie auseinander. Es erzählt von seinen Großeltern, die aus der Türkei nach Deutschland gekommen sind, immer in dem Glauben, nur kurz zu bleiben und bald wieder in die Heimat zurückzukehren. Aber genauso geht es auch um ihre Kinder und um Apsilon und seine Geschwister. "Auf jedem der Songs geht es um unsere Geschichte, die Träume und Traumata, die schönen aber auch die schmerzhaften Seiten dieses Lebens. Einerseits sind es sehr persönliche und emotionale Themen, aber andererseits möchte ich diese Geschichte auch deshalb erzählen, weil sie auf viele andere Menschen und Familien in Deutschland übertragbar ist." Die Idee für "Haut wie Pelz" kam Apsilon nach der Veröffentlichung seiner Single "Baba" im letzten Jahr, mit der er sich auf berührende Weise an seinen Vater wandte. "Nach dem Release ist mir klar geworden, in welche Richtung das Album gehen soll", erinnert sich Apsilson. "Der Song hat mir aber nicht nur inhaltlich, sondern auch musikalisch ein ganz neues Selbstbewusstsein gegeben." Entstanden ist "Haut wie Pelz" deshalb gemeinsam mit dem Team, dass auch schon für "Baba" verantwortlich war: Bazzazian, Ralph Heidel und Apsilons Bruder Arman, der gleichzeitig auch als Executive Producer für das Album fungiert. "Haut wie Pelz" von Apsilon erscheint am 04.10.2024. Im November geht Apsilon gemeinsam mit seinem Bruder Arman und dem neuen Album auf große Tour durch Deutschland, Österreich und die Schweiz.

Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.

Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.

For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.

Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.

As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music.

Robin Tasi is launching a new label with the mission of serving as a platform for all nerds and geeks, specifically catering to individuals who are passionate about
immersing themselves in music and fully embracing their own interests and enthusiasms.

Still just 19-years-old, Toby Lee is already a three-time winner of Young Blues Artist of the Year at the UK Blues Awards - yet the virtuoso guitarist is only getting started. Praised as a remarkable talent by the likes of Jools Holland and Joe Bonamassa, 2024 represents a big breakthrough year as Toby releases his first album of all-original material ‘House On Fire’ on October 4th via 100% Records. As you’d expect from someone that The Times hailed as, “One of the best guitarists in Britain,” his six-string talents dazzle throughout with a rich tapestry of scorching leads, evocative melodies and swaggering grooves. Yet his vocals have come on leaps-and-bounds, his maturity and emotional expression providing a voice strong enough to front a band regardless of his guitar skills. His songs and stylistic scope have expanded too, with a set that moves seemingly effortlessly between classic blues jams, punchy hard rock, intimate acoustic moments and a modernist approach to classic soul and Stax-style R&B. It’s all played with a winning combination of youthful abandon and undeniable accomplishment. Toby Lee’s talents have been recognised by an array of legends. When he was 10, a get well soon video that he made for BB King went viral, leading to an invitation from the blues legend’s family to play at his club in Memphis, while the late Bernie Marsden was an early mentor and champion. He subsequently shared the stage with the likes of Buddy Guy, Joe Bonamassa, Slash, Billy Gibbons and Peter Frampton, while enjoying other high profile moments, such as starring in a West End production of ‘School of Rock’, performing with McFly on ‘Tonight at the London Palladium’ and featuring in ‘The Ellen DeGeneres Show’. Toby has now exceeded 500 million views on social media. His ability has been recognised with numerous endorsements. He has been a Gibson artist since the age of 10, and a recent highlight came when he helped launch Gibson’s custom Jeff Beck ‘YardBurst’ 1959 Les Paul Standard alongside fellow guests including Jimmy Page, Johnny Depp and Graham Coxon. Blackstar Amplification issued his own signature amp, the St James Toby Lee 50 6L6 head and cab, and he is also endorsed by D’Addario Strings.

Still just 19-years-old, Toby Lee is already a three-time winner of Young Blues Artist of the Year at the UK Blues Awards - yet the virtuoso guitarist is only getting started. Praised as a remarkable talent by the likes of Jools Holland and Joe Bonamassa, 2024 represents a big breakthrough year as Toby releases his first album of all-original material ‘House On Fire’ on October 4th via 100% Records. As you’d expect from someone that The Times hailed as, “One of the best guitarists in Britain,” his six-string talents dazzle throughout with a rich tapestry of scorching leads, evocative melodies and swaggering grooves. Yet his vocals have come on leaps-and-bounds, his maturity and emotional expression providing a voice strong enough to front a band regardless of his guitar skills. His songs and stylistic scope have expanded too, with a set that moves seemingly effortlessly between classic blues jams, punchy hard rock, intimate acoustic moments and a modernist approach to classic soul and Stax-style R&B. It’s all played with a winning combination of youthful abandon and undeniable accomplishment. Toby Lee’s talents have been recognised by an array of legends. When he was 10, a get well soon video that he made for BB King went viral, leading to an invitation from the blues legend’s family to play at his club in Memphis, while the late Bernie Marsden was an early mentor and champion. He subsequently shared the stage with the likes of Buddy Guy, Joe Bonamassa, Slash, Billy Gibbons and Peter Frampton, while enjoying other high profile moments, such as starring in a West End production of ‘School of Rock’, performing with McFly on ‘Tonight at the London Palladium’ and featuring in ‘The Ellen DeGeneres Show’. Toby has now exceeded 500 million views on social media. His ability has been recognised with numerous endorsements. He has been a Gibson artist since the age of 10, and a recent highlight came when he helped launch Gibson’s custom Jeff Beck ‘YardBurst’ 1959 Les Paul Standard alongside fellow guests including Jimmy Page, Johnny Depp and Graham Coxon. Blackstar Amplification issued his own signature amp, the St James Toby Lee 50 6L6 head and cab, and he is also endorsed by D’Addario Strings.

After a successful first release, Metallic States is back with a new black-smith joining the forge : Rambal Cochet. The producer shows again how prolific he is at the moment with a mini LP composed as a tribute to Need For Speed. At this occasion he crafted 6 surprising tracks, including 4 of his typical Neo Goa / Progressive Trance tracks and 2 aery Drum’n’bass experimentations to open the sonic spectrum of Metallic States.
Only one question remains : what’s coming next?

Following up on last years debut release, Chontane returns with Manx, the second EP on his label, TANE. This five-track collection continues his exploration of sound design, moving into fresh territory while retaining the distinctive energy that marked TANE001.

With TANE002, Chontane invites listeners into a diverse sonic landscape, emphasizing mood, texture, and the subtle intricacies of rhythm.
Manx marks a significant progression in Chontanes artistry, expanding on the
foundation set by TANE001, which echoed the nostalgia of 90s and early 2000s rave culture. While his first EP blended old-school, rave-inspired techno, atmospheric tracks, and a touch of jungle, TANE002 boldly ventures into new, uncharted territories. It challenges traditional genre boundaries, delving deep into the potential of sound design, and offering a forward-thinking perspective that feels attuned to the future.

The EP highlights Chontanes dedication to capturing a wide spectrum of moods and textures within a single record. The title track, Manx sets the stage with a dark, hypnotic presence. Rich in layered textures and atmospheric undertones, the track fuses a powerful kick with resonant toms, deep subs, and eerie pads. Haunting, glitchy vocal snippets add an extra dimension, making Manx a compelling, immersive experience.

On Gazebo, the EPs A2 track, Chontane shifts the energy, delivering a composition that balances driving rhythms with a melodic core. The combination of dynamic drums with an epic, mystical theme creates a piece thats both uplifting and introspective, standing out for its ability to evoke grandeur while maintaining a sense of optimism.

The B-side leans into a more shadowy atmosphere, with Oolean blending metallic
percussion and a throbbing bassline. The tracks ominous pads and powerful kick drum propel it forward, creating a narrative thats intense and captivating.
B2 offers a fitting conclusion to the vinyl release, presenting a track that blends dreamy, atmospheric melodies with a robust kick and driving sub-line. The mystical qualities of this composition make it an evocative and memorable closer.
The digital-only track, Thumb Print, rounds out the EP with a relentless, peak-time experience. Its hypnotic rhythm and expansive sense of scale make it a standout track, perfect for igniting dance floors and capturing listeners attention.

2025 Repress

For Fuse's fifth release, Brussels' Altinbas returns for a whirlwind of meditative and harmonious techno. Solidifying his identity of focused yet vibrant club music, the Fuse resident and label co-curator offers his second contribution 'Sustain' as a dancefloor-enveloping take on modern techno. Known for rich chords, whipping pads, and dry percussion, Altinbas proves once again that his touch as a producer revolves around balance and calculated effect.

'Trail of' kick starts the EP with flourishing synthwork and a taste of dub as has become the Belgian artist's signature. Dotting toms as rhythmic accents and a low to the ground shaker make for a swaying introduction with an infectious groove. Breaking things up in the second track, 'Life Force' presents Detroit style chord stabs and playful rhythmic work. With a mental synth at the foundation, the track presents 909 drums to reinvigorate atmospheric synths that make 'Life Force' a subtle hybrid of classic club genres. With a wink at Fuse's heritage and a peak into its future, Altinbas' focus on enduring music can be felt throughout 'Sustain' and truly understood in the Brussels club. As a fitting follow up, 'Purpose' opens the B-side with illuminating chords and rounded sound design and a pulsating low-end. With almost a lighthearted tone, the record fits across genres and rooms, claiming movement instead of mood as its sole medium. The title track 'Sustain' proves just that - a melodic sequence and progressive arrangement make for an intensely euphoric closing. Evolving melodies, opening filters, and big but calculated buildups sum up Altinbas's work for Fuse's fifth release on the new label. The record brims with warmth and yet it finds its way on darker dance floors with ease, providing a refined style of music that belongs only to him across the international scene.

A1 - Desire
Opening the EP in quietly epic fashion, Desire begins with a delightful beat pattern with adistinctive cymbal hit set over warm bass tones and whale song samples. A smooth, thoughtful bass melody is introduced which joyfully intersects with gorgeous piano keys while swirling strings and atmospheric vibes layer and recede like tides of the ocean, creating a truly unique journey of a track that will linger anywhere it may be heard.

A2 - Voidscaping
Instantly setting the scene with crisp, striking breaks, Voidscaping is an atmospheric treatfor the senses with serene throwback pads reminiscent of the halcyon days of Good Looking. Bringing the piece up to date for the Spatial era is the typically intricate blending of reflection and intrigue ASC conjures with his sampling and reverb work, effortlessly thickening the soundscape with memories old and new.

AA1 - Let Go
Opening with the vibrant sounds of twilight nature and metallic bongos, ASC sparinglydeploys a glorious choral vocal before the breaks take off with an energetic pattern drivenby constant, playful hi hats. As the track develops, questions are asked of the listener bythe curious atmosphere, gradually unraveling with strings, synths and trademark vocalusage, offering a new perspective with each listen.

AA2 - Meltdown
A darkly, anxious undertone floods the mix as Meltdown grips the listener from the first barwith skillfully sequenced minimal breaks, hi hats that whoosh in and out like evening crickets you can't quite track, and intense ambient padwork. A longing female vocal occasionally yearns over the various melodies which enter at will, discreetly developing the mood with purpose, unfurling a stream of aural consciousness from this incredible producer.
Words by Chris Hayes (Spatial / Red Mist)

A1 - Deep Sea
Hefty jungle breaks shudder and thud as Aural Imbalance chartsa path through the depths with a shimmering backdrop of glorious synths and padwork that dance gleefully around asymphony of gentle rhythms. An over-arching earworm melody develops and rises above the mix, intersecting with the break pattern which gradually adds to its own character and texture with muffled breaks beneath, all combining to create this superb EP opener.

A2 - Echoes In Time
Flexing his breakbeat skillset in style, Aural Imbalance cuts andchops fine analogue jungle breaks effortlessly as Echoes In Time showcases his ever evolving production talents on Spatial.Wisps of airy pads are floated in the mix that slowly rise around the listener, somber in tone with delicate keys, bells and micro-melodies that build the atmosphere with a wondrous clarity feware capable of achieving.

AA1 - Sense of Space
A DJ-friendly intro opens with a plinky melody and hi hats asserene pads slowly usher in rumbling, weighty amen breaks, edited to perfection as is fast becoming trademark for Aural Imbalance's breakwork on the label. As the soundscape develops, a softly, hopeful xylophone melody innocently shuffles around subtle keys and synths to cap off a tale of two vibes effortlessly moulded into another sublime atmospheric collage.

AA2 - Regolith
Closing the EP with a stunning analogue break-laden workout, Regolith sees Aural Imbalance delve deeper still into the oldschool brand new vibes of Spatial with a beat pattern that immediately makes an impression. Scattered and flecked across the mix, the edits juggle restless snares and hats with a dense kickdrum and subtle 808 bass, while a tranquil blend of ambient atmospherics circle inquisitively above.
Words by Chris Hayes (Spatial / Red Mist)

A1 - Consensus Reality
JLM opens another stellar EP for Spatial with Consensus Reality, acheery, optimistic track which opens with lush keys, and filtered breaks. Soon we are treated to long synths brimming with optimism while melodies are formed from a slew of elements entangled in joyous harmony. This is a special track before we even mention the amazingly crisp apache breaks which are introduced and toyed with to the conclusion in JLM's inimitable style.

A2 - Salva Veritate
An eerie vibe immediately grips the listener for a remarkably intense atmospheric journey in the shape of Salva Veritate. Whooshing, reverberating synths punctuate a dense soundscape laced with tensionand intrigue. The hefty Hot Pants breaks drive the track perfectly with atuneful 808 rumbling below, as blippy sub-melodies and keys add further texture to the mix to complete an immensely memorable production from JLM.

AA1 - Hotspot
Mellow keys with a hint of jazz open Hotspot, as JLM adds further flex tohis repertoire in another impressively detailed journey through sumptuous atmospherics. The track quickly bursts into life in full flow with chunky breaks driven by juddering snares nestling over smooth 808 basslines andswathes of strings & pads that swoop across the mix to create a dreamy paradox of lively calm.

AA2 - Nova
A soothing way to close the EP as JLM opens Nova with long, relaxing synthwork before the delicate beat patterns begin with a symphony offiltered effects and soft notes punctuating the soundscape. Extended reverse cymbals and subtly used reverberating vocal samples add textureto proceedings as the cosmic breaks flow, as we have become accustomed to from JLM's exceptional output on Spatial.
Words by Chris Hayes (Spatial / Red Mist)

Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

The archeological excavations into the cult Interactive Test label continues with a 4 track EP originally released by the label's Don, Franco Falsini, in 1991. Generously brought back to the bins, 3 decades later and still highly applicable to any tasteful dancefloor, a timeless expression of early italo-house.

Rarefied's Newest Sonic Assault Finds Label Mates Sibla And Zygos In Some Chthonic Dwelling Performing Occult Rites For Sub Bass Dominance. Three Prime Cuts Of Out-there Dubstep For Fans Of Moldy, Decrepit Basements, Decaying Houses In The Middle Of Woods, And Fog Drenched Nights.

the Path' Heaves Underneath Pneumatic Infrabass Pressure And A Din Of Percussion That Sounds Like A Warehouse Falling Apart. It Lurches Forward On Broken Ankles, Scanning With Cataract Eyes, For Its Next Victim.

The Aptly Named haunted' Is Built From The Ground Up On Evp Recordings, Static Hiss, And Disintegrating Tape Reels. A Lone Scream Echoes Towards Infinity Until The Mid-way Point Where Black Stars Crack The Void.

The Circle Is Complete With sigil'. Hewn Together With Horror Flick Soundtracks, Whispered Voices And A Feral Half-step Foundation. It Seems Zygos And Sibla's Golem Has Breathed Life For The First Time.

Over the past tne years, MxPx have sold well over a million records in the US. PANIC features their trademark sound, while adding more mature themes lyrically. The first single, "Heard That Sound" is being played all over the west coast. This track is also the lead off track on this years Warped Tour compilation

Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.

London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.

Der britische DIY-Künstler Tom Vek meldet sich nach dem avantgardistischen Klangmix seines vierten Albums "New Symbols" (2020) mit der neuen EP "Confirm Yourself" zurück, auf der er sich auf einen rohen, auf Gitarren basierenden Live-Sound besinnt. Die EP ist eine Sammlung selbstbewusster persönlicher Mantras und erscheint in limitierter, einseitig bespielter 12" Picture Disc-Auflage in durchsichtiger Hülle.