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TOP 10 IN THE VINYL CHARTS* Since the 1950s, especially in America, there has been renewed excitement every year to see who will land the next Christmas hit. Many music le- gends have joined in the hunt for the number 1 song at Christmas. As a result, many new Christmas songs and interpretations were created, which have now become the songbook of modern Christmas Classics and have partially replaced the classic Christmas music. Let It Snow! Let It Snow! Let It Snow!

BEST SELLERS IN VINYL CHARTS* Rather Christmas party than con- templative get-together? Rather mulled wine than hot milk and New York instead of Nuremberg? Then Santa Claus has the right soundtrack for your Winter Wonderland. The Christmas classics of the big stars for the most wonderful time of the year with the guarantee of entertaining, enjoyable and merry Christmas mood. Run, Rudolph Run!

THE FIRST LADY OF SONG With her extraordinary voice, Ella Fitzgerald be- came a legend during her lifetime. She is considered one of the best singers of all time. Yet Ella actually wanted to become a dancer. However, she was too nervous to dance at a dance competition and sang instead. She won the first prize. The rest is history. With her Christmas album „Ella Wishes You A Swinging Christmas,“ Fitzgerald pioneered and paved the way for modern Christmas music. Everything that came af- ter would have been unthinkable without her. Rolling Stone lists the album first on its „40 Essential Christ- mas Albums“ list. This version also includes two bonus tracks: „Christmas Island“ and a medley.

HOLLY JOLLY A good shot of swing, a splash of Las Vegas, served on a silver platter by world stars Frank Sinatra, Dean Martin and Sammy Davis Jr. create a very special Christmas mood. With all the important Christmas songs and some extraordinary treats, the Rat Pack transforms Christmas into an ent- ertaining party with ‚Holly Jolly Christmas‘. The genius of Sinatra, the charm of Dean Martin and the non- chalance of Sammy Davis set standards as the Rat Pack to this day for an extraordinary entertainment cul- ture and the realization of the „American Dream“. Oh, By Gosh, By Golly It‘s Time For Mistletoe And Holly...

THE KING ON CHRISTMAS Elvis‘ Christmas Album is one of the absolute clas- sics of Christmas albums. Released for the first time in 1957, it has been as much a part of Christmas as the Christmas tree and mulled wine ever since. To this day, Elvis‘ Christmas Album is the best-selling Christmas album in the world and also one of the best-selling albums of all time.

TOP 10 IN THE VINYL CHARTS* Frank Sinatra has released a number of Christmas albums and singles in his career. His program has become a perennial favorite and indispensa- ble at the holidays. The incomparable interpretation of Christmas classics by THE VOICE accompanied by elaborate orchestral arrangements has retained its unique charm to this day and still accompanies every swinging Christmas.

UNIQUE CHRISTMAS It is something very special when the legends of jazz put their (Christmas) robe over well-known Christmas carols and then let them shine in new splendor. This is true for the virtuoso instrumentalists on saxophone, trumpet, piano, clarinet and vibraphone as well as for the great voices of jazz. The intelligent arrangements exude the magic of Christmas without any kitsch, but still with a lot of feeling, charm and extraordinary skill. For all those who like to do without the classical Christmas singing and are bored by the pop monotony, Jazz On Christmas is the alternative to create a very unique Christmas atmosphere.

CHRISTMAS & NEW ORLEANS Louis Armstrong set standards in jazz with both the trumpet and his extraordinary voice, influencing all generations to come. Armstrong loved the Christmas season, the festive spirit and Santa Claus. This joy is reflected in his Christmas recordings. With his dazzling trumpet solos and distinctive, raspy and unique voice, Armstrong‘s Christmas songs continue to enrich music selections for the holiday to this day. Complemented by outstanding Christmas songs by his companions Ella Fitzgerald, Nat King Cole, Frank Sinatra, Dinah Washington, Les Brown, Dean Martin, Louis Jordan, Peggy Lee and The Dukes of Dixieland, Christmas becomes COOL YULE!

MR. CHRISTMAS In the beginning there was White Christmas and the Christmas albums of Bing Crosby. Everything else came after and can hardly compete with that success. Bing Crosby‘s sig- nature song White Christmas is still the best-selling single of all time, with 50 million units sold. The song, composed by Irving Berlin, first appeared in Crosby‘s film Holiday Inn. The composition won the Oscar for Best Original Song at the 15th Academy Awards. The song was so successful that it topped the charts again year after year, 16 times in the USA alone. The same goes for Crosby‘s Christmas albums. The records, which have been repeated over the past 70 years, have accompanied many generations and have become an integral part of Christmas. Christmas without Bing Crosby, without White Christmas would be something like doing without a Christmas tree, mulled wine or presents. So let‘s rather not try it!

GOSPEL CHRISTMAS Mahalia Jackson is considered the greatest gospel singer of all time. Her goal was to proclaim God‘s word through song. She ushered in the Golden Age of Gospel between 1945 and 1965. Jackson was the first gospel artist to tour Europe. She appeared regularly on tele- vision and radio programs and sang for many presidents and heads of state, including the national anthem at John F. Kennedy‘s inauguration in 1961. At a time when segregation was pervasive in American society, she had great success. She sold an estimated 22 million records, but still had trouble hailing a cab or sim- ply being able to buy something in stores. Her gospel interpretation of Silent Night is still one of the most soulful and impressive versions of the famous Christmas song. The album of the same name is still a classic today and remains unsurpassed.

HO, HO, HOWDY! Cowboys also celebrate Christmas! The biggest country stars present the most beautiful Christmas songs in country style, of course. A treat for all country fans, as well as for lovers of cozy Christmas atmosphere in the style of American Nashville romance. With punch and turkey, banjo and harmonica, fiddle and mandolin, Santa Claus can set off in a good mood. If you‘ve always wan- ted to spend the most wonderful time of the year with Johnny Cash, Marty Robbins, Chet Atkins and many other country greats, The Country Christmas Album will fulfill your Christmas wish

Legally Blonde - The Musical (Original Broadway Cast Recording), brings Elle Woods' journey to life with energetic and memorable songs including Omigod You Guys, So Much Better, and There! Right There!. The musical earned seven Tony nominations, including Best Original Score, with its unique blend of humor, heart and empowerment. The Original Broadway Cast Recording remains a cross-generational fan-favorite for its catchy tunes and uplifting message. On Hot Pink Vinyl.

40th Anniversary Edition

"RATT exploded on to the national scene in 1984 with the release of ‘Out Of The Cellar.’ Featuring an undeniable hook and legendary music video, lead single “Round And Round” hit #12 on the Billboard Hot 100, while ‘Out Of The Cellar’ reached #7 on the Billboard Top 200 and was certified triple platinum. Two more charting singles followed with “Back For More” and “Wanted Man”. RATT started the tour as an opening act, but by the end of the tour had climbed to arena headliner.
The album features the classic line up of Stephen Pearcy (vocals), Warren DeMartini (guitars), Robbin Crosby (guitars), Juan Croucier (bass/vocals), and Bobby Blotzer (drums), and is now available on CD with Lenticular Cover, and Limited Edition Red and Black Splatter vinyl with Lenticular cover with a Neon Orange 7"" single"

Ólafur Arnalds & Eoin French, known professionally as Talos, come together on A Dawning, a deeply immersive collaborative album set for release in July 2025 via OPIA Community and Mercury KX. Created before the untimely passing of Talos in 2024, the record blends their distinct musical voices—into something truly transportive. Adding a deeply personal touch, all artwork for the album and its singles were crafted by Talos himself, offering fans an additional insight into his beautiful creative vision. This release not only celebrates the musical partnership between Arnalds and Talos but also honours the enduring legacy of Talos, ensuring his artistic spirit continues to inspire and resonate.

Black Vinyl LP. The world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch. Ziúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. "I roll the shittiest cigarette," she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. "If it rains and the city drowns," he utters over gaseous electronics, "I will not run away, but I will be anxious for the heart of one close to me." After a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsible beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action. She may have spent her entire career avoiding the solipsistic trappings of "queer art", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.

After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone.
Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary
show at San Francisco's The Matrix!

These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best.
Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.),
the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as
“Stir It Up” take on the form of a rock and roll anthem in this session.

Discovered and released on CD by P-VINE in 2005, these mythical studio recordings are finally getting a long deserved analog release!

The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

Repress!

The Labor Days 20th Anniversary Edition 2xLP is pressed on metallic copper vinyl. Labor Days was Aesop Rock's fourth release and his third full-length studio album. The project was originally released in 2001 as his first album on Definitive Jux. The album includes popular songs "Daylight" and "9-5ers Anthem", and guest features from Illogic and C-Rayz Walz, as well as production from Aesop Rock, Blockhead, and Omega One.

Yowzers is a new album by Chicago composer, improvisor, and musical folklorist Ben LaMar Gay. Yowzers features Gay"s working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice), as well as guest instrumentalist Rob Frye and a mini-choir. The album recalls the high-minded freedom of Liberation Music Orchestra, the glitched-out electronic webs of Robert Aiki Aubrey Lowe, the unbridled rhythms and sandpaper bellows of Bukka White, and the harmolodic cartoon glory of Arthur Blythe"s Illusions. It"s all there, filtered through an improvisational approach and a lifetime of secrets embodied. For a man who has inhabited and traveled these continents so extensively, it"s safe to call this work true "Americana", despite what that word might mean to the average person in the United States.

Five years after their groundbreaking debut "Klucz" (hailed as the best Polish hip-hop album of 2004), the Warsaw-based crew Wilku, Bilon, and Żary returned with another hard-hitting project – "Droga", originally released on April 15, 2009.
Now, 16 years later, this cult classic is returning for the first time ever on vinyl – in a special collector’s edition!

"Droga" features a lineup of guest artists who, at the time, formed the backbone of the Polish hip-hop scene, including Peja, Lukasyno, Firma, Fandango Gang, Juras, Bas Tajpan, Ras Luta, Dixon 37, and Diil Gang.
The members of Hemp Gru explain the meaning behind the album title:
“The first album was the 'Key' that opened the door. Now, beyond that door, lies the Road – hence the title of the second album.”
The album earned Gold Record status – twice – and is now regarded as one of the foundational releases of Polish street hip-hop.
Vinyl Edition Includes:
• 2 vinyl records (vinyl mastering by DJ 600V) in a gatefold sleeve
• 1 fold-out double-sided poster (60 cm x 30 cm)
• 1 double-sided insert (30 cm x 30 cm)
• 2 exclusive instrumentals: Droga and W Hemp Armii
A must-have for fans and collectors of Polish hip-hop history.

EURODANCE IS BACK! From clubs to radio stations, the Eurodance sound is everywhere, driven by artists like David Guetta, Upsilone, Gabry Ponte, Boris Way, and Ofenbach. TO MARK THE OCCASION, REDISCOVER THE GREATEST EURODANCE HITS OF THE 90S AND 2000S ON DOUBLE VINYL AND DOUBLE CD!

Pond Life Records presents Humble B Flat’s third vinyl release – Blessings of the Sun, a spiritual jazz-infused deep house double LP.

His previous album, Source of the Nile - promoted through a more grassroots approach than this forthcoming release — saw great success, with purchases via Bandcamp by deep house legends like Osunlade and Kai Alce. It also received radio play on shows such as Macca’s acclaimed The Glove That Fits on NTS, among others.

The release has garnered heartwarming messages from the likes of Coflo, Tour-Maubourg, Delfonic, and Felipe Gordon, and was recently spotted in FloFilz’s Spotify recommendations.

Blessings of the Sun has already been lighting up dance floors at loft-inspired parties such as Giant Steps, Luar, and Beija Flor.

Blessings of the Sun is receiving a more focused promotional rollout. It has already been played on rising star Millie McKee’s NTS show. As with past releases, only a limited number of copies will be pressed. Artwork is by renowned artist Annie Fiddian Green, and more new music from Humble B Flat is on the horizon.

With a Pond Life stage takeover set for one of Resident Advisor’s top festival picks, Gottwood, pre-empting the release, we’re excited to see where this double LP from Humble B takes us.

Lela Amparo's debut album for Past Inside The Present is a smooth fusion of ambient guitar, IDM, trip-hop rhythms, orchestral arrangements and poetic vocals that draw from her American Southwest roots, international travels, and life in Gothenburg, Sweden. Amparo crafts a raw, worldly sound from these inspirations and mixes cinematic grandeur with tender grace, gorgeous melodies and head-nodding drum programming. Highlights include 'Space Us Out' with its emotional beat and piano loop, and 'You Say You Love' which combines harp and choral voices. 'Rose & Honey' reflects on isolation in Tokyo, while 'Wrong Thing' offers a Burial-style rhythm. Keep Your Soul Young is all about finding home within yourself.

Martin Scorsese ist einer der wichtigsten Filmregisseure der New-Hollywood-Ära. Dank Filmen wie »Taxi Driver« (1976), »Raging Bull« (1980), »The Wolf of Wallstreet« (1986), »Goodfellas« (1990), »Casino« (1995) und »The Irishman« (2019).

Außerdem erhielt Scorsese zahlreiche Auszeichnungen, darunter einen Academy Award, vier BAFTA Awards, drei Emmy Awards, einen Grammy Award und drei Golden Globe Awards. Hier sind Songs von Dean Martin, Frank Sinatra über Ella Fitzgerald, Dinah Washington, sowie Howlin Wolf und John Lee Hooker vertreten. Auf dem vorliegenden Soundtrack-Album sind somit 21 Stücke aus der Filmmusik der erfolgreichsten Scorseses Film-Meisterwerke enthalten.








h Walk on the wild side part 1 (1962) from casino & the color of money








h Walk on the wild side [part 1] (1962) from casino & the color of money








[h] Walk on the wild side [part 1] (1962) from casino & the color of money








[h] A8 | Walk on the wild side [part 1] (1962) from casino & the color of money

One of Romania’s most important composers in the last half-century, Octavian Nemescu (1940-2020) is among the few that were not “part of the system”, managing to survive and compose in a world that felt more and more “empty”, fragile, confused and scarce in prophecies. The mystical approach to his art defines Octavian Nemescu as an essentialist who believed in the power of archetypes in which he found inspiration. His pieces always start from an idea that has spiritual, cosmogonic implications and often involves synthesizers, sounds from nature (buzz of bees) and the “ison” (drone). When defining “meta music” or “imaginary music”, Nemescu was an advocate of looking from above, from the top of the mountain. Silence is very important in his work in order to keep the sound flowing and to reflect on the sound from before, as a space, as a pause for thinking. Nemescu put forward another kind of music: a song that has not yet surfaced through human voice, any musical instrument, orchestra or other electro-acoustic means: an intimate, interior, introverted inner sound that focuses on the individual and the imagination. Imaginary music is a reaction, it comes in contrast to the spectacular, it is anti-show. For him, music had a ritualistic function, it served no cultural purpose.

This 3LP set collects eight pieces for variable ensemble, tape and electronics, composed between 1968 and 2015, selected together with Erica Nemescu, who also mastered the tracks. Most tracks have been previously released on different CD’s but never before on vinyl.

Underoath sind seit fast zwei Jahrzehnten eine wegweisende Stimme im progressiven Heavy Rock. Nur sehr
wenige können mit ihnen mithalten, wenn es darum geht, immer wieder an die Grenzen zu gehen oder sich
kreativ weiterzuentwickeln. „Voyeurist“ ist eine Rückkehr zu Underoaths Heavy-Metalcore-Wurzeln, die sie
in den 2000er Jahren zu einer der größten Bands in der Metal-Welt machten. „Voyeurist“ ist ihr neuntes
Album und das erste, das die Band komplett selbst produziert hat. Es wurde im Studio von Gitarrist Tim
in Tampa, FL aufgenommen und enthält 10 Tracks, die schwer, aber dennoch experimentell und manchmal
wunderschön sind. Während das letzte Album „Erase Me“ aus dem Jahr 2018 eine Abkehr von ihrem
Sound war und eher ein geradliniges Rock-Album, kehrt dieses zu den beliebten Metalcore-Wurzeln der
Band zurück, von denen die Fans so begeistert sein.