quête:2 lp s

Laura Jane Grace, Emmy-nominierte Musikerin, Autorin, Aktivistin und Against Me!-Gründerin/Songwriterin meldet sich mit ihrem dritten Studioalbum "Laura Jane Grace In The Trauma Tropes – Adventure Club" zurück – ein kraftvolles neues Statement mit einigen ihrer intensivsten und anregendsten Songs. Aufgenommen in Athen (GR), enthält es sensationelle Features externer Kollaborateure, bekannt als "The Trauma Tropes", darunter Graces Frau Paris Campbell (vocals) sowie die Athener Musiker Jacopo Fokas (bass) und Orestis Lagadinos (drums). Auf dem Keytrack "Your God (God's Dick)" schmettern sie die wohl hymnischsten Texte in Graces Historie, mit einem an Queens Power-Pop erinnernden A-cappella-Intro. In "Wearing Black" kritisiert Grace die Kommerzialisierung und Polizeipräsenz bei Pride-Veranstaltungen und stellt dabei ihren charakteristischen Punk-Ethos und ihre raue, unverhohlene Haltung voll zur Schau. Grace arbeitete mit Künstlern wie Miley Cyrus, Joan Jett und Weezer zusammen, trat auf Festivals wie Coachella, Reading & Leeds Festival oder Lollapalooza auf, erhielt einen Emmy-Nominierung für ihre Arbeit an der AOL-Serie "True Trans" und platzierte sich mit ihrer Autobiografie "Tranny: Confessions Of Punk Rock's Most Infamous Anarchist Sellout" auf der Billboard-Liste der 100 besten Musikbücher aller Zeiten.

Neapolitan composer, producer, and keyboardist Giorgio Lopez sets sail on Berlin-based label Cosmic Romance with his “Sud des Îles”. Navigating between 80s-inspired grooves, French boogie, and sun-kissed atmospheres, the record unfolds like a musical travelogue, following fictional skipper Georges Taty and his crew of musicians aboard the sailboat “Sud des Îles”, caught between racing waves, late-night jams, and dockside dreams.

From the whirling groove of "Voyager Sans Bouger" to the breezy atmosphere of "Toujours Distante", the eight tracks on Sud des Îles invite listeners to drift away in rhythm and reverie through a songwriting that is both infectious and evocative. Stories of escapes (real or imagined), romantic illusions, and nostalgia-tinted euphoria weave together, propelled by Giorgio Lopez’s arrangements and distinctive keyboard work, as well as by the well-crafted production, carried out together with Executive Producer and label owner Ed Longo.

Featuring lead vocals by Stella, Master Phil, Amanda Roldan, and Bernardino Femminielli, together with the “équipage de Sud des Îles” itself - a tight-knit ensemble of acclaimed musicians from Berlin and Naples – “Sud des Îles” is an invitation to ride the waves to a neon-lit night on a faraway island: no passport required.

Blues-rock titan Joe Bonamassa is back with Breakthrough, his powerful new studio album dropping July 18th.

Produced by longtime collaborator Kevin Shirley (Iron Maiden, The Black Crowes, Journey) and co-written with Grammy-winner Tom Hambridge (Buddy Guy, ZZ Top, Lynyrd Skynyrd), Breakthrough captures Bonamassa at the height of his creative powers. Expanding his signature sound while staying true to the deep blues roots that launched his storied career, the album promises raw emotion, blistering guitar work, and fresh sonic twists.

With over 50 albums to his name and an unprecedented 28 #1 Billboard Blues Albums, Bonamassa proves yet again that he's not just keeping the blues alive--he's driving it into the future.

* In April the European tour starts.
* Joe Bonamassa has sold well over 4 million records worldwide and has had 20+ #1 Billboard Blues Albums
* Joe Bonamassa has been featured on the cover of virtually every guitar magazine multiple times. His name is notorious among guitarists not only for being a virtuoso, but also for his incredible collection of vintage guitars, gear and memorabilia.

Tracks: Breakthrough / Trigger Finger / I'll Take The Blame / Drive By The Exit Sign / Broken Record / Shake This Ground / Still Walking With Me / Life After Dark / You Don't Own Me / Pain's On Me

Legally Blonde - The Musical (Original Broadway Cast Recording), brings Elle Woods' journey to life with energetic and memorable songs including Omigod You Guys, So Much Better, and There! Right There!. The musical earned seven Tony nominations, including Best Original Score, with its unique blend of humor, heart and empowerment. The Original Broadway Cast Recording remains a cross-generational fan-favorite for its catchy tunes and uplifting message. On Hot Pink Vinyl.

Celebrating the 20th anniversary of their self-titled iconic debut – the UK’s best-selling album of 2004 – Scissor Sisters release a brand-new Limited Edition 2LP.

Taking the world by storm with their eccentric style, high energy, and feel-good lyrics, it’s no surprise that this album, originally released on February 2nd, 2004, catapulted the band to international success. Since then, the album has sold nearly 4 million copies globally, has 300 million streams to date and won ‘Best International Album’ at the 2005 BRIT Awards.

This 20th Anniversary expanded 2LP features hit singles ‘Laura’, ‘Comfortably Numb’, ‘Take Your Mama’, ‘Mary’ and ‘Filthy / Gorgeous’ alongside a plethora of b-sides and rarities. The 3CD also includes a bonus remixes disc.

Koichi Tsutaya's pseudonymous project "Kerenmi" has announced that the full album "Interchange", released on November 20, 2024, will be released on vinyl!

Tracks on the album include "Sekai feat. Moto from Chilli Beans. & Who-ya Extended" which was used as the commercial song for the Honda VEZEL "Adult feat.
Avu-chan from Queen Bee & Ryuhei from BE:FIRST" a collaboration long awaited by fans, in which Avu-chan himself appears in the music video, which has
become a hot topic "Namae wo Wasuretamama no Anohi no Kodou feat. Kazunobu Mineta" the theme song for the movie "Angry Squad: Civil Servants and the
Seven Swindlers" as well as "Interchange" "Join my band feat. Skaai" "Border line feat. Azsagawa" "Fuzoroi feat. Yuuki Tani & Hitomi from Atarayo" "Tokyo Kimi
Ga everything feat. Tatsuya Kitani & Kai Kubota" "Boy feat. asmi & imase" "Ketatama feat. Mori Calliope" "Oboro feat. Chiaki Sato" "RE:interchange feat. Kohd"
and "Otona feat. Mayuu Yaginu from Chevon" All 13 songs featuring such fabulous artists as have been released on vinyl!

Anchored in the charmingly warm vocal presence that McNown partly honed by busking at the beach in Southern California just a few years ago, Night Diving (The Cost of Growing Up) takes the latter half of its title from a gorgeously textured track that perfectly exemplifies his newly refined sound. With its rootsy and ethereal instrumentation—luminous steel guitar, lush mandolin, soulful organ—“The Cost of Growing Up” arrives as a clear-eyed but melancholy meditation on the inevitability of pain. “To me, the cost of growing up is an acceptance that difficult things are going to happen—from minor inconveniences to devastating loss, it’s all a part of life,” says McNown. “But there’s also beauty in that because, without those hard moments, you wouldn’t be able to truly love.”

'Addicted to the Violence' ist das explosive dritte Album von Daron Malakian und Scars On Broadway. Malakian, der als Songwriter, Sänger und Gitarrist der mit dem GRAMMY® Award ausgezeichneten Band System Of A Down bekannt ist, liefert mit seinem neuen Album, das auf das 2018 erschienene Album 'Dictator' folgt, eine furchtlose Mischung aus Rock, Metal, Punk und Psychedelia. Geschrieben und produziert von Malakian.

Daron Malakian and Scars On Broadway ist das Alternative-Rock-Projekt des System Of A Down-Sängers, Gitarristen, Songwriters und Gründers. Malakian hat zwei Studioalben unter dem Namen DMSOB veröffentlicht: 'Scars On Broadway' (2008) und 'Dictator' (2018).

Dirty Dynamite is the seventeenth studio album from Swiss melodic hard rock/heavy metal band Krokus.

Well received by critics, partly due to the surprising element of their Beatles cover of “Help”.
The band origins from the seventies, and have since sold over 15 million records, toured the world and received gold and platinum discs in the US and Canada. The legendary English journalist Malcolm Dome quite rightly said:

“If you look at the long-term output of this band, Krokus is clearly one of the best hard rock bands of the last 40 years”.

Dirty Dynamite is available as a limited edition of 666 numbered copies on silver coloured vinyl and includes an insert with lyrics

Keyboard virtuoso Terry Riley started experimenting with different instruments in the ‘50s. One of his electronic music landmarks
is his third album A Rainbow in Curved Air. Through the use of overdubbing, he recorded all the instruments to feature on the title track. The composition consists of three movements, each representing another part of his musical influences. As the song progresses, its structure goes through frequent changes. It’s a colorful,
psychedelic, atmospheric and revolutionary song. The second track consists of a loop of saxophones and is the dreamy and calm opposite of the title track. Fans of electronic music, such as Tangerine Dream and Klaus Schulze, would love this record.
Taking inspiration from Hindustani classical music and jazz techniques, Riley’s masterpiece
influenced many musicians, from the likes of Brian Eno to Emeralds.

A Rainbow in Curved Air is available as a limited edition of 750 numbered copies on translucent yellow coloured vinyl

To mark 10 years since SOPHIE’s game-changing singles collection PRODUCT, Numbers are celebrating with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

This anniversary release includes bonus tracks, track-by-track slide posters, and a SOPHIE PRODUCT Card. Physical editions are now available for pre-order and released on 11th July 2025.

SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ are joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

A groundbreaking producer, songwriter and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike. Discography: PRODUCT (2015), OIL OF EVERY PEARL'S UN-INSIDES (2018), SOPHIE (released posthumously, 2024).

Dig deep in to the released output of famed producer David Axelrod and you’ll discover this gem, Pride. The single self-titled release is the pairing of Axelrod with his son Michael. The father-son duo deliver psychedelic pop with what many may call a Baroque folk-rock twist. Issued in 1970, the project is somewhat in the realm of the output from groups such as Love or The Byrds – but indelibly David Axelrod through and through.

Magic Mountain is the fourth studio album by American rock band Black Stone Cherry.

The album debuted at No. 22 on the Billboard 200 chart, selling 13,000 copies in the U.S. in its first week of release. It debuted in the United Kingdom at No. 5.

Produced, engineered, and mixed by Joe Barresi (Melvins, Queens of the Stone Age), this 15-song set unabashedly reflects the band’s biggest influences -- Lynyrd Skynyrd, Led Zeppelin, Cream, and Whitesnake
-- but places them in a 21st century post-grunge, hard rock context.

Magic Mountain assembles all of BSC’s strengths cohesively.

From swaggering blues-metal of opener “Holding on... to Letting Go” to closing track “Revolutionize”. Magic Mountain comes close to the kind of excitement Black Stone Cherry generate live, and showcases their most refined songwriting skills.

Magic Mountain is available on vinyl for the first time ever as a limited edition of 1500 individually numbered copies on gold & purple marbled vinyl. It contains no less than 2 bonustracks & has revised artwork.

Dogs Of War is the twelfth studio album by the heavy metal band Saxon, released in 1995. This one marked a period of changes for Saxon, both in their sound and lineup. Thanks to early ‘90s albums like Solid Ball Of Rock and Forever Free, Saxon convinced many skeptics that they still have plenty of quality heavy metal to offer and after a three-year recording hiatus, the band returned to glory with the massive-sounding Dogs Of War. Once past its thunderous opening title track, Dogs Of War delivered a slew of improbably memorable and distinctive numbers, including ""Big Twin Rolling (Coming Home),"" ""The Great White Buffalo"" and ""Demolition Alley."" It was also the last album with longtime guitarist Graham Oliver as a member of the classic formation, who left shortly after the album release. Dogs Of War is available is available as a limited edition of 1000 individually numbered copies on gold colored vinyl and includes an insert. This special edition contains an additional and exclusive cover print.

Dogs Of War by Saxon, released 12 April 2024, includes the following tracks: "Don't Worry ", "Hold On ", "Demolition Alley ", "Give It All Away " and more.

This version of Dogs Of War comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a gold disc.

Celebrated session guitarist, Willie Lindo, steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions.

A sumptuous piece of gourmet music. Timeless dub, executed to perfection. The B-Side sees Lindo cover Al Green and Bobby Womack, converting their slow jams into stoney instrumental masterpieces, a sort of precursor to the hip-hop way of sampling and reinterpreting our collective heritage.

Far & Distant was recorded at 220 Marcus Garvey Drive, eight years prior to Rita Marley relocating Tuff Gong International to that address.
A relic from an era where being “in the studio” actually meant something.

Re-Release des Hardcore Klassikers auf silbernem Vinyl.

Als Künstler und Performer hat Jamie Lidell ein höllisches Leben geführt, das ihn von der Avantgarde über Clubland-Hedonismus bis hin zum Mega-Mainstream und allen Punkten dazwischen katapultierte. Er hat verschiedene Persona angenommen - vom gesichtslosen, namenlosen Techno-Produzenten bis zum extravaganten Showman. Er hat monströsen Lärm und süße Musik gemacht. Er hat in Kunsträumen, Rave-Dungeons und auf einigen der größten Bühnen der Welt in einem Wirbelwind der Kreativität performt. Doch seit seinem Umzug nach Nashville und der Gründung einer Familie erlebte Jamie Lidell Isolation und Introversion. Indem er mit seiner eigenen Neurodivergenz konfrontiert wurde, musste er seine Beziehung zu sich selbst, seine Geschichte, seine Musik und seinen kreativen Prozess komplett neu bewerten. Und all das drückt sich nun in 'Places of Unknowing' aus, seinem ersten Album seit fast einem Jahrzehnt - eine karge und schöne Abkehr von allem, was er je zuvor gemacht hat.

»The Death of Me« ist das zweite Studioalbum der Metalcore-Band aus Sydney/Australien. In Australien kam es bis aus Platz 3 der Albumcharts, in Deutschland auf Rang 39. Metal1.info über das Album: »Ein absolutes Muss für jeden Metalcore-Fan«

»The Death of Me« ist das zweite Studioalbum der australischen Metalcore-Band Polaris. Die Band produzierte und und nahm es in Mollybook Beach NSW mit Lance Prenc und Scottie Simpson auf, und es wurde von Carson Slovak und Grant McFarland (Atrium Audio) in den Think Loud Studios, PA, USA, abgemischt. Das Album wurde im Februar 2020 unter Resist Records und SharpTone Records und SharpTone Records veröffentlicht und nominiert für einen ARIA Award für das beste Hard Rock- oder Heavy Metal-Album.

Die größten Hits der legendären Band The Marmalade – jetzt endlich als Vinylausgabe!

Für alle Liebhaber klassischer Rock- und Popmusik erscheint die ultimative Sammlung der erfolgreichsten Songs der schottischen Kultband The Marmalade erstmals auf hochwertigem Vinyl.

Mit dabei ist der weltbekannte Nr. 1 Hit „Ob-La-Di Ob-LaDa“, der der Band internationalen Ruhm einbrachte – ebenso wie der eingängige Klassiker „Lovin’ Things“, der bis heute Fans begeistert.
Diese Edition vereint die unvergesslichen Melodien und den zeitlosen Sound einer der prägendsten Bands der 60er- und 70er-Jahre.

Come on down to Planet Weekend amusement park and lose yourself in a world of excitement, where every day feels like the weekend!

Why not forget your sad and relentless existence, find another life in the ‘Arcade Cave’ or grab a snack at the ‘Cheesey Bacon Buffet Beef Palace’, before exploring the plethora of brand new (and definitely safe!!!) attractions that are waiting for you?! C’mon already!

So cancel that plan, quit your job and come and live another life at Planet Weekend!

THROATCUT präsentieren mit "RESILIENCE." ihr kompromissloses Debütalbum – ein Werk, das aus den Trümmern persönlicher Kämpfe und kreativer Neuausrichtung entstanden ist. Die Band, hervorgegangen aus einem früheren Projekt, verfolgt eine radikal ehrliche Vision: roh, ungeschönt und emotional intensiv. Das Album erzählt von inneren Dämonen, äußeren Konfl ikten und dem unermüdlichen Streben nach Selbstbehauptung. Mit einer Mischung aus brachialem Metalcore, atmosphärischen Soundscapes und schonungsloser Lyrik erschaffen THROATCUT. eine kathartische Klangreise durch Schmerz, Wut und Hoffnung.

"Isolation Boulevard" ist eine Sammlung von 12 Re-Recordings aus dem umfangreichen Fundus an Sweet-Klassikern. Die Aufnahmen entstanden 2020 während der Corona-Pandemie. Vor diesem Hintergrund ist die Gesamtleistung aller Beteiligten umso beeindruckender, vom treibenden Schlagzeug und Bass bis hin zu den „in your face“-Gitarren und dem stratosphärischen Gesang.

"New Messiahs" vereint halsbrecherische Riffs, atmosphärische Zwischenspiele und die dunklen, gefühlvollen Töne, nach denen sich Fans sehnen. Das Album bringt neue Kollaborationen mit sich, darunter Kyle Taylor am Schlagzeug, meisterhafte Soli von Charlie Honig und Craig Blackwell und ein eindringliches BonusCover mit Todd La Torre (Queensryche). Ashes of Ares zeigen handwerkliches Können der Spitzenklasse. Zusammen mit dem atemberaubenden Artwork von Kamil Pietruczynik ist diese Veröffentlichung mehr als nur Musik - sie ist ein Statement.

Bereits als 16-Jährige machte Shaw Taylor auf sich aufmerksam: „… habe ich etwas erlebt, das ich mir nie hätte träumen lassen: ein Mädel aus England spielt den Blues auf der Gitarre so beseelt und leidenschaftlich, dass ich eine Gänsehaut kriege, die gar nicht mehr weƽeht!“ Als Dave Stewart (Eurythmics) diese Worte sprach, holte er sie in sein Bandprojekt D.U.P. Mit ihrem 2009er Solodebüt legte sie den Grundstein für eine starke Karriere, die mehrere Chartalben hervorbrachte – darunter vier in Deutschland.

To celebrate its 20th anniversary, Chinese Man revisits We've Been Here Before with a special expanded and reimagined edition. On the menu: unreleased tracks, remixes, live versions, and original reinterpretations featuring special guests such as La Yegros, OBF, and Chill Bump. This rework offers a fresh perspective on the trio's universe, driven by remixes from Manudigital, G?EG, and Lorkestra, who bring a wave of modern energy to the group's iconic tracks. The album also revisits Chinese Man's classics, including a brand-new version of Get Up and a powerful live performance of the legendary I've Got That Tune, featuring General Elektriks. A touch of the past, a bold step into the future - this shape-shifting album is a heartfelt anniversary gift.

Grinderman entstand 2005, als Nick Cave Material für das Album „Abattoir Blues/The Lyre of Orpheus“
von Nick Cave & The Bad Seeds schrieb. Gemeinsam mit Martyn Casey am Bass, Warren Ellis an Violine
und Gitarre und Jim Sclavunos am Schlagzeug erarbeitete die Band gemeinsam Songs. 2006 ging sie in
ein Londoner Studio und begann eine Marathon-Session mit Songwriting und Demoaufnahmen. Mit dem
Ziel, den raueren, ursprünglicheren Sound von Caves gefeiertem Post-Punk-Projekt „The Birthday Party“ nachzubilden, wichen die Texte und die Musik von Grinderman deutlich von Nick Caves früheren Arbeiten
mit The Bad Seeds ab.
Im darauffolgenden April nahmen sie die besten dieser neuen Songs auf und nahmen mit Hilfe ihres langjährigen Freundes und Produzenten Nick Launay ein Album auf. Ihr am 5. März 2007 veröffentlichtes Debü-
talbum „Grinderman“ mit elf Songs wurde von der Kritik hoch gelobt und enthält die Singles „No Pussy
Blues“ und „Get It On“. Das Quartett kam 2009 wieder zusammen, um „Grinderman 2“ aufzunehmen, das
2010 erschien. Im Dezember 2011 gab Cave die Auflösung der Band auf einem Musikfestival in Australien
bekannt.
Das „unglaublich aufregende Debütalbum“ (Observer Music Monthly) ist auf schwarzem Öko-Vinyl und im
CD-Digisleeve-Format erhältlich

Das weltweit gefeierte Musikphänomen Africa Express ist zurück mit einem brandneuen Studioalbum mit
dem Titel „Africa Express presents... Bahidorá“, das in Mexiko aufgenommen wurde und Künstler und
Musiker aus vier Kontinenten zusammenbringt. Das bahnbrechende Musikkollektiv vereint seit über zwei
Jahrzehnten Künstler aus verschiedenen Ländern und Genres in radikal kreativen Kollaborationen, in denen
alles passieren kann und auch passiert.
Mit der Idee, Künstler aus verschiedenen Kulturen, Genres und Generationen zusammenzubringen, um
aufzutreten und Musik zu machen, wurde Africa Express 2006 mit einer Reise nach Mali gegründet, die die
lokalen Stars Toumani Diabaté, Bassekou Kouyaté und Amadou & Mariam mit Künstlern wie Mitbegründer
Damon Albarn, Martha Wainwright und Fatboy Slim zusammenbrachte.
Jeder Auftritt von Africa Express ist einzigartig, voller spontaner Momente der Magie, Zusammenarbeit
und Entdeckung. Im Jahr 2024 war Africa Express Headliner des Bahidorá-Festivals in Mexiko, einer Reise,
bei der eine außergewöhnliche Gruppe von Musikern, Sängern und DJs aus der ganzen Welt zusammenkam,
um an den Ufern der alten Quellen von Bahidorá zu proben, aufzutreten und neue Musik zu schreiben.
Das Ergebnis ist „Africa Express präsentiert ... Bahidorá“, eine völlig originelle, einmalige Sammlung von
21 Songs, die ein außergewöhnliches Line-up von Talenten aus Mexiko, Südamerika, Afrika, den USA und
Großbritannien präsentiert, darunter:Abou Diarra – Baba Sissoko – Bonobo u.a.

Das 2014 erschienene Debüt-Studioalbum White Noise von PVRIS hat sich in den USA über 100.000 Mal
verkauft (und bis heute über 300.000 Exemplare) und hat Fans auf der ganzen Welt in seinen Bann gezogen. Mit fast 250 Millionen Streams in den USA markierte das Album den Einstieg der Band in die Welt.
Jetzt, nach über 200.000 verkauften Tonträgern (über 600.000 Äquivalente bis heute) kehren PVRIS nun
zu ihren Wurzeln zurück.
Die Jubiläumsausgabe von White Noise wurde im März 2025 in digitaler Form veröffentlicht und enthält
Spiritbox’s Courtney LaPlante auf der äußerst beliebten Single „My House“. Die Neuauflage des Albums
enthält außerdem
Die Neuauflage des Albums enthält außerdem zwei neu bearbeitete Versionen von Songs aus der Originalversion, „Fire“ und „Mirrors“, sowie eine Live Version des Hits „You and I“. Die Jubiläumsausgabe von
White Noise ist ein Muss für Szene-Veteranen und Sammler

We’re proud to present the first-ever official reissue of Les Nkenda — a rare and genre-blending spiritual gem from 1982, originally released in the Republic of Congo by the Cercle Biblique Évangélique (C.B.E.) of Pointe-Noire and produced by Adam Julien Koubemba on the small Adamsol Record Edition label. Pressed in extremely limited quantities and virtually impossible to find for decades, Les Nkenda has become a “holy grail” among collectors of African music. Fully remastered from the original tapes, it returns on vinyl for the first time since its initial release. More than a reissue, this is a revelation — a powerful fusion of gospel, psychedelic groove, folk, soulful funk, and Afro-Latin rhythms. Recorded in Pointe-Noire, the album channels the raw spirit of 1980s Congo with vibrant multilingual vocals and rich, polyrhythmic textures. Both hypnotic and deeply emotional, Les Nkenda is music made without compromise — once lost, now revived for a new generation of collectors, diggers, and seekers of the extraordinary.

Limitiertes weißes Vinyl Eine exklusive Compilation des legendären britischen Indie-Labels él, das in den 1980er Jahren mit stilvollem Pop, kunstvollem Design und internationalem Einfluss begeisterte. Mit Künstlern wie Momus, Louis Philippe und The King of Luxembourg bietet The Rubens Room eine elegante Reise durch Kammerpop, Chanson und Filmscores - fernab vom Mainstream. Begleitend zum Buch Bright Young Things erscheint dieses Sammlerstück auf weißem Vinyl - ein Muss für Liebhaber anspruchsvoller Popkultur.

Ron 'Bumblefoot' Thal is a celebrated guitarist, producer, composer, and educator with a career spanning over 30 years. Known for his groundbreaking techniques, Bumblefoothas performed with bands such as Guns N' Roses, Asia, Sons of Apollo, and Whom Gods Destroy. He is back with a brand-new instrumental album, 'Bumblefoot ...Returns!'. Thirty years after his debut solo instrumental album, BUMBLEFOOT revisits his roots with a 14-track masterpiece that spans genres from metal to orchestral to blues. 'Bumblefoot ...Returns!' features collaborations with iconic musicians, including Brian May, Steve Vai, Guthrie Govan, Derek Sherinian, and others, showcasing BUMBLEFOOT's innovative guitar techniques, such as his signature fretless guitar and "thimble technique." The limited edition double vinyl includes a UV-printed d-side, CD is a digi-sleeve with a single disc and a 4-panel square foldout poster, with double-sided art.

For two decades, Trad Vibe Records has been exploring and celebrating the many facets of hip-hop, funk and soul music, always driven by a passion for authentic, organic sounds. Founded in 2005, this independent French label has made its mark on the underground scene with cult releases, transatlantic collaborations and a loyalty to vinyl culture. In 20 years, Trad Vibe has brought together beatmakers, MCs and DJs around a musical vision that is both timeless and audacious. To celebrate this anniversary, the label unveils a limited vinyl edition of 300 copies, a veritable digest of its musical universe.

Side A kicks off with "Boom Bap Introduction", a track mixing jazz and boom bap in a characteristic old-school instrumentation by DJ Vince.
This is followed by the West Coast energy of DJ King Flow & Lex Lakaiser on "Money".
The soulful groove of Moar, Raashan Ahmad and Kohndo explodes on "Stand Up (Soul
Train Mix)".
Juliano concludes the side with his blues-inspired "Nothing or All".
The B-side kicks off with the classic “Rock It Feel The Groove”, a funky bomb orchestrated and scratched by Dee Nasty, a historic figure in French hip-hop.
Moar and Raashan Ahmad return with "Sky High", a track reminiscent of the golden age of 80's Disco Rap.
Followed by LS Brigandes with the sensual "You Make Me Feel", bathed in New York, Hip-Hop, Soul and Jazzy influences.
To round off the album in style, DJ Clyde concludes with a positive message on Boom Bap sounds and Lofi with “More Love”.
This anniversary compilation is available on vinyl only, in an ultra-limited edition of 300 copies. A must-have collector's item for fans of polished beats and authentic vibes.

TOP 10 IN THE VINYL CHARTS* Since the 1950s, especially in America, there has been renewed excitement every year to see who will land the next Christmas hit. Many music le- gends have joined in the hunt for the number 1 song at Christmas. As a result, many new Christmas songs and interpretations were created, which have now become the songbook of modern Christmas Classics and have partially replaced the classic Christmas music. Let It Snow! Let It Snow! Let It Snow!

BEST SELLERS IN VINYL CHARTS* Rather Christmas party than con- templative get-together? Rather mulled wine than hot milk and New York instead of Nuremberg? Then Santa Claus has the right soundtrack for your Winter Wonderland. The Christmas classics of the big stars for the most wonderful time of the year with the guarantee of entertaining, enjoyable and merry Christmas mood. Run, Rudolph Run!

THE FIRST LADY OF SONG With her extraordinary voice, Ella Fitzgerald be- came a legend during her lifetime. She is considered one of the best singers of all time. Yet Ella actually wanted to become a dancer. However, she was too nervous to dance at a dance competition and sang instead. She won the first prize. The rest is history. With her Christmas album „Ella Wishes You A Swinging Christmas,“ Fitzgerald pioneered and paved the way for modern Christmas music. Everything that came af- ter would have been unthinkable without her. Rolling Stone lists the album first on its „40 Essential Christ- mas Albums“ list. This version also includes two bonus tracks: „Christmas Island“ and a medley.

HOLLY JOLLY A good shot of swing, a splash of Las Vegas, served on a silver platter by world stars Frank Sinatra, Dean Martin and Sammy Davis Jr. create a very special Christmas mood. With all the important Christmas songs and some extraordinary treats, the Rat Pack transforms Christmas into an ent- ertaining party with ‚Holly Jolly Christmas‘. The genius of Sinatra, the charm of Dean Martin and the non- chalance of Sammy Davis set standards as the Rat Pack to this day for an extraordinary entertainment cul- ture and the realization of the „American Dream“. Oh, By Gosh, By Golly It‘s Time For Mistletoe And Holly...

THE KING ON CHRISTMAS Elvis‘ Christmas Album is one of the absolute clas- sics of Christmas albums. Released for the first time in 1957, it has been as much a part of Christmas as the Christmas tree and mulled wine ever since. To this day, Elvis‘ Christmas Album is the best-selling Christmas album in the world and also one of the best-selling albums of all time.

TOP 10 IN THE VINYL CHARTS* Frank Sinatra has released a number of Christmas albums and singles in his career. His program has become a perennial favorite and indispensa- ble at the holidays. The incomparable interpretation of Christmas classics by THE VOICE accompanied by elaborate orchestral arrangements has retained its unique charm to this day and still accompanies every swinging Christmas.

UNIQUE CHRISTMAS It is something very special when the legends of jazz put their (Christmas) robe over well-known Christmas carols and then let them shine in new splendor. This is true for the virtuoso instrumentalists on saxophone, trumpet, piano, clarinet and vibraphone as well as for the great voices of jazz. The intelligent arrangements exude the magic of Christmas without any kitsch, but still with a lot of feeling, charm and extraordinary skill. For all those who like to do without the classical Christmas singing and are bored by the pop monotony, Jazz On Christmas is the alternative to create a very unique Christmas atmosphere.

CHRISTMAS & NEW ORLEANS Louis Armstrong set standards in jazz with both the trumpet and his extraordinary voice, influencing all generations to come. Armstrong loved the Christmas season, the festive spirit and Santa Claus. This joy is reflected in his Christmas recordings. With his dazzling trumpet solos and distinctive, raspy and unique voice, Armstrong‘s Christmas songs continue to enrich music selections for the holiday to this day. Complemented by outstanding Christmas songs by his companions Ella Fitzgerald, Nat King Cole, Frank Sinatra, Dinah Washington, Les Brown, Dean Martin, Louis Jordan, Peggy Lee and The Dukes of Dixieland, Christmas becomes COOL YULE!

MR. CHRISTMAS In the beginning there was White Christmas and the Christmas albums of Bing Crosby. Everything else came after and can hardly compete with that success. Bing Crosby‘s sig- nature song White Christmas is still the best-selling single of all time, with 50 million units sold. The song, composed by Irving Berlin, first appeared in Crosby‘s film Holiday Inn. The composition won the Oscar for Best Original Song at the 15th Academy Awards. The song was so successful that it topped the charts again year after year, 16 times in the USA alone. The same goes for Crosby‘s Christmas albums. The records, which have been repeated over the past 70 years, have accompanied many generations and have become an integral part of Christmas. Christmas without Bing Crosby, without White Christmas would be something like doing without a Christmas tree, mulled wine or presents. So let‘s rather not try it!

GOSPEL CHRISTMAS Mahalia Jackson is considered the greatest gospel singer of all time. Her goal was to proclaim God‘s word through song. She ushered in the Golden Age of Gospel between 1945 and 1965. Jackson was the first gospel artist to tour Europe. She appeared regularly on tele- vision and radio programs and sang for many presidents and heads of state, including the national anthem at John F. Kennedy‘s inauguration in 1961. At a time when segregation was pervasive in American society, she had great success. She sold an estimated 22 million records, but still had trouble hailing a cab or sim- ply being able to buy something in stores. Her gospel interpretation of Silent Night is still one of the most soulful and impressive versions of the famous Christmas song. The album of the same name is still a classic today and remains unsurpassed.

HO, HO, HOWDY! Cowboys also celebrate Christmas! The biggest country stars present the most beautiful Christmas songs in country style, of course. A treat for all country fans, as well as for lovers of cozy Christmas atmosphere in the style of American Nashville romance. With punch and turkey, banjo and harmonica, fiddle and mandolin, Santa Claus can set off in a good mood. If you‘ve always wan- ted to spend the most wonderful time of the year with Johnny Cash, Marty Robbins, Chet Atkins and many other country greats, The Country Christmas Album will fulfill your Christmas wish

40th Anniversary Edition

"RATT exploded on to the national scene in 1984 with the release of ‘Out Of The Cellar.’ Featuring an undeniable hook and legendary music video, lead single “Round And Round” hit #12 on the Billboard Hot 100, while ‘Out Of The Cellar’ reached #7 on the Billboard Top 200 and was certified triple platinum. Two more charting singles followed with “Back For More” and “Wanted Man”. RATT started the tour as an opening act, but by the end of the tour had climbed to arena headliner.
The album features the classic line up of Stephen Pearcy (vocals), Warren DeMartini (guitars), Robbin Crosby (guitars), Juan Croucier (bass/vocals), and Bobby Blotzer (drums), and is now available on CD with Lenticular Cover, and Limited Edition Red and Black Splatter vinyl with Lenticular cover with a Neon Orange 7"" single"

Ólafur Arnalds & Eoin French, known professionally as Talos, come together on A Dawning, a deeply immersive collaborative album set for release in July 2025 via OPIA Community and Mercury KX. Created before the untimely passing of Talos in 2024, the record blends their distinct musical voices—into something truly transportive. Adding a deeply personal touch, all artwork for the album and its singles were crafted by Talos himself, offering fans an additional insight into his beautiful creative vision. This release not only celebrates the musical partnership between Arnalds and Talos but also honours the enduring legacy of Talos, ensuring his artistic spirit continues to inspire and resonate.

Token presents the 6th chapter of the Fuga series. Challenging new faces to complete the label's sound, Fuga VI is another focused compilation that balances spatial detail and rhythmic bite.

Skipping any introduction to dive straight into the essence of the compilation, Skjöld portrays 'Forbidden City' as a tense aquatic exploration. With pressure in the low end, he keeps the record alive by conjuring obscure pads to give dimension and intrigue to an already nervous track. This persistence is quickly met with weight; Tapefeed's 'Residual Memory' follows up to tap into the label's more aggressive side. Riddled with mechanical sound design bordering on the industrial, the Tapefeed duo creates dancefloor dominating energy that sets them apart with an all-out approach. The density of this second track feeds smoothly into Stephen Disario's 'Out Of Tune' - a drum-forward record with dispersed texture. The LA based producer puts his hi hats brutally forward to cut through the space, finding a remarkable balance between its two sides and exploiting its confrontation. Returning to the label's recognizable resonance, Merino steps in with 'Memoria' - a manic 5 minute synth loop with minimal percussion. Dealing in restraint and dissonance, Merino naturally finds a home in Fuga VI with this track before heading back into the peak time paranoia of JSPRV35 in 'Question'. Pushing up the intensity and flicking through vintage percussion lines, 'Question' is an extraverted homage to the origins of techno that embodies flair. The track drives through the middle of Fuga with ease, bouncing rhythm off a sharp bassline with thundering claps and snares. 'Catch 22' by Terminus restores balance with minimalism but pace. A hypnotic break in the second half is sure to mesmerize dancers and home listeners alike. Stuttering hats shake throughout 'Catch 22' to push the track along, keeping the harmony low and maintaining focus on the movement. With a similar tempo, Sanna Mun follows up with 'Binary Systems'. A speedrun through an acid-like bassline, the track's rhythm is obsessive and persistent as we reach the conclusion of the compilation. Fuga VI comes full circle with a ghostly track by Mode_1 called 'Lifespan', stretching time and tunneling through with booming toms and shuffled hats. Keeping the pressure high and maintaining that never ending energy is the only way to wrap up such a high energy release and Mode_1 does just that.

Black Vinyl LP. The world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch. Ziúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. "I roll the shittiest cigarette," she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. "If it rains and the city drowns," he utters over gaseous electronics, "I will not run away, but I will be anxious for the heart of one close to me." After a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsible beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action. She may have spent her entire career avoiding the solipsistic trappings of "queer art", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.

After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone.
Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary
show at San Francisco's The Matrix!

These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best.
Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.),
the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as
“Stir It Up” take on the form of a rock and roll anthem in this session.

Discovered and released on CD by P-VINE in 2005, these mythical studio recordings are finally getting a long deserved analog release!

The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

Repress!

The Labor Days 20th Anniversary Edition 2xLP is pressed on metallic copper vinyl. Labor Days was Aesop Rock's fourth release and his third full-length studio album. The project was originally released in 2001 as his first album on Definitive Jux. The album includes popular songs "Daylight" and "9-5ers Anthem", and guest features from Illogic and C-Rayz Walz, as well as production from Aesop Rock, Blockhead, and Omega One.

Yowzers is a new album by Chicago composer, improvisor, and musical folklorist Ben LaMar Gay. Yowzers features Gay"s working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice), as well as guest instrumentalist Rob Frye and a mini-choir. The album recalls the high-minded freedom of Liberation Music Orchestra, the glitched-out electronic webs of Robert Aiki Aubrey Lowe, the unbridled rhythms and sandpaper bellows of Bukka White, and the harmolodic cartoon glory of Arthur Blythe"s Illusions. It"s all there, filtered through an improvisational approach and a lifetime of secrets embodied. For a man who has inhabited and traveled these continents so extensively, it"s safe to call this work true "Americana", despite what that word might mean to the average person in the United States.

In celebration of the 30th anniversary of Marvellous Cain’s groundbreaking 1995 album, Suburban Base presents a special vinyl reissue—available for the first time since its original pressing.

This jungle classic, a defining release of the era, has become a prized collector’s item, fetching over £90 for VG+ condition copies on Discogs. Now, you can own a mint, never-played edition, meticulously remastered for the digital age to deliver superior sound quality.

This limited reissue brings back every iconic track, all of which have remained unavailable since their original release in 1995—making this a true collector’s essential.

And for the first time ever, the album will also be available digitally to stream and download, including the original CD bonus tracks "Snapper" and "Giness Punch."
Celebrate 30 years of jungle history—secure your copy now while supplies last!

Marvellous Cain – Gun Talk - 30th Anniversary Vinyl Reissue will be released as a 2x Black Vinyl Album

Five years after their groundbreaking debut "Klucz" (hailed as the best Polish hip-hop album of 2004), the Warsaw-based crew Wilku, Bilon, and Żary returned with another hard-hitting project – "Droga", originally released on April 15, 2009.
Now, 16 years later, this cult classic is returning for the first time ever on vinyl – in a special collector’s edition!

"Droga" features a lineup of guest artists who, at the time, formed the backbone of the Polish hip-hop scene, including Peja, Lukasyno, Firma, Fandango Gang, Juras, Bas Tajpan, Ras Luta, Dixon 37, and Diil Gang.
The members of Hemp Gru explain the meaning behind the album title:
“The first album was the 'Key' that opened the door. Now, beyond that door, lies the Road – hence the title of the second album.”
The album earned Gold Record status – twice – and is now regarded as one of the foundational releases of Polish street hip-hop.
Vinyl Edition Includes:
• 2 vinyl records (vinyl mastering by DJ 600V) in a gatefold sleeve
• 1 fold-out double-sided poster (60 cm x 30 cm)
• 1 double-sided insert (30 cm x 30 cm)
• 2 exclusive instrumentals: Droga and W Hemp Armii
A must-have for fans and collectors of Polish hip-hop history.

EURODANCE IS BACK! From clubs to radio stations, the Eurodance sound is everywhere, driven by artists like David Guetta, Upsilone, Gabry Ponte, Boris Way, and Ofenbach. TO MARK THE OCCASION, REDISCOVER THE GREATEST EURODANCE HITS OF THE 90S AND 2000S ON DOUBLE VINYL AND DOUBLE CD!

Pond Life Records presents Humble B Flat’s third vinyl release – Blessings of the Sun, a spiritual jazz-infused deep house double LP.

His previous album, Source of the Nile - promoted through a more grassroots approach than this forthcoming release — saw great success, with purchases via Bandcamp by deep house legends like Osunlade and Kai Alce. It also received radio play on shows such as Macca’s acclaimed The Glove That Fits on NTS, among others.

The release has garnered heartwarming messages from the likes of Coflo, Tour-Maubourg, Delfonic, and Felipe Gordon, and was recently spotted in FloFilz’s Spotify recommendations.

Blessings of the Sun has already been lighting up dance floors at loft-inspired parties such as Giant Steps, Luar, and Beija Flor.

Blessings of the Sun is receiving a more focused promotional rollout. It has already been played on rising star Millie McKee’s NTS show. As with past releases, only a limited number of copies will be pressed. Artwork is by renowned artist Annie Fiddian Green, and more new music from Humble B Flat is on the horizon.

With a Pond Life stage takeover set for one of Resident Advisor’s top festival picks, Gottwood, pre-empting the release, we’re excited to see where this double LP from Humble B takes us.

Lela Amparo's debut album for Past Inside The Present is a smooth fusion of ambient guitar, IDM, trip-hop rhythms, orchestral arrangements and poetic vocals that draw from her American Southwest roots, international travels, and life in Gothenburg, Sweden. Amparo crafts a raw, worldly sound from these inspirations and mixes cinematic grandeur with tender grace, gorgeous melodies and head-nodding drum programming. Highlights include 'Space Us Out' with its emotional beat and piano loop, and 'You Say You Love' which combines harp and choral voices. 'Rose & Honey' reflects on isolation in Tokyo, while 'Wrong Thing' offers a Burial-style rhythm. Keep Your Soul Young is all about finding home within yourself.

Martin Scorsese ist einer der wichtigsten Filmregisseure der New-Hollywood-Ära. Dank Filmen wie »Taxi Driver« (1976), »Raging Bull« (1980), »The Wolf of Wallstreet« (1986), »Goodfellas« (1990), »Casino« (1995) und »The Irishman« (2019).

Außerdem erhielt Scorsese zahlreiche Auszeichnungen, darunter einen Academy Award, vier BAFTA Awards, drei Emmy Awards, einen Grammy Award und drei Golden Globe Awards. Hier sind Songs von Dean Martin, Frank Sinatra über Ella Fitzgerald, Dinah Washington, sowie Howlin Wolf und John Lee Hooker vertreten. Auf dem vorliegenden Soundtrack-Album sind somit 21 Stücke aus der Filmmusik der erfolgreichsten Scorseses Film-Meisterwerke enthalten.








h Walk on the wild side part 1 (1962) from casino & the color of money








h Walk on the wild side [part 1] (1962) from casino & the color of money








[h] Walk on the wild side [part 1] (1962) from casino & the color of money








[h] A8 | Walk on the wild side [part 1] (1962) from casino & the color of money

One of Romania’s most important composers in the last half-century, Octavian Nemescu (1940-2020) is among the few that were not “part of the system”, managing to survive and compose in a world that felt more and more “empty”, fragile, confused and scarce in prophecies. The mystical approach to his art defines Octavian Nemescu as an essentialist who believed in the power of archetypes in which he found inspiration. His pieces always start from an idea that has spiritual, cosmogonic implications and often involves synthesizers, sounds from nature (buzz of bees) and the “ison” (drone). When defining “meta music” or “imaginary music”, Nemescu was an advocate of looking from above, from the top of the mountain. Silence is very important in his work in order to keep the sound flowing and to reflect on the sound from before, as a space, as a pause for thinking. Nemescu put forward another kind of music: a song that has not yet surfaced through human voice, any musical instrument, orchestra or other electro-acoustic means: an intimate, interior, introverted inner sound that focuses on the individual and the imagination. Imaginary music is a reaction, it comes in contrast to the spectacular, it is anti-show. For him, music had a ritualistic function, it served no cultural purpose.

This 3LP set collects eight pieces for variable ensemble, tape and electronics, composed between 1968 and 2015, selected together with Erica Nemescu, who also mastered the tracks. Most tracks have been previously released on different CD’s but never before on vinyl.

Underoath sind seit fast zwei Jahrzehnten eine wegweisende Stimme im progressiven Heavy Rock. Nur sehr
wenige können mit ihnen mithalten, wenn es darum geht, immer wieder an die Grenzen zu gehen oder sich
kreativ weiterzuentwickeln. „Voyeurist“ ist eine Rückkehr zu Underoaths Heavy-Metalcore-Wurzeln, die sie
in den 2000er Jahren zu einer der größten Bands in der Metal-Welt machten. „Voyeurist“ ist ihr neuntes
Album und das erste, das die Band komplett selbst produziert hat. Es wurde im Studio von Gitarrist Tim
in Tampa, FL aufgenommen und enthält 10 Tracks, die schwer, aber dennoch experimentell und manchmal
wunderschön sind. Während das letzte Album „Erase Me“ aus dem Jahr 2018 eine Abkehr von ihrem
Sound war und eher ein geradliniges Rock-Album, kehrt dieses zu den beliebten Metalcore-Wurzeln der
Band zurück, von denen die Fans so begeistert sein.

David Douglas and Applescal both share a deep passion for the road. In the summer of 2023, they decided to come together to write a track. Full of inspiration and atmospheric ideas, this evolved from a rough concept into a collection of tracks. What initially began as an idea for a single track quickly grew into the full-fledged electronic album 'Démarrage'.

*People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "COPIA". This album marks the first new musical material since "The Mirror" in 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.
* The title "COPIA," meaning 'abundance' and 'copy,' reflects the essence of collage and sampling - art created not in isolation, but as a connective thread through time and space, linking ideas across generations in a seamless tapestry.
* By reconfiguring preexisting sounds and images, Bennet highlights the non-dual nature of creation — where distinctions between past, present, and future possibilities blur, revealing a shared foundation beneath. The album marks a return to not just solo works but collaborations with notable artists.
* Drawing from the new People Like Us live AV performance, "The Library of Babel," sampling and edited sound collage, electronic music, combined with Ergo Phizmiz's lyrics and melodies, "COPIA" weaves and recombines a timeless blend of diverse elements that transcends traditional musical boundaries. This creative process unfolded through the exchange of multitracks across both water and ether. Collaborating with the voices, instruments and editing timelines of Matmos, Hearty White, Gwilly Edmondez, Lotte Bowater, Buttress O’Kneel, Douglas Benford, Irene Moon, Jon Leidecker, and Matt Warwick, the work evolved exquisite corpse-style.

“Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places. Where some artists hack existing instruments and technologies to create their new sounds, Bennet has circuit-bent the songs themselves.” - Spenser Tomson, The Wire Magazine

"to breathe again..." is the new compilation from Special Species Records, featuring a global collection of artists showcasing Ambient, House, Wave, UK Garage, and Lo-Fi. The release features artwork by Lela Amparo. All profits from this release will go to the Rainforest Foundation US.

In celebration of its 10th anniversary, Aesthetical Records is honoured to reissue Peau Froide, Léger Soleil, the groundbreaking collaboration between Finnish electronic music luminary Mika Vainio and French experimental music pioneer Franck Vigroux. Originally released in 2015, this new edition revives a work of unparalleled sonic intensity and textural exploration. The album is set to release on double vinyl and CD on May 24, 2025.

This iconic album is the result of a three year recording process that began after Vainio and Vigroux’s first live performance in Paris in 2012. Their collaboration serves as an intricate balance of minimalist meditations and maximalist energy, pushing electronic music into radical new directions. Peau Froide, Léger Soleil is a journey through psychic resonance and spatial abstraction, constructed through Vainio’s intense, brutalist grooves and Vigroux’s explorations in tonal extremities. Spanning a total of nine tracks, the album unfolds like an odyssey, densely layered yet free from structural limitations, traversing vast emotional landscapes where each sound feels at once intimate and tectonic.

Beginning with the ominous, bass-heavy textures of “Deux,” Vainio and Vigroux establish a dynamic atmosphere, setting the stage for the intense soundscapes to follow. “Mémoire” introduces ghostly voices that weave through thick waves of sub-bass and distorted noise, while “Souffles” explores uncharted sonic territories with its microtonal landscapes and spectral ambiance. Vigroux’s mastery over spatial abstraction comes to life in “Le Souterrain,” adding an atmospheric weight reminiscent of Ennio Morricone’s stark loneliness or Neil Young’s Dead Man soundtrack. In contrast, tracks like “Parabole” and “Le crâne tambour” unleash fierce, maximalist grooves, making them some of the most aggressive and memorable moments in Vainio’s discography.

Peau Froide, Léger Soleil represents a landmark in its sonic identity, embodying a vision of uncompromising, avant-garde sound design. This anniversary reissue on Aesthetical honours that legacy while inviting new listeners into Vainio & Vigroux’s collaborative universe—a space where electronic music becomes both weapon and sanctuary.

The 10th-anniversary edition promises a fresh listening experience, preserving the legacy of two artists who have redefined the boundaries of sound.

Mexico City based "street jazz" maestro Soni Orbita is on a spiritual quest in sound. Jazz is what he uses to communicate messages of love and freedom, and this new album for Departamento does just that across 8 magnificent new tracks. They are brilliantly complex in their arrangements but also hugely accessible thanks to their universal grooves and emotions. Elements of house, funk and disco all feature with piano anchoring each piece. The result is a deeply personal and meditative body of work that invites introspection while moving the body and soul with endlessly rich harmonies. This is bold, brilliant jazz for anyone seeking a path to higher consciousness.