expected to be published on 20.06.2025
Search:20
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Walk Quietly By
- A2: Open Road
- A3: Back Home
- A4: No-One Around
- A5: Step Back
- A6: When The Circus Comes To Town
- A7: Summer Heat
- B1: Just A Dream
- B2: The Lady Doctor From Ashington
- B3: Stealing The Night Away
- B4: Honey Don't You Understand
- B5: Born With The Blues
- B6: Morning Brings Peace Of Mind
- B7: Living In The Shadows
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: I Want Someone Badly
- A2: Erecting A Movie Star
- A3: Diamonds, Sparks & All
- A4: When I Was Born, I Was Bored
- A5: Appalachian Lullaby
- A6: Airfield Dream
- A7: Automatic Soup
- A8: Lonesome Dove
- B1: Speed Of Love
- B2: Day Ditty
- B3: The Wedding Is Over
- B4: Jelly On The Table
- B5: Just Really Wanna See You
- B6: I Want Someone Badly
- B7: Final Dream
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Kristeen Young Feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer
- A2: Lawrence Rothman Feat. Sasami– Take It To The Grave; Written-By – Lawrence Rothman, Soko Solinski*, Yves Rothman
- A3: The Aubreys– Getting Better (Otherwise); Written-By – Finn Wolfhard, Lawrence Rothman, Malcolm Craig
- B1: Courtney Love– Mother (Acoustic); Written-By – Courtney Love, Lawrence Rothman
- B2: Empress Of– Call Me (Acoustic); Mixed By – Yves Rothman; Written-By – Justin Raisen, Lawrence Rothman, Lorely Rodriguez, Yves Rothman
- B3: Dani Miller Of Surfbort*– Psychic Surgery; Written-By – Bosh Rothman*, Dani Miller, Lawrence Rothman, Yves Rothman
[a] A1 Kristeen Young feat. David Bowie– American Landfill; Engineer – Anthony Paul Lopez, Justin Raisen, Tony Visconti; Engineer [Additional Engineering], Producer [Vocal Production] – Ainjel Emme; Mixed By – Anthony Paul Lopez, Justin Raisen; Producer [Additional Production] – Anthony Paul Lopez, Jeremiah Raisen; Producer [Music Produced By] – Justin Raisen, Kristeen Young, Tony Visconti; Written-By – Kristeen Young
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Doug Intro
- A2: Sometimes You've Got To Stop Chasing Rainbows
- A3: What About Tomorrow
- A4: Beautiful Texas Sunshine; Pedal Steel Guitar – Brad Sarno
- A5: Float Away
- A6: Yesterday Got In The Way
- A7: Keep Your Soul
- B1: Dynamite Woman; Fiddle – Gary Hunt (4)
- B2: Huggin' Thin Air
- B3: Juan Mendoza
- B4: Poison Love
- B5: Seguin
- B6: It's Gonna Be Easy
- B7: Doug Outro
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Love Your Puppy
- A2: Tatty Seaside Town
- A3: Viva! Spanish Turncoat
- A4: Bulbous Love Child
- A5: Electric Storm
- A6: Fuck My Old Boots (Robo Cop And Seacombe)
- A7: John Robb's 91St Nightmare
- B1: Long Live The Hooligan!
- B2: Punk Out Baby
- B3: Corn Dolly Fear
- B4: (The World Acclaims...) Eternal Protein Man
- B5: Bacon Factory
- B6: Let's Take The Death Trip
- B7: Cheap Male Aggression
- B8: Cor Blimey! Ain't England Snidey
expected to be published on 20.06.2025
- A1: November
- A2: Never Had It Bad
- A3: Gear Summer 2015
- A4: Becky Doll; Recorded By
- A5: Black Boots; Lead Vocals – Tad Hutchison
- A6: Alien Overlords
- A7: Alone In A Bus
- B1: Young Mod's Last Ride
- B2: She's By Request
- B3: Fugitive Arise
- B4: Astondale
- B5: Bleed Out
expected to be published on 20.06.2025
- Ai Thirteen Minutes 0:55
- Aii In The Good Old Days It Used To Be... Worse 1:41
- Aiii White Ghosts 1:08
- Aiv Stagnation Is Death
- Music By, Lyrics By – Andi*
- 1: 22
- Av The Chips Are Down
- Music By – Tobi*
- 1: 49
- Avi Flatties 1:34
- Avii Ram It Down 1:37
- Aviii The Butcher Of Petrograd 1:48
- Aix Meteor Impact Helps None
expected to be published on 20.06.2025
Lucy's 8th studio album is a collection of reimagined, reworked classics from her 7 previous records, plus brand-new songs - a brilliant mix of old and new.
It's a beautifully crafted album of hit records including her stunning song Sober featuring the icon Robbie Williams, as well as her debut hit Tea & Toast, plus brand new, never-before heard songs.
On 'Other Sides of the Moon', Lucy has worked closely with friend and mentor, Simon Cowell, who personally A&R'd and guided this album, lending his 40+ years experience in the industry to make the record an impressive collection of beautifully crafted songs.
Lucy Spraggan rose to fame on The X Factor in 2012 - in the height of its popularity - as the very first contestant to perform their own songs. Her audition was the 4th most watched video in the entire world
expected to be published on 20.06.2025
- A1: Empty Hearted Town
- A2: Steady Rain
- A3: Join Me In L.a
- A4: Hasten Down The Wind
- A5: Werewolves Of London; Written-By – Leroy Marinell*, Waddy Wachtel, Warren Zevon
- A6: Tule's Blues
- A7: The French Inhaler
- B1: Going All The Way
- B2: Poor Poor Pitiful Me
- B3: Studebaker
- B4: Accidentally Like A Martyr
- B5: Carmelita
- B6: I Used To Ride So High
- B7: Stop Rainin' Lord
- B8: Back In The Highlife; Producer, Engineer – Paul Q. Kolderie, Sean Slade; Written-By
- C1: The Rosarita Beach Café
- C2: Desperados Under The Eaves
- C3: Workin' Man's Pay
- C4: Frozen Notes
- C5: Some Kind Of Rider
- C6: I Was In The House When The House Burned Down; Producer, Engineer – Paul Q. Kolderie, Sean Slade
- C7: Don't Let Us Get Sick (Solo Acoustic); Engineer – Bill Johnson (8)
- D1: Warren Speaks On Songwriting And The Early Days Of His Career
- D2: Musings On Mortality, Song Noir, Religion In His Music And The King Of Rock N' Roll
- D3: A Chat About The Producers Of "Life'll Kill Ya," The Album's Stark Sound And Other Singers Covering His Songs
- D4: His Take On Steve Winwood's Classic, The Split Personality, Images And Inspirations In His Compositions
- D5: Talk Of Tv, Movies, Acting And Performing
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: The Honey Drippers– Impeach The President
- A2: Eddie Bo– If It's Good To You (It's Good For You)
- A3: The Gaturs– Gatur Bait
- A4: Johnson* & The Lucky Hearts– Get It
- A5: Sonny Jones– Sissy Walk
- B1: Mary Jane Hooper– Don't Change Nothing
- B2: Herbie Thompson– Keep On Stepping
- B3: The Black Nasty*– Party On 4Th Street
- B4: Lynn Day– Bit Off More (Than I Can Chew)
- B5: Ike Turner & The Kings Of Rhythm*– Funky Mule
- C1: Billy The Baron & His Smokin Challengers*– Communications Is Where It's At
- C2: City Council Ltd.– When You Git Through Wit It Put It Back
- C3: Bobo Mr. Soul– H.l.i.c
- C4: The Chosen Few (8)– We Are The Chosen Few
- C5: Georgianna Mccoy & The Classetts– I've Got To Space
- D1: Johnny Mae Matthews*– My Momma Didn't Lie
- D2: Glenda Dove– It's Gotta Be Something Else
- D3: City Council Ltd.– You Got It All, Ain't No More
- D4: Dennis Lee & Notables– Funky Penguin
- D5: James Black– There's A Storm In The Gulf
expected to be published on 20.06.2025
Pentagram ist eine amerikanische Heavy-Metal-Band aus Alexandria/Virginia, die vor allem als einer der Pioniere des Doom Metal bekannt ist. Die Band war in der Underground-Szene der 1970er Jahre sehr produktiv und produzierte viele Demos und Probebänder, veröffentlichte aber kein komplettes Album, bis sie sich Anfang der 1980er Jahre mit einer fast komplett neuen Besetzung neu formierte. Das einzige konstante Mitglied in der Geschichte der Band war der Sänger Bobby Liebling.
Pentagram wurde Anfang der 1970er Jahre gegründet und veröffentlichte 1985 ihr Debütalbum Relentless. Die Band überlebte mehr als vier Jahrzehnte voller Widrigkeiten und Triumphe, um zu dem legendären internationalen Act zu werden, der sie heute ist und der ihren Namen fest in die Geschichtsbücher des Heavy Metal geschrieben hat. Obwohl Pentagram einst als Kultband mit einer starken und engagierten weltweiten Fangemeinde angesehen wurde, hat ihre Popularität in letzter Zeit stark zugenommen, was zum Teil auf den Dokumentarfilm Last Days Here aus dem Jahr 2011 zurückzuführen ist, der die Irrungen und Wirrungen des Leadsängers von Pentagram, Bobby Liebling, zeigt.
Tracklisting
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Holiday Hymn
- A2: Get On Board
- A3: Somewhere In China
- A4: This Arsehole's Been Burned Too Many Times
- A5: Elevator
- A6: Hey Mister
- B1: Stop That Girl
- B2: Dial F For Fake
- B3: Moscow
- B4: Louche Life
- B5: 22 Blue
- B6: Big Sur
The Secret Goldfish release their first album in 25 years in June 2025 - Empty Holster has been in process since 1996 when vocalist Katy Lironi started collating songs by her favourite songwriters Vic Godard, Davy Henderson and James Kirk (the idea for Empty Holster was a covers album of their songs).
The tracks have been recorded extremely sporadically over the past decades and were finally finished off at Green Door studio and mastered by Samuel Joseph Smith.
Empty Holster also features covers of songs by Dan Penn and Spooner Oldham, Port Sulphur, The Beach Boys, and a long-lost Goldfish collaboration with Adventures in Stereo's Jim Beattie, Elevator, which was missing for 15 years, presumed lost. Musical guests appearing on Empty Holster include Mick Slaven (The Bluebells), Campbell Owens (AztecCamera), James Kirk (Orange Juice), Vic Godard (Subway Sect), Francis Macdonald (Teenage Fanclub), and Katy and Douglas's daughter Amelia Lironi (QUAD90). The album is pressed on Goldfish Orange vinyl at Seabass Vinyl in Scotland.
expected to be published on 20.06.2025
University, the Crewe-based four-piece formed of Zak Bowker (vocals/ guitar), Ewan Barton (bass), drummerJoel Smith and Eddie (mascot), release their debut album, McCartney, It'll Be OK.
Recorded with producer Kwes Darko (Sampa The Great, Denzel Curry) at Damon Albarn's Studio 13 in London, McCartney, It'll Be OK furthers the extremely exciting beginnings of University's 2023 debut EP, Title Track, with the hooks now brighter and more melodic, the breakdowns heavier and the lyrics more refned. The band recorded McCartney, It'll Be Alrighttotally live, and it retains the delightfully unhinged energy that's defned their work so far, with everything thrillingly close to falling apart at any minute.
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Snatcher, Featuring – Oliver Howlett
- A2: Downfall Part. A
- A3: Not Our War, Vocals – David Menke
- A4: Heritage
- B1: Bright Future
- B2: The Iron Lady
- B3: Master Plan, Featuring – Oliver Howlett
- B4: Don't Be A Traitor, Featuring – Oliver Howlett
- B5: Fuzzy Thatcher
- B6: She Had To Be Believed
- B7: War
- C1: Broken Dreams, Featuring – Oliver Howlett
- C2: Num Confrontation, Vocals – Marie Limiñana
- C3: Chaos
- C4: Business As Usual
- C5: Revolting
- D1: Tears Don't Lie, Vocals – David Menke, Marie Limiñana
- D2: Way Of Her Cross
- D3: Ambiguous Memories
- D4: Downfall Part. B
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: Your Ghost; Vocals
- A2: Beestung
- A3: Teeth
- A4: Sundrops
- A5: Sparky
- A6: Houdini Blues; Written-By – Kristin Hersh, W J. Hersh*
- B7: A Loon
- B8: Velvet Days
- B9: Close Your Eyes
- B10: Me And My Charms
- B11: Tuesday Night
- C12: The Letter; Engineer – Steve Rizzo; Producer – Kristin Hersh, Steve Rizzo; Remix – Phill Brown
- C13: Lurch
- C14: Cuckoo; Arranged By – Kristin Hersh; Written-By – Traditional
- C15: Hips And Makers
- C16: Hysterical Bending; Engineer – Billy O'connell, Steve Rizzo; Mixed By – Steve Rizzo; Producer – Billy Mcconnell, Kristin Hersh
- C17: The Key
- C18: Uncle June And Aunt Kiyoti; Written-By – K Hersh*, W.j. Hersh*
- C19: When The Levee Breaks; Written-By – Page*, Bonham*, Jones*, Minnie*, Plant*
- D20: A Loon
- D21: Sundrops
- D22: Me And My Charms
- D23: Velvet Days
- D24: The Key
expected to be published on 20.06.2025
- A1: I'm A Pilot; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- A2: Ghosts; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- A3: Luna; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- A4: Comets; Written-By – Memon*, Finch*, Beckenham*, West*, Balthazar*
- A5: Fire Escape; Written-By – C. Lucas*, L. Beckenham*, S. Balthazar*
- B1: The Walls Are Coming Down; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- B2: Drowning Men; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- B3: If It Is Growing; Written-By – Beckenham*, Balthazar*
- B4: Harold T. Wilkins, Or How To Wait For A Very Long Time; Written-By – Memon*, Lucas*, West*, Balthazar*
- B5: Finish Line; Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- B6: Good Morning Midnight; Written-By – Lucas*, Balthazar*
- C1: Kist Of Whistles (Instrumental); Written-By – Lucas*, Balthazar*
- C2: Talking Backwards; Written-By – Balthazar*
- C3: Hands; Written-By – Memon*, Lucas*, Finch*, Beckenham*, Balthazar*
- C4: Scott; Written-By – Memon*, Lucas*, Finch*, Beckenham*, Balthazar*
- C5: Drowning Men (Acoustic Demo); Written-By – Memon*, Lucas*, Finch*, Beckenham*, West*, Balthazar*
- D1: You Are One Of The Few Outsiders Who Really Understands Us; Written-By – Finch*, Beckenham*, West*, Balthazar*
- D2: Tuesday (You Come When We Call); Written-By – Balthazar*
- D3: We Live By The Lake; Written-By – Beckenham*, Balthazar*
- D4: Acoemeti (Instrumental); Written-By – Lucas*, Balthazar*
- D5: Sand & Ice; Written-By – Lucas*, Balthazar*
expected to be published on 20.06.2025
- A8: City Life (Country Home), Written-By – Neil Young
- A7: Feels Like A Railroad (River Of Pride) (White Line), Written-By – Neil Young
- A6: Heart Of Steel (Fu), Written-By – Frank Sampedro, Neil Young
- B5: Broken Circle (Over And Over), Written-By – Neil Young
- B4: Valley Of Hearts (Love To Burn), Written-By – Neil Young
- C3: Farmer John, Written-By – Dewey Terry, Don Harris*
- C2: Walkin' In My Place (Road Of Tears) (Mansion On The Hill), Written-By – Neil Young
- C1: To Follow One's Own Dream (Days That Used To Be), Written-By – Neil Young
- D9: A Chance On Love (Love And Only Love), Written-By – Neil Young
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: We Know
- A2: Emergency
- A3: 미친 폼 (Crazy Form)
- A4: Arriba
- A5: Silver Light
- A6: Crescent Part.2
- B1: 꿈날 (Dreamy Day)
- B2: Matz
- B3: It's You
- B4: Youth
- B5: Everything
- B6: Fin: Will
- C1: Deja Vu (Film Ver.)
- C2: Eternal Sunshine (Outdoor Ver.)
expected to be published on 20.06.2025
- A1: Burning House Of Love; Songwriter
- A2: Love Shack; Songwriter
- A3: My Soul Cries Your Name; Songwriter
- A4: My Goodness; Songwriter
- A5: Around My Heart; Songwriter
- B1: What's Wrong With Me...; Songwriter
- B2: All Or Nothing; Written-By – R. Lane*, S. Marriott*
- B3: Watch The Sun Go Down; Songwriter
- B4: I'll Stand Up For You; Songwriter
- B5: Little Honey; Written-By – Dave Alvin, John Doe (2)
- B6: Supercharged; Songwriter
- C Wild Thing
- D Devil Doll
[a] A1 Burning House Of Love; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[b] A2 Love Shack; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[c] A3 My Soul Cries Your Name; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[d] A4 My Goodness; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[e] A5 Around My Heart; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[f] B1 What's Wrong With Me...; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[h] B3 Watch The Sun Go Down; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[i] B4 I'll Stand Up For You; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
[k] B6 Supercharged; Songwriter [Songs Written By] – Exene Cervenka, John Doe (2)
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- Witches
- The Final Winter
- The Touch Of A Woman
- When The Comet Comes
Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother song writing team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious and dancefloor-ready, it sold in limited quantities at the time.
Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her socially conscious and politically charged songs, with a burning desire to put strong depictions of women front and centre. To bring Zenana to life, she joined forces with her brother Mike, an early adopter of electronic music who had built a small studio in his Cornish home, and recruited two fellow bandmembers, Penny Griffiths and Ruth Elder.
This specific release is a limited reissue that the band created in 2023 and holds three more songs ; The Final Winter, The Touch Of Woman & When The Comet Comes. This issue comes with an 8 page booklet including background stories as well as historical photographs.
expected to be published on 20.06.2025
The first and last Inga Copeland album"
The 2013 album, pressed in a limited qty. Features: Scratcha DVA / Scratchclart .
Premium material from the artist now recording as LOLINA. Big TIP!!!
expected to be published on 20.06.2025
- A1: Space & Time 3:24
- A2: Kokopelli Face Tattoo (Alternate) 3:13
- A3: Do, Re, Me (Alternate) 2:33
- A4: Blood, Hatred, Money And Rage 2:46
- A5: Keep On Chooglin' 1:47
- A6: Brainbody.mp4 2:00
- B1: Now That I'm At The Top Of My Game 2:34
- B2: Christmas Island 3:12
- B3: Getting Naked, Playing With Guns (Alternate) 3:07
- B4: Junkie Church (Alternate) 2:20
- B5: The Final Cut, Written By – Pink Floyd
- B6: I Miss You
expected to be published on 20.06.2025
- A1: Intro
- A2: Arrival In Nara; Violin – Kirsty Mangan
- A3: Nara; Violin – Kirsty Mangan
- A4: Every Other Freckle
- B1: Left Hand Free
- B2: ❦ (Garden Of England - Interlude); Arranged By – Will Gardner (5)
- B3: Choice Kingdom
- C1: Hunger Of The Pine
- C2: Warm Foothills; Lyrics By – John Bayley; Violin – Kirsty Mangan; Vocals – Conor Oberst, Marika Hackman
- C3: The Gospel Of John Hurt; Guitar – Brett Cox; Marimba – Beth Higham-Edwards
- D1: Pusher
- D2: Bloodflood Pt.ii; Cello – Rachael Lander; Trombone – Trevor Mires; Violin – Kirsty Mangan
- D3: Leaving Nara
- D4: Lovely Day
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- Ember
- Torn
- Chameleon
- Bardo
- Bishop
- Elegy
- Drift
- Breath
- Spectre
- Flare
- Iso
- U.s.d.d.o.s
Mit an der Spitze der Shoegaze-Revivalisten steht ohne Zweifel die Band TRAUMA RAY aus Fort Worth, Texas, die die Komplexität, Intensität und ausdrucksstarke Verwüstung des Shoegaze virtuos beherrscht. Seit sie 2018 mit einer selbstbetitelten EP erstmals Wellen schlugen, haben die fünf Texaner ihr Live-Set auf immer abenteuerlicheren Amerika-Touren verfeinert - sie stapeln Verstärker und verdrehen Köpfe bei jeder Show, was ihnen in kürzester Zeit eine riesige Anhängerschaft eingebracht hat. Die drei Gitarren der Band sind eine Wucht, abwechselnd wütend, wild und gespenstisch, durchtränkt von präziser Verzerrung. Das Kern-Songwriter-Duo Uriel Avila und Jonathan Perez hat die Vision und das Handwerk des Projekts erweitert und verfeinert, was nun in ihrem 12-Track-Debüt für das Label DAIS, "Chameleon", gipfelt. Abgerundet durch Bassist Darren Baun, Schlagzeuger Nicholas Bobotas und Gitarrist Coleman Pruitt, synthetisiert und transzendiert das Album seine Einflüsse, eine stürmische Verschmelzung von Downer-Hooks, apokalyptischer Schönheit und Bulldozer-Riffs. Der Name TRAUMA RAY wurde in klassischer Shoegaze-Manier von dem deutschen Wort für "Tagtraum" oder "Traumzustand" inspiriert. Avilas Hintergrund in einer frommen Pfingstgemeinde verleiht seinen Texten über Schuld, Fegefeuer und den Übergang auf die andere Seite eine emotionale Authentizität, die sich durch das majestätische Volumen der Musik zieht. "Chameleon" ist ein Meisterwerk des Handwerks, der Ausgewogenheit, der Melodie, der Lyrik und der Schwerkraft, das eine neue Vision von "Laut-Leise-Laut"-Architekturen und den schwindelerregenden Tiefen von gesprengten Harmonien bietet. Von SLOWDIVE über DEFTONES bis hin zu HUM und darüber hinaus absorbieren und erweitern TRAUMA RAY ihre Einflüsse zu einer seltenen und hingebungsvollen Alchemie. TRAUMA RAYs cineastischer Sturm ist ein sich aufbauender Orkan, der sich gerade erst zu bewegen beginnt.
expected to be published on 20.06.2025
Das damals dritte Album der Punkrock- und Streetcore-Band aus dem Ruhrgebiet. Seit 2008 aktiv, hat sich das Quartett bis 2018 weiter nach vorne gearbeitet, sogar bis in die Charts, und ist kurz darauf erstmal für länger abgetaucht. Ihr "Pottcore" ist eine kompakte Mischung aus zielstrebigem Punkrock und Streetcore, wie man ihn von Acts wie TOXPACK lieben gelernt hat. Mit "Retro In Via" (von 2016) hat die sympathisch bodenständige Band zehn mitreißende, fetten Singalong-Hymnen für den gepflegten Straßenköter abgeliefert. Dabei ist die Bandbreite des Albums musikalisch wie lyrisch extrem weit gefächert: Vom schnellen Gassenhauer mit Gänsehaut-Refrain wie "Das Hat Mit Freiheit Nichts Zu Tun" über den Knaller "Punkrock Allianz" (mit Beteiligung von EMSCHERKURVE 77- und BRIGADE S-Musikern) bis hin zu nachdenklicheren Tönen über Liebe, Freiheit, Andersdenkende oder das Drama der aktuellen Flüchtlingspolitik (richtigerweise aus der Sicht der Opfer) haben HARTE WORTE einen wahren Quantensprung gemacht. Orangenes Vinyl, vollfarbig bedrucktes Insert, limitiert auf 500 Exemplare weltweit.
expected to be published on 20.06.2025
- Fleischmütze
- So Wie Ihr Uns Kennt
- Keine Polizei
- No One Likes Us
- Geliebt Gehasst
- Tresenpoesie
- Grundsätzlich Dagegen
- Kopie
- H.d.f.f.d.s
- Einfacher Mann
- Bombe
- Spielerfrau
Der Platz #82-Charterfolg von 2018 wiedr auf Vinyl lieferbar! Mit rauem Ton und brachialen Texten stellen die Ruhrpottpunks "Harte Worte" mit Ihrem neuen Album "So wie Ihr uns kennt?!" die Gesellschaft und die Musikszene in Frage. Provokation mit Ohrwurmgarantie die wachrütteln soll und den Standpunkt der Band noch einmal in den Vordergrund rückt. Das neue Album besticht unter anderem durch klare Aussagen und deutliche Stellungnahmen gegen gewisse Umtriebe aus Teilen der Deutschrockszene - unterlegt von eingehenden Gitarrenriffs, dem typischen kollektiven Singalongs der Band und dem dadurch mitreißenden United. Man kann den Punkrock nicht nur hören sondern buchstäblich fühlen. Laut. Direkt. Bedingungslos. Weiterhin gibt es klare Abgrenzungen zu den alten Alben, da neue Stile und musikalische Veränderungen in "So wie Ihr uns kennt?!" integriert wurden. Es finden sich bei "Kopie" Ska-Gitarren wieder, "Geliebt, Gehasst" wurde zusammen mit "Das weiße Rauschen" eingesungen und an ein komplett englisches Lied hat sich die Band diesmal ebenfalls herangetraut. Das Album befindet sich durchgängig in Bewegung und sorgt beim geneigten Hörer durchweg für Überraschungen. Dennoch sind sich "Harte Worte" treu geblieben. Mit erhobenen Fäusten und gezücktem Mittelfinger machen die Jungs keinen Hehl daraus, was und wer ihnen nicht passt und sich besser nicht in den Weg stellen sollte. Punkrock der bewegt, Spaß macht und sich nicht zensieren lässt. So kann man das neue Album der Jungs wohl am besten umschreiben. "So wie Ihr uns kennt!?" - nicht ganz! Langweilig können alle. Und denselben Scheiß auch. Hier wird Punkrock neu definiert. Da bleibt dem geneigten Zuhörer nur eine Wahl: Anhören! Schwarze Vinyl LP.
expected to be published on 20.06.2025
- A1: Every Kind Of Music But Country
- A2: Rock Bottom, Pop. 1
- A3: The Buck Starts Here
- A4: (I Love) Nickles And Dimes
- A5: Barely Human
- A6: I'd Be Lonesome
- B7: She Took A Lot Of Pills (And Died)
- B8: We'll Burn Together
- B9: Let's Live Together
- B10: The Scrapple Song
- B11: Pete Way's Trousers
- B12: Tears Only Run One Way
- B13: Papa Was A Steel-Headed Man
expected to be published on 20.06.2025
- Colours Changing
- Through With You
- Borrowed Time
- The Rain Parade
- Two Hearts
- For One More Day
- Into The Unknown
- Last Chance
- Turn You Down
- Stealing Suggestions
- Nine Times Nine
- Is Forming
PUMPKIN COLOUR VINYL[35,50 €]
The buzz about the Crystal Teardrop that has been growing for the past two years looks set to reach fever pitch with the release of their debut album _IS FORMING. Featuring a dozen memorable compositions by the bands Alexandra Rose and Leon Jones, the album more than lives up to the promise of their 2024 single releases and their ecstatic live performances on stages across the UK and Europe. The band formed in Stoke-on-Trent in early 2023, "inspired," explains Alexandra Rose, "by a mutual passion for the sights, sounds and creative experimentation of the late 1960s." In addition to Alexandra on lead vocals on guitar, the band comprises Leon Jones (guitar, sitar), Stuart Gray (keyboards, Mellotron), Ed Quigley (bass, vocals), and Huw Woodward (drums, percussion). Intuitively blending elements of garage rock, folk-rock, power pop and psychedelia, the band have created an appealing concoction infused with their own perspectives and personalities. To best capture their sound, they recorded at an all-analogue facility, Tilehouse studio in North London, working closely with White Stripes producer Liam Watson of Toe Rag Studios fame.
expected to be published on 20.06.2025
Order now and we will order the item for you at our supplier.
Last In: 8 months ago
expected to be published on 20.06.2025
- A1: Diamond Smiles; Written-By – Bob Geldof
- A2: Second-Last Call; Backing Vocals – David Vandervelde; Written-By – Burch*, Bennett*
- A3: Twice A Year; Written-By – Burch*, Bennett*
- A4: Mirror Ball; Acoustic Guitar, Backing Vocals, Harmony Vocals – Sherry Rich; Bass Guitar, Slide Guitar – Rick Plant; Drums – Alex Moore (12); Engineer – Jay Bennett; Harmony Vocals – Pat Sansone; Tambourine – Glenn Kotche; Written-By – Bennett*, Rich*
- A5: Footprints
- A6: Hotel Song; Drums – David Vandervelde; Rhythm Guitar – Jason Sipe; Written-By – Bennett*, Rich*
- B1: Invitation
- B2: When Heaven Held The World
- B3: M Plates
- B4: Cartoon Physics
- B5: Beer
- C1: Another Town Another Ride Another Window 3
- C2: I Don't Have The Time
- C3: I'll Decorate My Love; Backing Vocals – Edward Burch
- C4: The Engines Are Idle
- C5: How Dull They Make The Razor
- D1: Without The Benefit Of Sight
- D2: Hank
- D3: Talk And Talk And Talk
- D4: Wicked World; Written-By – Daniel Johnston
- D5: Little Blue Pills
expected to be published on 20.06.2025
- A1: Neocon
- A2: The Noose
- A3: Long Way Home
- A4: Hit That, Songwriter – Bryan Keith Holland*
- A5: Race Against Myself
- A6: (Can't Get My) Head Around You, Songwriter – Bryan Keith Holland*
- B1: The Worst Hangover Ever
- B2: Never Gonna Find Me
- B3: Lighting Rod
- B4: Spare Me The Details
- B5: Da Hui, Songwriter – Bryan Keith Holland*, Greg Kriesel, Kevin Wasserman, Pete Parada
- B6: When You're In Prison
expected to be published on 20.06.2025
- A1: Remember; Written-By – Berlin*
- A2: Ella Speed; Written-By – Traditional
- A3: Big Stuff; Written-By – Bernstein*
- B1: Nobody's Heart; Written-By – Rodgers - Hart*
- B2: Just One Of Those Things; Written-By – Porter*
- B3: If You Could See Me Now; Written-By – Dameron*
- B4: Jambangle; Written-By – Evans*
expected to be published on 20.06.2025
- Side One What You Love (A Place To Bury Strangers Remix); Remix – A Place To Bury Strangers
- Side Two (In The) Hidden Fields (Throw Down Bones Remix); Remix – Throw Down Bones
expected to be published on 20.06.2025
- A1: Diamond In The Heart
- A2: Mistress Of Disguise
- B1: On The Sunny Side Of The Street
- B2: The Only Lonely Girl
expected to be published on 20.06.2025
- A1: Six Figures Getting Sick (Six Times)
- A2: Absurd Encounter With Fear
- A3: The Alphabet
- A4: Theme From The Grandmother
- A5: Industrial Soundscape (Excerpt)
- A6: Absurda
- B1: Premonitions Following An Evil Deed
- B2: Dream #7 (Extended)
- B3: The 3 Rs Epilogue For The 3 Rs
- B4: Ballerina, Part 1
- B5: Ballerina, Part 2
expected to be published on 20.06.2025
- A1: Punishment By Roses
- A2: The Dream Collector
- A3: Blackmail
- A4: The Murder In The Rue Morgue
- A5: My Soul Was Still Shouting, 'More!
- B1: I Wish Those Spacemen Would Come
- B2: Badge Of Lead (A Western)
- B3: Small Death Of A Broken Doll
- B4: She Calls The Morning Cruel
- B5: Lady Bureaux
- B6: Is There Anybody There
- C1: The Wolf Knows
- C2: Castles Of Limburg
- C3: If Muzak Be The Junk Food Of Love
- C4: Homo Sapien Blues
- C5: This Town
- C6: Vincent In The Flames
- D1: They've Murdered Christ Again
- D2: Lucky Dog
- D3: Old Man In The Rain
- D4: Conspiracy Of Shadows
- D5: The Long Ride Home
- E1: Cruel Brittania
- E2: All The Pilgrims
- E3: It's Got To Be The Angels
- E4: I'll Put Off Thinking About You For Awhile
- E5: Or Do I Speak Too Soon?
- E6: Oh No! Not Another Songwriter!
- F1: Diamonds, Black Eyes And Valentines Blues
- F2: The Most Beautiful Girls In The World
- F3: Before The Positive Was Negative
- F4: At Paradise
- F5: New Year's Day
- F6: Leaning Towards The Falls
expected to be published on 20.06.2025
- A1: Yen Sleep
- A2: Concrete Cancer
- A3: Peckerwood Stomp
- A4: Inside Looking Out
- A5: Mental Kingdom
- B1: Sodden Jackal
- B2: Iron & Stone
- B3: Indestroy
- B4: Mourning
- B5: Spirit Caravan
- B6: Skybone
- C1: On The Hunt
- C2: No Blame
- C3: Neatz Brigade
- C4: Hiding Mask
- C5: Endless Circle (Live)
- D1: Streetside
- D2: Climate Of Despair
- D3: Decimation
- D4: Fears Machine
- D5: Field Of Hours
expected to be published on 20.06.2025
- A1: Scene 1: Welcome 2 Collegrove; Narrator – 50 Cent
- A2: G6
- A3: Big Diamonds; Featuring – 21 Savage
- A4: Presha
- A5: Long Story Short
- B1: Scene 2: Duffle Bag Boys; Narrator – 50 Cent
- B2: Millions From Now
- B3: Crazy Thick
- B4: Transparency; Featuring – Usher
- B5: Significant Other
- C1: Scene 3: Ladies Man; Narrator – 50 Cent
- C2: P.p.a.; Featuring – Fabolous
- C3: Oprah & Gayle; Featuring – Benny The Butcher*
- C4: Shame
- C5: Bars
- D1: Scene 4: No Fent; Narrator – 50 Cent
- D2: Godzilla; Featuring – Vory (2)
- D3: Crown Snatcher 2:36
- D4: Can’t Believe You; Featuring – Rick Ross
- D5: Scene 5: Never Was Lost; Narrator – 50 Cent
- D6: Moonlight; Featuring – Marsha Ambrosius
expected to be published on 20.06.2025
- A1: Doors Of Your Heart
- A2: All Out To Get You
- A3: Monkey Murders
- A4: I Am Your Flag
- A5: French Toast (Soleil Trop Chaud)
- A6: Drowning
- B1: Dream Home In Nz
- B2: Walk Away
- B3: Over And Over
- B4: Cheated
- B5: Get-A-Job
- B6: The Limits We Set
- C1: Too Nice To Talk To
- C2: Psychedelic Rockers
- C3: Hit It
- C4: Which Side Of The Bed?
- C5: Drowning (Dub)
- D1: Too Nice To Talk To (Dubweiser)
- D2: Psychedelic Rockers (Dubweiser)
- D3: Doors Of Your Heart (Extended)
- D4: Hit It (Extended)
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 20.06.2025
- A1: The Shimmer Band– Freedom
- A2: Firewoodisland– Dearest Brøther
- A3: Dr Meaker– Deep In My Heart (Ft. Lorna King)
- A4: Celestine (3)– Driving Away
- A5: Michel Padron– Moon Street
- B1: Patrick Duff– Brian Jones
- B2: Laid Blak– Bristol Love
- B3: Lice (6)– Gentleman's Magazine
- B4: Oliver Wilde– You're So Kool-Aid
- B5: Gary Clail Sound System*– Electric Skies (Edit)
expected to be published on 20.06.2025
expected to be published on 20.06.2025
expected to be published on 19.06.2025
- A1: Premier Contact
- A2: Le Manège Des Vanités
- A3: Dead Hip Hop
- A4: Avec Les Larmes
- B1: Autour D’un Café
- B2: Ne Plus Y Croire
- B3: Toute La Vérité
- B4: Poussière D’enfants
- C1: Le Rendez-Vous Manqué
- C2: De L’amour À La Haine
- C3: Sous Le Signe Du V
- C4: Un Peu Seul
- D1: Baise Les Gens
- D2: Peut-Être Un Verre ?
- D3: Pas Stable
- D4: Depuis Que J’étais Enfant
- D5: Perspectives
- D6: Il Faut Qu’on Parle
A l’occasion des 20 ans de cet album devenu culte, Record Makers réédite une version spéciale anniversaire limitée (vinyles transparents – 500 exemplaires) qui ravivera la flamme des fans de la première heure, des nouveaux fans et des collectionneurs. "Vive la Vie" est aujourd’hui un album référent pour les amateurs de rap, reconnu par ses pairs lyricistes, c’est un de ses albums qui marquent à jamais une époque, celle des années 2000 et de son rap aux rimes fines et puissantes.
Le 15 novembre 2004 sortait "Vive la Vie" le premier album du Klub des Loosers.
On ne présente plus le Klub des Loosers et son unique membre Fuzati. Pourquoi ? parce qu'on en a un peu honte quand même. Imaginez un jeune versaillais que tout prédestinait à devenir écrivain maudit ou chanteur d'un groupe de pop répétant dans le garage parental le dimanche de 16h à 20h. Le genre de type qui passait ses samedis après-midi à la bibliothèque municipale, ses samedi soir à boire de la bière dans les squats de jeunes où on recense une fille pour dix mecs et où la phrase qui revient le plus souvent est "qui roule un joint ?"
Imaginez maintenant que ce type ait une illumination, au milieu de ces jeunes que tout prédestine à la réussite (HEC, science-po) et qui lorsqu'ils se retrouvent ensemble ne savent pas faire autre chose que de se défoncer. "Nous sommes un klub de loosers".
Comme il n'aime pas trop les gens, Fuzati fondera un klub dont il sera le seul membre. Comme il n'a pas de guitare que le hip hop est son seul ami il se dit qu'il fera ça comme musique. Bah oui c'est sympa le hip hop. Comme on lui a dit qu'il n'avait pas une tête de rappeur et que les casquettes à l'envers lui vont mal il ne montrera jamais son visage et portera un chapeau. S'en suivra un parcours classique de MC underground qui rappe pour la rue (mais aussi les avenues) et représente ses refrés illégalement enfermés derrière les murs des prépas t'as vu. Mixtapes, nombreux freestyles dans l'émission Greckfrite diffusée sur la chaine internet Canalweb, concert à la MJC de Versailles mais aussi dans un entrepôt désinfecté à Dunkerque.
En 2003 Il signe sur le label parisien Record Makers parce qu'on lui a appris qu'il ne fallait pas trop se mélanger avec les gens d'autres milieux. Sortiront deux EP, "Baise les Gens" et "La Femme de Fer" qui sont déjà des classiques pour au moins 32 personnes. La même année sort également l'album de l'atelier "Buffet des Anciens Elèves" auquel il participe avec Tékilatex du groupe TTC, James Delleck, Cyanure et deux producteurs de talent, Tacteel (Lex Records) et ParaOne (Institubes). En juillet 2004 sort le maxi du Klub des Loosers où collaborent MF DOOM, légende hip hop, et Jean-Benoit Dunckel, moitié du groupe AIR.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
- A1: Ezio's Family - Shadows Version Remix - Living Room
- A2: Shadows Main Theme - Remix - Ambulo
- A3: The Fujibayashi Legacy - Remix - Nogymx
- A4: An Assembly Of Enemies - Remix - Fugee
- A5: The Fujibayashi Legacy - Remix - Living Room
- B1: Ezio's Family - Shadows Version - Remix - Hokø
- B2: Shadows Main Theme - Remix - Loafy Building
- B3: Rise Of Yasuke - Remix - Yestalgia
- B4: A Moment Of Sweetness - Remix - Prithvi
- B5: Tomiko - Remix - Otaam
- C1: The Long Shadow Of Oda Nobunaga - Remix - Simon Groß
- C2: The Fujibayashi Legacy - Remix - Loafy Building
- C3: Matters Of The Heart - Remix - Kioko
- C4: Master Sorin - Remix - Tibeauthetraveler
- C5: Shadows Main Theme - Remix - Jhove
- D1: The Fujibayashi Legacy - Remix - John Lee
- D2: Ezio's Family - Shadows Version - Remix - Softy
- D3: Rise Of Yasuke - Remix - Møndberg
- D4: Junjiro (Little Tanuki) - Remix - Mondo
- D5: A Moment Of Sweetness - Remix - Kainbeats
Official Licence.
This limited-edition vinyl release brings together Lofi Girl and Assassin’s Creed Shadows in a legendary collaboration.
The album features 20 lofi remixes inspired by the Assassin’s Creed Shadows Original Game Soundtrack. Familiar melodies like Ezio’s Family have been reimagined as softer, more atmospheric tracks - ideal for unwinding, studying, or finding focus.
expected to be published on 18.06.2025
Danza Tribale opens a new chapter in 2025 with MAITAKE - ??, the debut EP from Italian sound explorer Lo.Sai. Rooted in sonic tactility and movement, the project draws from both ancestral rhythms and experimental structures to create something intimate, immersive, and future-facing.
Named after the "dancing mushroom" from Japanese folklore, MAITAKE is inspired by the interconnected growth of mycelial networks and the emotional ecology of shared experience. Developed in collaboration with choreographer Maria Combi, the EP is a meditation on collective motion - where dance, rhythm, and ritual coalesce.
Across five tracks, Lo.Sai weaves together broken percussion, deep bass, fieldrecordings, and global rhythmic language. Fragments of flamenco, muezzin prayer, and Central African everyday rhythms float through the record - artefacts gathered by the artist's close-knit creative circle in Lunigiana. What emerges is not just a club record, but a living, breathing sonic organism.
Order now and we will order the item for you at our supplier.
Last In: 24 days ago
The Collective Cuts sub-label of Cinthie’s 803 Crystal Grooves makes a welcome return
with a fresh VA package, featuring Willy Mikkelson, Luca Olivotto, Batch One and Roque
(CRP).
Since its inception back in 2020, Cinthie’s Collective Cuts imprint has welcome the likes of
KETTAMA, 9th House, S3A, UC Beatz, Anaxander, Azuni and many more onto the label. Here
the story continues with more dynamic house jams from Cinthie’s coterie of underground
artists from across the globe.
Nashville, USA’s WiLLY MiKK leads with Devastate, laying the foundations for the records
with a classic Hip House vibe, fusing crisp drums, bright stabs and bumpy bass with
choppy hip hop vocals. Small Great Things head honcho Luca Olivotto follows with
‘Passion’, the Berlin based Italian delivers his refreshing disco-tinged House aesthetic via
funky guitar licks, bright chord melodies, ethereal pad textures and shuffled drums.
Batch One’s ‘When U R Free’ follows to open the flip side, merging snaking arpeggios and
bouncy bass notes with uplifting piano lines and a raw, robust rhythm section. Spanish
artist based out of Basel, Switzerland Roque (CRP) then concludes the package with ‘Bring
It Down’, perfectly rounding things out on a deeper tip, raw, reduced drums carry the
groove alongside an amalgamation of chopped vocal chants, dubbed out stabs and tension
building strings.
Order now and we will order the item for you at our supplier.
Last In: 3 days ago
expected to be published on 18.06.2025
expected to be published on 17.06.2025
- A1: ホワイト・ベース月へ; Music By, Arranged By – 松山祐士
- A2: 想い出はつらく; Music By, Arranged By – 松山祐士
- A3: 白い奴; Music By, Arranged By – 松山祐士
- A4: 再会、父よ; Music By, Arranged By – 渡辺岳夫*
- A5: 迫るジオン; Music By, Arranged By – 渡辺岳夫*
- A6: 戦場の兄妹; Music By, Arranged By – 渡辺岳夫*
- A7: 巨大な戦場; Music By, Arranged By – 松山祐士
- A8: 指輪; Music By, Arranged By – 渡辺岳夫*
- A9: ビグ・ザムの男; Music By, Arranged By – 松山祐士
- B1: 重い時間; Music By, Arranged By – 渡辺岳夫*
- B2: ララァ; Music By, Arranged By – 松山祐士
- B3: 出撃; Music By, Arranged By – 渡辺岳夫*
- B4: ビギニング; Lyrics By – 井荻 麟*; Music By, Arranged By – 井上大輔*
- B5: 憎しみの光; Music By, Arranged By – 渡辺岳夫*
- B6: 宿命の二人; Music By, Arranged By – 渡辺岳夫*
- B7: 仲間たち; Music By, Arranged By – 渡辺岳夫*
- B8: めぐりあい; Arranged By – 鷺巣詩郎*; Lyrics By – 売野雅勇*, 井荻 麟*; Music By – 井上大輔*
expected to be published on 17.06.2025
- C4: Waka Waka (This Time For Africa)
- A1: Sale El Sol
- A2: Loca; Featuring – El Cata
- A3: Antes De Las Seis
- A4: Gordita; Featuring – Residente Calle 13*
- A5: Addicted To You
- A6: Lo Que Más
- B1: Mariposas
- B2: Rabiosa; Featuring – El Cata
- B3: Devoción
- B4: Islands
- B5: Tu Boca
- C1: Waka Waka (Esto Es África); Featuring – Freshlyground
- C2: Loca; Featuring – Dizzee Rascal
- C3: Rabiosa; Featuring – Pitbull
- D1: Loca (Freemasons Spanish Club Edit); Featuring – El Cata
- D2: Waka Waka (Esto Es Africa) (K-Mix)
- D3: Waka Waka (This Time For Africa) (K-Mix)
expected to be published on 17.06.2025
- A1: Return To The River Ganges (Distant Green Shore Dub)
- A2: Mediolana (Ambrosirus Dub)
- A3: The Galicians Of Asia Minor
- B1: Indika Keltika (Fiery Pharoah Mix)
- B2: Dhaka Corinthia
- B3: Delfic Tongue (Hercynian Forest Dub)
- C1: Voyage Of The Pytheas (Pagan Dub)
- C2: Benares Eternal City (Eryri Dub)
- C3: Sumerian Odyssey
- D1: King Of The Faeries (Demnoriax ‘King Of The Lower World’ Dub)
- D2: Deer Hunter (Aeduan Druid Odyssey Mix)
- D3: Atmabodha (Ritual Focus Dub)
Coloured[32,73 €]
OVERVIEW: DUB TREES is one of Youth’s most revered dub projects, it helped define the Liquid Sound Design sound that fans around the world hold dear. This project is the third in a triptych of albums Youth has made with a specific Celtic / Hindu fusion. Starting out with the classic Celtic Cross ‘Hicksville’ 20 years ago, featuring the mythical Simon Posford (Shpongle) through to ‘East of the River Ganges’ (ft Klaus Shultz / Tangerine Dream amongst many others) in 2004 followed by the last piece of this mystical puzzle ‘Celtic Vedic’ ,released on compact disc only in 2016 , which charts the journey of the Celt from Northern India to Snowdonia. The idea stems from Youth’s firm belief that there is a strong correlation between Celtic and Vedic cultures and their Northern Indian roots. Youth has assembled a host of collaborators to weave their labrynthine magic on ‘Celtic Vedic’: Jah Wobble (PiL) on bass, Matt Black/Coldcut (Ninja Tunes) on warped soundscaping duties, Galician Celtic pipe and flute player Daniel Romar, Bollywood contemporary Indian singer Shridevi Keshavan and Elfic Circle. It features many field recordings made by Youth on his various Indian odysseys and is all harnessed together with cutting-edge electronica that the Liquid Sound Design team pioneered 20 years ago. The team today are still pioneering new directions within ‘Downtempo Electronica Music’ and beats that create 3 dimensional landscapes for the helioscopic imagination to explore and psychoactive maps for the inner astronaut in all of us. ‘Celtic Vedic’ promises unchartered bass annihilation and heliotropic soundscapes, pounding basslines overlayed on 3D holographic beats and wrestles with serpentine melodies and psychedelic textures.
expected to be published on 17.06.2025
- A1: 椎名林檎* と 中嶋イッキュウ (Tricot, ジェニーハイ)*– ちりぬるを; Lyrics By, Music By, Arranged By – 椎名林檎*
- A2: 椎名林檎*– 私は猫の目 (Album Ver.); Arranged By – 斎藤ネコ*; Lyrics By, Music By – 椎名林檎*
- A3: 椎名林檎* と Ai (2)– 生者の行進; Lyrics By, Music By, Arranged By – 椎名林檎*
- B1: 椎名林檎*– 人間として; Lyrics By, Music By, Arranged By – 椎名林檎*
- B2: 椎名林檎* と のっち (Perfume)*– 初Ko勝ち; Lyrics By, Music By, Arranged By – 椎名林檎*
- B3: 椎名林檎*– 公然の秘密; Lyrics By, Music By, Arranged By – 椎名林檎*
- C1: 椎名林檎* と 宇多田ヒカル*– 浪漫と算盤; Lyrics By, Music By, Arranged By – 椎名林檎*
- C2: 椎名林檎*– 茫然も自失; Lyrics By, Music By, Arranged By – 椎名林檎*
- C3: 椎名林檎* と 新しい学校のリーダーズ– ドラ1独走; Lyrics By, Music By, Arranged By – 椎名林檎*
- D1: 椎名林檎*– さらば純情 (Album Ver.); Arranged By – 村田陽一*; Lyrics By, Music By – 椎名林檎*
- D2: 椎名林檎* と Daoko– 余裕の凱旋; Lyrics By, Music By, Arranged By – 椎名林檎*
- D3: 椎名林檎*– いとをかし (Album Ver.); Lyrics By, Music By, Arranged By – 椎名林檎*
- D4: 椎名林檎* と もも(チャラン・ポ・ランタン)*– ほぼ水の泡; Lyrics By, Music By, Arranged By – 椎名林檎*
expected to be published on 17.06.2025
Swollen Members rose in the underground Hip Hop scene with a series of classic albums that made them one of the genre's brightest stars. Founded by Madchild, Prevail, and DJ Rob the Viking, Swollen Members have stayed independent under their own label Battle Axe Records. The have returned in 2009 stronger than ever with Armed to the Teeth, which features appearances from Talib Kweli and Tech N9NE.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
Order now and we will order the item for you at our supplier.
Last In: 12 months ago
Black Vinyl[14,71 €]
Black+ Limited Art Print + Limited 150 Page H[41,13 €]
YELLOW VINYL[16,77 €]
The record is largely sung in Scots language, one of Scotland’s three official languages along with Gaelic and English. “Scots gives me a way of expressing myself which is connected directly with the landscapes I love. It brings the songs alive and it is a fascinating language. The name of the record is in Scots - Forefowk means the people who came before, or ancestors. When we say ‘mind me,’ we can mean a few things- remind, remember, watch over or care for me. The record explores how tradition needs to be constantly reconnected with, built upon, looked after, and shared.”
Quinie sings with a style inspired by Scottish Traveller singers. “I began singing unaccompanied Scots Song in 2015 after hearing Scots Traveller singer Sheila Stewart on the radio. Initially I felt like I shouldn't sing these songs because I'm not a Traveller, and I saw people around me doing that in a way that made me uncomfortable. But on the other hand this music made sense to me and I felt driven to learn. Over the years I have met Traveller friends who taught me that settled people sharing these songs could contribute to raising awareness. Scottish Travellers are marginalised and discriminated against in modern Scotland, despite being custodians of so many of our important traditions. So I started to perform them and tell this story. From there I built on my repertoire and started writing my own songs”.
To develop this record, Quinie travelled across Argyll with her horse. They went on a pilgrimage of sorts through the ancient landscapes of the West of Scotland to explore the interconnected relationships between people, ancestors, animals, and place. The album’s vinyl release is accompanied by a book and film, documenting this unusual research process.
Forefowk, Mind Me was recorded in August 2024 at The Big Shed in Highland Perthshire with support from Creative Scotland. Quinie is accompanied by an ensemble of musicians: Ailbhe Nic Oireachtaigh (viola), Oliver Pitt (duduk, bouzouki, percussion), Harry Górski-Brown (small pipes, violin), and Stevie Jones (double bass, recording, and mixing). Each of these artists brings their own distinctive voice, bridging contemporary experimental practice with worlds of traditional and early music.
expected to be published on 17.06.2025
- A1: The Byrds - C T.a 102 2'32
- A2: Spirit - Space Child 3'26
- A3: Cosmic Hoffmann - Space - Disco 4'28
- A4: Atmosfear - Dancing In Outer Space 9'31
- B1: Devo - Space Junk 2'15
- B2: Martin Hannett & Steve Hopkins - Space Music 5'34
- B3: Tom Recchion - Space Ship 2'21
- B4: Wooden Shjips - Space Clothes 3'07
- B5: Mr Fingers - Distant Planet 5'24
- C1: Tom Dissevelt & Kid Baltan - Moon Maid 3'11
- C2: Sun Ra - Outer Space Plateau 2'24
- C3: Biosphere - Startoucher 5'03
- C4: Lothar & The Hand People - Space Hymn 7'13
- D1: Hawkwind - Space Is Deep 6'26
- D2: Us 69 - 2069 A Spaced Oddity 10'22
- D3: Tim Buckley - Starsailor 4'36
On limited double vinyl (500 ) with a download -
With Limited Edition A4 Heavy-Weight Space Art print (First 100 Copies Online) Signed & Numbered By Jon Savage (CTRUE48) Original Cover Artwork By Matt Sewell.
Jon Savage's Space - An amazing musical voyage through the theme and idea of Space - music for Space - Space - Music - Through West-Coast US Rock , Techno, Post-Punk , Jazz, Ambient & Experimental sounds-this is a journey like no other .. From Sun Ra to Mr Fingers and way beyond.
.
"We are taken to less familiar musical quadrants-fascinatedly & instructively so"
(Roy Wilkinson - MOJO Feb 2025)
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
Having James Shinra back on AF is always a cause for celebration, and doubly so this time because we present 'Meteorites', his second album following the highly acclaimed Vital Heat (2018). During 2023-24, James uploaded a series of digital releases called 'Meteorites', a set of dreamy and introspective tracks where the artist showed his evolution and maturity, refining the emotive sound that's his trademark and has garnered so much praise in recent years. We should do justice to that material, giving it a worthy treatment/format, so we decided to release all together. James has revisited and reworked many of the tracks for the occasion, polishing, adding, removing... and the result is 'Meteorites', the album. A MUST for all braindance sensibilities and nonconformist electronic heads. We're sure it will remind you exactly why you loved this talented guy for so long and why he's one of the most uncompromising artists working in electronic music these days.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
expected to be published on 17.06.2025
- A1: Spacemen's March
- A2: Space Attack "Q
- A3: Waltz 3
- A4: Ppu Dance
- A5: Fairy Wings
- A6: Improvised Song "Sweet Tea " (1981)
- A7: Long Time Ago Demo
- A8: More Deep Demo (1980S)
- A9: Small Gift
- B1: Love Me
- B2: M45
- B3: Echoes Of Unspoken Love Demo (1980S)
- B4: 大樹となかまたち Demo (1999)
- B5: プール Demo (1980S)
- B6: Improvised Song "To You" (2005)
- B7: Song Pop B Demo (1998)
expected to be published on 17.06.2025
expected to be published on 17.06.2025
- A1: I’ll
- A2: Arne
- A3: Sad Premonition / Lilyum
- B1: Anne
- B2: Abandoned School Organ
- B3: Your Canon
- B4: Hymn
The analog version of the masterpiece EP "I'll", released in 2018 as a work that expresses the continuation of the world view of the debut album "Grace",
has been repressed on turquoise blue vinyl!
Haruka Nakamura herself is in charge of the lyrics, composition, and all the instrumental parts. Janis Crunch, who was in charge of vocals on "Grace",
is featured again. The dreamy number "I'll" evokes the beginning of spring and hope, which synchronizes with the fantastic world depicted by photographer
Shiori Iwakura, who collaborated with Haruka Nakamura on the jacket and music video, "Arne", a reconstructed version of the famous song "arne" from the
debut album "Grace", and "Lilium", a song that was used in the climax scene of the movie "Every Day", for which Haruka Nakamura was in charge of the
music, are newly recorded and included.
The B-side includes "Anne", which can be called a different version of "Arne", which was included in Schole's compilation "Joy" in 2013, and is exclusive to the LP.
It connects the worlds of "Grace" and "I'll". It also contains warm songs that bring to mind childhood scenes, such as the nostalgic "Abandoned School Organ" and
"Your Canon", which combine church organ, muted piano, and field recordings.
The artwork, like the 8cm CD, depicts beautiful natural scenery, and the jacket and insert feature a series of photos by the immensely popular photographer
Shiori Iwakura, creating a package that beautifully blends the sound world of "I'll" with the scenery. As with the analog version of "Grace", the mastering was
done by Gen Tanabe, a close friend of Haruka Nakamura's who works on the sound of his works. It is a deep sound production that will give new discoveries
to listeners who were captivated by the release of the 8cm CD.
expected to be published on 17.06.2025
Since launching in 2019, NuNorthern Soul’s Summer Selections series has become something of a must-check release for those seeking the sun-soaked pulse of the White Isle of Ibiza. It not only acts as a sampler for forthcoming digital-only EPs due for release over the summer season, but also a showcase for both established artists and label newcomers.
2025’s ‘selections’, the fifth in total, marks the popular series’ return after a three-year hiatus. Once again, it boasts six tracks, each taken from a forthcoming NuNorthern Soul EP, and touches on a variety of Ibiza-ready styles and sounds.
Up first are Manchester twosome Nightdubbing, who’s eponymous ‘Nightdubbing’ – first featured on their self-released 2023 debut album – is remixed by Archeo Recordings label boss Manu Archeo. He opts to brilliant blend slow motion electronic grooves and deep, warming bass with waves of ambient textures, eyes-closed melodic motifs and attractive lead lines.
George Koutalieries steps up next with the languid shuffle of ‘Seasons’, where imaginative vocalisation arrangements, mazy synth bass, calming acoustic guitars and cosmic electronics create a yearning afternoon delight, before label newcomer James E Burton combines pleasingly live-sounding drums and bass with picturesque electronics and the dreamiest of chords.
Next up is a teaser of what’s to come from recent signings Visions of Light, a fresh collaboration between Free Booter Lounge label founder Simon Sheldon and two of his artists, Muzka and Dan Dub Lounge. ‘The Mandela Vortex’ is a lightly dub-flecked Balearic shuffler rich in infectious hand percussion, meandering guitar solos, heady aural textures and echoing melodic motifs.
To draw the expansive collection to a close, we’re treated to two more yearning, picturesque and atmospheric treats. The first comes from another label debutant, Seafront International and Strictly Dub Records founder Saimon under the Roots Artefact alias. Deep, toasty and smothered in vintage effects, ‘The Big Calm Dubwise’ is a picture-perfect Balearic dub classic in the making.
Rounding things off is former Les Yeux Orange Contributor – and rising star of the French Balearic movement – Jilo, who gently takes us by the hand and leads us towards the dancefloor. Underpinned by a heavily electronic, nu-disco adjacent groove, ‘Shadow’s Tango’ is smile-inducing aural joy writ large – all huggable chords, Italo-house pianos, chugging bass and the most kaleidoscopic of chords. It provides a wonderfully uplifting conclusion to another fine collection of ‘Summer Selections’.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
- A1: Soldiers Three (Remix 2007)
- A2: Murdoch (Remix 2007)
- A3: Streets Of Derry (Remix 2007)
- A4: Geordie (Remix 2007)
- B1: Polly On The Shore (Remix 2007)
- B2: Fool (Remix 2007)
- B3: Polly On The Shore 8 (Demo 1970)
- B4: Streets Of Derry (Demo 1970)
- C1: She Moved Thro' The Fair (Demo 1969)
- C2: Pretty Polly (Demo 1969)
- C3: The Great Silkie (Bbc 1970)
- C4: Soldiers Three (Bbc 1970)
- C5: Little Black Cloud (Demo 1969)
- C6: Forest Fire (Bbc 1970)
- D1: She Moved Thro' The Fair (Live At Cafe Oto 2018)
- D2: Murdoch (Live At Cafe Oto 2018)
- D3: Black Widow (2007)
- D4: Little Black Cloud Suite (2007)
expected to be published on 16.06.2025
- A1: 竹内まりや*– Brighten Up Your Day!; Arranged By – 山下達郎*; Programmed By
- A2: 竹内まりや*– 小さな願い (2024 New Remix); Arranged By – 山下達郎*; Backing Vocals – ハルナ; Drums – 島村英二*; Electric Bass – 伊藤広規*; Piano, Organ – 難波弘之*; Programmed By
- A3: 竹内まりや*– ベイビー・マイン (日本語Ver); Acoustic Guitar – 佐橋佳幸*; Music By – Frank Churchill; Percussion, Backing Vocals – 山下達郎*; Programmed By
- A4: 竹内まりや*– 君の居場所 (Have A Good Time Here); Arranged By – 山下達郎*; Bass Trombone – 山城純子*; Concertmaster
- B1: 竹内まりや*– Smiling Days (2024 New Remix); Programmed By
- B2: 竹内まりや* Duet With 杏里*– Watching Over You; Alto Saxophone – 宮里陽太*; Backing Vocals – Ena*, 三谷泰弘*, ハルナ; Concertmaster
- B3: 竹内まりや*– 遠いまぼろし; Arranged By – 杉真理*, 小泉信彦*; Backing Vocals – 竹内まりや*, 杉真理*; Cello – 平山織絵*; Classical Guitar
- B4: 竹内まりや*– Subject:さようなら; Arranged By – 鈴木俊介*; Backing Vocals – 松浦亜弥*; Electric Sitar, Acoustic Guitar, Programmed By
- C1: 竹内まりや*– 夢の果てまで; Arranged By – 増田武史*; Backing Vocals – 竹内まりや*, 早見沙織*, 山下達郎*; Concertmaster
- C2: 竹内まりや*– Tokyo Woman; Arranged By – Box (16); Drums – 島村英二*; Electric Bass, Handclaps, Backing Vocals – 小室和幸*; Electric Guitar, Handclaps – 田上正和*;N Handclaps – 竹内まりや*; Handclaps, Backing Vocals – 松尾清憲*, 杉真理*; Piano, Organ
- C3: 竹内まりや*– 旅のつづき (2024 New Remix); Arranged By – 牧戸太郎*; Backing Vocals – 竹内まりや*; Concertmaster
- C4: 竹内まりや*– Coffee & Chocolate; Arranged By – 山下達郎*; Programmed By
- C5: 竹内まりや*– Days Of Love; Music By, Arranged By – 山下達郎*; Programmed By
- D1: 竹内まりや*– 歌を贈ろう; Arranged By – 山下達郎*; Backing Vocals – 生田絵梨花*; Programmed By
- D2: 竹内まりや*– 今を生きよう (Seize The Day) (2024 New Remix); Arranged By – 山下達郎*; Backing Vocals – Ena*, 三谷泰弘*, ハルナ; Drums – 島村英二*; Electric Bass – 伊藤広規*; Piano, Organ
- Programmed By
- D3: 竹内まりや* Duet With 山下達郎*– All I Have To Do Is Dream; Acoustic Guitar – 山下達郎*; Arranged By – 山下達郎*; Backing Vocals – Ena*, 三谷泰弘*, ハルナ; Drums – 小笠原拓海*; Electric Bass – 伊藤広規*; Pedal Steel Guitar – 佐橋佳幸*; Piano – 柴田俊文*; Words By, Music By – Boudleaux Bryant
- D4: 竹内まりや*– 今日の想い (2024 New Remix); Acoustic Guitar – 佐橋佳幸*; Arranged By – 牧戸太郎*; Concertmaster
- D5: 竹内まりや*– May Each Day; Arranged By – 服部隆之*; Arranged By
[a] A1 竹内まりや*– Brighten Up Your Day!; Arranged By – 山下達郎*; Programmed By [Computer Programming], Drum Programming, Electric Guitar, Acoustic Guitar, Keyboards; Percussion, Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[b] A2 竹内まりや*– 小さな願い (2024 New Remix); Arranged By – 山下達郎*; Backing Vocals – ハルナ; Drums – 島村英二*; Electric Bass – 伊藤広規*; Piano, Organ – 難波弘之*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[c] A3 竹内まりや*– ベイビー・マイン (日本語Ver); Acoustic Guitar – 佐橋佳幸*; Music By – Frank Churchill; Percussion, Backing Vocals – 山下達郎*; Programmed By [Computer] –; Anders Dannvik; Words By – Ned Washington; Words By [訳詞] – 竹内まりや*, 古垣内麻衣
[d] A4 竹内まりや*– 君の居場所 (Have A Good Time Here); Arranged By – 山下達郎*; Bass Trombone – 山城純子*; Concertmaster [Strings] – 今野均*; Piano, Marimba, Soloist – 難波弘之*; Programmed By [Computer Programming], Drum Programming, Electric Guitar, Keyboards, Percussion, Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Trombone – 鍵和田道男*, 高橋朋史; Trumpet – 具志堅創*, 二井田ひとみ*; Voice – ピカチュウ*, コダック; Words By, Music By – 竹内まりや*
[e] B1 竹内まりや*– Smiling Days (2024 New Remix); Programmed By [Computer Programming], Drum Programming, Electric Guitar, Acoustic Guitar, Keyboards, Ukulele,; Percussion, Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Soprano Saxophone – 宮里陽太*; Words By, Music By – 竹内まりや*
[f] B2 竹内まりや* Duet With 杏里*– Watching Over You; Alto Saxophone – 宮里陽太*; Backing Vocals – Ena*, 三谷泰弘*, ハルナ; Concertmaster [Strings] – 加藤Joe*; Electric Guitar – 山下達郎*; Electric Guitar, Keyboards, Programmed By – 林哲司*; Music By, Arranged By – 林哲司*; Programmed By [Synthesizer] – 橋本茂昭*; Words By – 竹内まりや*
[g] B3 竹内まりや*– 遠いまぼろし; Arranged By – 杉真理*, 小泉信彦*; Backing Vocals – 竹内まりや*, 杉真理*; Cello – 平山織絵*; Classical Guitar [Gut Guitar], Backing Vocals – 渡辺格*; Keyboards, Programmed By – 小泉信彦*; Music By – 杉真理*; Percussion, Backing Vocals – 高橋結子*; Violin – 阿部美緒*; Words By – 竹内まりや*
[h] B4 竹内まりや*– Subject:さようなら; Arranged By – 鈴木俊介*; Backing Vocals – 松浦亜弥*; Electric Sitar, Acoustic Guitar, Programmed By [Computer Programming] – 鈴木俊介*; Words By, Music By – 竹内まりや*
[i] C1 竹内まりや*– 夢の果てまで; Arranged By – 増田武史*; Backing Vocals – 竹内まりや*, 早見沙織*, 山下達郎*; Concertmaster [Strings] – 室屋光一郎*; Programmed By [Compuer Programming], Electric Bass, Electric Guitar, Soloist – 増田武史*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[j] C2 竹内まりや*– Tokyo Woman; Arranged By – Box (16); Drums – 島村英二*; Electric Bass, Handclaps, Backing Vocals – 小室和幸*; Electric Guitar, Handclaps – 田上正和*;N Handclaps – 竹内まりや*; Handclaps, Backing Vocals – 松尾清憲*, 杉真理*; Piano, Organ [Hammond] – 小泉信彦*; Tambourine – 飯尾芳史*; Words By, Music By – Box (16)
[k] C3 竹内まりや*– 旅のつづき (2024 New Remix); Arranged By – 牧戸太郎*; Backing Vocals – 竹内まりや*; Concertmaster [Strings] – 室屋光一郎*; Electric Bass – 伊藤広規*; Electric; Guitar, Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Tenor Saxophone – 鈴木圭*; Trombone – 半田信英*; Trumpet – 二井田ひとみ*; Words By, Music By – 竹内まりや*
[l] C4 竹内まりや*– Coffee & Chocolate; Arranged By – 山下達郎*; Programmed By [Computer Programming], Drum Programming, Acoustic Guitar, Keyboards, Percussion,; Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[m] C5 竹内まりや*– Days of Love; Music By, Arranged By – 山下達郎*; Programmed By [Computer Programming], Drum Programming, Electric Guitar, Acoustic Guitar, Ukulele, Percussion – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Words By – 竹内まりや*
[n] D1 竹内まりや*– 歌を贈ろう; Arranged By – 山下達郎*; Backing Vocals – 生田絵梨花*; Programmed By [Computer Programming], Drum Programming, Electric Guitar, Acoustic; Guitar, Keyboards, Percussion, Backing Vocals – 山下達郎*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[o] D2 竹内まりや*– 今を生きよう (Seize The Day) (2024 New Remix); Arranged By – 山下達郎*; Backing Vocals – Ena*, 三谷泰弘*, ハルナ; Drums – 島村英二*; Electric Bass – 伊藤広規*; Piano, Organ [Hammond] – 中西康晴*; Programmed By [Computer Programming], Electric Guitar, Acoustic Guitar, Keyboards, Percussion, Backing Vocals – 山下達郎*
[p] Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[r] D4 竹内まりや*– 今日の想い (2024 New Remix); Acoustic Guitar – 佐橋佳幸*; Arranged By – 牧戸太郎*; Concertmaster [Strings] – 今野均*; Electric Guitar – 山下達郎*; Flute – 高桑英世*; Oboe – 庄司さとし*; Programmed By [Computer Programming], Drum Programming – 牧戸太郎*; Programmed By [Synthesizer] – 橋本茂昭*; Words By, Music By – 竹内まりや*
[s] D5 竹内まりや*– May Each Day; Arranged By – 服部隆之*; Arranged By [Chorus] – Jennifer Lucy Cook; Backing Vocals – Jennifer Lucy Cook; Clarinet – 高子由佳*; Classical Guitar [Gut Guitar] – 石成正人*; Concertmaster [Strings] – 室屋光一郎*; Drums – 山木秀夫*; Electric Bass – 高水健司*; Flute – 下払桐子*, 森川道代*; Harp – 朝川朋之*; Liner Notes [日本語訳] – 丸山京子*; Oboe – 最上峰行*; Piano – 野力奏一*; Words By, Music By – George Wyle, Morton J. Green*
expected to be published on 16.06.2025
- The Glass (Demo)
- Funny In Real Life (Demo)
- Oh, You Wanna Bet? (Demo)
- A Diamond Anyway (Demo)
- How You're So For Real (Demo)
- Light That Ever (Demo)
- Funny Wind (Demo)
- I Root (Demo)
- Catter (Demo)
- Far The Far (Demo)
Michael Nau's solo career began with songs crafted and composed in private moments, later to be shared with musical compatriots and reimagined with auxiliary input on records like Michael Nau & The Mighty Thread, Mowing, The Load EP, and Some Twist. These early drafts were stashed away in the vault as Nau strode forward, but after a taxing spring of touring in support of his latest album Less Ready to Go, and recording and self-releasing the stripped-down informal release So On So On, Nau found himself hunkering down at home and rediscovering old gems in his archives. The search yielded a new digital collection of Nau's initial forays into solo work, bundled together as Demo Versions, 2014 to 2017. In their initial incarnations, these songs were less about the end result and more about the discovery. "They're the seed," Nau says of the material. "These recordings are essentially the writing of the songs_ written and recorded at the same time. There's something exciting about them for that reason. It feels magical any time the start of a song arrives, let alone gets `finished.'" These early drafts don't just serve to shed light on the creative process or expose the malleability of Nau's songwriting approach; they often frame the material in an entirely new context. Demo Versions' opening track "The Glass" is a bare-bones affair of acoustic guitar, bass, and vocals_a breezy Sunday morning song that sounds markedly different than the layered lounge-rock approach that later appeared on Mowing. "Light That Ever," with its wall-of-sound production, serves as a climax to Some Twist, but in its infant stage on this collection, it's a beautiful, intimate folk song. Ultimately, all ten songs off Demo Versions, 2014 to 2017 reveal a new side to these fan favorites, with Nau's lush arrangements and unorthodox accompaniments largely absent, and the simple beauty and grace at the heart of the material at front and center.
expected to be published on 16.06.2025
- A1: Phantoms & Monsters (Quintet - Voice & Strings) (4 20)
- A2: A Witch & A Devil (3 56)
- A3: Truth Is For Losers (2 50)
- A4: Schmutzig (2 37)
- A5: My Friend The Monster (4 08)
- A6: The Madness Of The Summer (4 51)
- B1: Morn (Quintet - String Quartet) (4 39)
- B2: Noon (6 11)
- B3: Night (11 27)
- C1: Flight (Piano Solo) (20 30)
- D1: Break (7 30)
- D2: Moon (13 40)
Black Vinyl[23,32 €]
I fell into a deep sleep of reason Everything broken and hence when I woke up from that deep sleep of reason it all made sense
A Unique Artistic Partnership This project represents a distinct and carefully considered artistic endeavor. Developed by Mark Springer (Rip, Rig and Panic) and Neil Tennant (The Pet Shop Boys), it combines a suite for piano, quartet, and quintet with vocals, accompanied by lyrics offering thoughtful introspection. The collaboration explores the intersection of divergent creative approaches-one characterized by radical expression, the other by meticulous craftsmanship. The result is a work that invites reflection and demonstrates the potential of disciplined artistic dialogue.
The Sources of the Project Neil Tennant: I bought a book of Goya's print series Los Caprichos which had inspired Mark's music and saw that the artworks were a satirical, cruel, nightmarish portrayal of the politics, corruption and culture of his era, exploring his dreams - or nightmares - while exposing the double standards of the ruling establishment. The lyrics I wrote for "Sleep of Reason", in response to Los Caprichos, are intended to be sardonic and dreamlike, looking back to Goya's nightmares but then reflecting on my experiences in 21st Century popular culture and media in which I have located the "monsters" Goya saw in his dreams. It often feels like we're living in an era dominated by monsters with their grotesque egos hollering through social media, unfiltered and untruthful, leaving a trail of wreckage behind them. Maybe it's always felt like that.
Order now and we will order the item for you at our supplier.
Last In: 11 months ago
Editions Mego reissue the 2001 release Asuma by Finnish artist Ilpo Väisänen. Originally released on CD this is the first ever vinyl issue, remastered by Rashad Becker. 2001 is a landmark year for the artist following a wave of success from the notable outfit Väisänen formed alongside Mika Vanio, Pan Sonic (as they were now known then). Following a string of highly acclaimed and influential releases such as “Vakio”, “Kulma”, “A’ and “Aaltopiiri” Pan Sonic had toured the globe extensively leaving a trail of blown expectations and rumours of all manner of objects in venues cracking or falling apart due to the immense sound the duo concocted with their unique instruments.
Taking a break from the ecstatic cacophony of Pan Sonic, Väisänen retreated to work on a solo release which conjured the spirits of the former outfit whilst simultaneously carving out a more personal take on these new electronic forms.
Asuma is a precise study of drones, rhythms, clicks, ambience and gentle confusion. Whilst inhabiting a zone of abstraction the results also move in a natural field as Väisänen’s native Finland permeates these recordings as much as the idea of experimentation itself.
Autioitu 1 opens the album as delicate pinball rhythms bounce across the spectrum as a hairy drone hovers underneath. The mood is both intriguing and unsettling. Tukahduttaja is a delightfully disorientating sound sculpture that is hard to pinpoint what it actually is. Klikki is comparable to a microscopic version of Pink Floyd’s “Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict”. Asumaton is a foreboding miniature acting like a segway to Vallitseva which embraces the icy clicks that punctuates much of the Pan Sonic output. Arvioimaton Ongelma is an audio riddle whilst Jaettu jitters around a dancefloor crawl. Autioitu closes proceedings as a gentle ambient thumper. Asuma is awash with contradiction and mystery. This is time wrapped in twisted turns and rewards a neat payoff for those interested in the absolute fringes of electronic ‘dance’ music.
Order now and we will order the item for you at our supplier.
Last In: 11 months ago
2025 Record Store Day title - now available for general sale. A selection of top quality tracks from some of reggae’s legendary singers backed by some of the best musicians - Tyrone Taylor, Joseph Cotton, Errol Dunkley, Gregory Isaacs,Frederica Tibbs, J Nile featuring his son J Nile, Cornell Campbell, Jimmy James (of Jimmy James and the Vagabonds fame, one of the first Jamaican recording artists), Winston Reedy (Mr Dim The Lights – lovers rock king) , The Heptones - top Jamaican group who recorded countless hits for Studio One, and BB Seaton (one of Jamaicas best songwriters). Recorded at the Room in the Sky Studio, Tuff Gong Jamaica, Music Lab Jamaica, and Ariwa,. Musiciams: Sly Dunbar, , Winston Horseman Williams, Michael ""Megahbass"" Fletcher, Flabba Holt, Alan Weekes, Vin Gordon,,Noel Fish Salmon, ,Ashanti Selah, Bongo Herman.
expected to be published on 16.06.2025
- Track 1 Fight Against Corruption
- Track 2 Malicious World
- Track 3 Trick In The Book
- Track 4 Everybody Wants Promotion
- Track 5 I'm In Love
- Track 6 Love Trap
- Track 7 The Drifter
- Track 8 Got To Tell The People
- Track 9 Give Your Love To Me
- Track 10 Where I Stand
Order now and we will order the item for you at our supplier.
Last In: 4 years ago
- A1: Warfare-Bunny Lee All Stars
- A2: The Conquerer-Derrick Morgan
- A3: Bossa Moon-Ss Binns
- A4: The Return Of Jack Slade-Derrick Morgan
- A5: Annie Pama-Bunny Lee All Stars
- A6: Cutting Blade-King Horror
- A7: Revenge Of Eastwood
- B1: Melting Pot-Max Romeo
- B2: Clap Clap-The Hippy Boys Featuring Max Romeo
- B3: Walk With Des-The Des Allstars
- B4: Peace Maker-The Hippy Boys
- B5: Death Rides A Horse-The Hippy Boys
- B6: Dreams To Remember -The Hippy Boys
- B7: In The Spirit-Lloyd Chambers
2025 Repress
The Sound of Now...mentioned in 'The Return of Jack Slade' by Derrick Morgan was the sound of 1969/1970 and that sound was the sound of Jamaican Reggae.The look at the time was the Skinhead fashion borrowed heavily from the Jamaican Rude Boy style.
The Skinhead movement started around 1968 and by the following year of 1969 became the style and fashion of many British teenagers.The uniform of the Skinheads consisted of boots,braces and jeans and the upbeat Reggae sound seemed to match the style perfectly.
Never before has a music matched a look more perfectly than that of the Skinhead/Rude Boy and Jamaican Reggae sound.
So stand up and move your feet one more time to the Skinhead Reggae Sound!!!
Hope you enjoy the set....
Order now and we will order the item for you at our supplier.
Last In: 4 years ago
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
- A1: Space Drift
- A2: Memory Loss
- A3: Siren-Call
- A4: Harmonisers Of The Spheres
- A5: Telepathy Beyond Time
- A6: Older Than Time
- A7: Congestion Hoe-Down
- A8: Shadowland
- A9: Celandine & Columbine
- A10: The Dying Of The Light
- A11: Cloud
- A12: Darkness At Noon
- A13: Future Perfect
- A14: The Killing Skies
- B1: Into The Depths She Calls
- B2: Lazy Summer Afternoons
- B3: Insects Revolt
- B4: Blood Runs Cold
- B5: Post Apocalypse Fog
- B6: Fish Don’t Cry
- B7: Ghost In The Abbey
- B8: Insects Dance
- B9: Dreams Of Magic & Cornfields
- B10: Devil’s Lightening
- B11: Danger Hurts
- B12: Why Me?
First ever release of pioneering radiophonic / experimental / electronic / soundtrack composer you may never have heard of but really should have by now. 26 tracks in all.
As we began the mammoth task of whittling down material for this album Elizabeth recalled the time she met Delia Derbyshire. It was during a party for existing and former Radiophonic Workshop composers at BBC Maida Vale in the early 1980s. Delia introduced herself with typical energy and exuberance proclaiming "It's up to you now - I'm passing the baton. Show these men how we get things done". That must have been quite an honour and responsibility for a young, female composer establishing herself within the male-dominated environs at Delaware Road.
Looking back over a musical career spanning almost five decades, it's clear Elizabeth rose to the challenge and made her mark. She was consistently in demand with television and radio producers, composing for an array of ground-breaking, critically acclaimed and popular BBC projects. Whilst Delia's legacy has achieved mythical status with her position as an innovator and feminist icon secured, the majority of Elizabeth's recorded work remains unavailable so her contribution to the output of the Workshop and evolution of British electronic music is somewhat under-appreciated.
Perhaps this record will help start to remedy the situation. Included are early tape experiments, home demos and non-BBC commissions from the early 1970's to the late 2000s. Having listened to 260+ digital audio tapes from Elizabeth's personal archive we have barely scratched the surface but hope to provide an indication of the breadth of her compositional and sound design skills.
Classically trained in cello and piano, Elizabeth graduated from the University of East Anglia with a degree in Music in 1973. She was mentored by Tristram Cary who helped her to become UEA's first recipient of a Masters in Electronic Music and later awarded an Honorary Doctorate by Staffordshire University. Joining the BBC as a studio manager in 1975, Elizabeth transferred to the Radiophonic Workshop in 1978. One of her first tasks was to create special sound effects for Blake's 7 using tape loops, the EMS 100 and trusted VCS3.
Her celebrated score for The Living Planet in 1982 featured early use of the PPG synthesizer and earned an Emmy nomination. Over the following years studio technology evolved rapidly, but Elizabeth transitioned from analogue recording techniques to newer digital platforms with relative ease, using samplers, midi sequencing and computer controlled workstations.
With an incredible 1,400 commissions to her name, she created special sound for The Day Of The Triffids, Lord Of The Rings, countless radio dramas including Iris Murdoch's The Sea, The Sea, Harold Pinter's Moonlight, all of Howard Barker's plays, productions of King Lear, Wordsworth's Prelude and The Pallisers. The success of The Living Planet led to further work for the BBC Natural History Unit followed by numerous commissions for The Natural World. At one point in the late 1980's at least five of her signature tunes were being broadcast every week including Points Of View, Horizon, Doctors To Be and Everyman.
After the closure of the Workshop in 1996 Elizabeth became freelance, arranging Faure's Pavane for the BBC World Cup '98 coverage (reaching no. 9 in the UK singles chart). She wrote additional music for Monty Python's Holy Grail DVD, scored Michael Palin's Full Circle and Sahara TV series, The Lost Gardens Of Heligan and The Human Body with Robert Winston.
Retiring from the music industry in the late 2000's, Elizabeth recently returned to her East Anglian roots and now lives near the coast. She walks daily, listening to all kinds of music, new and old, on her beloved air-pods.
Order now and we will order the item for you at our supplier.
Last In: 11 months ago
The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker, & William Parker formed by parker to play concerts in conjunction with the milford graves mind body deal exhibition at the institute of contemporary art los angeles & now a working group. across x2LPs of side-length long-form improvised sets recorded at 2220 arts & archives in LA & the chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by the Cecil Taylor Unit & Ornette Coleman’s -Golden Circle- band (expanded upon in later eras by Sam Rivers' Trio & Parker’s collective trios with Charles Gayle/Graves & Peter Brötzmann/Hamid Drake) into their own unique & scintillating realms of expression.
As we tumble further into the throes of history’s tides, people of hope & creativity rely on the works of our great artists to lift our spirits & focus our resolve. -ascension- was recorded less than a year after the passage of the civil rights act & four months after the assassination of Malcolm X. -journey in satchidananda- was recorded the month reagan was re-elected governor of California. M’boom made its debut recording weeks after the watergate scandal broke & a couple months after the wounded knee occupation ended. The music of the ancients builds on these great musical legacies. it resounds with the pride of survival & the joys of making & sharing music. It delivers to us hope & balm. something real in you, real in history, & real in the music is shared, right on time.
When Eremite records commenced operations during the 1990s free jazz resurgence, heavyweight freedom-seeking tenor saxophonists such as Fred Anderson, Peter Brötzmann, Charles Gayle, Kidd Jordan, & David S. Ware were at the height of their powers. Isaiah Collier’s tenor playing in the ancients is bracing testimony that the wellspring lives on. to hear the young chicago firebrand blowing freely with veteran improvisers in an entirely open-form group music is a revelatory study of his vast talent, personal voice, & the intensity of his expression —as well as a bold complement to his composition-based albums as a bandleader (including -the almighty-, a new york times' best albums of 2024 selection).
I've admired drummer William hooker since first encountering his music in a hartford ct city park, early ‘90s (on a double bill with Jerry González & Fort Apache Band). From the man himself right off the bandstand i bought his even-then rare 1st recording, the 1976 self-released x2LP opus -is eternal life- (reissued 2019 by superior viaduct). An imposing force on his instrument & an intrepid DIY cat, Hooker’s been exuberantly swinging in&out of free time for 50+ years. informed by the innovations of Sunny Murray & Tony Williams yet entirely himself, there is no other term for it than “pure hooker.” at age 78, with the ancients & everywhere else, THE HOOK is in peak form.
With a discography approaching 600 entries & 50+ years working across the musical maps, including in the history-defining bands of Don Cherry, Cecil Taylor, Bill Dixon, Peter Brötzmann, in his own wondrous ensembles from small group to orchestra to opera, a bastion of compassionate leadership & a poetic champion of his musical community, in tireless service to what he rather egolessly refers to as “the tone world”, multi-instrumentalist, improviser & composer william parker is a living hero of the grassroots & the black mystery musics, not to mention one of the great bassists in the history of jazz. To quote George Clinton, conquering the stumbling blocks comes easier when the conqueror is in tune with the infinite.
Live to 2-track concert recordings by Bryce Gonzales, Highland Dynamics. Mastered by Joe Lizzi, Queens, NY.
Order now and we will order the item for you at our supplier.
Last In: 87 days ago
Tom Esselle, staple of the South London music scene, hits his stride on Rhythm Section release Revolutions and Evolutions. Building on the success of his previous releases (Lou’s Groove on Rhythm Section’s Shouts 2021 compilation, Praise Bes EP on Wolf Music in 2022), his latest EP further showcases the breadth of his sound. Drawing on influences from across the house music spectrum and honing skills developed in the studio with Chaos In The CBD, Revolutions & Evolutions delivers a sound that looks boldly to the future while remaining firmly grounded in the classics.
The A-side is primed for peak dance floor action: Baddies features a mid-2000s RnB vocal that did serious damage when Bradley Zero played it at Circoloco last summer, while Plaything, a big-room tech-house banger, echoes Moon Harbour's tougher catalogue, or a skunked-out Gavin Herlihy.
The B-side is a slice of sunshine with One Of These Days, an uplifting daytime house track featuring a deft keys solo from Dave Koor (Albert’s Favourites, The Expansions, Modified Man). Harmonise rounds off the EP: a smoky, dreamy groover to warm up the party or lock it in during the early hours.
Tom has been producing music since 2010, patiently refining his sound. His 2015 debut, the choppy drum workout Until She Spoke on Wholemeal Music, became a quiet underground success played by luminaries like Ruf Dug and Gilles Peterson, and remains a staple in many a record bag to this day. His productions have also found their way into the collections of DJs from Moxie to Mr Scruff and Osunlade to DJ Harvey
Last In: 17 days ago
Born from a virtual encounter in lockdown between two Parisian neighbors, the DJ/producer Prosper and saxophonist Le Marabout, this new playful and joyous project is pulling freely from the Afro, Funk, Disco, Hip-Hop, Oriental and Electro influences of the two artists.
The iconoclastic DJ Romain “Prosper” Coolen, fervent purveyor of no holds barred euphoria on the dance floor, and the versatile saxophonist, composer and jack-of-all-trades Johann “Le Marabout” Guihard offer us a lavish, eclectic, uninhibited, coherent and furiously groovy listening experience.
First single “C’est Vrai“, from their forthcoming album ‘Le Moustache Conspiracy’ (released October 2022) is a banging Electro Afro Funk joint featuring Fou Malade and Niagass, two luminaries of the Senegalese Hip-Hop scene.
Over the bouncing beat and snarling horns, these two juggle lyrics back and forth in Wolof (Senegal’s most widely spoken language), calling out those fake friends who smile in your face before stabbing you in the back.
Order now and we will order the item for you at our supplier.
Last In: 11 months ago
Sneaker Social Club welcome a veritable supergroup of bass heavyweights in the form of Legion. Made up of Trends, Boylan, P Jam and D.O.K., this four strong collective first came to light with the We Are Many 12" on Artikal Music in 2021, and now they regroup for another four-strong payload of soundsystem pressure that embraces the darkness in devastating fashion.
The Sister Abigail EP leads with 'Rastaman', an ice-cold half-step drop that summons the spirit of early dubstep in its raw minimalism, eerie atmospherics and snarling low-end wobble. Without an ounce of fat, it's a lean workout of drums and bass that finds catharsis in simplicity without compromising on high definition detail. 'Souls' locks into a jerky groove to set the dance off at acute angles, nudging the textures up a notch without disturbing the spartan mood of the release. 'Sister Abigail' pushes the underlying malevolence of the Legion sound to the forefront with dissonant sheet-metal tones while packing the rhythm section into a tight, vicious formation of gnashing, chrome-plated teeth. 'Play That Vibe' seals the deal on the EP with a hard-thumping, propulsive groove that calls to mind the techy development of dubstep in the 2010s — a taut, tracky throwdown to keep the intensity on a rolling boil.
Drawing on the grounding principles of OG dubstep with a sharp line in crisp, modernist production and a ruthless economy of arrangement on display, Legion prove many cooks can still result in a potent, brutally focused broth.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
Pain Management welcomes London cult favourite DJ ojo, who arrives on the label with a hazy three tracker of trademark nether zone system music. On his most dubbed out full length to date, ojo span’s the full emotive spectrum of dub sonics with a range of both the eerie and more tender expansions of low end atmospherics, the resulting 12” equally suited for the club and the journey home alike.
‘Tongue Tied’ opens the record, a lysergic offering from the darker edges of dub music. A slippery fugue-state hit of narco-ambience built around a crooning, intelligible vocal refrain and chest shot sub weight. A real nightfall system pusher built to simmer in the early hours. It kicks off the EP on an amorphous, hypnotic note that sustains throughout.‘Oil Dub’ sinks deeper into the fog, melodic kinesis and expansive delays upholding an underworld of feedbacked percussion and tongue in cheek sub motion; a seven minute sound bath of ambiguous dub ASMR.
The B-side balances out the darker strains found on its counterpart with an overtly tender digidub closer. Clocking in at almost ten minutes long ‘Cloud Suck’ is a nebulous bliss of perpetually ascending late-summer warmth. The kind of liminal dream-state embrace that you wish would never end. True to the name, it evokes tender, dusk and dawn hued moments, a quiet ride-home flash of introspection on the way to or from some pursuit of meaning. Pain Management essential right here.
Limited run of 200 hand-stamped 12” records available now.
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
Order now and we will order the item for you at our supplier.
Last In: 11 months ago
- 1: Little More Rope
- 2: Automobile
- 3: Evil Eye
- 4: Hurting Side Of Love
- 5: Hard To See
- 6: Last Time You Let Me Down
- 7: Can’t Call That Love
- 8: Ransom
- 9: Changed Her Mind Again
- 10: The Neighborhood
- 11: Mighty High
Part 1[30,21 €]
The Cold Stares are from Evansville, Indiana, formed in 2009. The duo (now recently a trio) has
released seven studio albums. The band's 2012 release A Cold Wet Night and a Howling Wind sold 25,000 copies and reached #1 on Amazon Music's Blues Rock albums chart. For almost ten years, The Cold Stares had toured the world relentlessly as a duo, blowing away
audiences across the US and Europe with a fierce, blistering live show that belied their bare bones,
guitar-and-drums setup. In 2023 the band began embracing a whole new kind of chemistry and
launched into their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive acclaimed album,
Voices. Working off the international success of Voices which was voted one of the best albums of 2023 by Classic Rock Magazine, The Cold Stares went into Memphis Magnetic Studio
in Memphis Tennessee and recorded the band’s next chapter and progression, the sprawling album The Southern. Now they are back with The Southern Part 2
which has already bolstered the
blues rocking tracks “Automobile”
and “Little More Rope”.
expected to be published on 16.06.2025
expected to be published on 16.06.2025
- A1: Celebrate 3:08
- A2: Voices Of Delight 3:03
- A3: Tick Tock 3:03
- A4: Flow Like Waves 3:33
- A5: That's All I'm Saying 3:02
- B1: Bitter Sweet 3:30
- B2: Sandcastle 3:12
- B3: Just Be Yourself 3:20
- B4: Doughnut
expected to be published on 16.06.2025
- A 鈴木雅之* & 菊池桃子*– 渋谷で5時 (1996 Chocolate Mix) 4:20
- B Orange Range– 上海ハニー 2:53
- C 吉村由美*– V・A・C・A・T・I・O・N 3:28
- D Puffy– ウエディング・ベル 3:29
expected to be published on 16.06.2025
- A1: Lonesome Cowboy (Takes 20/25, Master)
- A2: New Orleans (Movie Version)
- A3: Shoppin' Around (Version 1, Take 1)
- A4: G.i. Blues (Take 6)
- A5: A Cane And. A High Starched Collar (Movie Version)
- A6: Hawaiian Sunset (Take 3)
- A7: Slicin' Sand (Take 4)
- A8: Ito Eats (Take 2)
- A9: Island Of Love (Take 8)
- A10: Beach Boy Blues (Take 3, Movie Version)
- B1: Angel (Take 6)
- B2: For The Millionth And The Last Time (Take 11)
- B3: Just For Old Times Sake (Take 1
- B4: The Walls Have Ears ( Take 12, Master)
- B5: Song Of The Shrimp (Take 6, Master)
- B6: A Boy Like Me A Girl Like You (Take 2)
- B7: Earth Boy (Take 9, Master)
- B8: Take Me To The Fair (Take 7)
- B9: Relax (Take 7)
expected to be published on 16.06.2025
- B1: Trash, Trampoline And The Party Girl; Remastered By – Arnie Acosta; Remastered By
- A1: A Celebration; Remastered By – Arnie Acosta; Remastered By
- A2: A Celebration (Studio Out-Take); Remastered By – Scott Sedillo; Remix – Richard Rainey
- B2: Trash, Trampoline And The Party Girl (Live From The Innocence + Experience Tour Köln 2015); Mixed By – Declan Gaffney; Recorded By – Alastair Mcmillan; Remastered By – Scott Sedillo
a A1 A Celebration; Remastered By – Arnie Acosta; Remastered By Remastering Assitance – Scott Sedillo
[c] B1 Trash, Trampoline And The Party Girl; Remastered By – Arnie Acosta; Remastered By [Remastering Assitance] – Scott Sedillo
[a] A1 A Celebration; Remastered By – Arnie Acosta; Remastered By [Remastering Assitance] – Scott Sedillo
[c] B1 Trash, Trampoline And The Party Girl; Remastered By – Arnie Acosta; Remastered By [Remastering Assitance] – Scott Sedillo
[a] A1 A Celebration; Remastered By – Arnie Acosta; Remastered By [Remastering Assitance] – Scott Sedillo
[c] B1 Trash, Trampoline And The Party Girl; Remastered By – Arnie Acosta; Remastered By [Remastering Assitance] – Scott Sedillo
expected to be published on 16.06.2025
- A1: Don't Want You No More; Written-By – Edward Hardin (2), Spencer Davis
- A2: It's Not My Cross To Bear; Written-By – Gregg Allman
- A3: Rocking Horse; Written-By – Allen Woody, Gregg Allman, Jack Pearson, Warren Haynes
- A4: Hot 'Lanta; Written-By – Berry Oakley, Butch Trucks, Dickey Betts, Duane Allman, Gregg Allman, Jai Johanny Johanson
- B1: Old Before My Time; Written-By – Gregg Allman, Warren Haynes
- B2: Come And Go Blues; Written-By – Gregg Allman
- B3: Desdemona; Written-By – Gregg Allman, Warren Haynes
- C1: Trouble No More; Written-By – Mckinley Morganfield
- C2: Midnight Rider; Written-By – Gregg Allman, Robert Payne
- C3: In Memory Of Elizabeth Reed (Part 1); Written-By – Dickey Betts
- D1: In Memory Of Elizabeth Reed (Part 2); Written-By – Dickey Betts
- E1: Statesboro Blues; Written-By – Bill Mctell*
- E2: Don't Keep Me Wonderin'; Written-By – Gregg Allman
- E3: The High Cost Of Low Living; Written-By – Gregg Allman, Jeff Anders, Ronnie Burgin, Warren Haynes
- E4: Melissa; Written-By – Gregg Allman
- F1: Soulshine; Written-By – Warren Haynes
- F2: Whipping Post; Saxophone – Branford Marsalis; Written-By – Gregg Allman
expected to be published on 16.06.2025
- Trouble
- Shelter
- Hold You In My Arms
- Burn
- Forever My Friend
- Hannah
- How Come
- Jolene
- All The Wild Horses
Celebrated Grammy award winner Ray LaMontagne will commemorate the 20th anniversary of the release of his seminal debut album, Trouble, with a special remastered vinyl edition Additionally, LaMontagne will embark on the Trouble 20th Anniversary Tour, performing the album in its entirety for the first time since its release. On the remastered vinyl, LaMontagne continues, "When Trouble was initially released Vinyl was considered a dead format, never to breathe again. Digital audio was the new King. As we know this has proved untrue. Each year more and more music lovers are listening to vinyl and appreciating it for its depth and breadth of sound, for its physical heft, for its tangible realness."
expected to be published on 13.06.2025
- Opening
- Sapphire
- Zephyrs I
- Nward Landscapes
- A Dark & Graceful Wilderness
- Spirit Masked Wolf
- Nights Tender Reckoning
- Mother Destroyer
- Concealed Descent
- Unworld
- Phoebus
HEXVESSEL erkunden auf ihrem epischen siebten Album "Nocturne" liminale Räume, z.B. zwischen Licht und Dunkelheit sowie Natur und Einsamkeit. Die sich kontinuierlich wandelnde finnische Band besinnt sich wieder auf ihre Wurzeln im Folk und im psychedelischen Rock, indem sie akustische Zwischenspiele, kosmische Synthesizer und geisterhafte Pianoklänge kunstvoll mit den frostgesponnenen Fäden ihres Black Metal Geflechts verwebt. "Nocturne" klingt sowohl vertraut als auch unverhohlen progressiv, da HEXVESSEL ihre eigene Tradition mit einer frischen Neuerfindung ihres charakteristischen Sounds vermischen. Der Keim für dieses Meisterwerk wurde durch die Aufführung eines Auftragswerks beim Roadburn Festival 2024 gesetzt, das ursprünglich den Titel "Music for Gloaming: A Nocturne" trug. Mit diesem Album nimmt das Projekt eine ausgearbeitete physische Gestalt an. Dieses opus magnum verbindet den rauen Geist von Quorthons Black Metal mit dem komplexen Minimalismus zeitgenössischer Komponisten wie Philip Glass, György Ligeti und Avro Pärt. Den eklektischen Charakter von "Nocturne" unterstreichen ausgewählte Gastauftritte wie der ätherische Gesang von Saara Nevalainen oder die harschen Stimmen der Avantgarde Black Metal Vorreiter Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD) und ORANSSI PAZUZUs Juho Vanhanen. HEXVESSEL stammen zwar aus dem finnischen Tampere, die Band wurde aber vom englischen Sänger und Songwriter Kvohst alias Mat McNerney gegründet, nachdem er im Jahr 2009 in das nordische Land gezogen war. In vielerlei Hinsicht spiegeln HEXVESSEL die Natur ihres Gründers wider. Der Sänger und Songwriter war schon in vielen erfolgreichen Gruppen und Projekten aktiv, deren Spektrum von der britischen Black Metal Band CODE über einen Abstecher bei den norwegischen Legenden DHG bis hin zu den Rock-Shootingstars BEASTMILK reicht, die er später mit GRAVE PLEASURES fortsetzte. Mit "Nocturne" laden HEXVESSEL alle dunklen Seelen der Erde zu einem transzendentalen Nachtritual ein, das unter anderem die Klangvisionen von DARKTHRONE, TANGERINE DREAM und Philip Glass aus der toten Vergangenheit erweckt und mit neuem Leben erfüllt.
With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.
expected to be published on 13.06.2025
"For Japanese people, min'yo is both the closest, and most distant, folk music" explains band-leader Katsumi Tanaka. "We may not feel it in our daily, urban lives, yet the melodies, the style of singing and the rhythm of the taiko drums are engrained in our DNA".
Initially indifferent to min'yo, a tragic event in recent Japanese history set Tanaka on his current path: "Following the Tohoku earthquake of 2011, I reflected on my life, work and identity. A fan of world music, I began searching for Japanese roots music I could identify with. Discovering mid-late 20th century acts like Hibari Misora, Chiemi Eri and the Tokyo Cuban Boys, I was captivated by their eccentric arrangements and how they mixed min'yo with latin and jazz music."
Lead singer Freddie Tsukamoto fell for min'yo after hearing a song from his hometown on a TV competition whilst in a restaurant. It was a revelation – until then he had been an aspiring jazz singer yet was uncomfortable singing in English. The restaurateur told him a min'yo teacher was his neighbour and the two connected. Tanaka and Freddie formed Minyo Crusaders in 2011 in Fussa, a city where the US military Yokota Air Base is located, in western Tokyo.
Recruiting other local musicians versed in afro and latin rhythms, they began hosting jam sessions at the Banana House, a building that was previously part of the military base and that used to house US soldiers. The band started recording their music, and their debut album "Echoes Of Japan" was released in 2017. It received huge acclaim in Japan and abroad, and was also released by British label Mais Um in 2019. Several European tours followed, as well as some US and South America gigs.
In this second opus, the Minyo Crusaders take us on a trip to Japanese folk songs fused with latin rhythms. Their unique arrangements breathe new life to classics like Kiso Bushi, Sado Okesa or Soran Bushi, among many other min'yo songs from all over Japan that were originally performed by Japanese fishermen, coal miners and sumo wrestlers hundreds of years ago. The magical groove created here proves once again that the Minyo Crusaders are one of the most dynamic representatives of the current Japanese world music scene. Yoi Yoi, Enjoy!
expected to be published on 13.06.2025
- Ramping
- Cross-Temporal Sync
- Mosh
- Particles
- The Cyclical Culture
- The Violet Lux
- The Alignment Movement
- Zero-Ones
- Countdown
- Reclaimers
- Quantum Modern
PHASE SHIFTING INDEX is a time capsule record of Jeremy Shaw's vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw's seven-channel video, sound and light installation-that premiered at Centre Pompidou in 2020-uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. The vinyl release serves as a gathering of the piece's key audio elements, focussing on their importance to the engineering of the artwork and their stand-alone listening qualities. Side A of the record follows the dramaturgy of the artwork in full-swing, including audio segments from four of its five distinct chapters. Written by long time collaborators Konrad Black and Jeremy Shaw together as There in Spirit, "Cross- Temporal Sync" soundtracks the strobing peak of the installation at the moment when all seven disparate videos fall into a unified choreography in which every person on every screen performs the same ecstatic series of slow-motion movements. The pulsing, hypnotic dirge aligns with the locked choreography in mood and action, caught somewhere between ecstatic trance and somatic takeover. A steady sub line, clipped stabs and a swooping choral gasp harmonise with the dancers movements onscreen while restrained filters open slowly to reveal a submerged melody that builds in intensity towards the chaotic rupture of Black's "Mosh". Here the score breaks into digital shards as heard through analog bodies colliding and pixelating into each other. The dancers eventual dissolution into "Particles" sounds like the field recording of a disembodied neural cosmos. The B-side of the record contains a narrative outline edit of the artwork comprised of music, excerpts and pieces of narration from each video. Listeners can follow along in an accompanying thirty-six page booklet of full-bleed film stills documenting each of the seven groups as they move through the five chapter dramaturgy. Composer Konrad Black's authentically backwards-glancing production and sound design is as disparate as the groups represented on screen. From the bespoke-16mm-tribal-techno of "The Cyclical Culture" and retro-cyber-funk of the "Zero-Ones," to the VHSdark- wave of "The Violet Lux" and skewed vocal/piano minimalism of the "Quantum Modern," each group exists in its own custom-made world out-of-time. The record ends where it began, with the full sequence of "Ramping" playing out as each subcultural world begins to lose control, galvanise, sync, rupture, atomise and scatter throughout the universe, only to loop back into another inevitable beginning. Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin
expected to be published on 13.06.2025
- In The Dawn Of November
- Cemetery Blues
- Depressive Episode
- Sick Of Your Shit
- I Wanna Be Dead
- Comes With The Fall
LTD TERMINUS ED. VINYL[22,65 €]
With sprawling compositions and occult-tinged lyrics, "In The Dawn of November," and heralds Goya's towering return to the heavy underground! Known for crushing riffs, fuzz-drenched guitar tones and haunting, psychedelic atmospherics, Phoenix, Arizona's GOYA takes inspiration from genre pioneers like Electric Wizard, Acid King, Sleep and Weedeater, crafting a sound both hypnotic and punishing. With sprawling compositions and occult-tinged lyrics, Goya's titanic, riff-driven aesthetic evolved over three albums in four years, cementing the band's legacy of unrelenting doom and immersive sonic landscapes. In the summer of 2024, Goya returned to the road for a month-long US tour after taking a few years to write their fourth album. A monolithic work of graveyard grooves and bleak reflections on mortality, "In The Dawn of November" was recorded in Seattle in the fall of 2024 with production icon Jack Endino, and heralds Goya's towering return to a heavy underground eager to drown in their sludge metal majesty. Clear and colored LP versions and digipak CD available
expected to be published on 13.06.2025
With sprawling compositions and occult-tinged lyrics, "In The Dawn of November," and heralds Goya's towering return to the heavy underground! Known for crushing riffs, fuzz-drenched guitar tones and haunting, psychedelic atmospherics, Phoenix, Arizona's GOYA takes inspiration from genre pioneers like Electric Wizard, Acid King, Sleep and Weedeater, crafting a sound both hypnotic and punishing. With sprawling compositions and occult-tinged lyrics, Goya's titanic, riff-driven aesthetic evolved over three albums in four years, cementing the band's legacy of unrelenting doom and immersive sonic landscapes. In the summer of 2024, Goya returned to the road for a month-long US tour after taking a few years to write their fourth album. A monolithic work of graveyard grooves and bleak reflections on mortality, "In The Dawn of November" was recorded in Seattle in the fall of 2024 with production icon Jack Endino, and heralds Goya's towering return to a heavy underground eager to drown in their sludge metal majesty. Clear and colored LP versions and digipak CD available
expected to be published on 13.06.2025
- A1: How Do You Do (3 44)
- A2: Illegal (Feat Carlos Santana) (3 53)
- A3: Hips Don't Lie (Feat Wyclef Jean) (3 39)
- A4: Animal City (3 17)
- B1: Don't Bother (4 20)
- B2: The Day & The Time (Feat Gustavo Cerati) (4 23)
- B3: Dreams For Plans (4 00)
- B4: Hey You (4 11)
- C1: Your Embrace (3 34)
- C2: Costume Makes The Clown (3 14)
- C3: Something (4 22)
- C4: Timor (3 35)
- D1: La Tortura (Feat Alejandro Sanz - Alternate Version) (3 36)
- D2: Hips Don't Lie (Feat Wyclef Jean - En Espanol) (3 34)
- D3: Don't Bother (Jrsnchz Radio Mix) (4 20)
- D4: Illegal (Ali Dee Radio Remix) (3 44)
Order now and we will order the item for you at our supplier.
Last In: 10 months ago
- New Vienna, Part Iv
- New Vienna, Part I
- New Vienna, Part V
- New Vienna, Part Ii
- New Vienna, Part Iii
- New Vienna, Part Vi
- New Vienna, Part Viii
- New Vienna, Part Vii
- New Vienna, Part Ix
- Somewhere Over The Rainbow
New Vienna ist die vierte Konzertveröffentlichung von Keith Jarretts triumphaler letzter Solo-Tournee durch Europa. Das Album folgt auf München 2016, Budapest Concert und Bordeaux Concert. Weshalb der Titel New Vienna? Jene, die mit Jarretts Musik näher vertraut sind, wissen, dass seine Diskografie bereits ein legendäres Wien-Konzert (aufgenommen in der Wiener Staatsoper) enthält, von dem er einmal behauptete, seine Musik spreche ”die Sprache der Flamme selbst”, nachdem er jahrelang ”mit Feuer gespielt” hatte. Keith Jarretts Rückkehr in die österreichische Hauptstadt im Jahr 2016 brachte die Flammen der Inspiration an einen anderen historischen Ort mit legendär lebendiger Akustik, den Goldenen Saal des Wiener Musikvereins, wo zu Beginn des vergangenen Jahrhunderts Werke von Schönberg, Berg und Webern uraufgeführt wurden, die den Kurs der modernen Musik herausforderten und veränderten. New Vienna, ein Konzert in dem neue Musik im Moment geformt wird, hat im Kontext der Jarrett’schen Idiome eine nahezu enzyklopädische Gestalt. Das Album erscheint anlässlich des 80. Geburtstags von Keith Jarrett.
expected to be published on 13.06.2025
- 1: Love Will See Us Through This
- 2: Bergab
- 3: Die Bestie Mit Dem Brennenden Schweif
- 4: Ich Hab Von Der Musik Geträumt
- 5: Die Satanischen Fersen
- 6: Mein Eid
- 7: Pervert The Source
- 8: Fka M & M 1
- 9: Wheelgreaser
- 10: Hab Gnade!
- 11: Funke & Benzin
- 12: Your Fears Are Well-Founded
- 13: Mein Mo(Nu)Ment (Feat. Sophia Blenda)
- 14: Inkomplett
- 15: Rosa
- 16: Nation Of Resignation
- 17: Ein Haus
Man singt und es wird: Im Zuge eines Zusammenbruchs hat Max Gruber den Soloartist Drangsal gekillt und die Band Drangsal gegründet. Am Ende des Tunnels steht das im Juni 2025 erscheinende Album, Aus keiner meiner Brücken die in Asche liegen ist je ein Phönix emporgestiegen.
Seit über zehn Jahren sichelt Max Gruber mittlerweile die Zick-Zack-Schneise Drangsal durch die deutsche Poplandschaft: Harieschaim aus 2016, Zores aus 2018 und zuletzt Exit Strategy – das ihm 2021 Platz 6 der Albumcharts bescherte – erdachte Gruber größtenteils im Alleingang. Und dann war da noch etwas nach seiner Exit Strategy: Ein Zusammenbruch. Max Gruber wusste nicht mehr, ob und wenn ja, wie er weiter Drangsal machen will, veröffentlichte im Ullstein-Verlag sein literarisches Debüt »Doch«, gründete Die Benjamins, holte so gemeinsam mit Charlotte Brandi, Thomas Götz und Julian Knoth Hans-A-Plast Frontfrau Annette Benjamin aus dem Ruhestand und reaktivierte unlängst das 2016 mit Stella Sommer gegründete Duo Die Mausis.
Und doch, von innen wie von außen, immer wieder die Frage nach einem neuen Drangsal-Album. Wenn es denn überhaupt nochmal eines geben soll, erkannte Gruber, musste er die Arbeitsweise, auf deren Grundlage Drangsal-Songs entstehen, fundamental verändern. Auf alles Ringen folgte, was unvermeidbar war: Der Reset. Max Gruber hat den Soloartist Drangsal gekillt und die dreiköpfige Band Drangsal gegründet – zusammen mit zwei Mitmusikern, die ihn aus seinen Gewohnheiten gelöst haben: Lukas Korn und Marvin Holley.
Erstgenannter ist Gitarrist und Produzent, spielt in der Band Lyschko, produzierte zuletzt das Album silber von Mia Morgan und hat seit 2020 als Bassist an der Drangsal-Liveband partizipiert. Zweiterer studierte Jazz- und klassische Gitarre sowie Komposition in Stuttgart und Wien, stand mit Sam Vance-Law und Fil Bo Riva auf der Bühne und arrangierte für Film und Theater. Lukas Korn und Marvin Holley haben dafür gesorgt, dass sich die zentrale Figur im Kosmos Drangsal dreiteilt.
Das Liedermachen in Bandkonstellation ließ alle Angst platzen: Getragen von Euphorie nahmen Gruber, Holley und Korn ab Ende 2022 etliche Songskizzen und damit den Unterbau eines siebzehnteiligen Albums auf. Nach Kreativurlauben an der polnischen Grenze und Ostsee stand eine von Max Rieger produzierte und von Lukas Korn Co-produzierte vierte Drangsal-LP. Sie trägt den schwergängigen Titel Aus keiner meiner Brücken die in Asche liegen ist je ein Phönix emporgestiegen und erscheint im Juni 2025. Gruber, Holley und Korn haben sich auf das Credo so wenig wie möglich, so viel wie nötig verständigt – und dadurch einen Umbruch im Klangkosmos Drangsals manifestiert, der völlig neue Dynamiken mit sich bringt. Aus keiner meiner Brücken die in Asche liegen ist je ein Phönix emporgestiegen hält Leerstellen aus, in seinem Zentrum stehen, statt Synthesizer, Akustikgitarren, die immer wieder an der Grenze zu Blues und Jazz wandeln. Wo speziell auf Exit Strategy noch überzuckerter Synth-Pop preschte, ist nun Klavier zu hören; Orgel, Klavinet und Cembalo; Xylophon, Violinen und Celli; von Ralph Heidel gespielte Querflöten und Saxophone.
Dazwischen drei Episoden, in denen sich Gospel Chöre und Technobeats breitmachen. Max Rieger hat die drei dazu motiviert, Echtheit, auch Imperfektion im Moment der Aufnahme zuzulassen – und großen Anteil daran, dass »Aus keiner meiner Brücken die in Asche liegen ist je ein Phönix emporgestiegen« ein realistisches Abbild des Trios bietet. Die Stimmung? Dagegen eher ein Wechselbad. Max Gruber singt von Selbstentfremdung, vom Für und Wider des Stillstands, vom Sichhingeben und Sichwegschmeißen – mal auf deutsch, mal auf englisch, mal zart, mal angewidert. Grubers Stimme klingt, nach einer klassischen Gesangsausbildung, die der Einunddreißigjährige angetreten hat, zielbewusster. Umarmungen Marke »Ich hab von der Musik geträumt und Inkomplett treffen auf Gewitterwolken à la Mein Eid und dem Sophia-Blenda-Feature Mein Mo(nu)ment. Entlang rigoroser Entkernung und Hexenjagd geht es Bergab – für dich, für mich, für Max Gruber sowieso. Er ist über weite Teile der Platte hinweg auf der Flucht vor sich selbst, den alten Geistern, dem leidigen Wachzustand: Wär’ ich doch bloß nimmermehr erwacht, ich schliefe in ewigem Glück. Gruber sucht und sucht: Nach innerem Frieden, nach Gnade, nach unverbranntem Boden, nach neuen Versionen seiner Selbst – und das vergeblich. Immerhin scheinen Erinnerungen mit der Zeit zu verschwimmen: Grubers Worte – zu sich und zur Welt – klingen im hinteren Teil der Platte sanfter, vergebender, resümierender. Ein Schlüsselmoment? Das von der Schauspielerin Rosa Lembeck eingesprochene, Monolog artig formulierte Klanggedicht Rosa – Es ist so: Man singt und es wird.
expected to be published on 13.06.2025
- Through The Heat Waves
- Eight Miles High Alone 07:46
- In Motion
- Inhale
- Crystalline 06:38
- Exhale
- One More Rush
- Silence Is Gliding 05:56
- Cloud Surfing
Marconi Union, one of the most influential names in contemporary ambient and electronic music, announce their twelfth studio album, The Fear of Never Landing, set for release 6th June via Just Music. The news is paired with the release of first single Eight Miles High Alone, out 20th March on all major streaming platforms.
Known for their ability to craft cinematic, immersive soundscapes that blur the lines between ambient, electronic, and experimental music, the Manchester-based duo once again push the boundaries of sonic exploration. The Fear of Never Landing takes us on a dynamic journey that’s atmospheric, diaphanous and never short of mesmerising. While the new record is certainly infused with a sense of hope, there’s more than a soupçon of anxiety too, as the title suggests.
A 55-minute odyssey presented as one seamless piece divided into nine movements, they transcribe the nexus of modern living into a mostly wordless odyssey. The album encapsulates Marconi Union’s ability to translate the complexities of the human experience into sound, all while maintaining a stunning sense of cohesion.
While the music feels effortless, the creative process was anything but. During the two years it took to complete the album, members Jamie Crossley and Duncan Meadows faced creative struggles that even led them to briefly question the band’s future. A pivotal moment came when they performed a live soundtrack to the 1975 skateboarding film Downhill Motion, rekindling their connection to atmospheric composition. By testing new material live and returning to their roots, Marconi Union redefined their creative process, leading to some of their most emotionally impactful work to date.
“We’ve always made atmospheric music but we had started to lose that aspect. Other than some rough ideas, we had no sense of what we were doing anymore, a kind of musical wilderness. Eventually a couple of things fell into place, and it was like, ‘Ah, okay.”
With a foundation to build upon, they went back to basics and decided to take their time going forwards. “We tried out a few new tracks live which gave us the opportunity to see what worked and what didn’t. We've never given ourselves that luxury before.”
The first track to be shared, Eight Miles High Alone, is a mesmerizing sequencer-driven track that builds an immersive, atmospheric soundscape. Its hypnotic pulses and intricate layers evoke a sense of solitude and weightlessness, perfectly capturing the album’s blend of tension and introspection. “Eight Miles High Alone was the first piece that we managed to complete and helped to inform our approach to the rest of the album.”
Formed in Manchester in 2003, their debut album, Under Wires and Searchlights (2003), introduced their signature sound, but it was their 2011 release of Weightless that brought international acclaim. Developed in collaboration with a sound therapist, Weightless was scientifically recognised as “the world’s most relaxing song”, praised for its ability to reduce anxiety and heart rates. With over 900 million streams and widespread coverage across media, the track remains a cultural phenomenon.
Over the years, Marconi Union has continued to evolve, producing critically acclaimed albums such as Signals (2021), Ghost Stations (2016), and Tokyo+ (2017). Their work has been hailed for its emotional resonance and sonic depth, with The Quietus noting their ability to find “beauty in the bleakest places” and The Sunday Times describing them as “amongst today’s most talented musicians.”
Beyond their studio albums, Marconi Union has collaborated with visual artists, provided soundtracks for installations, and remixed notable acts like Max Richter and Vök. Their invitation by Brian Eno to perform at Norway’s Punkt Festival further cemented their reputation as innovators in the ambient music sphere.
With The Fear of Never Landing, Marconi Union once again showcases their unmatched ability to create immersive soundscapes that resonate deeply. The album reaffirms their position as masters of atmosphere and emotional storytelling, making it an essential addition to their storied catalog.
expected to be published on 13.06.2025






















































































![Ilpo Väisänen - Asuma [2025 Remaster]](https://www.deejay.de/images/l/3/8/1144938.jpg)



























