After a short break, VISAGE is back, and Phoq delivers a special ep with wacky and very groovy sounds on his own imprint, including a very high class microhouse remix by Denis Kaznacheev
Early supports from Crihan, Silat Beksi, Costin Rp, Zenk, Nils Weimann & more...
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With his first solo release since launching the Sideral project earlier this year, Sideral's Trills' EP is now available on HABITAT, the new label from Italian duo Mind Against. Launching this past June with their standout Metaflora VA compilation which included tracks from Ivory, Dyzen, Nandu, Ae:ther, and more (in addition to a collaboration between Sideral and Mind Against), HABITAT keeps the momentum going with this exciting release.
First up is the delightfully melodic '2109' with its sleek beats and cosmic chords. It's a pure and beautiful soundscape for uplifting dancing with great synth craft and plenty of future vibes. Trills then gets more upbeat but is no less rich and melodic - the chords shimmer up top over the stylish beats below. They roll deep and are sure to captivate the club.
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10 Years of Dame-Music Vol. 2. To celebrate the 10th birthday of her label, Bloody Mary has prepared a two-part vinyl series, handpicking seven of favourite artists to join her on the label.
Both parts in this series feature label favourites as well as new additions making their debut on the label.
Volume 2 sees label debuts from Lady Starlight, DeFeKT and Schacke. Lady Starlight, a renowned live artist and respected producer, delivers the A1 'c one three', and is joined on the A-side by Cardopusher, who returns to Dame-Music following his collaboration with label boss Bloody Mary on the Conformity Kills EP earlier this year.
The B-side starts with Irish artist DeFeKT and his track 'Sini Star', before Copenhagen’s Schacke closes it out with the hypnotic 'Lowest Of Highs'.
Four hard-hitting techno and acid cuts made for the floor!
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The DJ/producer is a renowned tastemaker, passionate about sounds from across the house spectrum.
For his addition to the Watergate mix canon, he selects an inspiring range of artists, while highlighting emerging African and Afro Deutsch talent.
Amongst the exclusive collection of tracks is Kollektive Turmstrasse’s spiralling deep melodic makeover of Adana Twin ‘Jupiter’, while Sabb & Black Circle’s ‘Vega’ brings the uplifting piano house vibes. RISE
crew member JAMIIE links with Stil Vor Talent associate Niko Schwind for ‘Suwedi’, a fascinating sevenminute trip that builds drama and intrigue in equal parts thanks to the soaring string break in the break.
Emmanuel Satie collaborates with vocalist Nanghiti for ‘Forever More’ a startling track that will take your breath away, as delicate pads and strings amplify the emotion from Nanghiti’s unforgettable vocal.
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For our first release, we took 4 strong and different personalities on board.
Inspired by a poem by Lourene (the talented dj/vocalist) Marcos warms us up by bringing a summery touch to a techno/house beat.
Heimyl rhymes with spatial. On a 90's vibe beat, he gradually takes us into his folkloric universe.
The mysterious cosmonaut takes us into limbo on an electronic beat punctuated by vibrant percussion.
Acid Charlie takes us to a parallel universe with acid colors.
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Yussef Dayes releases LIVE AT JOSHUA TREE, the sound recording from a naturalistic video shot in Joshua Tree, California in collaboration with Soulection. Featuring Venna on sax, Rocco Palladino on bass, Alexander Bourt on percussion and Elijah Fox on keys, the vinyl release of this stellar session includes the exclusive vinyl-only track ‘For My Ladies’.
“King Dayes. Unstoppable.” - Bradley Zero “really gorgeous”- Tom Findlay (Groove Armada)
“FUCK ME. Where has this sprung from? Amazing. All of it.” - Chris Philps, Jazz FM
“Superb release” - Laurent Garnier
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Parallel Minds’ fifth label release is a major landmark for the Toronto-based label. Not only is it their first full length LP, it is also the debut album from co-founder Ciel, who is also making her first solo appearance on the label since its inception.
In 2021, spurred on by a productive creative streak and the economic austerity of pandemic lockdowns, the Xi’an-born and Toronto-based DJ Ciel (real name Cindy Li) applied for grant funding from the government of Canada to write her debut album. Self-proclaimed “DJ first, producer second”, Ciel never thought she would have the self-confidence and desire to write an album. It wasn’t until after spending prolonged time away from clubs & festivals whilst dedicating herself to daily sessions in her studio that she gained the motivation and aspiration to make a musical statement that only an album could express.
Since the start of the covid19 outbreak, Ciel, like many other Chinese diaspora people in the West, had felt a great deal of anxiety and pain at the rise of anti-Chinese sentiment and racism in the media — even in her corner of the dance music industry. Tired of expressing her frustrations fruitlessly online, she felt inspired to channel that into her music, to turn something that was filled with hate into a thing of joy and beauty. It was within this context that Homesick began to take shape.
After researching the rich history of Chinese instruments, a concept began to form around the album in which she could marry her love of sampling and analogue instruments. Using the eight types of traditional Chinese instruments (silk, bamboo, wood, stone, metal, clay, gourd, and hide) as a guideline, Li began writing each track with a focus on one of the eight. She hired traditional Chinese instrumentalists to play the guzheng and the xiao, whilst purchasing and teaching herself the smaller hand drum instruments like the kuaiban (bamboo clappers), and muyu (temple blocks). With the news that she had successfully been granted funding from Canada Arts Council, she wrote, recorded, arranged, and mixed all nine tracks of her album over the first three months of 2022. More than just highlighting Chinese instruments, the music on this album encapsulates so many musical influences from Ciel’s childhood when she began her lifelong love affair with music. True to her style as a DJ, the LP incorporates a diversity of genres she loves, from drum & bass to house, electro to breaks - even downtempo.
What has come out of these sessions is a deeply personal dancefloor record, a true expression of love for Cindy’s culture that came out of a time of relentless chaos, negativity, and uncertainty. Ciel sees her compositions as a distillation of herself — her life experiences, her wide interests and passions, and her often-turbulent emotions. Immersing oneself in the LP feels like listening to the musical confessions of an artist heading towards the peak of their career, who is finally starting to make sense of her artistic identity. What a joy to witness it.
credits
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For the 25th release of the series, we welcome two Tripalium Corp regulars, two brigeheads of the french techno scene, two producers who have both released several EPs on the label (but never on our Acid Avengers series) : 14anger and Cuften. From melancolic rave to 90s industrial hardcore, here is a 4-tracks-EP with dissonant acid lines and powerful basses that are gonna kick your ass!
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After the release of his critically acclaimed debut album last year, Regal is back on his own imprint Involve Records with reworks of two timeless legendary techno anthems along with the remasters of the originals: Acid War by D.O.M. and Benozal by UMEK.
Regal's rework of the techno classic Acid War by D.O.M. gives the original a twist and perfectly lives up to its name with an anthem-like acid line that blows of the roofs of warehouses it can be played at. Up next is a remake of UMEK's Benozal - a groovy and hypnotic banger perfect for sweaty bunkers. Stay Up Forever hit Acid War opens the back side, an ageless Acid classic from 1994 celebrating its 28th birthday this year. Closing the EP is the remaster Benozal, the B-side of UMEK's third Primate Recordings EP, a trippy techno jewel from 2001.
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You Always Will Be is the new album by artist Dylan Henner.
The follow up to 2020's well received 'The Invention of the Human', the new record touches on themes of nostalgia & longing for times passed; innocence yielding hardships and vice versa; ageing; the soul; life changes; parents and children; loss; love.
Dylan says:
"The piece tells the story of a single life, from birth to death. I've been thinking about the passage of life a lot recently as I lost all four of my grandparents but celebrated the birth of my daughter all within a short period of time. The brevity and preciousness of being really hit me."
The vinyl release consists of a ~ 40 min piece split across two sides, while the digital release features extended versions of the music in that piece, making up 10 individual tracks.
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Castor recordings is a Belgian record label that brings you a varied offer of Progressive House - Techno - Trance Music.
EQ-Noxx - Secrets
First release from this Belgian talented producer, Secrets has a deep driving bassline with a strong "saxophone anthem" and catchy bells, floorfiller with summer Ibiza vibes.
Pollux - Trigger
First one on his own Castor label, Trigger has catchy bassline and great melodic tune, this track represents "the style" Castor Recordings is in to.
Pollux - feat Alain Faber - Tam Unanimem
Collaboration between the 2 founders of the label. This one's got a great vibe, deep groove and a Massive lead tune. FAT !
Pollux - Gemini
Progressive trance track from Pollux, some nice arpeggiators melodies floating on a deep pumping bassline, pushing you on to the dancefloor.
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COVERED - Our focus is to support the scene, keep the vinyl alive and uncover young and new talented artists!
That`s why we launch the second release with a massive four track EP from the young and talented Lyon FR Born and Based - Garouda.
Amir has been playing drums since his younger years. His releases are influenced by jazz, 90's house / techhouse and hip hop. He is a member of the renowned label Y.A.R Records and has released alongside legends such as: Sweely, Aladdin, Funkroid, Jhobei ...
The love for MPC is certainly audible in every track ;)
Keep your eyes peeled for our further releases and thanks for your support!
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Jake Mehew's debut album Sage is a modern and contemporary take on spiritual jazz, a truly exceptional record from the eclectic and highly talented Leeds' artist.Whilst staying within the ethos of spontaneous, unedited performance, Mehew constantly pushes and manipulates the genre's boundaries.The recognisable and lush sound of the Fender Rhodes, layered on a bed of punchy, percussive, grooves, provides the bedrock for powerful improvisations, running alongside Meyhew's subtle analogue synth manipulation and production.
Sage was workshopped over one frantic lockdown week in August 2020. It's a truly honest experience of seven days of hard work, a multi tracked record, made without using overdub to capture the true energy of the performance.True to the spirit of albums made in a pre digital era Mehew set out to capture ideas, interaction and performance at their inception rather than post production.
Jake Mehew is an up and coming composer, performer and producer based in Leeds, UK. His work combines principles of free improvisation with the technological considerations of the avant-garde. Using a combination of acoustic instruments, modular synthesisers and samplers Mehew creates rich, meditative soundscapes that envelop the listener in an immersive sound field.
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red LP[37,77 €]
Kid Cudis neues Album „INSANO” ist ab dem 15.09. auf CD und Vinyl erhältlich!
Als einer der einflussreichsten Rapper und Produzenten des letzten Jahrzehntes, beeinflusste er nachhaltig eine Generation an Rappern wie Travis Scott, Juice WRLD, Drake und Kanye West. Mit seinem 9. Album liefert der 2-fache Grammy-Gewinner beeindruckende 21 Tracks ab und beginnt somit nach Abschluss der ”Man On The Moon”-Trilogy und seinem letzten Album ”Entergalactic”, dem Soundtrack zur gleichnamigen Netflix-Serie, eine neue musikalische Era!
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black LP[41,60 €]
Kid Cudis neues Album „INSANO” ist ab dem 15.09. auf CD und Vinyl erhältlich!
Als einer der einflussreichsten Rapper und Produzenten des letzten Jahrzehntes, beeinflusste er nachhaltig eine Generation an Rappern wie Travis Scott, Juice WRLD, Drake und Kanye West. Mit seinem 9. Album liefert der 2-fache Grammy-Gewinner beeindruckende 21 Tracks ab und beginnt somit nach Abschluss der ”Man On The Moon”-Trilogy und seinem letzten Album ”Entergalactic”, dem Soundtrack zur gleichnamigen Netflix-Serie, eine neue musikalische Era!
expected to be published on 01.05.2024
Kr!z made his Blueprint debut last year with the 'Neutrino EP'. Now he returns this April with the follow-up 'Revelation EP'.
Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic and energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad and James Ruskin, he gradually but steadily developed his own identity in the international techno scene. After making a name for himself as a skilled DJ with sharp focus and a quick mixing style in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. It has since been a leading outlet for heady, purist sounds. He rapidly established the label as a fixed value with a timeless and powerful sound and took it around the world with label nights on every continent. Token remains important in defining techno today - always straightforward, sometimes weird, often catchy - all under the helm of Kr!z as avid A&R.
After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur's knowledge and experience he has cultivated in his work as a DJ, 2019 saw the release of his long awaited debut EP on Token. 'Mantra' received high acclaim by both media and the scene's key DJs. This continued in 2020, when he released the track 'Scorpion's Tail' on Voltage Imprint and 'Malice' and 'Imperative Needs' as part of a split EP with Pfirter on his MindTrip label. 2022 was his his most prolific year to date with three full EPs seeing the light of day: 'Neutrino EP' on James Ruskin's Blueprint Records, 'The Tunnel' on Setaoc Mass' hotshot SK¦eleven and 'Atlantin' on his own Token Records.
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For the first release of Leeds born, London based label Mutual Response, R.O.E. delivers a club ready four-tracker with proven success on dance floors across Europe. The EP includes four varied productions from Ollie’s extensive catalogue, making a record which has something suitable for all hours.
’TRNSMSN2U’, a growling journey into breakbeat, builds to a climax with bubbling acid lines and distorted vocal samples, whilst A2, Specific Heat Capacity (Loop Mix), is a bouncy club tool which pairs a driving baseline with eerie melodies throughout.
‘Cyber Love’ continues the sinister themes of the previous side but increases the energy. More of Ollie’s trademark distorted vocals support a punchy low end and scattered percussion powerfully overlays levels of warping acid melodies. The final track, ‘0 Exceptions’, is a squelchy experiment in electro with everything you wouldn’t expect. Again, layers of acid are woven throughout and in combination with a dynamic low end, provide an unexpected depth sometimes missing in the genre.
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Sababa 5, Tel Aviv’s funkiest export, upgrade their signature Middle Eastern psychedelic funk with the addition of Hoodna Orchestra’s dynamic brass section, another essential 45 from Batov Records’ Middle Eastern Groove series.
Labeled by the likes of Truth & Lies as a “serious contender in the world of instrumental funk”, Sababa 5 have created a modern sound, fusing funk, disco, and psychedelic rock with a wide range of Middle Eastern influences, culminating in last year’s acclaimed self-titled debut album, Named after their new studio address on the border of Jaffa and Tel Aviv, “Eilat 22” & “Elifelet 23” spring from the same sessions that delivered us the enormous ‘Funk #1 / Funk #2’ 45, as championed by the Nostalgia King, Skeme Richards, BBC Radio 6 Music host, Huey Morgan, and influential music portal, Music Is My Sanctuary.
Sababa 5’s tight-as-ever instrumental grooves are enriched by the bright bass sounds of The Hoodna Orchestra brass section, comprising Bar Ashkenazi on trumpet, Eylon Tushiner on tenor, and Elad Gelert on baritone saxophone. Hoodna are renown for their energetic take on Afrobeat, and have been touring and recording recently with Ethio jazz legend Mulatu Astatke, and here they supply a touch of JB’s meets Africa ‘70 energy.
On the flip “Eiffelet 23” grooves along like a Dap Kings funk nugget, except in this case there’s room for Eitan to improvise across the jam with a microtonal organ sound reminiscent of legendary Egyptian musician Magdi el- Husseini.
Due for full release on vinyl and digital on 2 June, “Eilat 22” & “Elifelet 23” open another page in Sababa 5’s rapidly diverse and ever-engaging discography, with two songs destined to head light up dancefloors over the coming months.
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Gracing Token with a 12" of reliable effect, Sterac (a.k.a. Steve Rachmad) offers 4 titles that go beyond the club - balancing raw Detroit influences and contemporary depth. With a reputation built on years of developing his scene through important record releases and local as well as international activity, 'Light in the Darkness' confirms Rachmad's artistic relevance in a quickly developing scene.
With a tone-setting introduction for the EP, Rachmad immediately grips the listener's attention with the pragmatic yet nostalgic 'Mangled'. Chord stabs inch away from a brutal on-beat drum sequence, a technique responsible for many hits in the genre, this time tastefully repolished through spreaded wooden percussion in direct support. 'Mangled' boasts what A1's should - a worthy first impression - before luring us into what can be considered the apex of the EP. 'Light in the Darkness' claims the project title with a gradual exploration through celestial bodies. A minimal opening with a simple acid bassline shows a great deal of attitude before the listener gets caught in an unexpected tide of cosmic pads, dimensionalizing an initially linear record . With slow waves of rich synth work enveloping the only anchor to time that is rhythm, the result is a closed-eyed dance floor experience to be selected in prime conditions. Thick pads are immediately offered again, this time more orchestral than mental. The softness of this primary sound design is expertly dissected by a razor sharp resonant top synth and an upward drum construction, completing the spectrum of sound and unveiling a record with a size fit for warehouse capacities. Rachmad adds almost cinematic suspense to the EP with 'S.O.' - certainly not to be underestimated. This leads us to the project's closer 'Solidify', a delirious club groover. With a sound as bent and confronting as a house of mirrors, Rachmad leaves us with a final chapter to keep the heart racing past the end.
“nice one. I like all of them. 1&4 for the basements. thanks a lot!” – Rodhad
“Will support ("Mangled" is the one for me)” – Dave Clarke
“STERAC <3 <3 <3 always. Superb EP” – Laurent Garnier
“Timeless sounds, as ever from Mr Rachmad. Thanks!” – Ø Phase
With four cuts spanning masterful minimal techno and big-room depth, Steve Rachmad returns to Token Records under his Sterac alias
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Thoma Cher comes correct on his first solo outing on Whiskey Disco.
'Holiday Holiday' is end-to-end pure party material. Just like Thoma’s previous label material, this 3-track ep is no exception. Punchy kicks, cutting guitar licks and vocals from the peak hour Holiday Holiday to Dancer and Be My Love for those more intimate moments.
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Involve Records releases its second VA to celebrate ten glorious years since its founding in 2012. After many release featuring the likes of Amelie Lens, FJAAK, Boston 168 and Regal himself, the label now welcomes uprising stars Fractions and legends David Moleon, DJ Ogi and The Geezer.
First in line is Czech techno duo Fractions with Angel Lust, a stomping rave anthem for big stages, reflecting the sound they're known for from releases on labels such as Monnom Black and Possession. David Moleon is up next with Hold On, a groovy and rumbling techno cut with housy elements and chopped vocals creeping in between heavy kicks. DJ Ogi follows with Akturianac, an aggressive belter with rolling drums, sounding like it's coming straight from the early 2000's. Stay Up Forever and Hydraulix hard techno legend The Geezer follows with an ecstatic and crack-brained melody on his banger track A Word About Your Soul, closing the EP with a bang.
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A transcendental journey that takes in meditative musical mantras, sprawling tenor sax improvisation and mesmeric percussion, the new album byWork Money Death(the group that backed ATA artist Tony Burkill on his 2017 debut record of the same name) seeks to reinterpret the sound of artists such as Pharoah Sanders & Alice Coltrane over two tracks: the brooding tension of A-Side"Dusk"and the sanguine & uplifting"Dawn"on the B-Side.Titled "The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises", this new LP was conceived and recorded by Tony Burkill and Bassist Neil Innes during the spring/summer of 2020.
A stalwart of the Leeds music scene for the best part of 3 decades, Tony Burkill had maintained a low profile nationally, choosing to favour continued study and development on the instrument over attainment of success or recognition within the music industry. With his debut release on ATA in 2017 he impressed audiences with his powerful and gutsy approach to improvisation. Also featuring on the record are Drummer Sam Hobbs (The Electric Doctor M and Producer of Matthew Bourne's Moogmemory), Bassist Neil Innes (The Sorcerers, The Lewis Express), Pianist Adam Fairhall (Nat Birchall) and Percussionist Pete Williams (The Sorcerers, The Lewis Express).
Originally conceived as a large scale group performance of a single extended piece "The space in which the uncontrollable unknown resides, can be the place from which creation arises"was written by Tony and Neil through a series of extended improvisations similar to the extended meditation sessions that both musicians practice. These sessions enabled a state of flow through which Tony's compositional approach to improvisation yielded meaningful melodic fragments that would be returned to and developed in a way similar to someone returning to the mantra.
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To coincide with The Courettes' first US tour, Damaged Goods put out this special compilation album. Boom! Dynamite includes singles, deep cuts from their studio albums, with B-sides and rarities thrown in for good measure! First pressing on orange vinyl is limited to 1000 copies only! The Courettes are two souls in love with each other and in love with rock 'n' roll. They've been touring nonstop throughout Europe since 2015, bringing their "perfect blend of garage rock, '60s Girl Group, Wall of Sound, surf music and doo wop" to the delight of any audience even remotely interested in rock 'n' roll. Expect excitement, danger, sweat, explosive performances, and most importantly, GREAT tunes! The "hardest working band in showbiz" now venture further away - After visiting the Land of the Rising Sun in 2022, The Courettes are thrilled to tour the USA for the first time in 2023. Described as "The Ronettes meet The Ramones at a wild party at Gold Star Studios echo chamber", The Courettes have released four fantastic albums on the legendary label Damaged Goods Records, each one praised by magazines such as MOJO and Shindig!, most notably the Back In Mono album in 2021, a true milestone in their career. This new compilation, Boom! Dynamite, released exclusively for the US market, guides you through their albums from the very beginning, from the early raw power garage rock onto their present Spector/Levine Wall of Sound Gold Star sound, made using complex recording techniques at StarrSound Studios in Denmark with top producer Soren Christensen and mixing genius Seiki Sato from Japan. Featuring Brazilian Flavia Couri on guitars and vocals, and Danish Martin Couri on drums, The Courettes were born international. For them there are no nations or borders. Their mission is to connect, cherish, and inspire rock 'n' roll souls around the world, including now, in the USA. The Courettes are pure dynamite! Turn up the volume and fuzz out! BOOM!
expected to be published on 19.01.2024
Nach der Veröffentlichung ihres Debütalbums "Stay Alive" (2020) und der "At War With The Silverfish" EP (2021) meldet sich die Emmy-nominierte
Künstlerin, Autorin, Musikerin, Aktivistin und Against Me! Gründerin/Songwriterin Laura Jane Grace mit Hole In My Head zurück - ihrem
wunderschönen neuen Album mit elf Titeln, die ihre unbestreitbare Kraft als Songwriterin und Geschichtenerzählerin unter Beweis stellen.
Das Album enthält die persönlichsten und emotional ergreifendsten Songs ihrer Karriere - schlichte Meisterwerke wie "Dysphoria Hoodie" gepaart
mit glühend verzerrten Hymnen wie "Hole In My Head" und "Birds Talk Too", Tracks, die die Aufmerksamkeit des Hörers mit einer Unmittelbarkeit
und Dringlichkeit einfordern, wie sie Grace noch nie zuvor geschrieben hat.
expected to be published on 16.02.2024
Das Blackberry Smoke Quintett aus Atlanta, das als "die amtierenden Schwergewichts-Champions des Southern Rock" (No Depression) gilt, ist mit seinem 8. Studioalbum "Be Right Here" zurück, produziert von Dave Cobb.
"Viele versuchen, den heiligen Gral, die goldene Ära des Classic Rock, mit ihren sechssaitigen Eskapaden zu reproduzieren, doch nur eine Handvoll schafft es. Eine dieser Bands, der das in hohem Maße gelingt, ist Blackberry Smoke." - Guitar World
expected to be published on 16.02.2024
RED ist die erste Single aus dem kommenden Album PLAYDEAD der japanischen Ska/Punk/Metal-Band SiM. Der Song wird auch als Titelsong für die neue Staffel von 'Kengan Ashura'. MAH (Sänger) erklärt: "Unser Ziel war es, einen Sound zu kreieren, der den tiefen Respekt widerspiegelt, den wir für die Heavy-Musik der frühen 2000er Jahre haben, wie Limp Bizkit und Korn."
"Der Sound und der Groove von RED waren bereits im Entstehen und passten perfekt in den Anime. Das ist eine große Auszeichnung für uns, und nach dem, was wir von dem Teaser gesehen haben, glauben wir, dass es eine großartige Kombination ist."SiM sind Anfang 2022 aus Japan heraus auf die internationale Szene gestürmt, als ihr Song "THE RUMBLING" als Titelsong für den gefeierten Anime ATTACKON TITAN ausgewählt wurde. Seit seiner Veröffentlichung wurde der Song mehr als 300 Millionen Mal gestreamt und ist der #1 Metal-Song auf Spotify für 2022 und war sieben Wochen in Folge in den Billboard Hot Hard-Rock-Songs, mit einem Höchststand auf Platz 1.
expected to be published on 02.02.2024
Faye Webster hat heute ihr neues Album “Underdressed At The Symphony” für den 01. März 2024 bei Secretly Canadian angekündigt und teilt gleichzeitig ihre neue Single “Lego Ring (feat. Lil Yachty)”.
Eine Art Unbeschwertheit, allerdings mit melancholischem Rückgrat, ist die treibende Kraft hinter dem Song, auf dem Atlanta-Multikünstler Lil Yachty zu hören ist.
Im zugehörigen Musikvideo spielen Faye und Yachty ein Videospiel, bei dem Fans die Möglichkeit haben, über diesen Link mitzuspielen.
Faye Webster - “Lego Ring (feat. Lil Yachty)” (Official Video)
Die Songs von Faye Webster sind ein direkter Draht zum menschlichen Unbewussten, und "Underdressed at the Symphony" dokumentiert, was passiert, wenn man beginnt, aus den Trümmern der alten Routinen ein neues Selbst aufzubauen. Schon ihre zuvor veröffentlichten Songs "But Not Kiss" und "Lifetime" zeigen das selten erforschte Gebiet emotionaler Intimität, in dem Verlangen und Leidenschaft im Konflikt mit Trost, Verständnis und sogar platonischer Liebe stehen. Diese Themen finden sich in “Underdressed at the Symphony” wieder, zusammen mit hyper-spezifischen Symbolen, die ein Bild von Websters Leben zeichnen, wie z.B. "eBay Purchase History" oder die Objekte, die sie bei "Lego Ring"begehrt.
“Underdressed at the Symphony” wurde mit ihrer langjährigen Band in den Sonic Ranch Studios in Texas aufgenommen und schwelgt in Experimentierfreudigkeit, Verspieltheit und Abenteuerlust. Vocoder-Momente, Schnörkel eines Orchesters, gruselige Harmonien und Synthesizer kommen zum Vorschein, ohne die räumliche Qualität von Websters früherer Musik zu beeinträchtigen, sodass ihre Texte nach wie vor genügend Raum haben, mit zusätzlichen Bedeutungsebenen an die Oberfläche sprudeln. Matt „Pistol“ Stoessels Pedal Steel-Klänge sorgen für genau den richtigen Schimmer, während Nels Cline von Wilco seine unbestreitbar gefühlvollen Fingerfertigkeiten zu einer Reihe von Songs beisteuert. Das Zusammenkauern an der buchstäblichen Grenze zwischen den USA und Mexiko bot den Musiker*innen Raum zum Isolieren, Konzentrieren und Experimentieren. Alle Songs auf diesem Album sind Live-Aufnahmen, von denen einige bereits beim ersten oder zweiten Take aufgenommen wurden und Websters Talent zeigen, aus einem ganz bestimmten, scheinbar kleinen Moment eine universelle Erfahrung zu ziehen.
expected to be published on 01.03.2024
Girl With No Face: Das vierte Album von Allie X, Girl With No Face, ist eine gewagte Ausgrabung ihrer Identität. Eine wahnsinnige Reise in den Kopf
einer Künstlerin, die gerade drei Jahre in der Isolation verbracht hat und jeden Input verweigert hat, während sie zum ersten Mal in ihrer Karriere die
alleinige Produzentin, Autorin und kreative Stimme wurde. Inspiriert von der Technologie und dem Hedonismus der New-Wave-Szene der frühen
80er Jahre, sind die analog angehauchten Songs des Albums eine Reihe von krassen Widersprüchen - retro im Gefühl, aber ultramodern in der
Thematik, pointiert, unvorhersehbar und doch tanzbar, zugänglich und doch herrlich bedrohlich. Kurz gesagt, Girl with No Face ist völlig untypisch fü
die hypergetunten, automatisierten Formen, die den heutigen Alt-Pop dominieren.
Durchdrungen vom britischen Experimentalismus der frühen 80er Jahre, mit Anklängen an The Human League und New Order, ist das Album ein
deutlicher Schritt weg vom 2020er introspektivem und sparsamen "Cape God" - so viel schneller und bedrohlicher.
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Black Light Smoke is the electronic music moniker of Jordan Lieb - producer, songwriter, and award winning film and TV composer. A Chicago native, Jordan transplanted to New York City in 2001, where his career as a multi-disciplined musician has taken flight in many forms.
Currently residing in upstate New York, Black Light Smoke returns to Scissor and Thread for his first full length debut-album: Ghosts.
The 12 tracks (plus three digital bonus tracks) span everything from 90s house, smooth and deep soulful beats, dusty grooves and thoughtful treaties on the state of creativity, capitalism and identity.
It’s a collection that sits together as a listening experience perfectly, building peaks and sliding into serene troughs, all with a strong sense of radical thought and creative experimentation. Tracks bend and warp in unexpected directions, while gritty, distortion and overdrive counterpoint classic rave stabs and vocal samples. Taken as a whole, the album could be the soundtrack to a night drive through the city, as much as certain tracks will no doubt find themselves woven into the sets of the more leftfield and genre pushing DJs. Either way, it’s an essential release from one of the most exciting and vital producers out there and the first artist signed to Scissor and Thread back in 2011.
The album title, Ghosts, tells two stories. One is personal - an artist embracing the shadows of his past in order to move forward and complete a body of work. The second story is a search for the original meaning of house music - not just the usual sample, appropriation or casual nod to the originators of house - but a meditation on the living story of Black America in which house music is an inseparable chapter. Both stories are a reflection on grief and the transformation of trauma into celebration.
100% of Jordan Lieb’s personal proceeds from this record will go to Little Bit Foundation, empowering students living in poverty to achieve their academic goals.
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Nach seinem Debüt auf der We Are Not Alone-Compilation von BPitch legt der Franzose Crystal Geometry nun seine erste ganze EP für das Label vor. In den vier Tracks zeigt Crystal Geometry seine Vielseitigkeit zwischen spielerischem und experimentellem Modus und nutzt sein Können am modularen Synthesizer, um uns ein paar starke Tracks zu präsentieren.
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David Nance & Mowed Sound, das erste Album von Nance, das bei Third Man Records erscheint, schneidet tief ein.
Erinnerungen werden wach, wie die Klänge eines großartigen Rocksongs, der aus dem Lastwagen des Nachbarn schallt, wenn er in die Nacht
hinausfährt. Es gibt eine eindeutige Verbindung zur Vergangenheit, aber der swingende Gitarrenboogie und der knurrige Blues, den man von Nance
und Co. erwarten könnte, klingt schlanker und völlig hypnotisch. Was bleibt, sind 10 Tracks einer gut eingespielten Gruppe, die rhythmisch so
zusammenhält, dass die Songs auf dem Album wie die Glieder einer Kette miteinander verbunden scheinen.
expected to be published on 09.02.2024
repress
As EarToGround Records hits its seminal tenth release we have decided to go all out sonically and visually.
As you all know Dax has been a core member of EarToGround right from the beginning. It all began with his and Chris Stanford's jointly produced track 'Programm' on ETG001.
From then on in he has worked tirelessly at his East London studio, climbing through the ranks to become the very respected and some would say inspirational producer he is now. Over the last year he has very much honed in and developed his now unique sound and recently released on much respected, high quality labels such as Deeply Rooted.
You could say his own EP on ETG has been a long time coming but we like to think ETG010 is what he has been building up to, some of his best work to date. We will let you decide
3 new solid, hook heavy, DJ and dancefloor friendly tracks from Dax as well as 2 centralized locked grooves and additional, extremely slick remix work from ARTS label boss 'Emmanuel'...
Black vinyl. Internal textured black inner sleeve. External textured white outer sleeve. 2 ETG Invader Stickers. Again the artwork is Space related. The theme this time pays homage to what can arguably be called one of the best modern SYFY films ever made.
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The new battle breaks produced by DJ Myke aka Micionero. It contains new breakbeats, exclusive skipless tracks, synths, vocals, bass & much more. It's the right tool for DJ-turntablists of all levels. It offers an innovative and wide range of sounds ready to be manipulated. Battlecat Vol. 2: the record for making records!
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Originally released on Axis records. Moonlight Serenade Year 3036, the Third Empire of Human spans hundreds of star systems, only accessible by a faster-than-light spaceship. No other intelligent beings have ever been encountered, not until a light sail probe enters a human system carrying a dead alien. The probe is traced to the Ursea, an isolated star system in a thick dust cloud, and an expedition is dispatched. After a search that lasted thousands of years, humans stand on the verge of first contact with an alien race. The mission's objective: learn everything there is to know about the extraterrestrial intelligence. DJ Surgeles has a longstanding professional relationship with Detroit legend Jeff Mills. Connected through music, DJ Surgeles learned the insides and tricks of Jeff. Many conversations and meetings over the years led to this new concept, The Escape Velocity. DJ Surgeles has also collaborated exclusively with Jeff Mills on the concepts Something in The Sky and STRMRKD, and produced a special Axis Records 10 year anniversary release, The Bells: DJ Mix back in 2007. I wanna thank Jeff Mills for making this album happen.
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Little Beat More, Do It Youssef, Not a Pub & Un Rêve Nu labels are glad to introduce ÈCH's latest work, a stunning display of musical mastery that will capture your heart and soul.
Led by Heddy Boubaker, the Toulouse-based band has created a sound that defies categorization, blending elements of free jazz and psychedelic afro-latin rhythm, and more to create a truly unique musical experience which they self described as "post-pfunk-afro-voodoo-weird-free-rock".
With 'Au nombre de joie' and 'Le bonheur des uns fait le malheur des autres', the ÈCH make up two little gems of music that take us back to a time when every note, every instrument was carefully thought out, down to the last detail, a time when music was made simply right.
The EP's artwork, created by painter, trumpeter and percussionist Walkind Rodriguez, represents with colors and shapes blending together to create oneiric flames, archetypal symbol of the band's soul, whose name is derived from a Hebrew word meaning 'fire'.
If you love music done with care, of musicians who pour their hearts and souls into every note, then you won't want to miss out on ÈCH's latest release. So sit back, close your eyes, and let the sound wash over you.
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Dame-Music is proud to present this 4 track album sampler for Ecotone's debut LP 'Under His Eye'! For the label's 38th release, Bloody Mary has hand picked this ground breaking LP from the new artist out of Berlin.
Ecotone is a project that blends electro, techno and IDM into their detailed and futuristic sound. Drawing on influences from the various works of Gerald Donald and James Stinson as well as IDM and Artificial Intelligence-era techno, Ecotone is putting their own spin on these classic musical tropes.
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Exceptional collection of Eddie Richards classics and rarities. A retrospective series of UK Acid-House pioneer. Played by Richie Hawtin, Ricardo Villalobos and Craig Richards to name a few.
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Faye Webster hat heute ihr neues Album “Underdressed At The Symphony” für den 01. März 2024 bei Secretly Canadian angekündigt und teilt gleichzeitig ihre neue Single “Lego Ring (feat. Lil Yachty)”.
Eine Art Unbeschwertheit, allerdings mit melancholischem Rückgrat, ist die treibende Kraft hinter dem Song, auf dem Atlanta-Multikünstler Lil Yachty zu hören ist.
Im zugehörigen Musikvideo spielen Faye und Yachty ein Videospiel, bei dem Fans die Möglichkeit haben, über diesen Link mitzuspielen.
Faye Webster - “Lego Ring (feat. Lil Yachty)” (Official Video)
Die Songs von Faye Webster sind ein direkter Draht zum menschlichen Unbewussten, und "Underdressed at the Symphony" dokumentiert, was passiert, wenn man beginnt, aus den Trümmern der alten Routinen ein neues Selbst aufzubauen. Schon ihre zuvor veröffentlichten Songs "But Not Kiss" und "Lifetime" zeigen das selten erforschte Gebiet emotionaler Intimität, in dem Verlangen und Leidenschaft im Konflikt mit Trost, Verständnis und sogar platonischer Liebe stehen. Diese Themen finden sich in “Underdressed at the Symphony” wieder, zusammen mit hyper-spezifischen Symbolen, die ein Bild von Websters Leben zeichnen, wie z.B. "eBay Purchase History" oder die Objekte, die sie bei "Lego Ring"begehrt.
“Underdressed at the Symphony” wurde mit ihrer langjährigen Band in den Sonic Ranch Studios in Texas aufgenommen und schwelgt in Experimentierfreudigkeit, Verspieltheit und Abenteuerlust. Vocoder-Momente, Schnörkel eines Orchesters, gruselige Harmonien und Synthesizer kommen zum Vorschein, ohne die räumliche Qualität von Websters früherer Musik zu beeinträchtigen, sodass ihre Texte nach wie vor genügend Raum haben, mit zusätzlichen Bedeutungsebenen an die Oberfläche sprudeln. Matt „Pistol“ Stoessels Pedal Steel-Klänge sorgen für genau den richtigen Schimmer, während Nels Cline von Wilco seine unbestreitbar gefühlvollen Fingerfertigkeiten zu einer Reihe von Songs beisteuert. Das Zusammenkauern an der buchstäblichen Grenze zwischen den USA und Mexiko bot den Musiker*innen Raum zum Isolieren, Konzentrieren und Experimentieren. Alle Songs auf diesem Album sind Live-Aufnahmen, von denen einige bereits beim ersten oder zweiten Take aufgenommen wurden und Websters Talent zeigen, aus einem ganz bestimmten, scheinbar kleinen Moment eine universelle Erfahrung zu ziehen.
expected to be published on 01.03.2024
The Colombian band Frente Cumbiero from Bogota has been successfully mixing traditional cumbia rhythms with more contemporary music trends for a number of years, creating an unusual end product. At the Javeriana Universidad of Bogota, in 2010, there was a productive meeting between the four-piece band and some local musicians with Mad Professor. After three work-intensive days, the recordings were in the can.
Out on a limited sold out double Lp, and a sold out 7” inches box set, we're so honored to repress 2 songs from this masterpiece on a single 45 vinyl.
Made with Love and cut it loud for your ear pleasure.
Edition of 600 copies, coming in a black paper sleeve with sticker.
Pressed on high quality Black and Yellow vinyl wax (40 gr.).
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Swaying duby synthwave vibe slapped by the 808 snare one this very limited one sided 7 inches w/ the track Stop By from french duo Froid Dub.
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Opaque Baby Blue Vinyl[25,00 €]
Endlich wieder ein Lebenszeichen der legendären Indie-Rock-Band Grandaddy aus Kalifornien. Im Februar 2024 wird ihr brandneues Studioalbum „Blu
Wav“ via Dangerbird Records erscheinen. Kürzlich feierten Grandaddy ihr Schaffen mit einer Reihe von Wiederveröffentlichungen zum 20-jährigen
Bestehen, darunter das hochgelobte Sumday Twunny-Boxset, das von Pitchfork als „Best New Reissue“ ausgezeichnet wurde. Auf Wunsch der Familie
seines Freundes und Psychedelic-Pop-Kollegen Mark Linkous steuerte Lytle auch Gesang zu einem posthumen Sparklehorse-Album bei. Grandaddy
haben fünf offizielle LPs veröffentlicht, zuletzt 2017 das Album „Last Place“. Zu den Mitgliedern von Grandaddy gehören Jason Lytle, Aaron Burtch,
Jim Fairchild, Tim Dryden und der 2017 verstorbene Kevin Garcia.
expected to be published on 16.02.2024
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Ibiza Global Radio is a global reference point for electronic music in the world. Born in Ibiza, for Ibiza and for the rest of the world. A unique sound in an unusual style and excellent “music selection criteria” make Ibiza Global Radio a staple in the genre, so much so that it has a loyal audience of more than 18 million unique monthly listeners worldwide.
Ibiza Global World, a virtual, physical and multimedia platform where radio, TV, events and social media allow the World to experience the White Island, its love and freedom, 12 months a year.
Thanks to this first LP, the label "IBIZA GLOBAL RECORS" is
born. This LP is designed in a unique and exclusive package with 6
tracks with a new electronic sound, created by 6 Great Artists for Clubbing, available for now only in physical format LP and the exclusive worldwide is controlled by "Self Distribuzione S.r.l."
From July 30-31, the project will be presented at the mega event IBIZA GLOBAL FESTIVAL which will be attended by Top DJs like “Luciano” or “Nic Fanciulli” or “Jose Maria Ramon” (Artistic Director of Ibiza Global Radio) and many other Top Djs from all over the World with an expected attendance of over 40 thousand people on one of the most beautiful beaches of Ibiza !!!! Stay tuned
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In folklore, the witching hour or devil's hour is a time of night associated with supernatural events. Creatures such as witches, demons and ghosts are thought to appear and to be at their most powerful and magic is thought to be most effective at this time.
It is also the time when we are at Underground parties, this is considered the main time of the party before it tapers off into the ethereal realm of translucent soundscapes and marionette dance moves. This is when we feast on sound intoxication and our parallel daywalker skins are shed into ancient dances and rites of sacred drums.
The witching Hour takes our souls back to our ancient pagan rituals of music and dance till the cleansing of dawn, this is where revelations happen and where groups of like minded people form a coven of sorts and bond in non verbal communications thru the expression of movement.
This is a new label project from Jay Tripwire and TJ Mc Au, they will be presenting underground minimal sounds specifically designed for the dancefloor and for the DJ.
This EP features Creepshow and Klangtone. Creepshow is a dark bassy roller with an eerie underground atmosphere that holds the groove but it also designed for mixing and layering. Klangtone features a percussive groove, voices from the Tikuna rainforest tribe and a haunting modular flute line with a massive sub bass that is sure to rattle bassbins. This is classic Tripwire with modern production but still keeping the his roots of his trademark sound.
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PT22 is finally here and we are super excited to welcome Jean Bressan, owner of the sublime minimal label Kosmophono Records. Jean has been on fine form recently collecting support from some of the scenes finest like Arapu, Gescu and Sepp who have all been playing this exciting 4 track EP for the last 12 months. We were instantly attracted the Jean’s hypnotic minimal groovy style and new we had to welcome him into the Pathway Traxx Family and he sure delivered with this excellent EP.
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Repress
Limited edition of 500 copies on 'milky' clear vinyl.
Mannequin Records is elated to introduce you a brand new album by Johannes Haas aka L.F.T. (Love, Fist, Tears) - one of the hottest electro/wave names around the globe.
The Hamburg-based producer is obviously one of the resident artists at Golden Pudel Club, being blessed by a collaborative friendship with the mighty Helena Hauff (go check their b2b on Hör radio for the definitive Electro music set), and also running also the label 'Neoprimitive' with Lukas, focusing mostly on experimental music.
Pursuing a stubborn D-I-Y aesthetic with an extensive use of lo-fi technology, over compressed drum machines and tapes, over the last two years L.F.T. has released several records on different labels like Helena Hauff's Return To Disorder and Elena Colombi's Osaré Editions
Endorsing a distinctive contemporary sound, 'Salz' is moving forward to an highly authentic mixture of electro and synthwave, with a lo-fi analog power blended all over his tracks, somewhere between Liaisons Dangereuses, I-F and Bakterielle Infektion, bringing us back - and fresh as never before - the amazing early days of CBS Radio - now Intergalactic Fm.
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Local Dub present their next offering on You&Me Records with a superb 3 tracker. They serve up a selection of retro vibes whilst keeping that signature You&Me energy amongst the EP. The tasteful vocal hooks, killer basslines and groovy drums across all of the tunes make for a mainstay in anyone's record bag.
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The release of a debut album should be something to celebrate. But how would unbridled cheer be possible when your home country is invaded and uncertainty is the only consistent factor in your life? Still, despite this troublesome period, marked by great anxiety and grave concern, Ukraine native Lostlojic releases his first LP, 'Mamay' on our TECH-UM label. The title is derived from the legendary Cossack folk hero of the same name, who symbolizes the strength, freedom and fidelity of the Ukrainian people. Its ten compositions transform and hypnotize the listener, or shoot a sudden jolt of electricity through their bodies. 'Rosebud', for instance, takes its name from - and features a sample of - Orson Welles' 1941 landmark film Citizen Kane and is more than just pleasing to the ear; it's a state of mind. The Ukrainian wunderkind knows how to play upon your aural perception like no other! Many of its pieces are permeated with repeating phrases, which help you lull into the perfect mental state in which to fully grasp and enjoy this revolutionary record. The album's atmosphere seems at times to be grim, then mysterious, even alternately welcoming or hinting at hope and desire and in some instances convey all of these sensations at once. Which is, of course, quite fitting for the trying times we find ourselves in right now. It's a major factor why this stunning debut necessitates repeated listening!
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Maria is a trio from Holland and the Czech Republic, who have been producing their own unique post-religious cabaret since 2016. Lyckle, Katerina and Bjorn have amassed seven albums of outsider pop and improvised mayhem over the years. This collection of tracks were mostly made on a farm over a two year period and you can tell the fresh air had a conducive effect on their collective songwriting. A classic sound of drum machines, synth bass, and keyboards holds up Katerina and Lyckle’s vocal interplay alongside Bjorn’s guitars. When the three find their sweet spot, they can conjure up fine slices of whimsical, bleary-eyed pop music that isn’t afraid to smile once in a while and dream big.
expected to be published on 15.02.2024
Mateo Dufour hails from Argentina and runs a number of his own labels but here finds himself on Politics Of Dancing with an irresistible new hand-stamped white label 12". It's direct to dancefloor business from the off with the bristling drums and perc powering along 'Let Yourself Go' beneath snatched vocal yelps.
There is just as much silvery metallic texture on show in 'Power Of Them', a jacked-up house sound with more vocal encouragement and neon melodic phrases panning about the mix. 'Dashed Street' is a third and final steel-plated house cut before cultured Frenchman D'Julz remixes 'Dashed Street' into a smoother tech house cruiser.
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Kicking off with the A side rocking me in your arms proper uplifting disco boogie banger that has the feel good vibes of monster tracks like Soul Searcher can't get enough ! This track is the perfect Dj tool to kick bar sessions into the next gear as the night builds.
Flipping it over you have a New York style boogie groover that is super infectious and oozes coolness to be played day or night.
The Sonic Wax label is really doing the business in 2023!
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Black Vinyl[32,98 €]
FOR FANS OF: ANTHRAX, MEGADETH, SLAYER.
Strikt limitierte 10inch Picture-EP der Metal-Kultband METALLICA. Mitgeschnitten und Live übertragen vom Radiosender BCM-FM im Jahr 1987. Diese
Collectors-Edition enthält u.a. die Hits Master Of Puppets und Seek And Destroy. Nur 300 Exemplare, weltweit !
expected to be published on 23.02.2024
Moniquea's Yes No Maybe is an album that is steeped in the synthesizer-heavy aesthetics of 1980's R&B funk (often referred to as "boogie") but is modern enough to move past the "retro" label into something that builds a fresh sound upon the blueprints created by seminal 80's acts such as Prince, Midnight Star, or Evelyn "Champagne" King.
It is Moniquea's vision to set herself apart by "bringing back" a more standardized song structure to the burgeoning modern funk genre, an ideal which can be considered a commodity in what has largely branded itself as an avant-garde musical movement. Yes No Maybe's production, provided by XL Middleton & Eddy Funkster, is the springboard for the main focus of the album, Moniquea's vocals, delivered in a sassy, yet silky tone which shows that she has done her homework in studying her predecessors, while turning it into something modern, and uniquely her own.
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Non-human life forms emerge from the underground, while we, powerless, witness the scene. NYC powerhouse master Jean Pierre yet again joins forces with Trangaz as Mutant People for "On A Mission" EP, diving into a state of flow that will lead them to wander into desolate harsh lands of hefty grooves, modular craziness, and mighty low-end waves. To back them up, wisdom cathartic soldier Amir Alexander delivers a long-play minimal techno interpretation, making you get some air before disappearing back into the abyss to carry out his mission.
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In War EP Ortrotasce delivers the finest blend of new beat and proto ebm with electro funk reminiscences coming out from the states. Perfect icy vocals over classic 8 bit drum machines and magnificient sliced bass lines that creates a deep journey to the modern decadence of nowadays.
This mindblowing 5 tracks EP will be inmediately added to the top list of other essential american modern EBM acts such as “High Functioning Flesh” or “Spike Hellis” lovers. Presented in a one-off truly limited edition of 300 copies, lacquered pressed on 180gr. high quality solid BLACK vinyl.
All tracks have been specially restored and remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.
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PET NEEDS sind eine vierköpfige Punk-Melodic-Rock-Band aus Colchester, die in den wenigen Jahren, die sie bei Xtra Mile sind, die ganze Welt bereist
hat. Ihre letzten beiden Alben, die in den letzten 18 Monaten veröffentlicht wurden, haben dazu beigetragen, die Band zu den aufsteigenden Stars zu
machen, die sie heute sind.
Sie tourten mit Frank Turner, Flogging Molly und Skinny Lister durch Europa, begleiteten Frank Turner auf der 50 States in 50 Days USA-Tour,
unterstützten Bouncing Souls, The Hives. The Lottery Winners und absolvierten ihre eigenen Headline-Touren durch Großbritannien.
Der Umgang mit dem Nebeneinander von schnellem Leben und den ruhigeren Zeiten zu Hause ist das zentrale Thema ihres dritten Albums
Intermittent Fast Living". Es ist das lebendige Porträt einer Band, die auf der Achterbahn des Rock'n'Roll-Lebens fährt und nur für den Bruchteil einer
Sekunde anhält, um den Moment festzuhalten. Aufgenommen in den Vada Studios mit George Perks (Enter Shikari, Skindred) und gemastert von
Frank Arkwright in der Abbey Road.
expected to be published on 16.02.2024
Munich based producer Polygonia presents 'Otro Mundo'. An exciting pack of extraordinary sonic pieces driven by intense rhythms with a strong focus on sound design and colorful harmonies. Next to her intriguing Grey Area works on this record, she also weaves two four to the floor productions into this collection, all featuring complex works on the drums and juicy sound aesthetics.
The story begins with 'Otro Mundo,' as Polygonia extends a harmonious and melancholic invitation, blending her own layered vocals with organic dubby beats, creating a captivating otherworldly atmosphere. Throughout the EP, Polygonia's distinct percussion and inventive sound design shine brightly. 'Mind Alteration' and 'Implosion Of The Known' lead the listener through mesmerizing groove-scapes, elevating perception to new heights. As the EP unfolds, 'Never Have I Seen...' offers a metaphysical experience, unveiling unknown marvels through rhythmic shifts.
The record comes with an impressive sleeve designed by Dimitri Erhard, representing the window to the other world. Released on Bambounou's Bambe label.
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Tá Sempre Pegando Fogo is Rabu Mazda's second album, a long-standing solo project of Leonardo Bindilatti, this time debuting at Discos Extendes.
Leo is part of Cafetra Records, where he maintains an active role in musical creation and production. He was a member of Kimo Ameba, Go Suck A Fuck, Kridinhux, Egg Shell, Rabu Mazda & Van Ayres and is part of Iguanas and Putas Bêbadas.
This multiplicity of experiences and styles is also reflecting the private and intimate multiplicity of this Rabu Mazda that we now finally get to know better. He is ceaselessly a physical soul on fire and, thus, it sets, naturally, fire to this record that he’s sharing with us.
In parallel, if contemporaneity is also a place on fire, his music can be a timely response to this confusion. Even with all the layers that each song contains, they can bring, to anyone who wants, an energetic clarity with regard to being alive and the pleasure that one can find in that condition. Although some kind of contemporary aggressiveness and crudity are a fundamental part of the identity of this work, the tracks push us to give in to the constraints and point us to the impetus of dancing, pulsating inside the body and finding ways to get out.
It seems that this is what Rabu Mazda really wants: to light up the dance and encourage us to catch the glasses and share a wheel of positivism. Given his Brazilian ancestry, he gave his name to this disc with an appropriation of an idiomatic expression, which refers to states of agitation, sexual excitement, or drunkenness - here, as a starting point for a type of imaginary. It becomes curious to see how he uses his music not only as an end, but also as a way to create some sort of happening.
Adds, to the references of Brazilian Funk, Kuduro, Footwork and House, his melodic textures, mostly nostalgic and his rhythmic compositions to deconstruct music that we thought we knew.
text and original pic. by Sara Zita Correia
* The record also comes with a killer remix by one of the greatest in the Tuga scene! King Silvestre signs a remix for the opening track Fumo no Olho, transforming its introductory lightness and serenity into a hit that stands between Ghetto House and Rave for the littest dance floors!
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Der walisische Sänger, Songwriter, Produzent und Regisseur Ren veröffentlicht mit "Sick Boi" sein zweites Album, das nun erstmals auf Vinyl erscheint. Das an den Hip-Hop angelehnte Album erforscht eine Vielzahl von Stilen, in denen das lyrische Genie einmal mehr sein kreatives Gespür beweist und sich mit vielen persönlichen und sensiblen Themen auseinandersetzt.
2022 erschien der globale Hit "Hi Ren", mit mittlerwiele über 22 Mio. Aufrufen bei Youtube und mehr als 11 Mio Plays bei Spotify.
Kurz darauf teilte der walisische Wortschmied eine ergreifende Interpretation des kultigen The Verve-Hits "Bittersweet Symphony", die derzeit beeindruckende 2,5 Millionen Aufrufe hat und ihm die Unterstützung der verehrten Britpop-Band einbrachte.
Rens einzigartiger Musikstil hat Millionen von Menschen auf der ganzen Welt begeistert, denn er wurde zur Stimme der Unverstandenen und hat sich organisch eine große Fangemeinde von Hardcore-Fans geschaffen, die sich im sicheren Raum seiner Musik versammeln. Diese Fähigkeit ist auf 'Sick Boi' so offensichtlich wie eh und je.
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‘Fog’ is one of most obscure and dark italo instrumental works done in 1984 late at night in Riccardo Cioni’s garage/studio by his trusty Stephen Head experimenting on PPG Wave 2.2, Linn 9000 and Phophet 5.
Mondo Groove release this 12″ 45rpm involving 4 key figures of analog electro: Morgan Geist (Metro Area), Tiger & Woods, N.O.I.A. and Daniele Baldelli.
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Bringing the club vibes like they love it.
Lively atmosphere, oldskool grooves with a new texture is what they aspired to achieve in their musical trip together. They had a lot of influences from big names in the scene as you can tell listening to these tracks. We have selected 8 tracks for you to enjoy. Hope you like them as much as they did making them.
For Those Who Dance
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If the Corona pandemic and the accompanying concert bans have at least one good thing going for them, it's the extra time musicians have to write songs and live out their creativity. This circumstance was also the driving force for the SAMURAI PIZZA CATS, who come from the Electric Callboy environment. Frontman Sebastian Fischer was behind the microphone in their predecessor band Her Smile In Grief, whose line-up also included Daniel "Danskimo" Haniß, who is now celebrating success as guitarist, songwriter and producer of Electric Callboy. The contact between the two never broke off and so Daniel also produced Sebastian's later band Fall Of Gaia in recent years, whose former drummer and multi-instrumentalist Stefan Buchwald is also involved in this new project - family business from downtown Castrop Rauxel! So while Stefan contributes the music, Sebastian writes the lyrics and Daniel, as a creatively involved producer, ensures a well-rounded overall result. Okay, before we try your patience any further, let's talk about the elephant in the room: the band name. The SAMURAI PIZZA CATS have named themselves after a Japanese anime series from the early nineties. Why? Stupid question! Of course, because they are fearless warriors on their instruments, love to eat pizza and like cats! And maybe a little bit because they have soft spots for anime and silly band names - but only maybe. Rumour also has it that "Banzai! Smack! Meow!" is an onomatopoeic description of the band's sound.
expected to be published on 26.01.2024
Berlin, Funkhaus based electronic record label and music studio Bright Sounds enters their 10th year of business in 2023. And this marks the perfect occasion to team up with another long going techno institution, Skudge. Starting as a record label curated by two Swedish gearheads releasing their own studio jams in the late 00's, Elias Landberg is now recognized as one of the most steady techno producers of modern times.
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This is the new 20th anniversary edition of one of Soul Jazz Records’ classic Studio One releases, now available as a one-off special blue vinyl very limited-edition pressing (2000 copies worldwide).
Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae. This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history – The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of
seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.
Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker
T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites seminal Rastafari anthem Addis Ababa and many, many more.
This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King),
compiled by Mark Ainley (Hones Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner
sleeves.
“The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection” All Music
expected to be published on 01.02.2024
The eyes cannot see without varying the perception.
Thought dwells over rapid, constant change.
There is no moment in which any power of the soul remains the same; senses and faculties in their nature instinctively stimulate the alteration of the state.
No simplicity at any given time, nor identity at different times.
Distinct scenes make their appearance, pass and repass, slip and mix with an infinite variety of attitudes and situations: the mind opens the curtain, becoming theatre.
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Terry Farley & Wade Teo ‘Why We Dance’ on Rekids featuring Kameelah Waheed.
The jacking house track, out this October, is backed with alternate mixes and a remix from Kevin Swain (DOP).
Founder of Boy’s Own and Junior Boys Own and an active part of Defected sub-label Faith, Terry Farley is a bonafide house legend. Teaming up with XOYO and Music Box Radio resident Wade Teo, the duo recruit New York-based spoken word artist Kameelah Waheed for a party-starting house cut on Radio Slave’s Rekids.
Across the A-side, robust drums, rocking low end, and piano stabs combine to provide the perfect backdrop for Kameelah Waheed’s infectious vocal performance. On the flip, Farley and Teo deliver their ‘Lonely Dancer Remix’ to kick off the B-side, adding subtle percussions and floating pads for a grooving rework. Rounding out the release, Farley recruits Kevin Swain for the collaborative ‘Angels Take Control’ remix, with dubbed-out claps, menacing low-end combining for a heads-down closing track.
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No nonsense, no faking, no timewasters: the raw classic techno energy of Nuno dos Santos and Cosmic Force's Ultrastation project continues to tear holes in the space time continuum with their latest EP - 'Red Skies'. Hot on the heels of 'Stellar Logic' on Nuno's Something Happening Somewhere label earlier this year comes another uncompromising selection as the pair of Utrechtian veterans link up and tear down on Deeptrax offshoot label Tech UM. 'Sonorous' sets the pace with its outstanding sense of pounding, gritty momentum. The sound of 35 years of warehouses melting under sheer bass heat, it's a savage statement piece that's backed up by three more undiluted techno treats. 'Muladhara' realigns our chakras with its earthy stomp, hopeful arpeggio and relentless energy, 'Blood Flow' takes on a little more industrial charm as it rattles away, twisting and turning with a subtle sense of psychedelia while 'Lake Falls' brings the EP to a euphoric Detroitian finale that's characterised by shimmering synths and some epic dynamics.
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Jamal Moss, Takeshi Kouzuki, FLML and Mituo Shiomi take part in “Tracks From The Alley Vol. II", a Various Artists four-tracker E.P. which follows the imprint of the previous release of the Bologna based underground music label ALLEY VERSION. Here the jackin' and acid house/techno sonic palette is diverted in a raw, immersive and screwy signature.Rough vibes for freaky minds. Limited 12" vinyl.
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The Bangers return with the 8. edition with 4 tracks from Kaspar, Skober, Zajon & Julien Riess.
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We Jazz launches a new magazine bringing together contributors from such sources as Pitchfork, WIRE, Downbeat, The Quietus, Jazzwise, Deutschlandfunk Kultur, etc. Altering its title according to each issue's lead story, the first 128-page edition of the publication is entitled "World Galaxy" in connection to the cover story about Alice Coltrane written by US author Ashley Kahn. Other writers for the first issue include Phil Freeman, Debra Richards, Stewart Smith, Daniel Spicer, Peter Margasak, Andreas Müller, Matti Nives, Christian Adofo, Samy Ben Redjeb, 4AD's US Label Manager Nabil Ayers, plus more.
Topics in addition to the Alice Coltrane lead in include Sun Ra in Egypt, Scatter label profile, John Corbett, vinyl production in 2021, free jazz hero Alan Braufman, Finnish guitarist Raoul Björkenheim's jazz photos from 1976-77, a collection of European modern jazz posters, Oiro Pena, records / books / design, etc.
"We wanted to create a quality magazine with top content and a very organic feeling," says the magazine's co-editor and AD / graphic designer Matti Nives. "To us that means inviting some of our favourite writers to come up with ideas about topics they would like to cover, and linking up with great local illustrators and photographers. We hope that the end result would differ from other prints out there and provide fresh ideas in relation to the music we love."
Going forward, the English-language We Jazz Magazine is planned to be published twice a year.
expected to be published on 02.02.2024
Since 2011, For All We Know has been the side project of Ruud Jolie, known from Within Temptation. The debut album was released in the same year, followed by the second album called 'Take Me Home' in 2017. In 2023, both albums were released on vinyl via prog rock/metal label Construction Records.
The brand new third album, entitled 'By Design Or By Disaster', will also be released on CD and colored vinyl via Construction Records.
During the writing process, Jolie again worked closely with singer Wudstik, and the band consists of the same musicians who were featured on the first two albums: Léo Margarit (Pain of Salvation), Kristoffer Gildenlöw (ex Pain of Salvation), and Marco Kuypers (ex Cloud Machine). The 11 songs on the album were produced by Jolie herself and range from heavy, thrashy metal to calm melodies.
Compared to the previous two albums, 'By Design Or By Disaster' takes the listener to even more extreme corners, ranging from beautiful atmospheric strings to powerful rhythms and heavy guitars. Despite this diversity, Jolie continues to search for unexpected melodies and harmonies, where he is not afraid to go off the beaten path. There are also some 'Easter eggs' hidden for the attentive listener; melodies from the previous albums that return in an innovative way on this new album, making the first two albums together with this album a kind of trinity, which also applies to the artwork.
expected to be published on 22.03.2024
Sylvain Chauveau's debut album "Le livre noir du capitalisme" is a melancholic milestone – and a precursor of what later would become the Modern Classical genre. With his release in 2000, Chauveau created a landmark of contemporary electronic music, parallel to the first releases of Jóhann Jóhannsson and Max Richter.
Inspired by John Cage's reflections on silence and Mark Hollis' solo album of the same name, on "Le livre noir du capitalisme" Chauveau assembles contemplative, repetitive piano and string arrangements with electronic sound layers and discreet field recordings to create an other-worldly but seductive Musique Noir. Midway between ambient, jazz and post-rock, Chauveau lays out a new paradigm of electro-acoustic music that functions as much atmospherically as compositionally, and whose parameters keep the boundaries between academic and non-academic music dissolved to this day.
Originally released on the small French experimental label Noise Museum in 2000, the album got reissued by Type Records in 2008 with the English title “The Black Book of Capitalism”. Being out of print for a while, Sonic Pieces now rereleases the classic with its original French title, plus new remastering by Loop-O and in an ultra-limited, handmade edition with black bookcloth cover on both CD and vinyl.
expected to be published on 02.02.2024
Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.
Signalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a "surrealistic soundscape filled with real and dreamt sound", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed.
expected to be published on 16.02.2024
Detroit producer Apollo Brown has made a name for himself as one of Hip-Hop’s most legendary new producers while maintaining a golden era sound. His production credits are a who’s who of Hip-hop greats from Danny Brown to Ghostface Killah, Ras Kass to Westside Gunn. Even Chance the Rapper used a pair of Apollo beats on his debut mixtapes. Known for bringing the best out of musicians, Apollo has a knack for making timeless classics. Brooklyn’s Joell Ortiz started on none other than Dr. Dre’s Aftermath label and built a huge buzz in the industry. He’s worked with legends like Just Blaze among others. He then signed to Shady Records as ¼ of the supergroup Slaughterhouse. He’s worked with Hip-Hop titans Eminem, Busta Rhymes, Jadakiss, Akon, and Big Daddy Kane. Now the pair of Hip-hop luminaries are celebrating the 5 year anniversary of their first collaborative album on Mello Music Group with a deluxe edition including 2 new songs. It’s nothing short of a masterpiece: Mona Lisa.
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Gut Ding will Weile haben und das trifft auch auf ATROPHY zu, die nun endlich ihr neues Album "Asylum" veröffentlichen!
"Asylum" ist der nächste Meilenstein in der Geschichte von ATROPHY.
Unter Beibehaltung des Tempos von "Socialized Hate" und des Grooves von "Violent By Nature" enthält das Album eine große Portion Heaviness, die dafür sorgt, dass das Album einem befriedigenden akustischen Tritt in die Fresse gleicht.
Der lyrische Fokus liegt nach wie vor auf den gesellschaftlichen Missständen, vom Aufstand bis hin zur Gehirnwäsche durch die großen Nachrichtensender und den offensichtlichen Folgen für die Menschen, die einfach nur um ihr Leben kämpfen.
expected to be published on 15.03.2024
Gut Ding will Weile haben und das trifft auch auf ATROPHY zu, die nun endlich ihr neues Album "Asylum" veröffentlichen!
"Asylum" ist der nächste Meilenstein in der Geschichte von ATROPHY.
Unter Beibehaltung des Tempos von "Socialized Hate" und des Grooves von "Violent By Nature" enthält das Album eine große Portion Heaviness, die dafür sorgt, dass das Album einem befriedigenden akustischen Tritt in die Fresse gleicht.
Der lyrische Fokus liegt nach wie vor auf den gesellschaftlichen Missständen, vom Aufstand bis hin zur Gehirnwäsche durch die großen Nachrichtensender und den offensichtlichen Folgen für die Menschen, die einfach nur um ihr Leben kämpfen.
expected to be published on 15.03.2024
Gut Ding will Weile haben und das trifft auch auf ATROPHY zu, die nun endlich ihr neues Album "Asylum" veröffentlichen!
"Asylum" ist der nächste Meilenstein in der Geschichte von ATROPHY.
Unter Beibehaltung des Tempos von "Socialized Hate" und des Grooves von "Violent By Nature" enthält das Album eine große Portion Heaviness, die dafür sorgt, dass das Album einem befriedigenden akustischen Tritt in die Fresse gleicht.
Der lyrische Fokus liegt nach wie vor auf den gesellschaftlichen Missständen, vom Aufstand bis hin zur Gehirnwäsche durch die großen Nachrichtensender und den offensichtlichen Folgen für die Menschen, die einfach nur um ihr Leben kämpfen.
expected to be published on 15.03.2024
Repress
Including a banging remix by AnD and badass artwork by Alan Oldham!
When the violets roar at the sun
they'll set us free
and they've got us in their cage
ruined of grace and senses
and the heart roars like a lion
for what they've done to us
***
Early support by: Luke Slater, Oscar Mulero, Ben Klock, Marcel Dettmann, Truss, Perc, Slam, Joseph Capriati, Hans Bouffmyhre, Kobosil, Tommy Four Seven, D. Carbone, Kriz, Psyk, Myler, Octave, Ansome, Manni Dee, Rebekah, Nuno Dos Santos, The Advent, Kwartz, Wire, P.E.A.R.L, Exium, Pfirter, Sleeparchive, Endlec, Markus Suckut, Hector Oaks, Eomac, Detroit Grand Pubahs, Henning Baer, Inigo Kennedy, Dave Tarrida, Dimi Angelis, DVNT, Jamie Bissmire, UVB, Objekt, Truncate, Xhei, Dax J
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Laaps starts into 2024 with the release of the first collaborative recordings by Benoît Pioulard and Offthesky, two long-time explorers of the experimental ambient genre.
Benoît Pioulard is the primary audiovisual project of Michigan-born, Brooklyn-based Thomas Meluch. With six LPs on the renowned kranky imprint, as well as a catalog of works for Universal (UK), Morr Music (DE) and others, he has constructed a unique aesthetic steeped in the textures of analog decay and pop song structure using chiefly guitar, piano and tape processing. He has also built an extensive archive of Polaroid photographs (many of which grace his album covers), the first official collection of which is the hardcover book "Sylva", released in 2019. His most recent album "Eidetic" (Morr Music, 2023) was his first vocal-heavy work in several years.
Jason Corder aka Offthesky is an experimental-ambient multimedia artist based in Denver, CO. He has been producing music, video art, audio software, and the occasional interactive sound sculpture, for over 20 years. He teaches private courses on generative music and occasionally lectures on various sound design topics at Denver University. He currently is the Audio Director at the Denver based videogame studio Dire Wolf. Over the years, he has worked with labels such as Home Normal, 12k's term, Facture, and more. Over the years he has performed at Mutek, Decibel, Communikey and other festivals, sharing the bill with likeminded artists Pole, Matmos, William Basinski, and more.
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Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.
expected to be published on 23.02.2024
DJ Ogi is back doing what he does best with his new EP "Ruzina" on his own Technodrome Records label. Real name Dalibor Ogorevac, Ogi is a real institution due to his long lasting legacy behind the Croatian techno scene, touring all over the world and producing for labels like Submissions, Planet Rhythm, Compressed, Blackout Audio, and Collabs.
Originally, "Ruzina" track was released way back in 2005 as a part of "Balota" EP on renowned Compressed label. The track certainly stood the test of time as it's still being played by many techno DJs all over the globe. Now, Ogi delivers both the original version and his fresh take on the classic, which is nothing but forceful, muscular techno of the sort that's not for the faint of heart.
"Korozija" and "Djef" are both sort of nods to classic 90s techno sound, practically begging to be unleashed on powerful soundsystems. With dark and hard madness the Croatian producer has built his reputation on over the years.
If you're after relentless, peak time techno of the sort that stays stuck in your head hours after you've left the party, the latest EP by DJ Ogi is sure to be up your alley.
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repressed !
DJ Vern & DJ Ash bring to you the urban sound of London pirate radio, a scene that was always one step ahead of the police and the DTI. Their music was also one step ahead of the rest… merging a deep knowledge of the reggae soundsystems with the rising Jungle flavours of pirate radio. It’s now 2020 and the Jungle scene paved the way for Drum and Bass, which has since spawned numerous other genres which built the foundations that have supported many of todays EDM producers.
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It is a privilege to welcome Ed Upton back to Shipwrec for his sixth release with the label. An artist who has been at the forefront of electronic music for three decades, under his well-honed DMX Krew guise the British musician has crafted icy electro, thoughtful electronica and textured techno. It is a combination of these styles that culminate in Tree in Space. A steady kick tethers "Parasite" to reality, a thick earthen melody countered by twinkling refrains as soaked drums splash. Off-centre bleep and beats introduce the title piece. Solid basslines are lightened by playful brassy electrofunk notes as genre limitations melt into Summer warmth. Skeletal scales find themselves confronted by a bruising bulwark of bass in "Unbelief." Balancing these angular and globular tones are arcing keys that draw the disparate elements into unity. "Meltdown" is the closer. Blending a spread of sounds, acid, braindance and techno, DMX Krew serves up something truly special. Brooding notes are met by cracked percussion and simmering 303 squawk in a track that pursues its own path. An EP from a musician that continues to stretch boundaries and imaginations.
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20th anniversary, first time reissue of Dubkasm & Ras Addis 'Strictly Ital' and the B side 'Hornsman Trod' - originally out in 2003 on Sufferah's Choice (now known as Dubkasm Records), hand distributed around the UK, and never repressed due to loss of original vinyl stampers - now remastered by Lewis at Stardelta and cut to 12" at Optimal and sounding great as ever, 20 years on.
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For the next release on Sync 24's Cultivated Electronics, dynArec presents his first full EP for the label with 'Murder is The Number'. French musician, dynArec started making music in 1994 but it wasn't until 2003 that he released his debut EP on Delsin. A string of critically acclaimed releases has followed on other labels including Puzzlebox, Solar One Music, Nature, Return To Disorder, Electrix, Bass Agenda, his own Vaporwave label and more, which has established him as an artist with a unique sound. dynArec now brings that seminal craftsmanship to Cultivated Electronics over four new tracks from the imposing 'Stop and Stall' via the electronic funk of 'First in Motion' and deeply grooving ' Specialized In Anything', to the twinkling closer, ' Lowest Perceived Legitimacy'.
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Das vierte Album von Ghost Funk Orchestra. Nach „A New Kind of Love“ (2022) taucht Ghost Funk Orchestra mit „A Trip To The Moon“ noch tiefer in die Welt der Filmmusik, der Exotica und des psychedelischen Surf-Rock ein. Ein vielschichtiges und collagiertes Hörerlebnis mit mehr Elementen, als man in einem einzigen Hördurchgang heraushören kann. Große Kompositionen mit Garagenrock-Attitüde. Die Einflüsse reichen von Eddie Palmieri und Esquivel bis hin zu The Lively Ones, Dusty Springfield und War. Die Tracks werden durch echte, aufgezeichnete Übertragungen der Apollo-Mondmissionen miteinander verbundenFür Fans von Orions Belte, Temples, Allah-Las, Unknown Mortal Orchestra, Khruangbin, David Axelrod, Man or Astro-Man?
expected to be published on 23.02.2024
Das vierte Album von Ghost Funk Orchestra. Nach „A New Kind of Love“ (2022) taucht Ghost Funk Orchestra mit „A Trip To The Moon“ noch tiefer in die Welt der Filmmusik, der Exotica und des psychedelischen Surf-Rock ein. Ein vielschichtiges und collagiertes Hörerlebnis mit mehr Elementen, als man in einem einzigen Hördurchgang heraushören kann. Große Kompositionen mit Garagenrock-Attitüde. Die Einflüsse reichen von Eddie Palmieri und Esquivel bis hin zu The Lively Ones, Dusty Springfield und War. Die Tracks werden durch echte, aufgezeichnete Übertragungen der Apollo-Mondmissionen miteinander verbundenFür Fans von Orions Belte, Temples, Allah-Las, Unknown Mortal Orchestra, Khruangbin, David Axelrod, Man or Astro-Man?
expected to be published on 23.02.2024
Nheoma welcomes a new member, Roberto Gemelin's techno project Groof, veteran producer from Madrid with a vast background. After a brilliant mini album on Oscar Mulero's imprint Warm Up, he presents a solid release with a remix by label owners Exium. Expect quality distinctive real techno.
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• New album by Hieroglyphic Being features score for abstract animation film.
• Through off-world frequencies and raw primal sounds, ‘Quadric Surfaces’ presents a collection of exploratory left-field dance music.
• 2LP, pressed on black vinyl, printed inners.
• Artwork by Gabriela González.
VIERNULVIER RECORDS presents its new LP release ‘Quadric Surfaces’ by iconic electronic producer Hieroglyphic Being aka Jamal R Moss. It collects the soundtracks Moss wrote for ‘Parellel Spheres’ & ‘Figures in Mynd’, two parts of an abstract animation film by visual artist Gabriela González Rondon. The film premiered in October 2023 during Videodroom / Film Festival Ghent.
In her surreal and trippy gem of analog filmmaking Gonzales draws up whole universes of movement and color that seem to share a spiritual space with likeminded sci-fi writers such as Ursula K Le Guin or filmmaker John Whitney. The soundtrack for this dreamy experiment was provided by kindred soul and psychonaut Hieroglyphic Being.
For over 20 years Moss has been an one-off musical explorer that takes inspiration from House, Industrial, Kraut, Avant-Jazz and Noise to make his spectacularly unique take on radical & psychedelic (dance) music.
VIERNULVIER RECORDS is the Belgian record label by VIERNULVIER Arts Centre (Ghent). The label focuses on music that is unconventional, unafraid to go against the grain. A mix of local and international talent, always linked to visual arts or performances.
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Fresh off his explosive Boiler Room performance in Liverpool, the dust is yet to settle from the electronic eruptions caused by GTOWN head-honcho and energy inducer, KETTAMA. Namely, the damage caused by his latest armoured artillery; ‘GTOWN004’, a radioactive EP with devastatingly euphoric consequences.
‘Samba Soccer 2001’ is the track that opens the door to ‘GTOWN004’, as we’re welcomed by an anonymous voice that insults the listener; a perfect introduction to a project that is wildly unapologetic in its character, and utterly ruthless in its delivery. Released as the first single from the ‘GTOWN004’ EP, ‘Samba Soccer 2001’ has already been greatly received by the GTOWN faithful, and sets the tone for what is arguably KETTAMA’s most complete, and anticipated project yet.
The EP starts as it means to go on, as KETTAMA drops another bombshell with ‘Blitz Zuruck.’ With a euphoric soundscape which the producer partners with a punishing bassline, this track is deeply nostalgic, embodying a time-capsule in the thick of a modern rave-renaissance. Further elements of revamped rave-nostalgia are seen in ‘Slaap Lekker’, before we’re taken deep into the belly of the Galway beast with the atomic ‘GTOWN IN EFFEKT’, and finally killed off with the ‘Rock Da Cliffe Mix’ of ‘Blitz Zuruck.’
‘GTOWN004’ features an ungodly blend of sounds, and in the process, creates an atmosphere that is both ecstatic enough for heaven, and sinister enough for hell. Purpose built for dance-floor destruction, KETTAMA’s infusion of stomach-churning bass, hypnagogic synthesisers, soulful vocals and contagious drum patterns result in an utterly pure, addictive sound.
From Galway to Vienna, Liverpool to New York, the track will be road tested amongst an armoured artillery of records, with dance-floor devastation an inevitable outcome. With his name boldly imprinted on the lineups for the likes of AVA Festival in Belfast, CRSSD in Miami, 121 Festival in New Zealand and Terminal V Festival in Edinburgh, KETTAMA’s worldwide domination of sound-systems continues.
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Kyle Hall treats us to a new and special pressing of his standout Equanimity EP which was last reissued back in 2020. This one comes on limited edition translucent teal vinyl and was initially put out to mark the ten-year anniversary of Detroit native Hall's own Wild Oats label. In that decade he has established it as one of his hometown's finest for dusty deep house explorations. The four tracks on it are just that with a whimsical melody over bumpy beats on the opener, then more zoned-out beats on '4wrd Motion' and glitchy kicks and hits on 'No More Moon'. Last of all is the star-gazing cosmic house of 'Ghosten 4 A 2nd X'. A timeless EP for sure.
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Collecting orders for Repress of this really hard to find Chicago classic from 1988..
MUST HAVE!!!
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Loek Frey's Add Interaction is an exercise in damp, eerie atmospherics and intricate drum patterns. Released through Omen Wapta, the Dutch producer gets experimental through drum and bass, IDM and breakbeat deconstructed with unexpected tempo shifts and effects. Produced during the pandemic, the EP conjures loneliness, solitude and unfamiliarity. Expect tunneling, meditative, low-end structures fit for a journey through the earth's layers down to its core. And expansive, pearlescent vocals evoking spiritual bodies. Soundscape-leaning IDM weave into polyrhythms and muted breakbeats. Frey's release positions him as a teacher of brooding textures. The unpredictability can draw you deep into the sonic abyss -- if you let it.
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Big Sigh brings together the best of Marika's previous works as an indie musician and adds a new layer of epic sounds and full-bodied production. Big Sigh is the "hardest record" Marika has ever made. As the title suggests, it is a relief of sorts - of sadness, of stress and lust, but mostly relief. Co-produced with Sam Petts Davies (Frank Ocean, Radiohead, Red Hot Chilli Peppers) & Charlie Andrew (Alt J, Wolf Alice, London Grammar). Lyrically there's always romance a longside grief, with elements of vulnerability and feeling trapped. "This album took a long time I got to the end of it I was quiet. I wanted to be away from it and let it sit in its own space. Now the dust has settled and I've got to re-enter the world of big sigh, and I'm excited." Stepping into a new world, moving forward, chipping away. Breath in, breath out. Big sigh."
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Upcoming album ‘Zwaluwe' to be released in May 2023.
Myrddin De Cauter, the youngest son of multi-instrumentalist musician Koen De Cauter, is a phenomenon in the world of contemporary music. As a teenager, he discovered the richness and originality of the flamenco guitar. To further develop the subtleties in his already masterful playing, he went to Spain to take lessons with some of the masters of flamenco guitar: Gerardo Nuñez, Manolo Sanlucar, …
His technical virtuosity, taste for experimentation and deep lyrical sensibility merge into a unique musical world. It turns out that Myrddin is not just a flamenco guitarist, but an exceptional multifaceted talent.
This talent, passed down through many generations, now expresses itself again in Myrddin's daughter Imre. At only four years old, she received her first cello. In 2018, she made her debut together with her father at the Gent Jazz Festival.
Now five years later, on their debut album Zwaluwe, together they take us on a journey that finds its origin in Myrddin's written compositions. Imre knows and feels the music of her virtuoso father like no other. She complements him in a sensitive, cutting and unctuous way. Making a perfect blend of sharp and soft. The album was recorded in a small chapel in remote Valouse, a village in the Drome region of southern France.
“While Myrddin tells mysterious stories and fairy tales with endless intervals of notes on his guitar, Imre hypnotises your soul with the sound waves of her cello.”
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'A densely textured, deeply lyrical portrait of life in Long Island City's Queensbridge projects, the record signalled the resurgence of the moribund New York hip-hop scene and helped pave the way for Biggie Smalls, Jay-Z and a new generation of New York rappers.' -NEW YORK TIMES
Marking 20 years since the genre-defining release of Illmatic which sparked decades of inspiration for other young rappers and performers, comes this anniversary vinyl edition.
Nas' lyrical style and storytelling finesse coupled with some of the best beat makers and producers in the game, including Large Professor, DJ Premier and Q-Tip have ensured this release has maintained its influential status 20 years later.
The album launched a lengthy, successful career for Nas with Illmatic still widely applauded as one of the most influential debuts in the world of rap. This package features the original Illmatic release in it's entirety and fully remastered with a second side of additional extras which include Nas' first ever radio performance from 1993 and eight remixes.
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Patapenka is a new disco-leaning alias from Minsk-based Uladzimir Patapenka, who has previously worked as LIPSKI. With 15 years music making experience under his belt including work as an Ableton Live instructor, he sure does know his way around a tune. He worked on these pieces over several months with vocalists, trumpeters and a cellist and as such they are layered tracks that work both in the club or at home.
'Children' is a warm and sunny one that transports you to a balmy Mediterranean coast line. 'First Dance With You' brings more jazzy vibes with Afro vocals and beautifully lush grooves while Latin feels dominate the slower sounds of 'La Playa'. 'What About This' is a blissed out and stirring instrumental with swooning strings and 'Canvas, Oil' shuts down with Rhodes laced funk. A sublime EP.
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Repress.
Just one week after the outbreak of the First Intifada in 1987, Riad Awwad brought his sisters Hanan, Alia and Nariman together in their living room and began recording The Intifada album on equipment he had made himself. One of these was co-written with their friend, the acclaimed Palestinian writer Mahmoud Darwish. Riad printed 3000 copies of the cassettes which he began distributing in the Old City of Jerusalem and across the West Bank. The Israeli Army immediately confiscated all the copies they could find, the vast majority of which remain in the military archives to this day. Riad was arrested, interrogated and detained for several months. Straight after his release, he formed a band, Palestinian Union, and put out a new album. He then founded a school, offering kids in the West Bank an alternative musical education, teaching them how to create their own electronic equipment. In 2005, Riad was tragically killed in a car accident. His legacy lives on through his family, his timeless music and his powerful story, which continues to inspire to this day.
Over several years, Mo’min Swaitat has amassed an archive of rare tapes and vinyl from Palestine and beyond. Many of these were acquired from a former record label in his hometown of Jenin, in the north of the West Bank. The Majazz Project is a research project and record label borne out of the archive, focused around sampling, remixing and reissuing vintage Palestinian and Arabic cassettes and LPs, shedding new light on the richness and diversity of Arabic musical heritage.
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Bite Down, the Merge Records debut of Rosali, finds acclaimed songwriter and guitarist Rosali Middleman in the midst of transition. Written after moving to North Carolina from her longtime home of Philadelphia, Bite Down is a searching, hungry record by an artist who is resolved to bite down on life, in all its horror and joy. She is joined here by Mowed Sound_David Nance (bass, guitar), James Schroeder (guitar, synth), Kevin Donahue (drums, percussion)_and in studio by Destroyer collaborator Ted Bois (keys). Bite Down is Rosali's second album working with Mowed Sound, and there is urgency and ambition in their collaboration_a band pushing each other not just to expand on what they've already done together, but to break through into altogether new territory. Among those joining Rosali and her band there is Dan Bejar of Destroyer, who waxes poetically on where she's been, where she's going, and how thrilling Bite Down is to experience: It's hard to talk about Rosali's music. Songs that reach outward like this, but then constantly disarm with their intimacy. What do you call such inner searching that is hellbent on rollicking? Songs that long for a sense of peace and songs that want romance, all on equal footing in the same plot of earth? Performed wild, but always centered around the incredible lyrical calm that is Rosali's voice. Bite Down makes me think about singers and bands that throw themselves hard into the storm, the way the Rosali quartet does. (Jim captures the tone of this perfectly, again!) The calm of her voice over top of the band's raging_it is the emblem of songs that live to put themselves in harm's way. But it's not harm. It's just that you have to play hard to get at these goods. The calm of Rosali's voice, the straight talk of her inner search vs. the wildness of the band, the sonic storm she rides in on. That's their sound. The Mowed Sound. It's hard to talk about these last couple Rosali albums without talking about them. They play free and wild and relentlessly melodious. They rip and create space and fill it up with what seems like reckless abandon, but listen carefully or listen for a while and you'll find them paying real close attention to each other and exactly what the song demands. Maybe Fairport did this, maybe VU. It's a strange telepathic brew. Breezier songs like "On Tonight" and "Rewind" sound like they've fought their way to get to that sense of ease. Maybe that's the Mowed Sound "sound"_hard-won ease. Then add to that Ted Bois' patented Rhodes sleaze (see sinuous title track "Bite Down") steering the record into late-night corners; the incredible "Hills on Fire" (maybe the centerpiece of the album), the guitar-ripping and the singing taking turns in reaching new levels of intimacy. It feels listened-in on, exposed and invented on the spot. It is also simply a staggeringly beautiful song. There are a few of those on the album. In contrast, "My Kind" is a raucous, hand-delivered classic; the band throws tables over. For the most part, this is a moodier record than No Medium. It has the same sound of "I've traveled through fire to deliver you these songs," but it is also quieter, more nocturnal. The quiet dread of staring down an open road, and the excitement of that. By the final track, "May It Be on Offer," it is the prayer uttered as you hand yourself over to the world.
expected to be published on 22.04.2024
Skyjack is what happens when a heavyweight South African jazz trio meets a pair of Swiss reed and brass hotshots. Over the course of a decade, this all-star quintet has forged a reputation as an innovative and adventurous force in contemporary African and European jazz. Combining deep grooves with thrilling rides and avant-garde experimentation, Skyjack is a powerhouse both on stage and in the studio.
Light Cycle is the band's third recorded outing and documents a seasoned outfit at its most ambitious and accomplished. Featuring compositions from all members of the group, the album is a multidimensional creature with a big heart and a powerful imagination. Part science fiction adventure, part sentimental journey, Light Cycle reconciles expansive cosmic soundscapes with a deep grounding in memory and folklore.
Issued as a double-LP on the As-Shams/The Sun label, Skyjack joins both a catalogue and tradition of groundbreaking South African jazz dating back to the 1970s. The album's cover features the work of esteemed Cape Town artist Igshaan Adams.
expected to be published on 15.02.2024
Profit from the sales will be sent to Volunteer foundation to support refugees
Sophisticated Curiosity brings open-minded people from all over the world together
Second release соntains 4 gems from international musicians:
Side A
"The Room With Pipelines" produced by music producer and live performer from Hungary - Coloboma.
He is musically influenced by jazz ambient and experimental music, but also loves minimal and several aspects of electronic music. His sound is frequently reinvented to incorporate various styles, which better allow to express his dynamic and colorful musical mind.
"The Room With Pipelines" is inspired by a place in a basement of a hospital. The track was written trough summer and many of the sounds were born in that dark, hot and humid room where countless pipelines running trough the ceiling. Long story short - Sleepless nights, mysteries and a hint of chaos.
"In Her Dreams" produced by well known member of Romanian Sunrise.ro community - Crihan (ака Discret Popescu, Modest Ionescu)
A very emotional, delicate flying pad envelops a leisurely rhythm, deep bass and voices, pronounced in a whisper, beckon you on a journey, consistently immersing the listener in a whirlwind of emotions. It will make you worry and be absolutely calm at the same time.
Side B
Dubfound is a Moldova based producer & DJ. Owner of vinyl labels Swoon , Nurum and Zimotik. He releasing his tracks on a labels such as Sleep Is Commercial, Cadenza, Vinyl Club, Fox Trax, aNBu Music, Nervmusic Records, Rawax.
In the title of the track, as we can notice, the main vocal sample of Dmitry's own voice is "Pichka" - his dog's name. Minimalistic and rhythmic, with drops of deep basses, hypnotic pads and percussion.
The curiosity of her nature led Russian musician Anushka to SAE Institute in Barcelona where she got a degree in sound engineering. This is where she first had an idea to create a music label dedicated to avant-garde, experimental music and spoken word. Her selection is not easily defined, given her passion for a wide range of music and styles: from techno to hip-hop.
As Anya said this track is a flashback to her favorite season - "Indian summer" a winding pumping rhythm with glitched noises and effects. A little bit meditative, but very danceable
Mastering by: Pheek
Artwork by: Helga Nikitina
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Sylvain Chauveau has been releasing quiet and minimal compositions on various labels for more than two decades. ultra-minimal marks his debut for Sonic Pieces and takes the minimal approach even further, centring on reduction and limitation.
The album was recorded live at Café Oto, London in March 2022 - one of Sylvain’s rare solo concerts and the first time he performed publicly with only acoustic instruments; no machines, no recorded sounds have been used, only piano, guitar, harmonium and melodica, played one at the time. While some of the compositions are completely new, others are live versions of previously released pieces which have either been performed close to their original or stripped-down, reduced to a single instrument and partly rearranged. This reveals a predilection for repetitions and variations that Sylvain shares with Jim Jarmusch, and at the same time it is a personal attempt to avoid electronic devices as a tool for live music.
The artwork and track titles follow this reductionist idea and an aesthetic of miniaturization that Sylvain has developed for many years. They refer to the minimalist, concrete poetry that he writes regularly. In this context rewriting some of the original titles was a consistent implication to achieve a complete work, an album that perfectly represents Sonic Pieces’ aesthetics, both musically and visually.
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Formerly known as James Lascelles’ Quartet, Talking Spirits present a unique blend of world jazz. These highly respected London based session musicians - with a very mixed repertoire - have touched audiences wherever they play. The quartet mixes up world music, folk, jazz and Anglo/Caribbean grooves, inspired by influences from all over the world.
They have honed their skills over the decades working with some of the biggest names in music, including Frank Zappa, Joan Armatrading, Lee ‘Scratch’ Perry, L Shankar, Ginger Baker, Jeff Beck, Steve Winwood, Incognito, Van Morrison, Billy Ocean, Mick Taylor and Steve Harley & Cockney Rebel.
The new Talking Spirits album ‘Hands’ will be released on Zephyrus Records early June. Tracks feature regular band members James Lascelles (various keys and percussion), Tim Herniman and former bandmates from the legendary Breakfast Band Richard Bailey (drums and percussion) and Kuma Harada (bass and guitar). Guests appearances by Tony Maronie on congas, Didier Malherbe (once of “Gong”) on duduk and sax, and the wonderful Mongolian group Andaunion, for whom James specially wrote Grasslands to feature the haunting morinhuur (horse-hair fiddle) and hoomei or overtone singing.
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Lovingly compiled, this album features only the finest Lovers from Jamaica’s finest label. From Blues parties in London, Birmingham, Bristol etc Lovers Rock quickly became one of the UK’s finest-ever musical movements.
Sweet harmonies, soulful reggae, love songs – the key ingredients of Lovers Rock - were all based on the revival of many of the classic Rocksteady harmony groups of the late 60's and early 70's, such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement "Sir Coxsone" Dodd’s Studio One and rival Duke Reid’s Treasure Isle label produced hit after hit with as they fought for dominance in the dancehalls of Kingston.
As well as these classic harmony groups, this album also features fine contributions from many of the reggae greats – Horace Andy, Alton Ellis, Bob Marley and The Wailers, Delroy Wilson – All artists who became stars at the legendary Studio One Records which Chris Blackwell, founder of Island Records, describes as "The University of Reggae".
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Our first release of 2021 and hopefully the beginning of changes.
It will bring a big announcement for us later this summer when we reveal who is behind this latest release, and special news for you about the label !
Once again we bring a diverse style of electronic music for our 10th release to hopefully help lift you spirits to get through these final months of the pandemic.
Incase you missed the announcement 009 artist reveals were: Loïs, Voltaire, Biz, and Softly.
Previous releases have including tracks from the likes of Agents of Time, JoeFarr, Nicolas Bougaieff, Madben, CYRK and raising talent R.O.S.H; + support from from Djs like Laurent Garnier, who licensed one of the previously released tracks to his Tsugi 'Electro' mix (Francois V ‘Electro’ taken from Cod3QR001) Cod3QR’s profile is steadily growing as a label releasing quality music.
With music being the main focus you'll have to wait another 2 months to find out who is behind this latest release. The curiosity continues…..
Head to their Instagram page (ig: cod3qr) for clues to the artist identities of Cod3QR001, 002, 003, 004, 005, 006, 007, 008 & 009 !
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Vol. 1[34,66 €]
PWL, gegründet von Pete Waterman, ist ein legendäres und einflussreiches britisches Plattenlabel, das die Musikindustrie nachhaltig geprägt hat. PWL ist bekannt für seine entscheidende Rolle bei der Gestaltung der Popmusiklandschaft der 1980er und 1990er Jahre und war Wegbereiter für einen unverwechselbaren Sound, der sich durch eingängige Melodien, lebendige Synthies und ansteckende Beats auszeichnete. Das Label katapultierte nicht nur zahlreiche Künstler wie Kylie Minogue, Jason Donovan und Rick Astley in die Weltspitze, sondern führte auch eine neue Welle von tanzbarem Pop ein, die weltweit Anklang fand.
PWL Extended ist eine Sammlung von 12"- und Extended-Mixes, die die Tiefe und Breite des PW-Outputs perfekt widerspiegelt. Sie enthält große Welthits wie "I Should Be So Lucky" und "Never Gonna Give You Up", neben tieferen Stücken, schwer zu findenden und neu
erschienenen Mixen von Künstlern wie Princess, Blow Monkeys und Paul Varney.
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FJAAK's CROWD label proudly presents the third EP, this time by X CLUB., Australia's freshest export, showcasing their signature tribal rhythms & euphoric vibes. Kicking it off with 'Hold On (Chop'D n Screw'D Mix),' a dance floor anthem featuring flashy synths, euphoric vocal cries, and a rolling baseline. 'Sitting Ducks' keeps the energy levels high with fast-speed drums, tribal percussion, old-school stabs, and a dominating bass. Lastly, 'No One' offers a stripped-back banger with turbo-charged synth motifs, well-swung claps aligned with robust drum grooves. Despite their young age, X CLUB. has achieved remarkable success in the underground scene. Join the CROWD and experience a mix of techno's purest roots of CROWD003 firsthand!
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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.
expected to be published on 22.03.2024
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Originally recorded in 1987 at Tabansi recorded Studio & Roger All Stars and pressed by Wilfilms, Nigeria. You’ll find six tracks of drumcomputer driven lo-fi jams laced with catchy synth lines from the mind of producer Austine Onwurah, who was quite active in the 80’s.. The project with Mr. Idigo resulted in a highly addictive cosmic boogie album which includes four absolute highlights. The record starts with one of the standout cuts; Flight 505, which is a tough electro/boogie crossover with vocals and sparse vocoder on top. Followed by the heavy boogie jam ‘We Got To Love’ , that is the personal favorite and a great track for DJ’s . The magnificent A-side closes with the catchy title track, again great production with top chorus and synth hook. On the flip you’ll find the wicked digital reggae tune ‘Mystic World’ with still ever relevant lyrics that closes the LP.. There is something special about this sought after record, the way the instrumentation has been played and programmed is very groovy and musical with a certain sound to it that is unmistakably Nigerian. The synth melodies weave in the tracks with ease and layers of funky bass and guitar float on top. Music that will grow on you every time you listen to it, one of the clever wonders coming from Nigeria! Officially licensed with courtesy of the family. Carefully restored and remastered with respect to the original sound and artwork. ‘’The need to ‘Search’ has come oh’ people of the world we have taken earthly forms the wisdom of love and unity thou shall love one another for love and unity is the route of life so do I search for Love, Peace & Unity’’ – Alphonsus Idigo
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Next up on Co-Accused Records - No Static / Automatic label boss ARA- U is piloting the craft with his NO FUTURE EP. The Venezuelan Electro producer provides four analogue cuts accompanied by a Radioactive Man remix.
It's a cosmic liftoff with the mind warping sonic sounds of 'Planet Destroy'. Radioactive Man's funk-fuelled remix has an infectious 303 bassline that takes the listener on a jackin 'journey. On the flip side 'Exit Now' moves into driving hypnotic synths with sizzling percussion throughout.
'No Future' dips the dancefloor into a twisting wormhole of intergalactic grooves. The EP closes with the dark dystopian synths and extraterrestrial layers of 'It’s Only Lies Around Me'.
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Dauw welcomes back Arovane to the label with his new album Drei Formen. A first edition on glitter tape was given away to the artist and the people we work with, while a second risograph tape edition is now available publicly. With this album the label and artist just want to thank their listeners and followers for their continued support. We hope this music resonates with you and gives some light in these troubled times.
Arovane is the moniker of German based composer and sound-designer Uwe Zahn who’s working in the field of minimal electronica and experimental music. In the late 1990’s his work reached a wider audience through releases on pivotal IDM labels DIN and City Centre Offices. In recent years, he released music on 12k and Puremagnetik and collaborated with Taylor Deupree, Porya Hatami and Synkro among others.
expected to be published on 12.01.2024
expected to be published on 23.02.2024
We are very happy to see Costin Rp return at Stamp Records for the 12th episode. He delivers 2 very special tracks for our listening pleasure and for all dancefloors,.
These tracks are punchy, hypnotizing and at the same time, groovy and full of warmth and musicality
Early supports from Priku, Raresh, Vlad Arapasu, Marco Carola..
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We’ve come to the third and final installment of Dam Swindle’s ‘Keep on Swindling’ series and are proud to see them finishing off their 10-year anniversary with a bang. This final ep holds 2 new originals, remixes by Nightmares on Wax and DJ Bone and the long-awaited re-release of their seminal track from 2013: ‘The Wrap Around’.
‘Keep on Swindling part 3’ kicks off with ‘You’; a fast-paced slice of electronic funk that sees the boys dive into heady club territory. With this track, they show a new direction in their sound that combines their vintage sampled-based soulfulness with modern percussive and melodic elements. Whether it’s the moody arpeggio, the techno-ish stabs or the bell-driven percussion in ‘You’; it’s all coming together in a way that is both heartwarming and rush-inducing.
The A side also holds ‘More Love’; a track that takes you back to what has been the center of the Dam Swindle sound in the past 10 years. Conga loops, vocal chops, synth stabs and a simple string to keep the tension; it’s all in there. Add to that a simple funk bass loop and you’ve got yourself a modern-day Swindle classic.
On the flip, you’ll find a special song from the Dam Swindle catalog: ‘The wrap around’. When released on Huxley’s now defunct ‘Saints & Sonnets’ label back in 2013, the release made its way into many record bags and sold out quickly, never to be repressed again. Discogs prices went through the roof, while the title track became one of the biggest tracks for Dam Swindle in their early years. Now, it will be available on vinyl and digital again through Heist. It's had a few touch-ups in arrangement and mixing for the 2022 mix, but the boys worked hard to maintain the rough edges that made the original loved by so many fans.
The B2 is a collaboration with none other than Nightmares on Wax, who delivers a brilliantly creative version of ‘64 ways feat. Mayer Hawthorne’. N.O.W. completely flips the original, opting to use the spoken word intro in a mangled and chopped way on top of a nasty groove and soaring bassline. The main vocal comes in during the second part of the song and adds to the buildup with new Rhodes chords, cowbells, and electronic chops. It was already special when we got together and agreed on the remix, but the result really blew our mind and cemented the position of N.O.W. as a legendary producer even more.
The EP closes off with another special track: DJ Bone’s Doc Ciroc remix of ‘The Wrap Around’. DJ Bone has been living in the Netherlands for a long time already and it was only a matter of time before the legendary Detroit producer and DJ would meet Dam Swindle. It was on one if his ‘Further’ events that we laid the foundation for this collab and it’s an honor to have DJ Bone add his raw soulful techno style to the Swindle’s original track. DJ Bone goes for pacey percussion with a classic Detroit Techno feel. His version is minimalistic and raw, chopping up the vocal and using the original Prophet pad as a base layer of warmth. The track gets even beefier when the bassline comes in: A dirty modded 101 lick with so much electronic funk that makes it impossible not that dance.
On ‘Keep on Swindling part 3’, Dam Swindle showcase a more electronic side of their sound and sees them connect with likeminded artists who have delivered amazing interpretations of some of the most loved DS tracks of the past years. With that, we’ve come to a banging conclusion to 10 years of Dam Swindle. There’s only thing that keeps us up right now: What will their next step be…?
Yours Sincerely,
Heist Recordings.
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Delivering their signature no-nonsense EBM infused techno, Fractions return to Monnom Black with their 2nd highly anticipated EP of uncompromised club music that crosses the boundaries of sonic analogue sound design with innovative results. The ep is the sublimation of experimental overtones and modular beats, to make for a diverse approach that challenges the existing order in electronic music.
"Our Daytona EP is the result of an evolution of our sound, thanks to a new hardware-centric production featuring various machines and a new modular rack" - Fractions
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Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.
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New album by Gonçalo F Cardoso's Hannibal Chew moniker.
Tenerife, 2054: The parrots of a local zoo inexplicably go mad, spreading a deadly virus that only affects humans. Unable to contain the disease, authorities were forced to isolate the island completely, sealing its fate in a perpetual quarantine.
Over time, the island transformed into a sanctuary for wildlife that now roams freely across its territories. Orcas and dolphins claimed the surrounding waters, while gorillas found their home in the mountains around Teide, once a popular tourist destination. The population of parrots and birds multiplied, filling the air with a cacophony of colours and sounds.
The remaining humans on the island adapted to their new reality, living in isolated communities and learning to survive in a world where they are the minority. Meanwhile, the virus continues its advance in the outside world, pushing humanity to the brink of extinction.
expected to be published on 12.01.2024
