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To celebrate the 30th anniversary of bob sinclar"s iconic label, Yellow Productions, step into the catchy world of the french touch with an exceptional and limited boxset with 3 LP vinyl records plus a poster. Discover hits, unreleased nuggets and rare tracks ranging from house to trip-hop, jazz and hip-hop. Discover some of the biggest names on the electronic music scene : Like Dimitri From Paris, Dj Gregory, Kid Loco, Martin Solveig and David Guetta!

We are excited to announce the creation of Dentelles Records, a new sub-label of Diki Records, founded by Greg All, the visionary behind the Les Dentelles Electroniques festival, known for its festive atmosphere and resounding successes.

To mark this debut release, Dentelles Records highlights the La Fontaine concept, a flagship event of Les Dentelles Electroniques, centered around House, Tech House, and Afro House sounds. This vinyl features four tracks created by the La Fontaine residents: Francesco Marra, Laurent Top, DJ Steven, and Greg All himself, capturing the very essence of the rhythms that make the most energetic parties come alive.

With this first vinyl, Dentelles Records immerses the listener in festive and enchanting grooves, reflecting the unique atmosphere of La Fontaine and offering a true dive into the world of these parties.

The latest compilation on LíO Press features six tracks inspired around alienation and the power of transformation.

The A side is an overcast path towards the void.
The B side is the bright shore.

Music by Tassilo Vanhöfen, Andrea Dama, eoobe (Elina Tapio and Marco Segato), Flore W.o.S., Steve Pepe and Tankwart.
Mixdown on N.A.D. Cab la Dub by Trent.
Mixdown on Meine Kraft by Roland Wäspe.
Uniti by Steve Pepe is a cover of Throbbing Gristle.
Mastered at Manmade Mastering.
Design by Alicia Carrera.
Distributed by Sound Metaphors in Berlin.
LíO Press © 2024

We're told that inspiration for this bumper new double album of super fresh techno from the young New Palm label came in 2023 when the artists met up on the LA River armed with "a couple of generators, a Klipsch system, turntables, and a modular rig, for a day into night of music centred around various forms of dub." The results are superb, with Charles Edward opening up with the sparse, laid-back dub of 'Bogus August', Lena Deen keeping it deft with the ambient soundscapes of 'Either Ore' and Berndt's 'Solstice' exploring widescreen minimalism dub, with plenty more to love in between.

(Limited to 500 copies, 180 gram pressing, splattered vinyl + sticker) (Van Bellen, Chiller Twist, Mike Monday remix + original remastered for 2024) Airwave, a legend in the scene, is revisiting his iconic Velvet Girl moniker with the reissue of the timeless single "Velvet.

We are thrilled to present a special release that takes you back to the golden era of clubby trance! Airwave, a legend in the scene, is revisiting his iconic Velvet Girl moniker with the reissue of the timeless single "Velvet." Once also released on Positiva's sublabel Additive, "Velvet" now returns in an exclusive 2 x 12" splattered 180 gram audiophile vinyl package.

This collector's edition includes the classic original mixes alongside stunning remixes by Van Bellen, Chiller Twist and Mike Monday. Don't miss this chance to own a piece of history, meticulously preserved in a format that every true fan will cherish.

Zum ersten Mal alle großartigen Songs von Vladimir Cosma auf einer Doppel-Vinyl.

Darunter die berühmten 80er Jahre Titel "Dreams" und "Your Eyes". Vladimir Cosma (* 13. April 1940 in Bukarest) ist ein rumänisch-französischer Filmkomponist, Violinist und Dirigent. Vladimir Cosma wurde in eine Musikerfamilie geboren, sein Vater ist der Dirigent Teodor Cosma. Nachdem Vladimir Cosma am Bukarester Conservatorium den ersten Preis in den Fächern Violine und Komposition gewonnen hatte, setzte er sein Studium ab 1963 am Conservatoire national supérieur de musique in Paris fort, wo er mit Nadia Boulanger zusammenarbeitete. 1966 lernte er den Filmkomponisten Michel Legrand kennen, der sein Interesse für die Filmmusik weckte und für den er zunächst als Arrangeur arbeitete. 1967 begann seine langjährige Zusammenarbeit mit dem Regisseur Yves Robert, die bis zu dessen Tod im Jahr 2002 andauerte. Im Laufe seiner Karriere hat er eine Reihe von Regisseuren mehrmals die Filmmusik geschrieben, für Yves Robert (13 Filme), Pierre Richard (fünf Filme), Pascal Thomas (elf Filme), Claude Zidi (zehn Filme), Gérard Oury (fünf Filme), Édouard Molinaro (sechs Filme), Claude Pinoteau (sieben Filme) oder Francis Veber (sieben Filme). Er vertonte außerdem drei Filme von Louis de Funès und zwei von Jean-Paul Belmondo.

Building up a head of steam, Ace Vision returns on the heels of his Raising Awareness EP.

For Shaped Mind, the Italian artist is exploring new musical avenues. While his musical essence, glow and style remain, a darker dancefloor palette is employed on the release. Polyrhythmic patterns race in the sample strewn “Second Phase”, rumbling waves and warehouse echoes tempered by swirling stabs. A bouncy liquid groove ushers in “Nu să Chan”, rasping beats shrouded in smoky bass while bars bend around an assortment of textures and tones. “Katana Cut (Trance Mix)” conjures up images of dancing bodies waiting for the dawn. Melodies circle percussive layers, meandering undercurrents of acid bubbling beneath shimmering synthlines. The finale comes with “Mixage Électronique.” Steady kicks and crisp cymbals give way to juddering chords, clean keys and snare rolls countering to a close.

atomTM’s new four tracker »nacht« contains some highlights as well as some unreleased titles from the »neuer mensch« album. both »nacht« and »geometrische einheit« are previously unreleased compositions, while »sprechender raum« and »selbst« appear on the previously mentioned album, yet are presented as alternative versions here. the EP’s track selection was made having the emerging meta-techno dancefloor in mind and will be available as 12 inch vinyl through kompakt distribution or digitally via raster.

Hector Mad y DA/FR forman Axeek Electronics, y nos presentan su proyecto con tres temazos originales para su sello Matterwave, incluyendo además un remix de Orlando Voorn.

"The language must be tuned like a violin, and just as an excessive or insufficient vibration in the singer's voice or in the trembling of the strings makes the tone impure, so too the excess or lack of words spoils what is exposed."

Oscar Wilde, "De Profundis".

Michael Gray returns with a pulsating journey fuelled by irresistible beats, captivatingly catchy looped synths, and mesmerisingly sliced-up vocals that seamlessly blend with the main vocal. As the bass line drops, an ethereal soundscape of dreamy pads envelops you, transporting you to a realm where smooth modern dance floor grooves converge with a nostalgic nod to the glorious 80s.

With his expert craftsmanship, Michael Gray weaves together a tapestry of sonic delight that will leave you spellbound. Get ready to surrender to the infectious rhythms and timeless charm of his immaculate musical creation!

A few years ago, Angel Olsen quietly formed somethingscosmic, a new imprint and a home for Olsen to have “the flexibility to release when and how I want to with the help from my longtime partners at Jagjaguwar.” Somethingscosmic’s second release, ‘Cosmic Waves Volume 1’ is a compilation reimagined as a dialogue; side A features artists chosen by Olsen, with each artist choosing their own song for the collection. Side B is a collection of songs from the same artists, but chosen by Olsen and recorded by her. Each song, unsurprisingly, illuminates a new artist Olsen finds spectacular. Hearing Olsen refract the artists’ songs back to them reveals the depth of Olsen’s imagination, while spotlighting multiple exciting artists at work.

“As someone that emerged into the music scene through a small tape label,” says Olsen, “I’ve wanted to continue the spirit of discovery and of my debut release, ‘Strange Cacti’, while supporting and collaborating with artists and friends whose music I have been moved by. I feel there is something unique and special about covering another artist's song,” she continues. “We all make it our own, or we try to, but I personally always learn something new about the process when I’m engaging someone else’s words and melodies in such a close way. Time and again I find that putting myself into various different styles of songs can lead to new ways of thinking and creating.”

The artists on “Cosmic Waves Volume 1” draw from a sprawling, myriad sounds, eras and inspirations. Poppy Jean Crawford’s magnetic growl and guitar-god heaviness; Coffin Prick’s reckless, psychedelic fuzz; Sarah Grace White’s hypnotic voice and melody; Maxim Ludwig’s expert minimalism; and Camp Saint Helene’s beautiful, big sky folk. “Thank you for listening and supporting this experiment,” Olsen says. “If you like what you hear, please support these artists by buying some of their music, merch, a ticket to their show, or telling your friends about them. It goes a long way. Love, Angel”

Am 04. Oktober 2024 erscheint das neue Coldplay Album „Moon Music“.

„Moon Music“ ist das erste Album von Coldplay seit „Music Of The Spheres“ (2021), das unter anderem #1 in UK, #2 in Deutschland und #4 in den USA erreichte und als „Album of the Year“ bei den Grammy Awards nominiert war.

Was macht das neue Album zusätzlich zur Musik so besonders? Die physischen Veröffentlichungen des Albums setzen neue Nachhaltigkeitsstandard. U.a. mit neuartiger EcoRecord ePET LP hergestellt aus 100% recycelten Plastikflaschen.

Nachdem Coldplay auf ihrer aktuellen Tour bereits völlig neue Wege in Sachen Nachhaltigkeit gehen - im Vergleich zur letzten Stadiontour konnten die CO2e-Emissionen bisher um 59% reduziert werden - hat die Band alles daran gesetzt, auch die physische Veröffentlichung von „Moon Music“ so nachhaltig wie möglich zu gestalten.
So wird „Moon Music“ als weltweit erstes Album als 140g EcoRecord rPET LP veröffentlicht. Das bedeutet: Jedes Exemplar enthält neun recycelte PET-Kunststoffflaschen, die aus Haushaltsabfällen gewonnen wurden. Dadurch wird die Produktion von mehr als 25 Tonnen neuem Plastik vermieden und die CO2-Emissionen bei der Herstellung im Vergleich zu herkömmlichem 140g Vinyl um 85 Prozent pro Kilogramm reduziert. Auch die CD-Edition von „Moon Music“ setzt neue Maßstäbe. Sie erscheint als weltweit erste auf einer EcoCD, die zu 90 % aus recyceltem Polycarbonat besteht, das aus Haushaltsabfällen gewonnen wurde. Mindestens 78 % weniger CO2-Emissionen pro Kilogramm werden auf diese Weise produziert, außerdem entfällt die Produktion von mehr als fünf Tonnen Neuplastik.

Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by ""Ol' Blue Eyes."" On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP, housed in a deluxe gatefold sleeve with liner notes inside. 10.000 numbered copies are pressed on “Sinatra Ol' Blue Eyes"" translucent blue coloured vinyl."

Den meisten dürfte FREILAND eher von den jüngeren Profan
Veröffentlichungen Klaviermusik und Geduld bekannt sein.
FREILAND war aber vor allem das 1998 gestartete, auf 6 Maxis
begrenzte Nachfolgeprojekt der legendären Studio 1 Reihe.
Keine Hihats, keine Snares, keine Samples. Weniger ist Mehr.
Mit seiner konsequenten Konzeption, mit jeweils nur einem
einzigen synthetischen Sound, der in stoisch-minimaler
Rhythmik lediglich um eine Bassdrum kreist, war und ist
FREILAND, neben Sog, Wolfgang Voigts wichtigstes Projekt
dieser Art. Im Sinne der ' Kunst des Weglassens " stellt das
Stück FREILAND - ROT 2, gewissermassen den Inbegriff
dieses Konzeptes dar. So bildet auch 'ROT 2' den Auftakt der
Remixreihe 'FREILAND - FREIE SICHT'. Wie eine rostige
Stahlskulptur à la Richard Serra steht auch heute noch das
Original auf freiem Feld und trotzt Wind und Wetter. Für seinen
Z.O.M. Mix hat Wolfgang Voigt das Ding rein ins Haus geholt
und in einen fast discohaft, warmen Groovemantel gehüllt. So
verpackt geht's dann durch silbern glitzernden
Lamettamaschinenregen aus dem Arpeggiator. Ein kleiner
Vorgeschmack auf das im September erscheinende Album
'Zukunft Ohne Menschen'.
'ROT 3' , die Mutter aller Schaffelbomben, kommt im Gaffelmix.
Heißt: Gabber trifft Schaffel. Kompakt Extra / Speicher, die
Heimat des Edelschweinerock lässt grüßen. Gewissermaßen
als Ehrengast gibt sich auf B1 der Maler Albert Oehlen unter
seinem Musik -Alter Ego Wendy Gondeln die Ehre. Ganz der
expressiven Radikalität seiner Malerei entsprechend,
bearbeitet er das bisher als Originalversion unveröffentlichte
'ROT 4'. Vermittels aggressiv, abstraktem Geigeneinsatz in
Echtzeit bringt er die stabile Statik des Beats an seine Grenzen.
Ein kurzes aber intensives Intermezzo und ein Annäherung an
Techno, wie man sie so nur sehr selten gehört hat. Für smart-
souveräne Abrundung in Richtung Dancefloor sorgt Michael
Mayer im besten kompakt'schen Sinne. Er verdichtet die
Zutaten des subtil groovenden Schaffeltracks 'GELB 3' zu
einem zischelnden Geäst aus verwischten Drumsounds.
Musikalisches Eigenblutdoping mit knappen Breaks und
sparsam gesetzten düster-housigen Akkorden.

“Reflex” is Gábor Lázár’s debut album on raster. His new record is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet playful forms of techno-infused tracks, taking us on a journey from home listening environments to club contexts.

Our senses are stimulated by micro-variations of textures and patterns, leading us to the feeling of here and now, allowing us to observe our own reactions and thoughts evoked by the listening experience. Gábor’s consistent production techniques and intuitive compositional approach work together coherently, addressing the listener’s cognition from different angles simultaneously, offering a variety of ways for the listener to get immersed.

“Reflex” will be released on raster in September 2024 on vinyl and CD.

Out of the murky, mystic world of Komodo Kolektif slides the Gamma Knife.

In the corner of a dank, dark mind, a nebulous notion condenses and solidifies, featureless and blind...and from that Komodo Klay a new kreature is hacked, molded and (mal)formed.

“The foundations of some of these pieces were laid almost a decade ago, others more recently. All of them came into being as sketches intended as Komodo Kolektif tracks to develop but for various reasons this didn't happen. The Seven Heavenly Elements was first presented to the group in 2019 but partly through personal differences in musical taste as well as COVID throwing a spanner in the works it was put aside and never worked on collectively. The two Disciple of the Drum 'dubs' are essentially rhythm tracks using the rhythm and percussion of Disciple Of The Drone, also from 2019, stripping away the drone, the gamelan melody and finally, even the bass line, which was initially intended to be the fundamental driving force of at least one of these dubs. In the end neither of these two tracks became anything like the idea that I had in mind, but that's how creativity works sometimes. The vocal parts in Cantation Dub were added most recently, just a few months ago. Fire Dub is just an exercise in me trying to rein in some insane delays and barely managing. The Ghost of Water is an anomaly because many of the fundamental parts are taken from the same jam session recorded in 2015 that led to Djakarta 3001 from the first EP. If you listen closely you'll hear Graeme Miller on guitar (back when guitar was still featured in our weekly jam sessions). I discovered this unedited hour-long jam session on an older hard drive in late 2023 and decided to fashion something from it until what became Ghost of Water materialised: the heavily delayed saron instruments, the jaw harp, the percussion and so on. What makes the track an anomaly is that it is in some ways both the oldest and newest piece of the five. The Seventh Element takes one of the seven elements of The Seven Heavenly Elements (in this case the Mopho synth tuned to the Indonesian pelog scale and ran through the Boss DE-200's depth modulator) to which I then added some gong parts and field recordings from Bali.

Once complete, I realised with an album's worth of material sitting there which was more “Komodo Kolektif” than anything I would normally produce solo, there came the problem of trying to work out what to do with this distinctly Komodo-esque, non-Komodo material. I came up with the idea of releasing it under the name Komodo Kuts...but a part of me felt I'd be cashing in on the Komodo name so ditched that part entirely...but the kuts remained, which seemed appropriate when used alongside my Gamma Knife moniker (which has a long story of its own...in a nutshell I had a benign brain tumour which only 1 in 10,000 people get and which is most frequently removed with a gamma knife (radiation). In medical parlance the device used in this treatment is often shortened to GK machine. I had been using the DJ name GK Machine, which came from my signature GK Mackinnon, since 1994, in other words long before this diagnosis. In the end I had brain surgery in Spain without use of gamma radiation...but the synchronicity of the name connection fascinated me nevertheless. Sometimes the world works in mysterious ways).

Lastly, now that I've sent these tracks out into the world, I feel somewhat liberated and can move on from this fairly niche and specific sound. The gamelan instruments have been returned to Gamelan Naga Mas, from who we'd borrowed them, and the masks hung up. This does not mean that Graeme Miller and I won't work together again in future...I'm sure we will...it just means we won't be tied to working within the constraints of gamelan, synths, percussion and dub that we became known for. So stay tuned...surely something lurks around the corner” GKM, November 2024

Warehouse Find!

Janeret makes his FUSE debut as the Paris-based talent serves up a selection of cuts across ‘Quasar’.

When it comes to artists at the forefront of France’s rich house and minimal scene, a name at the top of most people’s lists would have to be Janeret. A core figure at the heart of Paris’ electronic landscape and a key part of the Yoyaku family, a flag-bearer of the country’s now globally renowned minimal landscape, the Joule boss has grown and evolved to bring his unique take on the genre to the masses with a selection of diverse releases via the likes of Up The Stuss, Berg Audio and Rutilance Recordings. Having featured on line ups for London mainstays FUSE while also playing for their sister label LOCUS, March welcomes the Frenchman’s first music on the label as he makes his debut with five slick productions across his expansive EP, ‘Quasar’.

Title track ‘Quasar’ is a bumping peak-time affair as skipping drums meet sweeping pads and echoed vocals, while ‘Elevated’ brings a warping, tunnelling bassline accented by breaks-influenced drums and spiralling electronics for yet more energy-charged output. On the flip, vinyl-only effort ‘Murk’ is driving late-hours effort armed with punchy kicks, further vocal interjections and hefty low-ends, with tight drum and fluctuating synths guiding the groove of ‘Spire’. Closing proceedings, digital exclusive ‘Pitch’ showcases signature Janeret sonics old and new, merging snaking grooves with dubby chords for a rich and peppy journey through soundscapes.

Besides achieving a very personal and characteristic sound, John Coltrane opened the way to free jazz.

Dennis Anthony Thomas, better known as King Kong, is a renowned Jamaican singer known for tracks such as "Trouble Again" and "Legal We Legal". "Song of Love" is an iconic obscure track from King Kong's discography, released under Pisces Productions. This track is one of the era's most cherished anti-apartheid anthems, embodying the spirit of resistance and solidarity.
The lyrics of "Song of Love" capture the urgency and emotional depth of the struggle against apartheid in South Africa. The song references then-President P.W. Botha, expressing a direct appeal for human rights and unity among South Africans. Through themes of harmony and love, King Kong emphasizes the resilience of people and the beauty of cultural solidarity.
In reggae's tradition of addressing political struggles, "Song of Love" resonates as an artistic and symbolic statement against apartheid.
The song captures the shared aspirations for peace and freedom, representing how the South African struggle echoed worldwide — including in Jamaica, where reggae artists like King Kong amplified these calls through music.
“Song of Love” is more than just a song; it’s a historical message and testament to reggae’s role in the global fight for human rights. King Kong’s “Song of Love” epitomizes a generation of reggae artists who leveraged music to advocate for justice, spreading messages of hope, resilience, and change that resonate to this day.
Originally released in 1989 Produced and Arranger by: R. (Briggs) Fergusen, S. Small, Y. (Polly) Linton Sleeve artwork by Parade Studio
Label artwork by Florian Weigel
Licensed courtesy of Dennis Anthony Thomas aka King Kong

Magic Source invites you to a journey to the obscure side of disco music.

Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.

Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.

An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.

Rockets Audio starts the saga with 4 finest minimal house trackers by Matheiu, Denis Kaznacheev and the master trio Wareika. A rocket (from Italian rocchetto "bobbin" is a missile, spacecraft, aircraft or other vehicle that obtains thrust from a rocket engine. Rocket engine exhaust is formed entirely from propellant carried within the rocket before use. Rocket engines work by action and reaction and push rockets forward simply by expelling their exhaust in the opposite direction at high speed, and can therefore work in the vacuum of space.

In fact, rockets work more efficiently in space than in an atmosphere. Multistage rockets are capable of attaining escape velocity from Earth and therefore can achieve unlimited maximum altitude. Compared with airbreathing engines, rockets are lightweight and powerful and capable of generating large accelerations. To control their flight,
rockets rely on momentum, airfoils, auxiliary reaction engines, gimballed thrust, momentum wheels, deflection of the exhaust stream, propellant flow, spin, and/or gravity.

Rockets for military and recreational uses date back to at least 13th century China. Significant scientific, interplanetary and industrial use did not occur until the 20th century, when rocketry was the enabling technology for the Space Age, including setting foot on the Earth's moon. Rockets are now used for fireworks, weaponry, ejection seats, launch vehicles for artificial satellites, human spaceflight, and space exploration.

SOUND rockets are the most common type of high power rocket, typically creating a high speed pitch by the wave of rythm with an oxilator. The stored delay can be a simple pressurized detune or a single filter delay that disassociates in the presence of a curve (EQ + FILTER ), two hats that spontaneously react on contact (RANDOMIZER), two snares that must be ignited to react, a solid combination of effects with oxidizer (solid GROOVE), or solid fuel with liquid oxidizer (hybrid FILTER BAND DELAY). Chemical rockets store a large amount of energy in an easily released form, and can be very dangerous. However, careful design, testing, construction and use minimizes risks.

Another bomb in the rebound! SOUNDS. presents "Modal - Lovers Remixes".

This high demanded remix double pack was originally released in 1996. The re-mastered version will be soon available again.
Highly recommended!

NEW ORDER setzen die Serie der Definitive Boxsets mit dem 1986er Album Brotherhood fort. Das Boxset enthält das Originalalbum remastered auf CD und 180g Vinyl, plus eine CD mi Extras aus bisher unveröffentlichten Demos und Raritäten, sowie zwei DVDs mit den Auftritten der Band beim Festival of the Tenth im GMex, Manchester 1986 und Live in Brixton, 1987 zur Unterstützung des Welt-AIDS-Tages. Die DVDs enthalten zusätzlich Live-TV-Auftritte, Interviews und seltenes Bandmaterial. Im dazugehörigen gebundenen Buch finden sich zeitgenössische Artikel und Linernotes des irischen Radio-DJs Dave Fanning.

Das Boxset wird zusammen mit drei 12"-Singles aus dieser Zeit veröffentlicht: Bizarre Love Triangle, State of the Nation und Touched by the Hand of God - ebenfalls remastered und auf schwarzem 180g-Vinyl.

Lyrics written by Ontto, except “Voitelu” written by Ontto & Evill

Produced by Oranssi Pazuzu
Recorded by Julius Mauranen and Niko Lehdontie
Additional recording by Juho Vanhanen and Tom Brooke
Sounds captured at E-studio, Astral Studio, Cellar of Deposition and Inner Oscillations between November 2021 and December 2023.

Mixed by Julius Mauranen at Studio Kekkonen
Premix engineering by Niko Lehdontie
Mastered by Svante Forsbäck at Chartmakers
Album artwork and layout by Jenna Haapaharju
Management by Erin Lynch, FlyingFox AB
Thank you: Mikko Männistö, Tom Brooke, Erin Lynch, Jens Prueter, Jyri Riikonen, Timo “Moit” Alatalo
Evill - grand piano, vocals, effects
Ikon - guitar, sampler, synthesizers
Jun-His - the voice, guitar
Korjak - drums
Ontto - bass guitar, synthesizers

HEY,

after receiving so many requests as to whether the Tulpa Ovi releases could also be released on vinyl, we decided to just put ALMOST everything out on record. There will also be an exclusive song called LOSS BREDA FEAT. LYSANN ZANDER, and a damn brilliant edit by KAPOX GRAPÉN by JIMI JULES.

!!!! ALTER ALERT !!!!

Tulpa Ovi Records Bio:

My music and I in the spirit of the times? But not before and neither behind? More like in between somewhere? A side street maybe; I like these better than the busy main streets anyways, as you can still discover things. That’s exactly where I want to be.

Robag Wruhme HEY,

nachdem wir so viele Anfragen erhalten haben, ob die Tulpa Ovi Releases nicht auch als Vinyl veröffentlicht werden könnten, haben wir uns dazu entschieden, einfach FAST alles auf Platte rauszuhauen. Es wird zudem ein exklusives Lied geben, welches
 LOSS BREDA FEAT. LYSANN ZANDER heißt, und ein verdammt genialer Edit von KAPOX GRAPÉN von JIMI JULES.

!!!! ALTER ALERT !!!!

Tulpa Ovi Records Bio:

Meine Musik und ich im Geist der Zeit? Aber nicht davor und auch nicht dahinter? Eher irgendwo dazwischen? 
Eine Seitenstraße vielleicht; die mag ich sowieso lieber als die belebten Hauptstraßen, da kann man noch was entdecken. Genau da möchte ich sein."

Robag Wruhme

Tune in as we join our intrepid hero as he emerges from his sonic bunker , where he’s been in hiding since the dreaded lurgy infected the world. Evil overlords have since taken over our planet with a dictatorship whose prime objective is to erase all creative influences to stop us having fun. Can our hero overthrow them with his sonic arsenal of Electro weaponry?

Smoove is back with his infamous Multitrack Rework series with volume 8, kicking things off with a seven minute, stripped back bass and drums workout of ‘Engine Number 9’

The flip side has an extended version of ‘Got To Be Real’ with an open drum intro Smoove breaks down the incredible brass arrangements and showcases the stunning vocal harmonies.

The 12” also comes with a spacey dubbed out version of ‘Star Of A Story ‘ with upfront haunting backing vocals, super tight drums and dreamy fender Rhodes.

WAREHOUSE FIND!

"I hope you enjoy this next release on Declassified - I definitely had fun writing it. Once again, thanks to all those who continue to support my music."

This release is the first volume of the Phase x Heist Mode collaboration, a double vinyl of various artists with collaborations, singles and locked grooves.

This release reflects the union of both artists and collectives despite the distance of many kilometres.

This first volume is composed of sounds that are very peculiar to each artist but all have a musical connection to each other.

Nueva referecia del sello kunda, elegancia, contundencia y diversidad sonora.


Para esta ocasion contamos en Cara A con una colavoracion de dos artistas de alto calibre Sexual Relates y Vikks.Nos traen "Tormento", un track potente y oscuro con la voz original del grupo guatemalteco Obsolescencia programada de su tema Repulsion.


A continuacion tenemos una nueva formacion BLACKOUTband , con un tema electro e.b.m ,rompe pistas bajo el titulo postapocliptico " No Hay Salida" .

En la cara B contamos con R1D productor Madrileño que nos trae un viaje astral que nos trasporta a edades antiguas de la tierra atraves de puro tekno tribe.


Por ultimo Hiry un viejo conocido en la esecena free party manchega. Nos trae un track epico lleno de sonido Hardcore a 140 bpms para pistas duras y nostalgicos de los viejos tiempos.

NOW Music proudly presents the fifth addition to our 80s Dancefloor vinyl compilation series: NOW That’s What I Call 80s Dancefloor: PURE POP – Out 16th August! This stellar collection, across 2 LPs, captures the best of 1980s dance-pop, delivering pure, unadulterated fun straight from your turntable – and is pressed in a fabulous pink and blue vinyl. LP1 Side A kicks off with a run of Stock, Aitken and Waterman produced classics - Bananarama's ‘I Heard A Rumour’, Side B opens with Whitney Houston’s power-house vocals on ‘So Emotional’, LP2 Side A starts with Blondie’s genre-blending ‘Rapture’,LP2 Side B celebrates some of the decades’ biggest Euro-pop smashes including Ryan Paris’s ‘Dolce Vita’.

Six meticulously selected tracks by Black Quasar Records once again reflect the synergy of sounds between the pulsating rhythms of electro and the textures of IDM in this fourth release.

Despite the differences in the personalities and styles of the six artists featured in this V.A., there is an undeniable harmony that connects them into a single creative system.

Weaving new networks between the passion for music and respect for the essence of the Underground is the main goal of “Conexiones Electrónicas”.

“En este varios artistas no existe la posibilidad de respiro hasta el final”

La segunda referencia del sello DIALECTO PERIFERICO ya esta disponible en formato físico 12”.
Esta referencia abre sus brazos a Dagga y Manao, Lord Jalapeños, Saigg, PromisingYoungster, Korrupted brothers y Vema-Diodes.

1- Dagga X Manao - Cuidao

-Estos dos Colombianos afincados en Berlin, revientan la pista con este track de patron reinventado, haciendo que el tecno y el electro sean uno solo para que las suelas de las zapatillas se desgasten hasta llegar al hueso.

2- Vema-Diodes - Trois

-Sin duda la energía industrial mezclada con el sampleo funk de este tema no te dejara indiferente, las trompetas punzantes de este track son la clave, el sazonador principal la distorsión y para acompañar un chupiito de acido.

3- Saigg - Perfect Result

-Track extraído del recopilatorio solidario “ELECTRO U.N.I.T.Y 2”, donde si o si tanta potencia tenia que reflejarse en vinilo. Voces de ultratumba y bajos punzantes como una navaja hacen que este track funcione en todas las pistas de baile.

4- Lord Jalapeños - Cosmic Microwave Background

-Este joven francés con un estilo muy particular, uno de los mejores en el manejo de lo oscuro y la distorsión.Un diseño sonoro que hará que leas esta historia de terror se lea hasta el final.

5- Korrupted Brothers - Dark Holes

-Como no ivamos a contar con este grupo de la vieja guardia de Iruña; responsables de la escena electro de Navarra y compañeros en el sello “GENTE SERIA VISTE CHANDAL”.
Verdaderamente nos llevan a un agujero oscuro con esa pregunta respuesta que los bajos y los sintes tienen en este ritmo que parece sacado de los 80´s.

6- PromisingYoungster - Signals

-Y como todo final tenia que llegar la claridad, La Luz.
Este leones últimamente lo encontramos en los mejores sellos nacionales, desde “Analogical forcé” hasta “Util récords”, Electro-Brain-dance es nuestra definición para este track, el cual nos da ganas de cerrar los ojos y sentir la energía del sol.

For the next instalment of The Bricks, Anna Wall has curated a second VA that brings together artist from all corners of the globe.

The A-side is by Santiago Uribe; he’s been living in Montevideo for fourteen years and is an integral part of the ever growing scene in Uruguay. Uribe made ‘Electro Metalero’ as a nod to industrial music, the resounding chords were created on the Nord Lead 2 alongside powerful drums and his own pitched down vocals.

LVCA aka Luca Cazal was born in Milan and currently resides in Barcelona. He created ‘Lethe’ - meaning the river of oblivion in Greek mythology - as a live hardware jam with his trusted analogue machines 707, 303, 101, Juno 60 and Eventide H3000 for the finesse. The track is an emotive and musical journey expressed through the voices of machines.

Growing up in Cherkasy, central Ukraine, Radiant Futur has lived in Kyiv for the last six years.

The ‘Third Operator’ track is a story about the interaction of two objects and a third force affecting them. “This unknown is simultaneously mystical, magical, and incomprehensible but just as inseparable as time from space. This is a story about a dualistic concept of a fantastic world of people and machines, which surprisingly has a third element - the environment where everything happens.” explains Ian Yeromenko aka Radiant Futur.

The Young Adults duo are from The Hague and have been cultivating their sound since 2020. ‘Transfusion (200 μg/L)’ was created with the Orbit 9090 and various other gear including the Korg ESX and the Digitone. They wanted to strike a balance between trance music and genuine emotion, all grounded by a timeless groove. “The goal of the track is to draw you into an introspective, emotional trance” explains Jeff and Timo of Young Adults.

Im Wesen der Natur verbunden, zu unseren Füßen grünes Land. Luden wir zu intensiven Stunden, der Alltag wurd aus uns verbannt! Kultur gemacht für bunte Kunden, wir bauen Türen in die Wand! Das Getraute der gewählten Runden trug Familie in den Forstbestand. So kamen geschwind, die Kindgebliebenen, denen’s gleich war – ob Tag – ob Nacht. Geladen zum exzessiv genießen über Bedacht wurd nur gelacht. Barfüßiger Tanz auf weiten Wiesen nur von Panoramen überdacht. Ihr Unikat ist weit gepriesen, da ihr Fest hat pures Glück entfacht.

Alkanova presents some old unreleased gems from Voxigo's discography

The fourth part of the “Best of” Earquake Vinyl series by Wolfgang Voigt is a manifesto of the straight bass drum through the ages. Yesterday, today, the day after tomorrow. Time is running. Live is Life. The bass drum remains straight.

Der vierte Teil der „ Best of” Earquake Vinyl Serie ist ein Manifest der geraden Bassdrum im Wandel der Zeit. Gestern, Heute, Übermorgen. Time is running. Live is Life. Die Bassdrum bleibt gerade.

This 7th edition of the "best of" 1990s vinyl edition "Earquake 1991-1999" once again documents Wolfgang Voigt's extremely complex musical work of those years. The subjective compilation, at the first impression only held together by the straight bass drum, results in a strange whole after 25 years.

On “Earquake 1997”, in addition to snotty Mike Ink saw techno, there are also some pieces from the experimental concept album “Massstab 1:5” as well as three versions of the hippie-esque sing-along techno hit “Wassermann – Fackeln Im Sturm” that have never been released on vinyl so far...

„Wir lagen träumend im Gras“ (We lay dreaming on the grass)
Die vorliegende 7te Ausgabe der „best of“ 1990er Jahre Vinyl Edition „Earquake 1991-1999“, dokumentiert einmal mehr Wolfgang Voigts extrem vielschichtiges, musikalisches Schaffen jener Jahre. Dabei ergibt die subjektive Zusammenstellung, im ersten Eindruck nur durch die gerade Bassdrum zusammen gehalten, mit 25 Jahren Abstand ein eigentümliches Ganzes.

So finden sich auf „Earquake 1997“, neben rotzigem Mike Ink Sägetechno, ebenso einige Stücke aus dem experimentellen Konzept Album „Massstab 1:5“ wie gleich drei bisher nie auf Vinyl erschiene Versionen, des hippieesken Mitsing-Techno-Schlagers „Wassermann - Fackeln Im Sturm“...

„Wir lagen träumend im Gras“

Earquake 1999 is the ninth and final part of the 1990s “Best of” vinyl series by Wolfgang Voigt. Well-known classics and never-before-released tracks on vinyl from M:I:5 to Wassermann celebrate the finale of a magnificent decade until the bells ring at the end on New Year's Eve... Earquake 1999 comes as part of the exclusive Earquake BOX.

Earquake 1999 ist der neunte und letzte Teil der 1990er Jahre „Best of“-Vinyl-Serie von Wolfgang Voigt. Bekannte Klassiker und bisher nie auf Vinyl erschienene Tracks von M:I:5 bis Wassermann feiern das Finale eines grandiosen Jahrzehnts, bis die Glocken am Ende zu Silvester läuten... Earquake 1999 kommt als Teil der exklusiven Earquake BOX.

For the first serving on his new label, A:G presents a four tracker with his very own take on the darker, retro-infused style with a multitude of spaced out, futuristic energy.

Opening with a acid tinged builder with eastern scales for Beyond The Veil, then shifting gears into fast no-nonsense spacey electro on Patience Paradox, before the b-side opens with rave infused and stabby moods with First of 22, before everything is rounded off with Going Full Circle, as a total package for various legs of a nocturnal expedition

Ta Kish Kan is an explosion of color, a defiant rush of life. Over three tracks, aka-Sol has turned their psychedelic approach to sound toward the punk roots of electronic music, employing modular synthesizers and analog sonics to recapture the energy from before dance became homogenized and hard genre lines were drawn, challenging the conventions of modern club music and embracing a wider and more dynamic spectrum of human emotion.

A fearless debut, Ta Kish Kan is an offering exploding with heart and dripping with lust, a love letter and a provocation, a rare invitation to hair whip and headbang in the club. The release is rounded out with a remix from Osare! Editions head Elena Colombi who further explores the space between experimental, post-punk and club music, dispensing with comfort and bidding us to embrace what lies beyond.

The process of making this mini-album “anaiis & Grupo Cosmo” was truly life-altering for me. It changed my approach to making music and really brought me back to the roots of what creation is about. I went to Salvador for a month-long artist residency in February 2020 and during that time, I not only fell in love with Brasil’s culture and music, but I also wrote “Toda Cor” with the wonderful Luedji Luna. A few years later, I reached out Biel who’d co-produced “Estrela Acesa” with Sessa to see if they’d be interested in re-developing “Toda Cor” with me. They were enthusiastic and we fully reproduced the record in December, remotely. The connection between us all was electric and it felt like there was a collective enthusiasm for creating more together so I flew out to Brasil in April 2023 to continue this exploration. The beauty behind this record really lies in the experience of making it. We all stayed together in Biel’s house in Ilhabela for a week with Cabral, who co-produced the record with us and plays bass. We would go to the beach, eat communally, share stories, be around the kids, but then spend most of the days creating and jamming together. Each day we would record our songs live to tape, not a computer in the room. By the end of the week we had this album. It was refreshing to make music in this way. The music and approach really held us in that moment and gave us a chance to create freely, in a big moment of transition in our lives in a way that truly embraces imperfection, spontaneity, just very human.

The second serving of Grub is here from Swiss beatmaker - Andy Kas. His animated sound spread heavily across four thick cuts, an all you can eat buffet that packs a punch. Nostalgic gaming energy which the rising producer has built a reputation for, combining that with a fresh
and modern take for the dance floor. Sweet tasting sounds straight out of ”Decay Island GP”, built upon tight elastic grooves full of charming character.

In 2012, Army of God released a cult cut of cold wave: “Salvation”. This was the only EP by the partnership of Aroy Dee and Miss Jagroe, the only EP until now that is.

Army of God are back, after more than a decade the duo return with Endless Skies. Analogue warmth is sliced by surgical synth stabs and bittersweet strings, Jagroe’s unmistakable voice echoes into the distance with the beseeching mantra of “until the music dies”. Aroy Dee’s edit of the title piece fortifies drums for the floor, emotion is further stripped from the already deadpan lyrics as melodies bleed into distorted wonder. The black streak that characterises Army of God turns a shade darker for the flip. A throbbing bass is inked by off-kilter keys, clusters of claps piercing the thicket of static and chilling chorus of “Fear the Night”. Venturing ever deeper into the night, the darker version will set speaker cones shaking and shivering.

Juddering and trembling, basslines are bolstered with vocals invoking the very darkest regions of the dancefloor.

After an A side of pure musical creation the flip will bring you the deserved kick people need...

But really the A side is a deep pleasure, rare on wax... Hostile (A1) is pure torture chamber, freaky horror movie ambiance...
A2, the "Crack House" is another nightmare of a kind : super suspense intro and a question/answer stucture. Bloody creative that A side !!

The flip is more regular old school dark Speedcore, Asmatik fans gourmandise :)

Printed sleeve.

LTD numbers of copies...

Hypnotic sunrise starts as it means to go on with a debut outing from the noisy neighbors, Bad Flatmates (Tzena & Dea). Three originals from the dynamic duo, and a remix from Bizarre Trax beatmaker oliver.r. Mysterious tales of curiosity, maneuvering between stripped back sounds, and otherworldly textures.
Sitting firmly as the A1 is “Major Minor”, bubbling synths teasing you towards the chugging drive of the track, meticulously arranged to create a well rounded trip. Felon5 member oliver.r addresses a more housey direction with his remix, cruising on an elastic groove implementing the blissful pads from the original.
Shuffling drums lead the way in “Chemicals Between Us” conversing with the shimmering elements, rounding off the EP is further mind stretching material in the form of “Lepa Igra”.

Bad Flatmates by name, great music by nature.

New album by Bruno Pronsato

Pittsburgh synth wonder and beatmaker BusCrates presses two brand new tracks onto translucent vinyl for this cutting 7". On the A side, Anda channels her inner Gwen Guthrie on "Drift," with an anthem for the uncompromising types who will never hide their bright burning light. Lifted from BusCrates upcoming EP Altitude, "Drift" finds Buscrates and DJ Epik combining their arsenal of vintage synthesizers to produce a sophisticated, yet lowrider-ready boogie jam that recalls Deodato's overlooked work with the aforementioned Guthrie. On the back side, vinyl-exclusive "Serenity" is an instrumental offering that picks up the pace without disturbing the Minimoog meditation session.

2024 Repress

For the first time ever you can get both Copse EPs 'Mara | Mondrem' and 'Old Belief | New Despair' on limited edition vinyl!Copse began life in 2020 as as an exchanging of musical ideas between guitarists and work colleagues Phil Vernon and Craig Mallard during the lockdowns enforced by the global pandemic

Crate Classics release their 2nd vinyl, pressed by Music House Studios. Stars from the Jungle and Dancehall scenes crammed onto this 12. Undoubtedly one of the most exciting figures to arise within drum & bass over the past decade, Rouen Wilkins, also known as Voltage, has carved his way to becoming one of the most valued artists in the scene. He now takes on Rudeboy Sound by Crate Classics and JODIAN NATTY which was a huge hit at 2022's Notting Hill Carnival, with support from Shy FX, 1xtra, 6music, Radio 1, KOOL FM and more. This Rudeboy Sound Remix EP also includes Jungle pioneer 'Potential Bad Boy's' mix of the tune Babylon fro

"CYRIL is the Aussie-born artist, DJ, mulit-instrumentalist and producer behind two of the world's hottest records at the moment, ""Stumblin' In"" and his remix of Grammy-nominated artist Disturbed's ""Sound of Silence."". He is signed to the Dutch record label Spinnin' Records, known for its smash hits in the EDM genre.

His biggest moment thus far came in late 2023 with the release of ""Stumblin' In,"" which initially exploded on TikTok before dominating the worlds of streaming and radio. It became the #1 most played song on air in countries like Germany, Poland, Australia, New Zealand, and more, as well as covering some of Spotify and Apple's biggest playlists.

Shortly afterwards, a remix of Disturbed's cover of the Simon & Garfunkel song ""The Sound of Silence"" was released and reached the Top 10 in several countries.

CYRIL’s debut album, From Down Under-To The World , features tracks such as ""True"" with Kita Alexander, alongside extended versions of ""Stumblin' In"" and ""The Sound of Silence."" From Down Under - To The World is available as limited edition of 1000 copies on white coloured vinyl. "

Welcome to Smallville, Dana!

With being a DJ and producer, running a label and a record-store, Dana and Smallville have been soulmates for long and following the same paths. We are very happy to present her 12“ with crispy dancefloor-feels, heavy basses and irresistible grooves.

Full cover artwork as always by Stefan Marx.

Noise artist DAVID WALLRAF returns with his second album on Karl - "Crudeltá Necessaria" deals with the role of cruelty in the works of PIER PAOLO PASOLINI.

DAVID WALLRAF is a noise artist and theorist living in Hamburg. His artistic work deals with the repressed and uncanny sonic residues of quotidian life, crafting soundtracks for the creeping disaster we inhabit. His works have been released on numerous international tape labels. A recent interest of his is the live scoring of silent films, including works by Luis Buñuel, Maya Deren and Jean Genet.In the academic world, WALLRAF graduated with a BA in musicology at University of Hamburg, MA in time based media at Hochschule für bildende Künste, PhD on noise at HFBK, his PhD thesis "Grenzen des Hörens. Noise und die Akustik des Politischen" (Limits of Hearing. Noise and the Acoustics of the Political) has been published in German. He also regularly gives lectures on power relations in music, noise-theory, sound art/studies and the politics of listening.

"Crudeltá Necessaria", the follow-up to last year's "The Commune Of Nightmares", deals with the role of cruelty in the works of PIER PAOLO PASOLINI by blending noise, raw electronics and field recordings into a detailed dystopian sonic experience that "you don't have to be afraid of" (R. Mießner, taz).

In the words of WALLRAF himself:

"The world (another word for society) is cruel in a banal sense: unjust, brutal and segregating. Life under capitalism is the generalized and global form of this cruelty, organized by the logic of abstract labor and alienation. But cruelty also carries a different meaning, one that has resonated with a few artists of the 20thcentury who positioned themselves against the cruel banality of their times. Cruelty in the sense of mercilessness or remorselessness, both a realism and a necessary stance in a battle against an overly powerful enemy. Antonin Artaud's conception of the theater of cruelty exemplifies this stance, an "appeal to cruelty and terror … whose range probes our entire vitality, confronts us with all our possibilities" (The Theater and Cruelty). All our possibilities: an affirmation of radical difference. A similar posture, although it replaces Artaud's mysticism with a communist viewpoint, can be found in the works of Pier Paolo Pasolini.

Pasolini was a merciless analyst and critic of society under capitalist production. His answer to the banal brutality of capitalism was an artistic cruelty of his own design, a necessary cruelty which is evident in the films and texts that inspired these recordings. It is evident in the transformations and transitions of the novel-fragment Petrolio, it glares and screams from the screen in his films. You can hear it in the last and only words of the young cannibal in Porcile ("I killed my father. I ate human flesh. I quiver with joy."), in Medea's curse against Iason ("It's useless! Nothing is possible anymore!") and in the Sphinx's desperate cry when murdered by Oedipus ("It's useless! The abyss you're throwing me in is in yourself!"). It gazes through the masks of mythological and historical settings. It is evident in the almost violent way Pasolini edited his films, a form of Verfremdungseffekt that exemplifies his remorseless stance towards his audience, the spectacle of the film industry, fascism and capitalistic society. This necessary cruelty serves as a last line of defense in the political and artistic struggle against societal and political pressure. With this release I hope to capture at least a fragment of this demeanor."

Repress!

Wonderwheel recordings is proud to present the first full-length album from

producer Robin Perkins, aka El Buho. Balance represents a meeting of different currents that make up Buho's music: a fascination with the natural world, and its protection, a fascination with the rhythms, traditions and sounds of Latin America and a fascination with modern electronic music and production aesthetics. The album is peppered with Cumbia, Son Jarocho, Andean instrumentation & Afro-Colombian rhythms. Mixed with this, Robin integrates this idea of "nature music" - putting the sound of a misty forest, the songs of birds, of crunching leaves under foot or the rhythmic tapping of rain alongside synthesized sounds, electronic clicks or claps, deep basses. Trying at once to give them their own space but in a new, surprising perspective - it draws electronic music into something more soft, natural, different and appealing.

Balance is also an album that celebrates community and collaboration, showcasing collaborations with ten different artists form Latin America and beyond, both producers, instrumentalists and singers. Including more of a lyrical presence than his previous EPs, Perkins solicited the participation of talented singers like Dina al Wedidi from Cairo, Luzmila Carpio from Bolivia and the incredible decimas of Mexican poet Citlaly Malpica. The album also features the likes of harpist Veronica Valerio, Argentine multi-instrumentalist Rumo Tumba, jarana player Pablo Emiliano from Mexican Son Jarocho group Semilla and members of the Shika Shika family (the global collective he co-run's) Uji, Barrio Lindo, Kaleema, Minük and Jhon Montoya.

El Buho's music has an incredible power to convey feelings, atmospheres, memories or messages. The message that sits behind this music is to value on the one hand the power of community, of collaboration and of our modern, globally, connected world but also the remembrance, protection and celebration of the very earth we depend upon for our existence.

Connections crew is back with their second vinyl. For this release Flipper and Riyu share the story in equal parts.

On the A side Flipper showcases two of his latest pieces, each with a mysterious and captivating energy throughout.

On the B side, making his production debut is Riyu. He presents an explosive journey with two electrifying tracks that match the whole narrative of this release.

Australian alternative folk duo Hollow Coves' debut album Moments is a collection of warm, introspective songs that reflect the pair's travels across the globe and their deeply felt experiences along the way.

Jay-Jay Johanson’s 1998 album Tattoo is a captivating blend of trip-hop, jazz, and electronic music, showcasing the Swedish singer- songwriter’s unique melancholic sound.

Tattoo features standout tracks like “Quel Dommage” and “Even In The Darkes Hour,” which highlight Johanson’s smooth vocals and atmospheric production. The album’s moody, cinematic style is characterized by its downtempo beats, lush arrangements, and introspective lyrics, creating an immersive listening experience. Tattoo marks Johanson’s evolution as an artist, blending influences from jazz noir and electronic music to craft a sound that’s both haunting and elegant. Fans of trip-hop and experimental pop will find Tattoo a timeless gem, embodying Johanson’s signature emotional depth and musical sophistication.

Discover Jay-Jay Johanson’s Tattoo for an evocative journey into one of the most distinctive albums of the late ‘90s.

Tattoo is a limited edition of 500 numbered copies on gold coloured vinyl.

From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.

Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.

Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom.

From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.

Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.

Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom.

"I couldn't exactly explain why these tracks created under my Lips Vago guise remained unreleased for so long. I didn't mean to 'hide' them of course, I always considered them on a par with my experimental music that had more luck instead. Perhaps the real reason is that during the years when I was most active there was not much room, and consequently interest, for these kinds of sounds in my social circles, and these pieces never reached the 'right' ears. Then the years passed and I never really tried to 'push' them anyway... I am really glad that things are changing now."

Mostly recorded in 1996, the four tracks on the "Fictional Selfs" EP exhibit an attention to melody that is skillfully declined in different ways. Whether it is the epic build-up and refrain of "The Mobility of Her Features" - a track which the author admit was "dedicated to a girl larger than life, in many ways..." - or the incredibly cheesy keyboard solos in "Filler 4" - inspired by no less than Mike Paradinas / Mu-Ziq's alias Jake Slazenger: "I've got my Alesis HR16 drum machine just because I knew it was on his kit list..." - Marutti clearly knows his stuff and the entertaining qualities of his music ooze from every note.

Anyone curious to hear the original version of "Laughing Stock" will have to wait a little longer, but the Remix gracing the second side of the EP offers a thoroughly enjoyable version, in which multiple organ parts playfully chase each other over a forest of assorted percussion and synthetic laughter. The last track, "VST Atlas", the only one in this collection dating to 1999, expands the sound range by using various samples - "That was the very first track I recorded using Cubase VST, hence the title." - and opens a window on the more recent productions of the project.

As already mentioned, Lips Vago's "Fictional Selfs EP" only manages to scratch the surface of the author's large archive of unpublished recordings, but judging from these four pieces the 'dark side' of Andrea Marutti looks so bright you would not believe it.

His unmistakable mix of cold currents and warm melodies has made Martin Matiske a regular here at Bordello A Parigi.

Amore Galattico is the German artist’s third release with us, an intergalactic voyage with a synthesizer as a guide. The title piece is a bold, yet fragile, composition. Woven around slender drum patterns are flows and shifts, key changes and scaling notes where astral washes blend with romantic flourishes. Beats are bolstered and fortified by harmonic richness in “Cuore”, an analogue space opera of daring complexity and unsurpassable execution. Matiske’s twenty five years of experience are plain to hear in this quartet. His range and musical skill are coupled with an uncanny ability to balance contrasting tones. Glacial chords are buttressed by low juddering bass in “Heaven Knows”, the listener pulled ever skyward in this sublime work. The curtain fall maintains the cinematic and dramatic quality that underscores the EP. Striking synthlines shimmer before understated rhythms, a radiant finale on an EP that takes inspiration from the stars themselves.

Soul departure time. Drowning in a dreamlike state where drifting with the current is free movement. Driven by echoes of serious intentions and playfulness. The order of music takes you further. In time, on the floor, under the skin, melting measures and dimensions. On a way back to where the future of your comfort has dawned. Through zones of whispers and expanding beauty. On a memory lane while passing all your favourite things and sentiments. On a straight, gently quantized line through tunnels of love and liberation. To a vanishing point where the soul is exposed to a scattered radiation of joy, content, revival, liveliness, melancholia. Feels like an arrival, no detour or deviation. Soul: its vulnerability becomes a superpower.

Originally release in March 2009, Midle Cyclone is repressed for 2025. 'Middle Cyclone' was produced by Case with Darryl Neudorf and recorded in Tucson, Brooklyn, Toronto, and Vermont. It features Case backed by her core band - guitarist Paul Rigby, bassist Tom V. Ray, backing vocalist Kelly Hogan, multi-instrumentalist Jon Rauhouse, and drummer Barry Mirochnick - along with numerous guests including M. Ward, Garth Hudson, Sarah Harmer, and members of The New Pornographers, Los Lobos, Calexico, The Sadies, Visqueen, The Lilys, and Giant Sand, among others. In addition to twelve new songs written by Case, 'Middle Cyclone' includes covers of "Never Turn Your Back on Mother Earth" by Sparks, and "Don't Forget Me" by Harry Nilsson.

In 2006, SPIN Magazine called Case "one of pop music's best" voices, and Interview Magazine hailed her album 'Fox Confessor Brings The Flood' as "one of the most original, beguiling, honest records of the year." The album also earned Case Female Artist of the Year honors from the PLUG Independent Music Awards, and a Top 10 placement in the Village Voice's annual Pazz and Jop Critics Poll of the year's best releases. 'Fox Confessor' was Case's first album to debut in the Billboard Top 100, and has sold nearly 200,000 copies in the U.S. alone.

Another well kept secret from the Italian cult electronic music imprint - Interactive Test. A 4 track EP with a wide range of flavours in "house" music, very much dependent on the different samples employed. A side starts off with a deep house track echoing similar atmospheric qualities as to some of the dancefloor oriented productions making their way into US underground scene around that time, specifically Chicago and Detroit. The Percapella Mix makes the dedication to the Canadian Disco legend Gino Soccio very clear with a lengthy sample of "There's a Woman", a track which uses early electronics in a pioneering way, with what could possibly be one of the first examples of an Acid Bass line. On the B-side, things slow down a a notch with more clear cut explorations in Acid house featuring layers of synths and percussive samples and occasional placement of vocal samples from countries far away from Italy, all made possible thanks to the new exciting technologies that had recently been made available to producers at the time. Remastered by Man Made Mastering in Berlin and re-released with new full cover artwork.

Crystal Green Coloured Repress !

Recut & Represed!

As always Kling Klong gives space for new artists and supports upcoming talents. This time Martin Eyerer & Rainer Weichhold had no doubts signing this debut release from Stuttgart's dj/producer Ninetoes as 'Finder' is obviously a massive stand-out track which has the words 'summer hit' written all over it. So it was just easy to convince Leon and Re-UP from Italy to do the remixes and help to make this release even more oustanding.

Support from:

Matthias Tanzmann, Loco Dice, Adam Beyer, Nick Curly, Butch, Riva Starr, Popof, Kaiserdisco

DJ Feedbacks:
Adam Beyer: like the leon mix!
Loco Dice: Will try. Please send me the WAV. Thanks
Nick Curly: schöner release....leon remix gefällt mir am besten, danke!
Matthias Tanzmann: woher kenne ich denn die Melodie Coole Tracks auf jeden Fall.
Davide Squillace: Nice one..
Monika Kruse: der leon remix rockt.
Tiefschwarz (Ali): nice nice :) re-up rmx is my favorite.
Butch: leon rocks
Riva Starr: leon rmx for me thx
Claptone: supersonniger tune das original
Ramon Tapia: Leon mix is cewl !
Gregor Tresher: Leon mix sounds cool.
Chus: Leon and Re-Up mixes for me.
Popof: Great remix from re up ! love it
Kaiserdisco: Original mix is nice, will try it out.
Wally Lopez: Leon remix are huge!! Support
Shinedoe: I'll try it out.