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Next up on Berlin’s Pure Hate Trax PH009 PH EP by NX1 Incl. UVB Remix. For over a decade, the Barcelona-based duo NX1 have forged and continuously refined a unique sonic identity. Their music radiates an awe- inspiring physicality: powerful low-end pressure, meticulously crafted breaks, and tension-driven crescendos that elevate each track without ever resorting to clichés. The duo has consolidated its position with releases on some of the most respected labels in the scene, including Planète Rouge, MORD, Modularz, Semantica, BITE, Earwiggle and their own imprints NX1 and Nexe Records. Their discography reached a pivotal moment with the release of their acclaimed album “What You Should Know About Yourself”, a defining chapter in the evolution of their artistry. On remix this time we are proud to welcome UVB to the label. The French Berlin based artist needs no introduction due to his constant presence on the Techno scene for well over a decade now releasing on such labels as Mord, 47, Monnom Black, Analogue, STOOR and his own imprints SHIV and Body Theory. Mastered by Paul Mac Graphic design by Slave To Society Distributed by Triple Vision Distribution 2026 Pure Hate Trax

After 27 years, The Implant (aka Arno Peeters/Sp@sms) retruns to Phoq U, with four weird and wonderful tracks, including a Assembler Code remix.

Part 4 of the PH Scales series from UK 90's mastermind Ron Wells. Here under his Jack Smooth alias. Mighty fine timeless acidic tracks

Warm welcome to the label this time comes to the duo of producers from Netherlands called pH Project. The musical union formed by Pelle and Herra that are both have been doing what they do for many years and played alongside as well many admirable artists which you can find on the archives of the internet if the curiosity will get the best of you. The maestros of the project have provided us with 3 ready to tremor up the speakers cuts with their signature groove and knowledge that they have acquired in the trenches of rave during their activity on the scene. Finalising this 12” vinyl cut is Levat, the producer who doesn’t need introduction as his persona and non-stop dedication for music speaks for itself. Taking non-standard approach of taking stems from all the originals hence the name of the work is “Thritrakk”, combining the elements of all three tracks we have this dark electro monster audio gracing the B2 side. The work of a collaboration of styles and sonically dedicated minds have resulted into this EP “Obvitrip” coming to life for us to enjoy.

A side opens with a Jamalski & Empatysm duo, a Hardcore ode to the Underground.
Second tune by Lory PH is a banger with a loooong rise up drop.
On the flip it's a full side Uniko, with a super booster dancefloor and to finish... a very experimental Breakcore noisy Electro tune, in the pure underground tradition !!

This Capsule Corp 14 is a very very good one !!!

The mental squads dig for more, bringing some old school RAF style or some notrth france Banging mental...

A2 & B2 are totally Esortorerik'ians...

Berlin’s Pure Hate drops it’s first release for 2022 from California’s EAS. The ‘Step Beyond EP’ consists of 3 original tracks plus 2 remixes from Keepsakes & Slave To Society. EAS is a Southern California based Techno producer and co-owner of Tympanum Records. Involved in the ever-growing Los Angeles Techno scene, Emmanuel Andreas Santamarina is an artist that experiments with a multitudinous array of styles. Having featured on the Perc Trax Remixes EP in 2021 with his huge remix of Perc’s ‘Dumpster’ his productions are fast becoming in demand. On remix duty this time are Haven label boss Keepsakes who strips back lead track ‘Step Beyond’ into a more Jackin groove aimed squarely at the dance floor, while Slave To Society heads deep into the realm of Industrial Jungle & Breakcore territory with his remix of ‘Take Your Position’

Crazy hardfloor tribe, oldschool hardtek streetwize style...
With a real cool political message... oups... massage.

Whie Vinyl

TIP!!!

Berlin’s Pure Hate drops its first release for 2021 from Toronto’s MDD. The Consume + Impose EP consists of 3 original tracks with remixes from Swarm Intelligence & Mickey Nox.

MDD is a live performance and studio project created by Measure Divide and Dolgener.

Having released on HANDS, South London Analogue Material, Inner Surface Music and Drøne, MDD’s tough industrial infused rhythms oscillate frequencies ranging from the realm of techno to punk. On the performance front, each set is an improvisation of heavy drum grooves, edgy basslines and distorted elements.

No Pure Hate release would be complete without remixes and this time they welcome Swarm Intelligence & Mickey Nox to the label. A regular artist on 47, Swarm intelligence takes on lead track Apex Switch with his distorted broken beat style while S.L.A.M. & Perc Trax artist Mickey Nox hammers Hate Pusher squarely to the floor.

Limited pressing of 200 copies..

Down co-founder N'conduit presents his third solo release on the label with Latent States. The first release to come out of his new Brooklyn studio, Latent States has three original jams inspired by defunct beverages and dormant memories. From the A1 though the flipside, expect dirty modular basslines, warbly reel-to-reel FX, dusty saturated beats, and spaced out feedback. October, Bristol-based DJ/producer and O.G. Voodoo Down confidant, has contributed an ac

Golden Seconds has arrived — a brand-new Disco label brought to you by Johannes Albert. In the 1990s, Disco House records became dancefloor anthems, drawing on the nostalgia of disco's golden era while incorporating modern production techniques like sampling. Pioneered by influential producers like JohNick or DJ Sneak, Disco House revitalized the uplifting spirit of Disco while infusing it with the infectious rhythms of House Music. A young Johannes became addicted to this happy music in a heartbeat. Fast forward two decades, and he’s crafted his own updated take on the genre, guided by one simple philosophy:
"Sometimes all it takes to make a room go bang is a beat and a sample."
Golden Seconds Vol. II opens the vaults again and delivers a selection of tracks straight from the stash — timeless grooves, dancefloor heat, and that unmistakable disco glow.
Sexy cover included.

Released in 2000 on Tommy Boy, the album fi nds Capone and Noreaga leaning into their chemistry: Capone's colder, clipped delivery grounding Nore's wild-eyed charisma and off-kilter bounce. The record features heavyweight production and appearances from names like DJ Premier, The Alchemist, Havoc, L.E.S., Nas, Mobb Deep, Foxy Brown, and Carl Thomas, surrounding CNN with some of New York rap's most recognizable voices and architects. Highlights like "Bang Bang," "Invincible," "Queens Finest," and "Phonetime" keep the album rooted in hard drums, prison- call tension, borough pride, and that unmistakable CNN slang. Commercially, it made a solid showing, reaching No. 31 on the Billboard 200 and No. 8 on Top R&B/ Hip- Hop Albums, with "Phonetime" hitting No. 22 on Hot Rap Songs. The Reunion stands as a hard-nosed second chapter for CNN: a tough, guest-heavy, post- millennium Queens record that captures Capone and Noreaga reconnecting without sanding off the grime. This deluxe edition features the remastered original album with 3 bonus tracks.

"Time Is Slipping Away is an album by American R&B/jazz fusion producer, composer, keyboardist and vocalist Dexter Wansel. It is the last of four studio albums released at Philadelphia International Records. The album contains songs with different styles from P-funk to sophisticated quiet storm music to instrumental jazz-funk. It features the two popular songs ""The Sweetest Pain"" and ""I'll Never Forget (My Favorite Disco)"". The former song features vocals by soul singer Terri Wells. Time Is Slipping Away is available as a limited edition of 500 copies on purple coloured vinyl and includes an insert with lyrics."

This one means a lot to us. A project we’ve been working on for a couple of years. One where we hand over the curatorial keys of the label to very specific artists in whom we have absolute trust and who have an almost academic knowledge of a specific rhythm or a specific region where our eyes and sensitivity cannot reach. In order to amplify powerful voices from the global south, where the true underground is happening today, and that move away from the traditional axis of New York, London, Berlin. We present to you: Mzansi Bass curated by Shannen SP.

A project meant to explore the space between 3-step, Gqom, the dark sides of Amapiano, and mutations of Pritori rap deeply rooted in Black African rave music from the local scenes of Durban, Johannesburg, Cape Town, Eastern Cape, and their global mutations from Brazil and the Netherlands. The project is anchored around the legacy act of DJ Lag and new comers of South African bass whose music has broken international barriers with pure-emotionally-rich dance music. The release works as both a celebration of the roots and the future offering it projects. As Shannen puts it, it's electronic music with a futuristic feel, both raw but minimal, trance-inducing and deeply physical, built in a very particular geographic space for
the whole world to enjoy.

Indulge into this special soundscapes crafted by their own inhabitants. Expect a couple each year from now on.

In 2000, after almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD revived the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. Released as a 2 x CD compilation, Part 3 is a veritable smorgasbord of classic, new and unreleased labour-of love remixes that span three decades yet still transcend space and time.

Many influential artists have been involved with The Orb since the beginning, and the project keeps evolving and adapting. Dr. Alex Paterson, the gravitation centre of the Orb is known for his playfully subversive remixes and true to form this album highlights the diversity of his musical mind.

We see the good doctor remix the melancholy and evocative “The Last Lighthouse Keeper” from The Transit Kings, an early British electronic music group that included Jimmy Cauty of The KLF, one of the original members of The Orb. The remix of ‘Davy Jones’ Locker’ from System 7 takes you surfing on a sun-dappled sea of ambient dance nostalgia, while Killing Jokes’ ‘European Super State’ remix (in which LSD label founder Martin ‘Youth’ Glover plays bass guitar) sounds like the soundtrack for an imaginary spy thriller with the powerful lyrics and hypnotizing voice of Jaz Summers.
Legendary producer Youth teams up with Lx yet again on a psychedelic rocker with spellcasting vocals by Lara Smiles, and this is just the beginning! Boasting an all-star lineup, the compilation includes many of our scenes most esteemed electronic music producers such as Coldcut, David Harrow, Sendelica and Gaudi as well as the ambient blissed out vibes from the enigmatic DF Tram, Duende India Collective and The Gyuto Monks of Tibet, this collection offers up such the variety to appease even the most dedicated Orbsessives and music connoisseurs

Gary Bartz und das neue Londoner Ensemble Your Brother’s Keeper präsentieren mit "Where Rivers Meet" ein tiefgründiges und intuitives Studioalbum, das die seltene Begegnung zweier Generationen von Jazzmusikern einfängt. Das Album, das pünktlich zum 20-jährigen Jubiläum von Brownswood erscheint, vereint Bartz' Tradition mit der jungen, pulsierenden Szene Londons. Das Ergebnis ist Musik, die sich mit Offenheit und Intensität entfaltet, getragen von tiefem Zuhören und gemeinsamer Improvisation.

Im Zentrum des Projekts steht Bartz, eine der einflussreichsten Vertreter des modernen Jazz. Der Saxophonist, dessen Karriere sich über mehr als fünf Jahrzehnte erstreckt, machte sich einen Namen durch Auftritte mit Charles Mingus, Max Roach und Art Blakey, bevor er sich Miles Davis in dessen elektrisierender Phase der frühen 1970er-Jahre anschloss. Mit seinen gefeierten Aufnahmen mit der NTU Troop wurde er schnell zu einer prägenden Figur des Spiritual Jazz und schuf ein Werk, das Generationen von Musikern und Zuhörern gleichermaßen begeistert. Sein Spiel – lyrisch, tiefgründig und unverkennbar gefühlvoll – zählt nach wie vor zu den markantesten Stimmen des Jazz.

Das Album markiert zudem die Gründung von Your Brother’s Keeper, einem neuen Kollektiv um Schlagzeuger und Produzent Jake Long (Maisha), dessen musikalischer Dialog und die Improvisation tief in der Musik verwurzelt sind. Mit Ali MacSween (Piano, Synthesizer, modulare Effekte), Axel Kaner-Lidstrom (Trompete), Twm Dylan (Kontrabass), Tim Doyle (Percussion) und Chelsea Carmichael (Tenorsaxophon) sowie Long am Schlagzeug spiegelt die Gruppe eine Szene wider, die den Sound des zeitgenössischen Jazz im letzten Jahrzehnt maßgeblich geprägt hat.

‘I’m So Happy’ is the debut album from the beloved children’s show Ms. Rachel. It features 23 beautiful new recordings of favorites from the show, with lush orchestration and vocals from Ms. Rachel, Mr. Aron and friends. The album includes popular songs such as ‘I Love a Rainbow,’ ‘Hop Little Bunnies’ and ‘Icky Sticky Bubblegum.’

2025 Repress

For the second installment of its renewed imprint, Fuse's own in-house resident and one of Belgium's proudest exports Phara takes the reins for a deep dive into thick percussion and vibrant club landscapes. 'The Wall' puts current dance music under a microscope with a brush of truly vintage spontaneity, merging techno's confrontational nature with house's harmonic genuineness. This duality is reflected through Phara's own relationship with his home base Fuse and the complementary contrast between its two rooms.

The EP's title track serves as a hypnotic introduction for the A1, imposing a bass-heavy rhythm and a persistently oscillating synthline. A dense production full of energy, 'The Wall' inspires intrigue throughout its duration, revealing its true intentions through a capable sound system. Sharing the first side of the press is 'Blaes 208', a name that Fuse club goers will likely recognise, that guides the listener from effect into embrace. With lush keys echoing past a comforting drum sequence fit for a close-eyed dancefloor experience, Phara's impactful tendencies meet his affinity for the melodic through a blissful six minutes of crowd to selector connection. Switching sides, a return to a cold cold aesthetic is quickly apparent through 'Hush Now 206'. A pummeling, saturated bass competes with a kick of equal effect, rolling through a storm of metallic stabs. Mastering the message of urgency, Phara presents a lightshow of resonating percussive work, defining his space just to cut right through it. To close out with a lasting impression, the producer mutes the acoustics of his work through razor-sharp sound design dotting along playful snares, a duality reminiscent of the dynamism of Detroit electro. 'Motion Steps', referring to the stairs that ascend from Fuse's main room to its more left-field counterpart, captures the atmosphere of the almost shimmering music that can be expected to be played there; a place where Phara and many others have been known to explore the extremities of their music. He swiftly throws in melodic elements to recontextualize an otherwise pressing composition, and after three chapters of considerable weight, he concludes his record with infectious groove that flaunts technical ability.

Modern Hypnosis is proud to introduce Babaka, the new alias of esteemed German producer Jörg Müller.

Reigniting his passion for physical, visceral sound system music, Jörg uses classic analog gear and a few self-built instruments to create a unique, potent dub sound. While reminiscent of Jörg’s earlier ambient and dub techno styles on his 2019 album Drawn From Memory and 2022’s Groundworks LP on The Moth Club, his new direction has evolved those techniques and primed them for sound system use. His debut release as Babaka showcases four masterful tracks that differ widely from one another while remaining within his new realm.

The opening track, "Exterminating Angel," is a pulsating, supernatural dub experiment featuring a deeply infectious bassline, ghostly key stabs, tight percussive delays and an oddly dramatic vocal sample creating a profound sonic climax before tapering off, allowing you to escape its vacuum and recalibrate. The most skank'n track of the EP, "A Bug in the dark" with its murky half-time swagger feel, bouncy hats, dub saturation and mega sub-driven riff has become an all-time favourite at Modern Hypnosis HQ.

Featuring precise production with decorative atmospherics and swung drums, "Woodsman Blues" has an almost Boxcutter feel to its intro before plunging off the deep end, hitting the dub floorboards, and revealing its true self as a reincarnated, stoned dubstep track. Closing out the release is "Hysteria," a perfectly executed, dark, chugging techno steppa that remains a popular track for many early-access DJs and selectors around the globe.

In the words of Jörg Müller himself:

After my first Album "Heavy Heart”, I tried to push my music more into abstract territory, especially sound-wise, ignoring mixing and mastering rules... this culminated in the eerie, roomy, off-atmosphere on "ground works" on The Moth Club.

After that, my focus shifted further towards freeform electro-acoustic ambient music. I built a couple of instruments myself and released two albums on Shimmering Mood as Kaleidophon. This was during the pandemic as nightlife came to a stop.

In 2023 and 2024, I started to go to dances again. I saw The Bug on his Pressure System, Al Wootton at Meaksuma Festival, Channel One and Iration Steppas on Young Veteran Hifi Soundsystem. Especially impressive were Mark Ernestus, Mark Ainley and Aba Shanti on the infamous sound system at Open Ground in Wuppertal.

This reignited my passion for dub/sound system music; I wanted to make tracks with the physical, visceral quality of sound systems.

Phwoar! TD go four for the floor on Volume 9, letting loose with a set of sure-shot hits from all corners of their sonic spectrum.
A tag team match up, this action spectacular trades peak-time pump, Balearic cool, Italo thrust and dance-punk theatrics on its way to snatch the championship.

Obviously TD ooze subtlety and taste, so as we sat sipping Schnapps from our Stanley cups, we couldn't help but take a little inspo from our kitchen decor. 'Live Love Pump' - what a mantra. In musical form, this philosophy takes the shape of a capital D-isco delight, equal Pats Cowley & Adams, EQ-freaked and filtered into something dafter than a pair of chrome clad millionaires. Big room mirrorball magic if ever we've heard it.
The A2 sees the drunk AOR funk of 'Sure Line' take a leisurely stroll down the coast, a Gauloises in the gob and tattered Baldwin in the back pocket, flipping and flopping along the prom to buoyant bass, melting brass and more than a little melancholy.

Booting off the B-side, 'Un America' is a massive mid-tempo chugger replete with laser fire, synth scree and nipple high guitar. Powering along on a serious bass sequence armed with hooks-a-plenty, mostly incomprehensible lyrics and a groove which won't quit, this has all the ingredients required for an Italo all-timer.
The finale finds us in the company of some punk pioneers at their absolute silliest, bringing the kind of whacky vocal vibe, surf-centric style and off kilter groove the B-52s made a career of. Add in animal chatter and scratchy guitars and you've got the sort of secret weapon the Idjuts unleash waaaay post peak.

Limited Press - Numbered Insert - Drum Fun Guaranteed

A timeless classic - coming up on nearly 20 years since the original 12's were released and the very first time this LP has collectively been available on wax. (over 15 years since last in circulation) This edition was remastered to analog perfection from the legendary Stefan Betke (POLE) sonically sculpting the original work into a true masterpiece - this album has never sounded so alive! This is truly a multidimensional sound experience; it's like taking a swim in an analogue ocean and being immersed into the deepest end of the Marianas Trench. This edition features two cuts, "A Night To Remember" (as featured on Richie Hawtin's ENTER: Ibiza 4XCD mix) & "Under The Ocean" from the original 2009 edition of the album. The remaining tracks were selected from CD2 including "Tswana Dub" (Phase90 Restructure) as featured on Deadbeat's classic mix "Radio Rothko" on NYC's theAgriculture. Also included is a "live" (recorded from the house booth) performance at "dub echoes" in NYC (a screening for the feature film).

a A1. A Night To Remember Remastered 11:07
b A2: Ocean View Remastered 5:30
c B1. Kingston’s Burning Dub live in nyc 8:08
d B2: De Lion’s Den Remastered 4:20
e C1: Never Forget Remastered 9:06

g D1: Love In Lofi Remastered 13:00
Remastered 4:44

a A1. A Night To Remember Remastered 11:07
b A2: Ocean View Remastered 5:30
c B1. Kingston’s Burning Dub live in nyc 8:08
d B2: De Lion’s Den Remastered 4:20
e C1: Never Forget Remastered 9:06

g D1: Love In Lofi Remastered 13:00
Remastered 4:44

YARN welcomes René Audiard for its tenth release with "Makes Me Feel", a four-track EP from one of underground electronic music’s most singular voices.

Across years of dub techno, minimal and leftfield electronic experimentation, René has developed an approach to stripped-down music that feels anything but limited. Where minimalism can often become an exercise in taking things away, his work finds possibility in what remains. "Makes Me Feel" is a particularly fitting example: immersive, at times strange, but always full of feeling.

‘Lovin’ opens the EP in familiar Audiard territory: murky low-end, locomotive groove, reduced rhythmic compositions and an understated framework swimming in a pool of detail. 'Possession' lets in more light. Vocal echoes, persistent rhythms and occasional string phrases give it a cinematic quality, while a groove that seems to circle endlessly takes on an almost shamanistic pull. The EP’s 11-minute behemoth, 'Flesh', fills most of the release’s B-side while making a convincing case for patience and sophistication. There are echoes of minimal’s golden age here, but Audiard never mistakes repetition for standing still. Tiny rhythmic fragments sit alongside expansive orchestral gestures, with samples working at every scale of the arrangement. Warmth and cinematic drama run through the track, but it's the playful programming underneath that keeps it moving. 'Night' closes the record on a different note, recalling Audiard’s work with Ali Çakır in Düve. Percussive samples, accordion and Middle Eastern guitar phrases bring a more acoustic character to his reduced 808-infused broken beats, making for a playful, occasionally melancholic ending with a distinctly microtonal feel.

What makes René Audiard’s music so rewarding is how readily you recognize his hand in it. There is a particular grain to the sounds, a way of placing details within a groove, and a willingness to follow an idea wherever it leads. Across “Makes Me Feel”, those instincts give four quite different tracks a shared identity. Even when working within familiar forms, Audiard makes them sound entirely his own. It’s the holy grail of music production: a personal sound signature. And a thoughtful addition to YARN’s growing repertoire of reduced, sophisticated dancefloor music.

San Francisco electronic pioneers Darwin Chamber and DJ Spun head down the arcade for four tracks of the unmistakable flavour of modified 8 Bit sound chips from the 80s. 'LFO's Are Real' definitely nods to the Leeds duo that kicked the Warp Records revolution off, but that's just a starting point for some rough edged electro machinations and some spooky extra-terrestrial samplings. '8-Bit Phantasy' connects Chicago-style piano magic with acid undertows and gets brought to dancefloor life by a serious injections of funky ass breakbeatery. 'Intruder Alert' is the gnarliest of the lot, the bass end nothing if not speaker threatening, before 'We Gotta Get' is wonderfully disorientating disco dub delirium. Raw and direct, this will set the floor alight quicker than a can of petrol and lit match.

Phonogramme presents Sascha Dive’s inaugural EP, “My Definition of House.” This 4-track gem features the legendary Mr. V and arrives in a limited-edition marbled vinyl format. Dive’s deep understanding of house music merges seamlessly with Mr. V’s soulful touch, resulting in a captivating blend of classic grooves and modern flair. From infectious rhythms to rich, soul-stirring soundscapes, each track takes listeners on a unique journey through the essence of house.

Raw deep house pressure from Sascha Dive, four cuts blending soul, groove, and late-night mood, with Roland Clark blessing the mic. Limited green vinyl for those who still move to the real sound.

DJ Feedbacks :


Laurent Garnier : Cool tracks
Josh Wink (Ovum) : Liking 'Im Inspired' the best here.
C-Rock : Those Nights for me, nice NYC dub House touch!
Radio Slave (Rekids) : I've always been such a big fan of Sasha's productions and "There Is No Tomorrow" hits the spot.
Fleur Shore (Undergrowth / Cuttin' Headz) : im inspired, beautiful track
Reboot (Cecille / Cadenza) : schöne tracks ️
Satoshi Tomiie (Abstract Architecture) : Solid release!
Alinka (Twirl, Classic, Crosstown Rebels, Batty Bass) : Nice one
PBR Streetgang : Invocation and Im Inspired are great
D'Julz (Bass Culture) : those night is the one for me here
Damian Lazarus (Crosstown Rebels) : Thanks for sending. Xx
Ben Sims : Now downloading... will check asap!
Archie Hamilton (Microhertz / FUSE) : Nice thanks
Eddie Fowlkes (Detroit Wax, Rekids, Classic Music Company) : thanks
Tim Sweeney (Beats In Space) : Lovely
Doc Martin (Sublevel) : Sascha on a good one,with the voice of house music Roland Clark no less!!!
Terry Farley : THOSE NIGHTS WORKS FOR ME
Chloe Caillet (Smile Records) : love this!
Oliver $ (Classic Music Company / Play It Down) : Sooo gooood!
Ame (Innervisions) : thanks
Danny Tenaglia : Downloading for Danny Tenaglia, thanks!
Robert Owens (Trax / Musical Directions) : Cool tracks
Kai Alce (Real Soon) : Nice deep tracks from Sascha
Mark Farina : dig them.
Lea Lisa (Phonica Records / Folklor Club) : Really good definition of House
Alexkid (Rawax / FUSE / NG Trax) : Phonogramme (and Sascha Dive) on fire at the moment...
Harri (Sub Club) : lovely stuff, will play and support

Nacho Marco drops Colors in Dub Vol.1—deep house soaked in warm analog dub. From the hypnotic “Midnight Blue” and its Satoshi Tomiie remix to the raw pulse of “Bumblebee Yellow” and “Electric Green,” this wax rides late-night frequencies straight from Valencia to Paris.

DJ Feedbacks :


Francois Kevorkian (Wave) : Love the Satoshi mix
Eddie Fowlkes (Detroit Wax, Rekids, Classic Music Company) : thanks
Travis Kirschbaum (Warehouse Preservation Society) : Loving this. Especially Midnight Blue!
Sascha Dive : Midnight Blue for me!!
Brothers' Vibe (Luv4Wax) : Super ep, great works!!
Radio Slave (Rekids) : Another superb ep from Phonogramme and Satoshi's mix is great.
Giles Smith : "midnight blue" is nice
Alexkid (Rawax / FUSE / NG Trax) : Totally my vibe. <3
Aleqs Notal : Yes !!
Italojohnson (Italojohnson) : Track 1 for me!
Ben Sims : Now downloading... will check asap!
Okain (Talman / Infuse / Pleasure Zone) : Electric Green is dope!
Satoshi Tomiie (Abstract Architecture) : Receiving great feedback from the dance floor!
Steffi (Dolly) : lovely release!!
Laurent Garnier : Cool tracks
DJ Bone (FURTHER) : Electric Green and Satoshi Tomiie remix work for me.
Harri (Sub Club) : lovely stuff, will play and support
Rob Pearson (Evasive Records / Sine 102.6fm) : lovely - right up my street, cheers ;-)
Felix Dickinson (Futureboogie, Rush Hour, Cynic) : Solid E.P. current fave Electric Green
Jorkes (Freeride Millenium) : lovely, thanks so much. xo
Kassian (Phonica White / Heist Recordings) : wicked
Jaye Ward (Dalston Super Store / Netil Radio) : massive quality as ever!! super deep and pulsing gear, electric green is ace! thx
Tim Sweeney (Beats In Space) : Sounds great
Chloe Caillet (Smile Records) : love this!
Stevie Cox (Sub Club) : really lush, thank you !
Raresh (ar:pi:ar) : thanks
Ame (Innervisions) : thanks
Geir Aspenes (G-Ha (Sunkissed)) : Thank u
Saoirse (Body Movements) : Super nice dubby vibes
Amotik : Very nice :)
Kai Alce (Real Soon) : Satoshi remix is hot!
Domenic Cappello (Subclub) : nice dubby house
Cee ElAssaad (ENSOULED) : Just the way I like it! dubby and groovy.
Mike Shannon (Cynosure) : Excellent work here from Valencia's finest!

Australia's Dancing in Space crew have thus far kept their vinyl releases to a minimum, reappearing every so often with a fresh batch of their own excellent disco edits. Here they try something different, delivering a typically assured two tracker from one of the most talented and productive scalpel fiends in the business, Chicago scene stalwart Rahaan. A-side 'Allright' is a typical Rahaan rub, with the talented re-editor skilfully rearranging and lightly dubbing out what sounds like a turn-of-the-80s fusion of classic disco, synth-splattered boogie and soaring jazz-funk. On 'My Strategy', he successfully breathes new life into an old Philadelphia International favourite, opting for a largely instrumental extension that subtly pitches the track up, tempo wise, for greater dancefloor pleasure.

Nacho Marco goes deep on Colors in Dub Vol 2, heavy late-night house pressure straight outta Valencia, with Steve Bug flipping “Pitch Black” into a cold-blooded weapon for real heads only.

Guillaume & the Coutu Dumonts has always been a maverick. The Quebec native draws on his electroacoustic studies and love of Latin and classical percussion to cook up left-of-centre sounds that still work well in a club setting. On this latest for Soundrive, he brings a tender, spectral vocal to 'Big Bird's Roll' that tugs at the heart as the phased percussion rides a dubby house groove. The Nail Remix brings more defined drums and his signature crispness, then 'Chiens De Chasse' has an off-kilter swagger and freaky melange of vocals and 'Argos' explores deep, subterranean techno.

Teal return on October 2 with Love Comes Thru, the trio's nine-track debut album. Expanding their emotionally resonant blend of downtempo trip-pop, the record reaches into street soul, dub, and experimental grooves, marking a confident new chapter for the group.

At its core, Love Comes Thru is a reflection on the quiet strength of love—not through grand gestures, but through the steady presence that carries us through uncertainty, change, and connection. Written over the course of a year of bi-coastal collaboration, the album became a testament to the bond Teal share as artists, friends, and family.

From the lush synth landscapes of "Aries Moon" to the footwork-inspired pulse of "Time Is Blind," the album explores themes of patience, vulnerability, longing, and intimacy. Standout singles "Kissing in a Dream" and the title track lean into left-field street soul, while stripped-back, 808-driven tracks like "Change Your Mind" and "Anomaly" demonstrate the power of restraint without sacrificing momentum. Building on the group's love of ambient improvisation, Love Comes Thru also features instrumental pieces with percussion by Brandon Valdivia (Mas Aya/Lido Pimienta).

The album closes with the sensual "Bubbling," bringing the journey full circle with a reminder that love ultimately comes through in its most embodied, physical form. Love Comes Thru is presented in a deluxe, limited-edition matte-finish, double-embossed jacket with a printed inner sleeve. Available on LP and digitally through Rubadub, In Sheep's Clothing, and Forced Exposure beginning October 2.

Mining the rich seam between transcendental escapism and crushing physical pressure, Sciama delivers his first album for Samurai Music. Exploring an energetic pitch between half-time and full-tilt 170, the London-based producer sculpts brooding soundscapes of sheer peaks and deep pits, driven by unrelenting but light-footed forward motion and an imposing strain of sound design. As Sciama, Michael Watters has been marking out his exacting sound since 2019 with an assured run of albums on ASC's Auxiliary label. His second EP for Samurai — the Wave Interaction 12" released earlier this year — pointed to his current area of focus inspired by the teachings of electronic music pioneer Daphne Oram. Contemplating the relationship between precise electronic frequencies and human perception, Celetal Form now delivers the full findings of his exploration. Oram coined the term 'celetal' in her 1972 book An Individual Note of Music, Sound and Electronics, trying to sum up a connection between the celestial and electrical. It's this spiritual dimension contained within sound waves Watters is concerned with, and the shape of the music on Celetal Form follows suit. In an opening statement of abyssal ambience, 'Overload Into Silence' establishes an atmosphere that endures throughout the album. Caught between steely textures, vaporous reverb tails and subtle harmonic interactions, the glacial shift of the many layers under Watters' control reveals an intense amount of detail at play even before drums and bass come into play. From there on in, the intensity ramps up from one heavyweight stepper to the next. There is agile, brittle top-end percussion at work on the likes of 'Induced Resonance' and 'Consuming Pulse', perhaps the most closely connected to D&B, while 'Rational Echoes' and 'Scanning Waveband' deal in urgency and techno-coded tension. A half-time roll guides the huge kick drum undulations of 'No Panacea', and 'Celetal Emergence' opens up into more spacious surroundings to let the subtle microtonal inflections of the synth tones set a curious mood. The two 'Intermodulation' tracks bring Watters' exacting approach into sharp focus, pushing the drums back and foregrounding alien frequencies that coalesce into unfamiliar yet strangely uplifting forms. Throughout Celetal Form this uncanny sensation charges the music with a power that reaches beyond its immediate, surface level impact. This intentional reflection on Oram's visionary thinking charges the current sound of Sciama with energetic intrigue that stands apart and invites a mindful, maybe even spiritual, engagement.

With her fifth solo studio album, Half An Owl And A Full Moon Rising, landing on Dekmantel Records, Steffi harnesses the energy of the dancefloor for a powerful, uplifting ride into the core of what makes this culture so transformative. From her years as a dedicated raver in the late 80s, through to her global tours, prolific production and ceaseless love for music in its many forms, Steffi's innate understanding of the dancefloor informs this new body of work. Key to all of this is the joy of the club experience: the high energy and the vibrational field that's created when the DJ, their musical selections and the dancers align on the same wavelength. The "Feel Factor" as she calls it. Even the title is a reference: half an owl meaning half a pill.

Each track is imbued with pure, unfiltered club energy. Steffi's approach with her albums is to start from scratch, working up and out from a core idea rather than compiling music from an existing collection, and Half An Owl And A Full Moon Rising is comprised of eight cuts, whittled down from over 40. Opening with 'The Rolling Wave', the album immediately transports the listener into a world of emotionally and physically moving soundscapes. Across all eight tracks Steffi weaves together potent drum programming with ethereal pads, strings, heartrending melodies and straight up grooves: honest, no fluff productions that are designed for a very specific purpose. Listening to cuts like 'Sweeping Leaps', you can hear echoes of the huge variety of house and techno Steffi has absorbed. The title track wraps you up in its scintillating rhythms and heady strings, while, midway through, 'Acoustics Of Space' fires on all cylinders with its dynamic tempo, relentless drums and euphoric pad work.

Live Ones is an LP compilation of refixes and remixes of older material and brand new tracks that have all featured in New Jackson live sets in recent years available on vinyl for the first time.
It features contributions from Rory Sweeney and Rita Lynn and long-term collaborator Richie 'Jape' Egan. Cover photography shot by long time collaborator Rich Gilligan at a New Jackson show in Dublin.
According to New Jackson himself 'This started out as a way to put out new tracks and remixes of older stuff as quickfire digi releases without the pressure of making a cohesive body of work that normally comes with making an album yet ironically I feel this works better as a cohesive vinyl release then my last album proper and features some of my favourite music I've made.'

Long running UK Techno label Don’t hit’s it’s 50th release and welcomes Glasgow Techno heavyweight Gary Beck.

The Jerome Hill remix of Beck’s standout track ‘Glasgow Choir’ finally gets a release here, alongside the unforgettable original for the first time on vinyl plus 2 fresh new Techno hammers.

Early support from Dave Clarke amongst others.

Have Isaac Carter & Callum Asa made the most tasteful tech house EP of recent memory? The short answer is
yes....

Isaac and Callum, known for their respective club nights: OCHI and Planet People have been quietly chipping away at the coalface of underground dance music for quite some time now.

Isaac - perhaps known more widely as a regular at Circoloco & Phonox has shared bills with the likes of Moodyman, DJ Bone, Kai Alce, Laurent Garnier and Marcellus Pittmann whilst being championed by Joy Orbison, Ben UFO, Moxie, Seth Troxler, Raresh and Floating Points to name but a few. With such an impressive CV and wide ranging support, it’s wild to note that the first EP released on his own label, OCHI only came out in 2023. His star is clearly ascending with rapidity - so when we throw long term collaborator Callum Asa into the mix, things start to get really interesting. Calum has been running Planet People for the last couple of years, welcoming incredible names such as Shed, Surgeon, Willow, Ploy, Cooly G, Rroxymore and so many more. Steel sharpens steel and having been surrounded by such esteemed talent, it’s clearly rubbed off on the pair who present 4 polished, meticulously constructed, club ready masterpieces, each with their own distinct feel and an insatiable groove.

‘Feel Me’ sets the scene with a descending baseline that would eek a wiggle out of the most reluctant spectator. The twisted dub eeks out even more groove, locking in a more sinister bounce for the heads. By The time ‘Understand’ get’s into full swing, we’re already under the spell of Carter & Asa, this is the kind of roller that could go on forever and ever. The synth embellishments and washes of analog synth pull us deeper and deeper in, prepping us for the finale , ’Try You’ which simmers with deep, brooding intensity.

The magic of the dup’s appeal is that this EP will find its way into the bags of the deepest diggers and also appeal to a new generation of house fans. Elements of it are accessible , but in the right hands - the EP will open a portal to new worlds.