Stateside Swing is a UK Garage focused vinyl only dance record label that showcases the genre's production and manufacturing exclusively from the USA.
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Stateside Swing is a UK Garage focused vinyl only dance record label that showcases the genre's production and manufacturing exclusively from the USA.
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debe ser publicado en 11.07.2025
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debe ser publicado en 19.05.2023
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debe ser publicado en 19.05.2023
For all of his life Berlin based musician Drei Farben House has been thrilled by the artistic concepts of repetition and modifying resemblances. Small but precise and perceptible variations of (musical) themes have been fascinating him throughout his life as a lover of dance-infused Pop. The artistic concept of handwriting has been questioned in the world of fine arts with some justification, but Michael Siegle aka Drei Farben House has remained a strong advocate of this artistic principle which in his view has resulted in so many impressive musical expressions in the history of Soul and Disco --reference points which have been particularly important to Siegle's creative work. The album's sleeve shows the 'Doris and Norman Fisher House' in Hatboro (a suburb of Philadelphia) designed by Louis I. Kahn from 1960-1967. Kahn, based in Philadelphia and one of the most influential architects of the twentieth century, was already in his sixties and progressively getting famous around this time for his sensitive combination of concrete and brick in larger scales. The almost spiritual sensibility of his buildings and his poetry of light created deep, fundamental connections between the spaces and their inhabitants. New Release Information "Every building must have . . . its own soul", this famous quote of Kahn can easily be seen in the modest and wonderfully warm Fisher house which consits of two intersecting cubic volumes created from cedar wood - finished at the same time when only twenty miles away the newly founded Sigma Sound Studio recorded the Delfonics first record, installing the basements of Philadelphia Soul which was later leading to Phillysound, Disco and House.
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Macclesfield 3-piece Cassia make their extremely welcome return with the announcement of their most ambitious release yet in new studio album everyone, outside - out April 11th.
The album marks a bold new chapter, and recently served up a tropical-tinged first offering in ‘heat’ - with today serving a superb Round Two with the stomping, insatiable, hook-laden new single ‘friends’.
everyone, outside takes Cassia’s sound to new heights. Written fresh off the back of two years of relentless touring, the band channelled every ounce of their renowned live energy into the album, returning to a studio they built themselves in Macclesfield, after creating their previous album in Berlin. The journey provided an added twist, recording the majority of tracks live on TikTok, giving fans a unique, inclusive experience to be part of the process.
The album’s title is a metaphor for embracing your truest self and reflection of a band who are at their happiest outside. It’s a message that speaks to the idea of reconnecting with nature and Britain’s finest summers. As frontman Rob explains, “That title, ‘everyone, outside’ started as a song about how weird it is that we stay inside all the time when being out in nature always makes us feel better. Over time, it came to mean more than that - like a metaphor for being your truest, most natural self, unburdened, like when no one’s watching.”
Drawing influences from a host of genres and cultures, everyone, outside reveals Cassia’s venn diagram of global sounds and intimate storytelling. A trip to Mexico during the writing process injected the record with a new energy, while their time spent in their new space back home gave the band a freedom to try new instruments, new sounds, acquire new tools to hone their production skills - and to simply have fun and explore. “The time we spent in Berlin taught us so much, but coming back home to Macclesfield allowed us to really focus on making something that felt like it came from us. No distractions, just pure creativity,” says drummer Jacob Leff.
Cassia’s rise has been impressive. From their early days busking the streets of Cornwall to playing major festivals, touring the world and receiving critical acclaim from BBC Radio 1, Radio X, The Independent, Rolling Stone UK, Clash & many more, the band has carved out a unique niche. Their sound, influenced by the African music Rob’s father introduced him to, combined with the indie heritage of nearby Manchester, combines the positivity of bands like Foals and Vampire Weekend, with the jazz-tinged afrobeats of Fela Kuti and Ebo Taylor.
After signing to Distiller Records in 2018, the band gave up their full-time jobs and ventured to Bath to record their debut album, Replica. Tracks such as ‘Right There’, ‘Drifting’ & ‘100 Times Over’ have amassed millions of streams, seeing the band sell out multiple headline Tours both in the UK and Europe. Playing to a homecoming capacity crowd at Manchester’s O2 Ritz, as well as sold out headline shows at London’s KOKO & The Garage, the band have accrued a huge, loyal following and their live shows earned them a nomination for Best Live Act at the AIM Awards alongside Idles and DMA’s, as well as making them the winners of Reeperbahn’s Anchor Award in 2022.
Cassia will tour the UK in May 2025, playing songs from the new album and some of their biggest tracks - headlining Leeds, Bristol, a newly added night in Southampton, a special Manchester homecoming, Glasgow, Birmingham, & a huge show at London’s HERE @ Outernet - dates below & Tickets Here. The band will also take things Stateside this year for their first ever run of headline shows in the US & Mexico.
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This fresh white-label serves up a well-known disco gem but lovingly reworked from the original multitrack tapes. It's been done by an absolute Stateside king of disco and soul edits who is a connoisseur of the art form and has long been known for uncovering hidden gems and elevating them with studio finesse. The result is a version that stays true to the soul of the original while sounding absolutely huge on today's sound systems with its feel-good vocal energy and rousing rhythms. Dub and instrumental versions make this an unmissable 12".
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Today, PinkPantheress announces her upcoming sophomore mixtape Fancy That out May 9th via Warner Records UK. In celebration, PinkPantheress has also announced a residency at London’s O2 Brixton Academy taking place in September of 2025.
Written and produced by PinkPantheress, Fancy That marks a new chapter for PinkPantheress as she embraces a new level of intimacy that seamlessly blends the music she grew up on with the musician’s earworm production.
As PinkPantheress steps into her fun and kitsch-y era, one that is rooted in British culture, the 9-track project showcases her signature vocals and genre-blurring production, featuring previously teased ‘Illegal’ alongside the recently released single ‘Tonight’, which offers a glimpse into the unapologetic soundscape she has crafted.
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Luke's Anger (real name Luke Sanger) delivers his first outing on Love Love, Ceiling Walker. Sanger is a relentlessly interesting hero of the underground, probably best known as a techno and electro producer and an active player in the live experimental techno scene across Europe, notably including multiple appearances at Berghain/PanoramaBar. Based out of Norwich, UK, Luke has put out a plethora of banging records for two decades in styles from across the rave spectrum on some of our favourite record labels like Tigerbeat6, Don't and Sneaker Social Club, as well as an increasing amount of more ambient-leaning releases under his real name in recent years. Recognised as a true techno stalwart, Luke has received support from the likes of Surgeon, Dave Clarke, The Advent and Jerome Hill.
This EP fits firmly into the 'banging' camp - more than a nod to classic stateside sci-fi electro stylings as well as UK dance music's bleep techno bass foundations, this is popping, caustic, mechanical phunk expertly engineered to make you shake and wiggle. Particle Swarm kicks the EP off with strung-out synth chirps and plenty of latex squelch before moving onto the bounciest number, Threshold Rider, with buoyant bassline droplets poking through a solid 808 framework. On the flipside, title track Ceiling Walker utilises rushing crescendos and fluttering analogue rhythms to keep the dancefloor in rapture while closer, Silicon Boogie, achieves maximum levels of funk by aptly juxtaposing digi vocal snippets against square wave bass.
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Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going.
Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...
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repressed !
This vinyl only Simple Things re-issue will mirror the original release, cut over 4 sides and using the original artwork but now pressed on heavyweight 180g vinyl. Cutting is by engineer Kevin Metcalfe using his original cutting notes.
Simple Things is a timelessly classic album and the essential soundtrack to any laidback summer chilling.
Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize. Zero 7 were also nominated as Best Newcomer at the Brit Awards 2001.
Simple Things peaked at no.28 in the UK album chart and spent 89 weeks on the chart. Stateside, the album hit no.4 on the Billboard Dance / Electronic album chart and stayed on that chart for 52 weeks.
Singles taken from the original album included I Have Seen featuring Mozez, Destiny featuring Sia & Sophie Barker, In the Waiting Line featuring Sophie Barker and Distractions featuring Sia.
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(Produced, Arranged and Conducted by Claus Ogerman)
Not long after the dawn of her career, as a teenager in Rio de Janeiro, Joyce was declared “one of the greatest singers” by Antonio Carlos Jobim. Yet despite reputable accolades and the fact that she has since recorded over thirty acclaimed albums, Joyce never quite achieved the international recognition of the likes of Jobim, João Gilberto and Sergio Mendes, all of whom became global stars after releasing with major labels in the US.
There was a moment when it seemed she might be on the cusp of an international breakthrough. While living in New York, Joyce was approached by the great German producer Claus Ogerman. Ogerman had already played a pivotal role in the development and popularisation of Brazilian music in the 1960s, recording with some of the all-time greats like Jobim and João Gilberto, as well as North American idols like Frank Sinatra, Billie Holiday and Bill Evans.
"I met him in New York City, in 1977”, recalls Joyce. “I was living and playing there, and João Palma, Brazilian drummer who used to play with Jobim, introduced me to Claus. We had an audition, he liked what we were doing and decided to produce an album with us.”
Featuring fellow Brazilian musicians Mauricio Maestro (who wrote/co-wrote four of the songs), Nana Vasconcelos and Tutty Moreno, and some of the most in-demand stateside players including Michael Brecker, Joe Farrell and Buster Williams, the recordings for Natureza took place at Columbia Studios and Ogerman produced the album, provided the arrangements and conducted the orchestra.
But mysteriously, Natureza was never released, and what should have been Joyce’s big moment never happened. As Joyce remembers, “I returned home, but Claus and I remained in contact, by letters and phone calls. He was very enthusiastic about the album and tried to hook me up with Michael Franks. He wanted me to go back to NYC in order to re-record the vocals in English with new lyrics, which I actually wasn’t too happy about. But then I got pregnant with my third child and could not leave Brazil. And little by little our contact became rare, until I lost track of him completely. And that was it. I never heard from him again."
While Claus was known to be something of an elusive character, the album’s disappearance might also have been a result of timing. The Brazilian craze was coming to an end, making way for disco and new wave at the end of the seventies, and Ogerman struggled to find a major label interested in a new Brazilian sensation. Additionally, as Joyce mentions, it wasn’t quite finished. Ogerman wanted to add finishing touches to the mix and to record alternative English lyrics for the US and international markets - a critical artistic difference between Joyce and Ogerman.
As the military dictatorship’s grip on Brazil began to subside in the 1980s, Joyce had a handful of hits in her home county, including a tribute to her daughters ‘Clareana’, and the iconic ‘Feminina’ - an intergenerational conversation between mother and daughter about what it means to be a woman. But already a feminist pioneer, these successes were hard fought. Joyce had caused controversy as a nineteen-year-old when she became the first in Brazil to sing from the first-person feminine perspective, and the institutional sexism she faced was worsened by the dictatorship who would often censor her music. Even once the Junta was out of the way, Joyce found herself up against the male-dominated major record companies in Brazil, who sought to dictate her career and sexualise her image, before dropping her for refusing to play along.
A few years after the success of her albums Feminina and Agua E Luz in Brazil, Joyce’s music began to find its way to the UK, Europe and Japan, and “Feminina” and “Aldeia de Ogum” became classics on the underground jazz-dance scenes of the mid to late-eighties and early-nineties.
The full-length version of “Feminina” from the Natureza sessions was first heard on a Brazilian Jazz compilation in 1999 and “Descompassadamente” was licensed for a CD compiling the work of Claus Ogerman in 2002. Following these, word began to get out about an unreleased Joyce album with Claus Ogerman and the legend of Natureza grew.
Forty-five years since it was recorded, Natureza finally sees the light of day, as Joyce intended: with her own Portuguese lyrics and vocals. Featuring the fabled 11-minute version of ‘Feminina’, as well as the never before heard ‘Coração Sonhador’ composed and performed by Mauricio Maestro, Natureza’s release is a landmark in Brazilian music history and represents a triumphant, if overdue victory for Joyce as an outspoken female artist who has consistently refused to bow to patriarchal pressure.
***Disclaimer! While “Feminina” and “Descompassadamente'' were mixed by legendary engineer Al Schmitt and mastered from the original master tapes, the remaining five tracks are unmixed. Due to significant deterioration of the master-tapes, the best audio source for these tracks was an unmixed tape copy Joyce had kept of the recordings. The best care has been taken in the restoration and mastering of this release, but the sound quality may differ from other releases on Far Out Recordings. We advise listening to sound clips before buying where possible.
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The first in a new collaborative series between Theo Parrish & Prime Direct Distribution unearthing some of Theo’s most sought-after edits, backed with the fully licensed original, both remastered and cut loud on either side of a 12 inch. Kicking things off we have one of Theo’s most treasured cuts, his ‘Ugly Edit’ of Made In USA - Never Gonna Let You Go, bootlegged endlessly in the past and racking up prices of up to £144 on Discogs it’s a high time an official reissue came around.
As iconic an edit as they get, ‘Never Gonna Let You Go’ encompasses everything great about Theo’s energy behind the decks - extending grooves for longer than anyone else even dare, working the EQ’s like a god and throwing in a bit of that raw magic that only he knows how. Taking the original’s sumptuous breakdown, Theo works it into a spirited, high energy disco workout looped into a near 10-minute stomper, big on the bass and brass fire whilst keeping the vocals to short and sweet snippets.
On the B side the original ’77 Made In USA version is laid out in all it’s glory. Funk powered, horn-laden disco goodness with breath-taking vocals from the Stateside troupe.
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This June Session Victim return to Delusions Of Grandeur imprint with their third studio album. Listen To Your Heart is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP See You When You Get There. Here we present the second of three LP samplers containing four tracks each, cut nice and loud for the vinyl crew.
Shadows gets things rolling with a classic Session Victim housey groove, looped up pads and hooky spoken vocal samples. Filtered string stabs bring a warm and soulful edge whilst dub delay touches add a floaty element to get lost in. Next up we have Unchained which drops the bpm's for a widescreen, slo-mo jam clouded in a smokey haze with jazzy touches, recalling the halcyon days of Pork Recordings.
Flipping over we have a brand new LP version of previous single Up To Rise, another sublime slice of blissed-out house music with a wonderful organic and live sound palette. Echoing Rhodes licks join the lead guitar tune for a Balearic beauty which will be stuck in your head long after the sun sets. Closing this second sampler we have Over And Over, which winds things down somewhat for an inspired, bass-led roller.
An impeccable demonstration of retro-inspired yet forward thinking house and downtempo music, Listen To Your Heart sees Session Victim at the top of their game.
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Compare the best of British jazz circa 1963 with American sounds from labels such as Prestige, Tangerine and World Pacific. This album captures the period when rhythm and blues is emerging as the dominant club sound, forcing Soho jazz clubs to change their music policy in order to survive. On the British side, you’ve got Ronnie Scott’s arrangement of Last Minute Bossa Nova; Bang!, taken from Dick Morrissey Quartet’s first session for the BBC’s World Service, recorded around the time of the release of their first album Have You Heard? The version here is take two. You can hear take one along with the rest of the eleven-track session on R&B18 Jazz For Moderns.
Early In The Morning is a Ginger Baker/Jack Bruce arrangement of the traditional work song realized as a repeated blues riff, and is the first ever recording that is recognizably British Blues. Graham Bond features on alto sax along with Bruce and Baker together as members of the Johnny Burch Octet heard playing live at a BBC staff party from March 1963. Side Two features Jazz Stateside, such as West Coast guitarist Johnny Hartsman, Gene Ammons veering into proto jazz-funk on Jungle Soul, aka Ca' Purange plus a couple of top notch Hammond workouts from Terrell Prude and Charles Kynard.
debe ser publicado en 18.04.2026
2026 Repress
Up next in Champion’s LTD 12 inch reissue series is Sandy B’s club stomper, ‘Make The World Go Round’ with Washington D.C. don’s Deep Dish on remix duties. Iconic ’96 stateside house gold. On the B, Deep Dish take on, ‘Ain’t No Need To Hide’ with their ‘97 Sequel Re-edit with a dose of vocal house at its finest.
PinkPantheress announces a suite of physical products available to pre-order now.
Fancy Some More? sees PinkPantheress bring together an international spectrum of artists, delivering 22 remixes. Remixes come from artists including Anitta, Bladee, JADE, JT, Kylie Minogue, Oklou, Rachel Chinouriri, Ravyn Lenae, Yves, and Zara Larsson; genre-defining groups and collectives such as Basement Jaxx, Groove Armada, SEVENTEEN (THE 8, MINGYU, VERNON.), and Sugababes; and acclaimed producers and DJs including Adame DJ, DJ Caio Prince, Joe Goddard, Kaytranada, Kilimanjaro, Leod, Loukeman, Mochakk, Nia Archives, and Sega Bodega. Each track offers a new perspective to the signature PinkPantheress sound, expanding the Fancy That universe.
Released in May this year and written and produced by PinkPantheress, Fancy That was created alongside aksel arvid, Count Baldor, phil, Oscar Scheller, The Dare and others, bringing together a collective of creative minds to shape her latest sonic evolution. As she steps into her fun and kitsch-y era, rooted in British culture, the 9-track project showcases her signature vocals and genre-blurring sound.
debe ser publicado en 27.02.2026
Macclesfield 3-piece Cassia make their extremely welcome return with the announcement of their most ambitious release yet in new studio album everyone, outside - out April 11th.
The album marks a bold new chapter, and recently served up a tropical-tinged first offering in ‘heat’ - with today serving a superb Round Two with the stomping, insatiable, hook-laden new single ‘friends’.
everyone, outside takes Cassia’s sound to new heights. Written fresh off the back of two years of relentless touring, the band channelled every ounce of their renowned live energy into the album, returning to a studio they built themselves in Macclesfield, after creating their previous album in Berlin. The journey provided an added twist, recording the majority of tracks live on TikTok, giving fans a unique, inclusive experience to be part of the process.
The album’s title is a metaphor for embracing your truest self and reflection of a band who are at their happiest outside. It’s a message that speaks to the idea of reconnecting with nature and Britain’s finest summers. As frontman Rob explains, “That title, ‘everyone, outside’ started as a song about how weird it is that we stay inside all the time when being out in nature always makes us feel better. Over time, it came to mean more than that - like a metaphor for being your truest, most natural self, unburdened, like when no one’s watching.”
Drawing influences from a host of genres and cultures, everyone, outside reveals Cassia’s venn diagram of global sounds and intimate storytelling. A trip to Mexico during the writing process injected the record with a new energy, while their time spent in their new space back home gave the band a freedom to try new instruments, new sounds, acquire new tools to hone their production skills - and to simply have fun and explore. “The time we spent in Berlin taught us so much, but coming back home to Macclesfield allowed us to really focus on making something that felt like it came from us. No distractions, just pure creativity,” says drummer Jacob Leff.
Cassia’s rise has been impressive. From their early days busking the streets of Cornwall to playing major festivals, touring the world and receiving critical acclaim from BBC Radio 1, Radio X, The Independent, Rolling Stone UK, Clash & many more, the band has carved out a unique niche. Their sound, influenced by the African music Rob’s father introduced him to, combined with the indie heritage of nearby Manchester, combines the positivity of bands like Foals and Vampire Weekend, with the jazz-tinged afrobeats of Fela Kuti and Ebo Taylor.
After signing to Distiller Records in 2018, the band gave up their full-time jobs and ventured to Bath to record their debut album, Replica. Tracks such as ‘Right There’, ‘Drifting’ & ‘100 Times Over’ have amassed millions of streams, seeing the band sell out multiple headline Tours both in the UK and Europe. Playing to a homecoming capacity crowd at Manchester’s O2 Ritz, as well as sold out headline shows at London’s KOKO & The Garage, the band have accrued a huge, loyal following and their live shows earned them a nomination for Best Live Act at the AIM Awards alongside Idles and DMA’s, as well as making them the winners of Reeperbahn’s Anchor Award in 2022.
Cassia will tour the UK in May 2025, playing songs from the new album and some of their biggest tracks - headlining Leeds, Bristol, a newly added night in Southampton, a special Manchester homecoming, Glasgow, Birmingham, & a huge show at London’s HERE @ Outernet - dates below & Tickets Here. The band will also take things Stateside this year for their first ever run of headline shows in the US & Mexico.
debe ser publicado en 20.02.2026