Sugardaddy are a UK electronic music duo formed in 2006 and is the musical brainchild of Tom Findlay (one half of Groove Armada) and singer song writer Tim Hutton (Hybrid, Groove Armada, Way Out West).
Hypnotise" has an altogether late 80's heavy, low slung, boogie vibe, caressed with beautifully haunting yet soulful vocals.
Greg Wilson remixes an extended rework, holding the vibe of the original and effortlessly extending certain aspects of the groove, creating a 9 minute dancefloor monster!
Situation are next up with a late night, deep house dub interpretation which builds to a discoesque guitar licked, infectious, yet hypnotic bombshell.
BitterSuite finish the release with a chunky funk fuelled version, full of slap bass and a bucketful of soaring, atmospheric synths, cleverly weaving those wonderful vocals and building to an electro jazz funk masterpiece.
Search:sugar daddy
- 1
- A1: Get It Up For Love - Doheny, Ned
- A2: Let's Put Our Love Back Together - Denne, Micky / Gold, Ken
- A3: Deco Lady - Holmes, Rupert
- A4: Over & Done With - White Horse
- A5: Liverpool Fool - Browning Bryant
- B1: Lotta Love - Larson, Nicolette
- B2: Do You Feel It - Alessi Brothers
- B3: Steal Away - Photoglo
- B4: Room To Grow - Elliot, Brian
- C1: Saturday In The Park - Chicago
- C2: Shut The Door - Don Brown
- C3: Rendezvous - Cassel, Matthew Larkin
- C4: If I Saw You Again - Pages
- C5: Losin' End - Doobie Brothers, The
- D1: Sugar Daddy - Fleetwood Mac
- D2: Steal Away - Dupree, Robbie
- D3: Spaceship Earth - Batteau, David
- D4: I've Got A Thing About You Baby - White, Tony Joe
- D5: Don't You Know - Hammer, Jan Group
RECORD STORE DAY EXCLUSIVE!
Late 70s Westcoast Yachtpop you can almost dance to!
Man nannte sie nicht umsonst die - Me Me Me Generation'. Die sehr von sich überzeugten bärtigen Musiker (und die Musikerinnen in wabernden Kleidern), die Mitte/Ende der 70er in L.A.'s Strassen rum hingen und sich selbst feierten. Der geschmackvolle Teil der Musik-Welt hätte diese Musikrichtung noch vor einigen Monaten nicht mit der Zange angefasst. Zu sanft, zu übertrieben, zu luxuriös, zu offen hedonistisch, zu ausladend. Zu unecht, zu gekünstelt, nicht authentisch, und dann noch diese unfassbaren Akkordwechsel...Aber ' Too Slow To Disco - vol. 1' hält sich nicht auf mit solchen alten Geschichten und Klischees. Wir alle wissen, sobald Musikgenres alt werden, scheinen die wichtigen, relevanten Teile auf einmal durch und diese Zusammenstellung versteht sich als Dokument eines fast vergessenen Teils der West Coast Musikwelt Mitte bis Ende der 70er Jahre.Es hat ein Jahr gedauert, die von uns ausgewählten, meist unbekannteren Songs aufzutreiben. Songs von Musikern, die damals gerade ihre ersten, oft wenig erfolgreichen Schritte unternahmen, bevor sie Jahre später mal eben eine Handvoll Welthits aus dem Ärmel schüttelten und die - grosse Welle' der Musik der kalifonischen Küste surften. Also, willkommen zu Volume 1 unseres sogenannten PRM (Personal Rediscovery Movement).
Official Mr Bongo reissue of the ultra-rare Nigerian disco-boogie, 'Viva Disco', album from 1980.
Originally released on the Afrodisia label, this one is unknown to even the most knowledgable collectors out there.
Tunde Mabadu recorded two albums in the 70's - 'Viva Disco' and 'Bisu' as Tunde Mabadu & His Sunrise. Perfect examples of golden-era Nigerian disco & boogie that still hold their own today.
- A1: Prince Fatty - The Model
- A2: The Hempolics - Love To Sing (Mungo's Hi Fi Ft Solo Banton Remix)
- A3: Danny T & Tradesman Ft Dark Angel - Follow Me
- A4: Viktorious Ft Parly B - What A Ting
- A5: Disrupt Ft Zeb & Scotty - Jah Run Tings
- A6: Led Piperz Ft Solo Banton - Dub Invasion (Subactive Remix)
- B1: Mungo's Hi Fi Ft Sugar Minott & Daddy Freddy - Raggamuffin Rock
- B2: Stalawa Ft Delroy Melody - Buss Shot
- B3: Naram Ft Tenor Youthman - Golden Rule
- B4: Mungo's Hi Fi Ft Mr Williamz - Give Thanks To Jah
- B5: Bim One Ft Macka B - Don't Stop The Sound
- B6: Obf Ft Charlie P - Dub Controller (Future Mix)
Here at Scotch Bonnet Records we love Reggae music's rich heritage. Not only is it is as strong today as it ever has been, soundsystem culture has now spread to every corner of the world. To celebrate this we have compiled a few musically important releases from some of the key musicians and producers that have influenced and nourished Scotch Bonnet records since the start. Some have appeared on single, some are dubs that Mungo's Hi Fi couldn't stop playing on the Soundsystem, and there are some brand new pieces to keep it crispy fresh. The end result is Puffers Choice.
- A1: Irresistable U Are
- A2: Intense
- A3: I Am, I Feel
- A4: Alisha Rules The World
- A5: White Room
- A6: Stone In My Shoe
- B1: Personality Lines
- B2: Indestructable
- B3: I Won't Miss You
- B4: The Golden Rule
- B5: Just The Way U Like It
- B6: Air We Breathe
- B7: Adore U
Alisha's Attic were one of the defining English pop duos of the late 1990s and early 2000s. Formed by sisters Shelly and Karen Poole, the pair first appeared in 1988 under the name Keren & Chelle, releasing their single "Sugar Daddy". In 1996 Alisha's Attic released their debut single "I Am, I Feel" which reached the #14 in the UK Singles Charts. Their debut album, Alisha Rules the World was released in November 1996, produced by Dave Stewart of Eurythmics. The album became a major success, achieving Platinum in the UK and generated a string of single "Alisha Rules The World", "Indestructible" and "Air We Breathe" all of which reached the UK Top 15.
It's time to set those jaws to wobble mode as this funky favourite label is back with more serious sounds for the disco, this time from Hysteric. 'Italo Mystery Theme' is a brilliant timewarp to the 80s with its overtly streamy and seductive vocals over neat guitars and stepping disco drums with lush chords. 'After Dark' is more breezy and hip-swinging with its airy vocals and wet claps, then 'Sugar Daddy Again' brings rugged analogue bass sounds and snappy drums under some erotic vocal work. 'All Right' shuts down with a UK street soul-cum-disco groover that's lit up with nice neon chords.
The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.
On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.
Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.
CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.
- A1: Sandy Gaye - Watch The Dog That Bring The Bone
- A2: Betty Wright - Mr Lucky
- A3: Marva Whitney - Daddy Don't Know About Sugar Bear
- A4: The Trinikas - Remember Me
- A5: Betty & Angel - Honey Coated Loving
- A6: Arelean Brown - I'm A Streaker Baby
- A7: The 20Th Century - Hot Pants (Part 1)
- B1: Promise - I'm Not Ready For Love
- B2: Pearl Dowdell - Good Things
- B3: Fay Cooper - Closer Together
- B4: Lolla Collins - Save The Children (If There Is To Be A Tomorrow)
- B5: Soul Revival - Do What You Gotta Do
- B6: Mae Young - You Got Me Under Your Spell
- B7: The Ba-Roz - Come Back Boy
- B8: Sonics Band - Second Avenue
Black Vinyl[26,85 €]
- A1: Bobby Rush & Jimmie Vaughan– Going Down
- A2: Benny Turner– Reconsider Baby
- A3: Jivin' Gene– Flip, Flop And Fly
- A4: Kam Franklin– You'll Lose A Good Thing
- A5: Lil' Ed Williams– If You Change Your Mind
- B1: Kim Wilson & The Fabulous Thunderbirds– Talkin' Bout My Friends
- B2: Mckinlley James– Those Lonely, Lonely Nights
- B3: Lurrie Bell– The Sky Is Crying
- B4: Ruthie Foster– Lead Me On
- C1: Doyle Bramhall Ii– Bad Boy
- C2: Big Bill Morganfield– Just Like A Bird Without A Feather
- C3: John Primer– Honest I Do
- C4: Eve Monsees– Lookin' Good
- C5: Lynn August– The Things That I Used To Do
- D1: C.j. Chenier– Willie The Wimp
- D2: Sue Foley– You Got Me Where You Want Me
- D3: Kam Franklin– If (I Could Be With You)
- D4: Lavelle White– Message From Miss Lavelle
- A1: Pinetop Perkins– Chicken Shack/Sugar Bear Intro
- A2: Jimmy Rogers– Walking By Myself
- A3: Sunnyland Slim– Built Up From The Ground
- A4: Otis Rush– Double Trouble
- A5: Eddie Taylor (2)– Bigtown Playboy
- A6: Buddy Guy– Look On Yonders Wall
- B1: Angela Strehli– What It Takes To Get A Good Woman
- B2: Albert Collins– Cold, Cold, Feeling
- B3: Gary Clark Jr.– Catfish Blues
- B4: James Cotton– Midnight Creeper
- A1: Lou Ann Barton– Sugar Coated Love
- A2: Snooky Pryor– I'm So Glad
- A3: Angela Strehli– It Hurts Me, Too
- A4: Lazy Lester– No Special Rider
- A5: Lavelle White– You're Gonna Make Me Cry
- A6: Doug Sahm– I Won't Cry
- B1: Marcia Ball, Lou Ann Barton, Angela Strehli– A Fool In Love
- B2: Doyle Bramhall– Too Sorry
- B3: Sue Foley– Gone Blind
- B4: Barbara Lynn– Hear From My Daddy
- B5: Kim Wilson– Don't Touch Me
- B6: Pinetop Perkins– Going Down Slow
- A1: Los Lobos– 300 Pounds Of Joy Pt. 1
- B1: Los Lobos– 300 Pounds Of Joy Pt. 2
- Shrine
- Baby It's Alright
- Ride 38
- Tiffany's Days Go By
- Christopher Siren
- Sugar Daddy
- Blue
- Soft Purple Sky
- Julia's Eyes
Tough Love brings to vinyl for the first time April Magazine's Sunday Music For An Overpass, a nine track collection originally issued on cassette in vanishingly small number by Paisley Shirt in 2021. The kind of mythical recording you might have once needed to know the band to own. Alas, no longer... Can the universe have two centres? Because if it's not Gothenburg it's San Francisco... It's impossible for me to think about what's going on in that particular part of the west coast right now without immediately being drawn to April Magazine, a comparatively loosely assembled three (sometimes four) piece centred around artist/musician Peter Hurley, who seem to simultaneously operate at both the heart and the margins of the current Bay Area underground. On the one hand they share members with many other bands, their guitarist/singer runs a gallery that functions as some kind of focal point/social space, and Cindy even have a song named after them. On the other hand, their music is resolutely lo-fi and invariably couched in a mysterious haze, the live footage available online seems to suggest that they sound slightly different each time they play, and there are reports they have dozens of songs (possibly albums?) that have not and may never be released, hidden inside their own private universe. On its initial release, Sunday Music For An Overpass was an early attempt to drag the group a little closer into the light, yet inevitably made them feel as endearingly enigmatic as ever. Typically, this vinyl reissue some four years later only goes part way in clearing that alluring fog. April Magazine channel the greats - Spacemen 3, The Pastels, early B&S, Mary Chain, Rainy Day/Opal/Mazzy et al - but submerge their obvious melodic capabilities within seemingly infinite spray can hiss, as if the songs are being pulled backwards through some vortex to the past. Half of these tracks are instrumentals, and it's in those moments that the band are perhaps at their most expressive, suggesting a very inviting melancholy that can't quite be figured out. Though the LP remasters the original recordings and is a little cleaner sounding as a result, no secret is being given away. The appeal is that the more you hear from them, the less you really know, and all the better for it. Maybe, then, it's that April Magazine are here to show there is no centre to the universe, that instead it's always just off to the side...
- 1: Higher
- 2: Pageant Queen
- 3: Utg
- 4: Waste
- 5: Dreaming
- 6: Corner Cutting Boredom
- 7: Melt
- 8: Buzz/Cut
- 9: Rat
- 10: Nothing Personal
Almost Like You Could ignites its art punk fire with Lucy Alexander proclaiming, “Everyone wants something to talk about / But not a minute to spare, so be brief.” Not surprising from a song that’s 1:54 (‘Higher’), but the raw honesty in her lyrics ring far after the music ends. Alexander, along with bandmate Luke Cartledge, place the propulsive power of their beliefs at the core of their debut full-length album, and their guiding motivation towards social justice is as fierce as it is welcoming. “Living as part of the queer community, and being queer myself, leads me towards supporting every person’s truth,” Alexander says. Scrounge’s songs skip to a fast beat, electrifying the entire album with a sense of empowerment. Their approach is OG punk: they make music for their peers and themselves. Only now, with a world of connections possible, they’re able to open arms wide for a far-reaching embrace. Alexander’s rich vocals give their sound its central force, anchoring the songs with confessional lines (“If this is the pinnacle, then I need a miracle/ Cause everyone’s laughing at me,” “There’s not much left/ this corpse I have to keep/ Above board.”). They sing about economic inequality, political corruption, environmental destruction, and collective change. “We’re inspired by those around us, and we write about what we care about. Art has always existed for us as a means of catharsis, a way of expressing something we might not be able to otherwise, and we hope our music can be that for other people too,” says Alexander. “I think I’ve actually written a filthy banger,” she states while re-listening to “Buzz/Cut”, a grunge-honoring hammer of a song that takes a journey from disappointment, to self-realization, to release. Alexander and Cartledge’s gratification in making an album they’re proud of mirrors the empowerment conveyed in their lyrics. A follow-up to debut mini-album Sugar, Daddy (Fierce Panda, 2022), Almost Like You Could came together over 18 months, in between “teaching, touring, graduation, and a wedding”, as Lucy explains, for the band always has a handful of shows coming up. It’s a strange outcome for a duo who first bonded over their mutual love of SOPHIE. “She radicalized the structure of sound, and revealed herself through it,” Cartledge explains. “That was a massive inspiration when we started playing together, stripping everything away to open up new possibilities as artists and as people." Having already toured Europe and the States, Scrounge is preparing to be on the road throughout 2025. In a world where the idea of true community is ephemeral, Lucy and Luke seek to foster it everywhere they play. And their belief in change is ultimately buoyed by hope. “I know that it’s never been this good,” they sing.
2024 was a big year for Regulate Recordings and their sister club night “Shake Your Rump”. DJ Deviant’s “The Rhythm” & “Make Em Bounce” burned up dance floors in spring, “Summer Jam” saw Atomphunk & Deviant team up with Seattle MCs Mugs and Pockets to devastating effect. “Summer Jam” lit up the second half of the year with support from the Allergies, Boca45 and 6 Music and was included in Craig Charles’s “Funkiest Tracks of 2024”.
Regulate move into the new year by setting off two certified bangers. Master of the decks DJ Deviant is back on production duties; lead track “Get On The Floor” sees him once again collaborating with Swamburger (Mugs and Pockets) for a full force party starter. The production pulls influences from the earliest days when hip hop and disco were joined at the hip, with nods to The Sugar Hill Gang and The Furious Five, as well as the Golden Age and artists like Chubb Rock and Big Daddy Kane. Swamburger’s machine gun delivery and Deviant’s sharp cuts pull the track right into 2025 for maximum impact.
Flip side “Where’s The Party Clap” is a big trunk of cut and paste funk with a popping bass line, horns, claps, cuts and a groove that just doesn’t quit.
Neue limitierte Pink-in-Green/Colour-in-Colour Vinylauflage von "Sweet Tooth" (2022), dem dritten Album der kalifornischen Emo-Band Mom Jeans., aufgenommen in den Barber Shop Studios in New Jersey mit Produzent Brett Romnes (The Front Bottoms, Oso Oso, Dogleg). Die Band spricht von einem echten, umfassenden Studioerlebnis, das sie befähigte, ohne jegliche Abstriche ein bisher unerreichtes Maß an Feinschliff zu erreichen. Tyler Povanda (Save Face) und Kory Gregory (Prince Daddy & The Hyena) steuerten Vocals bei.
"“Few artists combine the thrills of danceable pop with a higher purpose, but that's exactly what Israeli singer Noga Erez does”
– NPR Music
“One of Israel’s few breakthrough indie stars… and one of the country’s most hyped artists”
– The Guardian
July 17, 2024 (New York, NY): Today, alt-pop singer, rapper & multi-hyphenate Noga Erez debuts her brand new single and accompanying music video entitled “AYAYAY” featuring sensational Argentinian rapper Dillom, out via Neon Gold/Atlantic Records. The track marks the latest single off Erez’s highly-anticipated, third studio album THE VANDALIST out Friday, September 20.
“AYAYAY” sees Erez and partner ROUSSO dabble in the world of reggaeton, layering her dynamic and wide-ranging vocals with lyrically packed bars, over a frenetic house beat. The sexy, tropical track emblemizes the romantic appeal of the “papí azucar” (“sugar daddy”) along with extravagant living from both the male (provided by Dillom through a brilliantly crafted verse) and female perspectives, the desire to maintain it, and the self-imposed expectation to chase it when a relationship doesn’t live up to standards. Directed by Erez & ROUSSO, the music video for the track, filmed almost entirely through a kaleidoscope lens DIY-style, is brimming with personality as Erez lives her best life.
THE VANDALIST is a satirical, yet confessional look at real and online life, the project arrives brimful of monster tunes, intricate production, wit, charm and attitude, representing a significant leap from her previous work, expanding her emotional range from sultry to savage, and demonstrating even greater ambition with quickfire lyrics, broadened vocal styles, and the elaborate backing crafted with partner and producer ORI ROUSSO. THE VANDALIST primes Noga for yet another evolution in her musical journey, which is set to resonate strongly with listeners everywhere.
Recently released singles include “PC People (feat. ROUSSO),” along with title track “Vandalist,” and “Come Back Home,” all of which are joined by official “Against The Machine (Live)” performance videos, streaming now at YouTube
"
A side, by Heisa "Double Mitsubishi" is a pure Rattaplan style tune. Banging at Hardcore frontier and full of breaks slammers...
A legendary style !
**the flip opens with Wonka's "Sugar Daddy" : A melodious trippy acid electro tribe travel...
eMel finished the job with a hardcore "New Core Assembly", driving whistle supported by a Core deep kick !
- A1: Soul Force With Susan Tedeschi
- A2: I Aim To Please With Danielle Nicole
- A3: Stop Drop And Roll With Valerie Tyson
- B1: Do Ladies Get The Blues With Christine Ohlman & Debbie Davies
- B2: An American Hero With Carlene Carter
- B3: Don't You Want A Man Like Me With Rory Block
- C1: Sugar Daddy With Christine Ohlman
- C2: Endless Highway With Randi Fishenfeld
- C3: I Got Wise With Maggie Rose
- D1: Hey Suzy With Sue Foley
- D2: Mama Said With Shemekia Copeland
- D3: Just Like That With Joanne Shaw Taylor
Der legendäre Rock & Roll-Hall-of-Famer Dion liefert ein neues Album ab, das Generationen überschreitet: Girl Friends. Auf seinem neuesten KTBA Records-Release arbeitet er mit einer herausragenden Besetzung weiblicher Künstlerinnen zusammen, darunter die Soul-Lady Susan Tedeschi, Kraftpaket Shemekia Copeland, Ikone Carlene Carter, Virtuosin Joanne Shaw Taylor und die vielseitige Maggie Rose. Dions zeitlose Stimme und die unterschiedlichen Stile dieser gefeierten Künstlerinnen bilden eine Fusion, die das reiche Spektrum amerikanischer Musik feiert.
- Don't Let Your Love Fade Away
- I'm Gonna Get Your Thing
- I'm Gonna Get You
- The Hen Part I
- Cry Night And Day
- I've Lived The Life
- The Fabulous Rhythm Makers
- I'll Never Be Satisfied
- You Confuse Me Baby
- Baby You Love Is Amazing
- Lookin' Good
- Daddy Don't Know About Sugar Bear
- Whatever You Do (Do It Good)
- Is It Really That Bad
- Baby Be Good
- All Along I've Loved You
- I've Got To Have Somebody's Love
- Super Black
- With Fun In My Life
- Reaching For Our Star
- Nothing I'd Rather Be (Than Your Weakness)
- Give Me Love
- Dearest Lover
- Live And Let Live
- Ya Gotta Be Doing It
- Skate Boogaloo And Karate Too
- Don't Fade Away
- We Need More (But Somebody Gotta Sacrifice)
Blue Vinyl[35,76 €]
From 1967-1980, Kansas City's Forte Records captured nearly every iteration of popular Black music; basement beehiver-y from The Ray-Ons and Four Darlings, funky soul from Gene Williams Lee Harris, Louis Chachere, and The Fantastiks, downtempo disco ballads from James W hitney and Sharon Revoal, and the newly independent work of James Brown's former Soul Sister # 1 Marva Whitney. Compiled here are 28 of the label's enduring sides, contextualized with copious photos, ephemera, and essay, all housed in heavy weight gatefold jacket. Who knows how to do "The Hen"?
- Don't Let Your Love Fade Away
- I'm Gonna Get Your Thing
- I'm Gonna Get You
- The Hen Part I
- Cry Night And Day
- I've Lived The Life
- The Fabulous Rhythm Makers
- I'll Never Be Satisfied
- You Confuse Me Baby
- Baby You Love Is Amazing
- Lookin' Good
- Daddy Don't Know About Sugar Bear
- Whatever You Do (Do It Good)
- Is It Really That Bad
- Baby Be Good
- All Along I've Loved You
- I've Got To Have Somebody's Love
- Super Black
- With Fun In My Life
- Reaching For Our Star
- Nothing I'd Rather Be (Than Your Weakness)
- Give Me Love
- Dearest Lover
- Live And Let Live
- Don't Fade Away
- We Need More (But Somebody Gotta Sacrifice)
- Ya Gotta Be Doing It
- Skate Boogaloo And Karate Too
Black Vinyl[32,73 €]
From 1967-1980, Kansas City's Forte Records captured nearly every iteration of popular Black music; basement beehiver-y from The Ray-Ons and Four Darlings, funky soul from Gene Williams Lee Harris, Louis Chachere, and The Fantastiks, downtempo disco ballads from James W hitney and Sharon Revoal, and the newly independent work of James Brown's former Soul Sister # 1 Marva Whitney. Compiled here are 28 of the label's enduring sides, contextualized with copious photos, ephemera, and essay, all housed in heavy weight gatefold jacket. Who knows how to do "The Hen"?
- 1: Aretha Franklin - God Bless The Child
- 1: 2Bettye Swann - Make Me Yours
- 1: 3Barbara Lynn - You'll Lose A Good Thing
- 1: 4The Marvelettes - Please Mr. Postman
- 1: 5Betty Padgett - Sugar Daddy (Part )
- 1: 6Diana Ross & The Supremes - Your Heart Belongs To Me
- 1: 7Nina Simone - Plain Gold Ring
- 1: 8Millie Jackson - All The Way Lover
- 1: 9Gwen Mccrae
- 1: 0Dee Edwards - Why Can't There Be Love
- 1: Brenda Lee - I'm Sorry
- 1: 2Helene Smith - Help Me To Keep What I've Got
- 1: 3The Shirelles - Will You Love Me Tomorrow
- 2: 1Etta James - I Just Want To Make Love To You
- 2: Esther Phillips - Release Me
- 2: 3Martha Reeves & The Vandellas - My Baby Won't Come Back
- 2: 4Dionne Warwick - Don't Make Me Over
- 2: 5Gladys Knight & The Pips - Every Beat Of My Heart
- 2: 6Mary Wells - The One Who Really Loves You
- 2: 7Lavern Baker - Love Me Right
- 2: 8Ella Fitzgerald & Nelson Riddle And His Orchestra - Geo
- 2: 9Alice Russell & Tm Juke - Hurry On Now
- 2: 10Spanky Wilson & The Quantic Soul Orchestra - Message To
- 2: 11Greyboy, Quantic & Sharon Jones - Got To Be A Love (Pau
- 2: 1Marva Whitney - I Am What I Am (Parts 1 & )
- 2: 13Sandra Nkaké - Happy
Obwohl der Begriff "soul" schon während der Dreißigerjahre in der US-amerikanischen Populärmusik auftauchte, entstand Soul als eigenständiges Genre erst in den 1950ern aus Gospel und Rhythm"n"Blues sowie je einer Prise Blues und Jazz. Schon bald darauf sollte Soul zum Inbegriff "schwarzer Popmusik" werden. Kennzeichnend für die afroamerikanisch geprägte Unterhaltungsmusik sind emotional gefärbte Sangeskünste. Sich mit ganzer Seele und herzergreifendem Gesang den Vibes, dem Groove und der Message hinzugeben, das macht Soul aus. Sängerinnen wie Aretha Franklin, Etta James, Tina Turner, Lavern Baker, Marlena Shaw oder Diana Ross beherrschten dieses Metier meisterhaft. Sie finden sich neben Dionne Warwick, Nina Simone, Dusty Springfield, Irma Thomas, Amy Winehouse, Ibeyi und vielen anderen Künstlerinnen auf der geschmackvoll kompilierten Doppel-LP "Soul Women".
- 1: Past And Present Ft. Pupajim
- 2: Good Lovin Ft. Lady Ann
- 3: Sugarwater Ft. Hollie Cook
- 4: Riddim General Ft. Kiko Bun
- 5: We Pulsating Ft. Solo Banton
- 6: Only Love Ft. Prince Alla
- 7: Rain Keeps Falling Ft. Johnny Clarke
- 8: Total Disaster Ft. Shanti D & Ranking Levy
- 9: Control The Border Ft. Charlie P & Daddy Freddy
- 10: Birds Of Vice
Mungo’s Hi Fi return with their exciting new vocal project Past And Present. Released on their Dumbarton Rock label, it’s the eagerly awaited vocal companion piece to 2021 dub album Antidote. Past And Present is unique for Mungo’s in being devoted to the Rub A Dub reggae style that arose in late 70s and early 80s Jamaica. The record has its roots in both past and present. Back in 2021, Mungo’s responded to the pandemic with the dub project Antidote, an album of reflection among wide spaces and nature. As the world has reopened, Past And Present celebrates the return of verbal communication and dancing to hypnotic basslines, with the original vocal cuts by veteran and rising microphone talent. The haunting voice of French pure singjay Pupajim encourages us to face living in the now, on title track Past and Present. Pioneering Jamaican female deejay Lady Ann toasts the importance of Good Lovin’ over a sensual, waist-winding rhythm. Ethereal UK neo lovers rock singer Hollie Cook revisits her classic Sugar Water, floating above a sparse and eerie future Rub A Dub soundscape. Honey-toned Londoner Kiko Bun exudes confidence and humility as a Riddim General while veteran talker Solo Banton shakes up the dance on his seismic, much requested, We Pulsating. The biblical voice of Jamaican legend Prince Alla sounds fresh on a revisit to his immortal Only Love Can Conquer. Fellow elder statesman of reggae Johnny Clarke contributes the sole non Rub A Dub offering with the “Flying Cymbals” driven, deep roots track Rain Keeps On Falling. French singjay Shanti D and Israeli chanter Ranking Levy pair up on the mighty Jaqueline rhythm for a warning against Total Disaster. The prodigious Charlie P joins Godfather of UK emcee-ing, Daddy Freddy, to request freer movement on Control The Border. The final statement is without words or vocals: as Mungo’s production team take centre stage for the soaring Birds Of Vice – the A side to Antidote’s closing dub, Birds Of Pleasure. In reggae, the vocal traditionally precedes the dub. By completing their pairing of Antidote with Past and Present, Mungo’s have flipped the script and reversed the process – crafting a loving tribute to Rub A Dub’s rolling basslines and upward vibes in a modern style
Fleetwood Mac is the tenth studio album by British-American rock band Fleetwood Mac, released on 11 July 1970. This was the first Fleetwood Mac album with Lindsey Buckingham as guitarist and Stevie Nicks as vocalist, after Bob Welch departed the band in late 1974.
The album peaked at number one on the US Billboard 200 chart dated 4 September 1976, 58 weeks after entering the chart, and spawned three top-twenty singles: "Over My Head", "Rhiannon", and "Say You Love Me", the last two falling just short of the top ten, both at number 11.
'Sweet Tooth', das dritte Album der Emo-Band Mom Jeans, wurde in New Jersey in den Barber Shop Studios mit Produzent Brett Romnes (The Front Bottoms, Oso Oso, Dogleg) aufgenommen. Die Band spricht von einem echten, umfassenden Studioerlebnis, das sie befähigte, ohne jegliche Abstriche ein bisher unerreichtes Maß an Feinschliff zu erreichen. Tyler Povanda (Save Face) und Kory Gregory (Prince Daddy & The Hyena) steuerten die Vocals bei.
We are back with our fourth vinyl release between the Berlin-based Colombian producer Brayan Valenzuela and Cologne-based native polish artist Rezystor. These guys are already connected with BRVTAL., because they released tracks on SZROGH compilation and participated on our podcast series.
On the tough side Brayan who is a well-known modular synthesis enthusiast hit us with his heavy hard tracks, like a road roller in your face, but it's all done with the best humor, the dark side has never been so cheerful!
While Rezystor on the banger side delivered his own professional obscure sound with high speed tempo and deep melodies. Long awaited perfect rave anthems on the altar of the best period of trance area!
- A1: Roll Tape
- A2: Gimme Some Sugar
- A3: Daddy's Diddies
- A4: Gotta Dig It To Dig It
- A5: No Credit For This
- A6: Roadtrip
- A7: On Your Face
- B1: That's The Way Of The World
- B2: Imagination
- B3: In The Basement
- B4: Business
- C1: Look B4U Leap
- C2: Around The House
- C3: Funky Sci Fi
- C4: Mini Mugg
- C5: Chicago Independent
- D1: Surround Stereo
- D2: Black Gold
- D3: Denim Groove
- D4: Notes From Dad
- D5: Rubie & Charles
- D6: Greatness
- D7: Step On Step
Black Vinyl[26,26 €]
Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.
- A1: Roll Tape
- A2: Gimme Some Sugar
- A3: Daddy's Diddies
- A4: Gotta Dig It To Dig It
- A5: No Credit For This
- A6: Roadtrip
- A7: On Your Face
- B1: That's The Way Of The World
- B2: Imagination
- B3: In The Basement
- B4: Business
- C1: Look B4U Leap
- C2: Around The House
- C3: Funky Sci Fi
- C4: Mini Mugg
- C5: Chicago Independent
- D1: Surround Stereo
- D2: Black Gold
- D3: Denim Groove
- D4: Notes From Dad
- D5: Rubie & Charles
- D6: Greatness
- D7: Step On Step
Black Vinyl[35,92 €]
International Anthem proudly presents Step on Step, a double LP collection of newly unearthed solo home recordings created by enigmatic producer, arranger, and composer Charles Stepney in the basement of his home on the Southside of Chicago during the years before his untimely death in 1976. Stepney’s signature “baroque soul” sound is known to many as it’s heard in his prismatic orchestral arrangements for Rotary Connection, Minnie Riperton, Howlin Wolf, Terry Callier, Earth, Wind & Fire, and many more. His sound has been used by countless samplers in the hip-hop world including Kanye West, The Fugees, and MF Doom. But in comparison to the post-mortem renown of his sound, or the artists he supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.
Step on Step is Stepney’s eponymous debut album, featuring 23 bare-bones, demo-style home recordings, most of which are Stepney originals that were never again recorded by him or any other artist. Highlights from those original works include “Denim Groove,” which hears Stepney on piano and congas alongside his first instrument (the vibraphone), and “Look B4U Leap,” one of several kinetic lo-fi dance numbers that feature Stepney having fun with an early-gen Moog synthesizer. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind & Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun”).
A collection of home recordings Charles Stepney -- the late composer/producer who worked with Earth Wind & Fire, Deniece Williams, Rotary Connection, Minnie Ripperton, Muddy Waters, Howlin Wolf, Terry Callier, and more, and was sampled by Kanye West, Madlib, MF Doom, A Tribe Called Quest, The Fugees, and more -- called Step On Step is coming out September 9 via International Anthem.
- A1: Roll Tape
- A2: Gimme Some Sugar
- A3: Daddy's Diddies
- A4: Gotta Dig It To Dig It
- A5: No Credit For This
- A6: Roadtrip
- A7: On Your Face
- B1: That's The Way Of The World
- B2: Imagination
- B3: In The Basement
- B4: Business
- C1: Look B4U Leap
- C2: Around The House
- C3: Funky Sci Fi
- C4: Mini Mugg
- C5: Chicago Independent
- D1: Surround Stereo
- D2: Black Gold
- D3: Denim Groove
- D4: Notes From Dad
- D5: Rubie & Charles
- D6: Greatness
- D7: Step On Step
Gold Vinyl[30,46 €]
Chicago-born composer, producer and arranger Charles Stepney is known to some for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure... a genius relegated to the shadows.
- A1: Yes Always
- A2: Building From The Bottom
- A3: Never Had Your Back
- A4: Swing Um
- B1: Thank You
- B2: Bout It
- B3: Uni(Ty) (Ty)
- B4: I Don't Care
- B5: Do It Up
- C1: Where Lions Roam
- C2: We Are Not In Kansas
- C3: Be Refreshed
- C4: Grandmas Southern Ways
- D1: We Feeling It All
- D2: Vibe
- D3: I Want U 2 Make It
- D4: Have Your Moment
Released to coincide with a pan-European tour kicking off in the UK, themulti-platinum double Grammy Award winning group Arrested
Development deliver 'For the FKN Love', a true hip-hop tour de force, once again executively produced by charismatic veteran frontman Speech and British production maestro Configa.Significantly, it marks the first time that Arrested Development have worked with equally legendary collaborators, making this their biggest ever release
Big Daddy Kane, The Sugarhill Gang, Masta Ace, Freddie Foxxx, Monie Love, Kxng Crooked, G. Love, Tony Momrelle (Incognito), Dee-1 and Fatman Scoop all feature. Legends of this calibre rarely do features and yet have graced this album. Arrested Development have always been dedicated to supporting up-and-coming talent, and this trend continues with the likes of Twan Mack, Dell-P, Lish, Ke'Andra,
4ize, Twisted Royalty, Cleveland P. Jones, MRK SX and Jahah all adding weight to proceedings. When it comes to boom bap and classic rap, few artists come close to Arrested Development.
The two-time Grammy Award winning hip-hop group was the first hip-hop group to ever receive the Grammy for Best New Artist, while also receiving one for Best Rap Single. Showing the group's widespread appeal, its track 'Tennessee' was later named by the Rock & Roll Hall Of Fame as one of the Top 500 Songs That Shaped Rock & Roll, while the group was recognised at the Black Music Honors Awards in 2019. Meanwhile, 1993's 'Unplugged' album was not only Gold-certified
by the RIAA, but proved influential as one of the first hip-hop performances from the institution that is MTV.
'Vibe' is the latest single from Arrested Development, as featuring Big Daddy Kane, Cleveland P. Jones and Tasha LaRae. Part of the new studio album 'For The FKN Love', 'Vibe' was produced by the aforementioned boom bap specialist Configa. Configa had previously worked with Arrested Development on 2020's acclaimed 16-track studio album 'Don't Fight Your Demons'.
- A1: Tear Me Down
- A2: The Origin Of Love
- A3: Random Number Generation
- A4: Sugar Daddy
- B1: Angry Inch
- B2: Wig In A Box
- B3: Wicked Little Town
- B4: The Long Grift
- C1: Hedwig's Lament
- C2: Exquisite Corpse
- C3: Wicked Little Town (Reprise)
- C4: Midnight Radio
- A1: Sonny Knight & The Lakers - Sugar Man
- A2: Gloria Ann Taylor - Jolene
- A3: Don Julian & The Larks - Shorty The Pimp
- A4: Foster Sylvers - Misdemeanor
- A5: Florence Miller - The Groove I'm In
- A6: Mac Rebennack & The Soul Orchestra - The Point
- A7: Clarence Reid - The Best Part Of A Man
- A8: Doris Duke - Woman Of The Ghetto
- A9: Gwen Mccrae 90% Of Me Is You
- A10: Helene Smith - Help Me To Keep What I've Got
- A11: Teddy Reynolds - Ain't That Soul
- A12: Miss Lavelle - Stop These Teardrops
- B1: Millie Jackson - I Cry
- B2: The Whatnauts - Why Can't People Be Colors Too?
- B3: George & Gwen Mccrae - Mechanical Body
- B4: Gino Washington - Puppet On A String
- B5: Chet "Poison" Ivey & His Fabulous Avengers - Soul Is M
- B6: Betty Padgett - Sugar Daddy Pt 1
- B7: Brother To Brother - In The Bottle
- B8: Class - Get Your Chic Together
- B9: Latimore - Let's Straighten It Out
- B10: C B. & Ten Others With Axes - Rosie
- A1: Stupid Now
- A2: Who Needs To Dream?
- A3: Again And Again
- A4: Old Highs, New Lows
- A5: Return To Dust
- B1: The Silence Between Us
- B2: Shelter Me
- B3: Very Temporary
- B4: Miniature Parade
- B5: Walls In Time
- C1: Life And Times
- C2: The Breach
- C3: City Lights (Days Go By)
- C4: Mm 17
- C5: Argos
- D1: Bad Blood Better
- D2: Wasted World
- D3: Spiraling Down
- D4: I'm Sorry, Baby, But You Can’t Stand In My Light Any More
- D5: Lifetime
- E1: Star Machine
- E2: Silver Age
- E3: The Descent
- E4: Briefest Moment
- F2: Round The City Square
- F3: Angels Rearrange
- F4: Keep Believing
- F5: First Time Joy
- G1: Low Season
- G2: Little Glass Pill
- G3: I Don't Know You Anymore
- G4: Kid With Crooked Face
- G5: Nemeses Are Laughing
- G6: The War
- H1: Forgiveness
- H2: Hey Mr. Grey
- H3: Fire In The City
- H4: Tomorrow Morning
- H5: Let The Beauty Be
- H6: Fix It
- I1: Voices In My Head
- I2: The End Of Things
- I3: Hold On
- I4: You Say You
- I5: Losing Sleep
- I6: Pray For Rain
- Halfway To Pa
- J1: Lucifer And God
- J2: Daddy's Favorite
- J3: Hands Are Tied
- E5: Steam Of Hercules
- J4: Black Confetti
- J5: Losing Time
- J6: Monument
- K1: Sunshine Rock
- K2: What Do You Want Me To Do
- K3: Sunny Love Song
- K4: Thirty Dozen Roses
- K5: The Final Years
- K6: Irrational Poison
- L1: I Fought
- L2: Sin King
- L3: Lost Faith
- L4: Camp Sunshine
- L5: Send Me A Postcard
- L6: Western Sunset
- M1: Dear Rosemary (Foo Fighters)
- M2: Father's Day (Butch Walker)
- M3: I Don't Mind
- F1: Fugue State
Demon Records presents Distortion: 2008-2019, the third in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.
Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume three in this new series covers the period 2008-2019 and contains many of Bob Mould’s most celebrated recordings including Silver Age (2012), Patch The Sky (2016), and Sunshine Rock (2019).
- A1: Wishing Well
- A2: See A Little Light
- A3: Black Sheets Of Rain
- A4: A Good Idea - Sugar
- A5: If I Can’t Change Your Mind - Sugar
- B1: Hoover Dam – Sugar
- B2: Tilted – Sugar
- B3: Gift – Sugar
- B4: Your Favorite Thing – Sugar
- B5: Egøverride
- B6: Moving Trucks
- C1: 180 Rain
- C2: I Cannot Reverse You - Loudbomb
- C3: Circles
- C4: Paralyzed
- C5: The Silence Between Us
- C6: City Lights (Days Go By)
- D1: Star Machine
- D2: The Descent
- D3: I Don’t Know You Anymore
- D4: The War
- D5: Voices In My Head
- D6: Daddy’s Favorite
- D7: Sunshine Rock
Demon Records presents Distortion: The Best Of 1989-2019, the first career spanning
compilation of solo recordings by legendary American musician Bob Mould.
• Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming
the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. At
the vanguard of his field for over four decades, Mould’s music has inspired generations of musicians.
• Compiled by Bob Mould himself, this new collection gathers together 24 essential recordings across
two LPs. Highlights include classic recordings such as ‘See A Little Light’, ‘If I Can’t Change Your Mind’,
‘A Good Idea’, and ‘The Descent.
• Mastered by Jeff Lipton and Maria Rice at Peerless Mastering and pressed on two 140g vinyl. Housed in
printed inner sleeves and a deluxe gatefold sleeve with artwork from illustrator Simon Marchner.
- A1: Joe Simon - Theme From Cleopatra Jones
- A2: Dee Edwards - Why Can't There Be Love
- A3: Alonzo Smith - Love Machine
- A4: King Floyd - Hard To Handle
- A5: Tobi Lark - Challenge My Love
- A6: Millie Jackson - All The Way Lover
- B1: Nancy Holloway - Hurt So Bad
- B2: Darondo - Didn't I
- B3: Dorothy Moore - Don't Let Go
- B4: Brenda George - What You See Is What You're Gonna Get
- B5: Betty Padgett - Sugar Daddy (Part 1)
- B6: George Soule - Talkin' About Love
Two things become immediately clear when you hear “Body Electric”, the third original album by White Haus, João Vieira (X-Wife / Dj Kitten)’s solo project. The first is that we’re faced with an insatiable music lover, with an exemplary historical awareness. The second is that is music, although it channels all that passion, does it in such a way that is increasingly all his own. The thing is, that if on one hand, in these twelve new tracks, we’re assailed by the presence of the tutelary Talking Heads and their satellite projects, by Vivien Goldman, Sexual Harrassement or Konk’s New York No Wave, by the electronic pop of Soft Cell or New Order, by the hybrid funk of Prince and his Minneapolis accollites, by the Italo-Disco inspired by Giorgio Moroder or Patrick Cowley or the Acid House of Adonis or Maurice.
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