Pressed on Limited marble colour vinyl in a gatefold sleeve with an embossed art card.
Originally released in 1997, Impossible Princess is Kylie’s sixth studio album and her second for Deconstruction/Mushroom after 1994’s Kylie Minogue. The album marks a further departure for Kylie from her PWL pop beginnings and reflects a more experimental, darker style influenced by late 1990s trip hop, Brit-pop, rock and electronica. As well as co-producing the record (with Brothers In Rhythm, Dave Ball and the Manic Street Preachers’ James Dean Bradfield), Kylie wrote the majority of the lyrics, conveying an intimacy and a freedom of expression inspired by her relationships and travels around the world.
This limited anniversary edition celebrates 25 years of Impossible Princess, and is the first time the album has been officially available on LP, making it much anticipated by Kylie fans.
Pressed on Limited marble colour vinyl in a gatefold sleeve with an embossed art card.
Originally released in 1997, Impossible Princess is Kylie’s sixth studio album and her second for Deconstruction/Mushroom after 1994’s Kylie Minogue. The album marks a further departure for Kylie from her PWL pop beginnings and reflects a more experimental, darker style influenced by late 1990s trip hop, Brit-pop, rock and electronica. As well as co-producing the record (with Brothers In Rhythm, Dave Ball and the Manic Street Preachers’ James Dean Bradfield), Kylie wrote the majority of the lyrics, conveying an intimacy and a freedom of expression inspired by her relationships and travels around the world.
This limited anniversary edition celebrates 25 years of Impossible Princess, and is the first time the album has been officially available on LP, making it much anticipated by Kylie fans.
Simple Minds return with eighteenth studio album Direction of the Heart, set for release on 21st October 2022 and including lead single ‘Vision Thing’.
Direction of the Heart is Simple Minds’ first album of new material since 2018’s outstanding UK Top 5 album Walk Between Worlds. Throughout its nine tracks, Direction of the Heart finds the band at their most confident, anthemic best on an inspired celebration of life, and which manages to perfectly encapsulate the essence of past and present Simple Minds, a band whose reascent over the past 10 years has seen them, once again, capture the magic and critical praise of their early days
Today Chicago-based percussionist, composer and producer Makaya McCraven announces the details of his new album In These Times, which is set for release on September 23rd via International Anthem / Nonesuch / XL Recordings. The first offering from the new album is a song tiled "Seventh String," which encapsulates the various musical dimensions present on McCraven's new album, a career-defining body of work that is a remarkable new peak for the already-soaring McCraven. In These Times is a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven's personal experience as a product of a multinational, working class musician community. It's the recording that he's been trying to create for 7+ years, as it's been consistently in process in the background while he's put forth a prolific run of releases including: In The Moment (2015), Highly Rare (2017), Where We Come From (2018), Universal Beings (2018), We're New Again (2020), Universal Beings E&F Sides (2020), and Deciphering the Message (2021). With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators - including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill - the music was recorded in five different studios and four live performance spaces while McCraven engaged in extensive post-production work at home. Featuring orchestral, large ensemble arrangements interwoven with the signature "organic beat music" sound that's become his signature, the album is an evolution and a milestone for McCraven, the producer. But moreover, it's the strongest and clearest statement we've yet to hear from McCraven, the composer. Profiled in the New York Times, Vice, Pitchfork, Rolling Stone, the Guardian, and NPR, among other publications, Makaya and the music he makes today is what Passion of Weiss explains, "is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as 'jazz.' He's found the threads connecting the past with the present, and is either wrapping them with new colors and textures, or he's plucking them gleefully like the strings of a grand instrument." McCraven, who has been aptly called a "cultural synthesizer" and "beat scientist," has a unique gift for collapsing space, destroying borders and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st century folk music. In These Times encompasses his artistic ethos, his experiences, identity and lineage, while pushing his music to new heights.
Calle Sound System est un mini-album conçu par Sidi Wacho en réponse à la crise sanitaire. Leur univers musical est constamment en
renouvellement pour sortir des stéréotypes et des étiquettes.
Leur groove binaire s’inspire de la cumbia chilienne avec des arrangements inspirés des fanfares balkaniques.
Rap, rythmes latinos et reggae peuvent aussi plonger dans cette sauce relevée à souhait !
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Doppel-LP, Coloured Vinyl in Tabaluga Grün. Gatefold."Wir schauen auf dieselbe Sonne und auf denselben Mond. Wir teilen uns dieselbe Erde, sind alle im selben Boot".So lauten die beiden ersten beiden Zeilen des Refrains von "Königreich der Liebe", der ersten Single aus dem neuen Drachenabenteueralbum "Tabaluga - Die Welt ist wunderbar". Zu mitreißend-anschwellendem, vielleicht ein bisschen an Elton Johns Hymne "Circle Of Life" erinnerndem Piano-Pop zeichnen Peter Maffay und seine Duett-Partnerin Stefanie Heinzmann (die hier ausnahmsweise auf Deutsch singt) in der kraftvollen Ballade das Bild von einer besseren Welt. "Es geht nicht um Farbe deiner Haut oder um das, woran du glaubst", heißt es in dem Lied weiter, und dann: "Komm, wir bauen ein Königreich mit Liebe auf dem Thron." Mit einer stärkeren Botschaft - und einem stärkeren Song - könnten die Feierlichkeiten zum vierzigsten Geburtstag des kleinen grünen Drachen kaum eingeläutet werden. 1983 erfand Peter Maffay die kindgerecht-kluge, wenngleich etwas stoffelige Figur zusammen mit Gregor Rottschalk, Rolf Zukowski und Helme Heine. Seither hat die liebenswerte Märchengestalt auf sechs Alben, mit zahlreichen Tourneen, einem Musical, einer Zeichentrickserie und einem Kinofilm immer wieder neue Generationen von Kindern und Eltern in Entzückung versetzt, aber auch zum Nachdenken gebracht.Denn Tabaluga steht für Unterhaltung mit einer klaren, positiven Botschaft. Auf dem neuen Album, so viel sei verraten, wird der ewige Drachenjunge zusammen mit seinen Freunden und der geballten Power der regenerativen Energien gegen die Klimakatastrophe antreten. Maßgeblich verstärkt wird Tabalugas Team erstmals von Lucy, einem schlauen, gemeinsam mit dem langjährigen Partner Volkswagen, entwickelten Glühwürmchen-Charakter. Tabaluga ist also definitiv so politisch relevant wie nie, und das, unterstreicht sein Mitschöpfer, sei auch dringend geboten. "Natürlich erzählen wir eine utopisch anmutende Geschichte", sagt Peter Maffay. "Aber zu dieser Utopie sehe ich keine Alternative. Wenn wir nicht mehr an die Zukunft glauben, dann geben wir uns selbst - und unsere Kinder - auf. Wir waren noch nie so gefordert, den Zusammenhalt zu stärken, wie jetzt".Für Peter Maffay (72) krönt das neue Tabaluga-Werk ein ereignisreiches Jahr. Am 18. August ist er erstmals im TV als neuer Juror bei "The Voice of Germany" zu sehen, und einen Tag zuvor startet - mit zwei Jahren Verspätung - endlich seine große Hallentournee.
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Ugandan DJ and producer Authentically Plastic presents their debut full-length on the Hakuna Kulala imprint.
‘Raw Space’ is a brilliant display of their self-described style of “free form femme fuckery”, harnessing East African influences, unstable polyrhythms and glinting techno production flourishes
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Whenever you think you've seen it all, SNC Recs comes round the corner with a brand new banger. Drum roll please for SNC007, shaken not stirred - the first Various Artists EP of the Ingolstadt based record label.
Fresh approach - with well known favorites. All artists on the EP have released solo or split EPs on SNC already. So you can look forward to The Duty Freedom, Raphael Schön, Maurice Paloni and Salomo. SNC 007 will make you shed a tear on the dancefloor with a late summer acid anthem from The Duty Freedom on the one hand, and on the other hand wrap you in a cozy blanket knitted from Salomo’s legendary soundscapes. However, the record not only creates romantic feelings, but also delivers breaky and trancey vibes by the Bavarian based producers Raphael Schön and Maurice Paloni, where you certainly won’t be able to stay still. What else could you ask for?
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'Marasma Vussa is the Brainchild of Antonio Feola a long standing figure on the London music scene, Antonio has been running the Fish Factory Studio in Willesden, North London for over two decades now. Throughout the years, he has had a major role in helping many of the current lead players of the London scene have a place to record and define their sound.
Antonio's project Masmara has existed for over 30 years and here has found its place on record. Recorded on tape over time with some of the most sought after players in London and edited during the lockdown period, Vussa is an album of mind-bending deep, cosmic mediative jazz experiments. Boasting catchy melodies and heavy, heavy jazz breaks!'
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Ndikho Xaba was born in 1934 in Pietermaritzburg, KZN, South Africa. For thirty-four years — 1964 -1998 — he lived in exile in the US, Canada and Tanzania. Originally issued by Trilyte Records out of Oakland, California, this 1970 recording is bracing, freewheeling Now Thing, suffused with SA idioms, and focussed by a political urgency wiring together US Black Power, Black Aesthetics and the anti-apartheid front-line like nothing else. You can hear Trane from the off — 'a spiritual offering to my ancestors' — and plenty of Sun Ra, with whom The Natives several times shared double-bills. (Xaba was to become close with Phil Cohran and the AACM.) Freedom is a gutbucket-soul rendition of the people's anthem; Nomusa is dedicated to Xaba's new wife, a poet and CORE activist from Chicago. The thunderous finale Makhosi features drummer Keita from the West Indies, and Baba Duru, who studied percussion in India, before winding up with Xaba blowing eerily through a horn made from a giant piece of tubular seaweed. Hats off to Matsuli for this outstanding reissue.
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Diggin’ in the vast vaults of Victor Simonelli, a collection of classic Jazz-N-Groove remixes from the legendary Bassline Records label, fully remastered for the first time on one 12”.
Started back in 1993 by the man himself, the label features releases from the likes of Romanthony, Jocelyn Brown, DJ Duke and many more, also going on to spawn the Big Big Trax sublabel too.
For this 12 inch, a spotlight on Jazz-N-Groove, the legendary production team consisting of Marc Pomeroy, Brian Tappert & previously Roy Grant. Showcasing soulful house done properly, this EP takes in four of their sought-after ‘90s remixes of anthemic cuts from Northbound, Body Moods and Strive For Jive. For the house trivia heads out there, the pair also went on to launch Soulfuric Records and also digital download store, Traxsource.
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Giorgia Angiuli’s 13 track album ‘Quantum Love’ on her UNITED label combines and contrasts fast, insistent dance beats with her signature melodic synths and dreamy lyrics; ‘an eclectic work including piano downtempo tracks and techno melodic tracks with ethereal vocals’ (Angiuli).
The multi-talented live artist/DJ/producer/vocalist/lyricist and studio-building tech wizard used lockdown as a creative nexus. Einstein’s ‘Imagination is more important than knowledge’ led her to explore quantum physics, while her first India tour inspired ongoing interest in sound meditation and philosophy, culminating in the LP.
‘Quantum Love’ has many moods and speeds; physics and philosophy, contemplative and full-on fast, sweet vocals, meaningful lyrics or purely instrumental, it’s all there. ‘’Quantum Love’ is my inner soundtrack to my recent transformation, summarized in the following sentences: we are made of energy, everything is vibration. We are each our own placebo, happiness can be a choice, we have all the elements inside us for the right path. Nature can teach us everything.’ (Giorgia Angiuli)
Press:
DJ Mag Feature
Flow Music Interview
DJ Mag Post
Four Four Magazine News Piece
DJ Feedback:
Sasha (Last Night On Earth) - solid!
Guy Mantzur (Kompakt, Bedrock, Lost & Found, Sudbeat) - love them all
Anthony Pappa (Selador) - The Timo Maas Remix is excellent.
Shinedoe readies her fifth album ‘Freedom Riders’ on her MTM Records imprint with the release of her vinyl-focused ‘Wake Up’ EP, offering a four-track preview into the project while unveiling a selection of diverse electronic productions for home listening through to the dancefloor.
Over two decades, Dutch DJ and producer Chinedum Nwosu, aka Shinedoe, has established her presence as one of house and techno’s most loved talents, while carving a true path to her own vision. Based in Amsterdam and featuring as a key part of the city’s rich and blossoming underground scene, with performances across De Martkantine, Shelter and Thuishaven to international institutions such as Berghain to fabric, her releases on the likes of Rekids, Cocoon, Bpitch Control and her 2021 release ‘The Observer’ on Jeff Mills’ iconic Axis cemented her reputation as one of the scene’s first talents. Having launched her own label MTM Records in 2018, releasing four EPs on the label to date, October signals the arrival of the label’s first album in the form of her ten-track ‘Freedom Riders’ - an expansive and diverse project created in lockdown capturing sonics from across the spectrum - with the LP preceded by Nwosu’s four-track album sampler EP titled ‘Wake Up’.
“Freedom Riders is about living in a world where there is peace, and all our basic needs are fulfilled. Each being having the right to live in peace, be happy and to be. We are all Freedom Riders, some of us get lost and need to get back to the source.” - Shinedoe.
Opening production ‘Wake Up’ is a tension-building journey through metallic textures, warped vocals and eerie interludes, while album title cut ‘Freedom Riders’ fuses hazy atmospherics, rich chords, crisp percussion and sweeping acid lines to offer a late-night ride through smoky territories. On the flip, B1 ‘Peace’ offers an exemplary balance of light and dark with delicate yet vibrant leads guiding murky undertones and sharp percussion throughout, before closing with the hypnotic, off-kilter and mind-altering sonics of ‘Safety First’, traversing soundscapes to showcase and excellently crafted early-morning cut.
Cuts across the album continue this wide-reaching and rich variation, with the likes of ‘Shine’ and ‘Lockdown’ drawing on classic and modern house influences to offer striking additions for the dancefloor, while ‘Floor Action’ and closing track ‘See The Light’ veering into more dubby, paired back territories to offer up a sense of space and tranquillity - with the ten-track project showcasing a carefully crafted album rich in sound design showcasing one of Amsterdam’s finest talents.
DJ FEEDBACK
early support from
Laurent Garnier: Really like PEACE & SAFETY FIRST niiiiiiiiice
Marcel Dettmann: thx
Luke Slater: nice release thanks!
Ame (Innervisions): thanks
Ben Sims: safety first my fave, thx!!
Slam (Soma): Thanx
Chris Liebing (CLR): great vibe
Radio Slave (Rekids): Woah ! "Freedom Riders" is great... and just in time for the weekend ! Thankyou x
Bambounou (50 Weapons / Sound Pellegrino): There's a vibe I like it thanks
Anthony Parasole (The Corner) this is so good
Truncate: Solid cuts!
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Available on limited edition translucent gold vinyl and very limited vinyl-style cd. "The Young Ones' Flaming Lips meet Jacques Brel in a pean to lost youth, 'Comme dans un Reve' Dream bossa chanson a la Gainsbourg/ Birkin. ‘Dreams’ is the second of the final trilogy of albums by critical darlings The Real Tuesday Weld following last year's acclaimed noir-themed ‘Blood'. This collection references late sixties songwriting a la Lee Hazlewood, Jimmy Webb and Burt Bacharach with nods to Flaming Lips and Tin Pan Alley, all mixed up with hazy lo-fi electronica, ghostly atmospherics and cinematic instrumentals. Guest vocalists A Girl Called Eddy, Sephine Llo and Oriana Curls provide a counterpoint to main man Stephen Coates' Gainsbourg-like crooning. Continuing the band's long preoccupation with dreams, the songs were written in the early morning or late evening on 'either side' of sleep: ‘I’d rise super early and go straight to it with the emotion of the night’s imaginings still heavy on me or work in that strange space-time just before sleep claims us”. The album is sequenced in an approximation of a life, from youth to age, with the band’s perennial focus on London, love, the English landscape and time passing. ‘Bone Dreams Blood’ in particular is a sonic memorial to friends loved and lost in the life of London. "beautiful...giddily recalls Gainsbourg, Pulp, Cole Porter, early Disney soundtracks and seedy postwar revue bars" SUNDAY TIMES // "Utterly unique, utterly delightful" THE TELEGRAPH // "These heart-pricking songs speak to us all" WORD // 'Utterly decadent and darkly humorous' TIME OUT LONDON // 'Superbly atmospheric' UNCUT // Track listing: 1 The Young Ones 2 Kinky Love 3 Bone Dreams Blood 4 I Awoke to Find I was Dreaming 5 Ever After 6 Lost Endeavour 7 Curtain Call 8 Comme Dans un Reve 9 Bodhisattva of the Gulag 10 Everything 11 Last Light
It’s taken a long time for me to feel good about myself,” says Andreya Triana of the journey to her third album. “As a musician, as a woman, it’s difficult getting to that space. It’s really wonderful where you reach that time of having more good days than bad.” That sense of celebration is what drives ‘Life In Colour’, Andreya’s most confident, instinctive and heartfelt work to date; a record that celebrates love, freedom, independence and womanhood. “‘Life In Colour’ is about stepping into my womanhood and being like ‘OK, I know this space. Let me try some s**t. I know it’s going to be hard but I know it’s going to be OK’. I just wanted to put some good energy out there.” The first taster of that sweet release was teased with lead single ‘Woman’ - a soulful pop anthem of self-love, tracking Andreya’s life from awkward teen to mighty queen, from memories of heartache and trauma to triumph. “You know when you’re feeling so uncomfortable in yourself and you just want to be swallowed up into a hole in the ground?,” Andreya recalls of her youth. “This is about moving on from being a victim to a place of strength, to feeling like a superhero. “Anyone who has gone through difficult times like I have, should know that it’s absolutely possible to get to a good place. It doesn’t define who you are or your future. You have to fight like hell every day to move forward but anything is possible. We’re all full of so much goodness. Don’t lose sight of that.” The lyric video is a tribute to Andreya’s mother, grandmother, the strong females of her life and the many sacrifices that women make day-to-day, generation after generation.
The third album 'Life In Colour' by the MOBO nominated British soul/jazz singer Andreya Triana who's collaborated with Bonobo, Flying Lotus been endorsed by the likes of Gilles Peterson & Jamie Cullum.
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Akae Beka's inimitable style of rich, deep, multi-layered songwriting, uncompromising devotion to RasTafari and soulful healing melodies developed over decades performing with St. Croix based band Midnite and countless recordings. At the point of his untimely passing in 2019, he had released over 70LP's. He is without a doubt one of the most prolific reggae artists ever known.
The stellar production trinity that is Zion I Kings have been involved collectively and individually in creating some of the most highly regarded contributions to the vast Akae Beka catalogue. Beauty For Ashes was named as the best reggae album of 2014 according to iTunes. A monumental achievement for undiluted, uncompromising RasTafari roots reggae music this side of the millennium. Two of the LP's tracks, Weather the Storm and Same I Ah One, have been catapulted into global notoriety in part due to the viral success of the YouTube video of the 'Dub in the Rainforest' session organised in St. Croix by Tippy I in 2014. The video offered an unparalleled audio visual insight of the powerful, captivating, energy of Vaughn Benjamin, Pressure Buss Pipe, Ras Batch, and many of the bredrin and sisterin of St. Croix rallying around the I Grade Dub living dub experience.
Following 8 years of anxious anticipation, for the countless Akae Beka fans that are also vinyl connoisseurs, this LP is now being released on as a 12" vinyl LP courtesy of Before Zero Records. This offers the listener not only the chance to enjoy this LP in an analogue form, but also the chance to hold the artwork as a 12" square masterpiece, created by the hands of Ras Marcus, the artist who gave the powerful visual presence that became synonymous to much of the I Grade / Akae Beka works over the years.
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We are excited to reissue Kuedo's classic 2011 album 'Severant' on double vinyl for the first time, and with a bonus track 'Work, Live & Sleep In Collapsing Space'. The cover artwork has been redesigned by Raf Rennie (Who also designed Kuedo's recent album on Brainfeeder, Infinite Window). In terms of feeling, ‘Severant’ explores the space between the detached world of the imagination and the real-time world; that feeling of coming out of a daydream, on the edge of the drift from the day-to-day grind. Jamie says of this moment ”As reality shapes imagination and escapism affects your choices in the real world, there is a strange relational loop between the two and the space in between the two. There’s a bitter sweetness in that gap, it has a certain emotive quality, kind of in between being and non-being”. Again, musically ‘Severant’ is inspired by related themes. It sounds as if it’s in a sweet spot between the emotive, innately futurist synth soundtracks of Tangerine Dream and Vangelis, borne from a time when the very idea of futurism was more prevalent, in combination with musical ideas and inspiration from the emotionally ambivalent, materialist fantasies of ‘coke rap‘ such as The Clipse. Rhythmically the record is influenced by what Jamie calls ”the two ultra modernmusics of modern times”, footwork from Chicago, which Planet Mu has explored in depth on its recent releases, and again the drum machine grids of coke rap. Jamie says ”I wanted to capture a really futurist sentiment, kind of melancholy and grand luminescent, so I used the instrument that most evokes that for me - that sweeping Vangelis brass sound.” And on coke rap he talks about the emotional ‘half being’ of the music, the energetically charged, detached ambivalence of the MCs, and the admission that the MCs could be ”fantasising without admitting to doing so.”
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For Fans Of.. The Daktaris, Karl Hector & The Malcouns, William Onyeabor, Quantic, Budos Band, Antibalas. First Colemine 45 with Jungle Fire since 2017!
Featuring two heavy hitting tracks from their 2020 self-titled LP. Tracks: 1. Slipshot 2. Pico Union
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Substrata was the third studio album by the Norwegian electronic artist Biosphere, released 25 years ago by All Saints Records in London. Here are ten alternative versions picked from the Substrata recordings sessions that took place between 1995 and 1996.
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"Fasten your seat belts - THE NEW ROSES are back! After touring with world famous artists like Scorpions, Saxon, Accept and Tremonti, the quartet around Timmy Rough will release their fifth studio album, entitled Sweet Poison, via Napalm Records on October 21, 2022. Musically, the band delivers stadium rock that would make the likes of Bon Jovi proud! With their most recent previous release, Nothing But Wild, the band entered the top 10 of the German album charts, but the band isn’t letting off the gas yet. Bevor they will embark on an extensive headliner tour in autumn, they will support none other than the legendary Judas Priest in June, Foreigner and rock icons KISS on their way to the top of rock! Their newest offering, Sweet Poison, starts off with the brilliant, guitar-driven anthem “My Kinda Crazy” providing a taste of what’s to come before blasting into authentic rock-meets-Americana tracks like “Playing With Fire” and “Sweet Gloria”. Massive track and album highlight “Warpaint” stages the band’s raw power with blazing guitar riffs and powerful drumming, while “The Usual Suspects” and “1st Time For Everything” convince as smooth sing-along hymns with catchy hooks. Tracks like “Dead Of Night” emerge with gloomy power, building atop a distinct melody and leading into a strong anthemic chorus, while THE NEW ROSES offer their softer side with songs such as “All I Ever Needed” – a mighty mid-tempo rock ballad showcasing the band’s vulnerability while reviving emotionality alike some of Guns N’ Roses most touching ballads. Frontman Timmy Rough passionately serves the full range of his voice on the track, also impressively evident on lyrically tender acoustic offering “True Love”. Sweet Poison is an outstanding rock album providing hit after hit and anthem after anthem, taking 80s retro rock to an extraordinary new level. Brace yourself as THE NEW ROSES shift into high gear, taking you on a ride towards the horizon of stadium rock!!
First release from an independent label born in the Swiss Alps. Presenting a single dub techno track accompanied with a remix from the electronic music pioneer Anton Zap. Each track provides the right element for different times and emotions.
Limited 300 marbled grey vinyl, no repress, vinyl-only.
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The legendary gig that Joe Strummer, singer from the Punk Rock band 'The Clash' attended and inspired his writing their classic 'White Man In Hammersmith Palais' took place on the 05th June 1977.
At the Hammersmith Palais venue on Shepherd's Bush Road W6, London during the height of Punk Mania. The full line up for the show were all Jamaican artists Dillinger, Leroy Smart, Delroy Wilson (all the first time from Jamaica) and Ken Boothe.
'Ken Boothe for UK pop reggae' who had already scored some hits with 'Everything I own' and 'Crying Over You' in 1974. Joe Strummer was expecting Roots, Rock, Reggae but the Sound System this evening 'Admiral Ken Sound' was playing 'Four Tops all night' as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in Joe's eyes the music should have reflected more Jamaican roots based music. The song also deals with bigger issues of black and white unity, but some people including the Punk Rockers.
'They're all too busy fighting, for a good place under the lighting'. Joe Strummer himself was looking for fun. 'I'm the Whiteman in the Palais....Just Looking for Fun'
The artwork supplied by Punk Artist MAL-ONE has used the two posters that were made for this gig, the reggae promoters 'Star Promotions' poster, that contained a picture of Ken Boothe and the venue's own poster that used text to announce it's line up for that evenings performance. Alongside these lost relics he has also combined the groups own poster for the 'White Man In Hammersmith Palais' single that incorporated the use of rifle target sights, perhaps enhancing the air of violence contained in the songs message.
MAL-ONE has collaged these together joining the two stories as indeed the song lyrics reflected. People often forget that the songs release was in fact as year after the actual gig, we have tied this release to the 40th anniversary of the song's release. Joe Strummer was one of the few voices from the Punk Era that used his lyrics as a weapon to tell the events that were happening around him and their relevance to those times.
The song itsel a Clash Classic and also a Punk Anthem, released on the 16th June 1978. We have compiled this album with songs by these artists, most of which you would have heard that night. As a post script to this story when the Hammersmith Palais sadly closed its doors for the last time after 82 years' service in 1999, the owners thought it fitting to present Joe Strummer with a sign from the venue's entrance. Mr Strummer's understated reply 'I guess I'll have to send a man with a van round to pick it up'.
Hope you Enjoy the set....
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This compilation is a research project commissioned by Urvakan with the support of the Goethe-Institut. It archives a selection of recordings contributed by some of the artists from post-Soviet countries who were meant to play at Urvakan 2020 - a festival that never really happened. The artists were asked to explore the idea of "collective memories" in sound by using aural techniques capable of evoking reminiscences in the subconsciouses of people from fairly different locations, but that are in some ways similar in their cultural codes. The submissions we received were not only inspiring, but also quite accurately fell in line with Urvakan's declared focus on "hauntological" music practices, referenced in the festival's name itself - "urvakan" is the Armenian word for ghost, phantom, or spirit.
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Hand Stamped, Hand numbered, Limited press, with insert.
An oddly familiar/familiarly odd entity floating about the relatively cohesive surface of contemporary electronic music, Belgium-via-Italy based duo Front De Cadeau has been knocking genres askew and blowing overused terminologies out of the water with unrelenting panache over the past decade. Championing a sound unmoored by vanishing trends and cross-pollinating approaches, F2C punch back in on Antinote with their anticipated debut album, “We Slowly Riot”, an 8-track mishmash of tunes previously released and not.
Bastardizing tried-and-tested rave tropes by slowing the tempo down to barely recognizable shapes and contours, Hugo Sanchez and Maurizio Ferrara dish out a new high in their ever expanding discography. Free-falling down the K-hole with no parachute on, “La Ketamine” burns slow but steady. A practically immersive dub filled with processed minutiae and vibrational drums out a mystic forest, it’s a helluva trippy post-industrial joint that unfolds, heady and empyreumatic to the bone. “We Slowly Rot” puts on offer a buggy script-like swing, adorned with F2C’s trademark blend of spoken word and jacuzzi-warm vibes, whereas “There is Something Wrong” steers us into further sizzling, syncopated groove territories through a fevered meshwork of sliced-and-diced vox samples, overheated machine talk and primitive percussions on a African Headcharge tip.
Draped in eerie, 8-bit-infused layers and Arabian Nights ambiences, “Slam is Slam” treats us to a spookily fun Oriental mix of hot-tempered darbukkahs and FX-soaked riffs. The outrageously sensual “Ouvre Ta Bouche” is a tactile invitation to get down in some dark alcove of sorts and more if you hit it off. A steely dub primed for post-party divagations, “Climate Change” slowly veers off into verbed-out industrial jazz as bars run by, while “Legal Illegal” cuts a path of acid-dipped dancehall from outer-space across the club. Last but not least, Jewish clarinets quietly move along waves of sedated bass on “Casa Gaza”, rounding it all off on a dreamy, cinematic note that serenely phases into a liquid-like roller over one solidly deeper-than-deep home stretch.
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The second installment of gems and nuggets straight from the infamous jukebox at Malcolm and Vivienne's King's Road SEX boutique.
Compiled again by Marco Pirroni (Adam and The Ants, Siouxsie and the Banshees) another collection of carefully curated tracks that were played on rotation at 430 kings road Chelsea, throughout 1974-1976.
Years in the making, this follow up to Marco’s 2004 “SEX: Too Fast To Live Too Young To Die” continues to complete the jukebox playlist with tracks contributed from those friends who frequented the shop - Jordan Mooney (RIP), Paul Cook, Steve Jones and Sam Bully amongst others – remembering those all-important songs that soundtracked the shop and left lasting impressions on them over 47 years ago.
Another wild ride and a kaleidoscope of jukebox bangers from The Animals to Max Bigraves, Nico to Burundi Black, these tracks undoubtedly played a heavy influence on SEX’s customer’s young ears many who would go on and change the musical world forever - Sex Pistols, The Clash, Chrissie Hynde, Siouxsie Sioux to name just a few.
Artwork supplied by Personality Crisis with unpublished photographs from Jane England, a student at the time but already understood the cultural significance and beauty of both the shop and Jordan Mooney who the compilation is dedicated to.
The second installment of gems and nuggets straight from the infamous jukebox at Malcolm and Vivienne's King's Road SEX boutique.
Compiled again by Marco Pirroni (Adam and The Ants, Siouxsie and the Banshees) another collection of carefully curated tracks that were played on rotation at 430 kings road Chelsea, throughout 1974-1976.
Years in the making, this follow up to Marco’s 2004 “SEX: Too Fast To Live Too Young To Die” continues to complete the jukebox playlist with tracks contributed from those friends who frequented the shop - Jordan Mooney (RIP), Paul Cook, Steve Jones and Sam Bully amongst others – remembering those all-important songs that soundtracked the shop and left lasting impressions on them over 47 years ago.
Another wild ride and a kaleidoscope of jukebox bangers from The Animals to Max Bigraves, Nico to Burundi Black, these tracks undoubtedly played a heavy influence on SEX’s customer’s young ears many who would go on and change the musical world forever - Sex Pistols, The Clash, Chrissie Hynde, Siouxsie Sioux to name just a few.
Artwork supplied by Personality Crisis with unpublished photographs from Jane England, a student at the time but already understood the cultural significance and beauty of both the shop and Jordan Mooney who the compilation is dedicated to.
Leonard Cohens Hallelujah & Songs from His Albums ist das erste offizielle karriereumfassende Album des Songwriters, Musikers, Dichters, Romanautors und Künstlers Leonard Cohen. Die Anthologie featuret 17 Tracks aus der musikalischen Laufbahn des Ausnahmekünstlers. Als besonderes Highlight findet sich auf der Tracklist ein Mitschnitt seiner unvergesslichen Darbietung von "Hallelujah", die 2008 auf dem Glastonbury Festival mitgeschnitten wurde. Das Album wurde vom neuen Dokumentarfilm Hallelujah: Leonard Cohen a Journey, a Song inspiriert.
out of Stock
Last delivered 4 years ago available to reorder, subject to availability
Leonard Cohens Hallelujah & Songs from His Albums ist das erste offizielle karriereumfassende Album des Songwriters, Musikers, Dichters, Romanautors und Künstlers Leonard Cohen. Die Anthologie featuret 17 Tracks aus der musikalischen Laufbahn des Ausnahmekünstlers. Als besonderes Highlight findet sich auf der Tracklist ein Mitschnitt seiner unvergesslichen Darbietung von "Hallelujah", die 2008 auf dem Glastonbury Festival mitgeschnitten wurde. Das Album wurde vom neuen Dokumentarfilm Hallelujah: Leonard Cohen a Journey, a Song inspiriert.
Premium-Edition: Buch + Doppel Coloured Vinyl 180gr in Tabaluga Grün + 2CD."Wir schauen auf dieselbe Sonne und auf denselben Mond. Wir teilen uns dieselbe Erde, sind alle im selben Boot".So lauten die beiden ersten beiden Zeilen des Refrains von "Königreich der Liebe", der ersten Single aus dem neuen Drachenabenteueralbum "Tabaluga - Die Welt ist wunderbar". Zu mitreißend-anschwellendem, vielleicht ein bisschen an Elton Johns Hymne "Circle Of Life" erinnerndem Piano-Pop zeichnen Peter Maffay und seine Duett-Partnerin Stefanie Heinzmann (die hier ausnahmsweise auf Deutsch singt) in der kraftvollen Ballade das Bild von einer besseren Welt. "Es geht nicht um Farbe deiner Haut oder um das, woran du glaubst", heißt es in dem Lied weiter, und dann: "Komm, wir bauen ein Königreich mit Liebe auf dem Thron." Mit einer stärkeren Botschaft - und einem stärkeren Song - könnten die Feierlichkeiten zum vierzigsten Geburtstag des kleinen grünen Drachen kaum eingeläutet werden. 1983 erfand Peter Maffay die kindgerecht-kluge, wenngleich etwas stoffelige Figur zusammen mit Gregor Rottschalk, Rolf Zukowski und Helme Heine. Seither hat die liebenswerte Märchengestalt auf sechs Alben, mit zahlreichen Tourneen, einem Musical, einer Zeichentrickserie und einem Kinofilm immer wieder neue Generationen von Kindern und Eltern in Entzückung versetzt, aber auch zum Nachdenken gebracht.Denn Tabaluga steht für Unterhaltung mit einer klaren, positiven Botschaft. Auf dem neuen Album, so viel sei verraten, wird der ewige Drachenjunge zusammen mit seinen Freunden und der geballten Power der regenerativen Energien gegen die Klimakatastrophe antreten. Maßgeblich verstärkt wird Tabalugas Team erstmals von Lucy, einem schlauen, gemeinsam mit dem langjährigen Partner Volkswagen, entwickelten Glühwürmchen-Charakter. Tabaluga ist also definitiv so politisch relevant wie nie, und das, unterstreicht sein Mitschöpfer, sei auch dringend geboten. "Natürlich erzählen wir eine utopisch anmutende Geschichte", sagt Peter Maffay. "Aber zu dieser Utopie sehe ich keine Alternative. Wenn wir nicht mehr an die Zukunft glauben, dann geben wir uns selbst - und unsere Kinder - auf. Wir waren noch nie so gefordert, den Zusammenhalt zu stärken, wie jetzt".Für Peter Maffay (72) krönt das neue Tabaluga-Werk ein ereignisreiches Jahr. Am 18. August ist er erstmals im TV als neuer Juror bei "The Voice of Germany" zu sehen, und einen Tag zuvor startet - mit zwei Jahren Verspätung - endlich seine große Hallentournee.
- The Complete 1988 Film Score by John Massari - Available For The First Time On Vinyl 180 Gram Violet and Blue Vinyl (Light In The Attic Exclusive Variant) - Exclusive Liner Notes by Composer John Massari - Exclusive Liner Notes by Killer Klowns Co-Creator Stephen Chiodo - Heavyweight 12" x 12" Art Print - Old-Style Tip-On Jackets with Matte Satin Coating // KILLER KLOWNS FROM OUTER SPACE have finally landed at Waxwork Records! After much anticipation, we are thrilled to present the official 1988 Original Motion Picture Soundtrack by John Massari for the very first time on vinyl! Would you believe someone if they told you a circus tent-shaped spaceship landed in your small town and was abducting your neighbors to store them in cotton candy cocoons? In this '80's cult classic, teens Mike Tobacco (Grant Cramer) and Debbie Stone (Suzanne Snyder) have to fight both the diabolical bozos and the local law enforcement's disbelief to save themselves and their community! The original score to Killer Klowns From Outer Space is kicked off by the classic 80's horror movie theme track, Killer Klowns (From Outer Space) by California punk band, The Dickies. The 'nightmare merry-go-round' continues with a smattering of menacing electronic brass sections, electric guitar, bombastic drum machine beats, & harpsichord combined with sci-fi synth elements to capture the ultra-specific origins of the antagonists. Massari's score to Klowns is a retro-synth joyride from start to finish featuring immediately recognizable cues from the beloved 80's cult-classic! Waxwork Records is thrilled to present the official Killer Klowns From Outer Space double LP, released for the first time on vinyl. Complete with 180 gram "Cotton Candy" and "Popcorn" vinyl, deluxe packaging, new artwork by Ruiz Burgos, old-style tip-on jackets with matte coating, a heavyweight 12"x12" art print, and liner notes by composer Massari and Klowns co-creator Stephen Chiodo!
Over the past two decades, Dez Mona never ceased to surprise audiences. Less than a year after “Lucy”, a 'worldly oratorio' in collaboration with the Antwerp Baroque Orchestration X, singer Gregory Frateur and his companions now knock on the door with the cosmopolitan “Loose Ends”.
On the group's ninth studio album, rugged funk often alternates with bouncing disco pop. 'After the dark ballads from our previous projects, we consciously chose to make a cheerful, straightforward record', says Frateur. 'This time I didn't want to exhaust myself too much in metaphors: the lyrics had to be simple and 'in your face'.
On a compositional level, Gregory Frateur gave the steering wheel this time to guitarist Sjoerd Bruil and accordionist Roel Van Camp. This contributed to Dez Mona stepping out of their comfort zone on Loose Ends and experimenting with a new sound. On the new album, for example, Van Camp plays the piano more often than the accordion. Leaning towards a more electronic sound, some songs gravitate and take you on a fantastical, abstract journey. ’Indeed, sometimes Sjoerd adds strange angles in his compositions', the singer concludes. 'During performances, they force me to put myself aside as a singer and get completely absorbed in the instrumental trip'.
The emphasis is more than ever on the rhythm and groove. Drummer Karel De Backer, the newcomer in the band, gives the music extra punch, while the absence of a bassist is ingeniously compensated by Bruil and Van Camp. 'On Loose Ends we go 'back to basics', admits Gregory Frateur. “But without losing our recognisability.”
Multi-instrumentalist Tijs Delbeke, who was part of Dez Mona for many years, but has moved to Balthazar, was responsible for the production. Frateur prefers to surround himself with people with whom he feels at ease and who carry the DNA of Dez Mona.
South-east Turkey born DJ, sound artist and producer Banu uses music as a political tool. For her, the strong message carried through sound is a vehicle to express emotions as well as a means of fighting against oppression. Using participation, social design, ecology, feminist and queer theory to create multimedia installations with sound as a main element, Banu‘s practice is closer to contemporary art and activist spaces than the club realm.
Banu‘s debut album TransSoundScapes is an exercise in female solidarity between her as a migrant woman and her sisters from the trans community, where an artist from one marginalised group is showing support towards her trans sisters, using her platform to help them amplify their voices and building a bridge towards a mutual understanding of femininity.
Conceptually, TransSoundScapes comes in continuation of Banu‘s previous research-based work, using music as a positive tool for change while working with various marginalised communities. The album originated from the very real experience of being confronted with verbal harassment in Berlin on a daily basis, particularly aimed at her transfeminine friends and companions. As a queer woman of Turkish and Kurdish origin, Banu did not only observe the verbal aggression directed at her friends, but also understood most of the insults shouted in languages such as Arabic. Seeing how she got signifi cantly more verbal violence directed at them when in company of trans people made a lasting impression on her, so she wanted to try and use her relative privilege to amplify transfeminine voices through her music.
Coming from a very conservative family, making music has been her lifelong dream. It was the moment she had the opportunity to work with the iconic Arp 2600 synthesiser (a younger sibling to Eliane Radigue‘s infamous 2500 machine) that all her disparate interests came into place to create an empowering soundscape with the aid of analogue drum machines. TransSoundScapes has a very full, porous sound, where every element that comes into play sounds soft yet clear. Across the 7 tracks, Banu conjures pounding subterraneous bassy techno („Surgery“), slithering tentacular EBM („First Time“) and pulsating cavernous soundscapes („Harem“), where oversized dancefl oor elements are woven with poetic spoken word passages, resulting in sensusous yet political anthems. Banu artfully merges loosely related genres such as techno, electro, dub and sound poems into a sound that is at once deeply personal and extremely compelling.
All of the tracks are collaborative efforts, Banu seeing the process as an exchange of care and shared experiences, while integrating research into her writing process. The lyrics in „Transition (part 1+2)‘‘ are an adaptation of Sara Ahmed’s “Living a Feminist Life”, while „Surgery“ was born out of series of interviews with trans people, channeling the metallic sounds of a surgery room to refer to society‘s perception of transness as a medical condition. Tracks like „First Time feat. Patricia“, „Harem feat. Prince Emrah“ or „We feat. Aérea Negrot“ document her encounters with various trans women, centering their life experiences while also developing a deep dialogue through the process of making music together.
The darkest and perhaps the most emblematic track is ‚‘Bianka (In Memory Of)‘‘, dedicated to the late Bianka Shigurova, a 22-year old Georgian actress found dead in her apartment. It was her Tbilisi photographer friend George Nebriedze who told her Bianka‘s tragic story, whose death is suspected to be an assasination due to transphobia. Banu chose one of Nebriedze‘s analogue photos of Bianka as the album‘s cover art.
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Coming off the back of covers on CRACK and PERFECT Magazine cktrl announces his highly anticipated new EP Zero. The producer and multi-instrumentalist shares his latest blend of contemporary-classical and electronic R&B that features a collaboration with GRAMMY Award-nominated singer, songwriter 'Mereba' with artwork captured by multi-award winning Campbell Addy. The follow-up to last year’s critically acclaimed EP ‘robyn’ which charted a journey from heartbreak to optimism, ‘zero’ is a tender exploration into love. As a genre-spanning artist whose music waives between R&B, jazz and neo-classical, cktrl’s latest record builds on his emotive sound whilst leaning towards a more electronic-tinged style of production with stunning featured vocals. On the project, cktrl says: "ZERO allowed me to explore my journeys in knowing love. And as a result I now know that I need to allow myself to let my relationships be what they're meant (to manifest organically) free of expectations and without dreams of an idea of someone. Past hurt definitely informed my decisions but it was so crucial for me to grieve those feelings from ROBYN and learn how to be gentle with myself. Just to be able to feel something new, loving again is always different and exciting, once you can open up. ZERO is that journey of ending up back where you started but different, loved and willing to give." The EP opens with the touching ‘mazes’ - initially released back in May via a beautifully crafted video courtesy of Yasser Abubeker. On this cut cktrl’s skills as a saxophonist immediately shine through as he portrays the complexities of loving someone through all its twists and turns. On title track ‘zero’ cktrl links with Ethiopian-American musician Mereba for a forward-thinking yet delicate collaboration that effortlessly meanders between cktrl’s various musical influences, before ‘felt’ provides a luscious display of soulful soundscapes. Accompanied by the angelic vocals from rising artists Anaiis, Annahstasia & Anajah, it’s a blissful celebration of love. The project closes out with ‘safe’, a contemporary R&B banger backed by a bass-driven beat and rich vocals, framing ‘zero’ as a stimulating collection of tracks that expand cktrl’s impressive repertoire of talent.
Resignieren? Teilnahmslos die Zeiten Aussitzen? Vergiss es…wir haben da etwas Besseres "On the streets, on the streets There'll be riots on the streets…When they take your rights away" Und hier kommt der Soundtrack dazu:: Riot City Radio.Nach ihrer in 2020 veröffentlichten Mini-LP "Anchors in the Storm" haben die Jungs aus Plymouth, UK während der Pandemie ihre Zeit damit verbracht ihren ersten Longplayer "TIME WILL TELL" aufzunehmen! Und die Scheibe ist einfach ein Juwel in Sachen Streepunk/ Oi! geworden und vereint abwechslungsreich die verschiedensten Einflüsse zu melodischen Hymnen mit fetten Singalong-chorals bis hin zu aggressiven Shoutern.Riot City Radio kombinieren Liebe & Hass, Zuversicht und Rebellion in ihren Texten ohne dabei jemals zu vergessen, wo sie herkommen."True Attitude" verpackt in einen mitreißenden Sound oder anders ausgedruckt: Genau DAS, was wir lieben und jede Wette…es wird Euch nicht anders ergehen!.Time will Tell bietet 12 neue Songs…manchmal schnell und wie ein Schlag in die Fresse für Alle, die es einfach verdienen (Reap what you saw/ Never forgive, never forget). Manchmal antisocial mit klarem Bekenntnis zur Szene, ihren Wurzeln und der Working Class (Punk Rock Family / Working Class Anthem/ World at your feet…starring Mark/ Booze & Glory)!
"Since 2004, ALTER BRIDGE has been one of the most consistent bands to successfully represent the rock and metal communities with their driving melodies, blazing guitar riffs and topical lyrics that resonate with fans around the globe. Their seventh album, Pawns & Kings, continues that trend with 10 unforgettable new additions to their catalog. Coming off the launch of what was shaping up to be one of the band’s pinnacle moments with Walk The Sky (#1 US Billboard Top Albums, #1 US Current Rock and Hard Music, #4 UK Official Charts, #1 UK Independent and Rock/Metal, #5 Official German Album Charts), everything came to a halt as the world would forever be changed due to the events of a global pandemic. The time the members of ALTER BRIDGE spent apart sparked a new fire and heaviness when the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums would reconvene for what would eventually become Pawns & Kings. Teaming with longtime producer and collaborator Michael “Elvis” Baskette, the album shines with massive, menacing arena-ready production while emerging as another sonic testament to the seasoned Kennedy/Tremonti songwriting dream-team. The band deliver three epic anthems, including two that clock in at over six minutes – the reflective and absolutely epic title track “Pawns & Kings”, grim-riffed, progressive influenced “Sin After Sin”, and the emotive eight-and-a-half minute journey “Fable Of The Silent Son.” “Silver Tongue” is backed by a punishing intro riff that gives way to one of the band’s most infectious choruses as Myles Kennedy sings, “Truth of a crime. You can’t outrun. Under the spell of my silver tongue,” while tracks like “Holiday” and “Season Of Promise” ebb and flow within the trademark multi-faceted metallic rock attack that has enchanted ALTER BRIDGE fans for a generation. Songs like “This Is War,” “Dead Among The Living” and “Last Man Standing” showcase the heavier side of a band firing on all cylinders, with soaring leads, hair-raising vocals and introspective lyricism abound. Mark Tremonti helms lead vocal duties on the uplifting track “Stay” – an interchanging of skills that first debuted on the band’s fourth album, Fortress, and continues to this day. Nearly 20 years into their celebrated career, one thing is for sure – Pawns & Kings offers a musical snapshot of a band that shows no signs of slowing down and continues to push itself creatively for the whole world to see. before peaking with a frenetic, metallic bridge-breakdown and piercing solo worthy of rock legend.
Back in 2002, Lacuna Coil released an album which is now undeniably an anthem laden millennial classic that established them as a band with the stamina to go the distance and much of the climbing that still lay ahead back then. Now, 20 years later, Lacunca Coil decided to revisit the songs, but not to just re-record the songs as they were, but deconstruct and transport them into 2022. ‘This is not a reboot or a spin-off or anything like that,’ says vocalist Cristina Scabbia. ‘We just wanted to give these songs a 2022 dress and see how this guy or girl who was born 20 years ago would still look fucking slick in 2022.’
Back in 2002, Lacuna Coil released an album which is now undeniably an anthem laden millennial classic that established them as a band with the stamina to go the distance and much of the climbing that still lay ahead back then. Now, 20 years later, Lacunca Coil decided to revisit the songs, but not to just re-record the songs as they were, but deconstruct and transport them into 2022. ‘This is not a reboot or a spin-off or anything like that,’ says vocalist Cristina Scabbia. ‘We just wanted to give these songs a 2022 dress and see how this guy or girl who was born 20 years ago would still look fucking slick in 2022.’
