Suche:argent

Argent Sale welcomes Kaval for a strong third release on the label, presented in it's full artwork 12" vinyl copy.

Kaval has quickly risen among the heavyweights of the French bass music scene. Perfecting his MPC skills release after release, landing his productions on some of the finest outlets in the game: BBC radio, Rinse Fm, Boiler Room & Keep Hush.

Once again Kaval demonstrates his flawless control over percussion and rhythm as well as high levels of eclecticism: 'DRILL TOOL' is atmospheric and dark,

'WOODPECKER' is a straight up bongo-filled festival tune, 'MICRORIDDIM' is quasi- ambient, and last on the list 'SHAKER' built to mash up any club.

Picture yourself cruising around Tuscany in an Alfa Romeo, stopping off at the localpizza joint, spending the night playing snooker next to the swimming pool. PyschoWeazel take us straight back to the 80s with their vintage synths and hair spray hairstyle with the “BIANCO&ROSSO EPs”. Put on your nicest shirt, put your sunglasseson, get your pair of santiagos out, it’s your time to shine on the dancefloor!At the very edge of good taste, always with a pinch of fun and self-mockery, these sixtracks sound like the future of hedonist club music, 2022 style.These two EPs are a bit like both sides of the same coin. They include influencesthat shaped the duo’ssound: indie-Dance, Italo-disco, Cold Wave and EBM. PsychoWeazel used production techniques popular in the 80s: arpeggios, cowbells, snarerolls, re-claiming ear-catching melodies from that era and offering it with their freshand polished sound.

Der mehrfach prämierte Soundtrack von Mike Gordon zum Egoshooter-Computerspiel "DOOM" (in der 2016er Bethesda-Version) aus der gleichnamigen, traditionsreichen Reihe. Der Score aus insgesamt 31 Synth- und Metal-Tracks gewann den Game Award 2016 für "Best Music/Sound Design" und erhielt eine BAFTA Games-Nominierung für "Best Music & Audio Achievement". Deluxe-Doppel-CD im Triple-Gatefold-Sleeve und Doppel-LP auf rotem 180g Vinyl mit bedruckten Innentaschen im Deluxe-Sleeve. Das Vinyl wurde in den weltberühmten Abbey Road Studios geschnitten.

José González has delivered a new album, Against the Dying of the Light, a companion and further meditation on the themes of his critically acclaimed album, Local Valley. Where Local Valley turned inward toward place, language, and personal reflection, this new record widens its gaze, becoming an urgent call to preserve the light of humanity with all its flaws, at a moment when, technology increasingly shapes how we think, feel, and relate to one another.

While José has always embraced technological advancement, he questions the assumption that every new possibility must be pursued to its maximum potential, especially when progress comes at the expense of human flourishing, attention, and empathy.

Keeping in the tradition of folk music as protest, José’s new single — sharing its title with the forthcoming album — urges listeners to resist systems that dehumanize and divide: “Disconnect from every algorithm, every perverse incentive that drags you down. Let’s rebel against the replicators, against the dying of the light. Kill the codes that feed the hate, keep the codes that make you thrive, celebrate the **king fact that we’re alive.”

Across the album, González works within a deliberately minimal framework, pushing his familiar palette to new heights through subtle variation, restraint, and detail. Each song unfolds with its own distinct character, proving how much emotional and musical range can be achieved within self - imposed limitations. Written in English, Swedish, and Spanish, the record reflects his Swedish - Argentine roots and frames its humanist message as a global one rather than a purely personal or political statement.

José González is one of the most quietly influential artists of our generation. The Swedish - Argentine artist has built a singular musical world from hypnotic, minimal guitar work and his unmistakably gentle voice — a sound that has become deeply personal to millions of listeners worldwide. With billions of streams across platforms and hundreds of thousands of physical records sold, González’s songs often act as emotional landmarks. Ask almost anyone, and they can name at least one of his tracks tied to a defining moment in their lives.

José González has delivered a new album, Against the Dying of the Light, a companion and further meditation on the themes of his critically acclaimed album, Local Valley. Where Local Valley turned inward toward place, language, and personal reflection, this new record widens its gaze, becoming an urgent call to preserve the light of humanity with all its flaws, at a moment when, technology increasingly shapes how we think, feel, and relate to one another.

While José has always embraced technological advancement, he questions the assumption that every new possibility must be pursued to its maximum potential, especially when progress comes at the expense of human flourishing, attention, and empathy.

Keeping in the tradition of folk music as protest, José’s new single — sharing its title with the forthcoming album — urges listeners to resist systems that dehumanize and divide: “Disconnect from every algorithm, every perverse incentive that drags you down. Let’s rebel against the replicators, against the dying of the light. Kill the codes that feed the hate, keep the codes that make you thrive, celebrate the **king fact that we’re alive.”

Across the album, González works within a deliberately minimal framework, pushing his familiar palette to new heights through subtle variation, restraint, and detail. Each song unfolds with its own distinct character, proving how much emotional and musical range can be achieved within self - imposed limitations. Written in English, Swedish, and Spanish, the record reflects his Swedish - Argentine roots and frames its humanist message as a global one rather than a purely personal or political statement.

José González is one of the most quietly influential artists of our generation. The Swedish - Argentine artist has built a singular musical world from hypnotic, minimal guitar work and his unmistakably gentle voice — a sound that has become deeply personal to millions of listeners worldwide. With billions of streams across platforms and hundreds of thousands of physical records sold, González’s songs often act as emotional landmarks. Ask almost anyone, and they can name at least one of his tracks tied to a defining moment in their lives.

ElCalefón

Salir Del Agujero

El Calefón's 1985 LP Salir Del Agujero is a rare bird.

Self-produced and privately released in Zurich, the albumdocuments one of the very few South American groups that were resident in Europe at the time, and certainly the only such band working in Switzerland. Co-founded by two Argentinians in Europe – the multi-instrumentalist, vocalist and composer Coqui Recaand the guitarist Pablo Miguez–the group consisted of Argentinian and Brazilian musicians, most of whom were present initially Europe as tourists, but had stayed on, without official sanction, as immigrants.Their music gathered its primary influences from the varied sounds of their home countries, fusing these elements drawn from the manifold indigenous styles of Argentina and Brazil with the international sounds of rock,jazz, pop and pan-Latin music.

Honed and polished by the steady gigging through which the group earned their living in Zurich, the music that appeared onSalir Del Agujero was sophisticated, original and filled with light. Resonating with a freshness undiminished in forty years, the album brims with possibility and hums with tropical warmth, bearing testament to the open-hearted musical freedoms of a mercurial musical era.

2026 Repress

Houseworx is back with VOL.9 of the"Lost Housetracks" mini compilation series.
This time we present tracks from long time fellows Amaury Trevino on A1 with a peaktime summer house anthem and Franco Strato feat. Ale Castro on A2 with a perfect matching house tool for club entertainment.
On B side we welcome 2 new faces to the Label: Lucia Scholtus originally from Argentina now based in Hamburg / Berlin with a funky oldskool flavoured tune and Sebastian Habben from the cologne collective and Label I'm in Love with a deep house mover called "Neighbors" that perfectly rounds up the ep.
House music all night long!

Collecting Orders For 2025 Repress

Ruff n’ ready torque collides with the nocturnal as Argentinian donny JUAAN enters the fray.

A properly intoxicating melange of boisterous, straight-for-the-jugular biz and late-night seduction. Four distinct, durable traxxx tailor-made for the witching hour. Icily moody with a bit of menace and dread about it. It’s also very slick, optimised and fine-tuned for maximum dancefloor impact.

Critics often highlight his ‘90s-indebted approach, and while those influences remain ever-present, this one has more in common with dancefloor styles prevalent a decade prior. Shades of darkwave, Detroit In Effect and the nascent years of Chi-Town house depending on the track, but never do we run the risk of falling into pastiche.

Pure forward momentum with a decidedly mean streak coursing throughout. Plenty of sci-fi flourish, funked-out where it counts. Flush with dystopian romance and a decent dose of weirdo flex.

Quintessentially Kalahari.

Colombian-Argentinian label We Shine In The Darkness is back with a second serving, and this time they throw it back to 1996 to revisit a classic anthem. It's Julian Sanza and La French Toast who add their own 2025 spin to iconic trance cut 'Seven Days & One Week', maintaining its bleepy and bleary-eyed synth sequences but reworking them into a deep and breezy house groove. On the flip, 'Mad Vibes' is apparently an "homage to a local scene bar" and is an emo-licked post-disco chugger with moody lines and distant vocals tugging at the heart.

RCR002 marks the second release from RAW CUTS Records, bringing together four established producers making waves across their respective scenes.

Leading the VA is 'Junior' from Argentinian artist Light Blue File whose been creating buzz with his cotemporary take on electro house built to set dancefloors alight. On A2, UK mainstay and Bizarre Trax founder Jhobei delivers 'Radionyx,' a hypnotic, progressive leaning takes on modern UK tech.

Flipping to the B-side, Christopher Ledger brings the acid-driven pressure of 'Acid Redux.' with a commanding bassline Rounding out the release is fellow Argentinian Guile, closing the VA with 'El Sonido Subterráneo,' an electro-infused funk workout that brings us home.

Seguim Records returns with its fourth release, SEGUIM004, presenting “Execute EP” by rising Argentinian talent Guile.

Execute EP navigates the space where tech-house precision meets progressive feeling, blending evolving textures with hypnotic energy. Across four tracks, Guile delivers a cohesive journey designed for long, club-focused nights.

The A side opens with “Execute”, the title track of the EP, a finely crafted cut driven by modulating basslines, acid-tinged riffs, and crispy drums. It’s followed by “Tren”, a deeper and more hypnotic track where chopped vocals and rolling rhythms guide the listener through an immersive journey.

On the B side, “Double U” sets the tone with a progressive edge, as stabs and melodic phrases carefully interplay, leaving space for each element to breathe while steadily building momentum. The EP closes with “Recycled”, a high-energy track characterized by its catchy melody and uplifting atmosphere, bringing the journey to a powerful conclusion.

Four dancefloor-ready tracks, crafted to push the night further.

BLUE & WHITE COLOUR IN COLOUR VINYL

In the culinary arts, it’s easy to overcomplicate the final product. Theme, presentation, texture…they’re important but should work to complement the raison d'etre of any food. At the end of cooking a dish, it should taste good and feed people. Some dishes, like barbeque or provoleta, resist the tendency towards hollow showmanship. One of their expressions can be more or less aesthetic, but the first purpose is to be simple and tasteful. Argentinian provoleta goes so far as to blur the line between ingredient and dish. It relies on the inherent flavor of provolone being heated at the right speed for the perfect amount of time. You can add garlic or chives or red pepper to the slice, but ultimately they serve to bring out an essence that’s already there.

Los Angeles’ Cousin Feo has developed his rapping acumen in the five years since releasing Provoleta, but returning to the project today shows that he always had the penmanship, grit and delivery that christens an emcee worthy of remembrance. Like the bubbles rising up in the appetizer that is the album’s namesake, Feo showed that true profundity is found in the simple gestures.

Since dropping the project in 2019, Cousin Feo has expanded his vision of a world where hip-hop and football, two proletarian art forms, mingle in creative and compelling ways. He has collaborated across multiple continents, chronicled football histories, aided in canonizing legends, kept the flames high in age-old rivalries and constantly forced his audience to search for the last time they heard bars this hard. In anyone else’s hands it would be too great a task.

The maturity he showed on Provoleta wasn’t nascent, it was an inherent quality forcing itself to the surface. The songs refract his experience as a working class Angeleno through the archetypes of Argentinian football legends. The kernel that unites the two worlds is hustle. When Feo was coming up, missteps had greater consequences than crashing out in the group stage and street deals had the weight of a Boca-River Plate match.

Each track uses slightly different ingredients to let Feo’s underlying talent shine. “Maradona” feels salvific, fitting for a football legend canonized from the Andes to the Alps and a Los Angeles rapper looking to inspire similar hope in the neighborhoods that raised him. On “Di Stefano” Feo massages the instrumental with the same composure of the late forward, until he pierces through the headphones like one of Di Stefano’s arrows. It’s also refreshing to hear a song celebrating Messi before his meme-ification, focusing on the universal truths contained in his footballing talent instead of using number 10 as a stand-in to make a point in a fruitless argument. And he still finds space to show deference to Batistuta, Kempes and other members of the Argentinian pantheon who’ve been erased from the popular imagination by the national team's contemporary success.

Real ones know that true players, true rappers, and true artists will always stand the attacks of time and consensus. In Provoleta’s first verse, Cousin Feo says he moves with the hand of God. Maybe one day he’ll tell the whole truth and let us know how he was able to wrestle the pen away too. Limited edition of 300 hand-numbered copies.

Blue Vinyl

After a three year hiatus, the rap trident known as Death At The Derby is back with another full LP, this time entirely produced by Toronto based producer Finn. An 11 track project, “Capitano” is themed behind some of the games most respected & legendary captains to rock the honorary armband.

Inspired by their previous 2020 release “Ballon D’Or”, this latest LP is both the first official drop, yet second installment to their newest series entitled Club & Country. With the third & final season of their celebrates derby series around the way, this record is the next phase in their wave of worldwide work.

Cuts provided by their resident DJ, DJ Dubplates, the project is both a rare & raw blend of potent underground production, cultured sound bites, top flight lyricism & love for the beautiful game. Whether El Salvador, Romania, North Ireland or Argentina, the roster is monster. Centered around a tracklist aligned by the player’s actual jersey numbers, this collection of stars shine bright as any constellation.

Last year, following the special vinyl 45 release of Samba De Flora - the Romero Bros from Argentina presented a full LP of Latin and Brazilian club flavours to be exclusively distributed worldwide on vinyl by Echo Chamber Recordings.

It received brilliant feedback from a wide range of DJs across the planet and the full version of Samba De Flora was licensed to Acid Jazz Records for their legendary Totally Wired Compilation LP - so it was a natural idea for a couple of those people to be involved in this next release on a vinyl 45 - with the two tracks that gained the biggest feedback

Side A - “Cravo E Canela” with the Romero’s great take on the classic Brazilian anthem from Milton Nascimento originally on their LP from last year which gained a lot of airplay at the time. This 45 release this has been given an extra special remix / update from the legendary Chris Bangs. He adds more bass bounce to the ounce and a funky shuffle to make it even more club friendly

Side B - “Gabriel” - their Latinized version of Roy Davis Jr’s 90s club smash. LA based DJ Greg Belson was such a fan after he got the LP, that he immediately made an exclusive edit to put on a 45 dubplate - to pack on his 2025 UK Tour - dropping it to devastating effect in place like Glastonbury and club dates across the country. So it was a natural choice to include this version on the flip of the 45 - under his Preacher monicker to align with his other releases on the sister label - Echo Edits

"I think I have never met anybody, with the exception of Brazilian guitarists Baden Powell and Toquinho, as connected to his instrument as Agustín Pereyra Lucena" – Vinicius de Moraes

Far Out continues its exploration into the singular catalogue of Argentine guitarist and songwriter Agustin Pereyra Lucena with a special Record Store Day edition of his most celebrated album Ese Dia Va A Llegar.

Agustín Pereyra Lucena was one of South America’s outstanding guitarists. Hailing from Buenos Aires but obsessed with the music of neighbouring Brazil, Agustin abandoned his architecture studies to pursue music full-time, earning friendship and collaborations with Brazilian music's greatest figures including Vinicius de Moraes, Baden Powell, Toquinho, Dorival Caymmi, Maria Bethania and Chico Buarque.

Originally released in 1975, the album has been better known in some parts of the world as Brasiliana – a title repurposed by Agustín's European record label in the 70s to exoticize the sounds of South America for the continental market. It finds Agustin and band—which includes key collaborators Guillermo Reuter on contrabass, and Carlos Carli on drums and percussion— at their most blissfully laid back. The album features idiosyncratic renditions of classics by Antonio Carlos Jobim, Vinicius de Moraes, João Donato and Agustin’s personal hero and friend Baden Powell, alongside Agustín's own works which ooze with captivating mystical wonder.

The analog warmth of the recording is such that it feels like you’re there in mid-seventies Buenos Aires, on a balmy late night session at Estudios Audión, with a group of phenomenally impressive musicians. The heat generated is offset only by the cool temperament of everyone involved. On the handful of vocal tracks on the album, Agustin’s gentle voice is responded to by the liquid smooth vocals of Laura Hatton, Luis Maria Cosenza and Patricia Scheuer.

Agustin’s unique position in the annals of his continent’s musical history has been lovingly maintained by Agustin’s nephew Jose Luis Pereyra Lucena, who has entrusted Far Out Recordings to preserve and re-release Agustin’s works. The music has been professionally remastered at London’s Metropolis Studios, using multiple copies of well kept original vinyl.

Reissued worldwide for the first time under its original title and cover as Agustin originally intended, Ese Dia Va A Llegar will be presented in a limited edition obi-stripped gatefold replica sleeve.

WILDSTYLE HOUSE is a new compilation series where Toy Tonics invites producers and DJs that have a very special, funky, unique sound to make one new track. The compilation should show the variability and diversity of house and disco TODAY. Like the wild music mix you can hear at the Toy Tonics events and the way Toy Tonics DJs combine many different styles of "4 to the floor" music into one new soulful, multi-style, and warm-sounding blended "genre." It's about the groove, about a new soul sound, the human feel, the organic and Y2K-inspired dance music that is growing and appeals to a new generation of dance music lovers.

This first part of the compilation includes unreleased music by:

Afro-funk and salsa-house producer talents ELADO, MUSTA, and ALMA NEGRA.

Garage house maestros MELON BOMB and Italian musician DANIEL MONACO (known for his New Wave disco and proto-house releases on Rush Hour and his work for Antal).

MARLA KETHER, the London bass player and DJ, who is known for her work with Little Simz, Oscar Jerome, and Loyle Carner, and has now started to release her own tracks.

Argentinian singer, musician, and DJ ALOT, combining proto-house vibes with Spanish rap.

Funk house producer and edit maestro PAUL OLDER, who is starting to become one of the key names of the new soul house scene (supported by DJs like Folamour, David Penn, Seth Troxler, Kirollus, Breakbot...).

And also Toy Tonics' own GEE LANE, KAPOTE, and ARPY BROWN contributed new tracks.

Dub Consistency proudly presents its debut release, showcasing the hypnotic sound of 23.4 with a special remix from Berlin-based Argentinian artist Volpe.

On this four-track EP plus two locked grooves, Lille producer 23.4 distills over a decade of studio experience into a fast-paced yet deep Dub Techno journey.
Rolling percussion, weighty low-end and subtle atmospheres recall both the raw soul of Detroit and the spacious echoes of Berlin.

Adding his own signature, Volpe-a talent of Berlin's club circuit and producer for labels such as a.r.t.less and Frenzy-delivers a powerful rework that blends Dub, Deep and Tribal influences for peak-time impact.

Mastered by Conor Dalton, this first Dub Consistency outing is built for vinyl and the dancefloor alike: immersive, heavy, and unmistakably club-oriented.

Sueño Stereo is the final album recorded by Argentine rock band Soda Stereo. By 1995, it was clear that the band was the most important Argentinian group of the decade. The album went platinum in 15 days and Rolling Stone considered it the fourth-best album in Latin rock history.

The album is a true reflection of the times, blending Britpop, dream pop and electronic music. Next to that the band named The Beatles as a major influence on the album's structure. Inspired by The Beatles did the band end the album with a medley on the D-side. This gives the album a strong conceptual feel.|

Sueño Stereo is available as a limited edition of 2000 individually numbered copies on transparent vinyl, is packaged in a gatefold sleeve, and includes an insert.

Zürich-based musician Angelo Repetto returns with his new album Between Worlds: Interference, released on Subject to Restrictions Discs. The record is the result of a unique collaboration with Argentinian visual artist Clara Grabowiecki, extending their immersive live project Between Worlds into a sonic and tangible form.

«This album is a continuation of the deep conversations Clara and I had about concepts of perception that led us to question silence, time, transcendence, and the future», says Repetto. «It’s not about finding answers, but about opening spaces where sound, image, and emotion can flow freely.»

Between Worlds: Interference oscillates between hypnotic rhythms, kraut-inspired synth layers, and psychedelic atmospheres – hallmarks of Repetto’s style that listeners may recognize from earlier releases such as Sundown Explosion and Kamiokande. At its core it is an invitation into an open dimension where disciplines, experiences, and realities dissolve into one another. It is both a deeply personal statement and a collective journey into new perceptual spaces.

Following the release of Doble Vida , on which they flirted with North American influences, Gustavo Cerati recorded the demos for Cancion Animal in his flat, drawing inspiration from Argentinian rock bands of the 1970s, such as Pescado Rabioso, Vox Dei and Color Humano. The album topped the Argentinian album chart, and the single "De Musica Ligera" also made an impact, being regarded as an anthem of Latin rock and rock en espanol. The song continues to gain new fans daily and has amassed 700 million streams on Spotify to date. This makes it the band's most streamed song. All of this makes Cancion Animal an essential cornerstone album in Argentinian rock culture. Cancion Animal is available as a limited edition of 2000 individually numbered copies on crystal clear vinyl and includes an insert

Out of Buenos Aires, Argentina the ever-consistent Manuel Sahagun comes
correct for Sounds of Style Records with our 6th release titled “Feed The
Flame EP”.
With excellent releases on Freerange, Pomme Fritte and Fortunea we are
excited to welcome Manuel to the team!
We start off with a jam that's funky and moving titled “Stressed Out’ that’ll give
the heads something to think about while the dance floor boogie’s. Next up is
“1000 Shamans” with a nice spoken word over a funky chugger that will turn
out the heads whether its early in the night or full-on boogie till the sun comes
up.

The B side starts off with our title track “Feed The Flame” which gets to the
feels of classic House music that we love so much! We round out the ep with
“Younger Brother” that ties a catchy spoken word over solid chord work and
bumping low-end to round out this quality record!
Already getting play by DJ Sneak, Toomy Disco, Jay West, DJ Dazy, Mateo
Dufour, Cory Wells, Sound Process & more.
Up next, we have Eddie Leader ”Need To Pivot EP” that is due out January 30th!

Kaninchenbau label head The Funk District has joined forces with Argentinian keys specialist Sokur for a new four-tracker that collides bluesy samples with sleek electronic grooves. 'Till My Feet Got Numb' kicks off with waves of synth energy run through with sampled vocals that hark back to Robert Johnson. 'Never Satisfied' is another mix of funky drums, jazzy pianos and crackly blues vocals that is unusual but effective. 'Took My Babe Away' repeats this combination, this time with hints of St Germain in the melancholic spoken words and ever more thumping and acid-laced beats. 'Sunshine From The Sky' completes the quartet with more hurried grooves laced with wonky synth work. It's peak time stuff with plenty of deeper meaning.

Our beloved C.ru.z is next on Griffé with his Mechanical Wizards EP.
Argentinian producer & DJ, Barcelona based C.ru.z is the co-founder of the 22Recordings imprint. This EP reflects C.ru.z's love for 80's synth/electro music and cinematic experiences. These four tracks dive deeply into spooky moods and emotional melodies with a dark & melancholic touch.

Argentine producer Alvaro Cimadevilla joins Modwerks to showcase 4 minimalist yet immersive driving underground club pieces.

The definition of the word 'fado' is technically 'fate', though the Portuguese meaning bound up with this term is more complex. The music itself can be fairly closely compared with that of Greek rebetika - also the American blues or the original working-class tango music of Argentina and Uruguay - and similarly takes it's common subject matter from the various cruel realities of the world. Though perhaps what distinguishes fado in character is it's often poised acceptance of the pains of life rather than protestation or resistance - as writer Paul Vernon says "It speaks with a quiet dignity born of the realisation that any mortal desire or plan is at risk of destruction by powers beyond individual control"

Death Is Not The End compile here a spine-tingling collection of fado recordings, taken from records issued in the mid 1910s through to the 1930s. The fado's Lisbon and Coimbra variants are presented here by some of the music's earliest recorded stars - spanning a time period leading up to the emergence of the fado's all-conquering star, Amália Rodrigues.

Bliss Point is proud to welcome the Bogotá born, New York based Matük to the label with Sendero, a collection dripping with life, with lust, with joy in the face of it all.

Birthed from weekend-long studio sessions in the heat of New York summer, Sendero is luscious and visceral party music, crackling with the spontaneous possibility that runs through city streets as temperatures peak, asses throw and emotions run high.

Hailing from Colombia and deeply immersed in the New York underground, Matük’s influences collide into an ecstatic tapestry on Sendero, blending the rich traditions of Afro-Caribbean musics with experimental and club sonics, long the sounds of joy as defiance from deep within the imperial core.

Many paths cross on Sendero. “Ricotta” features vocals from BRAVA, the Basque DJ and MC whose raw, infectious spirit has injected new energy into the international bass and footwork scene. She is joined by Argentinian-Colombian artist FEDRA on synth and vocals, transforming voice notes the trio sung into their phones over a long weekend of dancing into a party anthem of their own. “Lio”, the EP opener, pairs Mexico’s Renn Loop with Matük himself, trading sultry, heated frustrations over latinx futurist production. Things slow down on “De; Dioses y Pantallas”, a yearning, introspective plea to the night sky, before returning to the party with the bouncing, acid-fueled remix of “Ricotta” from Mexico City’s Soos.

Sendero is a snapshot of a scene in motion, a document of serendipity and collaboration, music made in the long tradition of enjoyment as a revolutionary act.

Our journey through “Música Para Boliche” literally “music for the club” from Argentina’s underground scene doesn’t stop. We dug even deeper, right into the ’90s.
Four tracks plus one, all visionary even at the time of their release. Once again, you can feel the magical touch of the Italian and Argentine DJs who worked on it.
Jack Bulgaro did his part, bringing home an instrumental unreleased version of Podés Seguir Sin Arriesgarte, taken from the album Undermalabia, produced by El Signo, pioneers of electronic music in Latin America.
The version will be officially released for the first time, vinyl only, by Maledetta Discoteca Records.

Der britische Produzent und Elektronikkünstler Joe Thornalley, bekannt als Vegyn, interpretiert das kultige Debütalbum „Moon Safari“ von Air aus dem Jahr 1998 in einem gewagten Crossover der Genres und Epochen neu. Vegyn wurde durch seine Arbeit mit Künstlern wie Frank Ocean und Travis Scott bekannt und hat sich einen Namen als zukunftsorientierter Produzent gemacht, der üppige, atmosphärische Klanglandschaften mit experimentellen Beats und einem Sinn für Unvorhersehbarkeit verbindet. Mit seinem Remix von Moon Safari“ bringt Vegyn seine einzigartige Vision in das beliebte Ambient-Pop-Meisterwerk des französischen Duos ein und verleiht ihm eine frische, moderne Energie.


Vegyns „Moon Safari“-Überarbeitung wird in einer neuen Tracklist enthüllt und erscheint auf schwarzem Vinyl und einem CD-Digisleeve, beide in einer schönen, transparenten blauen Hülle verpackt.

Santa Fiebre return with a new 45 on Acid Jazz’s Fingier Records, with producer Kevin Fingier at the helm. The Argentine Rhythm & Soul outfit turned heads with their label debut last year, double-sider ‘Earthsplosion’ / ‘That’s Where We Go’, and here they offer two new, explosive original sides.

Over the past few years, Kevin Fingier has released a series of hard-hitting, high-selling 7” singles, on his own Acid Jazz-group imprint, along with a compilation LP and an original album. He is known for his authentic 60s R&B sound, with a distinctly Latin touch. ‘Waterfalls’ sees Santa Fiebre move into funkier, late-60s territory, with a percussive beat and driving horns accompanying a wonderful, soulful vocal.

Meanwhile, ‘Pain of Sights’ is a characteristic Soul/R&B crossover smash, guaranteed to hit at a club night. Another modern classic from the man in Buenos Aires and this brilliant ensemble.

Presented in the signature Fingier Records house-bag.

Don’t Trust The Snippets – Play The Full Track Before Buying A Record is a finely tuned four-track compilation from NOREPRESS Records, exploring a broad emotional and rhythmic spectrum — from atmospheric breaks to dub-infused tech house. Each piece invites deep listening, rewarding full attention rather than surface impressions.

A1. Osman Oz & SUBLIMINAL. – Johto opens with a beautifully crafted breaks track — rich in ambient layers and cinematic depth, setting a contemplative tone. A2. Pat Jensenn – Heaven Tapes follows with crisp percussion and hypnotic melodies, shifting the mood into uplifting, forward-driving territory. The young Argentinian producer blends instinct and elegance in equal measure.

On the flip, B1. Genning & Kirill Matveev – Orbiter lifts off with bounce and finesse — tight, articulate, and designed for that moment when the dancefloor begins to bloom. B2. Neptuna, also by Genning & Matveev, closes the record with sensual dub textures and refined detail — balancing movement and stillness in perfect harmony.

Led by visionary Kirill Matveev, with strong contributions from Genning, Pat Jensenn, and the always-excellent Osman Oz & SUBLIMINAL, NRP005 serves as a reminder: the full track always tells the real story.

NOREPRESS is a division of MixCult Records

Memory Remains proudly welcomes its first-ever guest artist — Rigzz — for a powerful solo EP.
Hailing from Córdoba, Argentina, Rigzz stands among South America’s most refined underground exports. Known for his analogue-driven, deep, and minimalist sound, he has already left his mark on leading labels like Eastenderz, Moan, Tamango, and Constant Black, earning the support of heavyweights such as Enzo Siragusa, Traumer, and Chris Stussy.

With a raw sense of groove and a pure vision of musical freedom, Rigzz delivers an EP that perfectly embodies the Memory Remains ethos — timeless, immersive, and crafted for true connoisseurs of underground house.

artwork: Alisa Kirik

Schema Records proudly presents PRELUDE, Stefano “S-Tone Inc.” Tirone’s tenth album in his 30-year career. It is available from October 10th, 2025, in the usual digital/streaming formats, as well as LP (10 tracks) and CD (15 tracks); the latter contains, in addition to the tracks on the vinyl, the singles already released on 7” (“In the Sand”, “Tudo Pra Ela”) and remixes of “Pressure”, “Vento Doce” and “Longe De Voce”.

Various different styles harmoniously coexist in “Prelude”: the soul, funk, disco and house tracks embellished by Julia St. Louis’s black voice and Laura Fedele’s jazz-blues timbre alternate with Latin and Brazilian atmospheres in the tracks that host the precious collaboration with Toco, up to a stunning reinterpretation of Santana’s “Guajira” performed by Manuela Ravaglioli, a long-time S-Tone Inc.’s guest vocalist, and German Leguizamon, an Argentine artist with a brilliant career in the 90s dance music.

The title “Prelude” is a double homage: to the legendary homonymous American record label that defined the New York disco sound between 70s and 80s, and to Eumir Deodato’s masterpiece released on CTI in 1973, a sublime example of cross-genre fusion that has always been a source of inspiration for the refined and cosmopolitan blend of music styles that has made S-Tone Inc.’s sound unique and that is firmly reaffirmed in this new record.

After two self-produced EPs, Sarah Maison (2018) and Soleils (2021), and the EP Karma (2021) with Anoraak, French singer, musician, author, composer, arranger, and producer Sarah Maison finally unveils her first album, DIVAD, the fruit of four years of creation. Sarah opens up, tackling personal themes through an exploration of the soul and existential questions. She also ventures into more autobiographical subjects such as melancholy, derealization, the search for meaning, and the breakdown of romantic or friendly relationships: often through coded language but always with a touch of humor. DIVAD is a manifesto of artistic independence, boldly and uncompromisingly fusing French chanson, Egyptian music, 70s disco, synth-pop, and English pop. Her influences draw on musical history while reinventing it, bringing together Alan Vega and Martin Rev, the 70s Egyptian band Al Massrieen, the king of Iranian psychedelia Kourosh Yaghmei, as well as Brigitte Fontaine and Françoise Hardy. Each track is a cinematic tableau, where the artist"s theatrical voice, both imperious and vulnerable, carries an intimate narrative with universal overtones. Co-produced with Steve Surmely (sound engineer) and Timotée Pédron (sound designer), the album blurs the lines and asserts an artist who defies categorization. Throughout these twelve tracks, we witnessa rebirth, with Sarah fully embracing her character as a dark, grandiose, and tragicomic diva straight out of a Dario Argentofilm, a sort of tribute to her Italian muses. Danceable, elegant, and elusive, DIVAD is a flamboyant work that reflects Sarah Maison"s image: free, sunny, and daring.

Analog Decay 001 Artist: Translate Remix by Jonas Kopp Format: 12" Vinyl & Digital Release Date: 14.11.2025 Analog Decay proudly announces its debut release: a powerful statement of intent from the label, rooted in raw aesthetics and a deep reverence for the analog medium. For this first chapter, the imprint calls upon Argentine producer Translate, whose distinctive take on sci-fi-infused techno sets the tone for what's to come. The A-side opens with "RAD-100", a hypnotic journey into mechanical rhythm and spectral textures, followed by a forceful reinterpretation by the legendary Jonas Kopp, whose remix brings heightened tension and propulsion to the original narrative. On the B-side, "Pyramids" explores geometric pulse patterns and atmospheric depth, while "Infrared" closes the EP with a dense, pulsating groove designed for late-night transcendence. This release has been meticulously mastered by Giuseppe Tillieci (Neel) at Enisslab (Rome), ensuring a dynamic and immersive sound experience. The visual identity is completed by artwork from Mauricio Atencia, with photography by Paula Romero, reflecting the label's commitment to brutalist minimalism and analog imperfection.

For the 58th outing of the Wrecks anthology we're very happy to welcome the new Argentinian producer Gaston Cabrera to the ranks. Gaston has piqued our interest for a while now with his unique and atmospheric productions and it's a pleasure to have him join the Klasse Wrecks family. The 'Prohibido' EP doesnt waste anytime getting to the point, a snarling beast that goes straight for the jugular. Spooky techno tropes mix with the best of yesteryear electro house stylings, it's a sound that feels new and exciting yet at the same time very familiar. Both raw and musical, the 4 song record could soundtrack either a long lost John Carpenter horror or a Tron-esque retro sci-fi movie.

Skip Audio Records is proud to present a new EP from the dynamic duo Chris Llopis & Cirkel Square. This vinyl-only release features three original tracks that showcase the artists' signature sound, blending intricate grooves with atmospheric textures.
Leading the charge is a powerful remix from Argentinean maestro Alexis Cabrera. His interpretation adds a unique twist, taking the listener on a mesmerizing journey through hypnotic rhythms and deep, evolving melodies. Additionally, this release features a captivating DubTape remix, offering another unique sonic perspective.
This record is a must-have for any vinyl enthusiast and a perfect addition to any DJ’s bag. With its blend of original productions and standout remixes, this vinyl is set to be a timeless piece for your collection.