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With BALADA, MoBlack continues this journey through a collection of tracks rooted in Afro House rhythms and Brazilian-inspired influences. Across four distinct productions, the compilation explores the meeting point between percussive energy, expressive vocals and melodic detail, highlighting artists who approach the sound from different angles while sharing a common sense of groove and atmosphere.

A phenomenal new vocal talent with uncompromising vision, SIENNA SPIRO is here with her debut album, Visitor, a striking opening statement from an artist of undeniable longevity. Visitor Features Billboard charting & RIAA Platinum & Gold singles “Die On This Hill” & “You Stole The Show”, as well as new hit single “The Visitor”. Having amassed over 1.3 Billion streams ahead of her debut album, SIENNA matches her dazzling musicality with a fierce dedication to crafting music of true substance.

This is terrific.
Brimming with saudade, an atmospheric, engrossing, organic blend of the gorgeous folk music of northern Ecuador’s indigenous communities, and tentative, crafted, soulful electronica.
‘Mala Fama is a Kichwa sound-artist from Ibarra, Ecuador, inhabiting — and creating — multiple worlds at once, while being rooted in Indigenous pride and power. Jichushka is a Kichwa word meaning lonely, or abandoned. Here, grief is re-cast as a pathway to liberation.
‘The album was recorded between 2016-2022. Home studio sessions facilitated close collaboration with a network of artists drawn from Andean musical lineages such as marimba, vallenato, and cumbia — including Afro-Ecuadorian group Duo Anjoa, vocalist Catalina Ortiz from coastal Esmeraldas, Ibarra-based multi-instrumentalist Luis Lema, and Quixosis. The album builds on peaceful ambient compositions as much as heavy sequencing, inviting melancholic remembrances of times and spaces that no longer exist.’
Warmly recommended. Like nothing else. Check it out!

Iconic Argentinian DJ/producer Flug drops full EP on Mutual Rytm Raw with ‘Dew At Night’. Flug, aka Sebastian Lopez, has long been part of the fabric of underground techno with a signature sound that is deep, driving and atmospheric, ensuring that the Argentinian has crafted his own story across the globe. Following his track ‘In Control’ on Mutual Rytm’s ‘Federation Of Rytm IV’ compilation, he follows the likes of KiNK & Raredub and Deetron to make his appearance on sub-imprint, Mutual Rytm Raw, with his ‘Dew At Night’ EP featuring a rare rebuilt version of an unreleased sketch dating all the way back to 2009. ‘Dew At Night’ was unearthed while searching for another track among sessions from over a decade ago. After hearing it again, it sparked a new creative age to rebuild it from scratch, and while experimenting with synthesisers, the main arpeggio appeared. "At first it was hypnotic but harmonically repetitive; the groove and phrasing felt incredibly catchy, so I decided to push the harmony further and change some chords until I found the exact point where emotion and tension could coexist naturally.” Around that bright arp are darker, more raw percussive textures and drums that make for a great contrast and melancholic atmosphere that marries emotion with physical structure. "In my mind, the track was always conceived as a closing track - that moment when the darkness is still there, but the first light of the day starts to appear and the whole atmosphere changes.” After hearing the original, label founder SHDW suggested the Argentinian should remix and reinterpret the record to complete the full EP, and so he steps out of his comfort zone across the remaining tracks, exploring different versions of his musical universe and showcasing all sides of his sound. First up is the ‘Dub Version’, which represents his contemporary sound - the melodic and emotional essence of the original track remains but is translated into a more hypnotic and club-oriented language. The ‘Instrumental Version’ is a brings more progressive-leaning sounds with piano, sax and live percussion textures that, says the artist, allowed him to "rediscover myself as a producer by using tools and influences gathered throughout my long journey in electronic music”. Closing the package, the digital-only ‘Raw Version’ strips away the melody and gets much more primal, introducing a tunnelling groove for when the dancefloor gets dark and moody.

Title track Tokyo Midnight opens with a groovy guitar riff and continues into an upbeat rhythmic workout, complete with a funky bassline and ululating keyboards. Yurika’s enchanting voice ties things together in a soft yet hypnotic musical whirlwind.

On the B-side, Nasnusa, a beautiful guitar solo flows into a captivating rhythm inspired by traditional Mizrahi music. Yurika’s delicate vocals evoke a love story: a couple watches the sunset as the gates to a new world begin to open. As Nasnusa fades into the light, her lover recalls her beauty and reflects fondly on the wonderful time they shared together.

Founded by Amir Sadot and Ilan Smilan, Sababa 5 have been playing together for two years and recently built their own recording studio. “We just wanted a place to record our music where the whole band could fit together in the same room… so we built the place ourselves! Mind you, there’s not a lot of space… in fact, we’re a bit crammed in there, but that’s how we like it.” Sababa 5’s musical style has been shaped by all its members and continues to evolve while always remaining deeply groove-centric. Their sound is rooted in surf rock and retro funk, drawing strong inspiration from Arabic folk and funk music of the ’60s and ’70s, as well as artists from that era such as the legendary Aris San.

Yurika is a Japanese performer born and raised in Tokyo. During her teenage years, she discovered belly dancing and quickly fell in love with the art form. She later travelled throughout the Middle East to deepen her studies, learning from choreographers such as Orly Portal and performing alongside renowned artists including Raquy Danziger, Boom Pam, and Ouzo Bazooka.

Heisenberg continues its vinyl series with HSBRGV015, a four-track VA bringing together some of the labels all-time favorite artists. Romania s Nu Zau and Direkt set the tone with their signature hypnotic grooves and unmistakable swing. From Latvia, D I N adds a deeper, driving touch, while label head Saktu closes the record with a stripped, groovy, and trippy cut true to the Heisenberg sound.
HSBRGV015 is a pure reflection of the label’s identity, carefully selected, deeply underground, and made for those who truly understand. Vinyl only.

Ready for the summer!!!!!
This highly anticipated double EP by Skatman is yet another weapon from the Time Passages arsenal.
Aziz Haddad, better known as Skatman, is one of the most promising figures in the contemporary electronic music scene. Known for his genre-fluid approach and distinctive artistic vision, he continues to blur the lines between house, techno, and deeper cinematic influences. His ability to craft immersive sonic journeys has earned him a respected place within the international underground circuit, making each new release a testament to his evolving creativity and unmistakable sound.
Featuring eight tracks, this double EP showcases the full spectrum of Skatman’s sonic universe. Some of the cuts may already sound familiar to attentive dancefloors, having been championed by Binh at several of last summer’s most celebrated festivals and events. Balancing hypnotic grooves, intricate rhythms, and atmospheric depth, the record is built to leave a lasting mark on both intimate club settings and open-air dancefloors alike.

2026 Repress, Black Vinyl, Unicover
Johannes Albert brings back the iconic anthem that is "More Action Pleeease!". This time stretched across a full A-side, cut at 45 rpm for maximum punch and pressed on a weighty 180 grams. Built sturdy, loud, and ready to tear through any system. The full-cover artwork seals the deal, but the B-side brings the real twist: the Disco-House edit everyone's been craving (yes, exclusively on vinyl!). Dompe's "Lemon Ice" gets the full "Action" vocal treatment, transforming it into a guaranteed dancefloor riot. Finally - the complete "Actionpella" is attached for the hard-working DJs and the lazy ones alike. Now? More Action Pleeeeeeeeeeease!

For the 10th Anniversary of the iconic and unique For Honor, Kid Katana Records teamed up with Ubisoft to bring you this high quality album on an exclusive double vinyl. With over 35 million players since its release, For Honor has kept on bringing new content in the game, enriching the players’ experience with new Heroes, Factions and Music to keep the battle for survival and honor alive.


The physical edition is a premium 2LP designed in close relationship with the game's creative team:


● Track selection handpicked by For Honor team, including 2 new tracks (Year 10 exclusive) and a track never released before from Y1 Season 7
● 2 Golden vinyls
● Exclusive cover art with glossy effect on the logo
● Exclusive 16-page booklet with insights on each faction’s music, liner notes
from the game’s creative team and composers Luc St-Pierre, Danny Bensi and
Saunder Jurriaans



The tracklist is a selection of music from the 10 seasons of the game, one side per faction:

Radio Slave reissues 2000 and One’s ‘Tropical Melons’ with remixes from Bart Skils and Mark Broom, Dylan Hermelijn, aka 2000 and One, also contributes a new mix of the 2007 hit

2000 and One’s noughties track ‘Tropical Melons’ lands on Rekids 31st July 2026, reissued with a new mix from the artist, Dylan Hermelijn, himself alongside fresh remixes from label debutant Bart Skils and Rekids regular Mark Broom. Originally released via Hermelijn’s 100% Pure in 2007 and championed by the likes of Sven Väth, ‘Tropical Melons’ remains a genre-blurring club cut that has lost none of its impact, now re-released and building on the reissue of 2000 and One’s ‘Wan Poku Moro’ on Rekids in 2024.

Opening the record, Bart Skils adds to the already heavily synth-laced original, sharpening its edges while preserving the lose-your-mind energy that made it such a standout. Mark Broom follows with his signature drum work: raw, muscular and driven by a jackin’ groove as the original’s dubbed-out melody washes over its rhythm. On the flip, Dylan Hermelijn revisits the track himself with a new 2026 mix, cleaned up and nudged forward with a subtle increase in pace, while keeping the irresistible pull of his original fully intact.

Originally released in 2014, Travellers, the acclaimed album from Bison, returns in a newly remastered edition as a limited double vinyl LP.

Created by an exceptional cast of collaborators including Paul Mudd Murphy, Ben Smith, Ursa Klose, and the late Holger Czukay of the legendary German group Can, Travellers occupies a unique space between experimental electronics, psychedelic soundscapes, and leftfield dance music.The album also features reinterpretations by Conrad McDonnell of the influential DJ and production duo Idjut Boys, helping to cement its reputation among adventurous listeners and collectors alike.

Over the years, Travellers has quietly become a cult favourite. Long unavailable on vinyl, original copies have become highly sought after and increasingly expensive on the second-hand market, earning the record a near-mythical status among collectors and fans.Fully remastered from the original recordings, this new edition of Travellers brings renewed depth, clarity, and presence to an album that has quietly earned cult status over the past decade, while preserving the atmosphere and character that made it so distinctive.

More than ten years after its original release, Travellers returns not as a nostalgic artefact, but as a vital and enduring work whose reputation has continued to grow through word of mouth, discovery, and devotion from collectors and listeners around the world. Travellers remains a document of a unique moment in time, a collection of friendships, ideas and happy accidents that somehow found their way onto tape.

Collaborations have always been an aspect of music I enjoy a lot, it can bring out the best in both artists when done well. It's a privilege to return the favour for one of the most exciting producers around in my opinion and to put out some of our music on my label after I released 'Reflections' on his excellent Temple of Sound back in 2019.

Tom and I came up through similar circles of music, inevitably connecting. We started to chat online and send ideas back and forth, immediately finding a shared enthusiasm for production and music in general. With a similar ethos of DIY and letting the music speak for itself, this EP was formed from the track 20-25 aptly named due to the stems being bounced back in 2020 but it eventually came together in 2025. We exchanged a few ideas and quickly realized we had a pretty strong EP in the works combining the best of both our sounds.

The EP consists of 4 hypnotic & rolling bass music tracks around 130 BPM merging influences from broken & deep Techno styles, Breakbeat & House. Perfect for deep listening or wiggling air in the club.

20-25 is a crunchy broken beat roller with lush pad work, stabs and slinky grooves before dubbed out bongos crank the energy up a notch and solidify the groove. 5 years in the making, but definitely worth the wait!

Strings on the A2 leans heavier into repetition and hypnotic grooves with slinky synthetic percussion and cavernous atmospherics. The track gradually evolves with elements filtering in and out whilst the groove anchors the track before the breakbeat science and pitchy bass comes into play. It's low and slow, building the tension before weaving in the full power of the track with haunting dissonance and dark melodics.

The title track takes the EP in another direction with it's delicate melodies and vocal, ushering in thunderous kicks. Around 2 mins in, the full weight of the track is noticeable with the low sub bass and modulating percussion. The track slowly morphs into an insatiable groove with peaks and troughs before a full send on the 2nd drop with additional percussion, intensifying the energy and taking the track into more dancefloor territory.

Finally we have Depth Charge on the B2, eyes down, dubby with a wonkified groove. This one is a slow burner, coming in at over 8 mins long. The rhythmic prowess is on full display with counter balanced rhythms, an interesting bassline and dubby pads and stabs. The track has a noticeable energy shift around 3.30 with a key change, and the slow meshing of subtle elements culminate in an easeless hypnotism where 8 mins feels like a lot less, a perfect closer.

We hope you enjoy, keep it deep!

Brownswood Editions unearths another treasure from the catalogue, revisiting the Havana Cultura project. Initiated by DJ, broadcaster and curator Gilles Peterson in the late 2000s, Havana Cultura connected contemporary Cuban musicians with global audiences at a time when international perceptions of Cuban music were still largely rooted in the Buena Vista Social Club era.

Instead, the project spotlighted a new generation of Havana-based artists whose sound drew from contemporary diasporic influences - neo-soul, hip-hop and reggaeton - seen through a distinctly Afro-Cuban lens.

One of the project’s most explosive moments came with this Cuban reimagining of Fela Kuti’s classic Roforofo Fight, a track that quickly became a DJ favourite thanks to its live energy and deep rhythmic drive. The band features both Mayra Caridad Valdés (daughter of Chucho) - one of Cuba’s leading contemporary jazz and soul singers and internationally acclaimed pianist Roberto Fonseca.

This new 12" edition pairs the original version with a highly sought-after remix from house music legend Louie Vega, who brings his unmistakable New York Latin house touch, extending the groove for contemporary dancefloors while respecting the Afro-Cuban roots of the recording. The original remix pressing has since become highly sought after on discogs, making this long-awaited return to vinyl essential for DJs and collectors alike.

A meeting point of Afrobeat heritage, Cuban musicianship and club culture, the release reflects Brownswood’s long-standing mission to join the dots between scenes, sounds and generations.

Jazz guitarist Roland Gresham is a native of Nashville, Tennessee recording several albums during his career. In 1984 he released a cassette album that contained the spectacular gospel soul track ‘The Touch Of The Master’s Hand’ - featuring on lead vocals accomplished gospel artist Duane Hamilton.

On this 7” we present the original version with it’s dramatic beat switch in the final third of the song. On the B Side, a remix crafted by Philip Ward - keeping the tempo consistent throughout.

2026 Repress
The Greek artist comes back with a fully realized EP this time, that goes deeper into his personal world. This is not pointless or flashy music. It has soul and character.

It is music that you can listen the personality of the artist beneath the layers and sound design.
Another strong statement from a producer who is quietly building his own language.

2026 Repress

Re issue of the classic Heavy Disco remix of Kate Bush. This edit has been a mainstay of many DJs' playlist over the years. It's a deep, throbbing, psychedelic monster with added keyboards and efx. Absolutely essential! one sided Limited pressing act fast!!

As We Once Were is the third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress (aka Catherine Anne Davies) - This new record is the long-awaited follow-up to the UK Top 40 album The Art Of Losing and features an all-star cast of guest vocalist, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar on 'Throw Over Your Man' - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on 'Damsels' The Art Of Losing received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it "one of my favourite records of the year" and Caitlin Moran calling it "the inadvertent, beautiful and truthful soundtrack to this moment", it went on to sell over 10,000 physical copies via the power of word of mouth.

As We Once Were is the third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress (aka Catherine Anne Davies) - This new record is the long-awaited follow-up to the UK Top 40 album The Art Of Losing and features an all-star cast of guest vocalist, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar on 'Throw Over Your Man' - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on 'Damsels' The Art Of Losing received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it "one of my favourite records of the year" and Caitlin Moran calling it "the inadvertent, beautiful and truthful soundtrack to this moment", it went on to sell over 10,000 physical copies via the power of word of mouth.

As We Once Were is the third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress (aka Catherine Anne Davies) - This new record is the long-awaited follow-up to the UK Top 40 album The Art Of Losing and features an all-star cast of guest vocalist, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar on 'Throw Over Your Man' - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on 'Damsels' The Art Of Losing received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it "one of my favourite records of the year" and Caitlin Moran calling it "the inadvertent, beautiful and truthful soundtrack to this moment", it went on to sell over 10,000 physical copies via the power of word of mouth.

La Isla Borrego gathers fragments and echoes from the last few years. Based on an invented dream, this is not a composition, but a sediment; not a field recording, but an archive of mistreated memories.

There is no map for La Isla Borrego. Instead, there is the architecture of an invented dream: an accumulation of acoustic residue shipwrecked on the conscious island of the last six years. Sounds are not emitted, but reflected and bounced.

A catalogue of biographical errors; a series of echoes salvaged from a dissolving timeline. Assembled between the 2020 static air of Lisbon and the 2026 volcanic humidity of Tenerife, the album operates under the "bamboo sun": a light that does not illuminate, but instead casts shadows over what was once real.

Power Electronics, for the most part, stays within its lanes of transgressive misanthropy, with a blackened explosiveness of tortured psyches and nightmarish reflections for the darkest facets of the human condition. Since Whitehouse introduced the phrase, concept, and framework to Power Electronics, its authorship has been primarily male. But within the past decade or so, a diverse web of voices - female, feminist, non-binary, queer - has thrust the PE aesthetic beyond that of the tortured male artist. As such, the notion that Power Electronics is synonymous with true crime worship, political ugliness, degraded sexual fantasies, and misogynistic perspectives has been somewhat dispelled (though many still pursue such ignoble agendas).

Enter Ester Kärkkäinen. For close to a decade now, she has developed her own voice, tread her own path, and exorcised her own demons in her unique take on Power Electronics, recording as Himukalt. A Power Electronics album based on the collapse of a relationship is probably not as uncommon as one might think. The sexual violence portrayed through Power Electronics may very well have had its origins in the heartbroken, scorned, or otherwise romantically mistreated. Kärkkäinen gives us two very different perspectives on these themes through two rather different sounding records. There is Last Wish from the plague year of 2020, and there is Torn Asunder: The Half Girl, recorded in 2019. Where the 2020 record is a long-form fever dream of the erotic gone horribly wrong and turned morally questionable, Torn Asunder is the more fractured, yet more concise extrapolation of Kärkkäinen's anger, horror, confusion, and depression from the end of a sexless relationship. She nakedly reveals a psyche that has been shattered, scarred, and broken as she alternates between deadpanned proclamations and barked sermons amidst the harrowing articulation of heavy industrial electronics, laced with shrill feedback tones, disjointed rhythms, and harsh noise outbursts. Torn Asunder stands as a significant milestone in Himukalt's catalogue, but remains one her most rarely heard documents given it was originally published as part of Helen Scarsdale's instantly out of print, 10 cassette On Corrosion boxset. With this vinyl reissue, Torn Asunder can get a proper re-evaluation as one of her strongest works.

Hailing from Las Vegas, Himukalt began in 2016 as a vehicle for Kärkkäinen's noise constructs and crude programming that found references to Puce Mary, Anenzephalia, and Atrax Morgue’s Mörder Machine. Since then, she has maintained a manic schedule with releases for Tesco Organisation, Cloister Recordings, Old Europa Cafe and her own EK Verlag. With the release of Torn Asunder, Helen Scarsdale terminates the mission for the On Corrosion reissue campaign.

Rowena Wise is a Naarm/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.

Raised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.

Rowena Wise is a Naarm/Melbourne-based singer-songwriter whose work balances beauty and mess with rare emotional precision. Hailed as a “lyrical assassin” by the Australian triple j community, Wise writes songs that feel like intimate conversations — ruminations on love, alienation, longing, and selfhood delivered with quiet courage and disarming honesty. Drawing from the storytelling lineage of ’60s folk while grounded in indie rock, garage pop, and alt-folk, she finds truth in fiction and humanity in contradiction.

Raised in the surf town of Margaret River, Western Australia, Wise was immersed in music from the outset. Her father, a luthier, built her guitars by hand, and her mother — a Chicago-born folk musician — instilled a deep reverence for songcraft and storytelling. After touring as part of a family band in her youth, she moved to Melbourne at 18 to forge her own artistic path.

Maverick folk artist and touring veteran Rev Hammer has been writing and releasing music for over 40 years. He regards his music not so much as a passport to fame and fortune but as a ticket to ride and has enjoyed numerous tours, collaborations, and projects over his long and varied career. The Old Crow Folk Club album features 23 of his songs re-imagined by friends and artists including Justin Sullivan (New Model Army), Mark Chadwick (Levellers), Maddy Prior (Steeleye Span), Simon Friend (Levellers), Seth Lakeman, John Jones (Oysterband), Dan Donnelly & Jon Sevink (Levellers), Nick Harper, Kathryn Roberts & Sean Lakeman, Nick Parker,

Black Screen Records once again teams up with composer Chris Christodoulou and Hopoo Games for a vinyl repress of the classic original soundtrack to Risk of Rain 2. At the request of Christodoulou, the new edition of the triple vinyl comes on heavy 180g black wax, the way he enjoys the format the most. The set is housed in a beautiful trifold sleeve with the original artwork illustrated by Italian artist Daniele Giardini. All 20 songs have been carefully remastered by Christian Bethge (Risk of Rain, Deadbolt, Divinity: Original Sin II, A Plague Tale) for the vinyl format. With Risk of Rain 2 the classic multiplayer rogue-like returns with an extra dimension and more challenging action. No run will ever be the same with randomized stages, enemies, bosses, and items. Play solo, or team up with up to four friends to fight your way through hordes of monsters, unlock new loot, and find a way to escape the planet. In his third collaboration with Hopoo Games, Chris Christodoulou returns to the Risk of Rain franchise adding another dimension to the game's music-verse. This two-hour-long genre-bending release spans from foreboding electronica to pounding progressive metal and features all music from the game and then some.

The Dresden Dolls announce the re-recorded release of Yes, Virginia... (Tailor"s Version). Guest vocalists include Jinkx Monsoon and Veronica Swift. The pioneering punk cabaret duo of Amanda Palmer and Brian Viglione enter a new chapter with a full re-recording of their 2006 album Yes, Virginia..., tracked in Boston. The title nods to Taylor Swift"s reclamation of master recordings. After a 20-year contract with Roadrunner Records, the band regained the right to re-record their catalog. The announcement comes nearly 20 years after the original release. The track list remains unchanged (with a bonus track on vinyl and CD), while performances reflect two decades of artistic and personal evolution. Known for Viglione"s orchestral drumming and Palmer"s percussive piano and songwriting-exploring sexuality, identity, addiction, capitalism, and social isolation-this version brings new depth. Songs including "My Alcoholic Friends," "Sex Changes," and "Backstabber" return with renewed intensity. Recorded in late 2025 at Mad Oak Studios, the album was tracked mostly live with Benny Grotto and mixed by Paul Kolderie. It also features artwork by Niki McQueen.

The Dresden Dolls announce the re-recorded release of Yes, Virginia... (Tailor"s Version). Guest vocalists include Jinkx Monsoon and Veronica Swift. The pioneering punk cabaret duo of Amanda Palmer and Brian Viglione enter a new chapter with a full re-recording of their 2006 album Yes, Virginia..., tracked in Boston. The title nods to Taylor Swift"s reclamation of master recordings. After a 20-year contract with Roadrunner Records, the band regained the right to re-record their catalog. The announcement comes nearly 20 years after the original release. The track list remains unchanged (with a bonus track on vinyl and CD), while performances reflect two decades of artistic and personal evolution. Known for Viglione"s orchestral drumming and Palmer"s percussive piano and songwriting-exploring sexuality, identity, addiction, capitalism, and social isolation-this version brings new depth. Songs including "My Alcoholic Friends," "Sex Changes," and "Backstabber" return with renewed intensity. Recorded in late 2025 at Mad Oak Studios, the album was tracked mostly live with Benny Grotto and mixed by Paul Kolderie. It also features artwork by Niki McQueen.

Handpicked by MoBlack, here are eight tracks that lended the dynamic vision and artistic stimulation for what is now a bastion of Afro House. Collected from the label's artists, friends and inspirations of past and present, "House of Mo'" comprises musical snapshots from Mimmo Falcone's journey as a DJ, producer and label head. Reverberating rhythms and grooves attached to memories made on and off dancefloors, these sonic wonders are part and parcel of the House the label built, go-to jams that speak of the spirit that binds its growing family.

Tread lightly, listen hard, and feel at home.

English Garden, by Bruce Woolley and the Camera Club, is an album steeped in British pop history. It is not only an amazing collection of new wave and power pop songs, but also the start of many fascinating careers. The first eye-catcher is the first recorded version of "Video Killed the Radio Star", written by Bruce Woolley, Trevor Horn and Geoffrey Downes (The Buggles).

The album also features none other than Thomas Dolby on keyboard and Matthew Seligman, who played bass in The Soft Boys. After the band broke up in 1983, Bruce Woolley enjoyed an impressive career in songwriting, with his songs being recorded by artists such as Grace Jones, Cher and Donna Summer.

English Garden is a limited edition on white vinyl and includes an insert.

In the early 1960s, beat groups from the Dutch Randstad dominated the national charts. Yet far from the big cities, in the clubs of Drenthe, one band was already being billed as “Beatgroup Number One”: Cuby + Blizzards. But frontman Harry Muskee never embraced that label. Raised on broadcasts from The Voice of America, he possessed a deeper understanding of the blues than most of his contemporaries. Muskee didn’t want to sing ‘songs,’ as he called them, he wanted to sing the blues, raw and unfiltered, in the tradition of Howlin’ Wolf, John Lee Hooker and Muddy Waters.

Their debut single “Stumble & Fall” was recorded in the Bavohuis, a simple gym hall in Amsterdam, with Addy Kleingeld as producer. But the debut album Desolation marked a turning point, recorded at the Phonogram Studios in Hilversum with renowned blues producer Tony Vos, it captured the band exactly as Muskee intended.

The resulting album became a jewel of Dutch music history. Never before had the Netherlands heard a blues singer who poured his emotions into a recording with such conviction and authenticity. Muskee even outshone his British peers. Eric Burdon (The Animals), Paul Jones (Manfred Mann), Mick Jagger (The Rolling Stones) and Van Morrison (Them).

At the 1968 Grand Gala du Disque (the Dutch equivalent of the Grammys), Muskee received an Edison Award for Desolation, handed to him by cabaret artist Wim Sonneveld, whose lukewarm speech couldn’t diminish the significance of the moment.

Sixty years later, the legacy of this groundbreaking album still resonates, an essential document of European blues and a defining moment in the story of Cuby + Blizzards.

This 60th anniversary edition of Desolation is now available as an expanded 2LP-set including the original 1966 album plus fifteen bonus tracks. The gatefold version features songs “Things I Remember”, “Stumble & Fall”, “L.S.D. (Got A Million Dollars)”, is a limited edition on blue vinyl and includes new liner notes by Dutch Blues authority Johan Derksen.

No Use For A Name were one of the first bands on Fat Wreck Chords and remain a cornerstone of the label roster. Their unique take on California punk/skate punk emphasized equally innovative and catchy melody, paired with top-flight musicianship. Of course, a lot of what made this possible was the vocal range and imaginative song writing of Tony Sly. Despite his tragic passing in 2012, Tony's presence can still be felt today, as his influence is evident in the work of many other artists. Leche Con Carne is a blistering punk rock record, the band's third studio album, and a blend of Bad Religion-esque riffage and edgy vocals that hit between singing and yelling. The record features some of the bands' biggest hits, the love song "Soulmate", the story-telling cautionary tale "Justified Black Eye", and the popular Bob Marley cover of "Redemption Song." 30 years since its first release, Leche Con Carne feels as omnipotent as ever. An essential Fat Wreck Chords release, and a classic album in the No Use For A Name discography. Produced by Ryan Greene (NOFX) and Fat Mike, Features hit singles "Soulmate," "Justified Black Eye," and "Redemption Song", for fans of Bad Religion, The Offspring, Green Day, Grape coloured 2026 vinyl.

Ursprünglich im Jahr 2000 auf Fuzzbox veröffentlicht und 2003 vom Beggars-Imprint Too Pure erneut herausgebracht, stellte My Pain and Sadness Is More Sad and Painful Than Yours die Band mclusky aus Cardiff als eine drängende neue Stimme im britischen Rock vor. Das Album zeigt die Band in ihrer unmittelbarsten und rohesten Form und prägte mcluskys Mischung aus scharfkantigen Gitarren, schwarzem Humor und Andrew Falkous" pointierter, oft absurdistischer Lyrik. Noch bevor spätere Anerkennung für Alben wie Mclusky Do Dallas und The Difference Between Me and You Is That I"m Not on Firefolgte, fängt dieses Debüt die Band in einem ungefilterteren Zustand ein - volatil und direkt. Songs wie "Joy" und "Rice Is Nice" deuten bereits die Präzision und Bissigkeit an, die später voll zur Geltung kommen sollten, während ein Großteil des Albums auf Wiederholung, Spannung und Auflösung setzt - mit einem beinahe bedrohlichen Minimalismus. Nun, 26 Jahre später, wurde das Album von Sean Magee in den Abbey Road Studios neu gemastert und erscheint auf 180g schwerem schwarzem Vinyl, wobei das originale Artwork beibehalten wurde. My Pain and Sadness Is More Sad and Painful Than Yours bleibt ein zentrales Dokument der Anfänge von mclusky. Sein Einfluss lässt sich in späteren Wellen von Noise Rock und Post-Hardcore nachverfolgen, doch seine einzigartige Mischung aus Witz, Aggressivität und Ökonomie bleibt unerreicht.

"26/70 - Die Songs von STOPPOK" ist weit mehr als ein klassisches Tribute-Album. Zum 70. Geburtstag der Ruhrpott-Ikone versammelt diese Compilation 18 Interpretationen, die den Kern von STOPPOKs Songwriting freilegen: Haltung, Humor, Menschlichkeit und eine unverwechselbare erzählerische Kraft. Statt ehrfürchtiger Nachahmung entstehen neue Lesarten - persönlich, mutig und stilistisch vielfältig. Künstler:innen aus mehreren Generationen geben den Songs ihre eigene Stimme und holen sie gleichzeitig ins Heute. Ob folkig reduziert, rockig aufgeladen, popaffin oder weltmusikalisch gefärbt - die Kompositionen erweisen sich als erstaunlich zeitlos. Produziert von Sebel entsteht ein Album, das STOPPOKs enorme Wirkung als Songautor sichtbar macht: Seine Lieder funktionieren unabhängig vom Original, bleiben im Ohr, im Kopf und im Herzen. "26/70" ist eine Würdigung ohne Verklärung - und ein Beweis dafür, dass große Songs kein Verfallsdatum kennen.

This limited vinyl edition of Brain Invaders offers another chance to experience the album in
its most iconic format. Faithful to the original release, it features high-quality pressing andpackaging, making it a must-have for collectors and fans alike. Part of Be the Change, a project conceived and developed by Rude Cares to raise awareness about climate change and environmental sustainability within the music
community, this exclusive eco-friendly variant is more than just a vinyl release. Created in collaboration with artists who share this vision, each edition supports a more sustainable future: a donation is made to Green Future Project for every release, and 100 new trees are planted to fully offset the project's residual environmental footprint. A timeless album with the same energy and impact that made it a fan favorite, Brain
Invaders remains an essential addition to any punk rock vinyl collection—now with a positive
impact beyond the music.

This exclusive vinyl edition of Walk the Plank brings the album back to collectors and fans in a carefully crafted format. Staying true to the original release, this pressing highlights the record’s distinctive sound and energy while offering a premium physical edition designed for vinyl lovers. Part of Be the Change, a project conceived and developed by Rude Cares to raise awareness about climate change and environmental sustainability within the music community, this limited eco-friendly variant combines music and environmental responsibility. Developed with artists who share this vision, each release contributes to a more sustainable future through a donation to Green Future Project, while 100 new trees are planted to fully offset the residual environmental footprint of the project. A defining chapter in the band’s journey, Walk the Plank continues to showcase the attitude, creativity, and spirit that made the album stand out—now available in a special edition with an impact that goes beyond the music.

This exclusive vinyl edition of Call Your Friends brings the album back to fans and collectors in a carefully crafted format. Faithful to the original release, this pressing celebrates the record’s distinctive sound and energy while offering a premium physical edition made for vinyl enthusiasts. Part of Be the Change, a project conceived and developed by Rude Cares to raise awareness about climate change and environmental sustainability within the music community, this limited eco-friendly variant connects the power of music with a commitment to a more sustainable future. Created alongside artists who share this vision, each release supports environmental action through a donation to Green Future Project, while 100 new trees are planted to fully offset the residual environmental footprint of the project. A vibrant and memorable album that captures the band’s personality and evolution, Call Your Friends remains a must-have for fans—now available in a special edition that extends its impact beyond the music.

Mit seiner außergewöhnlichen Virtuosität und poetischen Klangsprache gehört Bruce Liu, Gewinner des
Internationalen Chopin-Klavierwettbewerbs 2021, zu den faszinierendsten Pianisten seiner Generation. Auf
seinem neuen Album „Lunaris“ präsentiert Liu ein Programm, das ihn von seiner intimsten, visionärsten
und atmosphärischsten Seite zeigt:
Im Zentrum von „Lunaris“ stehen Beethovens legendäre Sonaten „Mondschein“ und „Waldstein“. Rund um
diese Meisterwerke entfaltet sich ein Programm voller atmosphärischer Dichte und emotionaler Tiefe, das
ikonische Klavierwerke mit verborgenen Schätzen verbindet. Chopins geliebtes Nocturne, Debussys schimmernde „Rêverie“ und Bachs zeitlose Klangsprache treffen auf selten eingespielte Werke von Mompou,
die ekstatische Intensität Skrjabins und die hypnotische Schönheit von Cages „Dream“. Zeitgenössische
Klangfarben von Agnes Obel und Ligeti verleihen dieser musikalischen Reise eine frische und überraschende
Dimension.
Mehr als ein klassisches Recital-Album ist „Lunaris“ ein immersives Hörerlebnis, cineastisch, nächtlich
und zutiefst persönlich. Inspiriert von Poesie, Malerei und dem Geheimnis der Nacht erschafft Bruce Liu
mit jedem Werk einen Raum voller schwebender Zeit, Licht und Fantasie.
„Es ist nicht nur eine Auswahl von Werken, die ich liebe, sondern auch mein Versuch, eine neue Art des
Hörens und Erlebens von Klang zu erschaffen, die in mir gewachsen ist. Diese Atmosphäre der schwebenden
Zeit sowie das Nebeneinander von Intimität und Distanz sind Dinge, die ich in meiner täglichen Beziehung
zum Instrument wiedererkenne.“ – Bruce Liu
Gelobt für seine „elfengleiche Virtuosität“ (Le Monde) und seine „Eleganz und Leichtigkeit des Anschlags“
(The Guardian), entführt Liu sein Publikum in eine faszinierende Welt aus mondlichtdurchfluteter Reflexion,
Fantasie und Transzendenz.

A new collaborative project between Neil Jones (lead singer of Stone Foundation) and Nick Corbin (founder of New Street Adventure), bringing together two of the UK soul scene’s most distinctive voices and songwriters. The project also features legendary keyboardist Mick Talbot (The Style Council) and bassist Ernie McKone (Galliano / The Brand New Heavies), creating a band rooted deeply in British soul tradition while pushing the sound somewhere fresh.

The seeds of the collaboration were sown during the Covid-19 lockdown, when Jones and Corbin joined forces for a marathon live-stream performance that quickly gathered momentum online. The result is Silent Stream — an album steeped in soulful songwriting, rich musicianship and understated groove. The lead single captures that spirit perfectly: warm, reflective and melodic, built around classic soul textures, Hammond organ, and a rhythm section that breathes with the ease of seasoned players. For fans of contemporary British soul with classic influences, the track sits comfortably alongside artists like Paul Weller, Michael Kiwanuka and the wider Acid Jazz / modern soul movement.

It’s a meeting of kindred musical spirits — born in lockdown, but very much built for the long road ahead.

Repress 2026
To celebrate 20 years since the release of Fatboy Slim's seminal album 'You've Come A Long Way, Baby' Toolroom are proud to present this truly mammoth release! Number #1 selling artists of 2017, CamelPhat, deliver a killer remix on what is arguably Fatboy Slim's biggest record ever, 'Right Here, Right Now'.
Black Vinyl With a Picture Sleeve

2026 Repress

Peter Brown's P&P label is possibly the most collectible of all the Disco-era independent labels. The distribution was always patchy, the records would often appear out of nowhere and then disappear equally fast. Many of the artists were one-off productions or working under hastily conceived pseudonyms.

In short, P&P has all the ingredients of the perfect label for diggers everywhere with records still being discovered some 40 years later. Little is known about Marta Acuna but plenty is known about the production team of Patrick Adams and Lonnie Johnson who were just way ahead of everyone else on this spacey Disco jam from 1977. It's been consistently popular on the cooler dance-floors for the last 20 years but suddenly the 7" has sprung into demand. A mint copy isn't far off £100 these days, so it seemed a good time to finally make the 7" available again.

As per usual, this will be on the original 7" P&P label and mint (which is near impossible to find these days). Always handy to have a guaranteed banger on a crisp 7" pressing and that P&P label looks so good. Black Vinyl in P&P Disco Sleeve.