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With a deeply introspective and poetic essence built upon Monolink's layered vocals, spirited rhythms and poignant storytelling, "Powerful Play" invites listeners to embrace the fleeting nature of existence and immerse themselves in the beauty of the moment; his distinctive blend of electronic beats and raw acoustic elements serving as a perfect backdrop to the song's profound lyrical depth.

On the B-Side andhim rework the track with their signature blend of luscious grooves, refined electronica and subtle euphoria, breathing fresh life into the original. The remix plays with dynamics and space, pulling Monolink's haunting vocal lines through intricate rhythms, warm analog textures and a hypnotic build that carries listeners through an immersive sonic narrative. The duo's groove meets Monolink's elegiac depth, resulting in a track that's both club-ready and emotionally resonant.

Reality Shock & Solo Banton are back once again, with a soundsystem anthem entitled Sound Teachings

Produced by Kris Kemist for Reality Shock Records, with support from CultureMix Arts’ Reggae Collective, Sound Teachings is a celebration of global soundsystem culture; a call to honour the past whilst embracing the future.

Solo Banton's lyrical flow is as commanding as ever, his wordplay paying tribute to the soundsystem pioneers who laid the foundation and the sounds of today who continue to fly the flag for the culture. Kris Kemist’s heavyweight production, featuring Wailers drummer Carl Benjamin, gives this record a fresh yet nostalgic sound, complete with obligatory dub mix on the B side.

Markantonio returns to vinyl with Radici, a bold statement that dives deep into his origins, both in name and sonic identity. This four-track EP marks a pivotal moment in his artistic journey, bridging the raw energy of early techno with his signature funky groove-driven approach.

A vital force in shaping the Neapolitan techno identity since 2001, AnalyticTrail now takes a new step in its evolution with the release of Radici. Markantonio, the label's founder and one of Italy's most influential techno figures, makes a striking return to the forefront. This release doesn't just mark his comeback to vinyl, it reflects a renewed connection to his roots and a forward-thinking vision that continues to drive the underground movement.

Opening with Welcome to Disco, the A-side sets the tone with an infectious rhythm, pulsating basslines, and shimmering synths that light up the floor with hypnotic flair. Rising Dutch talent Isaiah delivers a bold reinterpretation with his Rework, injecting a darker, more driving edge layered with brooding atmospheres and relentless percussion. On the B-side, the title track Radici dives deeper into tribal-infused territory, blending hypnotic loops with raw percussive energy, while Groover rounds out the EP with a stripped-back, minimalist roller designed for late-night momentum.

A must-have for techno lovers, Radici captures the essence of where it all began and where it's headed next.

Limited Vinyl Box Set including 6x olive 12” vinyl & download code

Cocoon Recordings presents: Cocoon Compilation V

Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.

Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.

The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.

A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.

On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.

Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.

Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.

From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.

Powerful techno EP from the prolific Lee Holman, well known from releases on Ferox, KSR and Demarcation alongside his blistering DJ and live performances at Tresor, Corsica Studios, Nechto and Sub-scape (Antwerp).

The A-side starts with the signature track - the iconic big-room techno of “Plasma Wave”, and follows with charging klaxon-call techno in the form of “Tachyon”. Turning to the B-side, Dave Anderson turns in an emotional deeper house remix of “Tachyon”, before Lee closes out the 12” with the oceans-deep “Equilibrium”.

250 copies, hand-stamped and hand-numbered.

“Super solid EP from Lee. Pure techno… dark and mesmerising” (Russ Gabriel)

generic sleeve 2025 repress

Oxygeno returns to his label Lost Verses with Pure Devotion, an EP that fuses hypnotic, raw, and relentless techno with a satirical and defiant critique of the Churchs values.

Side A opens with Soul Absorption, a track with a heavy low end, absorbing synths, and an atmosphere that plunges you into a deep abyss. Next comes Haunted, which takes the darkness further with a haunting, psychotic synth sequence and a heart-rending bassline that keeps you on your toes.

On the B-side, Infectious delves into shadowy territory with a modulated synth line that simulates something infectious and consuming. Finally, The Weight Of Guilt closes the EP with the heaviest and most aggressive track. Thunderous percussion and a crushing bassline capture the intensity and gravity reflected in its title.

Pure Devotion is a sonic journey designed for the dancefloor, where the body moves to the beat while the mind ponders and grapples with the ideas woven into each track.

Lennart, a Dutch Producer Who Has Called Berlin Home for Several Years, Boasts an Impressive Discography With Releases on Ritmo Fatale, KopjeK Records, Italo Moderni, and Zonefocus. His Latest Creation, the "With Love Ep" Exclusively Crafted for Our Esteemed Label Skylax Records, Stands as a Testament to His Exceptional Talent and Serves as a Captivating Journey for Enthusiasts of Italo Disco, Dark Disco, New Wave, and Proto-House. the Ep Kicks Off With a Bang With the Mesmerizing "With Love," Featuring an Arpeggio That Enthralls the Senses, Reminiscent of the Brilliance Found in Todd Terje's Finest Works. "Traumwelt" Follows With Its Immersive and Ethereal Atmosphere, While "Roffa" Delivers Another Electrifying Banger. on the Flip Side, the Intensity Doesn't Wane. "Chrome" Bursts Onto the Scene With Its Vibrant Energy, "Security" Echoes the Brilliance of Klein & Mbo, and the Ep Concludes With the Enigmatic "One Night at Wetrinsky," a Track That Bears the Unmistakable Mark of Legowelt. in Essence, the "With Love Ep" Is a Stroke of Genius, Showcasing Lennart's Mastery of His Craft and Solidifying His Position as a True Visionary in the Realm of Electronic Music....

Adding to the allure, the artwork has been masterfully designed by the legendary H5 studio, a pillar of the French Touch movement. Known for their work with Daft Punk, Air, Étienne de Crécy, Röyksopp, and Vitalic, as well as for their Oscar-winning short film Logorama, H5 now handles all SKYLAX RECORDS artworks, bringing their signature visual excellence to each release

The third release of Diggers Society Records comes from two artists who have distinguished themselves on the international scene. Side A is crafted by Two Phase U, a veteran of the Montevideo scene, who delivers two of his finest works, Aether and The Mansion, tracks that embody the essence of his signature sound, refined over the years. The B-side of Diggers Society Vol. 2 showcases the exceptional ability of Ukrainian talent Koloniari to blend house, electro, break, and techno into atmospheres with an authentic feel. The result is a sonic journey that merges pragmatism with a futuristic vision, reaffirming his versatility and artistic sensibility.

Ruton, consisting of Rub800 and Tonchius is back on their own label with a five-tracker as Continually marks their Fifth outing. Music ranging from hypnotic and trippy techno on the A-side to more melodic and harmonic house jams on the flip. Finally, a triphop flavored downtempo cut concludes the EP.

Yecad welcomes BRYZ onto its roster with his ‘Arcane’ EP, comprised of three originals from the Romanian artist.

Over the past decade the Bucharest, Romania based producer and DJ, Bryz, has been etching his mark on the underground scene through releases on the likes of Tzinah Records, Storytellers Records, Nazca, Esente Records and many more, as well as being a prominent DJ on his home turf in Romania and bringing his sound further afield throughout Europe.
Here we see BRYZ deliver his latest collection of works via Yecad, home to music from the likes of Barac, Dana Ruh, Constratti, Sepp and more.

Opening the release is the title-track ‘Arcane’, a hypnotic excursion through ethereal voices, spiralling delays, immersive atmospheric textures and a crisp, shuffled rhythm section.

‘Calida’ follows next to open the B-side, laying down raw drums, intricate, wandering resonant synth licks, weighty sub bass swells and plucked guitar licks throughout before ‘Iridian’ concludes the release, employing plucked bass notes and sweeping pad lines alongside bubbling arpeggios, oscillating synth flutters and shuffling, reduced percussion.

Equally adept on the decks and in the studio, Victor Calderone has travelled the world playing for thousands and created some of the electronic music industry’s most seminal tracks and remixes. His new double sided release on Nervous Recprds is a collaboration with highly respected producer / DJ Mykol. They have a created an EP that has the driving percussive force needed to move a dancefloor in 2025, and through its inspired usage of vocal and musical elements highlights their background as born and bred New Yorkers who grew up enmeshed in New York’s nightlife and musical culture.

'What You Want' features the legendary Byron Stingily, a Chicago house singer and Ten City vocalist with a famous falsetto. Here he serves up a moody spoken word sermon over chunky house drums with a dark energy and late-night sense of soul. Electric synth patterns wave in and out to bring great drama to this full-flavour groove. 'What You Want' also comes as a more pared-back but still jacking dub with plenty of smart studio effects.

'Take You Back' is a surging house sound with deep bass and drums and whimsical synth patterns that dance over the beats. Analluring female vocal pulls you in ever closer to a track that is both emotive and physical, steamy but sensuous.

One of the biggest tunes of 2011 gets a reload on Hotflush with a brand new remix from house legend Mr. G.

Hotflush label boss Scuba was a dubstep exile in Berlin running parties at Berghain in 2011, following the release of his landmark album Triangulation the previous year. The SCB project had been launched as a platform for his productions outside of the 140 realm, anticipating a stylistic move that would make a serious impact on the dance scene at large.

‘Loss’ was released on Aus Music that March, proceeded to destroy dancefloors across the globe, and ended the year at number 7 in RA’s ‘Top Tracks of 2011’. In 2025, it retains the unique combination of minimal elegance and trance power that gave it such impact all those years ago.

UK house mastermind Mr. G steps up with a trademark remix - uncompromising in groove and structure, guaranteed to do the business on the floor.

And to round off the package, a previously unreleased version of the original b-side, FutureUnknown is included. The ‘Voxattack’ made many appearances in the Scuba DJ set at the time and qualifies for ‘sought-after lost dub’ status.

It’s been a journey, but thanks to the guys at Universal Music we are very grateful and privileged to bring you this fine piece of modern soul music on vinyl.

Both tracks, on the 7-inch, are taken from the MP3 only 2020 album “Vintage R&B”.
It’s an Anglo-Swedish affair, delivered to you by Swedish songwriters, composers and musicians, Henrik Wikstrom and Anders Lewen, together with UK producer Andrew Stannard.

Side A “Time to Make A Change”, features in Episode One of the 2023 BBC documentary “Fight the Power – How Hip Hop Changed the World”. A track to surely get the dancefloor moving.
After some deliberation of which track to include as a Side B, it was decided as a “Thank you” gesture to invite Universal Music to pick the song of their choice from the MP3 album. “Good, Good Feeling” was the proposal, a song title that is reflected in the composition.

The top side, with its driving beat and the strong vocal ability of Liverpudlian Tommy Blaize, is reminiscent of a Motown track at the peak of its popularity. After listening to the lyrics, it is understandable why this track was used in a “Civil rights” segment within a documentary. A timeless message that can be applied to many social and personal life situations. Listen to the tight musical arrangement. These guys know what they are doing. A track that will surely even get my ageing hips loosened up for the dancefloor. Don’t be tricked by the “paused” ending, a wonderful touch!

The title of the flip side, “Good, good feeling” is exactly that……… A “good feeling” song. Here, the tempo is lowered slightly and the sixties vibe here also leads to a more mainstream direction compared to the A side. Those floaty soulful tones from the UK’s Louise Marshall are very pleasant to the ears, lifting your spirits on any day of the week. Like the A side, get your earlobes in to that musical arrangement. There was no holding back with the broadness of musical instruments in the studio and I especially like the sound of the flute happily skipping throughout. Overall, an enjoyable easy listen.

Music For Pleasure is the 1997 debut studio album by Monaco, a side project of New Order bassist Peter Hook. When New Order went on a hiatus after 1993’s Republic, Hook took the group’s sound and spirit with him and founded Monaco together with David Potts. Hook’s distinctive pulsating bass lines united New Order’s marriage of post-punk and pop, creating an identity so recognizable that Monaco’s first single, “What Do You Want From Me?”, was often mistaken for a New Order track. Upon its release, the album hit #11 on the UK album charts and sold more than 500.000 copies worldwide Music For Pleasure is for the first time available as an expanded edition featuring 6 bonus tracks, including remixes by Joey Negro and Farley & Heller. The 2LP Music For Pleasure (Expanded Edition) is available as a limited edition of 2.000 copies on orange coloured vinyl, housed in a gatefold sleeve, and includes a 4-page booklet.

Heads up, we got a hot premiere on GAMM from Chicago's finest Emmaculate and Basement Boys legend DJ Spen !

The story behind this release goes something like this...

Our buddy and GAMM contributor Coflo spins at a dope house party, drops the A side 'Step Into A Black Whole' and the club literally explodes when the track hits the massive hip hop breakdown (KRS!) and returns and transforms into a jazzy Afrobeat house stomper. It's an +11 min long musical journey going from house to hip hop to Disco-Afrobeat. The GAMM representative in the house "feels it" and asks Coflo who's behind the tune, and after a few months, the connection is made with Emmaculate and DJ Spen to secure the release for GAMM.

A few weeks later, Emmaculate delivers a second track, 'Boogie On Disco Woman', which is a killer Funk/Disco/Soul rework with raw drums, nasty clavinets and soulful female vocals.
This could easily have been the feature track, but lands on the B side this time.

Incredible jams !

RNT takes a trip south with some fresh modern takes on a pair of Colombian tropicalia classics from the 1970s! Sisters Elia and Elizabeth Fleta recorded some of the most beloved rare groove from Baranquilla’s early-70s period, and when Jaime Tuiran (Vagabundo Club Social) brought the project to label owners Aaron Dae and JKriv, they jumped at the opportunity to work with such rarefied source material.

On the A side, the mysterious newcomer producer Demi Riquisimo crafts a synth-laden tropical opus of a remix of Elia y Elizabeth’s signature hit 'Alegria' and the ever solid Parisian Yuksek works the tune into a concise and mid tempo disco stomper.

On the flip, Bostonian-come-Colombian BOSQ turns 'Soy Una Nube' into an uptempo soul banger, and Baranquilla natives Vagabundo Club Social lend their homegrown organic and clubby style to their mix of 'Alegria'. The perfect blend of earthy OG soul with modern and musical production, this record is as colorful and vibrant as the streets of Baranquilla during Carnaval. And RNT is throwing in a 7Inch with solid new masters of the original songs on heavyweight wax, to boot!

The new Ripen series was inspired by the live, percussive & soulful dance releases from Salsoul records and a curiosity of what Roy Ayers would sound like with a 303 in the band.
All the sounds including string quartet, horns, choir, percussion, flute spoken word, drums and synths were recorded in Sampology’s studio on the south side of Brisbane, Australia.

The 12” EP includes four songs + extra DJ tool creating a lush and live environment, bringing his previous nature themes further onto the dancefloor.

‘Spirits Ripened’ featuring NMMWL is a spoken word and string arrangement, a pause between kick drums and congas on the remainder of the release.

The second 12” volume of Ripen series set to release in the second half of 2025.

Small Great Things boss Luca Olivotto is back on his own imprint with the four track ‘It’s Too Dark’ EP.

In recent years, Italy via Berlin artist Luca Olivotto has been etching his mark on the underground House scene through his labels Small Great Things, Endless Music and recently minted At A Glance, as well as his Small Great House events series. Here the story continues with a fresh collection of works from the prominent House producer and DJ.

Opening is title-track ‘It’s Too Dark’, a six minute excursion through bright piano keys, swinging drums, soulful vocal stylings and a bumpy bass hook. ‘It’s Over’ follows and dives into deeper House territory with warm strings, organ stabs, and choppy subs intertwined with crisp drums, soft Rhodes and cut up vocals.

Opening the flip-side is ‘I Found You’, upping the energy levels again with a high energy melodic drive, hypnotic vocal lines and heavily shuffled drums. ‘See Thru’ then concludes the release and leans into a more Disco-tinged House realm with intertwined funk samples, sweeping filter work and intricately processed vocal chants running atop a sturdy rhythmic foundation.

Kick N' Dance is dedicated to the House music from Chicago & New York.For the second release, we have honored to have Berlin- based Nat Wendell onboard. Since 1998, his mission has been the same : to captivate the audienceswith his unmistakable sense of swing. A move to Berlin in 2010s saw releases onessentials labels. For this KND002, we have two sides of Nat : « Raw Love » with aWarm Tech House style, completely dedicated to the dancefloor . We dive deeperwith the track « What I Need » where a sensual voice meets subtle keyboardnotes. Nat brings his New York influence.

HYPERSPACE COMMUNICATIONS is releases a new remix package of the original Los Microwaves first LP: What's That Got To Do (With Loving You) is a two disc release in Lime and Clear colored vinyl; remixed by Kit Watson from the original analog 24 channel multi-track tape.Disc One is an EP containing six songs from the original Life After Breakfast LP (Poshboy Records) that have been remixed for the dance floor and pressed at a popping 45 rpm. There are 3 songs on each side including the title track, Time To Get Up, TV in my Eye and more.Disc Two is a full length LP at 33 rpm featuring the previous tracks plus four more mixed as instrumentals for film and TV synch use.These can also be used for custom length live cross mixes.This limited edition comes in a gate fold sleeve that pays homage to the Poshboy generic disco sleeve and original LP cover, and also features photos by Fred Kaplan.








h C2 Time To Get Up Instrumental
i C3 T.V. In My Eye Instrumental
j C4 Home Alone Instrumental
k C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]

For his second output on his own label, the Swiss electronic composer Robin Félix, takes this time the listener to West-Africa ; that said, Incantation is lightyears away from “world music”, but closer to the first “Fourth World” LP Jon Hassell recorded with Brian Eno. Moreover, Robin has teamed up with fellow Swiss sculptor, Christian Pauchon, who makes “woodoorina”, inspired by “bolis”, some rather objects used by the Bamanas in Mali and neighbouring countries, that ethnologists view as “fascinating mediators between man and his environment” ; a topic that led the Mauritanian Abderrahmane Sissako and Damon Albarn to compose the opera, The Theft of the Boli. Right from the outset of Goat Skin, one realises that Robin has applied his idiosyncratic way of (mis)treating field-recordings, to dissect and re-model an array of woodoorina calls (sometimes close to drones) entwined to a rhythmic pulse, conjuring up a starry night under which a shaman, adresses his incantations to the spirits of Nature. Robin Félix being who he is, as soon as Corten, his form of quiet electronics show that he is no stranger to Throbbing Gristle or Cosey Fanni Tutti, the self-explanatory Ritual Smoke taking it a little further. The spellbinding organic basses of Rains and Cauris, fused to textures that remind the experiments of David Toop and the electroacoustics of Pierre Henry, lead the listener even deeper into a contemporary avatar of a spiritual journey. In tune with the “call and response” mode, ubiquitous in African music, Pangi brings the EP even closer to the beating heart of the continent, the interactions of the sculptor and the composer blending to such a point that one may wonder if they have exchanged roles. As a meeting point of disciplines and art forms which are not supposed to meet, Incantation is also a convincing demonstration of what the word “inspiration” means, the superb visuals included ; of course, it requires a lot of finesse and respect on all sides

Coming soon, short-run 2017 single from Shawty Pimp. First vinyl edition, exclusive instrumental b-side. Sturdy pressing, dinked for juke-boxes/beat juggling and double-wrapped for extra protection. Second release from Gyptology Records outta Luxor, Egypt. Handle with care, there are no more after this run.

PLONC Hits! 001 peaks like the Fichtelberg in the Harz mountains in Germany. A1 is every smiley face’s fantasy, bass-loaded acid with a majestic bump, followed by the most classic Chicago old-skool, so goood, I can’t take it baby. B-side takes a quick detour into the ‘90s with the first track, only to return to a laid back acid groove that ultimately kicks you into low earth orbit.

SPF 50 aka Stephan Kimbel has been working the club circuit in NYC and abroad for years now. His approach to techno often incorporates breakbeats and a psychedelic attention to sound design details. He has released killer 12”s on Dzungla, Bliss Point, and his own label, Professional Music. Fixed Rhythms is now excited to present his latest 12” EP offering–”The Rush”.

The titular track, an acid breakbeat techno party starter for the heads, absolutely breaks down the door of the A-side. A2 “Deep Woods” descends into tasty, wiggly, spacious techno. B1 “Kinetic Ritual” is just that…you have arrived in the Zone, a dark corridor leading straight to One and Everyone. Then B2 “UV Got Me Faded” whips you wonky with a modular drumless wobble slap. This is well-crafted dance music that can plunge any crowd into the deep end.

Greville returns to Mad Habitat, consorting with the enigmatic Lonely Voices to realize a four-song suite steeped in vivid acoustic psychotomimesis. Each track is underpinned by Greville’s unerring sensitivity to sonic texture and atmosphere. The snappy, febrile drum programming of “I Miss Terry” is a deft counterpoint to the thrumming bassline. The chords of “Purgatory” swirl around the stereo field like hypnopompic hallucinations. On the flip side, vocals bleed in and out of the mix, spectral and elusive, threading through both tracks. “Electric Push” follows the monologue of “Dad’s Folk,” nudging it into even more surreal territory. It evokes a chance encounter between Ifach-era Baby Ford & the occult industrialism of late-period Coil.

Orientation is proud to present its very first release!

Teik Aro is a Berlin-based DJ and producer from Italy. His first self-releases and early influences were driven by a passion for acid techno and high-energy, rave-inspired sounds, reflecting his love for raw and intense rhythms.

Over time, his sound has evolved into something deeper and more refined. Now, he explores a more organic and mental side of techno, focusing on seamless atmospheric flows while keeping the energy and pulse that defined his early work. Constantly shaping his sound, Teik Aro stays true to his roots while pushing forward into new sonic territories.

Sekhem returns with a beautiful split EP bringing together two artists with distinct yet complementary worlds. On the A-side, Charlou delivers three slow and textured tracks, blending ambient with retro atmospheres, to create a deep, cinematic intro. On the B-side, P.O brings a more club-oriented vibe, with haunting vocals and nostalgic synth lines that define his unique signature. A record filled with emotion, both intimate and powerful.

For the fourth release of Marseille-based label Planète 51, co-founder Apoteoz steps forward with his first full vinyl EP — a deeply personal and evocative collection produced throughout 2024.

Crafted with a strong sense of family and emotional resonance, Switch My Face EP blends hypnotic grooves with intimate storytelling. The title track “Switch My Face” features the voice of Apoteoz’s father, while “Et Toi” includes a touching vocal sample from his mother

The B-side presents a more recent side of his production, including “Echoes in Blue”, one of his latest inspiration — a deeper, more introspective journey that expands the emotional palette of the record.

A Colourful Storm proudly presents a remastered first-time vinyl editions of Lone Capture Library's modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. "Environmental"? While this certainly wasn't recorded for dinner party ambience nor was it commissioned by Harrods, it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement and attempting to make sense of it all. Its protagonist is Rory Salter, London's restless improvisor extraordinaire, who has contributed to dozens of solo and collaborative releases in an ecosystem branched from his Infant Tree private press. Under his alias Malvern Brume, he is responsible for some of the most enchanting sides of contemporary concrète that's graced our ears: dérives revealing beauty and curiosity within London's urban banality. And while we'd argue that Lone Capture Library applies this approach but seeks the peculiar within the pastoral, there also lies a certain hermetic recklessness, with its disruptive details and discarded sonic bric-a-brac.

"I'd walked from Swindon to Avebury and back, which is about a 21-mile round trip. I'd been a muppet and did the whole thing down the A4361, which is not a road suitable for walking on - there was a lot of jumping into the hedges to avoid lorries. Turned out, there was a really nice walk across the fields I could have done instead. But maybe that sums it up quite well. Instinctive and very impulsive. The day following, I was at home and recorded it in single takes, improvised and straight to the tape. There was a good deal of significance for me in walking to the stones, passing the Hackpen Horse, being in the landscape and dealing with some brain rot after being stuck in a house, anxious and depressed. There was a sense of freedom and detachment. It was all about the materials of the earth and the body and fucking the brain off for a bit - just wanting to move between places. I dunno, it's all very cliché."

MME circles back to the mothership with their highly anticipated second release, this time guided by Philadelphia-based astral pilot, Sweater. This four-track EP delivers a perfect blend of deep, driving rhythms and futuristic soundscapes, designed to assist your escape from the gravity of a distant future. The opener, 'Mighty Morphin' sets the tone nicely with a housey track, lighting up the night with rays of starlight followed by 'Body Scan' with an otherworldly bassline and atmospheric elements that ebb, flow, and weave through late-night magic. Flip over to the B-side where 'Escape The Future' plunges into the dub-laden depths of hyperspace, wreaking havoc on any dance floor in its path. Closing the journey is 'Hydro Pump,' a pure electro tour de force with playful yet dynamic synth work and intricate percussion, culminating in a well-balanced release, primed for the most arduous celestial voyages.

Black Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.

The two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.

Beautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.

Masterful producer Yuksek returns to RNT with the Deja Vous EP of all-original modern disco. She’s Mine leads with a rolling percussive beat and Italo baseline and layers emotive piano chords and plaintiff vocals, to hearken back to a nostalgic era of indie disco. On the flip side, the EP title track collab with Brazilian producer Diogo Strausz brings expected tropical flavor, and All Night feels a bit French-touchy with it’s infectious phase effected vocal loop. Accessible hooks and solid production, this is a handy one for the bag!

For our next physical release, FERMA proudly welcomes Fragedis. A driving force in the local underground for over two decades, Fragedis is renowned for his eclectic, genre-blending, DJ sets and productions. Staying loyal to the craft and deeply committed to the culture, he is also co-hosting Healthy Summer in Crete, one of Greece’s most revered festivals for authentic rave culture.

This release features six tracks that perfectly encapsulate FERMA’s sound identity and forward-thinking vision. The A-side opens with “Teras”, an atmospheric piece with immersive vocals that lay the foundation for the journey ahead. “Thrust Reverse” cranks up the intensity with industrial-driven arpeggios, primed to ignite the dancefloor. Closing out the first side is a stripped-down reprise of “Teras”, reimagined by a legendary artist who has shaped the Athenian industrial sound – true name strictly confidential.

Flipping to the B-side, “Live in Lies” drifts into deeper territory, weaving atmospheric pads and trancey synth sequences for introspective, eyes-down moments. Bringing it all home, “Fasaries” delivers an electro spinoff that rounds out the release’s sonic character and journey.

We are beyond excited to share this release with you – play it loud, folks!

Bosconi Records is proud to present Tangled Waves, a dynamic split EP that brings together the sonic identities of two emerging Italian talents—Roberto Manolio and Giuseppe Angeloro—each making their debut on the label.

Like currents colliding below the surface, Tangled Waves reveals a natural convergence—where distinct styles drift together in subtle harmony.

The A-side features Roberto Manolio, known for releases on Cosmological, Nugs on Board, and Musek Records. He kicks off with Deeply Red, a UK tech house-influenced stomper driven by a fat, aggressive bassline and dreamy delayed chords. A haunting Russian voice sample adds a cinematic, retro-futurist edge—like a lost transmission from a 60s space mission. Next up is Machine City Road, a raw, gritty weapon where grinding synths and sharp textures drive the track forward with the force of a distorted electric guitar. It’s dark, edgy, and full of tension. On the B-side, Giuseppe Angeloro—previously featured on Cimedirapax, Havalon, and Polarity Records—brings a touch of italo-flavored euphoria with A Night Among the Trees. Lush arpeggios and nostalgic synth lines conjure up a dreamy atmosphere, building into an epic, cinematic anthem. Closing the EP is Mind Trip, a gentle, psychedelic excursion built on floating melodies, delayed vocals, and hazy atmospheres. It’s a reflective, emotionally rich track—perfect for the final moments on the dancefloor. Tangled Waves offers a meeting point of two unique sonic voices, flowing along parallel—but deeply connected—paths, resulting in four essential weapons built to last.

SOULMEEX record label returns this summer with a heatwave of nostalgia-infused grooves, welcoming French producer Harrington for his debut release on the label. Known for his raw, emotive take on electronica, Harrington blends italo, dream house, and vintage synth textures with a distinct nod to the golden era of Chicago and New York club culture. The result: two original cuts that pulse with timeless energy.

On the A side, Dancin’ Better channels a bittersweet euphoria, driven by retro drum machines, silky basslines, and melancholic melodies that feel both familiar and fresh. The remix comes courtesy of Prom Night, one of Copenhagen’s most vital dancefloor architects. His version reimagines the track turning it into a peak-time heater for dreamy dancefloors.

Flip to the B side for System Nation, a darker, more propulsive journey through late-night zones, with Harrington crafting a groove that’s both hypnotic and emotionally charged. Stepping up on remix duty is Berlin’s own Maltitz. His italo remix injects System Nation with shimmering synths nodding to the genre’s roots while pushing the vibe forward.

XTRICTLY ELEKTRO returns with Volume 2, further establishing its vision of innovative and forward-thinking Electro. Featuring six producers with razor-sharp sound design and solid trajectories across the international circuit, this collective work reinforces Cosmic Tribe’s commitment to rhythmic synthesis, harmonic tension, and the structural discipline of the genre — unafraid to step outside orthodoxy.

EC13 opens the release with another chapter of his retro-futurist signature, marked by strong conceptual intent and cinematic pulse.
Spectrums Data Forces, a side project of C-System, brings the most technical edge from southern Spain, blending depth, precision, and modular design.
Atix, hailing from Lyon, contributes decades of refined energy and craftsmanship, always with a club-oriented focus.

On the B-side, Calagad 13 returns with a deep, introspective electro bass cut, reaffirming his role as a central sonic pillar of the series.
Final Dream, one of Phil Klein’s aliases, delivers a powerful piece built on heavy low-end and epic atmospheres, in line with his legacy as a key figure in UK Electro.
Elektrotechnik, a German producer, closes the release with an industrial-leaning, bold, and uncompromising statement.

Six exclusive tracks showcasing the genre’s vitality and the diversity of creative visions driving its continuous evolution.
Limited to 150 copies.

Backspin's next release brings Selective Response, a prominent figure in America's techno scene, to the forefront with his Inner Heaven EP. Known for his hard-hitting techno rollers, he brings his expertise and passion to Backspin, delivering a release that aligns seamlessly with the label's mission to rejuvenate the Hardgroove sound of the early 2000s, blending releases of legendary pioneers with those of fresh talents.



The EP opens with Hells Bells, a doomy track that encapsulates Selective Response's signature style, featuring relentless rhythms and an underworldly bell theme. The title track Inner Heaven follows, offering a, contrasting atmosphere, blending ethereal elements with driving beats to explore the balance between intensity and tranquility. On the flip side, Power Hungry delivers a potent mix of pulsating basslines, sharp percussion and industrial elements, embodying the raw energy that defines the Hardgroove genre. The EP concludes with Purifier, a track more in line with the EP's title track, merging driving loops with intricate sound design, leaving listeners in a state of ecstatic trance.

Powerful early 90s house edits by the mysterious D.J. J.A. These tracks were unearthed in a secluded backyard in Monza, Italy - or maybe the South Side of Chicago, USA? The truth remains a mystery. Directly recorded from original cheese plates and polished for today's DJ demands. Enough talk - play it, say it!

Fashion Flesh tears the fabric of space and time. This is his first offering for the ESP Institute. With side A’s 'Atoms Revolt', ESP cordially introduces Fashion Flesh, AKA John Talaga, to the deepest corners of your mind. Using largely homemade electronics, circuit-bent gadgets, and tape manipulation, John manages to tap into the innate character of these otherwise introverted machines, eavesdropping and documenting their buried inner dialogue. His command of distortion is multi-tiered. On a micro level, he induces happy accidents and shepherds stray elements. Zooming out a bit, we begin to understand the sonic meat grinder that equalizes his bag of disparate ingredients. And from a macro vantage point, we fully recognize the greater tool that sculpts all of the above into form. Side B’s 'New Freedom' conjures a specific dystopian image—the byproduct of an artist involuntarily conditioned by the commute between up-river Bay County, Michigan and the Detroit metropolitan area. Like cutting away at flesh and muscle, breaking through the bone to suck the marrow, John depicts both the contrast and parallels between two post-industrial urban landscapes, the banal trek across The Thumb between them, and the gradual disintegration of agriculture as one nears the Techno city. Voice fragments begin to stutter in syncopation like radio frequencies interfering with our psyche, Geiger counters wail and moan, untamed oscillations mimic caged primates rioting at the zoo, and a steady-firing piston of drums struggles to break through a dense harmonic soot. The depth of personality John extracts through his manipulation process is remarkable— a point-of-view that foreshadows humanity’s looming technological singularity while hinting that it may have always been here, hiding in plain sight, waiting to be given a voice. These two songs will trip your circuit breakers.

Synaptic Cliffs is committed to discovering unknown and unreleased music in the future, testing it in the past, and selling it in the present. This is the only way to ensure that art is timeless. The recordings on this cassette, however, were purchased in 2073 from a beautiful woman named pdqb at the Marché aux Puces in Paris for only 0.0000000000000000001 Bitcoin, but on the condition that all the material is distributed on one cassette, namely exactly as described hereinafter: The short tracks from the years 1984 to 1989 are on the A-side, and one of these recordings must be supplemented with vocals by Max Müller, the singer of the infamous Berlin band Mutter. On the B-side, there will be a binaural 16.7-tone music composition from the year 2047. Furthermore, all recordings must be mastered by Mike Grinser. Last but not least, only high-quality chrome tape may be used for production. In August 2027, the music magazine Melody Maker, which will be published again from 2026, will write: " ' Vor dem Punkt ist nach dem Punkt' is a surprisingly singular work with a creative force of near-unprecedented degree. It is one of the most beautiful and best-sounding post-punk albums of the last 40 years, and it is certainly the main reason why we are currently experiencing a huge comeback of post-punk, shoegaze, and goth rock."

Majestic Fantasies, debut album from the duo Space Ghost & Teddy Bryant, is the second release on Space Ghost’s new record label, Peace World Records. Produced by Space Ghost, with Teddy Bryant’s powerful vocals at the forefront, this new album sees the two artists effortlessly blend their shared influences from the late '80s and early '90s.

Over three years in the making, in Majestic Fantasies Space Ghost & Teddy Bryant look to the past for inspiration as they explore genres, techniques, and moods. Across the record, Bryant’s vocals shine as he demonstrates a strong ability to create memorable nostalgic hooks and catchy backing harmonies. Similarly, Ghost displays his knack for dissecting vintage production tropes and breathing life into them in a modern context.

Filled with underground, soulful gems, Majestic Fantasies draws deeply from the duo's passion for R&B, UK Street Soul, New Jack Swing, House, and G-Funk. Their 10-track LP freely blend these genres, paying homage to song writers like Teddy Riley, Jam & Lewis, Carl McIntosh, an DeVante Swing. On the album you’ll find tracks like “Some Things Last Forever” which explore New Jack Swing drum patterns and vocal hooks. Additionally the record holds dancefloor-ready House tracks including “Majestic Fantasies”’ and “Unconditional” which sit side by side with heartfelt ballads such as “Cheer Me Up, ” and “Ultimate Love, ”

Although the two have never met in person, Space Ghost and Teddy Bryant still find a way to connect through their music. Throughout the album, they demonstrate a mutual understanding of the sound they like to produce together: tasteful and playful love songs that feel positive and optimistic, bringing classic songwriting styles from the past into the modern music landscape.

Majestic Fantasies lands on Peace World Records June 13th, 2025.

**CASSETTE**

Budapest based independent concept label Blue Sun celebrates its first anniversary with their second VA cassette, showcasing artists from the local underground and/or electronic music scene, along with some international guests.

Bound together by an aesthetic rooted in the "listening" culture, the release features mostly downtempo tracks with a colorful palette of genres like ambient, trip-hop, jazz, experimental electronica, new wave and even modern classical music. With a contemplative, wandering feel, it shifts the focus from music consumption at dancefloors to the listening-at-home experience.

Just as on the first VA (BLSN001VA) there are no ‘A’ or ‘B’ sides on this release. Instead the label uses colors to distinguish them, largely based on the mood of the tracks. The ‘orange side’ covers a more upbeat line of music, while ‘blue side’ takes us on a more introverted, experimental journey.

Curated with a ‘circular listening concept’ by the founders of the label, the tracks are sorted in such a specific order that they are designed to take the listener on an endless auditory loop - wherever the journey begins.

Curated by Hanussen & Kozmo D

Designed by Idil Emiroğlu

Mastered by Márton Grema Gregus

Manufactured by Headless Duplicated Tapes

Released under the Blue Sun.

Break sources some of Symmetry’s favourite producers to remix tracks from the Digital World LP.

With each remix garnering strong club support around the world, they now unite on one release: Digital World Remixes.

The remixes come from some of the best in the scene, including Mefjus, Calyx, Skeptical, The Sauce, Alibi, L-Side, and Break himself, with incredible vocal performances from Liam Bailey, Charli Brix, MC Fats, SP:MC, and Lorna King.

The wait is over: all killer, no filler.

The year is 2025, 30 years on from the release of the original “We Are Borg”, Bass Junkie’s first vinyl release under his Cybernet Systems alias. This seminal Electro Bass track, originally featuring additional production from the legendary Dynamix II out of Florida, was the first release on the short lived Panic Trax label. Using the same sounds salvaged from the original SP1200 disc, Bass Junkie has remixed this classic for the next generation…

Next up is “Bass Force”, delivering a heavy assault on the senses with its soaring synths and deadly Bass, pushing the envelope and bringing forth a new take on the Electro Bass sound.

Flip to side 2 for “Electron Spin Resonance”, a DMX driven track of relentless pounding rhythms, tape style edits and a ferocious marching bassline.

Finally Bass Junkie takes us back to the old school with “Proceed”, a homage to the 80s sound and the early trax that broke boundaries and made Electro a force to be reckoned with.



End transmission

* Limited edition 2 x LP vinyl with full colour outer sleeve and printed inners.

* The sound of a D&B original. Carlito's debut LP blends timeless vibes with fresh energy and presents a masterclass in liquid funk.

* A long-awaited debut from one of liquid drum & bass's true pioneers, Fiesta En La Playa sees Carlito step out solo on Liquid V with a full-length that's been years in the making. Known for his work with DJ Addiction and iconic releases on labels like Moving Shadow, Creative Source, Hospital Records and Defunked, Carlito helped shape the early sound of soulful D&B, and here he refines it with maturity, depth and a forward-thinking touch.

* Includes the standout singles Fiesta En La Playa, Wide World, Savanna Rain and Take Me Down, plus a host of new tracks exclusive to the LP.

* An album that brings Carlito's classic touch into the present — deep, melodic and musical, with the weight and clarity to hold its own in any modern DJ set. Also featuring vocal contributions from V regular MC T.R.A.C.

* "I've always loved the more musical side of things," says Carlito, "and with this album I really wanted to stay true to my sound but bring it into the now."

* A personal and creative milestone, marking Carlito's return to the scene and celebrating the spirit of D&B culture past, present and future.

* Full support from Bryan Gee, DJ Marky, LTJ Bukem, Jumpin Jack Frost and the V family, with roots that run deep and a sound that continues to inspire across generations.

* Built around standout singles and brand new material, the LP is as much about feel as it is finesse, lush, rolling and warm, but with weight where it matters. From start to finish, it's the sound of a producer reconnecting with the craft: "I still get the same buzz turning the kit on, not knowing where a session might go."

* With a legacy that spans decades, Carlito delivers a record that speaks to both long-time heads and the new wave alike — soulful, confident and packed full of funk.



c A3. Sing It Now Swerve Mix

e B1. Fiesta En La Playa VIP

New EP on the Spanish Xhulotek label !

A side briongd Solo compo by Xhulotek. B-sides offers 3 collabs with musicians...

ENJOY !

chris

Le Chatroom, a record label established in 2016 by the English producer Kouslin, searches for the missing link between underground bass music and outer national sounds. Its music is defined by the blend of synthetic and organic tones, modern / classic instruments and low- end heavy percussive rhythms.

Pushing artists from all around the globe that share the same love for this newfound sound, Kouslin's aim with Le Chatroom is to promote musical diversity, open-mindedness and experimentation at a time when unity between cultures is crucial. With 'LCR001' the label advances into a new physical environment from which this release should be experienced.

Real talk and native percussion establish the steady climax of 'Brothers', the A-side of Le Chatroom's inaugural wax release. Kouslin cuts through this sediment with a bright flute, before the state of the sound switches into something far darker and meditative. By placing several samples at irregular intervals, the Londoner achieves a fascinating charm that'll unite us all.

Booming bass in 'Gyals' lingers with a steady pace while percy tribal hits forge a raw groove that's far from common. With this movement, the producer from Bristol disintegrates the sense of a generic production and sticks to his true nature. Through this it becomes clear that Galtier has his polyrhythms down to a science.

Londoner Sheik clinches the B-side with a craze that unveils a nearly psychotic sense of sample architecture. Pushing crystal clear 808 kicks in- between the haunting atmospheres and a wall of pressure simply becomes one of his most inventive takes documented on wax. If you love to swerve through a minefield, the odd 'Oxram' would be your favourite pick off this first outline.

The three producers that feature on 'LCR001' pass on their fundamentals to conjure Le Chatroom's philosophy red-handed. Together they do the imprint's name justice by handing over critical bass repertoire that'll excite many!

Second offering from Leo Gibbon’s MUDLINE imprint sees the producer reunite with grime’s perennial wild card, Trim, for a two-sided pressure test that flexes both restraint and raw power in equal measure.

On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.

Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.

Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.

A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.

Glossy Mistakes Reissues Resonance 001, a Proto-House & Trance Milestone from Belgium from 1992
Glossy Mistakes is proud to announce the reissue of Resonance 001, the groundbreaking debut EP by Belgian producer Fabrice Lagrange, created in collaboration with Frank Beekman and originally released in 1992. Long overlooked, this forward-thinking record captures a pivotal moment in the early European evolution of house and trance-melding minimalism, emotion, and club-oriented experimentation into a sound that remains strikingly fresh over three decades later.
Resonance 001 stands among the earliest European records to explore the fertile intersection of hypnotic house rhythms and atmospheric trance. The A-side, featuring The Awakening Earth and Pure Self, channels a stripped-down yet euphoric energy-deeply inspired by the spirit of Detroit techno but undeniably forward-looking. As Frank Beekman recalls: "This record was recorded in a very simple studio, with minimal gear, inspired by the Detroit techno sound."
On the B-side, the EP ventures further into experimental territory. Paris By Night offers a dreamy, tech-tinged house excursion, leading into Redondanz, a meditative downtempo closer that perfectly encapsulates the release's subtle charm.
The enduring appeal of Resonance 001 lies in its restraint: crafted with minimal tools, it delivers maximum emotional depth. It seamlessly blends hazy trance atmospheres, early house grooves, and ambient-inflected textures, capturing the open-minded, exploratory ethos of early '90s electronic music.
Now remastered for vinyl by Wouter Brandenburg, Resonance 001 returns in pristine form-faithfully preserving its original character while bringing new clarity to its timeless sound.

New chapter from Urban Underground Grooves bring the sign of duo No Hype DJ’s, comin’ back on the label with a new package of funk filtered cuts .
For the real lover of the MPC sampled style this package will take you back in the 90s era of the Henry Street Records heroes like DJ Sneak, Mateo & Matos or Johnick.

A side is fully dedicated to the dance floors energy with uplifting A1 banger “FnK’ It” reminding that Gene Farris wheel recordings feeling !
The A2 “Tribaldoria” it’s a Tribal banger that will shake your booties all the night.

B is very emotional and more relaxing, opening with a nice romantic theme “Rainy Dayz” to go towards a french filter crunchy jam and ending with a clear message of Be Yourself closing the records that represent a big meaning for this EP.

Lots of late nights and sunrises spent together between St. David and Wildbox in their labs and this the result of this hard work told as fairytale of 5 beautiful cuts.

Mixed and Mastered by St. David at TOW Records in Bari, Italy

Pink Floyd at Pompeii - MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben. Digitally re-mastered from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert with additional rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios. The accompanying album release will see the performance presented on vinyl for the first time.

PHYR003 - REACTIONS VA is the second vinyl release of Pyramidal Decode's imprint.
This Various Artist opens with a dancefloor-oriented track by the label boss himself called Fiammata.
On the A2 we find Overdose, a raw and warm 909 exercise by the Dutch legend Dimi Angelis.
The B side starts with 'Las Cenizas', a proper spanish groove by the Techno-expert Ribe.
Closing the release we have 'Therma', a great hypnotic track crafted by the Japanese pioneer Takaaki Itoh.

Housey Doingz, widely regarded as one of the most influential collectives to emerge from the London scene, returns to Sushitech with an extraordinary new release, set to become a cornerstone for discerning collectors.

This exclusive 10x10” series reflects Sushitech's 20th anniversary, featuring remastered tracks, rare and previously unreleased material carefully selected from the legendary Strange Weather DAT archives.

The second installment features a remastered version of Belly Wobbler, originally released in 1998 and highly sought after ever since. On the B side, an alternative unreleased mix of the massive Chess With Dwarves, taken from the original studio session.

Sushitech 20th anniversary.

Housey Doingz, widely regarded as one of the most influential collectives to emerge from the London scene, returns to Sushitech with an extraordinary new release, set to become a cornerstone for discerning collectors.

This exclusive 10x10” series reflects Sushitech's 20th anniversary, featuring remastered tracks, rare and previously unreleased material carefully selected from the legendary Strange Weather DAT archives.

The forth installment in the series is big, bold and raw, driven by 303 basslines. On the A side, the unreleased Without You with heavy dub version on the flip. These house rarities come straight from the exclusive archives of these legendary pioneers

Sushitech 20th anniversary

EVERYBODY LOVES THE SUNSHINE is more than a classic. It is “THE” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety.

The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a SEDSOULCIETY RECORDINGS 7” vinyl with full cover artwork, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

2 bangin' big room house edits from the ALIENS ON MUSHROOMS crew. A-side features a cut up shuffley version of the WAILERS classic "COULD YOU BE LOVED." A vocoded STEVE MILLER will have dancers "spinnin round and round" with another classic, "ABRACADABRA" rounding out the B-SIDE

Gladio Operations launches its twelfth release, where the Spanish label returns to the various artists format.
Opening the pack is producer and Distrito 91 label owner Fabio Vinuesa. Under his newly created alias Protocolo Sysex, he gives us “NottheFuture,” a powerful track with raw bass lines — a benchmark for the dancefloor.

On the same side, we encounter Sinitsin. The Russian artist, who debuts on the label, leaves his mark with “Thinking Machine”. A track that reveals his enthusiasm for charismatic and effective melodies, very well sequenced throughout the track.
The B-side opens up by an acquaintance of the label, Jauzas the Shining. This time he is accompanied by Foreign Sequence, and together they have created “Enter the Body”. A track of dark aesthetics, served with dramatic vocals, very characteristic of the Frenchman who, of course, never disappoints. Another artist making his debut is Italian producer Teslasonic.
This fast-paced track titled “Chubby Bee” reveals a minimalist bass line, with subtle and delicate touches of the 303.
The EP is brought to a close by another Gladio acquaintance. Igors Vorobjovs returns with this track titled “For One”.

Orientated towards IDM sounds, the Latvian producer once again envelops us with a passage of deep and mysterious harmonies, which undoubtedly makes it a timeless piece.

After Deano and Faretrades inaugural release on the Knowledge Imprint DFT sublabel comes a remix pack of those first collaborative tracks. Following the sonic palette of the originals, the artists have enlisted some of their favourite young producers to contribute their interpretations. On the A Side youll find Border One and Quelza, while on the B Side youll
find CONCEPTUAL and D Leria, all of whom put their idiosyncratic touches into the package, guiding the listener through everything from driving and bright to warm and hypnotic. Also contributing an exclusive digital-only remix is Portugals own prodigy Norbak
to round things off in solid fashion.

Kiria Records proudly presents "Vintage A EP", a collection by Direkt that embodies the essence of modern groove with timeless and elegant influences. This EP explores different sonic shades, perfect for enriching any moment of a DJ set.

On side A, we have "Vintage A", a track that stands out for its sophisticated groove and immersive structure. The blend of delicate synths and sharp percussion creates an atmosphere perfect for lighting up the dancefloor and taking listeners on a hypnotic journey. Following that, Cally’s remix delivers an innovative and minimal reinterpretation of the original track. With tight rhythms and subtle nuances, this version captivates the audience and adds depth to transitional moments.

On side B, "Best Kick Forward" opens with a powerful rhythmic drive, characterized by strong basslines and an engaging progression, making it perfect for the most dynamic moments of a set. Closing the EP is "Fragments", a track that plays with atmospheric elements and refined grooves. Intricate percussion and ethereal melodies intertwine to create a finale that leaves a lasting impression.

With "Vintage A EP", Direkt and Kiria Records deliver a must-have musical chapter, crafted for DJs and collectors seeking unique and uncompromising sounds.

On this new imprint, we welcome two french producers who love the raw grain of the machines and the dark groove of oscilloscopes. On the A-side, the veteran Kragg, who released some nuggets on Transient Force or Militant Science in the 2000's. On the B-Side, RTR, known for some bomb records on WeMe Records or Analogical Force. From electro to techno, from euphoria to melancholy, here are 6 tracks that will definitely blow your mind, acid junkies !

Cool Up Records presents the new 7-inch vinyl single by Spanish singer Sailor Smile. The record includes the tracks "Small Baby" and "Let Me Shine", both from her recent EP Desire.

Following the warm reception of the 7-inch single “I Put a Spell on You” in 2024, also featuring Sailor Smile, the Spanish label reaffirms its commitment to the artist. This new release moves beyond the reggae sound of previous productions, while preserving the signature style that defines Cool Up’s work.

On A-side, “Small Baby” is a Soul tune with a solid groove and plenty of character. On B-side, “Let Me Shine” is a Ska track featuring a vocal collaboration with Tenor Mario, who also co-produced both tracks. Together, they deliver a vibrant duet full of energy and party vibes.

Both tracks stand out for their horns arrangements by Sherlock Horns, which add richness and cohesion to the production, solidifying a distinctive sound within the label's catalog.

The vinyl design, created by Mr. John Vanilla, maintains the aesthetic line of Cool Up Records' 7"collection.

The first new Electro Clash tracks from Break 3000 since 2003! After a string of re-issues of old gems on Italy's "Mondo Phase", the Argentinian label "Calypso's Dream" and his own "Electron Feel" last year, Break 3000 is finally back with some new original cuts!

The A-side "Electronique" has all the ingredients you would want from a hard-hitting Electro Clash track. EBM style drums and a powerful raw bass line topped with soaring rave leads and pads and added original (Vocoder) vocals by Break 3000 himself. This one is road tested already on dance floors and big systems and a guaranteed crowd pleaser! Second up is the driving "Continua", leaning more towards Break 3000 Techno classics like "Flash" and "Fix" this filtered rave lead will make a wild crowd go even wilder. Dark and twisted Electro Techno at its best.

The B-side opens with another aspect of the Break 3000 sound spectrum. We look back to the early years here and to songs like "The Wait" and "Spacemaschinenreise" that were produced in 1999. In a Detroit meets Rotterdam styled Electro setting this song uses a lot of the old sounds from 26 years ago, mostly coming from his original EMU sampler used at the time and a great 80s vocal sample gives this track it's title. We are transported back to the golden era of Cold Wave here. Closing out this new EP is the wonderful Marcello Giordani from Parma, Italy who build a strong reputation with his "Italo Deviance" label over the years. He gives the original "Electronique" a great funky "Proto House" bass line in best "Bobby Orlando" manner, what a brilliant crossover track this one is! With the Vermona drum sounds his - Dark Disco meets Early House - jam will certainly be on many DJ's want list.

We hope you enjoy these new tracks! There is more to come… stay tuned!


All tracks are mastered by Salz Mastering in Cologne. Music, Photography & Art by Break 3000.

You've heard it in many of Bukkha's, Mysticwood's and King Original's sessions, and it made you dance and prance.
The moment you have all been waiting for is here!
BUKKHA003 features grime king, Footsie, pon the mic over a nice rockers style riddim built by the original US dub/steppas king, Bukkha.
Footsie come through and provides a deep meditative vocal flow.
Joining us on the vocal mix and horn cut is trumpet badman, Aba Ariginal.
You already know these are guaranteed ANTHEM vibes!
To close the A side, Bukkha dubs the riddim in his unique style and fashion.
On the flip, man like Charlie Mystic steps up to the plate, and brings new life to the vocals by putting them on a heavy steppas riddim.
Mysticwood takes you on a journey with this one by showing you his versatile style.
All of Mysticwood's cuts are certified bangers to take your session/set to the next level.

2025 Repress

Words by Costanza Acernese
MOVING PRESSURE 04 / Obscur
With its fourth release, Moving Pressure welcomes its first external artist: young Slovenian producer Obscur. With a signature sound that is driving and subtly psychedelic, his debut on the label doesn't stray from the core tenets of its sonic ethos. Obscur delivers minimalism with purpose-dynamic, intentional, and wholly physical.
'F135' opens the A-side with a sinister tilt-rubbery squeaks stretch and coil around a flickering, synthetic voice. It's tactile and strange, without losing movement. 'Soul Eater' follows with a slow-burn crescendo, nestling psychedelic inflections into a warm low-end. On the flip, 'Stockholm Syndrome' pares things back. Dry, stripped rhythms carry an atmospheric tension-it's austere yet playful, leaving space for darker hues to linger without fully settling. A precise, heads-down statement. 'Blasphemy' follows with a tighter percussive grip and Feral-esque, panning modulations. Highs slice through a foundation of finely textured grooves-functional at its core, but laced with enough detail to give the track a sharper, more intricate edge. The digital bonus, 'Diamond City', stretches the sonic palette even further. Not through layers, but through tone: steel blues and deep violets bounce off metallic bleeps with cinematic restraint, closing the EP on a reflective note.

The album "THE ENTITY" is an esoteric-horror concept composed of 12 tracks (plus one bonus track) dedicated to The
Entity, the central figure of the DEATH SS project. Its literary inspirations range from Aleister Crowley—who sought to
free mankind by awakening its artistic genius—to characters by Hogg and Stevenson, who delve into the dark side of
human nature. It features figures such as Jack the Ripper, Walter Sickert, Cimiteria, and others, all deeply connected to
the band’s mythology. Produced by Tom Dalgety, renowned for his work with Ghost, The Cult, Rammstein, and more.

After a 2 year gap Sticky Plastik presents its third VA with a new look and sound featuring dark disco flavoured minimal techno by Corsican artist P.O. on side A and progressive house collaboration of Chinese artist B.AI with Polish Marcelina, previously known as Marcelina Wick, on the side B.
A1 with 'Dodo' by P.O is a touching and deep track resembling an emotional dark disco/techno melancholic story tale with a happy ending. Next is 'Arcade' a fast 80ties inspired minimal acid house beat recorded on a groovy and uplifting note.
Flipping to the side B with progressive house ‘Homesick’ by B.ai and Marcelina combining Asian profoundness with Slavic edge. This is followed by P.O’s remix of the ‘Homesick’ adding more punch and techno to the track and the VA.

Crowns by The Rebel feat. Corey James Gray is out now on 7’’ via Little Beat More!
The Rebel, aka Tommaso Taroni, producer from Rome and Founder of DJ’s Choice label, delivers a raw, soulful track that opens the door to his debut album. Crowns features the sharp lyrics and smooth, magnetic delivery by Corey James Gray (FKA Ill Spookin), riding over a sturdy groove with crisp drums and deep guitar loops.
On Side B a further explosion comes: Clap! Clap! signs a Power Trio remix of the track that flips everything on its head. With thunderous syncopated riddim and wild brass stabs, this version hits like a futuristic brass band from New Orleans: unrelenting, joyful, and rhythmically overpowering. A bold reimagining by one of Italy’s most visionary electronic producers.
Packaged in a stunning disco bag illustrated by El Moro, this 7” is both a record to play and a piece to keep. A snapshot of a fresh project in the pipeline, ready to go!

Repress!

After months of careful preparation, we're thrilled to introduce Hydrostatic Equilibrium HNT002--a full EP by our dear friend and inspiration, Arthur Robert. This release captures the essence of our sonic journey: the A side offers more energetic, driving tracks, while the B side dives into a more mellow and deeper end.

HNT002 features a unique collaboration between Arthur Robert and Aya on the track "Le Sense De La Vie." The artwork cover for this release was also created by Aya.

RAWAX proudly welcomes Mystic Bill to the artist Family.
As big fans, we are more than happy to present you this great producer on CHIWAX.
„Chicago School Of Jazz Vol. 1“ is beautiful Hommage to the artists and music of the Windy City.

For the latest Klasse Wrecks release, the label combine with Japan's finest festival and events crew Rainbow Disco Club to collaboratively present WRECKSRDC. Overrocket were an electro-pop band from Tokyo that enjoyed a grip of great releases in the early 2000s while signed to Neon Discs and its parent label Aten. During a digging session Luca Lozano discovered the forgotten tracks 'Duralumin' and 'Shadow of the Sun' and immediately set out trying to contact the band's members to arrange a re-release and remix. A few months of patient trying, the connection was finally made and wheels were set in motion. Musically the EP conjures up perfectly the sonics of that time, a grey area between analog convention and the unexplored territories of new digital freedom. Shadow Of The Sun is electro-pop perfection, with breezy vocals and a bouncing beat that sounds like nothing else around...past, present or future. Duralumin is a more dancey collection of blips and beats, one that will make sense in the current return to early 2000s aesthetics. To round out the release and propel it into 2025, KW label bosses take a track each and interpret in their own way. Lozano revisits his electro roots with two remixes of Shadow of the Sun, distorted 808s and growling 101 basslines provide a simple backdrop for the perfect vocals. Mr. Ho takes Duralumin into a more driving and pacey direction, upping the energy and excitement with fast percussion and a huge side chained breakdown that recalls the unbridled rawness of the early 2000s, when everything was just a little bit more fun. Keeping within the confines of Japan and in an effort to bring everything full circle, the label enlisted Japanese artist Gonno to master the tracks for an updated modern sound. The tracks themselves being mastered a few miles from where they were originally penned over 20 years ago.

Turkish band islandman release the ‘Bahar’ EP + Bonus tracks for the first time on Vinyl for Record Store Day 2025.

The A side consists of four sublime tracks including ‘Sattava’, ‘Sad Walk’ and ‘Self-Hypnosis’ & title track ‘Bahar’ which is

a firm fan & listener favourite which has racked up over 3 million streams.

The B Side includes 3 tracks never before released on vinyl tracks from the Turkish Trio. Kicking off with "Yorgunum Kaptan” A rework of Cem Karaca’s composition recorded in ’84, which lyrics were initially driven from the poem written by Nazım Hikmet in 1957. This fresh take on the original is an ode to the pioneer and a homage because of being the inspiration for the band from the beginning.

Next up is Nara Nara Nara (islandman Remix) by NaraBara, the Jazz-Fusion band from Mongolia. This is the most recent chugging islandman remix.

Closing off the EP is the fantastic Future Days (Hey! Douglas Remix) which was released in 2018, but still sounds so fresh today.

wiggle room is the long-overdue Blip Discs debut from pq - founding member of Nihiloxica (Nyege Nyege Tapes, Crammed Discs) and long-time label affiliate.

On the A-side, “igglewiggle” and “aliens!” augment UK styles to deliver two bassy heavy hitters. The more experimental B-side starts off very B2 with “ketty stepper anthem” and its wonked-out polyrhythm, before a stripped-back VIP of “aliens” closes the record.

Having made his mark as a core force behind Nihiloxica — the Bugandan-techno outfit whose explosive live shows earned global acclaim — pq now hones a functional club sensibility he first showed on Lapsus Records and his own label Spooky Shit.

wiggle room balances an adventurous energy with serious bass-weight, never stopping to stroke its proverbial chin even once. A definitive, forward facing statement that expands the peripheries of the dancefloor in an ever evolving UK bass-music continuum.

You have been waiting for this for a long time. Ricardo Villalobos approved, Huge edit!!! 12 Inch One Sided white Label Hand stamped. Vinyl only release.

Crash! Boom! Bang! 30-year anniversary celebrated with a unique special edition: a double album in black and white vinyl with 18 tracks and an 8-page booklet.

30 years ago, Roxette released their fifth album "Crash! Boom! Bang!", including a stream of hit singles like "Sleeping In My Car", the title track, "Fireworks", "Run To You" and "Vulnerable". The album would sell more than five million copies and was followed by their second World Tour, which saw them perform for over a million people, including the second performance ever by an international act in China.

“Roxette were among the three most played artists on American radio during 1989, 1990 and 1991, and we were on top of the charts all over the world. So, it's no wonder we felt pretty confident when it was time to record the new album”, Per Gessle says. “Having had that kind of success made us feel that we had a perfect opportunity to stretch out into new directions. To show slightly different sides of what Roxette could be. And I still think "Crash! Boom! Bang" is our best album”. Crash! Boom! Bang! saw chart success upon release, No. 1 in Sweden, No. 2 in Germany and No. 3 in Australia and the UK.

Roxette – Marie Fredriksson and Per Gessle – came out of Sweden in the late 80’s. Their game was pop, their mission to conquer the world. With 33 chart-busting singles and total record sales exceeding 75 million, it seems safe to say “mission accomplished”.

The double A sider of all double headers combines African music superstar Letta Mbulu's two evergreen heaters; the afro-electro boogie gem Nomalizo, a track that has achieved cult status among collectors and DJ's. Finally released for the first time as a single b/w Kilimanjaro Takes Us Higher, the singalong up-tempo dance classic there never fades. Previously unreleased on as a single together, these tracks have had spins aplenty by every DJ worth their salt, and danced to within a myriad of scenes, over many decades. You really need this in your life! Essential!

Following up on his first DJ Friction Presents Ground Control album „Boogie Some More“ via Sedsoul Records , Soulsonic Recordings, the just founded label of DJ Friction is working on the second album. The exciting tune features again vocals from David Whitley, now on one track on the A-side and a dub version on the flipside as the first single of the upcoming album and is an exclusive first release on 7“ vinyl. This marks the beginning of a new era for DJ Friction who launches Soulsonic Recordings in collaboration with Soulkitchen. This original songwriting, ‘Step Into The Light‘ is again a tribute to the golden era of funk and disco, this release perfectly captures the electrifying energy of the early 80s while keeping things fresh for modern dancefloors. It is a fully positive feel good song with a meant to be enlightened touch of a gospel ceremonie, asking to join in with clapping, dancing and singing. The writing and production make this another certified dancefloor bomb, embracing the spirit of 80s funk with authentic precision.