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THANKSMATE - YOUR FRIEND

Thanksmate have been working together for over a decade and are pioneers of their local scene. They run the notorious Soul Express event and their experiences of keeping its dance floor vibrant and bouncing feeds into this first new EP. It's a bright mix of disco, house and Italo that brings the party in a classy fashion.

Brilliant opening track and lead single 'Your Friend' showcases what Thanksmate is all about - buoyant grooves, big bass drums, lush synth work and a touch of '90s house class with some cult r&b vocals from the early 2000s. It's an irresistibly feel-good record that is well-executed and full of fun. 'M8s On LSD' is a more intense, heads down but just as characterful track with ravey melodic riffs and unrelenting drums run through with flashes of acid. 'Feelings' offers a third different look with exquisite synth craft glowing with plenty of Detroit warmth and soul over super-charged drums. An emotive vocal and cosmic keys finish this new school Italo anthem in style.

Thanksmate's unique mix of charm and colour is a perfect way to kick off what is sure to be an essential label from the tastemaking Marvin & Guy.

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Last In: 2 years ago
13,32 €
Charms - Givin’ It Up / Pour Moi Ça Va

Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!

On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.

On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.

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Last In: 2 years ago
12,56 €
Figi & San Proper - A Place For Love Remixes

"A Place For Love" is a captivating electronic house music endeavor, expertly crafted by the synergistic partnership of San Proper and Figi, hailing from the vibrant city of Amsterdam. The project boasts an impressive roster of guest contributors, including Tom Trago, Seth Troxler, and the esteemed label heads of Guti & David Gtronic, each imbuing the compositions with their signature style. The project exudes a funky, charming, and inviting energy, inviting listeners to fully embrace their individuality and lose themselves in the hypnotic beats. Whether it be the electrifying dubby techno, the shimmering and ethereal twists, or the razor-sharp edges injected into the club-ready tracks, "A Place For Love" offers a diverse array of auditory delights. It is truly a sanctuary for those seeking to indulge in the boundless beauty of electronic music and the euphoria of self-

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Last In: 11 months ago
11,98 €
Richard Skelton - Selenodesy LP

Essential UK experimental composer Richard Skelton returns to Phantom Limb for new album selenodesy, interweaving his newfound love of electronics and synthesis with mastery of gritty organic texture.

Skelton’s music has always been rooted in landscape, in the loam and grit of the earth: from his 2009 Pennine Moors-inspired modern classic Landings to his more recent Moraine Sequence of geological excavations, his work has been bound inexorably with the stark and untended wilderness of northern landscapes. With this new album, however, Skelton shifts his gaze skyward — in part the result of a move in 2017 to the countryside near the Kielder Observatory, and to a so-called ‘dark sky’ region of the UK. In this remote landscape, light pollution is minimal, allowing the austere majesty of the night sky to be seen with greater clarity.

The resulting album, selenodesy, reveals a new, reverberant spaciousness to Skelton’s use of electronics. It marries the twin worlds of his previous Phantom Limb release - 2020’s These Charms May Be Sung Over A Wound, and its abandoned-factory threnody - with the landscape-revering arcana of his earlier work, which saw him bury instruments in the soil to return months later to recover and record with them, newly imbued with the land they occupied. selenodesy was prefigured by a period of insomnia and the relief found

in stargazing, during which Skelton tried to transcribe his hypnagogic visions: “much of this music came to me in the early hours, in that nowhere state between dreaming and waking. I’d look out the window and the night sky would be swirling with stars. Mars or Venus would be hovering in the corner of the room. I’d lie there and watch the Aurora Borealis dance across the ceiling.”

In selenodesy, we find the lingering, distorted sine waves of album opener “Albedo” that thrum and fizz with an icy, foreboding moonlight, rays of subtle movement that illuminate and darken alternately. Next follows lead single “The Plot of Lunar Phases”, whose passive shrieks echo about a cold, yawning space, reaching an ecstatic crescendo of hissing sonics and swirling celestial drone. Its dynamic range acts like the light of a lunar passage, from utmost darkness to radiant luminosity. Elsewhere, the pulsing, precessional bass of “Faint Ray Systems” gradually opens to reveal mournful, elegiac synthesis that reaches high into the night sky with an unearthly beauty. It is as if, during those long months of lockdown in the Scottish countryside, Skelton tapped into a series of sidereal electromagnetic transmissions, and transposed them into musical form.

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Last In: 3 years ago
24,33 €
First Aid Kit - Palomino (Indie-Store-Vinyl Version)
also available

Black Vinyl[27,69 €]


"Palomino" ist das mit Spannung erwartete neue Album von First Aid Kit, dem von der Kritik gefeierten schwedischen Folk-Duo, bestehend aus den Singer-Songwriterinnen und Schwestern Johanna und Klara Soderberg. Der erste Track des Albums, "Angel", wurde bereits vor der Ankündigung des Albums veröffentlicht. "Palomino" ist ihr 5. Studioalbum, bestehend aus 11 Songs und vom Schweden Daniel Bengtson produziert. « Palomino » est le cinquième album du groupe suédois First Aid Kit. Écrit et enregistré dans leur pays d'origine, la Suède, « Palomino » a été créé pendant cette période sombre de pandémie mondiale, mais s'avère être l'album le plus pop de First Aid Kit à ce jour. Composé de 11 titres, il a été produit par Daniel Bengtson. «C'est le premier album que nous enregistrons en Suède depuis notre premier album « The Big Black & The Blue » il y a 12 ans ! Nous avons travaillé avec le producteur suédois Daniel Bengtson dans son charmant studio Rymden à Stockholm. C'était une expérience super amusante. Nous nous sommes vraiment laissé le temps d'enregistrer, nous ne voulions pas nous précipiter. Les morceaux ont été principalement écrits pendant la pandémie. Durant cette période compliquée, la musique était synonyme d'évasion, une bouffée d'air face à ce qu'il se passait dans le monde. Nous voulions que cet album soit plus optimiste et joyeux que notre album précédent, « Ruins », qui était un album de rupture. Ce nouveau projet est probablement notre album le plus pop à ce jour. Nous avons trouvé de l'inspiration partout - auprès de groupes tels que Fleetwood Mac, Carole King, Tom Petty, T Rex, Elton John, mais aussi Angel Olsen, Whitney et Big Thief.''

pre-order now05.05.2023

expected to be published on 05.05.2023

27,52 €
Barbra Streisand - Live At The Bon Soir LP 2x12"

Every Aspect of the Production Personally Supervised by Barbra Streisand
Mixed by Jochem van der Saag from the Original Analogue Session Tapes & Mastered in 24 bit/96 kHz by Paul Blakemore
Lacquer Pressing Master Created by Bernie Grundman
Pressed at RTI
Tip-On Gatefold Jacket
Deluxe 12-Page Booklet Featuring Barbra's Recollections, the Recording's History & Production, and Performance Photos

The Premiere New York City Nightclub Event of 1962! The Most Anticipated Live Album of 2022!


In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.

Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records - in conjunction with Sony Music Entertainment - is proud to present the audiophile 180-gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career: Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.

IMPEX RECORDS has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original three-track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analogue recordings. To master the vinyl LP edition, IMPEX engaged Bernie Grundman, who has mastered many of Barbra's albums over the last sixty years, to create the lacquer pressing master.

Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the east coast had to offer.

Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.

"The recordings we did at the Bon Soir were so authentically 'Barbra.' I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio." - Mike Berniker

Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!

pre-order now30.04.2023

expected to be published on 30.04.2023

81,47 €
Monde UFO - Vandalized Statue To Be Replaced With Shrine

Heralding 2023 from way out west, Monde UFO land on Quindi with a distinctive album of dream pop vignettes and outer rim punk exotica.
Hailing from the same Californian heat haze as recent Quindi signings Bondo, Monde UFO have manifested in the past four years through a series of DIY releases including their 2021 album 7171 and last year's set of Fugazi covers, 4 Songs. The loose fit project centres around the singing, playing and songwriting of Ray Monde and Kris Chau and features Kern Haug on drums. The resulting sound arrives as a resourceful analog of plush 60s pop captured through the modest means of a truly independent musical endeavour.
The sound rendered on Vandalized Statue touches on dubby atmospherics, the lilting breeze of bossa nova and the introverted muse of US indie rock, but the end result is a natural, cohesive whole centered around the songwriting. Imagine the girl from Ipanema sat toking in a comfortable spot in the corner of the dive bar while someone weaves her a tall tale or two, and you might be somewhere in the right direction. The stories in the lyrics unfurl as meandering narratives taking you through everyday exchanges and far-fetched, cosmic scenarios alike. At every turn the cosy musicality gives everything a relatable, homespun charm, even as the mixing desk becomes a mess and the lo-fi FX crash into each other.
The album will be fronted by three singles which reflect the wide reach of Monde UFO's sound. 'Visions of Fatima' is one of the more melancholic pieces on the album, fronted by laconic organ and centring on cracked vocals with an off key charm that indirectly evokes Jeffrey Lee Pierce. 'Government Employee' is a sun-kissed trip of low-key lounge surrealism, bizarro storytelling and shuffling exotica splendour which broadly defines the woozy mood of Vandalized Statue. 'Garden Of Agony' is a more delicate but no less dreamy piece matching electric tremolo with acoustic fingerpicking balladry which hides its considerable depths behind a seemingly simple arrangement.
At once intimate and projected into the cosmos, Monde UFO add to the particular path Quindi is taking through hidden corners of independent music with a romantic, restless spirit.

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Last In: 3 years ago
20,80 €
Glow In The Dark Flowers - Glow In The Dark Flowers

In 2012, the two moved to an abandoned funeral home in rural southern Illinois where they founded Rose Raft, an artist residency and analog recording studio. This was done in part to alleviate the financial stress of being an artist in an expensive city, and it has allowed them to remain totally immersed in their craft, not unlike Dead Moon or Low.

“The biggest reason we were motivated to make our own studio is that it was the only conceivable way we could keep things going. We started as a band so trashy and raw and ‘low-fi’ is because that’s what we had access to.” says Jessee. The studio is all analog, and the pair has once again found how to find freedom in constraint, using the limitations of the process to think creatively and to inform their songwriting. Tracked entirely live, the new record celebrates the magic and physicality of analog recording, leaving in raw sounds and charming artifacts, like their dogs Junimo and Joja Cola barking at the tail of the keeper take of “Velvet Cash”.

Glow in the Dark Flowers finds Philip and Jessee reinventing their sound with maturity, grace, and poeticism, but without abandoning the fuzzed out sound and studio adventurousness of their earlier work. The album's intimate opener “Growing Cosmos” is propelled by an unquantized drum machine that stutters in and out of tempo, accompanied by enveloping hard-panned bass guitar. “Still Close To Me” recalls the duo’s effortless and hypnotic pop sensibility that made The Funs such a captivating live band in Chicago’s then thriving DIY scene. The albums closer “When The Leaves Have Fallen”, originally composed for a performance by the artist Lise Haller Baggesen, continually builds on its original theme until the drums drift out and gives way to cascading distorted guitars folding in on each other.

The band's new album represents a new level of their devoted partnership that continually produces raw and beautiful music. Glow in the Dark Flowers is a true representation of their passion and dedication to their drive for creation.

pre-order now28.04.2023

expected to be published on 28.04.2023

18,45 €
Carol Williams - What's The Deal / Have You For My Love

Some gorgeous soulful boogie tracks right here!! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12inch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (BTBS-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (BTBS-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Coming on a limited vinyl edition!

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Last In: 7 months ago
16,77 €
Carl Smith - Come Back Lover

Proper boogie action by Carl Smith! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, have teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul, and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12iinch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (BTBS-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (BTBS-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Must have vinyl edition of this gem!

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Last In: 2 years ago
16,77 €
Dadawah - Peace And Love - Wadadasow

repress

Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel.

Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd at the legendary Studio One. By 1968, he had formed the group Sons of Negus and the first overtly Rasta record label, Zion Disc. As Rasta filtered into the mainstream, Henry released more music including albums for Trojan, Dynamic and Grounation labels.

Originally released in 1974, Peace And Love - Wadadasow is Dadawah’s magnum opus. Produced by Lloyd Charmers, the album features slinky basslines, wah-wah guitar, hypnotic keyboards, dubbed-out studio trickery and, of course, the propulsive drumming and rhythmic chanting characteristic of Nyahbinghi.

Antarctica Starts Here presents the first widely available domestic release of Peace and Love - Wadadasow. This reissue is part of an archival series that focuses on Trojan’s essential ’60s and ’70s catalogue. Liner notes by JR Gonne.

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Last In: 9 months ago
23,95 €
Die Ärzte - Le Frisur LP

1996. Eure ärzte aus Berlin machen jetzt Ernst. Also: Quatsch. Ein Konzeptalbum. Also: „Konzept“- Album. Nur ein halbes Jahr nach ihrem immer noch anhaltenden Supererfolg „Planet Punk“. Es ist zum
Haare raufen.

„Le Frisur“ steht in der ansehnlichen Reihe von Schnapsideen der Besten Band der Welt unangefochten auf Platz eins. Eigentlich als kleine Spaß-EP zwischendurch geplant, sind es am Ende 17 Songs über Haare.

Warum? Weil es die Idee gibt. Weil es keinerlei Sinn macht. Weil sie es wollen.

In nur 14 mit absurden Einfällen vollgepackten Tagen eingespielt, ist „Le Frisur“ nach herkömmlichen Musikgeschäftskriterien ein eher … äh … durchwachsener Erfolg. Aber Legende. Mit gleich einer Menge
Fan-Lieblings-Geheimtipps à la „Der Afro von Paul Breitner“, „Vokuhila Superstar“ oder „Motherfucker 666“. Die Todesmetall-Anleihe „Dauerwelle vs. Minipli“ wird zum Dauerklassiker auf den Konzerten. Zwei ausgewachsene Allzeit-die ärzte-Hits gibts mit „Mein Baby war beim Friseur“ und „3-Tage-Bart“ obendrein.

Die ärzte: Jetzt mit ganz viel Hair Metal und Videodreh in Los Angeles. Mit fast ganz echtem NeunzigerBoyband-Charme. Und mit Geili-geili-Supertyp.

„Le Frisur“ erscheint ausschließlich als Vinylalbum (inklusive Downloadcode) am 3. Februar 2023.

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Last In: 3 years ago
30,04 €
Pale Blue - Together Alone

Pale Blue unveil the penultimate single from their forthcoming album on Crosstown Rebels with ‘Together Alone’, accompanied by a driving and hypnotic remix from Kölsch. Artists with renowned solo careers alongside their ever-evolving journey as the critically acclaimed duo Pale Blue, Mike Simonetti and Elizabeth Wight continue to showcase why their collaborative material is much-loved from all corners of the electronic realm and beyond. Arriving on the heels of the release of the playful and charming ‘No Words’, the pair return to Damian Lazarus’ Crosstown Rebels with the third and penultimate single ahead of their forthcoming album release as they switch up the mood and veer into wistful territories across the absorbing ‘Together Alone’ - backed by a remix from Kompakt mainstay and electronic heavyweight, Kölsch.

A carefully created journey across almost eight minutes, ‘Together Alone’ is an exemplary showcase of balance and restrain as delicate melodies and hazy tones float amongst subtle nimble percussion arrangements, blooming synths and Wight’s captivating vocals for a deep dive into dreamy spheres. Bringing his own take to the record, Danish electronic pioneer Kölsch heads to Crosstown Rebels with his excellent crafted ‘I Have You’ remix, as he builds on the original with a powerful and emphatic introduction of anthemic leads, crisp kicks and a warping bassline rooted at the track’s core to transport the production firmly into the heart of the dancefloor.

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Last In: 20 months ago
14,24 €
PRINCESS CHELSEA - EVERYTHING IS GOING TO BE ALRIGHT LP

Die neuseeländische Musikerin und Produzentin Princess Chelsea präsentiert ihr kommendes "nervous breakdown album" "Everything Is Going To Be Alright", das im pastoralen Aotearoa Neuseeland aufgenommen wurde und eine Art Trostspender ist. Es sind keine traurigen Lieder, sondern die beiden Eröffnungs- und Schlusstracks erzählen von Chelseas Genesung und sind als kathartischer Hörgenuss für alle gedacht, die es brauchen könnten. "If you feel you want to die / trust me darling / it just takes time", singt sie in "Time". In der Zwischenzeit zeigen Chelseas sorgfältig geschichtete Gesangsmelodien über Mellotron-Flöten und Harfe, verwoben mit Live-Cello und Violine, ihre Fähigkeiten als Arrangeurin und Produzentin. Princess Chelseas cineastischer, verträumter Pop hat sich in elf Jahren, fünf Alben, einer EP und elf Singles weiterentwickelt. Ihre Vortragsweise und ihr Songwriting zeichnen sich dadurch aus, dass sie eine fast naive Ernsthaftigkeit mit zynischem, augenzwinkerndem Witz und akustischen Funken überlagert. Ihr Grunge-Girlgroup-Song "I Love My Boyfriend" aus dem Jahr 2018 und ihr von Nancy & Lee inspiriertes "Cigarette Duet" aus dem Jahr 2011 haben ihren Bekanntheitsgrad durch den Einfluss einer neuen TikTok-Generation in das öffentliche Bewusstsein gerückt. Für dieses Album wurden Chelseas Instrumentalarrangements von ihrer Live-Band inspiriert, die die Schlafzimmerdemoaufnahmen mit einem überraschenden Sound interpretiert hat. Es klingt anders, als man vielleicht erwarten würde. "The Forest" wurde live in einem Take mit Chelsea und der gesamten Band im beliebten neuseeländischen "The Lab" aufgenommen und zeigt dynamische Gitarrenwände und eine leidenschaftliche Gesangsperformance. Es ist eine markante Abweichung von ihrem bisherigen Schaffen und stellt eine weitere Einführung in das dar, was sie seit der Veröffentlichung der verträumten und doch düsteren Single "Everything is Going To Be Alright" im Februar als ihr "Gitarrenalbum" bezeichnet hat. Chelseas Fähigkeiten als Arrangeurin und Produzentin kommen auf dem Album voll zur Geltung, aber oft in Form von komplizierten Gitarrenarrangements, die an The Cars und die Breeders ("Forever is a Charm") und an klassische neuseeländische Flying Nun-Bands der 80er und 90er Jahre ("Love is More") erinnern. Obwohl das Album eine deutliche musikalische Entwicklung darstellt, sind ihre Markenzeichen immer noch da - klassische 80er Jahre Synths (Yamaha DX7, Roland D-50), vielschichtige Melodien, orchestrale Instrumente, verträumter Gesang, verdrehter Pop, der oft Vergleiche mit Julee Cruise oder Enya gezogen hat.

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Last In: 3 years ago
20,63 €
TREY  GRUBER - HERCULEAN HOUSE OF CARDS 2x12"

Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

pre-order now14.04.2023

expected to be published on 14.04.2023

35,84 €
TREY  GRUBER - HERCULEAN HOUSE OF CARDS (LTD. FOOLS GOLD VIN

Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

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Last In: 3 years ago
35,84 €
Liquid Earth - The Breakdown EP

The second in a series of self-released Liquid Earth Physical Records, “The Breakdown” is a front flip into curbside clubbing.

The Aside offers two impeccably tight mixes of the 12” title tune, both providing different licks of pleasure for the casual clubber. “Charms Of Gaia” is forward leaning, equipped with big room, big energy type vocal breaks. “Trips & Skips” is an ode to the stripped down wigglyness of one of UK Tech House’s greatest, Nathan Coles - a clear influence of Mr. Earths.

From here, we are sat next to the two black sheep of the 12” on what seems like the most pleasurable road trip of a record. B1 being the beefed-out break tune titled “The Closer” and B2 the straight and narrow slammings of “Cobblestone Stomper,” a track surely given its holy legs by the OG Jerusalem Cruiser.

What you won’t find on this record is senseless filler, instead, you’ll surely be pumping your face with the permanent botox that is Liquid Earth. Now let’s see that smile!

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Last In: 8 months ago
12,02 €
Various - FFF008

Various

FFF008

12inchFFF008
FrouFrouFrou
06.04.2023

A1 - French artist aka Dylan Dylan hits first on the record with energetic groove, breaks and deep synths - that's how we do it!

A2 - HATT.D is a Belgian music maker. A truly moving track with a soothing bass and both broken and straight rhythms. The tune may conjure up images of tropical flora and fauna.

A3 - Dawn Again, a faraway Australian artist, hits with the charming track “I’m Like a Bird" - a minimalistic style house tune with catchy rhythms.

B1 - Manhood is a collaboration of two Russian artists, Denis Kazakov and Lachetto.
The boys wrap us in delicate breaks with cosmic sounds, as if to remind us that we are not alone in this universe.

B2 - German musician Palmate continues the vibe with his dreamy and slightly lo-fi deep house "departure," which sounds like you're going home with happy recollections after a fantastic time with old friends.

B3 - The conclusion of this story will be presented to us by Dj Bigspin, a musician originally from France who now lives in Copenhagen.

He reminds us with his melancholic deep acid hous

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Last In: 3 years ago
10,71 €
Figi & San Proper - A Place For Love LP

"A Place For Love" is a captivating electronic house music endeavor, expertly crafted by the synergistic partnership of San Proper and Figi, hailing from the vibrant city of Amsterdam. The project boasts an impressive roster of guest contributors, including Tom Trago, Seth Troxler, and the esteemed label heads of Guti & David Gtronic, each imbuing the compositions with their signature style. The project exudes a funky, charming, and inviting energy, inviting listeners to fully embrace their individuality and lose themselves in the hypnotic beats. Whether it be the electrifying dubby techno, the shimmering and ethereal twists, or the razor-sharp edges injected into the club-ready tracks, "A Place For Love" offers a diverse array of auditory delights. It is truly a sanctuary for those seeking to indulge in the boundless beauty of electronic music and the euphoria of self-expression.

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Last In: 9 months ago
12,06 €
Marco Bruno - Foreshadow

Marco Bruno

Foreshadow

12inchEVIGHET004
Evighet
06.04.2023

Grey Marbled Vinyl

The charm of exploration leads to cinematic echoes that fuse rattling break drums and synergetic nuances, creating a sphere of ancestral musical paths in which a poly-form stylistics gives a recognisable imprint to 'Foreshadow', Marco Bruno's new album that embarks on a new sonic exploration and delves into the meanders of research with an abysmal attention to detail, a significant project in the evolution of the artist and his Evighet Records label.

For this release, two veterans such as James Ruskin and Mark Broom, with their alias The Fear Ratio, set in time their experience, masterfully reinterpreting that pivotal feeling of free expression that reigns at the heart of the project.

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Last In: 2 years ago
15,76 €
Francois DILLINGER - Minus 40.715921

Francois Dillinger brings his futuristic visions to this classy new EP on EC Underground. It finds the sonic sculptor kick off with a warped bassline underpinning an eerie and slow motion electro cut on 'The Pilgrimage.' 'Tangential' is another snaking rhythm with mysterious pads and bouncing bass that makes for a truly original vibe.

'Message Failed To Send' has a hint of Kraftwerk retro-ism to its snappy snares and talk box vocals then 'When It Was Free' classes down with a gritty mix of celestial charm and deep space unknown.

These are next level sonics as always from Dillinger.

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Last In: 3 years ago
20,97 €
Matador - My Yellow Coat

Matador makes his debut appearance on Crosstown Rebels with his absorbing new EP ‘My Yellow Coat’, accompanied a remix from NYC house and techno favourite Levon Vincent.

An outstandingly technical live artist, DJ and producer, Matador, real name Gavin Lynch, has a prolific discography with releases on renowned labels such as Minus, Hot Creations, and Cocoon. A resident at Richie Hawtin’s iconic ENTER series in Ibiza, the past decade has seen the Irish talent tour the globe consistently with performances at some of the world’s most prestigious festivals and clubs, including Awakenings, TimeWarp, and Neopop, while featuring in Resident Advisor’s ‘Tip 20 Live Acts’ on three separate occasions. ‘My Yellow Coat’ marks his first appearance on Damian Lazarus’ Crosstown Rebels, describing the debut as “a result all round” with the imprint featuring as a personal favourite of his over the years.

The EP features two original tracks, ‘My Yellow Coat’ and ‘What You Say Is So’, showcasing a dynamic approach to electronic music with a deep dive into rich beds of emotive and spellbinding tones. Title track ‘My Yellow Coat’ is a slow-blooming and delightfully suspenseful production guided by the track’s charming vocals as soft synth melodies and refined percussion build gracefully across its eight-minute duration. . Novel Sound boss Levon Vincent’s dynamic interpretation of the title cut welcomes a new side to his expansive sound, building on his distinctive sound palette and welcoming a shift towards faster realms.

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Last In: 2 years ago
14,24 €
Various - SCRAP METAL VOL 2

Various

SCRAP METAL VOL 2

12inchEZRDR143
Riding Easy
31.03.2023

If you were smart enough to get your grubby paws on the first Scrap Metal compilation, you probably have a pretty good idea of what you’re in for with our second installment. Featuring long-lost gems from ultra-rare 45s and private press singles—plus one previously unreleased banger—Scrap Metal 2 maintains a steady NWOBHM course. Packed with infectious outliers and supremely talented one-and-done metal warriors from the crucial British movement of the late ’70s and early ’80s (and some killer American obscurities inspired by them), this collection delivers all the fist-pumping, riff-mongering and flashy solos of heavy metal’s golden age. As always, every track has been officially licensed and every artist gets paid. As a late entry into the NWOBHM sweepstakes, JJ’s Powerhouse was formed in Merseyside, England, by guitarist Jon “J.J.” Cox with members of his previous band, Quad. Much like the opener to the original Scrap Metal comp, you can hear early Metallica coursing through this legendary ripper. Coincidentally, this ultra-rare 45 was released in ’83, the same year as Kill ’Em All. Taking their name from a 1978 sci-fi novel by Marion Zimmer Bradley, Welsh super troopers Storm Queen reveled in animal-print clothing and flying Vs. The Motörhead-meets-Priest anthem “Raising the Roof” is the flipside to their only single, which the band self-released in 1982. Led by guitarist Dave Morse, Storm Queen’s earliest lineup included bassist Bryn Merrick (RIP), who would go on to join The Damned. Roaring out of Birmingham, England, in 1975, Jameson Raid palled around with fellow Brummies Black Sabbath and named themselves after a failed 19th century attack that helped kick off South Africa’s Second Boer War. Their three-song 1979 debut featured the infectious “It’s a Crime,” which comes across like a deadly hard-glam version of Budgie. Still fronted by vocalist Terry Dark, they’re going strong as of 2022. A.R.C., a punky proto-metal group from the UK, released the boozy single “Home Made Wine” b/w “The Chase” in 1979 and—as far as we know—were never heard from again. They’re not to be confused with a gang of Tolkien enthusiasts also called A.R.C., who released two NWOBHM singles in the early ’80s and actually were heard from again. Nonetheless, the A.R.C. we have here was led by a thirsty lad named Klaus Brunnenkant, who liked to rock n’ roll all night and party every day. Both sides of Metropolis’ sole single bear the legend, “Unauthorized duplication shall result in getting your ass beat.” This San Jose metal squad released their only single in 1986 and dedicated it to Metallica bassist Cliff Burton, who had recently been killed in a bus accident. “The Raven” is the serpentine NWOBHM- and Edgar Allan Poe-influenced flipside to “Time Heals Everything,” and yeah, you can hear the guitars going out of tune on the solo, but that’s part of the charm. Of the two dozen or so metal bands that have called themselves Prowler over the years, we’re pretty sure this particular Prowler is the only one from San Diego. These dudes take a thrashier approach than most of the bands here on Scrap Metal 2: “Temporary Insanity” strikes a deft balance between early Anthrax and early Testament, with just enough hard rock swing to keep it from getting overly staccato. Self-released in ’86 as the band’s only single, the song is the flip to “I Love It.” Not much is known about Christian Steel beyond this: They put out their only single in 1983, which boasted “Need Your Love” as the flip to “I Don’t Want To.” The former, included here, sounds kinda like a dizzy, more metallic version of ’70s Jersey rockers Starz, who famously influenced the likes of Mötley Crüe, Poison and Twisted Sister. Ohio guitarist/vocalist Marty Soski’s career dates back to at least 1969 with the Inside Experience track “Be On My Way,” which we unearthed for our own Brown Acid: The Third Trip. This time, we’ve got a monster Soski cut that he recorded under the name Black Rose. Released in 1982, the absolutely smokin’ “Sidewinder” was the A-side on the band’s sole single. The main riff isn’t far off from Y&T’s major-label banger “Mean Streak,” which was released the following year. When Dark Age titled their 1987 album The Youngest Metal Band in the World, they weren’t even sort of kidding. Legend has it that “Star Trippin’,” which was released as a single a year earlier, was written by guitarist CJ Rininger when he was just 12 years old. His brother Dave, the vocalist, was two years younger. Old photos of the band—complete with pineapple haircuts—seem to bear this story out. Either way, the song is pure flash metal, conjuring Sunset Strip sleaze all the way from Ohio. By now, all you heads know Los Angeles magic men Sorcery from their storied appearance in—and soundtrack for—the death-defying Ozploitation flick Stunt Rock. What we have here in “Whales” is a previously unreleased track from the same 1978 recording sessions. It’s a little bit Zeppelin, a little bit prog, and a whole lotta thundering riffage. Why this languished in the vaults for so long is anyone’s guess. Better late than never!

pre-order now31.03.2023

expected to be published on 31.03.2023

31,51 €
Various - SCRAP METAL VOL 2

Various

SCRAP METAL VOL 2

12inchEZRDR143B
Riding Easy
31.03.2023

If you were smart enough to get your grubby paws on the first Scrap Metal compilation, you probably have a pretty good idea of what you’re in for with our second installment. Featuring long-lost gems from ultra-rare 45s and private press singles—plus one previously unreleased banger—Scrap Metal 2 maintains a steady NWOBHM course. Packed with infectious outliers and supremely talented one-and-done metal warriors from the crucial British movement of the late ’70s and early ’80s (and some killer American obscurities inspired by them), this collection delivers all the fist-pumping, riff-mongering and flashy solos of heavy metal’s golden age. As always, every track has been officially licensed and every artist gets paid. As a late entry into the NWOBHM sweepstakes, JJ’s Powerhouse was formed in Merseyside, England, by guitarist Jon “J.J.” Cox with members of his previous band, Quad. Much like the opener to the original Scrap Metal comp, you can hear early Metallica coursing through this legendary ripper. Coincidentally, this ultra-rare 45 was released in ’83, the same year as Kill ’Em All. Taking their name from a 1978 sci-fi novel by Marion Zimmer Bradley, Welsh super troopers Storm Queen reveled in animal-print clothing and flying Vs. The Motörhead-meets-Priest anthem “Raising the Roof” is the flipside to their only single, which the band self-released in 1982. Led by guitarist Dave Morse, Storm Queen’s earliest lineup included bassist Bryn Merrick (RIP), who would go on to join The Damned. Roaring out of Birmingham, England, in 1975, Jameson Raid palled around with fellow Brummies Black Sabbath and named themselves after a failed 19th century attack that helped kick off South Africa’s Second Boer War. Their three-song 1979 debut featured the infectious “It’s a Crime,” which comes across like a deadly hard-glam version of Budgie. Still fronted by vocalist Terry Dark, they’re going strong as of 2022. A.R.C., a punky proto-metal group from the UK, released the boozy single “Home Made Wine” b/w “The Chase” in 1979 and—as far as we know—were never heard from again. They’re not to be confused with a gang of Tolkien enthusiasts also called A.R.C., who released two NWOBHM singles in the early ’80s and actually were heard from again. Nonetheless, the A.R.C. we have here was led by a thirsty lad named Klaus Brunnenkant, who liked to rock n’ roll all night and party every day. Both sides of Metropolis’ sole single bear the legend, “Unauthorized duplication shall result in getting your ass beat.” This San Jose metal squad released their only single in 1986 and dedicated it to Metallica bassist Cliff Burton, who had recently been killed in a bus accident. “The Raven” is the serpentine NWOBHM- and Edgar Allan Poe-influenced flipside to “Time Heals Everything,” and yeah, you can hear the guitars going out of tune on the solo, but that’s part of the charm. Of the two dozen or so metal bands that have called themselves Prowler over the years, we’re pretty sure this particular Prowler is the only one from San Diego. These dudes take a thrashier approach than most of the bands here on Scrap Metal 2: “Temporary Insanity” strikes a deft balance between early Anthrax and early Testament, with just enough hard rock swing to keep it from getting overly staccato. Self-released in ’86 as the band’s only single, the song is the flip to “I Love It.” Not much is known about Christian Steel beyond this: They put out their only single in 1983, which boasted “Need Your Love” as the flip to “I Don’t Want To.” The former, included here, sounds kinda like a dizzy, more metallic version of ’70s Jersey rockers Starz, who famously influenced the likes of Mötley Crüe, Poison and Twisted Sister. Ohio guitarist/vocalist Marty Soski’s career dates back to at least 1969 with the Inside Experience track “Be On My Way,” which we unearthed for our own Brown Acid: The Third Trip. This time, we’ve got a monster Soski cut that he recorded under the name Black Rose. Released in 1982, the absolutely smokin’ “Sidewinder” was the A-side on the band’s sole single. The main riff isn’t far off from Y&T’s major-label banger “Mean Streak,” which was released the following year. When Dark Age titled their 1987 album The Youngest Metal Band in the World, they weren’t even sort of kidding. Legend has it that “Star Trippin’,” which was released as a single a year earlier, was written by guitarist CJ Rininger when he was just 12 years old. His brother Dave, the vocalist, was two years younger. Old photos of the band—complete with pineapple haircuts—seem to bear this story out. Either way, the song is pure flash metal, conjuring Sunset Strip sleaze all the way from Ohio. By now, all you heads know Los Angeles magic men Sorcery from their storied appearance in—and soundtrack for—the death-defying Ozploitation flick Stunt Rock. What we have here in “Whales” is a previously unreleased track from the same 1978 recording sessions. It’s a little bit Zeppelin, a little bit prog, and a whole lotta thundering riffage. Why this languished in the vaults for so long is anyone’s guess. Better late than never!

pre-order now31.03.2023

expected to be published on 31.03.2023

31,51 €
Dolly Mixture - Demonstration Tapes LP 2x12"
  • A1: Dream Come True
  • A2: Ernie Ball
  • A3: He's So Frisky
  • A4: The Didn't Song
  • A5: Will He Kiss Me Tonight
  • A6: Miss Candy Twist
  • A7: Shonay Shonay
  • B1: How Come You're Such A Hit With The Boys, Jane?
  • B2: Side Street Walker
  • B3: Treasure Hunt
  • B4: Never Let It Go
  • B5: Angel Treads
  • B6: Welcome To The Perfect Day
  • B7: Step Close Now
  • C1: Stareaway
  • C2: In Your Eyes
  • C3: Understanding
  • C4: Never Mind Sundays
  • C5: Spend Your Wishes
  • C6: Day By Day
  • C7: Wave Away
  • D1: Sorry To Leave You
  • D2: Winter Seems Fine
  • D3: Grass Is Greener
  • D6: Whistling In The Dark
  • D4: Round The Corner
  • D5: Remember This

The return of the classic Demonstration Tapes double LP on vinyl from the one and only Dolly Mixture. Originally self released in 1984 - this 27 track set collects the band's demos from 1979 to 1983 of perfectly executed pop, indie pop and '60s girl group gems. The sound is raw but the charm and pure-pop songcraft manages to shine through.

Dolly Mixture should have been massive - so just sit back and enjoy these charming songs that have aged like a fine wine. Original copies sell for silly money and even the Germs of Youth reissue sells for over £100. This reissue comes with a brand new sleeve design.

pre-order now31.03.2023

expected to be published on 31.03.2023

31,51 €
Daevid Allen - Banana Moon LP

Daevid Allen

Banana Moon LP

12inchBYG529345
CHARLY
31.03.2023

Australian vocalist-guitarist Daevid Allen was a part of the highly experimental Canterbury scene, alongside the likes of drummers Robert Wyatt and Pip Pyle, before he relocated to Paris in the late ‘60s, formed Gong and made music that had a rare blend of on the fly creativity and off the wall humour. However, Banana Moon was a solo effort by Allen that saw him reunite with the aforementioned British kindred spirits as well as bassist Archie Legget and vocalist Maggie Bell, among others. The nine songs on the record run from interludes of just under a minute to epic suites that exceed ten, making it clear that Allen, as his work with Gong suggested, gave full vent to his imagination whether he was writing songs with a quasi-Beatles pop appeal or engaging in unrestrained sonic flights of fancy. With lyrical curveballs being thrown on every track, none more so than ‘Fred The Fish And The Chip On His Shoulder’, the music has a wry charm to match the performance skills of the band. This re-mastered version of Banana Moon brings Allen’s uncommon musical vision back in to view and serves as a reminder of the feverish and fearless energy that spurred on an artist whose work has lost none of its seductive shock value.

pre-order now31.03.2023

expected to be published on 31.03.2023

27,69 €
The Soulscaper - Inside Voices 2x12"

Animalia's exploration of the lesser known artists of Melbourne continues with the launch of new sublabel, Cirrus, focusing on non-club, downtempo, ambient and otherworldly sounds from local Australian artists. The first release comprises of dreamy, non-linear modular improvised soundscapes from Melbourne/Naarm local The Soulscaper, a sideproject of Eugene Pascal, member of Animalia's electronic trio Menage. The Inside Voices LP offers a sentimental, familiar musical journey, evocative of the distinctive charms of life in Australia's south-eastern hub. All produced in the northern suburbs of Melbourne/ Naarm, the tracks provide an open window into the studios of the city's deeper side. The LP is a poignant follow on from the musical outputs of Animalia, staying true to the label's deep, cinematic and melodic style.

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Last In: 9 months ago
14,24 €
Regularfantasy - Regularfantasy Presents: Plush III

Third times a charm, Plush III is presented to you by our fav Underground Popstar™ Regularfantasy, casting her web out to friends all over the globe in the name of lavish collaboration. First up, in cahoots with fellow Canadian icon Big Zen, the quintessential hit - Call U When I’m Done, a phone talk fantasy with a bonus beatdown remix from living legend Priori.

Plush royalty Chrysalis returns with regfant, a jam Down Under manifesting as a flirty kiss on the cheek to Aqua, Life in Plastic. The B side raises the roof back to Montreal with larger than life references and partnerships for tried and tested chart toppers Sweet Emotion & Sucks To Be You.. Kristian North, D. Tiffany, Steven Tyler, Prozzak and Oprah to name a few. A crowded house party at Le Chateâu; make sure you’re on the guestlist!

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Last In: 14 months ago
12,23 €
Various - Paris - Vinyl Story

Paris remains the city of light, the city of lovers, the city of strollers, the city of artists. Each glance at the city gives off a perfume of history, invention, creation, nostalgia and energy. A thousand years of history, of a city that owes its place only to its inhabitants, its sovereigns, its artists and its struggles, will remain forever engraved in the memory of our humanity. A spirit reigns over Paris, which gives it this unspeakable charm, made of a mixture of sensitivity, pride, revolt and joy of living. The artists: composers, authors, interpreters, painters, pay here homage to the city which rocked them.

pre-order now24.03.2023

expected to be published on 24.03.2023

35,08 €
Basement Jaxx - Rooty LP 2x12"

Basement Jaxx

Rooty LP 2x12"

2x12inchXL143LP2
XL Recordings
22.03.2023

Named after their infamous Brixton club night, Basement Jaxx’s second album Rooty saw Basement Jaxx continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop song-craft in a mad genre crash that works like a charm. It features the massive tracks “Where’s Your Head At”, “Romeo” and “Do Your Thing”.

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Last In: 3 years ago
38,61 €
Smoove & Turrell - Solid Brass: Ten Years of Northern Funk LP 2x12"

A lot can happen in ten years.

Rewind back to Gateshead in 2008 - the producer Smoove is round his friend and keyboard player - Mike Porter's house. Together they are working on tracks for his project and all of a sudden they hear a heavenly voice from the neighbour. Transfixed by the vocals that are caressing their ears they go and investigate to find a youthful John Turrell doing his thing at a practice with a local band he played with when he wasn't teaching carpentry at the local college. Together they woo him with their Geordie charms and the initial line up of 'Smoove & Turrell' is born. The group instantly gel and soon after have penned the killer track 'I Can't Give You Up'...

Flash forward to 2019 and the carpentry community looks on with jealousy as the group has gone from strength to strength. Signed to the independent label Jalapeno Records they are now five albums deep and they have achieved multiple radio-playlisted singles, won awards, toured with the likes of Chic, gained sync success across the world and continue to wow venues in all continents with their thrilling live shows on the regular.

All of this in an age where attention spans are shorter than ever and there is more access to music than ever. This is certainly an achievement worth celebrating. Doubly so in fact as not only is it their ten year anniversary collection but also it is the 300th official release on Jalapeno Records so it only seems right that the occasion gets commemorated properly - a double gatefold LP with brass coloured vinyl somehow seems appropriate...

Comprising of 18 tracks taken from all five of their studio albums as well as two new barnstorming tunes exclusive to this release - it's a veritable feast of northern funk gems from start to finish. Favourites from their deep catalogue including 'Slow Down', 'Beggarman', 'In Deep', 'Have Love' and 'You Could've Been A Lady' are all present and correct, lining up next to the two newbies which also hold their own.

"But what about the new tracks!" we hear you cry - well Smoove's solo rework of The Spencer Davis Group - I'm A Man is the stuff of legend with physical copies changing hands for huge sums (if you are lucky enough to be able to locate one in the first place!). The track has long been a staple of S&T live sets but they've never laid it down in a studio recording... That is until now. It's a monster of a tune and the perfect way to kick proceedings off on this record.

That's not all though, as the lads also serve up the aptly reflective 'Give it Back'. It's signature Smoove & Turrell stuff - full of soul with deep and heartfelt lyricism. Turrell's chorus refrain "We love the ones who give it back" is typically honest and true of a band that prides themselves on community. Proper canny that. Proper canny.

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29,37 €
Pale Blue - No Words Remixes

Electronic duo Pale Blue return to Crosstown Rebels with ‘No Words’, the second single from their forthcoming album ‘Maria’, with remixes from DJ Tennis and Perel.

Italians Do It Better founder Mike Simonetti and Silver Hands’ Elizabeth Wight’s rich and storied careers within the electronic realm and beyond only elevated further with the launch of their Pale Blue project in 2015, unveiling a series of critically acclaimed releases via Simonetti’s 2MR imprint with plaudits including Pitchfork, FACT and Resident Advisor, to name just a few. Having provided the first look into their forthcoming album on Crosstown Rebels entitled ‘Maria’, scheduled for release on the label later this year, the pair return to open March with the second single from the project, ‘No Words’ - accompanied by remixes from DJ Tennis and Perel.

Detailing the backstory to the record, Simonetti notes both upcoming single ‘No Words’ and the majority of the tracks on the duo’s forthcoming album project were made on the exact synths used to create Jaydee’s iconic 1993 hit, ‘Plastic Dreams’.

Guided by a captivating bassline accented by Wight’s charming vocals, which flutter amongst the mix, ‘No Words’ is a hooky and compelling production that ebbs and flows across its near five-minute duration with effortless ease, capturing the playful nature alluded to by Simonetti. Life and Death head honcho DJ Tennis’ remix arrives next, veering down a hazy yet absorbing path as crisp organic drums and engrossing melodies form around the vocals and journey through light and dark textures.

The B-side of the record belongs to DJ/producer, vocalist and DFA Records favourite Perel, offering a cosmic dive through spacey synths, skittering bleeps and pops, and tough kicks across her take on the production - before distorting and warping the vocals and shifting the emphasis on the ever-evolving electronics across her ‘Dub Version’.

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Last In: 2 years ago
13,66 €
KARIES - TAGTRÄUME AN DER SCHAUMMASCHINE

Clear Vinyl, limitiert auf 400 Exemplare. Am 10.03.2023 erscheint mit 'Tagträume an der Schaummaschine l' das vierte Album von Karies. Die pandemiebedingte Livepause schuf Freiraume fur konzeptionelle Weiterentwicklungen: Beschritt das letzte Album ,Alice' (2018) bereits neue stilistische Wege, wurde das Kaleidoskop musikalischen Anspielungen nochmals erweitert; dazu schlossen sich Thomas Zehnle und Paul Schwarz als Produzenten zusammen. Aufgenommen wurde überwiegend in Stuttgart, wo Schwarz als Teil einer Studiogemeinschaft Räume betreibt (Hotel Chelsea Love Connection). Das Mastering erfolgte durch Enyang Urbiks. Das Artwork entstand in Kooperation von Levin Stadler (Levin goes Lightly) und Dan Trautwein, letzterer zeigte sich auch für die Videoproduktion verantwortlich. Karies sind Benjamin Schröter, Max Nosek und Paul Schwarz, nachdem Jan Rumpela (Gitarre) auf unbestimmte Zeit eine Pause eingelegt hat. Paul Schwarz, der 2018 am Schlagzeug für Livegigs aushalf, prägte mehr und mehr durch seine Rolle als Engineer und Produzent das neue Material und trug so maßgeblich zum neuen Album bei. Karies gründeten sich 2012. Nach der ersten EP 2013, kam 2014 das von Max Rieger produzierte Album ,Seid umschlungen, Millionen' via This Charming Man Records, das seitdem als Label fungiert. Es folgten Touren und Supportgigs (Beatsteaks, Tocotronic, Sleaford Mods). 2016 erschien das zweite Album, ,Es geht sich aus' ("Postpunk war selten derart einsam, schön und perfekt zugleich." - Ox). Seit 2016 sind Karies Teil des Rosters der Bookingagentur Powerline-Agency. 2018 veröffentlichen Karies ihr drittes Album, Alice abermals von Max Rieger produziert.

pre-order now10.03.2023

expected to be published on 10.03.2023

18,70 €
Various - REGGAY UNDERCOVER – VOL. 1

In the 1950s, Jamaican dancehall regulars were crazy about the haunting sounds of American Rhythm & Blues. But in the mid-1950s, Rock 'n' Roll began to replace RnB in America, and Jamaican dancehall owners like Duke Reid and Clement Dodd turned to local musicians to record their own versions of American RnB.
The trend of covering foreign hits exploded during the Ska heyday of the early 60s and continued through the Rocksteady and Reggay eras. Jamaican musicians have covered virtually every genre of music, from jazz and rock to film scores, television soundtracks, pop, classical music and more. Over the years, they have also recorded many "versions" of already existing covers. Cover of cover of cover…
Admittedly, some of these covers were futile but many were sublime as this new and eclectic collection of Ska, Rocksteady and Reggay nuggets, compiled by the very competent and very charming D.J. Héléa, brilliantly demonstrates. Attention we are here "undercover", there are no well-known covers. Some of the tracks selected are rare, others unknown or forgotten - but all are excellent and blended in an impeccable mix, in line with previous the Harlem Shuffle compilations... All Killer, No Filler!
REGGAY UNDERCOVER is an exciting musical kaleidoscope of Jamaican and Reggae music from the early 60s through to the mid 70s.
We hope you will enjoy listening to this album as much as we had composing it for you.
All aboard for REGGAY UNDERCOVER!

pre-order now09.03.2023

expected to be published on 09.03.2023

16,54 €
The Deepshakerz feat. Aaron Pfeiffer - Fire

The Deepshakerz unite with Aaron Pfeiffer for their Crosstown Rebels debit ‘Fire’, back by a remix from, Cameron Jack.

Italian duo Domy Berardino and Mirco Sonatore, aka The Deepshakerz, continue to evolve their take on house music after a decade in the game - releasing material on their Safe Music imprint alongside globally renowned labels including Saved, Cajual, Circus, Moon Harbour and Knee Deep In Sound. Linking up with Miami-based singer/songwriter Aaron Pfeiffer, the iconic voice of Jaden Thompson’s ‘Closer’, the trio of talents make their debut on Damian Lazarus’ Crosstown Rebels with the vibrant ‘Fire’, with fellow debutant and Abracadabra singee Cameron Jack on remix duties.
A blissful yet driving production guided by Pfeiffer’s alluring vocals, ‘Fire’ is a resonant house offering combining crisp drums with an infectious wavering lead melody, while Cameron Jack’s take strips things back and crafts a medley of organic percussion grooves around the original’s charming vocal interludes.

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Last In: 16 months ago
13,82 €
Sabrina Bellaouel - Al Hadr LP

Sabrina Bellaouel

Al Hadr LP

12inchIF1080LP
InFiné
03.03.2023

On Al Hadr, Sabrina Bellaouel taps into myriad influences: from spirituality, astrology to club culture, romance, the body and self-love. Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.

Following two solo EPs, also on InFiné — 2020’s We Don’t Need To Be Enemies and 2021’s Libra — the French-Algerian producer and vocalist’s unique style of electronic R&B blossoms with Al Hadr, a 13-track album featuring collaborations with dance producer Basile3, experimental club DJ and writer Crystallmess, jazz musician Monomite and pop singer Bonnie Banane, among others.

Born, raised and based in Bagneux, outside the southern périphérique of Paris, Bellaouel lives between worlds. At home, her Algerian heritage and Muslim faith have fused tight familial bonds and a keen sense of history and culture; as “Berbers”, she speaks French and Arabic. In her headphones, she finds comfort in the sparse experimentalism of Radiohead and romantic tales of Jill Scott. On the hot club dance floors of Paris, driving house beats connect her to her body.

In swirling these private and public passions together on Al Hadr — which translates from Arabic as “the present time” — Bellaouel is the most vulnerable she’s ever been on record. Classic neo-soul and silken R&B blend with club electronics. Tender harmonies are sung and rhymes are spoken in English, French and Arabic, exploring love, faith and identity. Samples of drum machines are the backbone for wisps of woodwind, strings, keys and environmental ‘found sounds’, including Bellaouel’s own live recordings.

Creating a balance between places, identities and sounds is a huge part of the charm of Al Hadr. As a true Libra, she’s finding a balance between honoring her roots and carving out her future.

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Last In: 3 years ago
19,75 €
Cisser Mæhl - Innemuseum

Cisser Mæhl

Innemuseum

12inchPATTERN012LP
Sonic Pieces
03.03.2023

Innemuseum is the debut album by Danish composer, singer and multi-instrumentalist Cisser Mæhl. The 10 fragile compositions for vocals, sparse electronics and a myriad of instrumentation illuminate a hushed charm unlike few other Sonic Pieces releases to date.

The album sparked off while Cisser was working in a mountain lodge in mid Norway during summer 2019. On her spare time she would find herself recording mountains, rivers, stones, plants and animals in the beautiful scenery. After moving to Oslo shortly after, she rented a studio to further work on her own music, songs and sound processing. Through some friends she met Norwegian artist Jenny Hval who became an inspiration as she started taking solo classes with her. Jenny then pushed to contact producer Lasse Marhaug to work together. This became the last piece of the puzzle for Innemuseum to come to fruition as Lasse ended up putting the final touches on the album. When Cisser returned to Copenhagen after 7 months in Oslo, the album was finished. The title “Innemuseum” refers to both the dark months in Oslo and the retraction towards the inner self. An inner museum - music from within, both as a person and as in physical places.

This is undeniably a very personal record that sounds like the musical embodiment of Cisser herself. She sings in Danish in a close-miked way like she's sitting right next to you, all while gentle rhythms and soft strings together create a sort of bright, minimal chamber music with hints of pop sensibility. It almost feels like a Scandinavian reflection of Colleen's work in her more quiet, vocal periods. A music box of weightless compositions for the conscious mind.

pre-order now03.03.2023

expected to be published on 03.03.2023

32,56 €
BAD WEED - II

Bad Weed

II

12inchSILUH109
SILUH RECORDS
03.03.2023

"Bernhard von Siluh Records hat mich gebeten, einen Hype-Text über die neue BAD WEED-Platte zu formulieren, und ich fühlte mich zunächst geschmeichelt, hatte dann aber doch Zweifel... Wie kann ich euch dieses Powerpop-Juwel in wenigen Worten erklären und näher bringen? Es ist nicht nur das übliche Jangle-Pop-Ding oder noch schlimmer, nicht etwas, das man heutzutage "Garage-Punk" nennt, nein, Sir! Es ist echter Powerpop im Stil der 70er Jahre, aber wie mein Chef immer zu sagen pflegt: Man kann den Leuten nicht erzählen, wie großartig eine Powerpop-Platte ist - man muss sie sich anhören, am besten mit einem Getränk der Wahl in der Hand, und bald wird sie ihre Besonderheit enthüllen (oder auch nicht). Was liebe ich an BAD WEED, außer der Tatsache, dass sie die hübschesten Jungs der Welt sind, die - nachdem sie 20 Jahre lang in verschiedenen Bands gespielt haben - endlich gelernt haben, ihre Instrumente zu spielen? Es sind die Songs! Es geht nur um die Songs! Die erste Single aus dem Jahr 2015 war etwas anderes, man kann es sogar Garagenpop nennen, ihr Debütalbum vor ein paar Jahren und etwa 100 Shows später war nur der Anfang, hier ist ihr zweites Album mit dem schlichten Titel "II", das Talent, Songwriting-Fähigkeiten und Pop-Handwerkskunst zeigt! Einige dieser 12 Originalsongs erinnern mich an Alben/Bands, die längst vergessen sind, wie z.B. "If you ever pt. 1" könnte eine frühe THE FRESHIES-Single sein, "Breaking Lines" könnte von einer RUDI-Setlist sein oder "Who's gonna love me" klingt wie einer dieser THE COLD-Ohrwürmer. Die meisten Songs haben diesen 80er-Jahre-UK-Indie-Punk-Vibe, der direkt in mein Gehirn und mein Herz geht! Sie haben sogar die Frechheit, TOWNES VAN ZANDT zu covern - und schaffen es, dass es nicht so deprimierend klingt wie das Original, nur ein bisschen traurig vielleicht. Zu behaupten, dies sei ein Wohlfühlalbum, ist nicht ganz richtig, so einfach ist es nicht. Es ist eine Platte, die Lust macht, die Band in einem kleinen Club live zu sehen, eine Platte, die einen einfach lächeln lässt und an gute Zeiten erinnert. BAD WEED ist eine Band für die Hosentasche, eine Band, die man liebt und von der man Freunden erzählen möchte, aber nicht zu vielen, denn die Band sollte klein und in der Hosentasche bleiben und nicht in den Playlists von jedem Tom, Dick und Harry vorkommen_" (Elmar / Bachelor Records) "Debüt-Scheiblette von Wiens Blitzpopgroup. Mitreißender Powerpop-Punk mit ganz viel early UK- vs semi-modern Texas-Sound in den Venen. Buzzcocks , Exploding Hearts, The Jam, Bad Sports, Marked Men, .... Schweine-tight gespielte, tolle Melodien, die einen sofort abholen, bissi Saxophon hier und Orgel da!! Die Platte strotzt vor Energie und Spielfreude, findet einen steilen Breakeven zwischen Witz, Charme und Klassenbewusstsein. Stark!" (FLIGHT13)

pre-order now03.03.2023

expected to be published on 03.03.2023

19,96 €
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