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Sasha & Franky Wah reunite for second collaborative single, 'Get On My Level'.

The club-ready cut blends marries inviting darkness with meticulous synth craft.

Seasoned electronic favourite Sasha and contemporary trailblazer Franky Wah have shown great creative chemistry in both the studio and the DJ booth: their fi rst hook-up was on Last Night On Earth back in 2020 when they dropped the huge four-track 'Haunted EP.' Since then, they’ve reunited for multiple b2b sets across the globe - from Sydney to Ibiza. Now they have once more combined their respective nous into a new track destined to become an Ibiza anthem this summer.

'Get On My Level' is primed and ready to shake up the dance fl oor. It's powered by a warped, dark bassline that throbs underneath subtle percussion. Plenty of open space lets a moody atmosphere draw you in, while skeletal drums and percussion keep things moving before a big drop, and wispy synths inject future energy as a grainy, ominous voice lurks in the shadows. Dub and instrumental versions are also included to cover all bases.

Of Paradise welcomes Seattle-based artist Hünter with his sophomore album, Mica, a sublime addition to the label’s ever-evolving musical catalogue and one that quickly acquires almost mythical status.

Focused on the relationship between the digital age and the environment, Mica explores the extraction of natural resources, identity, memory, and what remains. A fusion of ambient soundscapes and deconstructed club rhythms, Mica questions erosion as both a physical and cultural consequence of modern consumption, encouraging listeners to reevaluate their relationship with nature, technology, and excess.

Available as a limited edition 12” and digital album, Mica responds to overstimulation; music that breathes slowly, punctuated by occasional moments of tension, provides periods of stillness and reflection interrupted by the intensity of digital life and environmental anxiety. This album isn’t merely a collection of songs; it’s an atmosphere to inhabit.

Anthea’s PILLZ imprint returns with its ninth release, welcoming Argentinian producer Dani Labb for the ‘It’s Tayme’ EP. Across four tracks, Labb combines detailed sound design with rave-ready energy, moving between modern electro textures and flashes of 80s club nostalgia while keeping a strong focus on the dance floor.

From the smoky, late-night drive of the title track to the playful lift of ‘Te Gane’, the deeper groove of ‘Cosmoclub’ and the hazy broken rhythms of ‘Cuchillo’, the EP delivers versatile club material with character and momentum throughout.

Jimpster delivered some great releases in 2023, most notably his Natural Child collab EP with Crackazat as well as his Tribute EP featuring South African vocalist Mavhungu and including heavy Osunlade remixes. He also produced some of his best remixes to date including Thakzin’s Don’t Let Me See, Blaze’s Wonderland and Detroit Rising’s Rocket Love.

It’s always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you’re in for a treat! You’re My Ecstasy sets the tone with Jimpster’s trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.

Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player KingCrowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.

Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.

Frankfurt am Main -- Leipzig duo not even noticed deliver their long-awaited debut album space beyond noise - a 12-track journey balancing club functionality with immersive, long-form listening.

Shaped by years of touring and a shared ritual of visiting botanical gardens around the world, the album blends shapely grooves, field recordings and warm melodic textures into a cohesive, lived- in sound. Subtle environmental details run throughout, creating a natural flow between tracks.

Musically, it moves between electro-funk, breakbeat and hip-hop- inflected cuts, with downtempo and dubby excursions. Highlights include the driving “chrone,” the sundown groove of “diras,” the acid-tinged “plune,” and the hazy two-step moment “skum.”

Designed with warmer months in mind, space beyond noise captures the balance between dancefloor energy and home listening depth.

Somewhere between the after-hours haze and the first flicker of sunrise, Nebraska re-emerges - this time with a twist in the signal. Long respected for his deep-cut sensibilities and dancefloor intuition, Ali Gibbs returns to Delusions Of Grandeur not just as Nebraska, but with a handover to his new alias: Dubl Drat. The Alter Alter Ego EP plays like a transmission from both sides of his creative psyche - one rooted in warm, groove-led house and disco mutations, the other drifting deeper into dubbed-out, heady abstraction.

The A-side opens with Alter Alter Ego in its Nebraska OG Mix form - a crunchy, funked-up mid-tempo burner. Chopped Rhodes solos flicker in and out of the mix while a rolling bassline locks into a low-slung groove - equal parts party-starter and late-night dancefloor hypnosis. Next, The Teckel Track slides the tempo down into a proper slo-mo four-on-the-floor bumpy groove. Fat stabs punch through layers of glitchy FX while a melodic bassline snakes underneath, forming a hazy, infectious earworm tailor-made for those early-night mood-setting sessions. Closing the A-side, Olive (Dubl Drat Dub) signals a shift. Here, Gibbs leans fully into his Dubl Drat persona, dissolving structure into a blissed-out dub excursion.

Chopped breaks scatter across the stereo field, chiming melodies echo into the distance, and granulated percussion parts build a dense, immersive landscape - one to get lost in rather than dance through. Flipping over we have Alter Alter Ego (Dubl Drat Remix) which reconfigures the title track into a stripped-back boogie workout. The groove is leaner but no less potent, driven by a killer bassline and punctuated with signature Rhodes licks - pure, understated club pressure. Finally, Olive (Nebraska Version) offers a gentle comedown. This alternate take softens the edges, introducing additional guitar textures that drift into Balearic territory. It’s nostalgic, introspective, and quietly expansive - a closing chapter that lingers long after the last note fades. The Alter Alter Ego EP isn’t just a new release - it’s a dual-state exploration, a conversation between rhythm and space, between Nebraska and Dubl Drat, and marks the last ever Nebraska release as Ali closes the chapter and the alias for the final time.

Love Train returns in an exclusive new interpreta)on by Joe T Vannelli, legendary figure of the
interna)onal house and club scene.
This new release reimagines one of the most iconic soul records of all )me through a modern,
elegant and dancefloor-driven sound, while preserving the )meless energy and universal message
of the original track.
The release features the powerful “JOE T VANNELLI Club Remix”, created for clubs and
interna)onal DJ sets, the “Classic Version”, inspired by the disco and soulful roots of the original
song, and a B.A.S. old school version

Hedonistic club music from the mysterious Glasgow Sound System. Incredible productions from an artist that has appeared from the ether to bless our dancefloors with otherworldly and atmospheric tracks. Varied productions overspilling with excess and emotion. This record is split into 2 phases; the first comprised of 3 club-focussed tracks for dark rooms with a red light, the second phase are 2 downtempo trips to mellow the comedown. Welcome to the club, Glasgow Sound System – what a debut.

2026 Repress

Traversing wormholes and flexing versatility, Nicola Cruz gets back on his club-ready biz.

No proper introductions needed here. Sometimes you just have to sit back and appreciate someone at the top of their game. The third portal thing, done masterfully. Hats off.

Time-honoured templates that provide the foundations for his hybrid mutations. Three mescaline-strength techno incursions backed up with a vivid projection of fractal electro.

Big on murk. Properly steeped in introspection, expanding consciousness and horizons. The vision quest endures for the duration.

New levels of insectoid detail and lysergic flourish revealed with every close listen, but he’s always keeping it robust. Giving it chest with some serious dancefloor dramatics until the final unfurling.

SELF Distribuzione is proud to present one of the most presgious publicaons dedicated to the
history of Italo Disco: "WHY / MISS YOU – 40th Anniversary Edion," the new double A-side by
STYLÓO®, available in two exclusive collector's versions.
This release will be offered on stunning Transparent Green vinyl, aimed at enthusiasts of the
format, and in a presgious Collector's Edion on Gold-colored vinyl, created to celebrate forty
years of career and designed for the most discerning collectors and lovers of Italo Disco.

"WHY" and "MISS YOU" are two authenc classics that defined an era and helped shape the sound
of Italo Disco worldwide. Forty years later, these producons retain their melodic power and ability
to move listeners, confirming their status as meless tracks to this day.
This special 40th Anniversary Edion does not merely reissue the original versions—fully
remastered for the occasion—but is further enriched by new remixes entrusted to highly
presgious names.
Roberto Tura@ and Carl Fath have craAed a new and elegant interpretaon of "WHY," while A.P.
Mono, one of the most highly regarded names in the contemporary Italo Disco scene, has given
"MISS YOU" a new look, maintaining its original spirit while offering a modern, current sound.
The result is a project capable of bridging the past and the present, demonstrang how great
classics can connue to live on and capvate new generaons without losing their identy.
To complete the project, two evocave, previously unreleased symphonic overtures, "Echoes Of
Why" and "I Sll Miss You," serve as a tribute to the composional quality of these tracks. Both
symphonic composions were conceived, wriFen, arranged, and produced by STYLÓO® (Rino
Facchine@) together with Alessandro Bonsignori, with the intenon of demonstrang how a great
melody can be reinterpreted through different musical languages while maintaining its elegance
and expressive force.
This arsc choice tesfies to how true musical quality can transcend me and style, confirming
that a great song can be "dressed" in different arrangements without losing its soul.
With over forty years of history, STYLÓO® connues to represent one of the most beloved and
recognizable names in the Italo Disco universe. This release is dedicated to all those who lived
through those extraordinary years and to those today who are ready to rediscover two songs that
connue to move and make people dance.
Because true classics do not belong to the past. True classics live on.

Following the success of “Feel the Groove” (Dr. Packer Remix), which reached the first No.1
of 2026 on the UK Soul Chart, Dr. Packer returns to collaborate with Change feat. Tanya
Michelle Smith, delivering new versions of “Embrace Me Right Now” that enhance the
project’s soulful-disco sound with energy, groove, and refinement.
This special vinyl edi?on brings together exclusive versions where Dr. Packer’s dis?nc?ve
soulful-disco touch and Figo Sound’s musical vision come together in a release built for
clubs, DJs, and the energy of the dancefloor, featuring the exclusive Dr. Packer Instrumental
version available only on vinyl.

After a period orbiting singles and the release of her debut LP “Solid Space” on Topo 2 at the end of 2025, Mor Elian snaps back to the dancefloor with her first vinyl outing on Fever AM since 2022.

Built in Waves distills and extends her language of club mechanics, tightly coiled percussive structures cut with high definition sound design. The EP marks a return to the stripped, pressure focused approach she carved out early on, now refined and retooled with a sharper sense of space, tension and propulsion.

Shady Nasty subvert expectations. In a world bound by modded cars, immigrant heritage and digital obsessions, Kevin Stathis, Haydn Green and Luca Watson craft a left-field breed of punk that pushes their formal training in jazz and classical music to its most uncustomary extremes. Influences like King Krule and Low Life surface not as reference points, but as undercurrents absorbed and reconfigured into something unmistakably their own. Debut album TREK has surpassed 2M streams - named one of Rolling Stone Australia's 50 Best Australian Albums of 2025. Fred again.. co-sign ("literally my favourite band in the world right now") drove a major viral surge, leading to collaborative singles "Air Maxes" and "HARDSTYLE 2" (with Fred again.. & KETTAMA), BBC Radio 1 Hottest Record. Sold-out UK debut at The Windmill, London; sold-out album shows across Australia; national support for The Streets (Sydney Opera House Forecourt, Palace Foreshore Melbourne, Fremantle Arts Centre).

Live dates continue into 2026 with Shady Nasty returning to the UK/EU as part of their TREK Tour, hitting up venues in London (Moth Club), Bristol (Strange Brew), Leeds (Hyde Park Book Club), Glasgow (SWG3 Poetry Club), Dublin (Whelan's), Cologne (Garagen), and Berlin (Mikropol), as well as Marrapalooza in Newcastle, Best Kept Secret Festival (NL), and Outbreak Festival in Manchester, before heading to Australia for shows in Brisbane (The Tivoli), Newcastle (King Street Bandroom), Wollongong (UOW Unibar), and Canberra (Fun Time Pony), then back to the UK for All Points East festival, curated by Tyler, the Creator, in August, and a full North American run supporting Militarie Gun (Sept-Oct 2026).

WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging : a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve.
Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience.

The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering manoeuvres smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound.

Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes", a Paradise Garage anthem that helped shape the direction of club music for decades to come.

More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical - a timeless sound that drifts effortlessly from the dancefloor into space.

Important note : it sounds amazing played on 33rpm too !

This is joy beyond expectation the arrival of a new Ryo Fukui recording. Captured on June 26, 2004, this live session documents the ninth anniversary concert of Slowboat, the jazz club Fukui founded and considered his musical home. The trio features Ryo Fukui on piano, Benisuke Sakai on bass, and Yoshihito Eto on drums. Fukui was 56 years old at the time, and his playing is powerful and expansive, yet still marked by delicacy and razor sharp precision. In terms of energy, stamina, and technique, he was entering a true period of artistic maturity. He delivers the music of his beloved Phineas Newborn Jr. and Tommy Flanagan with depth and elegance, and approaches the works of Wayne Shorter—an early-life influence—with thrilling intensity. The performance captures Fukui at a moment of profound fulfillment, offering a truly compelling glimpse into his late career brilliance.

Who could have imagined that Ryo Fukui had left behind a recording like this? Captured on June 8, 1977, this previously unreleased live session was recorded at the Sapporo jazz club Vidro by Masataka Ito, the producer behind Fukui’s albums Scenery and Mellow Dream. It is unmistakably the Ryo Fukui Trio of that era, yet the performance possesses an overwhelming intensity and freshness that far surpass any studio recording—excitement in its purest form.

The 16-minute, searing performance of “Mellow Dream” is just the beginning. The propulsive energy of “Speak Low”, the beautifully woven lyricism of “Body & Soul,” the blistering drive of “Love For Sale”, the weighty depth of “Mr. P.C.”, and the crystalline fragility of “My Foolish Heart”—each track is delivered with feverish brilliance. It was this very live recording, excerpts of which were evaluated at the Trio Records headquarters at the time, that ultimately led to the production of Fukui’s second album Mellow Dream. In every sense, this is an extraordinarily precious document.

Random vinyl, ReVINYL Edition. The Tallest Man on Earth released The Wild Hunt this past April, and the album found its way into the hearts of fans everywhere. The connection that the Tallest Man on Earth (aka songwriter Kristian Matsson) has with his fans is a sight to behold - he has performed around the world, at clubs and festivals, and the bond between Matsson and his audience is breathtaking. Matsson is the rarest of performers, charismatic and captivating, and his passion for performance bleeds through every single time he takes the stage.At many of the Tallest Man on Earth shows this year, Matsson closed his set with a new song titled "Like the Wheel." It quickly became a fan favorite, with YouTube videos spreading virally, and the sets closing on a high note night after night."Like the Wheel," along with four other new songs, make up Sometimes The Blues Is Just a Passing Bird, an EP written entirely after The Wild Hunt. Recorded during a quick break from touring in the summer of 2010, "Like the Wheel" is joined by "The Dreamer," a soon-to-be-classic that Matsson performs on electric guitar. Sometimes The Blues Is Just a Passing Bird is an open and shut chapter in the Tallest Man on Earth's songbook - five new additions to those magical performances.

„A Toda Cuba Le Gusta“ (1997) ist das Debütalbum der Afro-Cuban All Stars, einem Projekt unter der
Leitung von Juan de Marcos González, das die goldene Ära der kubanischen Musik feiert. Aufgenommen
wurde es 1996 in den EGREM Studios in Havanna, denselben Studios, in denen auch „Buena Vista Social
Club“ entstand. Das Album vereint legendäre Veteranen wie Rubén González und Raúl Planas mit jüngeren
Musikern zu einer mitreißenden Darbietung von Son, Danzón, Rumba und Mambo.
Die Platte sprüht vor Energie und wurde live aufgenommen, um die Atmosphäre eines Havannaer Tanzsaals
einzufangen. Sie erntete internationale Anerkennung und wurde für einen Grammy in der Kategorie „Best
Tropical Latin Performance“ nominiert. Als Hommage an Kubas musikalisches Erbe und zugleich als Auslöser für dessen weltweite Wiederbelebung gilt „A Toda Cuba Le Gusta“ als Meilenstein der kubanischen
Musikrenaissance der 1990er Jahre.
Zur Feier des anhaltenden Erfolgs des Albums veröffentlicht WorldCircuitRecords eine spezielle SplatterVinyl-Edition von ATodaCubaLeGusta, die an den 30. Jahrestag der Aufnahmen von 1996 erinnert. Diese
limitierte Sammleredition besticht durch ein auffälliges Vinyl-Design in den Farben der kubanischen Flagge
und eine Jubiläumsverpackung und bietet langjährigen Fans wie neuen Hörern gleichermaßen ein hochwertiges Format, um dieses Meilenstein-Album erneut zu entdecken.

Sweet Fortune, the fourth studio album by Grammy Award-winning artist Ryan Beatty.
Sweet Fortune arrives after nearly a decade in which he reinvented himself time and time again, traversing the spectrum of the music world. 2023’s Calico became that year’s word of mouth record, and while he toured North America both headlining in clubs and supporting in arenas, he was secretly working on what would become Beyoncé’s blockbuster 2024 album Cowboy Carter. Beatty would go on to win the Album Of The Year Grammy for his contributions to the record.

LUCKY is the self-titled debut album by the San Francisco band, born of a collaboration between songwriters Andrew St James (French Cassettes, Juan Wayne) and Peter Kegler (Half Stack). Now a full band featuring, the group combines anthemic indie-rock with y’allternative twang, the perfect soundtrack for long drives and late night revelries.
The story begins when St James booked Kegler’s band Half Stack for a show with Juan Wayne at the Rickshaw Stop in San Francisco. The two immediately recognized each other as kindred spirits and before long they were spending late nights at The Lucky Horseshoe in Bernal Heights, where they pledged to make an album together. Much like Lennon-McCartney or Jagger-Richards, St James and Kegler showed up with their own songs and helped each other dial them in, the songs becoming something totally unique in the process. Pretty soon they recruited Elsasser and headed into the studio with producer Joe Santarpia (Mac DeMarco), where they blazed through more than half a dozen songs in a few days, capturing first takes of raw energy.
Album opener “Falling Through”, written by Kegler on a long drive over HWY 17 to Santa Cruz, pairs talkin’ country vocals on the verse with a hard hitting chorus, eventually ramping up to a phased out guitar solo and a truly epic bridge with gang vocals and an ad lib from St James. Meanwhile, lead single “Traveler” was the first song written for the album, originally a folky shuffle, St James thought it was a goner but Kegler helped recast it as a mid-tempo rocker with a twangy alt-country edge. “Friends” is a true-to-life account of St James’ lifestyle as he shuttled between San Francisco and Los Angeles, paying homage to the City’s legendary House of Prime Rib with a propulsive beat that recalls Girls, Kings of Leon, and the grandiose energy of the E Street Band.
Highly anticipated debutalbum from LUCKY. Press coverage includes reviews and features in Various Small Flames, Glide Magazine, Broken Dreams Club, and more.
“...equal parts laidback swagger and earnest emotion…” - Various Small Flames
“LUCKY is becoming one of the most exciting figures to emerge in alt-country in some time.” - Glide Magazine.

The masterpiece dance anthem that set 1990s Japan ablaze is finally available on vinyl!

Still shining as a J-POP dance classic, the dance & vocal group ZOO's signature song “Choo Choo TRAIN” is finally released on 7-inch vinyl. A track that swept Japan's club scene with its lighthearted beat, uplifting synth phrases, and an ear-catching chorus. Long-beloved classics from across Japan, now on vinyl!

Mannequin Records presents Electronic Corporation 1998–2006, a compilation bringing together rare and long unavailable recordings by the German electronic projects H.E.I.M. Elektronik and MAS 2008.

Active around the turn of the millennium, both projects share the involvement of producer Ive Müller while developing distinct collaborations and approaches to electronic music. H.E.I.M. Elektronik was founded in 1996 by Holger Erlenwein and Ive Müller (after the two artists split in 1999, Müller continued using the name), while MAS 2008 is the project of Ive Müller together with René Kirchner. Though separate entities, the two projects explored a similar sonic territory: stripped-down electro, minimal electronics and machine-driven body music shaped by analog hardware and a raw DIY production ethos.

The roots of Müller’s work go back to the final years of the DDR. As a teenager he worked as a licensed DJ — officially known as a “Schallplattenunterhalter” — operating a travelling disco across Saxony. With limited access to official Western releases, music circulated through cassette recordings taped from West German radio stations such as RIAS Berlin, NDR2 and Bayern3. Together with friends he travelled between youth clubs and discos around Leipzig with a “rolling discotheque”: a Russian Wolga pulling a trailer loaded with Electro-Voice sound systems sourced through the black market.

At the turn of the 2000s this background in underground electronic culture resurfaced in a series of recordings rooted in electro, EBM and minimal machine music. The tracks collected on Electronic Corporation 2000–2002 capture this moment: cold sequences, driving rhythms and stark synthetic textures produced with a direct and uncompromising approach.

Compiled and remastered by Rude 66 from the original sources, Electronic Corporation 2000–2002 documents a small but fascinating chapter of German underground electronics from the early digital era.

Another haul of hard hitting house gems from Duster Valentine’s debut album pressed to vinyl for the first time.

A love note to formative years in the ‘80s and early ‘90s, off his chops at The Haçienda and other legendary Manchester clubs, it’s a masterclass in demonstrating the flavours-within-a-theme that emerged from the Chi, 313, and NYC during that pivotal era, and would light the touch paper of a UK club revolution.

In Duster Valentine’s hands the sound is presented stripped to salient fundamentals, prizing the sound before it went commercial, ranging from sampler-knuckling garage-house stabbers thru haughty canter and plushest, pendulous grooves. He homes in hard on that point when hip hop and electro gave way to house in the Todd Terry-via-Pal Joey style jam »Getting’ Dub«, and gives a big salute to Chez N Trent’s rugged, chord-riding haughtiness via Levon Vincent in »Hit Me From Behind«.

»Strobelight Honnies« leans into the sound’s deepest ends with perfectly weighted bassline, cold drums and sublime string tension dubbed with hypnotic elegance, where »The KatG Chord« follows with shimmers of Anthony Shakir via Michael J Blood. Suffice it to say they’re all perlers and bang on the £ if you know what’s good.

Italian producer Nicodemo returns to Alzaya Records with You Are Sleeping, a five-track EP structured around subtle shifts in perception rather than narrative progression or peak-driven club dynamics.

Across three original tracks and two reinterpretations by Domenico Rosa and Aldonna, the record explores slowed temporal perception, delayed spatial response and the blurred threshold between attention and immersion, using restrained rhythmic pressure and diffused harmonic material.

Detroit producer, Shawescape Renegade, comes to Tresor Records with Exoframe, a five-track EP of pure techno and electro, including a remix by Arpanet.
As with so many forerunners and peers in the Detroit techno world, Shawescape Renegade, is a deep thinking and a world-building story teller and Exoframe uses the traditional sci-fi narrative to explore recent thought Shaw has had on the potential hidden costs of technological
evolution: what happens when overspecialisation leads to a dead end; when inflexibility means a return to the old forms becomes difficult.
The EP opens with 78 Light Years From Earth, an effects-laden slab of electro that pulls the percussion into other dimensions. Mechanus 9 brings a techno edge before Terraformers Warning unleashes a bass-driven beast.
A fast-paced remodel of Terraformer’s Warning from Gerald Donald’s Arpanet project follows, before the EP is closed out with another bassline-forward track, Ignition One, an updated version of the Shawescape cut that soundtracked the section of the Black To Techno
documentary focussed on the Detroit’s Jit dance scene. The strong symbiosis between Jit and Techno is a foundational part of Detroit’s culture and a community tie and suggests that while technology may lead to stagnation, the cultural muscle memory offers a path back to
authenticity.
In a thoughtful nod to the praxis of the DJ, the vinyl versions of A1 & B1 are five BPM slower than the digital, moving the music to between 128BPM and 151BPM on a standard Technics turntable and opening it up for play in a greater range of club environs.
It’s this deep respect for the artistry and traditions of Detroit’s longstanding music and dance scenes that mark Shawescape Renegade out as one of the true inheritors of the city’s heritage.

Ramping up the intensity from his 2025 debut, Joe Milli returns to Livity Sound with a spring-loaded EP of upfront club workouts that once again split the difference between techno propulsion and UK Funky swagger.

Milli's previous release, Deep Forest, carried a dubby atmosphere on top of its bassweight rhythms. On this new four-track EP, the shroud lifts and he leans in on raw, impactful drums and sparse sound fields.

'Retreat' piles percussion into an uptempo stomper with a looped intensity and carnival accents on top, and 'Mantra' offers a similar 4/4 thrust around the 140 mark. Meanwhile, 'Revival' locks down low into a heavy dembow-informed groove and 'The Less You Know' prizes tense, precisely arranged hand drums with a minimal finish primed for creative blends.

Zeroing in on stark, heads-down production for the club, the Repetitions EP offers a different slant on Milli's emergent, sharply executed sound.

Ingo Hammer lands again on Industrial Lies with ‘Hammer to Fall’, the ultimate record for tough times.

As the apocalypse approaches, the mysterious European producer drops the hypnotic techno of ‘Lucky’ and the pulsating, bass heavy ‘Tenth Gen’.

Shifting focus, he delivers dubbed out sleazy disco on ‘Dirty Glow’ and explores gnarly, sewer electro with ‘Mind Control’

The world is burning and ‘Hammer to Fall’ is the soundtrack to the party at the end of the universe.

Limited edition of 100 vinyl copies.

Mastering by Tom Haunstein (Rand Muzik)
Artwork by Jonny Costello (Adult Art Club)

Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 10

A1) GusGus - Crossfade (Maceo Plex Remix) (Original Release 2014)

Released in 2014 on the German label KOMPAKT, this remix by Maceo Plex features Ten Walls-like horns, vocals, and pumping drums, making it a true Ibiza floorkiller. The vocals are by Konstantin Sibold. This remix was only released as a white label (Kompakt Exclusive) and has yet to have an official vinyl release. Despite this, it remains a favorite among DJs and clubbers worldwide, regularly played at festivals and clubs.

A2) Plaything - Into Space (Original Release 2001)

This groovy track, released in 2001, contains a sample from Sheila & B. Devotion's Spacer, with Nile Rodgers as one of the producers. The original trackSpacer is an iconic disco hit from the 1970s, and Plaything put a contemporary spin on this classic. The track was a hit in Belgian clubs in the early 2000s, often played by prominent DJs. It has since been released on various labels and remains a timeless favorite in the electronic music scene.

B1) Ion - W.B. (Original Release 2002)

This trance classic by DJ Ion was first released in 2002 on the Belgian label B². The track quickly became a beloved classic within the trance community. Danny Casseau, the producer behind this track, is also known for other legendary works, including the trance classic Ion 98 - Tructure, which had a significant impact on the trance scene. W.B. is a pure, old-school trance track, crafted in the way only tracks from that era were!

This vinyl is extremely rare and hard to find, making it a sought-after item for collectors and trance lovers. It is still played in the sets of DJs who cherish the older trance sound, and it fits perfectly in contemporary sets as well!

B2) Subaltern - Forever (Ledge Forever Remix) (Original Release 2007)

This club banger was released in 2007 on the French label Voices Records and was a popular track in well-known Belgian clubs like Illusion and La Rocca. The Ledge Remix added an energetic, infectious vibe that made it a true hit on the dancefloor. It received an official vinyl release in 2007, but it is now difficult to obtain. Subaltern's Forever remains an unforgettable club classic still appreciated by electronic music lovers.

C1) Lykke Li - No Rest For The Wicked (Joris Voorn Remix) (Original Release 2014)

Swedish singer-songwriter Lykke Li scored a worldwide hit with I Follow Rivers, but also had great success with the powerful track No Rest For The Wicked. The Dutch producer Joris Voorn gave his own tech-house spin to the track in his known style!

Voorn's remix keeps the atmospheric mood of the original but adds a new, dancefloor-friendly dynamic that makes it suitable for the electronic music world.

This is the first time this remix is being released on vinyl since the original release in 2014, making it a rare and desirable item for both collectors and DJs. Thanks to the powerful mix of melody and rhythm, this remix of No Rest For The Wicked remains a timeless favorite that has found its place both in clubs and in vinyl collections of music enthusiasts and DJs.

C2) The Roc Project feat. Tina Arena - Never (Filterheadz Luv Tina Remix) (Original Release 2002)

This Spanish dance track hit Europe in 2003, thanks in part to the legendary remix by the Belgian techno duo Filterheadz. Brothers Bert and Maarten Wilmaers, known for their distinctive techno sound, gave the track their own twist with strong beats and an uplifting bassline, creating a timeless club hit that was heard everywhere in the early 2000s.

The vocals by Tina Arena add an emotional layer, while the Filterheadz Luv Tina Remix has stood the test of time and still gets everyone moving. At 12 Inch Lovers parties, this track never goes unnoticed and often brings the night to a high point. This track is a must-have for both collectors and DJs who love a mix of emotion, energy, and a solid techno sound.

D1) Soul Syndicate - Inside Of Me (Steel Union Remix) (Original Release 1995)

Speaking of a trance classic, this one is a true gem! Inside Of Me was released in 1995 during the golden years of Belgian trance music on the legendary Belgian label Aquatic Records. The Steel Union Remix by Zzino is an absolute favorite among trance lovers.

With its iconic sound and unmatched energy, this track is a true ode to the Belgian trance scene. It remains an unadulterated classic that still makes an irresistible impact, not only at retro trance events but also in the sets of contemporary DJs. Since its release, this remix has been hard to find, making it an even rarer piece of trance history. A track that has stood the test of time and is a must-have for collectors and fans of old-school trance.

D2) Ken Laszlo vs. Disco Dice - Hey Hey Guy (House Dub) (Original Release 2003)

Ken Laszlo, the Italian singer who became globally famous in the 1980s with the iconic Italo-disco hit Hey Hey Guy, received a re-release in 2003 on the house label Dubmental. This version was reimagined by Disco Dice, who gave the track a fresh house vibe with a more modern sound. Belgian DJ Jean, known for his influence on the Belgian nightlife scene, introduced this track into the clubs and transformed it into a club classic.

This release, although released in 2003, is now very rare and hard to find on vinyl. It's a hidden gem that continues to withstand the test of time, making it a valuable collector's item for lovers of both Italo-disco and house.

D3) Icehouse - Hey Little Girl (Infusion Remix) (Original Release 2002)

The Australian band Icehouse released the iconic track Hey Little Girl in 1982 on the British label Chrysalis. This synth-pop track was a big hit and still remains one of the classics from the 1980s. The original track was later included in the remix album Meltdown in 2003, where the Australian duo Infusion created a contemporary electronic remix that gave the track a new dimension.

The Infusion Remix adds a modern, danceable twist to the original synth-pop sound. This version surprised both fans of the original hit and lovers of electronic music, remaining a sought-after track in DJ sets.

This track has been unavailable on vinyl since its original release in 2003, making it a rare collector's item.

Incl. Pryda, Dexter Connection, Superfunk feat. Ron Carroll, Dave Swayze, Chris Bangs feat. Rita Campbell, Hyper Pearl, Daniel Bovie & Roy Rox, The Disco Freaks, The Mackenzie feat. Jessy



Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 9

A1) Pryda - Allein (Original Release 2012)

Pryda, the legendary alter ego of Eric Prydz, has earned iconic status in the electronic music scene with his refined productions and epic tracks. Under this name, he has released several hits that have stood the test of time, including Allein. This track is a progressive house masterpiece built around a sample from Polarkreis 18's Allein Allein and is infused with the characteristic Pryda sound: grand, hypnotic, and emotionally powerful.

With its timeless and universal appeal, Pryda - Allein has captivated fans worldwide. The track is an absolute floor-filler that forms a highlight in any DJ set. Notably, this iconic track has never had a vinyl release, making this edition extra special for both collectors and lovers of true electronic music history.

A2) Dexter Connection - Baby Be Mine (Original Release 2003)

Released in 2003, this delightful groover samples Michael Jackson's Baby Be Mine and Brothers Johnson's Stomp. The track combines funky basslines with a tight, rhythmic groove that immediately invites dancing. The nostalgic vibes from the classic samples provide a familiar sound, while the modern production gives it a fresh, contemporary twist. Ideal for DJ sets where you want to get the crowd in the right mood.

A3) Superfunk feat. Ron Carroll - Lucky Star (Original Release 2000)

This track needs little introduction. Released in 2000, with soulful vocals from Ron Carroll, it quickly became an iconic hit within the house scene. Lucky Star was the breakthrough single of Superfunk, a French house group,and sold over 500,000 copies worldwide. The track reached number 42 on the UK Singles Chart and has since become a staple in house and dance sets.

With its funky basslines, catchy melody, and infectious groove, it's a perfect mix of disco, house, and soul. The track includes a sample from Chris Rea's Josephine, adding to the recognizable and nostalgic vibe. Lucky Star became not only a floor-filler but also an anthem of the French house movement, alongside acts like Daft Punk and Cassius who dominated the world in the same period.

B1) Dave Swayze - Goldwave (24K) (Original Release 1996)

This 1996 trance classic needs little introduction. Goldwave is a timeless track that continues to resonate with trance lovers, thanks to the unique combination of dreamy synths, hypnotic rhythms, and epic build-up. The track is a true ear-candy and touches anyone who hears it. Originally released in 1996 on Belgium's DiKi Records, it quickly became a classic in clubs like La Bush, Illusion, La Rocca, and many more.

To this day, Goldwave is still played in the sets of many DJs, and remains a favorite at retro trance events. The track has stood the test of time and remains a key track for fans of old-school trance. It's a piece of electronic music history that makes people dream on the dancefloor with its dreamy Goldwave.

B2) Chris Bangs feat. Rita Campbell - Warm Weather (Ibiza BeachBall Vocal Mix) (Original Release 2000)

Warm Weather by Chris Bangs feat. Rita Campbell is a summery, uplifting track that perfectly evokes the atmosphere of Ibiza. The song blends house and trance with the infectious vocals of Rita Campbell, creating a warm, relaxed vibe. The Ibiza BeachBall Vocal Mix adds a touch of Balearic energy, with a calm rhythm and melodies that immediately remind you of sunny beaches and carefree days. Originally released in 2000 on the UK label INCredible, it remains a hidden gem for many trance lovers.

C1) Hyper Pearl - Can You Feel The Pain (Up & Vox Version) (Original Release 1995)

This 1995 trance classic made a lot of noise in clubs like Illusion, La Bush, Lagoa, and At the Villa. Pure old-school trance with emotion and drive like only that era could produce. A fantastic track, produced by Carl Drake, Matt Spinner, and Zzino, originally released on Belgium's Aquatic label.

C2) Daniel Bovie & Roy Rox - Stop Playing With My Mind (Dub) (Original Release 2008)

Daniel Bovie (aka Danny Van Wouwe) is a versatile producer with dozens of tracks to his name, many of which are considered classics. This track is no exception. Originally released on the legendary Strictly Rhythm label, co-produced with Dutch producer Roy "Van Luffelen" Rox, this track quickly became a floor-filler and charted in Belgium and the Netherlands. The vocals wereprovided by the talented Nelson.

D1) The Disco Freaks - Make My Dreams Reality (Chord Memory Mix) (Original Release 1997)

Originally released on an EP by The Disco Freaks, the alter ego of producers Bart Grinaert and Lajos Meszaros. This mix, which is much stronger than the original, quickly became a club classic and was played extensively in clubs like Illusion, Carat, and Extreme. A delightful, groovy, and uplifting track that combines disco elements with house. The Chord Memory Mix adds a nostalgic touch by using warm chords, funky basslines, and uplifting percussion.

D2) The Mackenzie feat. Jessy - I Am Free (Marino Stephano Club Mix) (Original Release 1997)

I Am Free by The Mackenzie needs little introduction and is a must in every DJ and vinyl lover's collection. This mix, often played at our parties, is something special. The man behind many legendary trance classics, Marino Stephano (RIP), hasreworked this version in his unmistakable way. The remix has an energetic and captivating vibe, with deep, hypnotic beats and floating synths. A beautiful track in its original version, it continues to fascinate.

Following the release of the digital single, Berlin-based groove collective The Ruffcats and Chicago soul singer Doug Shorts return with a strictly limited 7-inch vinyl edition of “I Ain’t Worried” , pairing the original retro-soul cut with an exclusive remix by none other than Erobique. The original version is a timeless slice of analog soul: laid-back yet confident, driven by a deep pocket rhythm section, warm horn arrangements, and Doug Shorts’ unmistakably smooth, Chicago-rooted vocal delivery. Written by The Ruffcats and Doug Shorts, the song carries a quiet message of resilience and inner calm, echoing the spirit of classic late-’60s and early-’70s soul without ever slipping into pastiche. On the flip side, Erobique brings his unmistakable touch to the track: playful, groove-heavy, and full of character. Known for his ability to bridge deep musicality with infectious dancefloor energy, the Hamburg-based producer reimagines “I Ain’t Worried” as a loose, funk-infused roller, retaining the song’s soulful heart while nudging it firmly toward late-night dancefloors and sweaty club rooms.

Originally created in the wider context of the charitable Soul Rabbi – Shine On project, “I Ain’t Worried” has since taken on a life of its own. This 7-inch release celebrates that journey, honoring the song’s roots in community and friendship while expanding its reach through a fresh, club-ready reinterpretation. Pressed on classic 7-inch vinyl, this release is aimed squarely at soul lovers, DJs, and collectors alike: a record that feels just as at home in a crate next to vintage originals as it does in a contemporary DJ set.

Mucha, AKA Amanda Butterworth presents a stunning double header for Frequency Domain's tenth birthday release. But when up against one of the most thoughtful, precise, yet loose and rave inducing producers in the history of synthesisers, there was only ever going to be one opening point being made here. Surgeon's remix is typically essential for any techno fan. So while the original 'Skin' is this patient, rhythmic but beat-less slice of post- (or pre-)club stuff, full of ecstasy moods and comedown overtures, Surgeon's take refocuses us on the repetitive vocal patterns and slaps a wonderful compelling broken kick underneath to create a proper dancefloor builder. B-side 'You Make Me Go Under' goes for a neo-Bjork style IDM leaning piece, which then gets a moody, apocalyptic Datassette cut to top off an exceptionally strong package. Buy it. Buy it now.

ALERT: BIG 90s ITALIAN RAVE COMP - a lot of very in demand tunes on here.

Navigators

Franco Falsini and the Interactive Test Universe

There are musicians who follow their time.

And then there are those who seem to move along a different trajectory—like navigators crossing sonic eras without ever truly belonging to any one of them. The story of Franco Falsini belongs to the latter. It is a story that begins long before raves, before techno, before the word “electronic” had even become a recognizable musical genre. A story that moves across continents, technologies, and sonic visions, eventually arriving at a small creative laboratory born in Italy in the early 1990s: Interactive Test. This compilation is a fragment of that universe. But as often happens with the hidden histories of music, understanding it requires going back. Far back.

The Beginning: Machines, Tape and Space

In the late 1960s Franco Falsini leaves Italy and moves to the United States. It is not merely a geographical journey—it is also a journey into a new idea of music. At the time, synthesizers are only just emerging from research laboratories. Multitrack tape recorders allow musicians to build entire sonic worlds on their own. Technology is still far from standardized: every studio is almost an experimental workshop. In Virginia, Falsini builds one of his own. Among cables, oscillators, electric guitars and reels of magnetic tape, a kind of music begins to take shape that resembles nothing else being made at the time. It is not simply rock, and it is not yet truly electronic. It moves somewhere in the space between the two. Out of these explorations emerges Sensations' Fix, the project through which Falsini releases a series of albums during the 1970s. Records that seem to come from a parallel dimension: cosmic landscapes, electronically treated guitars, synthesizers drifting like satellites. Many years later those albums would be rediscovered as visionary works. But at the time they were simply the result of relentless curiosity. A curiosity that would never fade.

The City That Never Sleeps

In the 1980s Falsini’s trajectory leads him to New York. The city is a sonic organism in constant transformation. In its clubs and recording studios something entirely new is beginning to take shape: music built from drum machines, sequencers, and samplers, created for the body before the living room. It is the dawn of modern dance culture. Falsini works as a sound engineer, producer and experimenter. From close range he observes electronic music transforming into a global language. Machines become more accessible, computers begin entering studios, and rhythm takes on an increasingly central role. Yet even in this phase Falsini does not simply follow what is happening. He absorbs. Observes. Reimagines. When he eventually returns to Italy, he brings back not only technical experience but also a clear vision: the conviction that electronic music is an open space, a territory still waiting to be explored.

Tuscany, Early 1990s

At the beginning of the 1990s something is happening in Italy as well. In clubs, abandoned industrial warehouses and clandestine parties, a new scene is beginning to form. It is rave culture: a spontaneous movement bringing together DJs, producers and listeners in a collective experience driven by rhythm, technology, and creative freedom. It is within this context that Franco Falsini, together with his brother Riccardo, creates Interactive Test.

The name almost sounds like a scientific experiment. In many ways, it is. Interactive Test does not emerge as a traditional record label. It begins as a laboratory—a place where ideas, sounds and musical identities can be tested and explored. Around the Falsini studio in Tuscany a small constellation of artists and DJs begins to gather, helping to shape the sound of Italy’s emerging electronic scene. Among them are Andrea Giuditta, Francesco Farfa, Gabry Fasano, Roby Mastelloni, Roby J and many others. Each brings a different musical sensibility. But they all share the same intuition: electronic music is not a genre. It is a language.

The Laboratory of Identities

One of the most fascinating aspects of the Interactive Test universe is its constant play with identity. Franco Falsini releases music under several different names: Open Space, Youth Wave, Agent Fylfoyt, Man Myth Magic. These are not simply pseudonyms.

They are different sonic perspectives, as if each project were a window opening onto a parallel musical universe. Open Space, for example, explores more atmospheric and visionary territories. Youth Wave moves between electronic groove and club-oriented rhythms. Other projects experiment with digital psychedelia or hypnotic techno textures. Interactive Test becomes something more than a label. it becomes an ecosystem.

Domestic Machines, Infinite Worlds

Looking back today at the technology used in those productions, one might almost smile. Many tracks were created on Amiga computers, MIDI sequencers and analog synthesizers wired together in home studios—tools that appear modest when compared to today’s digital possibilities.

Yet precisely these limitations became a creative force. Every sound had to be built, shaped and reinvented. Sequences developed slowly, almost like living organisms. The tracks did not always follow traditional dance music structures; often they felt like genuine sonic journeys. Music built from space.

A Hidden Constellation

Many of the records released by Interactive Test in the 1990s remained for years almost invisible objects, circulating quietly among DJs, collectors, and devoted listeners. Yet it is precisely this underground existence that helped preserve them. Listening again today, one perceives something rare: the feeling of music that does not fully belong to its own time. Music suspended between different eras. Perhaps because it comes from a vision that both precedes and transcends trends.

Continuing the Journey

Looking at Franco Falsini’s entire path—from the electronic psychedelia of Sensations’ Fix to the rave culture of the 1990s—a surprisingly coherent line emerges.

A line defined by exploration.

Each project, each pseudonym, each record appears as a new route within the same great sonic voyage.

Interactive Test was one of its stations.

A laboratory.
A community.
A creative platform.

This compilation gathers some of its traces.

Not as a simple archive of the past, but as a map of a musical territory that continues to expand even today.

Like all true sonic explorations.

No filler, no big gestures, just focused underground club music with soul, depth and proper drive. A strong and confident opening statement from Galaxy Dreams. A well-rounded 4 tracker with character, soul, and enough punch for both intimate clubs and bigger systems.

In-demand AfroColombia Remix Vol. 1 finally repressed!
A collection of Afro-Colombian classics (Champeta, Son de Sexteto, Currulao) revisited by talented producers from the global club scene.
Ten years ago, a sound was born that bridged roots and reinvention. Today, Galletas Calientes Records is proud to announce the official reissue of AfroColombia Remix Vol. 1 on vinyl, in collaboration with legendary Colombian label Palenque Records.
Originally released a decade ago, this project brought together visionary producers and timeless Afro-Colombian rhythms, creating a dialogue between tradition and the global electronic underground. Now, remastered and pressed on wax again, the record returns with renewed depth—warmer, richer, and ready to be experienced the way it was always meant to be heard.
This limited vinyl edition celebrates the legacy of the original release while honouring the artists, communities, and sounds that inspired it. Whether you’ve been with us since day one or are discovering it for the first time, this reissue is an invitation to reconnect with a pivotal moment in Afro-Colombian musical fusion.

Allein' by Quarks is a timeless piece of German electro-pop culture that captures the nostalgia of Berlin’s wild & spaced out 2000s like no other!

Originally released on the duo's third album "Trigger Me Happy", the single was later released as a 12" with two massive remixes that were only available on vinyl.

Whether it's Sascha Funke's haunting minimal techno masterpiece or Swayzak's colourful & electrifying banger - both remixes leave no doubt that this 12" will bring goosebumps & tears of joy to every dance floor until the end of time!

With all original masters & DATs lost, this reissue has been carefully restored & remastered from the original vinyl by Dubplates & Mastering. Sounding crystal clear & ready for the club in 2026!

goodbye.

(*Previously unreleased)

Telling a tale of house music’s early days or roots without mentioning Tony Humphries as a club DJ, remixer and radio disc jockey would make it an incomplete, forged and most of all a bit of a yawn.
Born in Brooklyn in 1957, Humphries’ musical journey is synonymous with New York City’s dance music history and the evolution from uptempo soul music to house: from being a dancer at David Mancuso’s infamous Loft parties to becoming a mobile DJ and getting the call from Shep Pettibone to become his right hand at
the then new Kiss FM radio station, followed by countless remix offers and a legendary residency at Newark’s Club Zanzibar. Next to that one, is was especially his work as a radio disc jockey for said station during most of the 1980s until 1994 that gave him majestic clout. Breaking new records week in, week out,
putting New Jersey acts like Adeva and Jomanda or countless up-and-coming producers from there on the musical map, while simultaneously playing the hottest imports from Europe, trax from Chicago, dance classics and all things straight from New York’s music factory that never seemed to stop.
Going to his vast and almost complete archive of radio shows from way back when he graced those airwaves, we at Running Back Records have pickedNew Release Information original recordings that symbolize his importance as an industry giant and ambassador of this style of music.
„But one thing I would like to point out is that, as a DJ, the music I play is not my music. I want to make it perfectly clear that it is music that is released, and it’s everyone’s music. I do not take any other credit than being the middle person exposing this music.“
(Tony Humphries in: What Kind of House Party Is This?, Jonathan Fleming, 1996)

Michael J. Sheehy has been making records for almost three decades, initially as founder and mouthpiece of mid-"90s cult band Dream City Film Club, then as a solo artist and frontman of rootsy garage rock act Miraculous Mule. He has toured with the likes of Kristin Hersh, Tindersticks, John Cale and Peter Murphy, while his songs have been utilised in films such as "Intimacy" and the TV show "Deadwood". Following a six-year hiatus, Sheehy has just "Don"t We Deserve Some Kind of Love?", his seventh solo album but first for Dimple Discs. "Don"t We Deserve Some Kind Of Love?" features contributions from Fiona Brice (violin), Sandy Mill (backing vocals), Ian Burns (drums) and Patrick McCarthy (guitar). It was recorded at home over a five-year period while Sheehy was a stay-at-home father and working evenings at a bar in Camden, north London.

2026 marks the 10th anniversary of Icelandic rock band Kaleo’s best-selling album A/B. With “Way Down We Go” in the Spotify Billions Club and other hits like “All The Pretty Girls” and “No Good,” the album is certified platinum and reached the fourth spot on the Billboard Top Rock albums in 2016. For its 10th anniversary, we are going to release a 2LP version with a bonus disc of songs released prior to the band signing to Atlantic (and are currently not available for streaming) as well as stripped and unreleased live recordings from the album.