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Various - Hidden Waters:Strange & SublimeSounds Of Rio De Janeiro 2x12"
 
22

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.

‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.

This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

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27,52

Последний логин: 2 г. назад
Angel Olsen - FOREVER MEANS LP

Angel Olsen

FOREVER MEANS LP

12inchJAGLP434
JAGJAGUWAR
14.04.2023
 
4
также имеющийся в продаже

Pink Vinyl[20,55 €]


Last year's Big Time brought Angel Olsen to a deeper, truer sense of self than ever before. Borne from the twin stars of grief and love, the album delivered beautiful sense of certainty, the sure-footed sound of an artist fully, finally at home with herself. But within that wisdom comes the realization that there is no finish line, no destination or static end point to life while you're living it, and Forever Means collects songs from the Big Time sessions that hold this common theme. They are, in Olsen's words, "in search of something else." "I was somewhere traveling," says Olsen, "stopped for a few days and wandering the city, and I was thinking `what does `forever' really mean? What are the things I'm seeking in friendship or love, and how can `forever' be attainable if we're always changing?'" Sitting with the reality of that entropy, Olsen realized "maybe the secret to ongoing love is to embrace change as part of love itself, that forever must have something to do with playing, looking, constantly searching things out for yourself, never letting yourself think you're finished learning or exploring." `Forever'", says Olsen, "remains curious while trying also to be kind and honest." All this packs into the four precious songs that comprise Forever Means, songs from Olsen's roads traveled and the ones ahead. "Nothing's free / like breaking free" Olsen sings, comfortable with the costs of her clarity, her heart and voice fixed on the present, the future, the not-yet-known and the beautifully unknowable

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20,55
0656605243436 - FOREVER MEANS LP

0656605243436

FOREVER MEANS LP

12inchJAGLPC1434
JAGJAGUWAR
14.04.2023
 
4
также имеющийся в продаже

Black Vinyl[20,55 €]


Last year's Big Time brought Angel Olsen to a deeper, truer sense of self than ever before. Borne from the twin stars of grief and love, the album delivered beautiful sense of certainty, the sure-footed sound of an artist fully, finally at home with herself. But within that wisdom comes the realization that there is no finish line, no destination or static end point to life while you're living it, and Forever Means collects songs from the Big Time sessions that hold this common theme. They are, in Olsen's words, "in search of something else." "I was somewhere traveling," says Olsen, "stopped for a few days and wandering the city, and I was thinking `what does `forever' really mean? What are the things I'm seeking in friendship or love, and how can `forever' be attainable if we're always changing?'" Sitting with the reality of that entropy, Olsen realized "maybe the secret to ongoing love is to embrace change as part of love itself, that forever must have something to do with playing, looking, constantly searching things out for yourself, never letting yourself think you're finished learning or exploring." `Forever'", says Olsen, "remains curious while trying also to be kind and honest." All this packs into the four precious songs that comprise Forever Means, songs from Olsen's roads traveled and the ones ahead. "Nothing's free / like breaking free" Olsen sings, comfortable with the costs of her clarity, her heart and voice fixed on the present, the future, the not-yet-known and the beautifully unknowable

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20,55
Riopy - THRIVE LP

Riopy

THRIVE LP

12inch5054197435317
WCL
14.04.2023

Das neue Album "THRIVE" von RIOPY besteht aus insgesamt 17 Tracks, darunter seine neue Kompositionen und Neubearbeitungen von Werken berühmter Komponisten wie Chopin, Pachelbel, Satie, Debussy, Brahms, Beethoven und Fauré.

Die Stücke sind teils mit dem Solo-Piano eingespielt, teils begleitet durch ein bis zu 18-köpfiges Streicherensemble. Gemeinsam haben die Stücke, dass sie einen beim Hören mit auf eine Reise von herausragender Schönheit nehmen, mal cineastisch groß, dann wieder eindringlich und nuanciert, beeindruckend vielschichtig und dabei doch träumerisch leicht, fast schwerelos.

Hinter RIOPY liegen aufregende Jahre: Sein 2019 veröffentlichtes Album "Tree of Light" bescherte ihm den internationalen Durchbruch, u.a. eroberte es in den USA Platz 1 der Billboard Classical Album Charts, wo es sich insgesamt zwei Jahre in den Top 10 hielt. Mit seinem letzten, während der pandemischen Monate geschriebenen Album "Bliss" (2021) spendete er unzähligen Menschen Trost in einer Zeit voller Herausforderungen.

Сделать предзаказ14.04.2023

он должен быть опубликован на 14.04.2023

25,63
Entidad Animada - Pruebas de existencia LP

Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Popol Vuh. The display of colours in his music comes together in the midst of a playful, relaxed and optimistic environment that is simultaneously melancholic. Because of the nature of those pieces, but also because in Entidad Animada there is also space for collage sounds that blend randomly with textures of a primitive analog sound, which inevitably causes a paradox between what is alive and what is inert. And it is because Entidad Animada is precisely that, a spectrum or a vision, a ghost. And these sounds are proof of his existence.

Pruebas de existencia (proofs of existence) is a collection of recordings that Marcos has made in recent years and that we have selected for this album, his first work on Umor Rex. A couple of these pieces were only released digitally, while the others have been on ltd cassette editions through Fuego Amigo Discos in Argentina. Pruebas de existencia is an Umor Rex compilation and remastered edition.

Guitar, sampler, synthesizer, organ, bass, drums & electronic beats, vocals, recording and mixing by Entidad Animada in Buenos Aires. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Cover photography Natch Tablescape (1979) by Langdon Clay. Layout by Daniel Castrejón, Mexico City.

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22,65
Michael Leonhart Orchestra - Shut Him Down (feat. Elvis Costello & JSWISS) 7"

"Shut Him Down” was the third song written by Michael Leonhart & Elvis Costello during the 2020 quarantine. The first two, “Radio Is Everything” and "Newspaper Pane”—both of which were produced by Leonhart —appeared on Elvis’ 2020 solo album, Hey Clockface.
Michael and Elvis first met in 2007 at the Molde Festival in Norway, where Costello and the late Allen Toussaint shared a double bill with Steely Dan, with whom Leonhart has played since ’96. The two kept in touch over the ensuing years, including joining forces in 2015 for an Elvis Costello & The Imposters/Steely Dan tour. Early on in the quarantine, Leonhart sent Costello some instrumental music in need of lyrics. Costello states “Michael sent this music to me from New York at the perfect time.” After finishing the first two songs, Leonhart asked Costello to sing over an original heavy Afrobeat song he had been recording with his Michael Leonhart Orchestra during lockdown. Costello crafted lyrics that exist at the crossroads of political commentary and existential contemplation. Leonhart then asked NY rapper, JSWISS to write a verse building off Elvis’ lyrics and the drums grooves of Nick Movshon and Homer Steinweiss. Antibalas guitarist Luke O'Malley then came on board to write and record additional guitar parts.

Side A ends with a fiery bass clarinet solo from Chris Potter, while side B features an extended tenor sax solo from acclaimed saxophonist Joshua Redman.

"Shut Him Down" was first released in March 2022 on The Michael Leonhart Orchestra album, The Norymn Suites (Sunnyside Records) and now becomes available as a limited edition 7” b/w instrumental through Mighty Eye Records in partnership with Fat Beats.

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16,39

Последний логин: 2 г. назад
Roslyn & Charles - Everything Must Change LP

The duo of Charles McCloud and Roslyn Johnson made only two albums during their career…but those two albums (Everything Must Change and Spirit of the Living God) are among the most collectible records ever made in the gospel genre. In fact, they are so hard to find that we’re still searching for Spirit of the Living God to scan the artwork, but we managed to snag a copy of their 1981 debut Everything Must Change on the obscure Cheri label (though we may have to pass a collection plate to recoup the cost!).
It’ll just take the first track to show you why these records are in such demand; you have never heard such a soulful (check out those harmonies!), slow-burning rendition of that hoary chestnut “Amazing Grace” in your sanctified life! And with able production by keyboardist Julius Brockington, who played with Larry Young and headed up several outfits of his own, Everything Must Change is a crossover album in the best sense of the word, blending the spiritual fervor of gospel with the danceable grooves of soul and—dare we say it?—disco. Don’t miss the Donny Hathaway cover “Someday We’ll All Be Free,” too. Black vinyl release, first ever reissue in any format…limited to 1000 copies!

Сделать предзаказ07.04.2023

он должен быть опубликован на 07.04.2023

37,61
Various - This Is Flying Dutchman

• Bob Thiele is one of the great producers. For his work with John Coltrane alone, where he gave free reign to the saxophone great's wildest musical visions including “A Love Supreme”, ignoring the usual cost consciousness of a major label, he deserves to be lauded. In addition to this, his eight years at Impulse! saw him recording seminal works by scores of musicians including late-blooming masterpieces by Duke Ellington and Johnny Hodges, and a whole wave of 'new thing' jazzers such as Archie Shepp and Pharoah Sanders. He didn't stop there and when he launched his own label, Flying Dutchman in 1969, he continued to innovate and record music that reflected its times, but that also resonates down through the ages. It is to Flying Dutchman that we are paying tribute on this compilation.

• Gil Scott-Heron's recordings for the label ran to three records, which sold well but not spectacularly at the time. They have since taken on a resonance that makes the album "Pieces Of A Man" in particular one of the most important recordings of the last century, and its opening track 'The Revolution Will Not Be Televised' an anthem. Pianist Lonnie Liston Smith had been on Thiele's final important Impulse! Recording, Pharoah Sanders’ "Karma", and continued to appear on Flying Dutchman, first as a sideman and then as a leader. His 1975 album "Expansions" was the perfect encapsulation of his 'cosmic jazz' and the title track is a moment of near perfection which has become one of the foundation pieces of modern dance music.

• Flying Dutchman's other great discoveries are here. Vocalist Leon Thomas found a new route for jazz vocals in the early 70s, which made him a star and earned him a place in Santana. Gato Barbieri became one of the major saxophone stars of the era, after Thiele enabled him to meld his free jazz leanings to the rhythms of South America. The label also made important recordings with Tom Scott (featured on Thiele's own 'Head Start'), Ornette Coleman and Oliver Nelson, whilst interesting records appeared by Esther Marrow, Harold Alexander and many more.

• This is Flying Dutchman is a considered tribute to the label, and features in depth and fully illustrated sleeve notes. In the year when Bob Thiele's son is gearing up to release the first new music on the label since 1976, it is an apt and timely reminder of the power of the music.

Сделать предзаказ31.03.2023

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26,01
JOÃO DONATO E DONATINHO - SINTETIZAMOR LP

Far Out Recordings proudly presents laid back Brazilian groove maestro Joao Donato’s synth-heavy collaboration with his son Donatinho. Sintetizamor sees the father-son duo jovially hurtle through space and time across ten tracks of sparkling pop, Brazilian boogie and club friendly disco-funk.

Joao Donato has been a hugely influential figure in the development of Brazilian music since the mid-1950’s. He’s played and recorded with virtually every one of his fellow Brazilian masters. Many of his own albums (of which he’s recorded over three-dozen) are regarded with such adulation that ‘cult-favourites’ doesn’t quite cut it.

Aged 82 at the time, Donato’s collaboration with his prodigious, synth obsessed son Donatinho - whose keyboard talents have been called on by the likes of the late Gal Costa, Djavan and Donatinho’s contemporaries such as Diogo Strausz - was originally released back in 2017, as a limited Brazil-only release.

For Record Store Day 2023, Sintetizamor will be available on vinyl (for the first time outside of Brazil) from participating stores.

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34,24

Последний логин: 2 г. назад
DMA’S - How Many Dreams? LP

Dma’s

How Many Dreams? LP

12inch0410807
Mushroom
31.03.2023

”How Many Dreams?” ist das mit Spannung erwartete vierte Studioalbum des australischen Dreiergespanns DMA’S. Mit den Singles ”I Don’t Need To Hide” und ”Everybody’s Saying Thursday’s The Weekend” ist das Album ein weiterer Schritt nach vorne für eine Band, die sich auf einem steilen Weg nach oben befindet.

Über die Single ”Everybody’s Saying Thursday’s The Weekend” sagt Gitarrist Johnny Took: ”In diesem Song geht es darum, die Dinge loszulassen, die uns bedrücken, und mit einem Gefühl von Optimismus in die Zukunft zu schauen.” – ein Grundgedanke, der sich durch das gesamte Album zieht.
Teilweise in Großbritannien mit Rich Costey (Sigur Ros, Muse, Foster the People) und Stuart Price (Dua Lipa, The Killers, Madonna) aufgenommen, bevor es in ihrer Heimatstadt Sydney mit Konstantin Kersting (Mallrat, The Jungle Giants) fertiggestellt wurde, ist ”How Many Dreams?” ein ambitioniertes Album mit einer klanglich weiten Landschaft; es gibt Songs zum Raven und Songs zum Weinen.
DMA’S tauchten 2014 mit ihrer Debütsingle ”Delete” auf der Bildfläche auf.
Seitdem hat die Band drei hochgelobte Alben veröffentlicht, wobei ihr letztes Album ”THE GLOW” (veröffentlicht im März 2020) auf Platz 4 in Großbritannien, Platz 1 in Schottland und Platz 2 in Australien in die Charts einstieg.

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26,01
DMA’S - How Many Dreams? LP - Neon Yellow Vinyl

”How Many Dreams?” ist das mit Spannung erwartete vierte Studioalbum des australischen Dreiergespanns DMA’S. Mit den Singles ”I Don’t Need To Hide” und ”Everybody’s Saying Thursday’s The Weekend” ist das Album ein weiterer Schritt nach vorne für eine Band, die sich auf einem steilen Weg nach oben befindet.

Über die Single ”Everybody’s Saying Thursday’s The Weekend” sagt Gitarrist Johnny Took: ”In diesem Song geht es darum, die Dinge loszulassen, die uns bedrücken, und mit einem Gefühl von Optimismus in die Zukunft zu schauen.” – ein Grundgedanke, der sich durch das gesamte Album zieht.
Teilweise in Großbritannien mit Rich Costey (Sigur Ros, Muse, Foster the People) und Stuart Price (Dua Lipa, The Killers, Madonna) aufgenommen, bevor es in ihrer Heimatstadt Sydney mit Konstantin Kersting (Mallrat, The Jungle Giants) fertiggestellt wurde, ist ”How Many Dreams?” ein ambitioniertes Album mit einer klanglich weiten Landschaft; es gibt Songs zum Raven und Songs zum Weinen.
DMA’S tauchten 2014 mit ihrer Debütsingle ”Delete” auf der Bildfläche auf.
Seitdem hat die Band drei hochgelobte Alben veröffentlicht, wobei ihr letztes Album ”THE GLOW” (veröffentlicht im März 2020) auf Platz 4 in Großbritannien, Platz 1 in Schottland und Platz 2 in Australien in die Charts einstieg.

Сделать предзаказ31.03.2023

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27,10
DMA's - How Many Dreams? LP

Dma's

How Many Dreams? LP

12inchIOU698
I OH YOU
31.03.2023

‘How Many Dreams?’ is the highly anticipated fourth studio album from Australian three-piece DMA’S. Featuring the singles ‘I Don’t Need To Hide’ and ‘Everybody’s Saying Thursday’s The Weekend’, the record is another step forward for a band on a still upwards trajectory. Partly recorded in the UK with Rich Costey (Sigur Ros, Muse, Foster the People) and Stuart Price (Dua Lipa, The Killers, Madonna) before being finished with Konstantin Kersting (Mallrat, The Jungle Giants) back in their hometown of Sydney, ‘How Many Dreams?’ is designed to be ambitious, a sonically vast landscape; there are songs to rave to, and songs to cry to. There’s a definite sense of celebration and revolution was brewing within the band on this record. DMA’S exploded onto the scene in 2014 with their debut single ‘Delete’. Since then, the band have released three acclaimed records with their last album THE GLOW (released in March 2020) debuting at #4 in the UK, #1 in Scotland, #2 in Australia. DMA’S have sold out worldwide tours including selling out shows at London’s Alexandra Palace and O2 Academy Brixton, and Manchester’s Castlefield Bowl, and graced the stages on festivals like Reading & Leeds, Glastonbury, Coachella, Lollapalooza, Outside Lands, Osheaga, Gov Ball and many more. UK April tour!

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23,95
Memoirs Of A Geisha - Original Soundtrack LP 2x12"

Memoirs of a Geisha (2005) is the award-winning drama film adaptation of the novel of the same name, produced by Steven Spielberg's Amblin Entertainment. The original score and songs were composed and conducted by John Williams (the Star Wars & Indiana Jones trilogies, Jaws, Close Encounters of the Third Kind, and many more). The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

Directed by Rob Marshall, the film stars Zhang Ziyi and Ken Watanabe amongst others. The story revolves around a young girl who is sold by her family to an okiya, a geisha house. Her new family then sends her off to school to become a geisha. The story focuses on her struggle as a geisha to find love, while in the process making a lot of enemies. The film was nominated for and won numerous awards, including nominations for six Academy Awards, eventually winning three: Best Cinematography, Best Art Direction and Best Costume Design.

Memoirs Of A Geisha is available as a limited edition of 1000 individually numbered copies on translucent blue coloured vinyl. The package includes an insert and side D contains an etch.

Сделать предзаказ24.03.2023

он должен быть опубликован на 24.03.2023

42,44
Qwalia - Sound & Reason LP

New London based quartet Qwalia, led by drummer Yusuf Ahmed, offer a plethora of influences whilst remaining resolutely itself. Assembled from musicians who play with David Byrne, Joy Crookes, Nubiyan Twist, Frank Ocean, Jordan Rakei, Sampha, Cat Stevens and more; Yusuf is joined by Tal Janes on guitars and vocals, Ben Reed on bass and keyboardist Joseph Costi. Qwalia’s debut album ‘Sound And Reason’ is set for release by Alberts Favourites on 24th March 2023.
The name Qwalia stems from the same sounding word Qualia, a philosophy of mind with the property of being an ineffable experience. Qwalia’s music is an instinctive aural expression of how things seemed in the moment of creation.
In April ‘21, Qwalia spent two days recording completely improvised music at the Fish Factory in North West London. There was no plan or preconceived idea of what the music should sound like or what was going to happen.
“We set up altogether in one room, dimmed the lights, pressed record and just played,” says Yusuf. “We came away with over 13 hours of music, which was consolidated into three albums worth of material. The final record is mainly a result of pulling faders up or down to create space and structure out of what was already there from the live recording. The production process felt akin to a sculptor chipping away excess stone to reveal a statue that was already there, and occasionally putting some makeup on it!”
The band members are Pakistani, Italian, Venezuelan, Jewish and English. A reflection of the fact that cultural categories are infinite; Qwalia’s music unconsciously explores identity, exposing what this can mean. Or perhaps that it doesn’t mean anything at all.
Early support from Mary Anne Hobbs and Gilles Peterson, support to come from Huey Morgan, Cerys Matthews.

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20,13

Последний логин: 3 г. назад
FORETOKEN - TRIUMPHS

Foretoken

TRIUMPHS

12inchPROS105541
Prosthetic Records
17.03.2023

Limited colour variant "battlefield aftermath with blood & dirt swirl" Following their 2020 debut, Ruin, FORETOKEN's latest album sees the group expand upon their foundations of meticulously lofty soundscapes, mythological narratives, and elaborate musicianship. Utilizing traditional narratives of myths, legends, and folklore from a wide range of Western and Middle Eastern origins, Triumphs examines the ignored collateral damage of the cost of victory through these established mythos. Taking musical inspiration from melodic and tech death metal, as well as power, folk and black metal, Foretoken's core sound on Triumphs is bolstered by subtle and captivating use of traditionally Scandinavian, Southeast Asian, and Middle Eastern instruments for atmospheric depth. Reunited once again with Hannes Grossmann (Hate Eternal, Alkaloid, Obscura, Necrophagist, Blotted Science, and Triptykon) on drums and boasting a guest guitar appearance by The Black Dahlia Murder's Brandon Ellis, FORETOKEN's technical prowess shines through without overpowering any of the nine songs' rhythmic charge. Triumphs was penned throughout 2021 by both Steve Redmond (guitar and orchestration) and Dan Cooley (vocals), with the pair settling on eight original compositions and a cover of Naglfar's I Am Vengeance. Grossmann then commenced drum tracking at his own studio, Mordor Sounds, with guitars recorded by Redmond himself and vocals captured at Trepan Studios by Tony Petrocelly, before mixing and mastering duties were placed in the accomplished hands of Jacob Hansen (Arch Enemy, Fleshgod Apocalypse, The Black Dahlia Murder, and more) at Hansen Studios. Visually tied together by portrait artist Tomas Honz's detailed cover painting, depicting a protagonist's journey in the aftermath of battle, Triumphs aesthetic component is a symbolic embodiment of the duo's enduring fascination with historial consequence via a folkloric lens. Taking fables and fantasy to extreme sonic heights, FORETOKEN's Triumphs is as lofty in ambition as it is accomplished in its musicianship and songcraft.

Сделать предзаказ17.03.2023

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24,75
Hector Costita - Avessos

Hector Costita

Avessos

7"-VinylDYNAM7098
Dynamite Cuts
13.03.2023

Limited Edition 7" RARE-VINYL COLLECTION
Dynamite Cuts 45s series has only gone and licensed two wonderful Brazilian Jazz fusion tracks by Hector Castito. These gems are from a hard to find jazz album first released on the Som Da Gente record label. The album 1981 has become must harder to find, I've always loved these records and to be able to include them on the DYNAMITE CUTS 45 SERIES, is a dream, so happy. Please see back and enjoy the wonderful sounds and vibes you are about to hear.

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18,28

Последний логин: 3 г. назад
Various - Happy Land (A Compendium Of Electronic Music From The British Isles 1992-1996 Volume 1

Future Jazzers, notorious experimentalists and outfield eccentrics stumble onto the dancefloor. In the 90s. In the UK.

From an electronic music perspective, the period 1992 to 1996 in the UK that this compilation celebrates, was one of dizzying sonic diversification.

It was also a particularly turbulent time in the UK, not only politically and economically, but also culturally too. Economic catastrophe in ‘92 was followed by widespread poverty, a cost of living crisis and countless political scandals. Meanwhile, John Major’s Tory government pandered to its political base via unpleasant, authoritarian legislation that seemingly sought to crush rave culture, alternative lifestyles, and traveller communities. The UK was not so much a ‘Happy Land’ – to quote the name of this compilation – as an angry and divided one. Sounds familiar, doesn’t it?

Throughout, the music created by producers based across these Isles remained uniquely British, speeding up a process begun in the late 1980s through the emergence of street soul, bleep & bass and breakbeat hardcore – musical styles whose roots in multicultural inner-city communities made them distinctly different from the Black American sounds that had inspired their creators. It was here, rather than in the indie pubs of Camden, that real musical revolutions were taking place.

This deep diving selection brings together some truly adventurous and original electronic music from this period, much of it very hard to find. Major label outings connect with white label oddities with ease. Perhaps it could even be argued that many of these unearthed gems fit more easily into DJ sets in 2023 than they ever did at the time. The off-kilter swing of Richard D James’ obscure and highly sought after Strider B outing, ‘Bradley’s Robot’ is joined by further rare cuts from Cabaret Voltaire and the Black Dog, and artists as diverse as Ultramarine, Herbert, Fretless AZM, and Radioactive Lamb, amongst others.

This collection has been lovingly selected, compiled and mastered for maximum sonic playback. This very special release boasts sublime pastoral themed artwork, as well as informative and passionate liner notes by celebrated music scribe Matt Anniss (‘Join The Future’).

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28,99

Последний логин: 2 г. назад
ALFREDO GUTIERREZ Y LOS CAPORALES DEL MAGDALENA - ASI ES... CON SALSA! LP

First time reissue of a legendary and undeservedly obscure salsa collector’s album from 1969. Led by rebel accordionist Alfredo Gutiérrez and featuring singer Lucho Pérez of Sonora Dinamita fame, “Así es… Con salsa!” is just that: raw, heavy duty NYC salsa performed through a Colombian “Costeño” tropical filter, with trombone, accordion and deep bass. Contains three hot bonus tracks in the same style and insert with liner notes. “¡Así es… Con salsa!”, by Colombia’s Alfredo Gutiérrez y Los Caporales del Magdalena, is a legendary collector’s album, yet still undeservedly obscure (and perhaps sonically surprising) for the uninitiated. It’s an experimental mash-up of seemingly disparate genres from different origins that on paper would seem to be at cross purposes. Yet at the same time the release is a masterpiece of raw pan-Latin fusion from the dawn of Colombian salsa that holds its own as a bonafide heavy duty pioneering record of the genre, despite its outsider status. Probably the most shocking musical element is Alfredo Gutiérrez’s fiery accordion, an unexpected instrument in the idiom of salsa, as it’s usually associated with the tropical music of Gutiérrez’s Caribbean home region of Sucre. Gutiérrez has always been a provocateur, never shying away from the controversial or outlandish, which has earned him the richly deserved sobriquet, “El Rebelde Del Acordeón” (The Rebel of The Accordion). Gutiérrez started Los Caporales in 1968 as a rival to Discos Fuentes supergroup Los Corraleros de Majagual, and the band had made three popular albums prior to “¡Así es… Con salsa!”, yet most of the repertoire on those records consisted of typical Colombian tropical and coastal rhythms and genres, none were purposely devoted to the newly minted genre of salsa. From the start, Gutiérrez lays down a salsa manifesto when the album kicks off with ‘Guadelupe no va’, a four-minute workout with pile-driving force that demonstrates the uncompromising power of this 14 piece orchestra. The listener is instantly hooked by the rawness of the sound, the bouncy energy, heavy brass and piano arrangements and the looseness of the improvisational sections. Gutiérrez was given the green light by Codiscos A&R head Humberto Moreno to dedicate an album to New York style salsa, giving more prominence to the voice and compositions of Lucho Pérez, an already proven expert in Cuban genres who previously had been only one among many vocalists in the band. Several tunes on the record are remakes of older compositions by Lucho Pérez from his early tenure with Discos Fuentes group La Sonora Dinamita, the new versions are much more raw and menacing, as if put through a Bronx filter. The band was made up of Codiscos’ regular stable of ace studio musicians from Medellín for the recording date. The album was both a success and also not abnormal in its mixing of salsa and costeño Colombian sounds, as there were several other similar hybrid records by other artists at the time. Both the desperation of the lyrics (about not being able to afford anything) and Lucho Pérez’ forceful delivery leave an indelible impression of street wise authenticity, which is backed up by the fact that both band members grew up poor

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26,47

Последний логин: 3 г. назад
Various - BORGA REVOLUTION 2 (2x12")

Various

BORGA REVOLUTION 2 (2x12")

2x12inchKALITAL10
Kalita
10.03.2023

Kalita are proud to unveil the second volume in their "Borga Revolution!" compilation series, focussing on the phenomenon of "Burger Highlife", a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980"s and beyond. Featuring both highly sought-after recordings by artists including Atta Frimpong and D.J. Lawyer Okyere, as well as seminal performances by greats such as Pat Thomas, A.B. Crentsil and Alan Cosmos, Kalita once again come to the rescue of audiophiles, DJs and music-lovers alike with "Borga Revolution! - Volume 2". Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 12-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

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23,95

Последний логин: 2 г. назад
Maria Callas - Bellini: Norma
 
44

Bellini: Norma
Opera in two acts · Libretto: Felice Romani
Norma - MARIA CALLAS
Pollione - FRANCO CORELLI
Adalgisa - CHRISTA LUDWIG
Oroveso - NICOLA ZACCARIA
Flavio - PIERO DE PALMA
Clotilde - EDDA VINCENZI
Coro e Orchestra del Teatro alla Scala di Milano
Chorus master: Norberto Mola
Tullio Serafin
Recorded: 5-12.IX.1960, Teatro alla Scala, Milan

Сделать предзаказ10.03.2023

он должен быть опубликован на 10.03.2023

83,99
Burt Bacharach / Various - Essential Burt Bacharach LP
 
28

180g virgin vinyl - audiophile pressing, celebrating 95 years of Burt Bacharach.

Considered one of the greatest composers in popular music, this superb LP contains 20 of his most essential and enduring songs, performed here by such celebrated stars as Dionne Warwick, Jerry Butler, The Shirelles, Chuck Jackson, The Drifters, Jack Jones, Timi Yuro, Del Shannon, Etta James, Gene Pitney, and others.

'The songs of Burt Bacharach occupy the same brain space as nursery rhymes and Beatles tracks: you don't remember not knowing them.' - The Guardian

'These songs played a big part in shaping my tastes in music.' - Elvis Costello

Сделать предзаказ10.03.2023

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21,64
MA SPAVENTI - TORNERÒ EP

Ma Spaventi

TORNERÒ EP

12inchSLOMO051
Slow Motion
09.03.2023

Ma Spaventi makes a slick return to Slow Motion Records with the captivating ‘Tornerò’.

Descending arps trickle into ‘Tornerò’ from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record.

‘Non Ce L’Hai Solo Tu’ is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance.

‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion.

The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow.

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13,40

Последний логин: 2 г. назад
Elvis Costello & Burt Bacharach - The Songs of Bacharach & Costello LP 2x12"

”The Songs of Bacharach & Costello” umfasst alle veröffentlichten Songs, die Costello gemeinsam mit Burt Bacharach geschrieben hat, und feiert die drei Jahrzehnte währende Songwriter-Partnerschaft der beiden.

Die von Costello zusammengestellte Super Deluxe Edition enthält das remasterte Album ”Painted From Memory” und eine neue Kollektion ”Taken From Life” mit unveröffentlichten Songs aus dem geplanten
”Painted From Memory”-Soundtrack sowie Live-Auftritten und einem ausführlichen 10.000 Wörter umfassenden Essay von Costello. Das 2LP-Set bietet das neu gemasterte Album ”Painted From Memory” und sechs Songs von ”Taken From Life”, von denen drei neu aufgenommene Kompositionen sind.
Das 2CD-Set bringt auf CD1 das remasterte Painted From Memory-Album, während CD2 das gesamte Taken From LifeAlbum enthält, einschließlich unveröffentlichter Songs des geplanten Painted From Memory-Soundtracks und drei neu aufgenommener Kompositionen.

Das Album ist nun als Super Deluxe 2LP +4CD, als 2LP und 2CD erhältlich

Сделать предзаказ03.03.2023

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42,44
Vince Mendoza & Metropole Orkest - Olympians

Multiple Grammy winner Composer, Arranger Conductor Vincent Mendoza has 35 Grammy Nominations across his storied career, including his sixth Grammy for his last Album Freedom Over Everything. For his forthcoming offering Olympians Mendoza is joined by Metropole Orkest, which he has led as chief conductor for the past six years. It is a bright, zingy and as the title suggests, triumphant record to add to Mendoza’s outstanding career.
Mendoza has written arrangements for a wide variety of pop and jazz artists
From Joni Mitchell, Sting, Melody Gardot, Elvis Costello and Bjork to Joe Zawinul, John Scofield and Randy Brecker.

Сделать предзаказ03.03.2023

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24,16
Grand River - All Above

Grand River

All Above

12inchEMEGO308V
Editions Mego
01.03.2023

On her third album, Berlin-based Dutch-Italian composer and sound designer Aimée Portioli, aka Grand River, asks what guiding forces might be driving, enticing, and affecting us. “All Above” is rooted in her deeply personal philosophy as an artist, blurring the boundaries between electronic music and acoustic music and sculpting familiar ambient forms into personal themes painted with rich emotional colours. Written painstakingly over the last two years, the album is the most ambitious and divergent set of music Portioli has assembled so far, with a wide variety of instrumentation (including voices, strings, organs, guitars, and synthesisers) focused around the piano. She‘s keen to assure listeners that while that instrument isn‘t always heard, it‘s constantly at the forefront of the album, shepherding its emotions and anchoring its mood. It makes sense then that on the opening track ‘Quasicristallo’, the acoustic piano is the first element we hear, recorded closely, so its characteristic rattle and creak can speak as loudly as the familiar tones themselves. When the music blooms into abstraction and processed electronics, it‘s almost imperceptible: reverb mutates into ghostly vapour trails, and distortion forms the keys into another instrument entirely.

“All Above“ follows 2020‘s acclaimed “Blink A Few Times To Clear Your Eyes“ and 2018‘s “Pineapple” released on Donato Dozzy and Neel‘s Spazio Disponibile imprint. Having garnered praise from outlets like Resident Advisor, XLR8R, The Quietus, Inverted Audio, and The Verge, Portioli operates in a unique space within the electronic music scene, straddling the art world and the wider electronic music scene. She‘s developed sound art installations for Rome‘s La Galleria Nazionale and the Terraforma Festival-related Il Pianeta, and has appeared at Barbican, MUTEK, Le Guess Who?, Kraftwerk, and other internationally renowned venues and festivals, often collaborating with Marco Ciceri on A/V presentations. Ciceri also maintains the visual identity of Portioli‘s label One Instrument, a concept imprint that asks artists to create music only using a single device. All this experience is poured into “All Above”, a richly visual album that‘s far more than just an imaginary film score. While on ‘Human’, her piano punctuates a rhythmic synthesised bassline and smudged choirs that can‘t help but trace out the silver screen. The composer is keen to clarify that she doesn‘t think of her music (or sound in general) in visual terms.

Portioli studied as a linguist and used her art to develop an emotional language that‘s not bound by expected cultural constraints. When she adds a different instrument or process, it‘s not to reference a visual cue but to mark a journey through different states of being. Each element embodies a different emotion or mood: the electric guitar represents strength or violence, synthesisers shuttle us into the dream world, and the acoustic instruments highlight intimacy and warmth – even heart. Read like this, the tracks are like meditative poems rather than cinematic vignettes: ‘The World At Number XX’ is seemingly centred around a chugging synthesised arpeggio, but the cosmic, Klaus Schulze-esque pads, strangled guitar and evocative organ tones hint at the open-hearted, literate psychedelia of the 1970s; ‘In The Present As The Future’ meanwhile is breathy and windswept, juxtaposing urgent rhythmic phrases with light, flute-like gusts of harmony.

Dedicated to Editions Mego founder Peter Rehberg, who died suddenly last year, “All Above” demands engagement and refuses to evaporate into the background. The album asks listeners not just to absorb the album as a whole but notice the cracks in the structure and discern the tension they cause. That‘s never more evident than on the closing track ‘Cost What It May’, a piece of music almost jarring when Portioli chops into noisy waves of electric guitar. In the wrong hands, this might sound like a power move – some rock posturing to act as a finale. But Portioli‘s expression is different. She‘s forcing a level of engagement that perceives the negative space as just as necessary as the saturated positive, and what could be more haunting and emotionally resonant than that?

Composed, produced and mixed by Aimée Portioli.
Mastered by Stephan Mathieu.
Cut by Andreas Kauffelt at Schnittstelle, Berlin.
Photography by Federico Boccardi.
Design and layout by Riccardo Piovesan.

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20,13

Последний логин: 3 мес. назад
Anne Bisson - Be My Lover

Anne Bisson

Be My Lover

2x12inchCAMLP5287-45
IMPEX Records
27.02.2023

Anne's 7th Opus in 13 Years, Containing 6 Fantastic Covers and 6 of Her Own Songs, Recorded in One of the Most Prestigious Studios in Montreal with Her Original Blue Mind Team

Fresh from the success of her single "Killing Me Softly" from her previous album Keys to My Heart, Anne Bisson, singer-songwriter and jazz pianist, decided to perform and record more standards from the American jazz songbook, as well as new arrangements of classic songs that were so much a part of her teenage years.

Be My Lover, Anne's seventh album is, therefore, a savoury feast of original compositions and classic songs in her own bold new arrangements for acoustic trio. While still in the 'Smooth Jazz' genre, the presence of a Fender Rhodes, the legendary '70s keyboard, along with an electric bass, impart the album with quite a unique tone.

After over 18 months of musical experimentation and other creative endeavours, Anne once again brought together master drummer Paul Brochu (Gino Vanelli, Michel Legrand, UZEB) and proficient bassist Jean-Bertrand Carbou from France, for a series of informal sessions to explore the songs that were being considered for this seventh release.

These two musicians have been valuable collaborators for several years now. Paul has been featured on many of Anne's albums, notably Blue Mind, which made a huge splash when it appeared, with over 35,000 hard copies sold, while Jean-Bertrand's playing has also graced several of her albums.

Since 2009, the three have performed at several important venues, including Le Festival International de Jazz de Montréal, as well as other festivals in the United States and Mexico.

What holds them together is an evident complicity which is present from the very first notes. Their musical contributions are precise and deeply heart-felt. Their virtuoso playing greatly enhances these songs without turning them into mere technical exercises.

With precision playing, subtlety and attention to detail, as well as being recorded in impeccable High Definition, these songs will definitely please Anne's audiophile fans, while also appealing to a wider audience.



All About Ultimate High Quality CD (UHQCD)
Many years have passed since the birth of the Audio Compact Disc (CD) back in 1982. By use of High-Quality materials and a totally different manufacturing method, the definitive version of audiophile audio CD was born. Playable on any CD player, the Ultimate High Quality CD greatly surpasses all previous CDs before it!

The Ultimate High Quality CD (UHQCD):
UHQCD is a radical change to the CD manufacturing process itself. The conventional wisdom about CD manufacturing, which had remained largely unchanged across the world for over 30 years, has been exhaustively questioned. Through this effort, the ultimate in quality was attained - a level of quality that is certainly impossible to achieve with existing CD discs.

The Ultimate High Quality CD was developed through an effort to improve audio quality by simply upgrading the materials used in ordinary CDs to higher quality materials. For the substrate a high-transparency and high-fluidity polycarbonate (a type of plastic) of the type used for LCD panels was used, while for the reflective layer, low-cost, common aluminium was replaced with a unique and expensive alloy of high-reflectivity.

Differences in manufacturing methods:
Conventional CDs are produced using the technique of injection moulding to form "pits" of data on polycarbonate material. Metal plate on which "pits" representing audio source data are formed is used as a die. This is called the "stamper." Polycarbonate is melted at high temperature and poured into the die to duplicate the pit patterns on the stamper.

This method is efficient because it enables high-speed production, but it does not enable totally accurate or complete duplication of the pits on the stamper. As a melted plastic, polycarbonate is inevitably viscous, so it cannot penetrate completely into every land and groove of the tiny pits of the stamper.

The Ultimate High Quality CD photopolymer is used instead of polycarbonate to replicate the pits of the stamper. In their normal state, photopolymers are liquids, but one of their characteristic properties is that they harden when exposed to light of certain wavelengths. The advantage of this property, perfect replication of very finely detailed pits was achieved. Photopolymers in the liquid state are able to penetrate into the tiniest corners of pits on the stamper so that the pattern of the pits is reproduced to an extremely high level of accuracy. The Ultimate High Quality CD reproduces audio with greater precision and at a level that is impossible to achieve using conventional CD production technology!

Сделать предзаказ27.02.2023

он должен быть опубликован на 27.02.2023

111,30
The Exits - The Legendary Lost Album

The Origins of Power Pop.
Remastered and pressed on Gold Vinyl. Includes printed inner sleeve.
In these songs you’ll find the DNA of The Direct Hits. Although very Elvis Costello like in both style and vocal delivery, these early recordings, dating from 1979 show a remarkable pop sensibility that had come on leaps and bounds since the release of the band’s first single, the now highly sought after ‘Fashion Plague’ b/w ‘Cheam’ released a year prior to these being recorded. Songs like ‘We broke up today’ have all the hallmarks of classic merseybeat, while out and out power pop like ‘Holiday Shots’ and ‘Fool to fall in love’ encapsulate perfectly the sheer exuberance of the genre.
More than a few steps ahead of several of their contemporaries, the band’s built in tunesmiths Buckmaster and Swan were writing catchy songs that carried a powerful punch performed with the energy and excitement of the period. The Exits left behind a wonderful set of recordings that are worthy of a comprehensive vinyl retrospective release,
These recordings first saw the light of day on a CD only release back in 2007 when Cherry Red released the CD ‘The Legendary Lost Exits album’ through its Rev-Ola offshoot. Reportedly the band members were disappointed with the overall mix on the finished release for being a little Lo-Fi . There are no such issues with this specially remastered version for vinyl. The tracks sound fresh, punchy and full of annoyingly great hooks! We are delighted to bring you yet another great addition to our catalogue of long since undisturbed sleeping giants, the Exits, and their Legendary Lost album!

Сделать предзаказ24.02.2023

он должен быть опубликован на 24.02.2023

23,32
JACQUELINE NOVA - CREACION DE LA TIERRA 2x12"

For the first time the work of Jacqueline Nova is available to the public in vinyl LP format. - Jacqueline Nova is one of the pioneers of Latin American electronic music and an essential figure of the Colombian avant-garde. - Jacqueline Nova (Ghent, Belgium, 1935 - Bogotá, Colombia, 1975), a representative figure of Colombian avant-garde music, developed important and radical work within the field of electronic and instrumental music, as well as in interdisciplinary forms. This album CREACION DE LA TIERRA - Ecos palpitantes de Jacqueline Nova: Música electroacústica e instrumental (1964-1974) CREATION OF THE EARTH - Throbbing Echoes of Jacqueline Nova: Electroacoustic and Instrumental Music (1964-1974), under the curatorship and research of the Colombian composer Ana María Romano G., recovers Nova's most important electroacoustic works: Creación de la tierra Creation of the Earth (1972), Oposición-Fusión [Opposition-Fusion] (1968) and Resonancias 1 [Resonances 1] (1968-69), as well as the music for the film Camilo el cura guerrillero [Camilo the Guerrilla Priest] (1974), composed during her stay at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) , of the Torcuato Di Tella Institute, in Buenos Aires, as well as in the Study of Phonology of the University of Buenos Aires. The compilation also includes the instrumental works Omaggio a Catullus (1972-1974), Transiciones [Transitions] (1964-1965), and Asuimetrías [Asymmetries] (1967), in which she explores randomness, timbre possibilities or the encounter between acoustic and electronic media. - The interest in experimenting with the human voice, and interdisciplinary work involving visual arts, were some of the aspects that have defined Jacqueline Nova's work. Ana María Romano has written: "Nova lived in an environment hostile to change, to debate and discussion, hostile to her being an autonomous and lesbian woman. She undertook feats that make her a pioneer, even though she did not set out to be taken as one, but only as a result of the commitment, dedication and passion of a creator with her society. Jacqueline Nova died in Bogotá of bone cancer. Her tragic and early death not only cut short a career in full creative force, but also directly affected the development of electroacoustic music in the country. After her death there was a great silence -close to 15 years- in musical creation with electronic means. Nova challenged a conservative milieu and survived alone, working in a field thought to be exclusively masculine. But it was a woman who strengthened the use of technology in Colombian music. A risky bet that sadly represented a high cost: Nova was relegated during her lifetime, but her noises managed to shake and question the comfort zones of the Colombian musical establishment". - CREACION DE LA TIERRA - Ecos palpitantes de Jacqueline Nova: Música electroacústica e instrumental (1964-1974) [CREATION OF THE EARTH - Throbbing Echoes of Jacqueline Nova: Electroacoustic and Instrumental Music (1964-1974)] is published through Buh Records, on all digital platforms and in a double vinyl edition, limited to 300 copies. The album includes a booklet with extensive information written by Ana María Romano G. This publication was possible thanks to the Ibermúsicas fund.

Сделать предзаказ24.02.2023

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43,49
Brown Fang x Torn Sail - Exit & Endless

NuNorthern Soul may be Ibiza-based, but the label’s connections with Nottingham run deep. Over the years, Phil Cooper’s imprint has offered up countless releases and remixes from some of the East Midlands’ city’s most Balearic-minded residents, including Crazy P’s Jim Baron, Is It Balearic? chiefs Coyote and, most recently, Constellations Workshop associates Brown Fang.

You can also add to that list Torn Sail, a collaboration between Brown Fang members Jon Thompson and Henry Scott, and another Notts-based NuNorthern Soul contributor, Huw Costin. The trio’s mesmerising ‘Disconnected’ recently featured on the label’s deluxe 10th anniversary vinyl box set and now they return with a single credited to both Brown Fang and Torn Sail – the first such occurrence of that happening.

Those who heard Brown Fang’s brilliant mini-album, Sherwood Pines, will immediately feel at home. Both ‘Exit’ and ‘Endless’, the two tracks showcased on this fine single release, feature the same gorgeous, slowly shifting fusion of sun-kissed electric guitar textures, ambient atmospherics and immersive, sunset-friendly sound design.

First up is ‘Exit’, an undulating, slow burning delight where rising and falling electronic melodies and yearning, gently jazzy electric guitar motifs rise above a sparse, shuffling, subtly Latin-tinged drum machine rhythm and warming bass. Endearing, enveloping and endlessly attractive, the track seemingly blossoms in slow motion throughout its’ three-and-a-half-minute duration, with additional musical elements presenting themselves as it progresses. Even by the trio’s high standards, it’s a magical composition.

On ‘Endless’, the long-time collaborators explore their love of mind-soothing ambient soundscapes. Doffing a cap to the 1970s new age ambience of Steve Hillage – whose distinctively languid, stretched out, effects-laden electric guitar solos were undoubtedly an inspiration –Thompson, Scott and Costin deliver a becalmed and brilliant dream-scape full of hazy aural textures, drifting chords and gentle, eyes-closed vocalisations. It feels like a loved-up, smile-inducing evocation of the most visually stunning dawn you’ve ever ushered in after a night dancing under the stars.

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13,40

Последний логин: 3 г. назад
The Pretty Reckless - Other Worlds - White Album

The Pretty Reckless veröffentlichen 2022 ein neues Projekt namens »Other Worlds«. Die Sammlung wird akustische Aufnahmen, Cover-Versionen und mehr von Taylor Momsen und Co. enthalten.

Vor allem einige der Cover-Versionen dürften für Fans der Hardrocker aus New York eher überraschend kommen. So enthält »Other Worlds« neue Interpretationen von Elvis Costellos »(What's So Funny 'Bout) Peace, Love And Understanding«, Soundgardens »Halfway There«, Chris Cornells »The Keeper« und David Bowies »Quicksand«.

»Wir haben lange Zeit versucht, einen alternativen Weg zu finden, um Musik zu veröffentlichen, einschließlich Songs, die wir lieben und die es nicht auf unsere Platten geschafft haben, sowie Cover und alternative Versionen«, erklärt Frontfrau Taylor Momsen.

»Mit ›Other Worlds‹ haben wir einen Weg gefunden, dies kohärent und konsequent zu tun. Wir sind eine Rockband, deshalb gibt es auf unseren Platten viele E-Gitarren. Allerdings haben wir von unseren Fans unglaubliches Feedback zu unseren akustischen Auftritten bekommen, und die haben wir nie in einem richtigen Format veröffentlicht. Dies ist also eine andere Sichtweise auf das traditionelle Format einer Platte und eine abgespeckte Version von uns, die unsere Fans noch nie zuvor gehört haben, aber es sind immer noch wir.«

»Other Worlds« enthält auch einige besondere Gäste, darunter David Bowies Pianist Mike Garson, Pearl Jams Matt Cameron und den Multiinstrumentalisten Alain Johannes.

Сделать предзаказ17.02.2023

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23,49
Lil Baby - It's Only Me 2x12"
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36,51

Последний логин: 3 г. назад
NINO ROTA - IL CASANOVA DI FEDERICO FELLINI 2X12"

The original soundtrack for “Il Casanova di Federico Fellini” (1976) sees Nino Rota putting into music Federico Fellini’s opus on the legendary Venetian icon and “tombeur des femmes” Giacomo Casanova.
Winner of an Oscar for Best Costumes in 1977, the film is one of Fellini's finest, a grotesque and hyperbolic take on the life of Casanova that is matched by Rota’s compositions.
“Il Casanova di Federico Fellini” possibly is one of Rota’s most eerie and enigmatic scores, as if the Maestro had finally poured into a soundtrack all of his love for esotericism.
The music wraps you up like the Venetian mist. The compositions are constantly on the edge of classical music with playful nuances and the use of instruments like viola and cello. Vocals become a cornerstone, echoing the tradition of 18th century Italian opera. However, Rota also leaves room for more experimental and estranging vibes that make the soundtrack a one-of-a-kind voyage into the creativity of the Maestro.

Сделать предзаказ10.02.2023

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27,10
Paketo Wilson - Praise Him (reissue)

Paketo Wilson's Praise Him is a cult roots album that is hard to find on the seance hand market. When you do, it will cost you a small fortune, so this reissue will be music to the ears of fans old and new. He proved it back in 1982 with Trevor Davis under the Child of God label in just one day. It has hints of lovers' rock over the nice reggae rhythms with vocals that touch on classic themes of peace, love and unity, the trials of ghetto life and losing those close. Bobby Ellis and Headley Bennett bring mystical horns to most tunes and help make them all the more spiritual. This is positive and heartwarming reggae from a top songwriter.

Сделать предзаказ06.02.2023

он должен быть опубликован на 06.02.2023

27,52
Rubinho E  Mauro Assumpcao - Perfeitamente, Justamente Quan

Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky-psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and find the wider audience it deserves. Through our reissue we hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album’s songwriters, Mauro Assumpção took on the role of producer and Rubinho was co-producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fine recording on horns.

'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.

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25,42

Последний логин: 3 г. назад
Nighttime - Keeper Is The Heart

Nighttime

Keeper Is The Heart

12inchBING177LP
Ba Da Bing
27.01.2023

Eva Louise Goodman’s Nighttime project locates itself on a musical tree planted on the British Isles, perched atop the branch of folk leaning into sixties rock. Her upstate New York environs don’t stray far from that image. With tempered percussion, floating mellotron, and singing that evokes Bleecker & MacDougal on a fervent Saturday afternoon, her new album Keeper Is The Heart reaches deep into the essence of musicians such as Vashti Bunyan, Sibylle Baier and Pentangle, breaking down the decades into a sound thoroughly and bizarrely modern.

Through her years performing with Mutual Benefit, Goodman fell in love with life on the road and the collaborative energy of a band. In this third Nighttime album, she channels these experiences into her own music. The creative journey from writing to recording to mixing drove her deeper into a sense of self while expanding her sound. In the process, she put aside lo-fi origins and challenged herself to achieve the same intimacy with a bigger production.

Like most paths of self-discovery, the journey started with displacement. In October 2019, Goodman set out to record the album on her own, while cat-sitting at a friend’s empty Brooklyn apartment. Rather than recording, she was drawn to the overgrown garden, where she spent her days listening to music and reading old journals. Charlie Megira, The Incredible String Band and Roy Montgomery invoked the spirit of the album, as she realized that a new, more collaborative approach would be necessary to bring the songs to life.

In March 2021, after a pandemic year immersed in sound experimentation and writing, she entered the upstate New York studio of recording engineer Rick Spataro (Florist). Together, Spataro and Goodman dove into creating the album, recording one song a day, letting the spark and excitement of spontaneity be their guide. “I've always been fascinated with ‘automatic’ arts,” Goodman says, “where things are created intuitively and without premeditation, from the subconscious.” In this light, they worked with abandon–pushing through the heaviness of songs written years earlier with the same energy as songs which were not yet fully developed. Taking chances, improvising, they sought to strip away pretense, and elude perfectionism at all cost.

Among their experiments, the duo manipulated tape speeds–slowing or speeding up different instrument tracks, imbuing passages with altered perspectives. Improvisation was the key in track five, ‘The Way,’ a song about “the magical act of carving out a path through life, amidst all possibility.” After a long day of recording, the song was feeling heavy and uninspired. As night fell, Spataro picked up the Stratocaster and, in one take, laid down a rolling, roiling guitar line that defined the track.

This spirit of surrender weaves through the album. “Break free from time, and sink in the pool of the mind,” begins ‘Garden of Delight’, an energetic highlight, propelled by 60’s-era organ and Jefferson Airplane-esque vocals. The song was accidentally deleted after the first day of recording. By luck or fate, the one surviving file captured the song’s loose and free-wheeling essence. Inspired, Goodman encouraged her circle of collaborators to work similarly: “I gave everyone trust and total freedom to contribute as they felt called to, encouraging an intuitive approach of simply improvising, playing through the song a few times and then sending over the results.” Synth, cello, violin, saxophone and flute all appear, but often in unconventional ways.

Keeper Is the Heart reflects Goodman’s process towards greater creative freedom. The first words she sings: “Lift the veil of all of this hate/To see the fear at its base.” Her last lines: “We’ll follow the fates across the great expanse of time/To the source of the light within our mind.” In between is a work of art awash in personal awakenings that revel in the freedom of intuition, the lifting of veils, and the beauty of transformation. As Goodman states, “What is it you find when you look inward to see beyond, past your fears, to your heart's true desires?”

Сделать предзаказ27.01.2023

он должен быть опубликован на 27.01.2023

23,49
Green Day - Nimrod 25th Anniversary Edition (5x12")
  • Nice Guys Finish Last
  • Hitchin’ A Ride
  • The Grouch
  • Redundant
  • Scattered
  • All The Time
  • Worry Rock
  • Platypus (I Hate You)
  • Uptight
  • Last Ride In
  • Jinx
  • Haushinka
  • Walking Alone
  • Reject
  • Take Back
  • King For A Day
  • Good Riddance (Time Of Your Life)
  • Prosthetic Head
  • Nimrod Demos
  • Nice Guys Finish Last (Demo)
  • Place Insider My Head (Demo) The Grouch (Demo)
  • Walking Alone (Demo)
  • Jinx (Demo)
  • Alison (Demo)
  • Tre Polka (Demo)
  • When It’s Time (Demo)
  • Desensitized (Demo)
  • Texas Chainsaw Massacre (Demo)
  • Reject (Demo)
  • Black Eyeliner (Demo)
  • Espionage (Demo)
  • You Irritate Me (Demo)

Nimrod, Green Day’s fifth studio album, was originally released on October 14 1997. The Billboard Top10 LP declared “Green Days best!” by Kerrang was driven by the hit singles “Hitchin’ A Ride”, “Redundant”, “Nice Guys Finish Last” and “Good Riddance (Time of Your Life)” the latter of which has sold 5 million copies in the US alone. The song was written as a spiteful ballad and has evolved into the soundtrack of everyone’s seminal life moments; even being featured in the Seinfeld series finale. The album has sold over 3 million copies in the US (triple platinum) and has been certified multi-platinum, platinum, or gold in several other countries, including the UK, Japan, Canada, Australia and Spain.

This 25th Anniversary Edition includes the original album, one disc of previously unreleased Nimrod demos, and a live set from Philadelphia recorded one month after Nimrod was released. The 14 track demos disc includes two unreleased Green Day tracks (“You Irritate Me” and “Tre Polka”), plus a cover of the classic Elvis Costello song “Allison” (previously unreleased). The live album was recorded at The Electric Factory in Philadelphia on November 14 1997. The 20-songset includes several songs from Nimrod, plus fan favourites from their previous albums and singles.

Сделать предзаказ27.01.2023

он должен быть опубликован на 27.01.2023

161,30
Chris Bangs - Firebird

Chris Bangs

Firebird

12inchAJXLP661
ACID JAZZ
20.01.2023

Following the success of his 2022 mod-club, soul-jazz adventure with Mick Talbot, on 27 January Acid Jazz Records will release Chris Bangs' compendium of dance-floor fillers and Latin dynamite. Chris, who coined the term 'acid jazz', has created a new solo album of 10 tracks that takes his unique spin on jazz DJ-ing and turned it to producing an album that is totally reminiscent of the classic '80s era on the UK dance scene.

Recent single 'Firebird' (Jazz FM's Breakfast show 'track of the week') encompasses a lifetime of Chris's musical influences to present a jazz-tastic smorgasbord of bossa, fusion, bop jazz funk, salsa and a myriad selection of other jazz stylings all delivered with his trademark ear for the grooves and melodies to go with it. Paying tribute to his roots, 'East Coast' is the distinctive sound of jazz-funk fusion which spread through UK clubs in the early '80s, whereas 'Dinamita's heavy duty percussion-led Montuno Salsa groove tips its hat to the sound of '70s NYC via Puerto Rico.



Elsewhere the album features a tough Batucada rework of Dom Um Romao's 'Kitchen (Cosina)', the bossa of Cal Tjader's 'Samba Do Sueno', Brazilian disco funk-jazz 'Sambara' via the epic samba fusion 'Lifetimes'. Firebird features an array of in-demand and exceptional musicians, including jazz guitarist Nigel Price (Van Morrison, David Axelrod, JTQ), supreme jazz piano stylist Janette Mason (Seal, KD Lang, Robert Wyatt), trumpeter Dave Priseman (Jeff Beck, Imelda May), bassist Ernie Mckone (Boogie Back), saxophonist Simon Bates (Elvis Costello, Chaka Khan, Carleen Anderson), and fresh from his remix work with Paul Weller, vibesman Roger Beaujolais. This brilliant team of collaborators have helped a remarkable musical maverick create a truly unique and incredibly exciting album. Independently self-produced and composed, Firebird is a set of tunes better than any Chris Bangs had ever done.

Сделать предзаказ20.01.2023

он должен быть опубликован на 20.01.2023

27,69
WHITE MANNA - FIRST WELCOME

White Manna

FIRST WELCOME

12inchCFUL0213
CARDINAL FUZZ
Release unknown

Cardinal Fuzz and Centripetal Force (North America) announce First Welcome, the eighth full length album from the ever evolving, veteran psychonauts White Manna. The album is being presented in a 500 copy vinyl pressing and will be made available for preorder on November 12th. The official release date is December 10th. White Manna's longevity as one of the leaders of the modern psychedelic movement is attributed to their willingness to introduce new elements to their sonic repertoire. Initially, these moves were subtle, but as the band has moved on through the years, these moves have become much more pronounced, always leaving listeners wondering what is in store for them as new releases are announced. So, here we are with First Welcome, an album that features warbled country leanings, airy blooms of ambience, and occasional hints of a German yesteryear, all implemented into the band's signature hazy and spacey mosaic of sound. None of these developments are unexpected, as they do build off of their previous album ARC, but here we see the band expand these elements and really make them their own. It should be noted that First Welcome is a product of the COVID era, with much of the recording happening in quarantine or while socially distanced. The band's process relied on communicating via email and sending music files back and forth. For White Manna this made the world of COVID both more fun and challenging, and they used the opportunity to get friends in different places to overdub tracks. Backing vocals and slide guitar were recorded while camping in the Mojave Desert. The saxophone was recorded in Liverpool. England. The trumpet sounds and some of the passages on the Rhodes were laid down in Northern California, and much of the vocals, piano, and synthesizer tracks were recorded in Costa Rica. As a result, the sound of First Welcome is reflective of the circumstances of these contemplative times. White Manna is recommended for listeners of everything from Hawkwind to Harmonia - and everything in between.

'It sounds like Roedelius remixing a Spacemen 3 track'

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24,58
Amos Lee - Amos Lee LP 2x12"

Amos Lee

Amos Lee LP 2x12"

2x12inchAAPP125-45
Analogue Productions
Release unknown

Singer-songwriter Amos Lee draws inspiration from soul music, contemporary jazz and 1970s folk artists such as James Taylor. The Philadelphia native honed his song writing skills while waiting tables and bartending after graduating from the University of South Carolina with a degree in English. He eventually landed some high-profile gigs as an opening act, including an extended tour with pianist/vocalist Norah Jones, whose bassist, Lee Alexander, agreed to produce Lee's first album.

With Alexander's help, Amos Lee released his self-titled debut on Blue Note in 2005. The album won Lee a small following for his blend of acoustic funk, folk, and light jazz. Norah Jones herself plays the piano on two tracks; "Keep It Loose, Keep It Tight" and "Colors."

A notable debut like Amos Lee deserves the Analogue Productions reissue treatment. This beauty was cut by Bernie Grundman in Los Angeles from the master tape, and is now pressed at 45 RPM on two glorious sides of 180-gram vinyl by Quality Record Pressings, makers of the world's finest-sounding LPs. QRP is noted for deep-black backgrounds and pristine clarity. If you're already familiar with Amos Lee, get ready — you've never experienced it with such lifelike sonics and premium richness. This is how all vinyl should sound.

The songs on the album incorporate themes of folk, soul, gospel and jazz. Amos's style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.

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91,39
THE BLUEBELLS - SISTERS LP

What can you say about Sisters that hasn’t been said already? Well what about “Now featuring 2 bonus songs produced by Elvis Costello”? That’s not been said before for sure.
The band were never perfectly happy with the version of “Everybody’s Somebodys Fool” which opens the album and have thus chosen to replace this with a different (more bluebells) version and we will be including - for the first time - the Elvis Costello produced “Aim In Life” and “Some Sweet Day”
The album will feature new liner notes and some updated art - whilst remaining your favourite sister of all.

Сделать предзаказ16.12.2022

он должен быть опубликован на 16.12.2022

26,60
Nell Smith & The Flaming Lips - ‘Where The Viaduct Looms’

‘Where the Viaduct Looms’ comprises nine Nick
Cave cover versions with vocals and
instrumentation by 14-year-old Nell Smith and
instrumentation and production by The Flaming
Lips. The album was mastered by Dave Fridmann
at Tarbox Road Studios.
 This inspiring and heart-warming story begin when
Smith, originally from Leeds (UK), moved to
Canada and first met Wayne Coyne at the age of
12 at The Flaming Lips’ headline show at the Sled
Island Festival, Calgary, in 2018 with her family.
Nell had already attended several Lips shows and
was a regular at the front of the stage, dressed in a
parrot costume and screaming out the band’s
songs. Coyne soon began to notice the kid in the
parrot suit and sang a David Bowie cover directly
to her at the show in Calgary, with Nell singing
every word back.
 A musical bond formed with Coyne staying in
contact with Nell and her father Jude as she
learned to play guitar, while their creative
relationship began to flourish when she started to
write her own songs.
 When a planned trip to record with the band in
Oklahoma had to be cancelled due to the
pandemic, Coyne suggested Nell record some
Nick Cave songs and email them to Oklahoma to
be backed by the band. Coyne chose Nick Cave
because Nell didn’t know him and wouldn’t have
preconceived notions as to how to sing the songs.
 LP pressed on blue 140g vinyl in 3mm spined
outer sleeve.

Сделать предзаказ16.12.2022

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28,36
LALA & CE, LOW JACK - BAISER MORTEL

Lala&Ce,Low Jack

BAISER MORTEL

12inchPAN129LP
PAN RECORDS
09.12.2022

Baiser Mortel is the soundtrack of a performance commissioned by the Bourse de Commerce - Pinault Collection, performed in Paris in October 2021. PAN presents Baiser Mortel, the original soundtrack to the acclaimed theatrical performance of the same name. Staged at the Bourse de Commerce - Pinault Collection over four days last October, the original production - collaboratively realized by composer and director Low Jack, composer and rapper Lala &ce, choreographer Cecilia Bengolea with costumes designed by Marine Serre and Oriana Bekka as creative director and co- director of the performance - merged ballet and urban folklore; sound art and soap opera. A modern-day danse macabre, Baiser Mortel (trans. "The Kiss of Death") cast Lala &ce in the title role. Unfolding over thirteen songs, the musical narrative follows Death as she navigates the realm of the living, and the encounters - desire, romance, spiritual awakening, and adventure - which validate the human experience. "I brought in people who are close to me personally and musically in order to tell a story that speaks to humanity," Lala &ce says in a video uploaded to Bourse de Commerce - Pinault Collection's YouTube channel. Performers Jäde, Rad Cartier, BabySolo33, and Le Diouck joined Lala &ce on stage and in the booth at La Place - Centre Culturel Hip Hop in Paris, where the official soundtrack was recorded. A sonic representation of the musical's themes, Baiser Mortel the album - produced by Low Jack and written by Lala &ce with artwork by Pierre Debusschere - moves through the distorted strings of its opening track, "Goûter" and gathers sonic and lyrical intensity on each successive song. "Lune," the melancholically autotuned midpoint of the album, marks the beginning of the musical's second act and sets the tone for its tragic resolution. Mechanical sounds mix with sonic influences spanning the Global South throughout the album, honoring both Low Jack and Lala &ce's musical heritage and influences, while developing a new musical lexicon that defies comparison. As a theatrical production, Baiser Mortel represents a departure for both artists. A veteran of Parisian subculture, Low Jack's collaboration with Lala &ce represents a new model of artistic mentorship based not on age but on experience, with each artist leaving a distinct signature on the work.

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23,15

Последний логин: 3 г. назад
Aroma Di Amor - Zwarte Doos 6x12" + 7"

Comprehensive box of 6 LPs / EPs and the band's first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986) contributing to the music.

Box Set includes: Gorilla Dans De Samba 7" (1983), Voor De Dood 12" (1984), Koude Oorlog LP (1984), De Sfeer Van Grote Dagen 12" (1985), Zonder Omzien 12" (1986), Harde Feiten LP (1986), Koudvuur LP (1987)

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

138,61
Aroma Di Amo - Koude Oorlog

First-time reissue of Aroma Di Amore's debut album, originally released in 1984.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

22,31
Aroma Di Amore - Harde Feiten

First-time reissue of Aroma Di Amore's 2nd album, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

22,31
Aroma Di Amore - Koudvuur

First-time reissue of Aroma Di Amore's 3rd album, originally released in 1987.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

22,31
Aroma Di Amore - De Sfeer Van Grote Dagen

First-time reissue of Aroma Di Amore's 3rd EP, originally released in 1985.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

20,38
Aroma Di Amore - Zonder Omzien

First-time reissue of Aroma Di Amore's 4th EP, originally released in 1986.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

20,71
Chris Abrahams - Follower

Chris Abrahams

Follower

12inchRM4162
Room 40
02.12.2022

»Follower« is Abrahams’ 6th album for Room 40 and showcases his continuing interest in the ambiguous spaces between music and noise; tonality and atonality; rhythm and texture. All four tracks have piano as a key factor: in one instance, high-pitched and atonal; in another, emotive yet distant as if projected on to a screen. Follower presents the listener with a sound world of colourful juxtapositions, rich orchestration and organically open forms.

On the opening track, bass piano meanders through a wilderness of de-tuned bells and organ swells; a strange sort of festival. Low frequency sighs evenly punctuate, like a pump or a heartbeat. It’s a procession that takes it time as it wanders the terrain, brought to a close with transcendent distortion. On track 2, muscular modal piano surfs among waves of percussion and analogue synthesisers. A buffeting travel.

Сделать предзаказ02.12.2022

он должен быть опубликован на 02.12.2022

30,04
Small - Don’t Leave Me In The Rain LP

We are delighted to announce RE:WARM 010 in this very infectious South African House-infused Pop record from 1991 drawing on influences from some of the greats in the genre. Sounding like a long-lost Frankie Knuckles L.P or Something The Pasadena’s might have put out in the early 90s. Small’s, “Don’t Leave Me In The Rain” is an under-the-radar grail for all those seeking good time House music for the feel-good slot at any party.

For all those that enjoyed the releases, we put out from Lucky Mereki or Bibbi this one is going to be right up your street. It's more of the same from the townships of S.As 1990’s Pop, Bubble Gum, Kwaito & House scene of the time. The sound was sweet, the message was positive, the clothes were loud and they seemed to be having the time of their lives.

Officially licensed and remastered for this small release run, 500 vinyl copies in total, pick it up here rather than paying the extortionate cost of the rare and hard-to-find original.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

24,58

Последний логин: 3 г. назад
LACHINOS - COSTA BRAVA

It's been 5 years since Nicolas Cubillos started his musical odyssey with his band Lachinos. In 2020 they released their first EP America Lachina with the label Goutte d'Or Records. Through these four songs full of lysergic magic, they offer an ode to Latin American music that was danced at home.
In the fall of 2022, Lachinos will release his second EP entitled Costa Brava, still on Goutte d'Or Records. This record, which mixes surf rock, merengue, cha cha cha and cumbia with Japanese tints, is a sincere exploration through their colorful and festive universe.
With the added bonus of two brilliant remixes by Voilaaa and Matias Aguayo Currently, the group is composed of important actors of the avant-garde music scene in Peru and Colombia: Ernesto Velarde
(Moldes, Juan Wauters) on drums, Santiago Jimenez (Mamíferos, Las Migrañas) on keyboards and vocals, John Socha (Romperayo, Nkumba System, the Caribbean Makina) on bass.

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14,92

Последний логин: 3 г. назад
TIM BERNARDES - MI COISAS INVISIVEIS LP 2x12"

Tim Bernardes, a Latin Grammy nominated singer, songwriter, musician, composer, and producer from Sao Paulo, Brazil, has captivated global audiences with his delicate balance between sounds seeped in Brazilian tradition and contemporary indie and folk that is deeply warm, intimate, emotionally resonant and healing. He's collaborated with the likes of Fleet Foxes, Tom Zé, David Byrne, Gal Costa, Devendra Banhart, Shintaro Sakamoto, and more. Mil Coisas Invisíveis is his second solo album, following his 2017 debut Recomeçar. The album was written primarily while touring with his acclaimed tropicalia-indie group O Terno, and heading into 2020, which is when he decided to step back from touring and focus on new songs. What emerged was an album that is generous and intimate - a series of meditations on metaphysical transformation in the face of grave uncertainty. "I hope to one day be a tenth as good at singing and making songs as Tim Bernardes is." _ Robin Pecknold, Fleet Foxes "A marvel of tuning, dynamics control, refinement, instrumental execution and freedom in the elegance of using the stage" _ Caetano Veloso "Bernardes' voice is truly next level." _ Aquarium Drunkard

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29,62

Последний логин: 3 г. назад
TIM BERNARDES - MI COISAS INVISIVEIS LP (2x12")

Tim Bernardes, a Latin Grammy nominated singer, songwriter, musician, composer, and producer from Sao Paulo, Brazil, has captivated global audiences with his delicate balance between sounds seeped in Brazilian tradition and contemporary indie and folk that is deeply warm, intimate, emotionally resonant and healing. He's collaborated with the likes of Fleet Foxes, Tom Zé, David Byrne, Gal Costa, Devendra Banhart, Shintaro Sakamoto, and more. Mil Coisas Invisíveis is his second solo album, following his 2017 debut Recomeçar. The album was written primarily while touring with his acclaimed tropicalia-indie group O Terno, and heading into 2020, which is when he decided to step back from touring and focus on new songs. What emerged was an album that is generous and intimate - a series of meditations on metaphysical transformation in the face of grave uncertainty. "I hope to one day be a tenth as good at singing and making songs as Tim Bernardes is." _ Robin Pecknold, Fleet Foxes "A marvel of tuning, dynamics control, refinement, instrumental execution and freedom in the elegance of using the stage" _ Caetano Veloso "Bernardes' voice is truly next level." _ Aquarium Drunkard

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30,46

Последний логин: 3 г. назад
SOLOMON BURKE - DON’T GIVE UP ON ME LP (2x12")

20th Anniversary Edition of the Grammy Award Winning album by the King of Rock ‘n’ Soul - the great Solomon Burke. Newly mastered and includes the bonus track “I Need A Holiday”. The newly packaged
booklet includes exclusive photos from the recording session and new liner notes.

Recorded live in the studio in a raw, organic style by Joe Henry, the album features new compositions by writers and artists including Bob Dylan, Van Morrison, Tom Waits, Elvis Costello, Barry Mann & Cynthia Weil, Nick Lowe, Brian Wilson, Joe Henry and Dan Penn, all of whom credit Solomon with deeply influencing their work. None of these songs have ever been released commercially before now, and Solomon makes each of them his own with his dynamic delivery.

Сделать предзаказ18.11.2022

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25,92
SOLOMON BURKE - DON’T GIVE UP ON ME LP (2x12")

Clear Vinyl

th Anniversary Edition of the Grammy Award Winning album by the King of Rock ‘n’ Soul - the great Solomon Burke. Newly mastered and includes the bonus track “I Need A Holiday”. The newly packaged
booklet includes exclusive photos from the recording session and new liner notes.

Recorded live in the studio in a raw, organic style by Joe Henry, the album features new compositions by writers and artists including Bob Dylan, Van Morrison, Tom Waits, Elvis Costello, Barry Mann & Cynthia Weil, Nick Lowe, Brian Wilson, Joe Henry and Dan Penn, all of whom credit Solomon with deeply influencing their work. None of these songs have ever been released commercially before now, and Solomon makes each of them his own with his dynamic delivery.

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28,53
Donald Byrd - Live in Pairs - Brunswick - 1958

Re-mastered from the original master tapes.
180 gr vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.

Facsimile reissue using the original photo by Jean-Pierre Leloir.
Double insert using an original color photo by JP Leloir.
Each record has been visually checked to prevent defects.

Recorded October 22, 1958, Olympia hall, Paris.
Original LP issue: Brunswick 87 903.

“They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well- served in Paris.” (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France… The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, Dear Old Stockholm, adapted from a Swedish traditional song; on Flute Blues, Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like The Blues Walk? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…
Text – Alain Tercinet

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27,31
Miet - Auslander

Miet

Auslander

12inchIDA157LP
ICI D'AILLEURS
18.11.2022

Miet, the solo project of musician Suzy LeVoid, was born out of a form of absolute urgency, to make music at all costs Self- taught, when she started playing bass in 2013, the desire to compose and perform on stage quickly led her to create this one-woman band, where the bass
and the voice are the foundations of a raw, sincere, skin-deep music.Only backed
by a looper, she writes and performs alone, and quickly made her way onto the
French stages, appearing alongside Jeanne Added or Shannon Wright.
Although she's always alone on stage or in the studio, Miet expresses how much
the discovery of otherness nourishes her creation, to the point of having chosen
for this second album, still in English, a title in German 'Auslander'. For the
Nantes-based singer, this term means the magic of an unexplained but familiar
word. This "foreigner", or more exactly this "other", seems to take on the
appearance of a character that we learn to discover throughout the ten tracks of
the album.
Suzy LeVoid's newest offering is full of her unique signature sound : abrasive
rock, a deeply personal blend of sound loops, hypnotic rhythms and powerful
distorted bass lines. Strongly inspired by the work of Walt Whitman, Miet, like the
American poet, subtly uses repetition to give a hypnotic character to her lyrics.
This feeling of hypnosis is largely accentuated by the sequence of sound loops,
creating a perception of an infinite cycle and thus giving birth to an almost
mystical atmosphere.

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24,33
LADY AICHA & PISKO CRANE'S ORIGINAL FULU MIZIKI OF KINSHASA - N'DJILA WA MUDJIMU LP

In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono Nº1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground - their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Miziki went viral and their star began to grow exponentially, with a video of the band preforming the track 'Tikanga' racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. At their best, Fulu Miziki sound almost completely out of time, curving pounding rhythms around microtonal clanks, rousing chants and spiky sonics. On 'Mutangila', there's a hint of disco in the 4/4 stomp, but it's been shifted into a post-punk ritual, adorned with complex bell percussion and overlapping vocals. 'Congo' is even harder to define; electrified buzzes form a bassline, but it's the mindboggling rhythms that shuttle the track into psychedelic realms, led confidently by Lady Aisha's limber rhymes. Fulu positively slither on the sultry, industrial-influenced 'Sebe', while 'Tikanga' reminds of Congo's rumba-derived soukous traditions, materializing the sounds into the future with tight, pounding percussion and head-melting fx. The story of Fulu Miziki is sprawling and complex and constantly evolving, with various offshoots and band iterations. Two members left the band in 2016 to form KOKOKO! with French producer Débruit. Not long after they recorded this magnum opus album, several other original members left to form a similarly named outfit currently based in Europe. This other incarnation recently released an EP of electronic productions without the band founder Pisko Crane and lead vocalist Lady Aicha, on the UK based Moshi Moshi records. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Mziki at their most vital and most complete - it won't be repeated - and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear.

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23,49

Последний логин: 14 мес. назад
Less Than Jake - Silver Linings LP 2x12"

Nearly 30 years into an already impressive career – which includes 8 studio albums, tours with Descendents, blink-182, Bon Jovi, Linkin Park, Snoop Dogg, Bad Religion, and more, and over 365 shows on the Vans Warped Tour – Less Than Jake has never been a band to rest on its laurels. Today the ska punk veterans have shown the best is yet to come with the release of their first new song in 3 years, “Lie To Me,” and announcement of their new album Silver Linings, out December 11 th via Pure Noise Records. Fans can watch the music video for “Lie To Me” and pre-order the album now at https://smarturl.it/LTJ . “We made a new record! Our first full length with our new drummer, Matt Yonker, and it sounds amazing,” shares vocalist/guitarist Chris Demakes. “More vocal hooks than a tackle box, horns galore and that bombastic and upbeat energy that we’re known for. We didn’t try to reinvent the wheel with this one, it’s still undeniably Less Than Jake. Just a bit punchier and in your face. We can’t wait for our fans to hear it!” On how it feels to still be writing music together after so many years, vocalist/bassist Roger Lima shares: “It's still so freaking exciting!! After decades of working on songs together, we still love it, and with our new drummer Matt Yonker, we feel reignited and refueled. Personally, I feel that this is the first step of a new era for the band. While the music feels undeniably Less Than Jake, the flow of the tracks and the attitude of the horns and lyrics have a freshness to them and I look forward to sharing these songs with our amazing fans.” Less Than Jake has no plans of slowing down any time soon as they prepare for the release of their 9 th studio album, Silver Linings, out December 11 th via Pure Noise Records.

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34,87
Virgin Prunes - …If I Die, I Die (40th Anniversary Edition)

…If I Die, I Die was released only weeks before the Heresie box set. The two albums show very different faces of the Virgin Prunes – one that explored mythical worlds and another that showed their surrealistic interest in the creative power of insanity. They also highlight the ways in which the band enjoyed experimenting with different genres, sound forms and recording techniques. As Friday has commented recently, ‘The Virgin Prunes contained four different bands at the same time.’

The album was recorded at the Windmill Studios in Dublin in the summer of 1982 and produced by Wire’s Colin Newman. Rather than adopt an A/B format, the sides of the 1982 vinyl and album cover, which was designed by Steve Averill, were given brown and blue colours, signalling earth and sky respectively. The art work on each side of the sleeve was also inverted so that either side could be read as the front cover. Ursula Steiger’s photography captured, on the brown side, the band running through a forest like a nomadic tribe. On the blue side we then find them in different costumes, performing with fire and mannequins within a derelict building.

This 40th Anniversary Edition of the album sees a full remaster housed in a Limited Edition Special Finish Gatefold Sleeve on Transparent Vinyl. This Deluxe LP also comes with a 16 page booklet featuring sleeve notes by Dr. Jonathan Wood exploring the writing, recording and production of the record. Plus an exclusive 12x12 Art Print. The album is also available as 2CD Mediabook & Digital Deluxe.

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33,19
PEDRO LIMA - RECORDAR É VIVER: ANTOLOGIA VOL. 1

Rare & unreleased 80's bangers from Sao Tome e Principe's most iconic singer !

Bongo Joe pursues their work with friend DJ Tom B and are sharing the fourth effort in their São Tomé & Principe series : “Recordar é viver”, the first volume of an anthology dedicated to the one and only Pedro Lima, , "A voz do povo de São Tomé" (the people's voice of Sao Tomé).

“Recordar é viver: Antologia Vol. 1” features some previously unreleased tracks and gives a comprehensive look into the discography of one of the islands’ biggest stars, known for his political outspokenness as much as for his soft voice, delicate rumbas, and high-energy puxas.

With his band Os Leonenses he built a brand new genre around the strong rhythms and infectious energy of Sao-Toméan Samba Socopé ("only with the feet” in Portuguese), but with the influence of Congolese soukous, Cape Verdean Coladeira, elements from French West-Indies Cadence/Compas, and Brazilian Afoxé, it soon developed into the infectiously danceable style known as “puxa”. The band kept playing together up until Pedro’s death in 2019, performing at large events around the islands and on the continent.

But Pedro shined also on his own. Alone, he demonstrated his compositional skills and ability to balance the band’s powerful rhythm section with São Tomé & Principe’s harmonic backing vocal traditions, creating strong, dance floor ready puxas or melodic, delicate rumbas.

Pedro Lima died in 2019, leaving behind the 23 children he fathered, with thousands of mourners accompanying him to his final resting place. The public funeral, paid for by ex-president Pinto da Costa, was one of the biggest the islands have ever seen. Lima, "O cantor do povo” (“The people’s singer”), was buried with his wireless microphone, so his powerful voice would always be heard.

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26,85
Galvanica - Nightlights in Japan

Rare Italo disco pop project Galvanica gets a beautiful re-issue! This is what the label writes about the release; "Galvanica, a voice with unusual qualities, refined, balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solo's in hypnotic rhythms that often change scenery. 'Nightlights in Japan': an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded in Calenzano at Studio Emme by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece, made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. 'Nightlights in Japan' was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market which in 1987 became every day more difficult and this song was considered out of fashion, even if each version of this song was expertly arranged by the talented Giorgio Costantini. We've clarified as to whom Galvanica's velopendulus belongs, in order to be able to rightly consider this artist as a contributive voice of disco music, despite being part of the "second wave" of the Italo-Disco scene, has strongly contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating 'Melody' (which after 40 years gets a new extraordinary success with over 134 million plays on TikTok and around 18 million streaming). However, it's clear as day that the gorgeous artist behind Galvanica was Antonella Bianchi and that Giorgio Costantini was not only her producer and composer - as in 1985 for 'I Know', a sweet synth-pop ballad sung with her stage name 'Angel', but above all her ... 'guardian angel'. For many artists using a stage name is a custom. The absolute record of pseudonyms as a true equalizer of identity is held by Stendhal having used 350 throughout his career. This multifaceted artist who, until now has never used so many 'a.k.a.', in a wonderful game of musical mirrors, has represented an opportunity to challenge the market, a trait of non-acceptance of the role that the discography attributes to certain artists. So also Galvanica was an invitation to reflect, with a pinch of provocation, a behavior that Antonella Bianchi has in the DNA of her family. Ultimately, Best Record is not at all worried about the modernization that surrounds it, sure that 'Nightlights in Japan' will be one of the most coveted vinyl reissues in the second half of 2022.

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14,92

Последний логин: 2 г. назад
Uji - Timebeing LP

Uji

Timebeing LP

12inchZZK049LPC1
ZZK Records
07.11.2022

Black & Opaque Silver vinyl. ZZK Records Presents Uji's TIMEBEING. A prehistoric tribe dances around the fire. Young revelers lose themselves on a packed dancefloor. Explorers fly a rocket toward another galaxy. In the TIMEBEING universe, these things are all connected. From the earliest days of humanity, people have strived to expand their reality beyond the limitations of the here and now and have used technology to make it happen. Their methods and machines may have changed across the centuries, but the drive remains constant, vibrating through history and occupying a space where time loses all meaning. "The art of making music is the art of manipulating time," says Uji. "I have had experiences where time shifts dramatically; sometimes it slows down to a halt, while moments seemingly become infinite. This is where the magic happens. This is when the fabric of what we call reality begins to show its seams." An Argentinian electronic producer and ethnomusicologist, Uji has been navigating those seams for more than two decades, initially as one half of the pioneering duo Lulacruza, but more recently with his own solo work. TIMEBEING continues that lineage, but also elevates it, taking shape as a interdisciplinary multimedia journey that includes a new album, an accompanying short film, an immersive live show and the birth of a new decentralized community of like-minded artists, creators, seekers, and dreamers. Mesmerizing and deeply psychedelic, the TIMEBEING LP certainly reflects the rich sound palette of Latin America and its intersection with various strains of electronic music but Uji taps into traditions both musical and spiritual that can't be hemmed in by borders and boundaries. Transcendence is the goal, and the album moves through fantastical spaces that may or may not exist: a metallic jungle, a Balkan spaceship, a cloud that morphs into a tumultuous whirlpool. All the while, Uji criss-crosses history, consulting elders and futurists alike as he throws open the doors of perception and pens a new mythology about what it means to be human. Some of that mythology takes shape in the TIMEBEING film. Written by Uji himself, the eight-part opus has been brought to life by Jazmin Calcarami, who makes her directorial debut following years of working as an experimental make-up artist with the likes of Björk and Cirque de Soleil. On stage, the transportive TIMEBEING live show is set to premiere at the Artlab Cultural Center in Buenos Aires, where it will be debuted as a part of a weekly residency this spring. More than just a concert, it's a dazzling theatrical experience, complete with dancers, costume changes, arresting visuals and even an on-stage "ship" (shaped like mollusk) where Uji himself will perform. "What we see on the surface, is only that the surface," says Uji. "There is so much more. Music is the bridge and the possibilities are limitless." Track listing: 1. Mito 2. Oropo 3. Truenatruena 4. QuemaQuema (feat. Nyaruach) 5. Kinto 6. Lunay (feat. Zola Dubnikova) 7. Flechas 8. Sirios (feat. Kristine Barrett)

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26,01

Последний логин: 3 г. назад
Buddy Guy - The Blues Don't Lie LP 2x12"

Buddy Guy

The Blues Don't Lie LP 2x12"

2x12inch19658731521
RCA
04.11.2022

The Blues Don’t Lie is the amazing new album from Buddy Guy, and is the legend’s 34th studio album, and the follow up to 2018’s Grammy winning album The Blues Is Alive and Well. Produced by songwriter / drummer Tom Hambridge, The Blues Don’t Lie features guests including Mavis Staples, Elvis Costello, James Taylor, Jason Isbell, and more.

The album is released exactly 65 years to the day that Buddy Guy arrived in Chicago on a train from Baton Rouge, Louisiana in September of 1957, with just the clothes on his back and his guitar. His life would never be the same, and he was born again in the blues. The Blues Don’t Lie tells the story of his lifelong journey.

Reflecting on this body of work, Buddy says “I promised them all: B.B., Muddy, Sonny Boy as long as I’m alive I’m going to keep the blues alive.” He has indeed proven that again, and proclaims, “I can’t wait for the world to hear my new album cause The Blues Don’t Lie.”

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27,69
The Pyramids - Birth / Speed / Merging

The Pyramids

Birth / Speed / Merging

12inchSTRUT162LP
STRUT
04.11.2022

Strut present 3 separate reissues of the 1970s album trilogy from Idris Ackamoor & The Pyramids. As students at Antioch ollege, Ohio, alto saxophonist Idris Ackamoor, flautist Margaux Simmons and bass player Kimathi Asante created three lasting monuments in sound — Lalibela, King of Kings, and Birth / Speed / Merging, a trio of albums produced without any label backing or distribution between 1972 and 1976. Their music is unique among the varied canon of avant-garde and experimental music of 1970s America: high intensity African-styled percussion topped with songs, chants, and horns, laced with African instruments and arranged into long, flowing suites that surge and roll.

Birth/Speed/Merging was recorded in 1976 after the band's move to San Francisco. The album closes the Pyramids' 70s trilogy and makes more use of studio technology: adding overdubs and other effects, a marked departure from the previous two releases, though at no cost to the urgent message and energy of their earlier works.

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30,04
Biga - Intervalli E Paesaggi LP
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13,40

Последний логин: 17 мес. назад
2nd Grade - Easy Listening

Ringing from hi-fi headphones and blown-out boombox speakers alike
comes the overloaded guitar genius of "Easy Listening", a record of rock
n' roll daydreams and terminal boredom, and 2nd Grade's long awaited
second LP.Like a blue slushy on a hot day, Easy Listening is a sweet
respite
Like the Blue Angels touching down on the Las Vegas Strip, Easy Listening is
impossible to ignore. And like a janitor mopping up beer on the floor of the
Hollywood Palladium in 1972, hours after the Rolling Stones have finished
Ventilator Blues and climbed onto the bus, Easy Listening knows the glory and
cost of escapism, abandon, and the soul of rock n roll. Philadelphia's 2nd Grade
(Peter Gill, Catherine Dwyer, Jon Samuels, David Settle, and Fran Lyons) is a band
both obsessed with and worthy of rock stardom, and Easy Listening proves their
status as virtuosos of the power pop renaissance.Sonically and lyrically, Easy
Listening pays tribute to a guitar lineage linking the Stones to the Flamin'
Groovies, to Redd Kross and Guided By Voices. With its spiraling hooks and
handclapped quarter note beat, lead single Strung Out On You sounds like an
alternate reality post-Radio City Big Star cut. In 2nd Grade's world, music history
is a prism, not a linear progression. Famous teens transcend time on the outro to
Teenage Overpopulation, a shouted cacophony of names including Tommy
Stinson, Lizzie McGuire, and Joan of Arc. The line between the love of an
audience and that of a romantic partner is blurred on songs like Hands Down and
Me & My Blue Angels. Across the album, hi- fi and lo- fi styles splice together;
playful references and surreal hints of impossibility build a complex, believable
world atop a foundation of simple and sticky melodies that resonate on very first
listen. Pressed on Blue Jay Color vinyl.

Сделать предзаказ31.10.2022

он должен быть опубликован на 31.10.2022

29,83
Patricia Barber - Nightclub 1STEP

Patricia Barber

Nightclub 1STEP

2x12inchIMXLPO6037-45
IMPEX Records
28.10.2022

Patricia Barber's 6th studio album is a fascinating collection of classic cover songs shaped by her inimitable downtempo intimacy into startlingly affective journeys through the human condition. Working with her band of the time (bassist Michael Arnopol and drummer Adam Cruz, augmented by star turns from guitarist Charlie Hunter, bassist Marc Johnson, and drummer Adam Nussbaum), Barber creates an atmosphere of austere trepidation that allows her long-time engineer Jim Anderson to hang her haunted vocals directly over top. Like all great jazz albums, Nightclub puts the highlighted artist front and center while carving out plenty of space for the supporting players to give emphatic support.

Impex's 1STEP process provides the perfect showcase for Anderson's peerless audio immersions. Nightclub was originally digitally recorded on a Sony 3348 multi-track and mixed through a Neve analog console to both digital and analogue mix-down masters. Bernie Grundman used the analogue mix-down tapes to assemble a new analogue cutting master exclusively for our 1STEP. Coupled with the incredibly detailed VR-900 vinyl formula, there is instrument detailing to spare, a Mariana Trench noise floor, and incredibly-focused low end. There is simply no better way to enjoy Barber's cool renditions of timeless classics than this one (including the exclusive, never-before-released bonus track "Wild Is the Wind"). Limited to 7,500 pressings!

The 1STEP Process:
The Impex 1STEP process relies on short, tightly-controlled runs that require a new lacquer after each 500 pressings. This unforgiving format has the lacquer skipping the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass.

Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.

Mastered by Bernie Grundman from the Original Mix-Down Analogue Master Tapes
Pressed on VR-900 Super Vinyl for Incredible Detailing, an Epic Soundstage & Near-Silent Surfaces
Exclusive Ultra-Luxe Impex 1STEP Packaging
Deluxe 12-Page Booklet within a Three-Sleeve Monster Pack Jacket
Colour-Matched Slip Case
Never-Before-Released Studio Session Track "Wild Is the Wind"

Сделать предзаказ28.10.2022

он должен быть опубликован на 28.10.2022

184,83
Lola Marsh - Shot Shot Cherry LP

Lola Marsh

Shot Shot Cherry LP

12inch0602438922901
Decca Records
28.10.2022

Das israelische Duo Lola Marsh releast mit „Shot Shot Cherry“ am 28.10.22 ihr drittes Studioalbum.
Lola Marsh besteht aus der Sängerin Yael Shoshana Cohen und Multi-Instrumentalist Gil Landau. Sie
komponieren Musik, die clevere Texte mit tiefgründigen Harmonien verbindet. 2016 veröffentlicht die IndiePop-Band ihre Debüt-EP „You’re Mine“, wodurch sie in kürzester Zeit international große Bekanntheit
erlangten. Im Sommer 2017 erschien ihr Debütalbum „Remember Roses“, dessen Singles „Sirens“ und
„You’re Mine“ es an die Spitze der Spotify Charts schaffen.
Auch in Hollywood ist das Duo gefragt. Ihre Songs wurden schon in zahlreichen Filmen und Serien benutzt,
darunter Kevin Costners Film „Criminal“, die Serien „Better Call Saul“ und „Station 19“, sowie den Netflix
Produktionen „Purple Hearts“ und „Atypical“.
Über das neue Album sagt Sängerin Yael Shoshanna Cohen: „We don’t have just one direction of emotion.
There will be sad songs, there will be up-tempo song, there will be the cinematic ones.”
Neben den emotionalen und melancholischen Indie – Songs finden auch feine Dance-Floor Vibes mit starkem
Beat und Synthesizer ihren Platz. Das Duo schafft eine gute Balance auf „Shot Shot Cherry“. Der Mix
an Songs reflektiert eine ganz besondere Mischung an Gefühlen und Emotionen der Musiker. Geschrieben
im Lockdown, hatte das Duo mit Ängsten und Sorgen zu kämpfen und gleichzeitig den Wunsch, endlich
wieder tanzen gehen zu können. Das Album wird als CD und Vinyl erhältlich sein.

Сделать предзаказ28.10.2022

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25,17
Jim Lauderdale - Game Changer

At any given time, you’re likely to find Jim Lauderdale making music, whether he’s laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he’s not actively crafting new music, he’s certainly thinking about it. “It's a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I'm a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 34 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. But forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft. Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the release with Jay Weaver and pulling from songs he’d written over the last several years. “There's a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair—because that's part of life as well,” he says. “In the country song world especially, that's always been part of it. That’s real life.” Lauderdale would know: He’s been a vital part of the country music ecosystem since 1991, when he released his debut album and began penning songs for an impressively long roster of country music greats. “When I was a teenager wanting to be a bluegrass banjo player, I never would have imagined that I would get to work with people like Ralph Stanley and Robert Hunter and George Jones and Elvis Costello and John Oates,” he muses. “Getting to work with them inspires me greatly to this day, and I know it always will.” From rollicking guitar riffs on “That Kind of Life (That Kind of Day)” to the slow, sweet harmonies of “I’ll Keep My Heart Open For You,” Game Changer shows off Lauderdale’s ingenuity as a singer, songwriter, and producer—while reestablishing him as one of Americana’s most steadfast champions..”

Сделать предзаказ28.10.2022

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19,29
What Are People For? - What Are People For?

What Are People For? make the perfect kind of dystopic dance music for our times. Born from a collaboration between artist Anna McCarthy and musician/producer Manuela Rzytki, the band could be the illicit lovechild of Tom Tom Club and Throbbing Gristle, displaying the ideal balance of hip shaking vibes and dark provocative content.

On their collaborative debut, McCarthy and Rzytki share songwriting duties. The album was produced by Rzytki herself. They are joined by Paulina Nolte on backing vocals and Tom Wu on drums, while Keith Tenniswood mastered the record.

The whole project stems from a publication and exhibition by McCarthy laying the foundations for the content and lyrics of the album, which is humorous, poetic and political. As a lyricist, McCarthy uses her storytelling ability to explore anxieties and desires, digging into free surreal word associations reminiscent of Su Tissues’ tongue in cheek experiments with Suburban Lawns, but also explosive and gripping like a Kae Tempest rap.
Rzytki’s precise sonic palette and talent at penning structured bangers perfectly complement McCarthy’s playful and subversive language manipulations. Rzytki's beats are rooted in old school Hiphop loop principles and an authentic love for the analog. Her use of an array of synthesizers and other "real" instruments adds to WAPF's depth, soul and sincerity.

The album opens with a joyful anthem, full of energy and melodic hooks. The audience is confronted with the quintessential titular question What Are People For? and told that they are just a mere disposable commodity. Throughout the album, lyrical themes revolve around underground aspects of society, violence, political ideologies, sexuality and mysticism. The content is deep but the album is as danceable as it is biting.

73, with its drum machine hysteria and hypnotic synth basses is a a text collage written on the 73 bus through London, consisting of situations and conversation snippets encountered along the way. Drones indulges in the narrator’s paranoia as they feel they are being watched by cigarette machines, whilst the haunting choir is half spoken, half sung, ending on the orgasmic chanting of the word “mummy”. Nursery Rhyme brings more soothing incantations. There is definitely an affinity for fairytales, albeit adult ones and especially the anarchistic ones such as The Moomins, who were a consistent influence on the band. The artwork for the record, created by McCarthy, is a beautiful children's book-style painting of the group in a forest, seemingly about to engage in a magical encounter to which we are invited.

WAPF? have absorbed and digested a variety of influences. Trip hop, Punk and Techno are rubbing shoulders on Party Time. 1977 was coined “Summer of Hate” in the UK and unsurprisingly in WAPF?’s Summer of War, ethereal singing alternates with a powerful marching Garage/Grime chorus reminiscent of street protests and UK culture.

Mz. Lazy starts like an invitation to meditation and references Gertrude Stein’s book Ida in which she develops the idea that publicity is a new religion and people are now famous for being famous. Repressed anger explodes into violence and freedom at the end of the song as our heroine eventually grabs an axe to destroy her oppressors.
Fantasize, on its part, is raw, sexual and liberating while the closing track Bring Back the Dirt is a welcome hymn into a world that is becoming more and more sanitised.

While exploring deep subject matters throughout their album, WAPF? manage to remain satirical, exciting and funny. Each and everyone of their songs have a cathartic quality.

The visual identity of the band is intrinsic to their appeal. Live, they are eccentric, wild and unapologetic, wearing see-through costumes, bright miniskirts and intricate headpieces while delivering their songs with sharp intensity. Their performances radiate queer sexiness and transcend B52's thrift store aesthetics, creating a space for collective dreaming.

WAPF? is a rare combination of contemporary punk energy, irresistible groove, absurdist dry humour and astounding depth of field. They have the mighty power to create a party with their music and soon you will find yourself lifting your arms as if controlled by an external force, to chant: WAPF? WAPF? WAPF?

– Marie Merlet (Malphino, Little Trouble Girls, London)

Сделать предзаказ21.10.2022

он должен быть опубликован на 21.10.2022

18,45
AUSTIN LEONARD JONES - DEAD CALM

Austin Leonard Jones

DEAD CALM

12inchSWA157
SWAMI
21.10.2022

Perpetual Doom proudly presents the new album from Austin Leonard Jones: Dead Calm. On this collection of nine new tracks, the Texas-based troubadour channels his eclectic talent into a melancholy country groove. Full of signature tumbleweed melodies and his deadpan wit, it is an essential addition to Jones’ unique and varied catalog.

Like any good country record, Dead Calm starts with a joke and ends in tears. “A werewolf walks into a bar,” Jones sings on opener “Cape Fear,” where vampires pour drinks and no one seems to escape. The town might be full of the undead, but it could be anywhere—after all, as Jones says, “It’s hard on the living in Cape Fear.” The slide guitar and faint bright keys set the tone for an album that mixes domestic sorrow with a touch of kitsch, like Conway Twitty at a seasonal Halloween outlet. “I’m the sole survivor of the all-night show,” he sings on “Back in the Black Lagoon,” “and it cost a thousand tears for every episode.” Somewhere between a funeral and a costume party, Dead Calm bursts with classic songwriting sure to get you on the dance floor and crying.

All these ghost towns, desert bars, and haunted capes emerge from the small town outside Austin where Jones wrote and recorded the album. Alongside producer Jesse Woods, he crafted a sound based on the traditional country palette of acoustic and slide guitar, organ and gentle drums. Songs like “Night Parrots” and “Demon Sands” take stock of life’s disappointments as Jones’ maudlin voice and Jesse Siebenberg’s pedal steel twist tighter around each other. “The Australia Song” puts autobiographical storytelling first, while “Exotics” laughs at our tendency to seek satisfaction in far-off places and things. It all comes together on “Its Treachery,” where Jones confronts the intimate betrayals of “a whole life not working out as planned.”

Sound familiar? Austin Leonard Jones invites you to join the club.

Сделать предзаказ21.10.2022

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31,72
Tommy McLain - I Ran Down Every Dream

Tommy Mclain

I Ran Down Every Dream

12inchLPYEP3049LEC
Yep Roc
14.10.2022

Tommy McLain, one of the founding fathers of the swamp pop genre,
returns with his first new album in over 40 years: I Ran Down Every Dream
Produced by fellow Lil' Band O' Gold member CC Adcock, the album features
contributions from legendary artists who cite Tommy as a major influence,
including Elvis Costello, Nick Lowe, Van Dyke Parks and Augie Meyers. At 82
years young, Tommy has finally released the album of his career. Ranging from
the Americana roots sound of "Somebody" and "Livin' on the Losin' End" to
stripped- back, introspective renditions of early Tommy hits like "No Tomorrows
Now" and "Before I Grow Too Old," Tommy McLain cements himself as one of the
few living legends from the 1960s who is still putting out new music and touring
around the world. A beautiful look at a songwriter who (a half- century later) is
finally receiving his due.

Сделать предзаказ14.10.2022

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30,21
Freedy Johnston - Back On The Road To You
также имеющийся в продаже

Canary Yellow vinyl[29,71 €]


Freedy Johnston is one of those rare singer-songwriters who counts
critics among his biggest fans — and whose heroes consider him a peer.
Not bad for a self-proclaimed "geek in glasses who never left his room."
Johnston's 9th album, 'Back on the Road to You' is a record steeped in
wit, humor, pathos, love, and friendship drenched with memorable,
infectious melodies
Johnston recorded the album in Los Angeles with producer Eric Corne after
setting up house in nearby Joshua Tree. The new surroundings seem to have
imbued the album's mood and instrumentation with echoes of The Byrds,
Jackson Browne, Joni Mitchell, and Neil Young. Joining Johnston in the studio
were Aimee Mann, Susanna Hoffs of The Bangles, and longtime collaborator,
Susan Cowsill, along with an all-star roots music band, including Doug Pettibone
(Lucinda Williams), Dusty Wakeman (Jim Lauderdale), Dave Raven (Shelby Lynn)
and Sasha Smith (Priscilla Ahn).In 1994 Rolling Stone named Johnston the
'Songwriter of the Year', describing him as "A master storyteller, (who) sketches
out full- blown tragedies in a few taut poetic lines." Adding, "He joins that elite
cadre of songwriters—Bob Dylan, Neil Young, Elvis Costello—whose brilliant pop
compositions turn magical with the addition of a defiantly idiosyncratic singing
voice."
'Back on the Road to You' is a return to grace for this gifted songwriter. It
embodies the sound of an American original reminding us that he is still
considered one of the best songwriters of his generation.

Сделать предзаказ14.10.2022

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26,01
Freedy Johnston - Back On The Road To You
также имеющийся в продаже

Black Vinyl[26,01 €]


Freedy Johnston is one of those rare singer-songwriters who counts
critics among his biggest fans — and whose heroes consider him a peer.
Not bad for a self-proclaimed "geek in glasses who never left his room."
Johnston's 9th album, 'Back on the Road to You' is a record steeped in
wit, humor, pathos, love, and friendship drenched with memorable,
infectious melodies
Johnston recorded the album in Los Angeles with producer Eric Corne after
setting up house in nearby Joshua Tree. The new surroundings seem to have
imbued the album's mood and instrumentation with echoes of The Byrds,
Jackson Browne, Joni Mitchell, and Neil Young. Joining Johnston in the studio
were Aimee Mann, Susanna Hoffs of The Bangles, and longtime collaborator,
Susan Cowsill, along with an all-star roots music band, including Doug Pettibone
(Lucinda Williams), Dusty Wakeman (Jim Lauderdale), Dave Raven (Shelby Lynn)
and Sasha Smith (Priscilla Ahn).In 1994 Rolling Stone named Johnston the
'Songwriter of the Year', describing him as "A master storyteller, (who) sketches
out full- blown tragedies in a few taut poetic lines." Adding, "He joins that elite
cadre of songwriters—Bob Dylan, Neil Young, Elvis Costello—whose brilliant pop
compositions turn magical with the addition of a defiantly idiosyncratic singing
voice."
'Back on the Road to You' is a return to grace for this gifted songwriter. It
embodies the sound of an American original reminding us that he is still
considered one of the best songwriters of his generation.

Сделать предзаказ14.10.2022

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29,71
Kenny Neal - Stright From The Heart

The Southern state’s musical giants have always had their own distinct recipe for
American roots: spiced with jazz, steeped in swamp-blues and cooked up a little
differently by every artist who performs it. As a second- generation child of the
Bayou State, Kenny Neal has taken his own inimitable guitar, gale-force harp and
roadworn voice all over the globe. But in 2022, the Grammy- nominated blues
master’s latest album, Straight From The Heart, finds him drawn by the siren call
of his hometown and musical ground zero, Baton Rouge.“This is the first album
I’ve ever recorded on my own turf, and it truly came straight from the heart,” says
Neal, who both led and produced a crack team of local musicians at his own
Brookstown Recording Studios. “All the tributaries of the blues converge here,
flowing into one rich tradition.”You’ll hear all of Neal’s travels in Straight From The
Heart, but this latest album brings it all back home in every sense. Lining up in the
studio alongside his Baton Rouge compadrés, the respect that Neal commands
on the scene also drew some special guests, including hot- tip blues sensation
Christone ‘Kingfish’ Ingram (who co-writes and plays stinger guitar on Mount Up
On The Wings Of The King), pop royalty Tito Jackson (on Two Timing) and two
songs with Rockin’ Dopsie Junior & The Zydeco Twisters. You’ll even hear Neal’s
supremely talented daughter Syreeta drive the vocal outro of Two Timing.“It was
like a family reunion,” says Neal of the good-natured sessions. “It was excellent
because I had all the musicians that grew up under me here in Baton Rouge. And
just being in my own studio, not worrying about the clock.”Straight From The
Heart is a fitting title for a record that salutes the many loves of Neal’s life.
There’s the brass-driven opener Blues Keep Chasing Me, which tips a hat to his
recently departed friend, Lucky Peterson. There’s the touching piano-led Someone
Somewhere, which salutes his beloved father, harp master Raful Neal, who put
him on this path. Elsewhere, Neal’s deep love for every side of his home state is
underlined by the zydeco chop of Bon Temps Rouler and New Orleans, whose
lyrics reference everything from “sippin’ on Hurricane” to “sittin’ on the Bayou
catching catfish”. Faced with such an open-hearted record, it’s impossible not to
reciprocate. And as the world opens up and Kenny Neal embraces his natural
habitat of the road, this Louisiana icon will bring a little bit of that Baton Rouge
spirit onto every stage he treads. “It don't cost nothing to share a little love and a
little respect,” he says. “And we can all rise above…”

Сделать предзаказ14.10.2022

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43,28
The Deer - The Beautiful Undead

The Deer have built a devoted audience for their uninhibited, cosmic indie folk the old-fashioned way: playing their hearts out, night after night. In addition to extensive headlining, they’ve shared stages with the likes of Big Thief and The Head and The Heart. Their label debut Do No Harm, released in 2019, marked a set of career breakthroughs, topping the KUTX chart and earning a nomination for the Austin Music Awards’ Album of the Year. When live music took global pause, The Deer had momentum to sort. The five musicians took the energy reserved for tour and brought it into the studio, a pressure cooker not only for creativity but newly, for existential reflection. The result is two full albums, the first of which, The Beautiful Undead, will be released September 9, 2022, on tastemaking indie Keeled Scales. It’s an uninhibited collection of cosmic indie-folk reflecting upon what it means to lose your sense of purpose. The Deer, amidst turbulent assessment, transformed a paralyzing void into an empowering surrender of ego a rollicking submission to the immense unpredictability of existing. It's a free-spirited album fueled by hard-earned revelation. The rich are getting richer, the poor are getting poorer, the planet is getting warmer, and human extinction looms likely. The Deer handle their devastated call for change with an artful subtlety, an infectious sense of play, and a projection of internal learning onto the external world. Their genius is in creating palpable, emotional urgency not with boisterousness, but fact. Throughout The Beautiful Undead, The Deer radiate an intensity fit for the times, but not at the cost of dancing. Also Available From The Deer: Do No Harm LP / CD. Track listing: SIDE A: 1. Bellwether 2. I Wouldn’t Recognize Me 3. Baby Green 4. Columns 5. Lilacs SIDE B: 6. The Lion Or The Bear 7. Six-Pointed Star 8. Golden Broken Record 9. Up I Presume 10. Bowl

Сделать предзаказ14.10.2022

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24,50
LOS SPEAKERS - EN EL MARAVILLOSO MUNDO DE INGESON LP

Last album recorded by Colombian rock pioneers Los Speakers in 1968 after leaving behind its affinity with yéyé and go-go music. One of the most brilliantly whacked-out psych LPs to emerge from South America. Originally self-released on their own Producciones Kris label, this is an almost impossible to find cult record. Officially reissued for the first time. By 1968, Colombian rock had left behind its affinity with yéyé and go-go music. In Medellín, Discos Fuentes had terminated its contract with Los Yetis, whose farewell record "Olvídate" set a strong anti-establishment tone. While the fire of protest that had spread rapidly among students in Paris was dying out, young people in Bogotá voiced their discontent. Aware of the effervescent political climate across the world, Los Speakers wrote their last record between June and September of the convulsive year of 1968. In order to give shape to these new songs they needed a space where they could experiment freely with sound. The music historian and critic and sound engineer, Manuel Drezner, made a providential appearance and offered the innovative Ingeson studios to the trio under one condition: that his company's name was included in the title of the record. For four months, Rodrigo, Manuel and Roberto created a record that was completely different to anything on the Colombian rock scene at that time. Los Speakers used cutting-edge equipment to record and mix "El maravilloso mundo de Ingeson", It was the first time local musicians had access to a multichannel mixing desk where they could experiment with all kinds of bold sound effects. The silences between songs were replaced with brief intervals of sound including the noise of a train running over a passer-by, a bomb exploding_ Although it's often labelled a conceptual record, the four compositions that each of the band members contribute reveal different aesthetic personalities. From the strong influence of Renaissance and Baroque poetry and music to the virulent social critique and pacifist statements, suffused with religiosity and mysticism. Armed with the demo tape, Los Speakers presented the project to CBS, Philips, Sonolux and Bambuco. The labels' verdict was unanimous: not very commercial and very costly. The group reacted to this negative response by pooling their personal savings, inventing a fictious record label called Kris and released the record just as they had imagined it. This led to the creation of a graphic concept unheard of in Colombia: the record included a booklet containing photos, texts and illustrations. Although there was a big media roll out, which included TV appearances and features in newspapers and magazines, as predicted the album was a commercial failure_ "El maravilloso mundo de Ingesón" is one of the most brilliantly whacked-out psych LPs to emerge from South America.

Сделать предзаказ30.09.2022

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24,58
Sammy Hagar & The Circle - Crazy Times LP

Der Grammy Gewinner Sammy Hagar veröffentlicht mit seiner Gruppe The Circle am 30. September das
neues Album „Crazy Times“
”Crazy Times”, das zweite Album der Band, ist der Nachfolger ihres viel gelobten Debüts ”Space Between”,
das in mehreren Kategorien Platz 1 der Billboard-Charts erreichte. Das neue Album enthält zehn Songs
und eine bemerkenswerte Coverversion, ”Pump It Up”, ein Song von Elvis Costello and the Attractions aus
dem Jahr 1978. Das Album wurde mit dem Produzenten Dave Cobb aufgenommen, der das Beste aus
Sammy Hager & The Circle geholt hat.
Das Album „Crazy Times“ erscheint als 1CD und am 28. Oktober dann auch auf Vinyl.

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42,86
DJ Nigga Fox - Crânio

Dj Nigga Fox

Crânio

12inchWAP401
WARP
30.09.2022

The future and history of bleeding edge dance music collide on DJ Nigga Fox's new Crânio EP, where the relentless young artist crafts an even deeper level of musicality into his innovative, riotous creations.
Following his appearance on the seminal CARGAA compilation series, this collection feels deeply fitting for a Warp project, as it manages to un-self-consciously straddle the bass and bleep alchemy of the label's early club classics while sitting firmly in the artful post-genre nexus of the current roster of artists.
Ever pushing forward, DJ Nigga Fox (néRogério Brandão) has enlisted a veteran percussionist from his home country of Angola to expand the manic palette of his sound. The outcome is a constantly shapeshifting form of psychedelia made for dancefloors, that still manages to spark synapses as a complete listening experience. Yet another beguiling leap forward for the sound of contemporary Lisbon.
Limited to 1000 copies worldwide

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19,29
Unknown Artist - Habits Stamped Wax 002

After the success of HSW001, we thought it was about time to announce the second stage of our exciting unknown artist vinyl series. HSW002

Early
support from ; Priku, Cosmjn, Barac, Vlad Arapasu, Costin Rp, Rossi, Iuly.B, Rich Nxt, Olivian Nour, SUAT, Mikhu, Dragutesku, Mariano Mateljan, Kirik, Rhadow, Pascal Benjamin, XXX Culture, Lee Hasty & more

Limited Edition (500) (No Repress)
Multi colour 180g Vinyl
White Label
Hand Stamped & Signed with love
Specially designed outer sleeve artwork

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

16,51

Последний логин: 3 г. назад
Blue - Heart & Soul LP

Blue

Heart & Soul LP

12inch4050538810561
BMG Rights Management
09.09.2022

Blue - also Antony Costa , Duncan James , Lee Ryan
und Simon Webbe -, das ist so ein Name, der einen
automatisch in die Boygroup-Ära transportiert: Sie waren
nicht nur einer der größten und erfolgreichsten Acts jener
Hochphase, sondern vor allem auch einer der besten. Auf
den drei Alben, die ihnen in den Nullerjahren
Spitzenplätze in den Charts (u.a. 3x #1 UK, 1x Top-10
DE) und reichlich Platin bescheren sollten, verschränkten
sie lässigen R&B mit hochauflösender Pop-Perfektion und
emotionalen Balladen, was der im Jahr 2000 gegründeten
Boygroup nicht nur 16 Millionen verkaufte Albumeinheiten
bescherte. Auch zwei BRITs räumten sie ab im
Königreich, wo sie gleich 11 Mal die Topregion der
UK-Singlecharts aufmischen konnten und davon gleich
noch drei Mal die #1 belegten.

Parallel zur Stadiontournee werden Blue im Herbst ihr
sechstes Album Heart & Soul veröffentlichen - ihr erstes
fürs neue Label Tag8 Music/BMG. Der neue Longplayer
unterstreicht und zelebriert all das, was die Band während
ihrer ersten Blütezeit ausmachte, denn er spielt immer
wieder auf die Vergangenheit an, bringt aber auch
kontinuierlich Neues ins Spiel. Ihr Trademark-Sound
schwingt im sorglos-ausgelassenen Titelsong, der von
MNEK (Beyoncé, Little Mix) mitkomponiert wurde,
genauso mit wie in der gefühlvollen Ballade "Magnetic",
bei der die Jungs mal wieder ihr ganzes umwerfendes
Stimmvolumen auspacken dürfen. Mit der Leadsingle
"Haven't Found You Yet" legen Blue einen Instant-Classic
vor, der klanglich eher in Richtung Justin Bieber oder
auch jüngere Coldplay-Hits geht. Man hört, dass sie
unbedingt alles geben wollten für Heart & Soul

Сделать предзаказ09.09.2022

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30,63
LAURA NYRO - AMERICAN DREAMER LP (Boxset 8x12")

Madfish are extremely proud to present:

LAURA NYRO - AMERICAN DREAMER

An 8LP Deluxe Vinyl Box Set housing 7 of Laura’s breathtaking original albums - More Than A New Discovery, Eli And The Thirteenth Confession, New York Tendaberry, Christmas And The Beads Of Sweat, Gonna Take A Miracle, Smile & Nested, alongside an original LP of Rarities & Live Recordings.

During the singer/songwriter movement in the late ‘60s and early ‘70s, Laura Nyro was one of the most celebrated tunesmiths of her day. She penned soulful, literate songs that took the folky introspection of her peers and infused it with elements of soul, R&B, jazz, and gospel, giving them an emotional heat that set her apart. Nyro was a hugely respected recording artist, whose confident piano work and rich, expressive vocals made other sonic trailblazers such as Miles Davis and Alice Coltrane navigate towards her. She has influenced the greatest of songwriters - Bob Dylan, Joni Mitchell, Elton John, Neil Young, Carole King, Kate Bush and Elvis Costello among them. That influence continues today being heard in the works of Alicia Keys, Tori Amos, Suzanne Vega, Jenny Lewis and more. Nyro’s wonderfully
expressive and poetic songs – of which many became major hits by other artists, most notably The 5th Dimension, Three Dog Night and Barbra Streisand – remain hallmarks of outstanding quality. ‘Eli’s Comin’, ‘Gibsom Street’, ‘Wedding Bell Blues’, ‘And When I Die’, ‘Stoned Soul Picnic’, ‘Map To The Treasure’, ‘Sweet Blindness’ and ‘Stoney End’ are magnificent examples. Nyro was 18 years old when
she signed her first recording contract and wrote the songs for which she is likely to be best remembered. By the time she was 22, she had become one of the most successful composers in American popular music. But at the age of just 24, she drew back from her creativity and fame, battered and drained by the sheer energy and nerve required to sustain her career. Fortunately for those of us who loved her music, that was not the end of the story. She returned briefly to the fray for three turbulent years in the mid-to-late 1970s, and then enjoyed a final decade of artistic achievement and public acclaim, before illness took her from us at the tragically early age of 49 in 1997. Nyro found her early fame challenging yet despite living under an unrelenting spotlight, she was able to create this series of utterly beautiful
and stunningly unique albums.

Сделать предзаказ31.08.2022

он должен быть опубликован на 31.08.2022

205,88
Bastard Noise & Merzbow - RETRIBUTION BY ALL OTHER CREATURES

The experimental legends BASTARD NOISE and MERZBOW present their new collaborative album, RETRIBUTION BY ALL OTHER CREATURES. A lashing out against man-made institutions that perpetuate animal cruelty, every second of BASTARD NOISE's contribution to this collaboration is simply put - pitch-black, palpable fury. Elsewhere, the iconic MERZBOW's influence creeps in with a two part concept - the ZooNOsISE tracks, firing off MERZBOW's calling card - grainy, unsettling distortion that builds and builds, set against wretched technological wailing and alarming constants.

The record's intent is both a call to action, and a foreboding signal of end times. "Stand up against any form of animal abuse you witness at all cost," BASTARD NOISE mastermind Eric Wood writes in his liner notes. "Be part of positive, compassionate change and spit on the grave of the status quo." MERZBOW/Masami Akita's message is simple, but hits hard - "TIME IS RUNNING OUT. NOISE IS MUSIC"

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26,26

Последний логин: 3 г. назад
Costin Rp - Natura Omului EP

blue marbled vinyl Vinyl Only

Next up on Animal Crossing Records is Romanian Favourite Costin Rp with a special 3 track EP.

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10,04

Последний логин: 4 мес. назад
EMMA RUTH RUNDLE & THOU - May Our Chambers Be Full LP

Germany exclusive edition on White & Blue Galaxy Vinyl. Sacred Bones celebrates its 15th year label anniversary with this repress of the haunting and monolithic May Our Chambers Be Full. "The juxtaposition of Rundle's long distance melodies and Bryan Funck of Thou dredging up his guts to scream into the sky shows two sides working together to create something surprising and new." - The Fader // "The whole LP would be a great release for either artist, but it's the brilliant convergence of sensibilities that sets it apart in the landscape of alternative metal... an excellent entry point for any would-be Thou fans, and a potential game-changer for Rundle ones." - Loud & Quiet

Сделать предзаказ12.08.2022

он должен быть опубликован на 12.08.2022

22,48
EMMA RUTH RUNDLE & THOU - May Our Chambers Be Full LP

Stemming out of an offer from Roadburn Festival organizer Walter Hoeijmakers, mutual acquaintances, and a shared love of each other's output, May Our Chambers Be Full is the first recorded document of collaboration between Emma Ruth Rundle and Thou. While their solo material seems on its face to be quite disparate, both groups have spent their respective careers lurking at the outer boundaries of the heavy metal scene, the artists having more in common with DIY punk and its spiritual successor, grunge. May Our Chambers Be Full straddles a similar, very fine line both musically and thematically. While Emma Ruth Rundle's standard fare is a blend of post-rock-infused folk music, and Thou is typically known for its downtuned, doomy sludge, the conjoining of the two artists has created a record more in the vein of the early '90s Seattle sound and later '90s episodes of Alternative Nation, while still retaining much of the artists' core identities. Likewise, the lyrical content of the album is a marriage of mental trauma, existential crises, and the ecstatic tradition of the expressionist dance movement. "Excessive sorrow laughs. Excessive joy weeps." Melodic, melancholic, heavy, visceral. The visual art accompanying this work was created in collaboration with preeminent New Orleans photographer Craig Mulcahy. The faceless, genderless models are meant to emphasize this pervasive state of ambiguity and emotional vacillation, the images falling somewhere between modern high fashion and classical Renaissance.

Сделать предзаказ12.08.2022

он должен быть опубликован на 12.08.2022

21,22
Rebecca Delle Piane - Soltera EP

***
I have no words, no tears.
My heart within me like a stone
Is numbed too much for hopes or fears;
Look right, look left, I dwell alone.
***

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10,04

Последний логин: 13 мес. назад
ELVIS COSTELLO & THE BRODSKY QUARTET - THE JULIET LETTERS

• 180 GRAM AUDIOPHILE VINYL
• INCLUDING INSERT
• FEATURING THE BRODSKY QUARTET
• LIMITED EDITION OF 2500
INDIVIDUALLY NUMBERED COPIES ON PURPLE COLOURED VINYL

The Juliet Letters is the 14th studio album by singer and songwriter Elvis Costello. Originally released in 1993, the critically acclaimed album peaked at No. 18 on the UK album chart. The entire instrumental backing for The Juliet Letters is provided by The Brodsky Quartet. Costello had become interested in classical music around the time of Spike and began attending classical concerts. One of the ensembles he enjoyed most was the Brodsky Quartet. Once Costello and the Quartet got to know each other, they were keen on working together, eventually resulting in a full length album.

Costello described The Juliet Letters as “a song sequence for string quartet and voice and it has a title. It’s a little bit different. It’s not a rock opera. It’s a new thing.”

The album is available as a limited edition of 2500 individually numbered copies on purple coloured vinyl and includes an insert.

Сделать предзаказ05.08.2022

он должен быть опубликован на 05.08.2022

33,24
Various - Creme From The Crypt 10x12" + Book

Various

Creme From The Crypt 10x12" + Book

8x12"-VinylCRBUNDLE1
Creme
03.08.2022
 
45

10x12inch bundle + book

What is going on here then? Well, digging through the ever shrinking tunnels in the cave system that is our warehouse we come across many forgotten ore and metal deposits that silently beg to be unearthed. Since we are not the beroerdste, we reckon it's about time to put some of these on offer to you, the unsuspecting consumer. And we have hit the jackpot in this case! For a limited time only (and as long as stock lasts) we offer 10 (yes TEN) records from the vast Creme Organization back catalogue + a copy of the glorious Godspill Artwork Book for just 50 (yes FIFTY) Smackeroonies! Which titles you will get will be a surprise, so take a chance take a chance boys & girls and all shades inbetween, cause here's a breath of fresh air in these times of inflation and global uncertainty! Love, the management.

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62,98

Последний логин: 3 г. назад
Spiritual Beggars - Spiritual Beggars 3x12"
 
25
также имеющийся в продаже

Traffic Lights Vinyl Edition[52,90 €]


The Spiritual Beggars debut album (1994) reissued with 2 full LPs of extra tracks – 18 demo cuts and other rare versions, presented in ravishing triple fold packaging with astounding art by Costin Chioreanu. The Spiritual Beggars mastermind Michael Amott (Arch Enemy, ex-Carcass) is one of today’s most important guitarists in Metal, and this reissue originally coincided with the band’s 20th anniversary. The original limited vinyl being long sold out, Svart Records present a new edition as the band’s 30th anniversary draws near.

Сделать предзаказ29.07.2022

он должен быть опубликован на 29.07.2022

52,90
Spiritual Beggars - Spiritual Beggars 3x12"

Traffic Lights Vinyl Edition

The Spiritual Beggars debut album (1994) reissued with 2 full LPs of extra tracks – 18 demo cuts and other rare versions, presented in ravishing triple fold packaging with astounding art by Costin Chioreanu. The Spiritual Beggars mastermind Michael Amott (Arch Enemy, ex-Carcass) is one of today’s most important guitarists in Metal, and this reissue originally coincided with the band’s 20th anniversary. The original limited vinyl being long sold out, Svart Records present a new edition as the band’s 30th anniversary draws near.

Сделать предзаказ29.07.2022

он должен быть опубликован на 29.07.2022

52,90
Elvis Costello, Rusty - The Resurrection of Rust LP

Rusty- The Resurrection of Rust (Elvis Costello)
Elvis Costello kehrt mit einem besonderen Projekt mit seinem lebenslangen Freund Allan Mayes zurück.

Vor 50 Jahren schloss sich Elvis Allans Band ”Rusty” an, und anlässlich dieses Jubiläums werden sie eine
6-Track-EP herausbringen.

Costello beschreibt die Platte so: ”Lasst uns eine Platte machen, wie wir sie mit 18 gemacht hätten, wenn
uns jemand gelassen hätte”.

Die EP enthält neue Interpretationen von Songs aus ihrem Club-Repertoire von 1972, ihre Duette auf zwei Nick Lowe-Songs von 1972, ”Surrender To The Rhythm” und ”Don’t Lose Your Grip On Love”. Sie
schließt mit einem Arrangement von Neil Youngs ”Everybody Knows This Is Nowhere” und ”Dance, Dance, Dance”, mit dem Elvis sein Aufnahmedebüt auf der elektrischen Violine gibt.
Die EP ist in CD Format und nun auch auf Vinyl erhältlich.

Сделать предзаказ22.07.2022

он должен быть опубликован на 22.07.2022

28,11
Various - Alien Parade Japan LP (2x12")

Alien Transistor present Alien Parade Japan, a joyous double-album compilation of groups from Japan’s indie-pop and avant-garde undergrounds, all of which feature brass or woodwind instruments as part of their line-up. Compiled by Markus Acher (Alien Transistor, The Notwist, Hochzeitskapelle) with plenty of support and help from his Spirit Fest bandmate, Saya (also of Tenniscoats), it features some familiar names – Tenniscoats, naturally, but also Zayaendo, Tori Kudo’s Maher Shalal Hash Baz – alongside lesser-known groups like Biobiopatata, Mitamurakandadan?, Kourakuen, sekifu, and Noah Lewis Mahlon’ Taits, amongst many others.

The collection of songs here rests upon a simple question, and an interesting parallel: Why do so many groups from Japan include brass and woodwind, and how closely does this echo the scene that Acher is involved with in Munich? The idea was formulated in Acher’s mind after one of his groups, Hochzeitskapelle, had been invited by Saya to Japan in 2019, to take part in the Alien Parade Japan tour. “Saya and her friends recommended a lot of music to me that I didn’t know of,” Acher recalls, “and I was surprised and excited to find so many Japanese bands who use brass and woodwind instruments.”

This approach was something Acher had been familiar with for a while, thanks to his experiences in Munich: “Until then I thought of the Munich scene, where Hochzeitskapelle come from, as being quite unique in having ex-punk and still-indie musicians form loud acoustic bands with many brass instruments and play a wild mixture of styles.” And indeed, that variety is reflected in the twenty-two songs on Alien Parade Japan, which flits from the pastoral melody of Maher Shalal Hash Baz’s “Crossin The Tama River”, through the tenderness of various sighhorns’s “people have called them flowers”, to the folksy lament of Gratin Carnival’s “Just Watching”.

Alien Parade Japan reaches further afield, too, drawing in some groups, like HOSE, Fuigo, and popo, that feature musicians like Toshihiro Koike, Masafumi Ezaki and Taku Unami, who may be better known for their experimental and improvised releases on labels like ftarri and Erstwhile. It also looks back to material recorded in the 1990s - the swinging slide guitars and sax/tuba duet of Strada’s “Swamp”, from 1998, and Compostela’s energetic, rousing “ghhgh”, from 1990. Both pieces were written by, and feature, saxophonist Kanji Nakao; Compostela’s membership also included late saxophonist Masami Shinoda, who was also part of such storied Japanese groups as Pungo, A-Musik, Orquestra Del Viento, Ché-SHIZU, and the fiery free jazz outfit, Seikatsu Kōjyō Iinkai.

Groups like Compostela help to draw some through-lines to the aesthetics of chindon’ya, a type of Japanese marching band made up of costumed street performers who advertise businesses; the music made by these bands is brash, spirited, and full of energy. Alien Parade Japan weaves all of this together – chindon’ya; jazz; indie-pop; psych-folk; big band – into one beautiful, big tapestry of gorgeous melody, sweetness, and melancholy, with plenty of creative fraying at its edges. “The collection is a very personal view of Japanese bands using brass and woodwind instruments,” Acher concludes: “it’s not a representative anthology, it’s mainly held together by my personal taste, experiences, and friendships.” But it’s also a wonderfully coherent collection of some of the most playful and elated music you’re likely to hear this year. As musician and writer David Grubbs says:

„Now it is confirmed: my favorite genre of music is Alien Parade Japan. Hopefully now people will know what I’m talking about when I gush about the unassailable brilliance of longtime favorites like Maher Shalal Hash Baz, Popo, Mitamurakandadan?, Hose, and Tenniscoats, presented here alongside others whose music I have only begun to search out. Please share in my gratitude and enjoyment of this lovingly assembled collection, one that I welcome into my home as I would a long-anticipated guest.“

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26,51

Последний логин: 3 г. назад
Todh Teri - Deep In India Vol.10 2x12"

Todh Teri is back to make us groove with the tenth and final volume of the Deep In India series. A total double whammy of a record – this one happens to be a limited edition double vinyl that includes the best of the Todh Teri’s tracks from the previous volumes. As this alluring series comes to an end, get ready to shake a leg to some dark & dubby tunes one last time.
It all begins with Sampadan 34, a tune that makes you want to close your eyes and get lost in a musical trance with its intricate elements of this melody. This is followed by Sampadan 35, an iconic tune that takes you down memory lane, bringing back sweet memories of the yesteryears.
Using a historic sample from the 90s Indian cinescape, Todh Teri has added his touch to create Sampadan 36 - a track that you’re sure to get hooked onto. For the grand finale, wehave Sampadan 37, which brings in some old-school percussive beats into play that will
make your soul come alive.
For listeners who missed out, this final EP of the series also includes a second vinyl which has the best-selected tracks from Vol.1 - Vol.4. Deep In India has been Todh Teri’s heartfelt tribute to the golden age of Indian cinema that has given listeners a fresh perspective on its conventional music. Overall, this record has something for each listener with a magnificently illustrated album cover by Costanza Chandra in association with Masala Movement.

TODH TERI
I would like to thank everyone involved in this project from the bottom of my heart for their
constant support and encouragement. With this release we come to an end to this series

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23,99

Последний логин: 2 г. назад
Anthony Naples + DJ Pytho - Air Texture VIII LP (2x12")

The co-curated Air Texture Compilation series returns with two Brooklyn based selectors.

As the cost of living in Manhattan proper moved artist minded migration patterns further afield, places like East Williamsburg, Bushwick, and Ridgewood became post-cultural centers in a way, with producer after producer gaining international recognition in the last 10+ years. New clubs such as Nowadays, Knockdown Center, and Elsewhere furthered the momentum, anchored by first mover Bossa Nova, and important festivals like Mutual Dreaming and Dweller came soon after.

Collectively, the stage was set for a beautiful moment in electronic music history, still unfolding, and maybe something that could only happen in the States in a place like Brooklyn.

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26,47

Последний логин: 3 г. назад
The Methadones - This Won't Hurt

For Fans Of: Green Day, The Lillingtons, The Queers, The Copyrights, Ramones, Lookout Records. Playing rare reunion shows in the USA and Europe! This is a limited pressing and will be gone in days! We'll be doing PR, taking out ads, and giving it the full Red Scare push! This record was originally released 15 years ago and we finally got off our ass to do the vinyl in time for some fun reunion shows. Here’s the album description from 2007… Chicago’s Methadones got our attention with their last proper album, Not Economically Viable, which came out on Thick Records in 2004. It was their breakthrough, and anyone who overlooked that LP missed out on the BEST pop punk record of 2004. We then hooked up to release a hilarious party album (21st Century Power Pop Riot) that featured The Methadones with a number of guest vocalists covering Cheap Trick, Costello, and more. Now it’s back to business, and the ‘Dones have a new batch of originals that pick up where they left off with the great Not Economically Viable. It’s called This Won’t Hurt… and they recorded it at the famed Atlas Studios in Chi-Town. The same guys that brought you stuff from The Lawrence Arms and Alkaline Trio have captured The Methadones in all their glory and have them sounding better than ever. Fronted by the venerable Dan Vapid, they have yet another album full of undeniable hits, and on top of all this, they have two tours booked in the near future…hide your beer and chicken wings!

Сделать предзаказ11.07.2022

он должен быть опубликован на 11.07.2022

23,32
Versalife - Night Time Activities Pt.1                                                                         E
 
4
также имеющийся в продаже

Part 2[11,05 €]

Part 3[11,13 €]


repressed !

First part in the triptych of Versalife! Pure intense atmospheric electro techno tracks constructed on the costal areas of the dutch west coast. Hope you enjoy it as much as we do! (The following Versalife releases 06.2 and 06.3 are scheduled for the next 2 following months).

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11,13

Последний логин: 19 мес. назад
State Champs - Kings of the New Age LP

State Champs 4th studio album Kings of the New Age releases on May 13th, 2022. The album has guest features from Ben Barlow (Neck Deep), Chrissy Costanza (Against the Current) and Mitchell Tenpenny.

Сделать предзаказ30.06.2022

он должен быть опубликован на 30.06.2022

24,16
Nicola Cruz - Self Oscillation EP

‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from
Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section INTL.

The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.

‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.

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12,90

Последний логин: 11 мес. назад
Jack Johnson - Meet The Moonlight LP
  • Open Mind
  • Don’t Look Now
  • 3: Am Radio
  • Costume Party
  • Calm Down
  • I Tend To Digress
  • Windblown Eyes
  • One Step Ahead
  • Meet The Moonlight
  • Any Wonder

Am 24.06. erscheint das achte Studioalbum „Meet The Moonlight“ von Jack Johnson. Zeitgleich startet
seine Sommertour quer durch die USA.
Das Album ist zum größten Teil in persönlicher Zusammenarbeit mit Produzent Blake Mills entstanden;
aufgenommen wurde es in Los Angeles und Hawaii. Es behandelt Themen wie die Zerbrechlichkeit menschlicher Beziehungen und die Unbeständigkeit des Lebens

Сделать предзаказ24.06.2022

он должен быть опубликован на 24.06.2022

35,25
Erika Lewis - A Walk Around The Sun LP

Known for her lengthy tenure touring and busking with beloved New
Orleans jazz band Tuba Skinny, prolific songwriter and singer Erika Lewis has been churning out American originals all her own for the past several years

From classic country to cosmic Americana to dreamy indie folk, Lewis continues to dip her toes more deeply into an ever- expanding pool of roots music styles. Her new record 'A Walk Around the Sun' is a testament to Lewis' songwriting prowess and exceptional vocal ability. Produced by John James Tourville (The Deslondes), 'A Walk Around the Sun' features 11 all-original songs exploring the gray areas between love and loss, joy and grief, longing and contentment. Though her songwriting shines brightly, it's never at the cost of melody or arrangement; complete with sweeping strings, pedal steel, and even the occasional fuzz of a psych-rock guitar solo, Lewis' voice soars with emotion and texture throughout. Beautifully balanced, adroitly performed, and masterfully produced, 'A Walk Around the Sun' brings Lewis' solo work out from the wings to center stage,
beneath a spotlight nearly impossible to ignore.

Сделать предзаказ17.06.2022

он должен быть опубликован на 17.06.2022

21,81
Various - Soul Slabs Volume 2  3x12"
 
27

Repress, note new price. Black vinyl issue of the long sold out RSD compilation. Housed in heavy duty slipcase box. FOR FANS OF… Daptone Records, Big Crown Records, 45s, Soul, Funk, R&B. This is the follow up to our first volume of Soul Slabs, which is a collection of tracks from our 7” release series. For many of them, it's the first time they'll be appearing on an LP. Soul Slabs Vol. 2 is a collection of A-sides from the 7” catalog of Loveland Ohio’s Colemine Records. Specializing in heavy soul, funk, and R&B, Colemine prides itself on authenticity and an old school production style, while still making songs that seem fresh and are moving the genre of soul forward. This 3LP collection of 27 tracks puts their diverse catalog on full display, many of these songs being presented for the first time on an LP. Featuring artists such as Durand Jones & The Indications, Kelly Finnigan, Ben Pirani, Jr. Thomas & The Volcanos, Delvon Lamarr Organ Trio, Monophonics, Ikebe Shakedown, The Dip, The Sure Fire Soul Ensemble, Soul Scratch, and more!

Сделать предзаказ17.06.2022

он должен быть опубликован на 17.06.2022

65,50
Various - In Trux We Pux 04

140g Black vinyl LP – Printed inner sleeve – Sealed plastic sleeve



In Trux We Pux is an editorial project organized by the Porto based label and collective Favela Discos. Focusing on the city’s thriving experimental and improvised music scene, it sets out to portrait in a series of four volumes some of the characteristic sounds and collaborative practices that have been in development in Porto during the last few years.

In Trux We Pux 04 is the last in a series of four records organized by Favela Discos, set out to shine a light on Porto’s thriving experimental and improvised music scene. Throughout the collection the label tries to expose the eclectic sound and collaborative practices that have been in development in the last few years in the city by promoting the collaboration between artists and the creation of new collective improvisation pieces.

As the first album dwelled into the electronic spectre of the scene, this volume veers itself to the physical side of experimental and improvised explorations. Although there is space for outsiders manipulating the sound by electronic means, most of the music in this album is plucked, bowed, percussed or sung. The artists themselves are as varied as the music they played, among the 13 artists that collaborated for the creation of this album are many promising newcomers but also some of the more recognizable and relevant names in the scene, with the presence of the Sonoscopia founder Gustavo Costa, João Pais Filipe one of the most characteristic drummers in Portugal, and the DIY duo and underground staple Calhau!.

As we could suspect, the diverse selection of musicians, while providing us a view on the various kinds of musical languages that populate the city’s scene, also creates a dynamic collection of sounds. Spanning a large gamut of sub-sub-genres, from near-musique concrète to tribal noise, the album is a rollercoaster collage that miraculously achieves logic and cohesion, like a voyeur listener taking us on a journey through an abandoned mall where most of the bands in Porto rehearse, whose halls reverberate with a cacophony of music.

Сделать предзаказ10.06.2022

он должен быть опубликован на 10.06.2022

12,81
The French Mademoiselles - Femmes De Paris

"It takes time and lace, to make a French Mademoiselles" the adventure of this chic and sexy duo begins with these words!

THE FRENCH MADEMOISELLES, an artistic collectif run by two females singing :Miss K.T (for Katia, french native) & Miss L (for Lexie, American native). It is an interactive musical journey and quest that allows all women to understand how French women have created this spontaneous elegance and balance of life that allows them to maintain their professional and private lives simultaneously. Pop and Groovy 12 titles album... Bubble gum pop made in Paris ! Always with this cynical 60's vintage French movie atmosphere with a taste of Jacqueline Taïeb « 7 :AM » which cult singer brings their name… Recorded in Paris and mixed in London... This first album has been produced by renowned sound engineer of Elvis Costello, Shirley Bassey or The Pretenders. Already seduced 200.000

fans on internet with their digital singles and sexy and funny videos… Enjoy some "fresh air" from France with The French Mademoiselles.

Сделать предзаказ10.06.2022

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25,67
Koko - קוקו / Koko

Koko

קוקו / Koko

12inchFTNLP009
FORTUNA RECORDS
18.05.2022

Fortuna reissues an incredible Greek belly dance scorcher by little known artist Koko. Following the Israeli Greek-craze of the '60s and '70s, Moroccan singer Koko learned how to sing in Greek and delivered this tavern-style party masterpiece. Organs seer through hard drums and pounding bass while Koko's deep voice guides through the evocative world of Greek Tsifteteli. For lovers of Aris San and Levitros.

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24,33

Последний логин: 3 г. назад
Hardway Brothers pres. The Summerisle Six - This Is Something EP

Sean Johnston has put together some righteous compadres to form a new project - The Summerisle Six. Featuring Jo Bartlett (Yellow Moon Band) on vocals, Andy Bell (Oasis and Ride amongst others) & Duncan Gray on guitars, Kev Sharkey (That Petrol Emotion, The Undertones, Elvis Costello to name a few) on percussion, Mick Somerset Ward on Sax (Clock DVA, Was Not Was, Crooked Man). This Is Something is a driving pop groover reminiscent of a late 80's early 90's Indie Dance anthem. The Dub mix invites the OG mix to ALFOS, turns the lights off and presses the smoke button for a chuggy heartwarming trip across the dance floor. There are no words to describe Rico Connings mix other than to say this 10 min journey has to be heard to be believed. A genuine Balearic gem.

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13,24

Последний логин: 16 мес. назад
SAMBRASA TRIO - EM SOM MAIOR LP

Sambrasa Trio

EM SOM MAIOR LP

12inchVAMPI254
Vampisoul
05.05.2022

HIGHLIGHTS: 1965 samba jazz gem recorded by Humberto Clayber, Hermeto Pascoal and Airto Moreira in the early days of their careers. Includes the killer 'Joao Sem Braço' featuring Hermeto's howling flute and Airto's overwhelming percussion work. This is the only album ever released by this Brazilian all-star group and has remained unavailable for decades. First time vinyl reissue. More: 1965 samba jazz gem recorded by Airto Moreira on drums, Humberto Clayber on double bass and Hermeto Pascoal on piano in the early days of their careers. As the original notes state it, the recording session of the album was such a stunning experience for those involved in the studio work: "After going through 'Aleluia' and 'Samba Novo', as a prelude to a sound cataclysm that was transmitted in the tense atmosphere of the studio, they gave us a composition by José Neto Costa (Hermeto's brother), which left everyone amazed. The arrangement created for 'Duas Contas', soft, whispery, subtle, broke the local tension as if on impact. But behold, when they no longer seemed to see the possibility of new surprises, they then performed 'Nem O Mar Sabia' and 'Arrastao', the first revealing totally unknown concepts regarding the trinomial piano-bass-drums.

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23,95

Последний логин: 3 г. назад
Flame N' King & The Bold Ones - Ain't Nobody Jivein' (Get Up Get Down) / Ho Happy Days

Perhaps one of the most enigmatic of artists on the Rare Soul scene must be Flame N' King aka Oscar Wayne Richardson Jr, who ran his various labels independently since the mid ‘60s. It was a surprise when the group surfaced again with a fantastic uptempo New York dance track in 1976 on the tiny N.Y.C.S. records. "Ho Happy Day" found immediate favour with the Modern Soul crowd, but it took the next 30 years for it to eventually become a Modern Soul anthem and cross over to a wider audience.

These days "Ho Happy Day" can be heard at numerous venues across the world and is a bigger floor-filler now than it was back in the 1970s. We're delighted to finally re-issue this classic on the original N.Y.C.S. imprint and watch it find even more audiences in 2022. An original copy will cost circa £250 these days, so there's already a heavy demand for this long-awaited re-issue

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11,56

Последний логин: 3 г. назад
Willie Tee - First Taste of Hurt / I'm Having so Much Fun

Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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13,40

Последний логин: 3 г. назад
The Bluebells - Everybody's Somebody's Fool / Some Sweet Day

Limited to 1000 copies.
Pressed on Blue Vinyl.
Includes postcard and poster.
The Bluebells have dug deep into their archive to give us the earliest recordings of these tracks, which have never been released before and are exclusive to this 7”
‘Everybody’s Somebody’s Fool’ is longer and more vibrant containing an extra verse and guitar solo which are not on previous versions. This is the closest recording to the one that was originally intended to be released on Postcard in 1981. The sleeve, designed by Bobby Bluebell features 2 of the earliest photos of the band.
THE BLUEBELLS were formed by songwriter / guitarist Robert Hodgens aka Bobby Bluebell in 1980. When deciding to form a group to start performing his songs, Hodgens remembered two punk musicians from Bothwell (brothers Ken and David McCluskey) he had interviewed for his fanzine, 10 Commandments. David (drums/ backing vocals) and Ken (vocals / harmonica) joined Robert and The Bluebells started performing live in and around Glasgow.
The Bluebells were soon involved in the burgeoning scene coalescing around Postcard Records in Glasgow (Orange Juice, Josef K, Go Betweens, Aztec Camera, Jazzateers), and it wasn’t long before The Bluebells were sharing stages throughout the UK with some of the Postcard groups. A single (Everybody’s Somebody’s Fool) was scheduled for release on Postcard, however after appearing on the
front page on Melody Maker and in NME / Sounds etc, major record companies started making serious offers to sign the group. The Bluebells appeared on BBC music program The Old Grey Whistle Test, the first unsigned group to do so, and it wasn’t long after this television appearance that the group signed a major record contract with London Records.
The Bluebells were soon in the studio working on songs for their debut album, with Elvis Costello producing. They were invited to open on UK tours for Haircut 100 and Elvis Costello & The Attractions, and started releasing singles to critical acclaim (Forevermore, Cath, Sugar Bridge). However it was their fourth single I’m Falling (co-written by Robert and Ken) that finally resulted in commercial success, chart success, and appearances on Top of the Pops.
The Bluebells released their debut album, Sisters, in 1984 to further commercial chart success, which was continued when their next single, Young At Heart, gave the group their second big hit single. However, when Young At Heart was reissued
in 1993, it reached number 1 in the chart for a month, making The Bluebells regular fixtures on Top Of The Pops

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9,54

Последний логин: 4 г. назад
Foster The People - Torches X (2x12")

Foster The People

Torches X (2x12")

2x12inch19439928091
CMG
11.04.2022

Torches X (Deluxe Edition) celebrates the 10th anniversary of the acclaimed debut album by Foster The People. Including the RIAA Certified Diamond ‘Pumped Up Kicks’ and hits such as “Houdini”, “Helena Beat”, and “Don’t Stop (Color on the Walls)”. Exclusively for this deluxe edition, Gus Dapperton recorded a brand new version of “Pumped Up Kicks”. Torches X (Deluxe Edition) also features some fan favorites B-sides such as “Broken Jaw” and “Chin Music for the Unsuspecting Hero”. Produced by Paul Epworth, Rich Costey, and Greg Kurstin, Torches is one of the most remarkable alternative
albums of the 2010s. Now available for the first time in a vinyl deluxe edition on 2 Orange LP’s in a gatefold jacket with Lyric insert.

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31,89

Последний логин: 3 г. назад
NICK LOWE - DIG MY MOOD (REMASTERED)

Nick Lowe

DIG MY MOOD (REMASTERED)

12inchLPYEP2635R
Yep Roc
08.04.2022

Three decades on, Nick Lowe has evolved from British pub-rock pioneer
(with Brinsley Schwarz) to new wave godfather (producing Elvis Costello,
among others) to postrock crooner.
It’s a surprising but convincing transformation, begun with the country-inflected minimalism of 1994’s superb The Impossible Bird and pared to an even
leaner chamber pop on this subdued charmer. Bird found Lowe damping his
jokester’s instincts to dig deeply and soberly into romantic despair and a gnawing, midlife confrontation of self.
While the tracks on Dig My Mood suggest that some of the wounds have
healed, there’s still an elegiac air to songs like “Faithless Lover,” “What Lack of
Love Has Done,” and “Failed Christian” that qualifies these as songs of experience. Lowe’s baritone has deepened and acquired a deft finesse with redeeming glimmers of wit and no loss of intelligence.
The 2021 reissue of Dig My Mood is remastered from the original tapes.

Сделать предзаказ08.04.2022

он должен быть опубликован на 08.04.2022

31,47
Roy Bianco & Die Abbrunzati Boys - Mille Grazie LP

Sic transit gloria mundi! Roy Bianco & Die Abbrunzati Boys, die Halbgötter des Italo-Schlagers, nehmen den Ariadnefaden beherzt in die Hände und ziehen als gemachte Vielzahl von Theseus aus der Mitte des Labyrinths. 2020 is over if you want it. Und schon bot 2021 der Gruppe ein neues Reich der Ideen. Man schöpfte tief aus den Quellen der Inspiration über das heilige Land Italien und schließlich gab es neue große Werke des Italo-Schlager-Pops. Denn auserzählt ist diese Erfolgsgeschichte zwischen Kunst, Konsum und Kritik noch lange nicht. Von Roberto zu Roy, von „Greatest Hits“ zu neuen Titeln, heißt das neue Album fast schon folgerichtig „Mille Grazie“. Denn zum 40-jährigen (gegründet wurde die Gruppe schließlich 1982)
Bandjubiläum im Jahr 2022 muss man nach so einer bewegten Zeit auch einmal ganz bescheiden hinter den Mythos treten. Sich selbstverständlich mit dem nötigen Augenzwinkern, bei der großen Mutter Musik, bei den Fans und schließlich auch bei sich selbst bedanken.

Сделать предзаказ08.04.2022

он должен быть опубликован на 08.04.2022

29,37
Walt Disco - Unlearning Deluxe LP
также имеющийся в продаже

Transparent blue[30,21 €]


Deluxe Moon Phase version includes a gatefold sleeve, poster and an extra track on a flexidisc.
Unlearning, the breathtaking debut from Glasgow’s Walt Disco, is steeped in metamorphoses, a stage show in two acts. It covers flings and romances, identities and bodies and change, profound familial love, and - of course - Hollywood glamour. The album plays out like a musical, with an emotional arc and even an instrumental interlude, winkingly titled ‘The Costume Change’.


While the themes of the album are universally relatable, Walt Disco’s gift is in the unique experience of discovery and heartbreak between queer people - something that frontperson James explores in depth on songs such as ‘Weightless’, ‘Be An Actor’ and ‘Hold Yourself As High As Her’. In Walt Disco’s eyes, it’s never too late to become what you might have been and there are plenty of possibilities to explore on Unlearning.

Сделать предзаказ01.04.2022

он должен быть опубликован на 01.04.2022

31,05
Diogo Strausz - Flight Of Sagittarius

When producer, songwriter and multi-instrumentalist Diogo Strausz arrived in France for the first time, he already had an impressive CV. First, as part of the duo Balako, his music was released on Razor-N-Tape, Barefoot Beats and Greco-Roman after gaining the attention of Joe Goddard of Hot Chip. His tracks also have been played by Gilles Peterson on BBC 6. He also produced Brazilian indie artists such as Castello Branco and Alice Caymmi and remixed a track by Brazilian legend Gal Costa. Arrived in France, it is by signing the co-production of the disc "Les Bruits de la Ville" of Voyou or tracks for Julia Jean-Baptiste that he drew attention.

Freshly signed on Goutte d'Or Records, affiliated label of Cracki Records, to whom we can thank for Agar Agar, Saint DX or Alma Elste, Diogo Strausz will present his first EP Flight of Sagittarius in April 2022. Flight of Sagittarius is both retro and current. Between the old school boogie of Marcos Valle and the jazz funk of Azymuth but also the sunny groove of Nu Genea or the electro-funk productions of Guts.

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10,88

Последний логин: 21 мес. назад
The Fall - A Part Of America Therein, 1981

In the summer of 1981, The Fall embarked on their second American tour, criss-crossing the States over a two-month period. Featuring the dual guitar of Marc Riley and Craig Scanlon and rhythm section of Stephen Hanley and Karl Burns, A Part Of America Therein, 1981 would document this fabled journey with crucial performances that show the band evolve from noisemaking lout cultists into true post-punk legends.

"From the riot-torn streets of Manchester, England to the scenic sewers of Chicago ..." as the album opens unforgettably with a nameless promoter introducing The Fall, who proceed to tear into a hypnotic take on "The N.W.R.A." stretched into a near stare-down that is wholly different than the studio version on Grotesque. The LP highlights Mark E. Smith's incomparable bite, heard most notably on the adlibbed vitriol of "Totally Wired," where not even the costumed punks were safe from a proper dressing down.

A Part Of America Therein, 1981 proves once again that The Fall's constant rally against complacency was a top-down directive and intrinsic to their wonderful and frightening sound.

Liner notes by Brian Turner.

Сделать предзаказ25.03.2022

он должен быть опубликован на 25.03.2022

23,40
Frak - Traditions 20

Frak

Traditions 20

2x12inchTRAD20
Libertine Records
09.03.2022

Legendary Swedish outfit Frak for the 20th installment of Libertine Records Traditions series. Extraordinary, classy, and timeless music from recovered 80s tapes. From freaky Acid to New Wave, Electro and Industrial, high-quality standards for a future underground classic release!

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26,85

Последний логин: 4 г. назад
The Spitfires - Play For Today LP
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25,17

Последний логин: 4 г. назад
Lumberob - Language Learner

Lumberob

Language Learner

12inchSHIMMY2010LPC1
SHIMMY DISC
28.02.2022

A genre blur of decorative art punk psych overflow, mixed and mastered by KRAMER on “Blessence Blue” Vinyl LP ltd edition of 500. RIYL: WEEN, Lee “Scratch” Perry, Dat Politics, Prince Buster, Captain Beefheart, Deerhoof, Thinking Fellars Union Local 282, Young Marble Giants, Jad Fair. As an energetic force in the downtown New York perfor1mance art noise scene for over ffteen years, Lumberob is releasing his debut solo LP - Language Learner - on Shimmy-Disc. Having collaborated now for over 23 years, Kramer and Lumberob understand how to make rather majestic messes. This music is urgent madness, overfowingly decorative, lusciously spastic, with an unpredictably eclectic sonic vaudeville energy. Lumberob emerged from a year in Costa Rica with a bag full of pandemic recordings. As a rejuvenated yet still scrappy loop artist expanding his sound with synth bass and drum machines, yet still rooted in improvised vocal phrase looping and skanky guitar, Lumberob insists this album Language Learner to be a bold exercise in genre discovery or genre blur, proudly assuming its position in high contrast to other recent gorgeously crafted Shimmy-Disc releases. It is this contrast that’s reminiscent of the wildly divergent and inventive catalog curated by Kramer from decades past. This debut is an odd blend of ingredients, but the concept is relentlessly pure Lumberob. Participants in Costa Rica include David Mendez playing nylon string, Alicia Cigna singing, Ariel Soto playing partial kit and conga, and Juan Jose Lopez playing bongos. Additional sessions in Brooklyn include Tobin Scroggins playing guitar and Becca Stabile singing. Kramer added bits and pieces throughout during his mixing and mastering of the album. Call it Dada Ska - a skanky electro-bounce. This is dance music for working things out. This is workout music for dancing things, and the live show is truly the dafy psychedelic roughneck business.

Сделать предзаказ28.02.2022

он должен быть опубликован на 28.02.2022

27,94
CHET BAKER - Chet On Poetry

Chet Baker

Chet On Poetry

12inchMJC129001LP
Mono Jazz
25.02.2022
  • A1: In A Sentimental Mood
  • A2: The Party Is Over
  • A3: With Sadness
  • B1: Like The Precedent
  • B2: Deep Arabesques
  • B3: Chet's Blues
  • B4: Almost Blue
  • B5: Waiting For Chet

Long time hard to find and long awaitedreissue of Chet Baker’s last studio album.
Lyrical, poignant, it shows Chet Baker at his best. Included the original version of Elvis Costello’s “Almost Blue”. Which has become
an all-time classic masterpiece in Chet’s repertoire, also heard on the “Let’s Get lost” soundtrack. HQ re-mastering

Сделать предзаказ25.02.2022

он должен быть опубликован на 25.02.2022

24,33
The Allegorist - Blind Emperor

Highly recommended. About the album Blind Emperor Through wetland, winters, rubble and fallout come horizons new; civilisation shattered under a vengeful cataclysm, eventually led to dawn from the light of a blighted leader. Every action has a reaction, and those who wish to prosper must first be willing to offer something of intrinsic value. As one empire crumbles, another takes its place. The struggle for a fleeting utopia comes at a cost, and those who strive towards golden gates must trek along a solemn valley. The Allegorist Berlin-based artist, The Allegorist, has been meandering through stories with her purposeful and introspective take on electronic music. Each release explores themes that require joint participation from the listener as they look to flood your mind with images of fabled characters and places through her artistic soundscapes. Her carefully build worlds that straddle sci-fi and fantasy, feeding off of the light and dark dualism are the perfect blend of reflective contemplation and storytelling. As a holistic artist, Anna Jordan (The Allegorist) encapsulates a myriad of her talents within her work. Her previous albums, Hybrid Dimensions I. and Hybrid Dimensions II., established her aesthetic and detailed fictitious stories, along with the language ‘Mondoneoh’, a language to unite all nations. Her latest endeavour, and 4th album, The Blind Emperor, portrays the essence of a mythical land that tells of struggle that will lead to prosperity. The protagonist, Blind Emperor, leads the charge into a brighter tomorrow. Like chapters from a novel, each track allows the listener to be carried by the story. It is an epic, cinematic, choral, ambient techno album. The album combines her depictive, written and musical storytelling with a concept portrayed visually, orally and audibly to deliver another saga in her ever-evolving figments of fantasy. It comes as an entire artistic project, as The Allegorist created the album art, wrote the included story and composed a poem that all combine to tell the tale of Blind Emperor.

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16,77

Последний логин: 4 г. назад
Francis Plagne - The Refrain

"Black Truffle proudly presents The Refrain from Melbourne-based artist Francis Plagne, whose growing catalog of collaborative and solo releases range from song-based work to abstract audio collages.

Closely aligned with Plagne's Moss Trumpet LP (released by Penultimate Press in 2018), The Refrain’s two side-long tracks mix sounds of the mundane with the otherworldly; rising, receding and overlapping. The result feels like being led through a series of scenes devoid of context or direction. Furthermore, it’s hard to define the scenes as either inviting or disconcerting, as they’re often both at the same time. As the record progresses sounds reappear and are juxtaposed so as to only hint at the familiar. A hall of mirrors, perhaps?

Completed in 2020 using material recorded from 2012-2020, the record uses tapes of shelved, unfinished, and forgotten projects that featured field recordings from various locations, domestic sounds of plastic bottles, bubble wrap, creaking chairs, voice, and instrumental recordings, including an appearance from crys cole on Casio. These pieces were re-amped, processed and edited, then additional instrumental pieces featuring synths, guitars, plastic saxophone, melodica, and percussion were added, the results shaped into drifting, episodic assemblages.

Although essentially a tape piece, The Refrain presents as a crude, non-idiomatic composition that feels both timeless and transitory. It’s a million miles from the polish and rigour of GRM, perhaps more in line with Jacques Bekaert’s eponymous Igloo LP, or Costin Miereanu’s Luna Cinese. The Refrain could be read as a psychedelic Krapp’s Last Tape; one man’s response to listening through forgotten and discarded tapes, reflecting, reconciling, and forging a new path. A potent tonic for these absurd times."

-- Nick Hamilton, August 2021

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21,64

Последний логин: 4 г. назад
AQUILO - A SAFE PLACE TO BE LP

Aquilo

A SAFE PLACE TO BE LP

12inchAQU006LP
AQUILO
18.02.2022

The duo from North of England (Silverdale) is finally back with their 3rd studio album ‘A Safe Place To Be’. ‘A Safe Place To Be’ comes as the most personal and up-close album from the band.

It’s an album the two of them have been working on, on and off for 2 years, and they and it has been through so much in that time.
The creative aspect of this album (shown in the artwork, videos, and physical formats) is a huge part of this album. The detailed model village where everything was captured, is based on the band’s memories old and new. It’s set in the village (Silverdale) where they both grew up and each song holds a special place in that model village for the two of them. It itself is the band’s ‘Safe Place To Be’, their memories, their hometown, and the songs of this album all in one place. It’s a journey they’d like to take their fans and listeners onto and hopefully, they can find or return to their own ‘safe place to be’.

Сделать предзаказ18.02.2022

он должен быть опубликован на 18.02.2022

16,39
Madness - The Madness

Madness

The Madness

12inch4050538618815
BMG Rights Management
08.02.2022

The Madness, originally released in May 1988, is the only album recorded by Suggs, Chas Smash, Chrissy Boy and Lee Thompson of Madness. Calling themselves “The Madness”, the group explored a new direction without Mike Barson, Woody and Mark Bedford. The result was an album bathed in all the new technology the late 1980s had to offer, and features some of this incarnation of Madness’ most experimental work.

Lead vocals were shared between Suggs and Chas Smash, while all members of the group contributed music and lyrics. The album also features a host of other musicians including Steve Nieve (Elvis Costello & The Attractions) on keyboards and The Specials’ Jerry Dammers on piano.

Although short-lived, this version of Madness marked a significant detour from the original band’s trajectory and preceded one of the most extraordinary music comebacks ever witnessed, when the whole band reformed in 1992 for two sold-out “Madstock” shows in London’s Finsbury Park. The fans’ excitement led to a legendary mini-earthquake, and ‘Madstock’ would prove that no members of Madness ever truly leave the band.

This LP reissue is pressed on 180g black vinyl and features brand new liner notes by Chrissy Boy, Chas Smash and Lee Thompson.

Сделать предзаказ08.02.2022

он должен быть опубликован на 08.02.2022

24,09
Don Julian and the Larks - Super Slick

Don JulianandThe Larks

Super Slick

12inchRLGM13411PMI
REAL GONE MUSIC
04.02.2022

One of the holy grails of ‘70s soul-funk collectors
finally gets a proper reissue (and yes, original copies
of this 1974 release on the Money label will cost you
a lot of, er, money)! Don Julian was a Los Angelesbased doo wopper who got his start leading The
Meadowlarks, who recorded a number of sides for
Dootone Records. The Meadowlarks then became
The Larks, who, like so many other R&B groups of
their era, achieved one hit wonder immortality with
a dance craze song, 1964’s “The Jerk.” They spent
the rest of the ’60s trying to recapture that magic
with tracks like “Soul Jerk” and “The Penguin”
(on Jerk Records, natch) before resurfacing with
a couple of longplayers on the Money label. But
this is where things get a little murky. The group
also recorded a soundtrack for a long-rumored, never seen blaxploitation film called Shorty the
Pimp (supposedly Quentin Tarantino has the only copy). In 1998, Ace Records assembled tracks from
the Shorty the Pimp score on a CD release, but while seven of the ten tracks on Super Slick appear on
that collection, many of them differ markedly from their soundtrack incarnations. So, the how, when,
and where of this recording remain very much a mystery. But no matter; with its blend of Isaac Hayes,
Curtis Mayfield, “Papa Was a Rolling Stone”-era Temptations, and ‘70s sweet soul (e. g a cover of
David Gates & Bread’s “Make It with You”), Super Slick wears its influences very much on its sleeve
while transcending them with soaring, falsetto-filigreed harmonies, percolating bass, and note-perfect
arrangements. Trivia note: that’s Richard Berry of “Louie Louie” fame doing the deep-voiced spoken
word parts on “Super Slick” and “Shorty the Pimp.” We’re pressing this in blue vinyl to match the album
cover…this is a reissue that’s been a long time comin’!

Сделать предзаказ04.02.2022

он должен быть опубликован на 04.02.2022

34,66
CELESTE - Assassine(s)

Celeste

Assassine(s)

12inch4065629622312
Nuclear Blast
28.01.2022

CELESTE have been breaking the outer boundaries of heavy music for over fifteen years. When they first evolved from the Lyon hardcore punk scene, they were absolutely brutal and entirely unique, delivering extremity on their own terms that they pushed further and further with each successive album. “We just wanted to get darker and more violent,” says drummer Antoine Royer, until 2017’s Infidèle(s) saw the incorporation of a more melodic streak. Their most focussed record yet, it was tremendously received, critically adored, and backed with the band’s biggest shows to date.

Its follow-up was always going to be something radical. Even by their own inordinately high standards, however, new record Assassine(s) is one hell of a step forward. Even if this album still contains cyclonic walls of guitar, of battering rhythm, and passages of blissful, rushing release. it’s unlike anything the band have ever released; embracing a modern and forward-thinking production, they're just as complex but more direct, diverse and accessible than before. “Our leitmotif here was to open our minds,” says guitarist Sébastien Ducotté. “We made a real effort to think outside of our box.”

During lockdown CELESTE’s members were forced to each write individually. “We each went further into our personal, inner views of what the songs were,” says bassist and vocalist Johan Girardeau. When eventually they began sessions under producer Chris Edrich, it was gruelling. “We ended up exhausted, physically and mentally” says Johan. “There was no break in two weeks. We didn’t see the sun at all during that time. Every night we were so tired that we didn’t enjoy being together as much as we’re used to.” Nevertheless, in the same way the hardships of isolation led to richer and more complex songwriting, it’s that relentlessness that led to the record’s razor-sharp edges.

Above all else, CELESTE are innovators. Whether by pioneering French avant-garde metal when they formed at the turn of the millennium, by making their boldest leaps despite being seven albums deep into their career, or using two years away from live shows to tightly finetune their stagecraft, they refuse at all costs to rest on their laurels. There can be consequences to this instinct – fans of the band’s older work might be thrown off by their constant shifts of pace – but they’re throwing caution to the wind. A bit of backlash “would be a good thing, because it would mean that we’ve really changed,” says Guillaume . “It's not disrespectful, it's just that we never made music to please people, but just to enjoy what we're doing.” In the end, CELESTE are a band so forward-thinking that they can only be judged on the strength of their latest work. And when it comes to a record as bold as Assassine(s), they’ve hit a whole new peak entirely.

Сделать предзаказ28.01.2022

он должен быть опубликован на 28.01.2022

29,79
Scott Lavene - Broke

Scott Lavene

Broke

12inchSLFMLP7
Nothing Fancy
28.01.2022

Scott Lavene is set to release ‘Broke’ on 7th June 2019, an album that is drenched in living in the gutter but staring at the stars.

Lavene has the lyrical smarts and the fairground bark of an Ian Dury, the incisive wordplay of a Costello and the deadpan pop of Madness in his creative DNA, along with the street poetry of an Essex boy version of Lou Reed, the dislocated funk of Talking Heads, the jellied eel lyrical bounce of Chas and Dave, and the inventive surreal see-saw of a Tom Waits, and many other nonconformists.

It’s an intoxicating brew that he makes his own in this collection of wonderful quirky songs that make up ‘Broke’.

These are songs that are full of detail and a life lived in scuffed shoes, rainy towns and the magic of the everyday. Songs about small talk, being skint, doomed affairs and the sweetness of falling in love over a cup of tea.

Creating unconventional backdrops for his street tales Scott builds up shapeshifting rhymes and looping grooves.

Сделать предзаказ28.01.2022

он должен быть опубликован на 28.01.2022

26,85
Elvis Costello - The Boy Named If

Elvis Costello

The Boy Named If

2x12inch0602438366842
EMI UK
14.01.2022

On January 14th, 2022, Elvis Costello and The Imposters release, ‘The Boy Named If,’ a new album of urgent, immediate songs with bright melodies, guitar solos that sting and a quick step to the rhythm. Costello tell us, ”The full title of this record is 'The Boy Named If (And Other Children’s Stories).’ ‘IF,’ is a nickname for your imaginary friend; your secret self, the one who knows everything you deny, the one you blame for the shattered crockery and the hearts you break, even your own." Produced by Sebastian Krys & Elvis Costello - the album is a collection of thirteen snapshots, “That take us from the last days of a bewildered boyhood to that mortifying moment when you are told to stop acting like a child - which for most men (and perhaps a few gals too) can be any time in the next fifty years," as Costello put it.

Сделать предзаказ14.01.2022

он должен быть опубликован на 14.01.2022

30,46
Enitokwa - Re-Promo 2x12"

A variety of ambient and experimental cuts to be found here. A re-release of sorts, all original tracks were done by Enitokwa (Takashi Hasegawa) as rehearsal for a live performance at Tokyo - Batofar Festival in Paris in 2001 and were released on a limited CDR "promo." in 2002. All 8 tracks were recorded and mixed live in one sitting, and have been remastered, given names and pressed on heavy vinyl with a beautiful cover design by Berlin artist Nik Patrick.

The sample sources were largely inspired by records that Takashi listened to in High School - and feature two hugely well known British hands (one of whom have just reformed and have a new album out…), some old Jazz, Bossa Nova and Hawaiian records, as well as samples from ambient legends Deep Forest and Brian Eno. The result is an earthly nostalgic feel with deep moods to match the times we are living in.

The first track ‘Pop’ bursts into life with an etherial presence. ‘Ssab’ and ‘Chinese Girl Goes to Hawaiii’ have a rather filmic quality to them, whilst ‘Resonating’ seems to float over the wreckage of human activity, a post apocalyptic vision of Planet Earth. ‘Liquid Sky’ is a minimal groove which could be a sonic report from an eerie space station, which is itself a remix of Dub Sonic aka Takehito Nakazeto’s ‘Donigma Dub’.

‘Hope on Hop’ will appeal to today’s generation with its Techno and D’n’B influences, and features voices taken from Wim Wender’s ‘Paris Texas’. Track 7, ‘Mingos’ turns Gal Costa’s voice into a soaring atmospheric haze of digital memory, and the track ‘Holy Spiral’ is a combination of this one and ‘Resonating’, an ascendent 12 minute march to the release’s final close.



Takashi Hasegawa is a respected DJ, producer and live performer who plays live electronic and DJ sets regularly today in venues and festivals across Japan. He has been producing house, techno, experimental and ambient music since the 90’s - spending some of that time in the United States, including working in the music scene in the New York, before returning to Japan working as a sound engineer, A&R and producer for the famous Tokyo-based record label Club Yellow. Now based in Osaka-Fukuoka, Takashi’s music is still resonating with fellow music lovers around the world.



Now, 20 years on from its creation, this music is rediscovered and given a wider audience. The sound on ’Re-Promo’ interestingly gives an insight into the music Enitokwa is currently working on - reflecting the cyclical nature of creative output - and represents a slight departure from the swirling delicate ambient textures that you can hear in o.n.s.a and on the intricate and more musical 2069, released in 2017 and 2016 respectively.



Each track has a video accompaniment to be released in various media outlets, the label head Tom Ransom having partnered with diverse artists in Colombia, Denmark, Japan, Poland, France, Britain and China to create a wide range of visual outputs.



The release also sees two digital only remixes, one coming from London and Wigan’s enigmatic Isherwood (Edward Regan), and the other from Mat Fink - a unique DJ and up and coming producer raised in Pittsburgh and Berlin. Watch out for these…



Machines used:



Yamaha SU700

Sequential Circuits Pro One

Roland TR909

Roland TR808,

TC Electric D-Two

MAM RS3

Pedals



Remastering and additional audio treatment by Kabamix (LMD) on Dec.4.2017.

Dedicated to Takehito Nakazato (SONIC PLATE)

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20,97

Последний логин: 2 г. назад
Os Brazoes - Os Brazoes

Os Brazoes

Os Brazoes

12inchMRBLP125OS
Mr Bongo
20.12.2021

Rare and highly sought after in its original format, Os Brazoes self-titled album was originally released on RGE Discos in 1969. It is a psychedelic masterpiece that fuses samba, r'n'b and rock 'n' roll influences using fuzz guitars, synths, percussion, lush vocals and effects.

Os Brazoes formed in Rio de Janeiro in the late 1960's. They backed Gal Costa during her Tropicalia period, yet apparently never recorded in the studio with her. Miguel de Deus, the bands front man, recorded the highly sought after 'Black Soul Brothers' LP in 1977, which became an important record in the 'Black Rio' movement. Mr Bongo released the title track from that LP, on the 'Brazilian Beats: Brooklyn' compilation in 2006 and recently as part of their Brazil 45's re-issue series.

'Os Brazoes' features covers of Gilberto Gil's 'Pega a Voga, Cabeludo' and Jorge Ben and Toquinho's 'Carolina, Carol Bela'


The Mr Bongo LP reissue is manufactured in Japan, presented in a super high quality card sleeve with replica original artwork. The CD is presented in a 4-page digi-pack.

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27,10

Последний логин: 4 г. назад
Mouth Congress - Waiting For Henry

Mouth Congress – friends Paul Bellini and Scott Thompson of Kids In The Hall fame - wrote and recorded hundreds of songs in the ‘80s with - out ever putting out a proper release. Alongside various cohorts and conspirators, the band drew on their experiences as gay men to craft hilariously crude punk songs that run the gamut of strange characters and taboo subject matter. Their rag tag approach to songwriting blended various styles from noisy punk to lo-fi new wave and DIY disco, all with a very gay bent. Without trying, they were surprisingly cutting edge.

Mouth Congress did dozens of live shows through the mid-80s that gained a reputation for being theatrical, combining props, sets, multiple costume changes, unusual song choices, guest stars, and Scott’s stand-up comedy. In 1988, they recorded a 7-song demo tape. The tracks were recorded quickly, as the Kids in the Hall were about to go to New York City to develop their material. Then, caught up in the excitement of the Kids in the Hall being signed to television, Mouth Congress activities slowed to a crawl.

In 2011, Paul dug out an old VHS tape of one of the live shows. The sight of one of the Kids in the Hall covered in sweat, writhing on stage like Iggy Pop, was something he felt comedy fans might enjoy seeing. Naturally, Scott agreed and they uploaded everything - over 600 recordings - onto Bandcamp. One day in 2019, Mike Sniper of Captured Tracks stumbled upon the Bandcamp page, got in touch, and suggested assembling a compilation of the best recordings to be officially released for the very first time.
Waiting for Henry is a collection of 29 tracks over 2 LPs with a booklet of interviews and ephemera from one of the ‘80s
last queercore bands.

Who is Henry? We don’t really know, but we certainly hope he shows up soon.

Сделать предзаказ10.12.2021

он должен быть опубликован на 10.12.2021

36,93
Tupperwear - Mokele Mbembe

Tupperwear

Mokele Mbembe

12inchKRXN003
Keroxen
08.12.2021

2021 repress of Tupperwear’s 2017’s sophomore album, Mokele Mbembe.

Rising from the ashes of legendary underground Tenerife outfit Colectivo Drone are Tupperwear - an organic electronic duo formed by Daniel García (Salétile) and Mladen Kurajica (Gaf) in 1999, Tenerife. Since then, and for the most of 20+ years they have been unleashing electronic waves of sound from the Atlantic island by way of intense live and a series of uncompromising and unclassifiable albums and EPs.

Taking cues from a wide spectrum of electronic music classics, mostly the more pastoral and frantic electronica of Aphex Twin et all circa the late 90’s, whilst at the same time adding their own mischievous and tongue in cheek approach to composition and performance, Tupperwear have for the last 20 years been responsible for some of the most intense live performances the island has seen whilst also taking their anything goes, improvisation first approach all over the world, tis includes virtually all of Europe (east or west), Japan, China, Peru, Colombia, Equador or Mexico, you name it!

In 2017 the local festival and label Keroxen published ‘Mokele Mbembe’, their 2nd LP of twisted electronica which is here repressed to a wider public after the success of their collaboration with São Paulo Underground and Chicago legend Rob Mazurek. (Saturno Mágico, 2021, Keroxen).

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15,42

Последний логин: 4 г. назад
Ash Ra Tempel - Schwingungen 50th Anniversary Edit

50th Anniversary Re-Edition - Includes Original Releasesheet Inlay - Original Release: 1972 - 2021 Re-Cut carefully overseen by Manuel Göttsching

We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself. As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book, Publisher : Head Heritage (1 Oct. 1995) : “Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I’ve written before, PIL sounds like this. John L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off.

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21,30

Последний логин: 4 г. назад
Costa Blanca - Viaje a Prantia (1977)

You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough.

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24,33

Последний логин: 4 г. назад
Donnacha Costello - Together Is The New Alone  (2021 Remaster) 2x12"

For its 20th anniversary, Keplar presents an absolute milestone in the history of IDM and ambient music for the first time in its definite form: »Together Is the New Alone« by Donnacha Costello was originally released on Mille Plateaux in 2001 as the second LP under the Irish producer’s given name and firmly established him as one of the leading artists in the field of forward-thinking electronic music after he had primarily made a name for himself with house and techno releases under the Jayrod moniker. This vinyl reissue with an entirely new artwork comprises all ten tracks originally only included on the CD version in their edited and final form in which they were last presented on the digital re-release under the name »Together,« remastered by Stephan Mathieu and self-published by Costello, in 2015.

Truly prescient artists rarely opt for introspective sounds, however that was the case when Costello set out to produce »Together Is the New Alone« during nightly session in his hometown Dublin between April and July in 2001, and it also explains the album’s enduring appeal and unwavering radiance twenty years on. While many of his contemporaries dedicated themselves to explore the musical zeitgeist and notions of the future in conceptual terms, Costello made them emotionally tangible, allowing his audience to feel their underlying ambiguity rather than just reflect on it. »Together Is the New Alone« is an album that wordlessly speaks of the paradoxical sense of social alienation and isolation expressed by its title and thus seems even more topical today than it did at the time of its release.

Working with elements from techno culture, glitch aesthetics, intricate IDM rhythms and lush ambient textures, Costello never once throughout the album adheres to tried and tested formulas and conventions, but holistically moulds complex compositions out of distinct and discrete parts. The result is a record that is at once easily accessible and deeply affecting, but also infinitely rich and stunningly sophisticated in musical terms. A personal record expressing a universal sentiment—a truly timeless statement that will reverberate for decades to come.

(Kristoffer Cornils)

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26,68

Последний логин: 4 г. назад
Kramer - Words & Music, Book One

Kramer

Words & Music, Book One

12inchSHIMMY2002LPC1
SHIMMY DISC
26.11.2021

Spoken word recordings from Gregory Corso, Tina May Hall, Sam Lipsyte, Christine Schutt, Gary Lutz, Allen Ginsberg, Dawn Raffel, Jason Schwartz, Kathryn Scanlan, Scott McClanahan, & Terry Southern. About 40 years ago, in a record shop on Long Island during a weekend visit there to see my parents, i found a double-LP that looked like something i should definitely buy. It was called "BIG EGO", by the The DIAL-a-POEM POETS. On the cover was a picture of John Giorno (a great poet Ed Sanders had turned me on to) on a NYC rooftop with Philip Glass, Meredith Monk, and two kids. It cost $2. I bought it and rushed back to my parents house, where i still had my old turntable in the basement, not far from my Jimi Hendrix and Zappa Crappa posters, and my framed portrait of John Cage. My copy of Eno's "Discreet Music" was still on the turntable, having been left there years before, when i'd fled Long Island for good. I lifted it from the platter, gently slid it back into its sleeve, like a priceless religious artifact, and put Side A of the Dial-a-Poem LP on. I almost lost my mind while listening to it. The next day i went back to the same record shop looking for more DIAL-A-POEM LP's. i found two. One had a long list of names on the back, some famous, and some i'd never heard of before. I bought both LP's, and an hour later, for the first time in my life, i was exposed to the art of Laurie Anderson, whom i'd never heard of before. This was 1978. Her contribution was a piece called "Time To Go". It changed my life. Or at least, that’s how I remember it. I was just a kid, so there were a lot of moments like that, around then. Nowadays, these moments can be had in seconds, with a click of the cursor. That evening, as i sat alone by my imaginary campfire (ie; that record player in my parents basement), i promised myself that someday, somehow, i would embark upon a WORDS & MUSIC project that might move people the same way i was moved when i first heard Laurie, and Robert Wilson & Christopher Knowles, and Burroughs, and Ginsberg, and Corso, and Anne Waldman, and John Ashbery, and the great Charles Olson, and so many others. Words, for the very first time, had wielded the same power as music. And it was visceral. Just like music. It ran deep. It was a FEELING. John Giorno died in 2019, but he kept poetry alive like nobody's business. I was lucky enough to have spent some time with him in the early 1980's, when i was briefly a member of The Fugs, and often found myself surrounded by those Ginsberg called, "...the greatest minds of my generation". Ed Sanders (who'd ushered me into that scene) once told me that when he came to NYC, it was easy to go to a cafe, or to St Marks Church, and hear Burroughs, Corso, Ginsberg, and all the greats, reading their poetry. He said that even if you were just a bum on the street, you could just walk right up to them, and start a conversation. They were totally accessible, if they were in the right mood at that particular moment. So i was shocked when Sanders told me he didn't approach any of them, not even once, til he'd been going to their readings for nearly ten years. "For almost a decade, I went to every reading, every lecture, every panel discussion. But I never went near them. Never approached them. Not even once", Sanders told me. "For ten years, all I did, was listen." It took me four decades, but ... better late than never. I finally made WORDS & MUSIC, Book One.

Сделать предзаказ26.11.2021

он должен быть опубликован на 26.11.2021

27,44
FREEEZ - STAY (PINKY 2)

Far Out Recordings presents a double bill of two monumental Brit funk classics. Keep In Touch and Stay were the first two 12” singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rhythm imprint.

It all started over the counter at Derek’s Records on Petticoat Lane, London in the mid-70s. Rocca - at the time a budding teenage percussionist - met the prolific guitarist, composer, producer and all round brit funk fixer Jean-Paul “Bluey” Maunick (also the father of Far Out producer Daniel Maunick). Best known as the founding member of Light of the World, Incognito, and more recently Str4ta, Bluey’s involvement in the origins of Freeez are lesser known, but no less crucial. Bluey invited Rocca to a weekly jam session in an East London basement, where they would develop their craft, form their first band Freeez and develop the idea for ‘Keep In Touch’: “Back in the basement there was this one particular track we were playing that I really loved. It had a groove that I thought I could sell” Rocca reminisces.

Going against the advice of all the musicians involved, who thought he was mad and set to lose all his money, John decided to go full DIY, hire out a high end studio in the West End to record ‘Keep In Touch’ and release it as a private press, birthing his now famed Pink Rhythm label. Featuring Bluey on guitar, Peter Maas on bass, Paul Morgan on drums, Jason Wright on keyboards, and John Rocca on percussion, Keep In Touch was a surprise underground hit selling over 5000 copies and reaching #49 in the UK, leading Freeez into a record deal with Pye / Calibre.

Still giddy from the experience of having produced and pressed his first record at the age of just 19, John set out to do it all again with ‘Stay’ and ‘Hot Footing It’, enlisting Bluey & co once again. This time Rocca attempted to take things to the next level by adding vocals into the mix. Though this new arrangement initially backfired and cost John the deal with Pye / Calibre who weren’t feeling the slight change of vibe, original copies of the Stay 12” have become one of the most in demand from the brit funk canon.

These foundational DIY 12” singles paved the way for Freeez to become a household name in the history of British funk who went on to record hits like ‘Southern Freeze’ and ‘IOU’ as well as underground cult classics like ‘Melodies of Love’ and ‘India’ as Pink Rhythm, John Rocca’s later formation of Freeez named after his imprint.

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14,75

Последний логин: 3 г. назад
The Chills - Scatterbrain

The Chills

Scatterbrain

12inchFIRELP581B
Fire Records
19.11.2021

For the first time a Black vinyl pressing of the sold out LP of the latest Chills album. Latest studio album from the Dunedin (NZ) songsmiths helmed by the enigmatic Martin Phillipps with artwork by Trees’ David Costa. Dunedin’s finest, The Chills release their seventh studio album ‘Scatterbrain’, a glorious self-examination of Martin Phillipps’ songwriting hot (ish) on the heels of the hugely successful ‘Snowbound’ (2018) and the critically-acclaimed movie ‘The Chills: The Triumph And Tragedy Of Martin Phillipps’ a year later. “It’s about artistic integrity, self-realisation, self-acceptance and a reflection on mortality.” The Guardian…. Now in 2021, Phillipps is now taking stock of things – everything. Yes, everything. The result is this triumphant new Chills’ album ‘Scatterbrain’, a thought-provoking and evocative take from a man who has lived through good times and bad. A mature and honest reflection on life, destiny and the fate of our times delivered in beautiful melodies with Phillipps’ trademarked incisive turn of phrase. Viewed from the perspective of a man understanding his age and indeed his own mortality, the new album takes a mature look at matters arising with a side order of perspective. ‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills. A landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends…“This is what a living legend looks and sounds like” Rolling Stone // “An architect of New Zealand’s fabled Dunedin sound” Pitchfork

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25,17
Special Costello - Life Matter Love Thought

If one always looks at the sky, he will end up with wings, a wise French man once declared. Halifax, Nova Scotia based musician Jeremy Costello had wings, long before he looked up. Wings of imagination. Brandishing in his head, transforming deep-rooted emotions into poetry and sound. Since 2012 the Canadian self-releases music as Special Costello, a moniker under which he records solo or with local friends like Saxophone player Nick Dourado or guitarist Dave Burns. His lyrics are sincerely woven poetic enunciations that balance between introspective emotions and existential philosophical demands. Lyrics from a spirit that is in love without an object, unconditional, mirroring his very own subconscious inner being. The music reflects his tempers in many colours. Glimpses of Synth-Pop, psychedelic rock nuances, traces of new romantic utopia, infantile Casio minimalism, Shoegaze haze, drama wave: Special Costello blends many styles, uniting all in his very own musing grandeur of pop music.

After an array of digital releases, Berlin based label Marmo Music now publishes the Special Costello touch for the first time physically fabricated on vinyl. Seven songs featuring the longing voice of Jeremy Costello, sometimes in correlation with spoken words and dialogues by noted artists, poets, and scientists. All creations have been recorded by himself between Spring 2017 and winter 2020, using the extrasomatic help of instruments and machines like Farfisa Combo Compact transistor organ, Roland JX3P polyphonic analog synthesizer, Roland D50 linear synthesizer, Roland Rhythm Composer TR-08, Arturia Microbrute monophonic analog synthesizer or a Gibson Thunderbird IV bass guitar. In communication with his sensitive inner blues, they created an atmospheric voyage into the heart of Special Costello, that fulfils Arthur Russel’s sapient declaration: being sad is not a crime! Seven musical paintings full of intimate, vibrant feelings and existential thoughts, veiled in an antidepressant neo new romantic glam. An epic tune like “The Next Day”, in which Costello’s singing links with thought-provoking spoken word samples, sounds like Robert Ashley is meeting Hans-Joachim Roedelius in a psychic séance with Brian Ferry. In comparison, a song like “If Not Depression, Then What?” grooves with a pulsating wave bass figure and an overall gently floating electronic majesty, while Costello’s voice takes deep listeners to an unknown higher ground. On the other hand, a composition like “Unsetting” offers a nonchalant graceful funk drift with reverberant hand claps, minimal guitar strains and a chromatic synth pop grace. Above all the music Costello’s voice cries, screams, whispers, and weeps with a compelling introspective elegancy, that invites to associate intensely with the nonpareil Special Costello touch.

Written, composed, and recorded by Jeremy Costello between 2016 to 2020 in Halifax, Scotch Village and Toronto (Canada).

Instruments used by the artist: Farfisa Combo Compact transistor organ, Roland JX3P Programmable Preset Polyphonic Synthesizer, Roland D50 linear synthesizer, Yamaha DX7 Frequency Modulation/Programmable Algorithm Synthesizer and TX7 FM Expander, Roland Computer Controlled Rhythm Composer TR-08, Arturia Microbrute Analog Synthesizer, Gibson Thunderbird IV bass guitar, MicroKorg Synthesizer/Vocoder, Electro Harmonix Small Stone Phaser, Memory Boy Analog Delay, Alesis Quadraverb, and finally, their voice was recorded using Shure Beta57A and AKG D 330 BT dynamic microphones.

Сделать предзаказ29.10.2021

он должен быть опубликован на 29.10.2021

19,29
TORN SAIL - Disconnected/Gain On Gains (feat Shrinkwrap remixes)

A new label from Kinfolk records founder - and a 14 of a Soft Rock - Christopher Galloway is upon us.

This first release sees the beautiful sounds of Torn Sail/Huw Costin revamped by the mighty production force that is Mark Rayner and Matt Horobin, aka Shrinkwrap.

Shrinkwrap are a production team that have been in the wilderness for a number of years but are much lauded by The Idjut Boys - amongst others - which has seen them release on Discfunction and U-Star.

Being close friends with Huw Costin, they decided to get together and re-work the track Gain On Gains that featured on Torn Sail's 2017 long player, This Short Sweet Life.

These two re-works see Shrinkwrap take the original into an extended/after-hours bliss out of epic proportions and an ambient dub.

Added to the package is an unreleased on vinyl mix of Costin's Disconnected cut from 2015. This is a more folk-infused affair that once again ventures into epic territory thanks to the production skills of Rayner and Horobin.

A lovely EP to kick off this new label.

Watch this space...

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9,37

Последний логин: 4 г. назад
Costin Miereanu - Luna Cinese

Costin Miereanu

Luna Cinese

12inchDIALP911
Dialogo
22.10.2021

At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint's seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can't be missed!

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33,99
AQUILO - A SAFE PLACE TO BE

Aquilo

A SAFE PLACE TO BE

CassetteAQU006C
AQUILO
15.10.2021

The duo from North of England (Silverdale) is finally back with their 3rd studio album ‘A Safe Place To Be’. ‘A Safe Place To Be’ comes as the most personal and up-close album from the band.

It’s an album the two of them have been working on, on and off for 2 years, and they and it has been through so much in that time.
The creative aspect of this album (shown in the artwork, videos, and physical formats) is a huge part of this album. The detailed model village where everything was captured, is based on the band’s memories old and new. It’s set in the village (Silverdale) where they both grew up and each song holds a special place in that model village for the two of them. It itself is the band’s ‘Safe Place To Be’, their memories, their hometown, and the songs of this album all in one place. It’s a journey they’d like to take their fans and listeners onto and hopefully, they can find or return to their own ‘safe place to be’.

Сделать предзаказ15.10.2021

он должен быть опубликован на 15.10.2021

7,69
Cahill//Costello - Offworld

Cahill//Costello

Offworld

12inchGB1568
Gearbox Records
01.10.2021

Cahill//Costello's Offworld is the debut collaborative album between two Scottish artists, drummer Graham Costello and classical guitarist Kevin Cahill. Recorded at a studio in Sanna, Scotland, the most Westerly point of mainland Britain, the music sees the pair exploring ambient soundscapes through drone-like, atmospheric guitar and drum counterpoint, with added tape loop effects.
“CONTEMPLATIVE DUBSPACE, AMBIENT AND POST-ROCK SHIMMER THAT STEPS GLORIOUSLY OUT OF TIME” – Backseat Mafia

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он должен быть опубликован на 01.10.2021

23,40
Madness - The Madness

Madness

The Madness

12inch4050538618815
BMG Rights Management
29.09.2021

The Madness, originally released in May 1988, is the only album recorded by Suggs, Chas Smash, Chrissy Boy and Lee Thompson of Madness. Calling themselves “The Madness”, the group explored a new direction without Mike Barson, Woody and Mark Bedford. The result was an album bathed in all the new technology the late 1980s had to offer, and features some of this incarnation of Madness’ most experimental work.

Lead vocals were shared between Suggs and Chas Smash, while all members of the group contributed music and lyrics. The album also features a host of other musicians including Steve Nieve (Elvis Costello & The Attractions) on keyboards and The Specials’ Jerry Dammers on piano.

Although short-lived, this version of Madness marked a significant detour from the original band’s trajectory and preceded one of the most extraordinary music comebacks ever witnessed, when the whole band reformed in 1992 for two sold-out “Madstock” shows in London’s Finsbury Park. The fans’ excitement led to a legendary mini-earthquake, and ‘Madstock’ would prove that no members of Madness ever truly leave the band.

This LP reissue is pressed on 180g black vinyl and features brand new liner notes by Chrissy Boy, Chas Smash and Lee Thompson.

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он должен быть опубликован на 29.09.2021

23,91
Cliff Nobles & Russell Evans & The Nite Hawks - My Love Is Getting Stronger / The Bold

With their latest release, "Matasuna Records" brings together two songs from 1966 that were originally released on "J-V/Atlantic Records" & "ATCO Records". Now officially reissued for the first time on 7inch vinyl. Aside from the same release year, the two songs - a Northern Soul joint by "Cliff Nobles" and a Mod Jazz tune by "Russell Evans & The Nite Hawks" - seem to have little in common. However, both are delicacies for any dance floor and combine an irrepressible energy. The two songs thus fit perfectly together on this hot & fiery 45!

"My Love Is Getting Stronger" by "Cliff Nobles" on the A-side is not only a super rare soul gem whose original single cost at least $700 dollars. The song can also be considered one of the best (Northern) soul tunes. A grooving bass, infectious drums & bongos meet great orchestrated horns driven by Nobles' raw yet sweet voice. A smokin' soul cut for any dance floor.

The instrumental "The Bold" by "Russell Evans & The Nite Hawks" on the B-side brings out the same irrepressible energy. The deep bassline, drumbreaks and funky guitar riffs introduce this terrific song. A deep organ joins in perfect interplay and enchants the listener. A great groover that shouldn't leave any record box!

"Cliff Nobles", born in 1944 in "Groove Hill" (Alabama) got into singing in his high school choir in "Mobile" (Alabama). He also became the lead singer of a popular local group called "The Delroys". After school, he moved to Philadelphia to work on his career. He recorded 3 songs for "Atlantic Records", which went unnoticed. He later formed the band "Cliff Nobles & Co" in "Norristown" with "Benny Williams" (bass), "Bobby Tucker" (lead guitar) and "Tommy Soul" (drums).

Through demo tapes, Nobles came to the attention of producer "Jesse James", who began to write songs for the band and helped them get a contract with "Phil L.A. Of Soul" Records. The first release bombed, but the second single, "Love Is All Right/The Horse", brought success. Ironically, the instrumental B-side "The Horse," which Nobles didn't even perform on, became a huge hit. It reached #2 on the charts, sold over 1 million copies and was awarded a gold record by the R.I.A.A..

However, subsequent releases failed to match his success, and he retired from the music business in the early 1970s. Nobles died in October 2008 at the age of 67 in "Norristown", Pennsylvania.

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12,23

Последний логин: 4 г. назад
Elvis Costello & The Attractions - This Year's Model (2021 Remaster)

Elvis Costello’s “This Year’s Model” will be reinterpreted all in Spanish with 19 of today’s top Latin artists (Luis Fonsi, Sebastian Yatra, Juanes, and many more) representing a total of 9 countries. The lyrics have been precisely translated to have the featured Latin artists sing to the original multis. We are working closely with our Universal Latin label partners for artist participation and overall support on this release.

Сделать предзаказ10.09.2021

он должен быть опубликован на 10.09.2021

27,44
Elvis Costello & The Attractions - Spanish Model

Spanish Model tells the story of what happens to a seminal album (This Year’s Model) recorded 42 years ago when it is reinterpreted with new voices in another language. This is a story of transformation, adaptation, reflection; a mash-up of language, geography, culture, and passion. How past/present and time/ space can partner with music/talent to reimagine a completely new work – Spanish Model.

Сделать предзаказ10.09.2021

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30,13
Don Tiki - Hot Like Lava

Don Tiki

Hot Like Lava

12inchAGS-064
Aloha Got Soul
08.09.2021

Don Tiki, the leaders of exotica's turn-of-the-21st-century revival, bring their soundtrack for a Technicolor Polynesian pop paradise to Aloha Got Soul in 2021.

Each LP includes a pair of custom Don Tiki 3D glasses.

Don Tiki debuted from Honolulu in 1997 with the album, 'The Forbidden Sounds of Don Tiki', featuring the legendary Martin Denny in what would become one of his final recordings before his passing. The group, led by Fluid Floyd (Lloyd Kandell) and Perry Coma (Kit Ebersbach), draws inspiration from the original masters of the exotica sound, Denny, Arthur Lyman and Les Baxter, to bring such evocative music into the 21st century.

Following 'The Forbidden Sound', Don Tiki's recordings further deepened the group's reverence for and exploration of the poly-rhythmic, mid-century sounds pioneered by Denny, Baxter, and Lyman. Those albums, originally available on compact disc, include 'Skinny Dip with Don Tiki' (2001), 'South of the Boudoir' (2009), 'Don Tiki's Hot Lava Holiday Songs' (2012), and a remix album entitled 'Adulterated' (2004).

'Hot Like Lava' collects the group's top instrumentals for an exhilarating, paradisiacal ride through the world of tiki subculture on lava-colored vinyl.

About Don Tiki:

"Tiki supergroup Don Tiki knows the world, the subculture of tiki…it really doesn’t get much better than this!” ~ Anthony Bourdain, No Reservations

"Don Tiki is providing the soundtrack for this Technicolor projection of a Polynesian pop paradise." ~ Sven Kirsten/The Book of Tiki

"A great band from Hawaii, friends of ours...keeping the spirit of Martin Denny alive." ~ Jimmy Buffett

Don Tiki is:

Kit Ebersbach – keyboards, bandleader

Lloyd Kandell – producer, congenial host
Lopaka Colon - congas, bongo, bird calls
Hai Jung - bass, vocals
Sherry Shaoling – vocals, dancer
Abe Lagrimas, Jr. – vibraphone, percussion
Ryoko Oka - keyboards
Bonny B. - drums
Tim Mayer – reeds
Violetta Beretta – dancer, costumer, vocals

Сделать предзаказ08.09.2021

он должен быть опубликован на 08.09.2021

23,49
Various - Summer Selections Three

Over the last few years, NuNorthern Soul has established a number of traditions, most notably annual releases that provide a snapshot of the label’s output while also considering their suitability for certain seasons. Perhaps the most popular is founder Phil Cooper’s Summer Selections series, which each year showcases warm and sunny gems mined from a range of forthcoming releases.

The 2021 edition of the sampler, the third in total, may well be the best yet. Six tracks deep and as subtly varied as you’d expect, the entertaining set features tracks from a mixture of exciting newcomers, experienced producers and long-time members of the NuNorthern Soul family.

To kick things off, Cooper introduces us to Marshall Watson, an American producer who later in the year will release two five-track EPs on the label. ‘A Door To The Sky’, which will feature on the Sunsets On Larkin Part 1 EP, is sumptuously sun-kissed, with delay-laden electric guitar textures and sparkling electronics reclining over a tactile electronic groove.

LOVA’s ‘Echoes of Memories’, the track that follows, recalls the atmospheric, synthesizer-sporting new age Balearica popularised by Quiet Force in the late 1980s. The Italian producer was signed after bringing a USB stick of productions to one of Phil Cooper’s gigs in Ibiza; his Gypsophilia EP will be one to check when it drops later in the year.

Gusk’s ‘Sketch #4 - Anafi Nights’ is seductive and exotic. It’s a crackling and atmospheric musical painting that daubs starry stabs and yearning melodies atop a bubbly, lo-fi drum machine beat. It provides a perfect snapshot of the Greek musician’s Mediterranean Sketches EP, which gathers together home recordings made between 1997 and 2003.

Arguably even more immersive and enveloping is ‘Aqua Blancas Sunrise’ by Tambores En Benirras, the musical project of Cumbrian selector DJ Gripper. A slow-burning delight full of intricate musical flourishes –think drifting female vocalizations, Indian-influenced percussion, twinkling pianos and haunting clarinet motifs the track is one of the many highlights on the Barrow in Furness based producer’s forthcoming debut album for NuNorthern Soul.

To round things off, Cooper has chosen to offer-up cuts from two very experienced artists. George Solar (real name Georg Boskamp) is an Ibiza-based German producer who has been collaborating and releasing music since the late 1980s. ‘Infrared’, his contribution to Summer Selections 3, is a languid and glassy-eyed slab of slow-motion Balearic dub. His Los Ra-yos Del Sol EP will be one to look out for later in the year and is his debut solo release.

The sampler’s final missive fittingly comes from long-time friend of the family B.J Smith, a regular contributor to NuNorthern Soul releases who has reunited with Huw Costin – a vocalist he previously worked with on Smith & Mudd releases for Claremont 56 for a double A side single due later in 2021. ‘Sun When You Come’ is as warming and hazy as you’d expect and features Costin’s emotive, reverb-laden vocals and mazy electric piano solos rising above a suitably horizontal groove. It provides a stunning, sunset-ready conclusion to another superb set of Summer Selections.

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13,40

Последний логин: 4 г. назад
SPICE - GO DOWN DEH

Spice

GO DOWN DEH

12inchVPD6705
VP Records
27.08.2021

#1 debuts for the digital single in US, Germany, Israel and France +7 million
streams on the video in the first three weeks of release Massive buzz on social
media including +5,000 creations on Tiktok, top trending on YouTube and Instagram Shazam chart activity in San Francisco, Costa Rica, Netherlands, Romania
Instrumental version exclusive to vinyl 12-inch release
The single is setting up the debut album from Spice “Ten” coming this summer!

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14,83

Последний логин: 4 г. назад
Todh Teri - Deep In India Vol.9

The man with the funky plan is back! Known for his groovy disco edits, Todh Teri is back with Deep In India Vol. 9. This all new record features another fellow sampler and old time record digger - Kone Kone.

The album starts off with Sampadan 30 where Kone Kone works his magic to bring out delicious crossover disco beats that characterise the charming 80s flowing into the alluring 90s of the Indian cinescape, with the old school glam of electric guitars and synths. This thumping track is followed by Sampadan 31 which is reminiscent of Chicago house but with Todh Teri’s classic Indian touch. Next up is Sampadan 32, with a simple yet funky bassline and juicy vocals that make you travel back in time to a golden era, making it quite an enticing vibe. Find solace with Sampadan 33, the final track on the record, a quintessential dub version of another classic that will make your head bob and drift you off to a safe & happy place.All in all, this record is wholesome as it has something for each and every listener with a brilliant illustration by Costanza Chandra in collaboration with Masala
Movement

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8,61

Последний логин: 3 г. назад
Ricardo Bomba - Eu Sei/ Flutuando

Far Out Recordings proudly presents two previously unreleased tracks of glorious Brazilian sunshine music. Written and recorded in 1978 by pianist, composer, sound engineer, studio owner and former amateur skateboarding champion Ricardo Bomba, ‘Eu Sei’ and ‘Flutuando’ were almost doomed to total obscurity when the master tapes were binned following a ruthless studio clear out. Luckily Bomba kept a cassette tape copy from which Far Out has remastered the release for 7” vinyl/ digital.

Throughout a varied career, which included a four year stint as bandleader of Jorge Ben’s live show (78-82), Ricardo Bomba had a string of idiosyncratic, underground pop hits throughout the 80s, including ‘Você Vai Se Lembrar’ which recently featured on Soundway’s Onda De Amor (Synthesized Brazilian Hits That Never Were 1984-94) compilation, as well as his then award-winning, now obscure solo album Ultralight (1988).

With the stunning vocals of Mariana Couto (the first wife of Chicago percussionist Laudir de Oliveira), legendary drummer Peninha who has recorded with the likes of Jorge Ben, Quarteto Em Cy, Lincoln Olivetti, Tony Bizarro and Gal Costa, and Brazilian guitarist Blimba Buarque, “Eu Sei” and “Flutuando” truly are lost gems of the late ‘70s Rio de Janeiro MPB scene.

*Disclaimer! This release was mastered from cassette tape, so the sound quality may differ from other releases on Far Out Recordings. We advise listening to sound clips before buying where possible... The music was simply too good to not release!

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12,56

Последний логин: 4 г. назад
TAPHARI - BLIND OBEDIENCE

Taphari

BLIND OBEDIENCE

12inchBRLPC135
Bayonet
23.07.2021

Hailing from Brownsville, Brooklyn Taphari got his start in the underground queer clubscenes of Bushwick. His live performances are explosive dance parties and an aggressivecall to action. Truly charismatic on stage, music is Taphari's most efficient means ofcommunication. He writes of his struggles as a young loner from the hood seeking asylum inlaughter, queer expression, hip-hop, and the internet. On 'Blind obedience' we find Taphari on a journey of self-actualization, transcending suffering through the power of self-love and authentic musical expression. this hard-hitting,confident debut centers the skilled rapper's syllable hopscotchover mutating beats. staying in a lane he's forged himself, therap alien's rage is explosive out the gate. on lead single "Table42" featuring seasoned rapper pink siifu, taphari sings of lostlove and the end of the world over drum 'N Bass beats. "Backsoon" featuring label mate Benét is a generous breath from thiskinetic collection of bangers.

Сделать предзаказ23.07.2021

он должен быть опубликован на 23.07.2021

19,87
Muse - Origin of Symmetry (XX Anniversary RemiXX)

Muse celebrate the twentieth anniversary of ‘Origin Of Symmetry’ by releasing ‘Origin Of Symmetry: XX Anniversary RemiXX’ on Warner Records. The new edition features remixed and remastered audio plus re-imagined artwork and will be released on digital formats on June 18th before two vinyl packages follow on July 9th.



As the album’s anniversary approached, Muse asked the Grammy-winning producer Rich Costey, who has produced or mixed material on almost every subsequent record, to revisit the original recordings. Whereas most remix albums aim to radically rework the material, or to switch to an entirely different genre, the band and Costey wanted to provide a renewed clarity with a more open, dynamic and less crushed sound. This highlights parts and ideas previously buried or muted on the original mixes, like a harpsichord on ‘Micro Cuts’ and Abbey Road recorded strings on ‘Citizen Erased’, ‘Megalomania’ and ’Space Dementia’.



And that’s precisely what has been achieved. From the visceral opening riff of ‘New Born’ to the cinematic melancholy of the closing ‘Megalomania’ via the staggering scope of fan favourite ‘Citizen Erased’, the remix unveils every facet of the album’s intricate production alongside a new-found warmth. It further benefits from mastering courtesy of Alex Wharton at Abbey Road Studios.



Matt Bellamy said:



"In revisiting the album what we found was the original mixes on the singles, like ‘Plug In Baby’ and ‘Bliss’, were pretty good so they were the hardest ones to improve. It was the deeper album tracks like ‘Micro Cuts’ where we were able to make massive breakthroughs."



The ‘XX Anniversary RemiXX’ also adds ‘Futurism’ to the tracklist. Originally a bonus track on the album’s Japanese edition and subsequently tagged to the end of the album on streaming services, ‘Futurism’ now adds a burst of energy to bridge the gap between ‘Feeling Good’ and ‘Megalomania’. This reflects its placing on the 2019 box set ‘Origin of Muse’.



‘Origin of Symmetry: XX Anniversary RemiXX’ is completed with a modernised reimagination of the album’s cover art courtesy of Sujin Kim. The visual artist has created a hyper-realistic 3D rendering of William Eager’s original cover image.



‘Origin of Symmetry: XX Anniversary RemiXX’ is now available to pre-order, with ‘Citizen Erased’ provided as an instant download. A limited edition exclusive 140 gram coloured double-vinyl set is available from the band’s official store. A striking package and a must-have item for collectors, it features LP1 on translucent sun yellow vinyl and LP2 on translucent orange vinyl. It will also be released on double black vinyl and digital formats. Both versions of the vinyl feature an unorthodox detail: the sides are marked M, U, S and E rather than the standard format

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28,53

Последний логин: 4 г. назад
Rodrigo Amarante - Drama

Rodrigo Amarante

Drama

12inchPRC422LP
Polyvinyl
16.07.2021

You may know Rodrigo Amarante already. You may have heard "Tuyo," his theme tune to the Netflix drama Narcos, or the Little Joy album, recorded with Fab Moretti and Binki Shapiro, you might have noted his name among the credits on songs by Gal Costa, Norah Jones and Gilberto Gil; or perhaps you saw him play live with Brazilian samba big band Orquestra Imperial, or with Rio rockers Los Hermanos; you really should have heard his debut album, Cavalo, released in 2014. You may think you know Rodrigo Amarante already, but Drama, his second solo album, is going to introduce a whole new level of confusion to the mix.

Drama is purposefully caricatural, cinematic; "As biased as memory". It flows as an arch, playfully deceiving, like a tale. The ominous opening number gives you a hint that things might not be what they appear, and clues are hiding in plain sight. "Projection,

attachment, deception: that is Drama." The sunny upbeat start of "Maré", with a nearly childish opening melody, echoes something less naïf: "The tide will fetch what the ebb brings". The beat helps you move past. "Tango" sounds like falling in love on the dance floor, warm and tropical, it celebrates companionship, while perhaps pleading for it, yearning. "Tara," meanwhile, feels like something Astrud Gilberto might have sung at the height of bossa nova’s global popularity, with the twist of the big-band-era muted horns on the chorus, nearly self-deprecating, as if mocking such idealized infatuation.

Drama closes with the piano on "The End." To live is to fall. After all the emotional upheavals the singer has put his cast through, is this some kind of farewell to this mortal coil? "Everything Furthers." says Amarante. "Whispering, you get louder like that, people respond better to an invitation," and adds: "Staring at the absurd while remaining kind, being open to the gifts of confusion; that's why we create these tools that are stories and songs, to help us see each other."

Сделать предзаказ16.07.2021

он должен быть опубликован на 16.07.2021

26,85
SANDRO MUSSIDA - Decay Music n. 3: Rueben

Riding the razor’s edge between rigorous experimentation, innovation, and tradition, London based, Italian composer, cellist, and electronic performer, Sandro Mussida, joins the Die Schachtel family with Rueben, his 3rd solo LP.

Active since the early 2000s, Sandro Mussida worked extensively with Mark Fell, Curl Collective, Lorenzo Senni, Oren Ambarchi, and Alessandra Novaga, among others, as well as a founding member of the interdisciplinary artists' group TQS Collective, before releasing his solo debut, Ventuno Costellazioni Invisibili, on Metrica in 2017, followed by Eeeooosss, released by Soave in 2019. Rueben, like its predecessor, deploys a microtonal vocabulary within a three-instrument sound palette and builds upon Mussida’s long-standing investigations of active listening, augmented by a developing practice that challenges aural perceptions of historical, non-equal-tempered tuning systems.

The 3rd instalment of Die Schachtel’s Decay Music series - launched to highlight inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music - Rueben was recorded during 2018 in the church of St.Giusto in Volterra, Italy. Deeply inspired by Italian Renaissance paintings encountered by Mussida during the work’s composition, and conceived at the intersection of acoustic and electronic aural fields, in careful response to the space itself, the sounds of electric guitar, bass clarinet and cello - treated as minuscule sound atoms, rapidly projected to form structures of evolving densities - harmoniously enter into dialogue, forming a multi-layered, contemplative sonic landscape, within the interwoven complexity of their own reflections.

Central to Mussida’s work is the role of the performer, the experience of sound in a given space, and the relation of those sounds to memory and observation. Across the length of Rueben, bound to the work’s inspiration in the visual realm, the interplay between the senses blurs, presenting the act of listening as a mirror for the experience and legacies of seeing. In Mussida’s hands, sound emerges as a trace or memory suspended in a non-linear conception of time, where imprint, movement, and event, as they relate to place and happening, are perceived by the ear, recalling the Russian theologian Pavel ​Florenskij​’s idea of ‘reverse time’, that likens temporal condition activated by experiences with art as similar to that of dreams.

Vast in scope and intricate detail, the 9 discrete compositions that form ​Rueben​ unfold in a series of interconnected, shimmering landscapes of tone and texture, each, through the interplay of their elements, configuring a radically dense rendering of minimalist, ambient music that challenge the perceived boundaries of those historical definitions. The identity of individual sound sources fades against their collective whole, sculpting an inward-looking aural image of the church of St.Giusto, that echoes the radiance of the paintings that lay at the heart of the album’s inspiration.

An inspired and radically forward-thinking realization of electro-acoustic music, Mussida pushes toward innumerable possible futures of experimental practice, imbued with ghosts and histories of the past. Rueben is issued Die Schachtel on vinyl in a one-time edition of 250 copies, pressed to 180g marble vinyl and housed in a pro-printed inner sleeve and jacket, featuring an original Sumi-e painting by Japanese artist and avant rock drummer Akihide Monna (Bo Ningen), contained in a silk-screen PVC sleeve.

Сделать предзаказ09.07.2021

он должен быть опубликован на 09.07.2021

25,00
Marnie Weber - Songs Hurt Me

Discos Transgénero re-issue the Marnie Weber classic first solo LP, “Songs Hurt Me” originally from 1989. This seminal record was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies, and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan, and a butterfly. Songs Hurt Me was originally co-produced by Phillip Drucker AKA Jackson Del Ray of Savage Republic and 17 Pygmies fame.

Marnie is a pioneer in art rock from the 80’s in Los Angeles. She emerged early in the music scene as the bass player in the Party Boys, a formative and important Los Angeles post-punk downtown art scene band. During this period, the Party Boys performed shows with The Minute Men, Savage Republic, The Red Hot Chili Peppers, Fourwaycross, The Blue Daisies, Perry Farrell’s first band Psi Com, Camper Van Beethoven, and many more. Bruce Licher of Independent Project Records, whom Marnie met in art school, released the first Party Boys record. After performing with the Party Boys, Marnie went on to become a noted solo performative art musician in her own right. She has released five solo records and numerous group album releases.

As a visual artist Marnie created the cover of Sonic Youth’s A Thousand Leaves album – interesting to note Marnie is the hamster girl on the cover. She also designed posters for Sonic Youth and did a co-release of her second album with Thurston Moore on his label Ecstatic Peace. Expanding from her musical roots, Marnie exhibits artwork, films, sculptures, collages, sound installations, and costumes internationally in museums and galleries. She has had two extensive survey exhibitions of her artwork ­– most recently at the Museum of Contemporary Art in Geneva.

Songs Hurt Me was remastered by Mark Wheaton at Catasonic Studios Los Angeles using the original tapes for an unprecedented restoration of this historic album. Discos Transgénero has thoughtfully designed and pressed the reissued LPs in Germany. This unique edition of Songs Hurt Me is a limited release of 400 copies distributed worldwide.

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23,49

Последний логин: 4 г. назад
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