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Or Kantor returns with his sophomore album Snake Island, a vivid and cinematic journey through imagined landscapes and lost love, for fans of Eden Ahbez and other seekers of sound and spirit.

Following the critical success of his 2024 debut Sarda Sarda, praised by BBC Radio 6 Music, FIP Radio, RRR Australia, WYEP, KCRW, and Songlines Magazine, Kantor continues to refine his distinctive sonic identity, grounded in instrumental storytelling.

With Snake Island, Kantor ventures deeper into what he calls Subterranean Music, an atmospheric fusion of Mediterranean ballads, desert blues, spiritual jazz, and psychedelic textures. Drawing inspiration from artists such as Gábor Szabó, Omar Khorshid, The Budos Band, Dorothy Ashby, and Tommy Guerrero, he crafts instrumentals that feel both timeless and cinematic.

"Snake Island was written as a soundtrack to a fictional film that disappeared from the world, one that most likely no one has ever seen," says Kantor. "It began as a tragic love story, imagined during my time on a remote island in the Cyclades. Every landscape felt like a scene waiting for music. Eventually, the story gave way to sound."

A respected tattoo artist and founder of the Love Light Studio, Kantor's musical path began after a chance encounter with Johnny Sharoni (Garden City Movement, A&R at Anova Records). During a tattoo session, Sharoni heard Kantor's demos and was immediately struck by their raw beauty.

Kantor now steps confidently into the next chapter of his creative journey. Snake Island is more than an album. It is a mythic, imagined soundtrack to a film that only exists in memory, rendered in tones that shimmer like heat on stone.

Among releases that lean on explanation, Travis Goes Deep operates on a sensory level. Its depth runs through tension, weight and inner inquiry.

Introspective and unconcerned with pleasing or trends — pure punk attitude.

Artwork by Sophus

‘Brand New Lover’ is the first single to have been released from Dead Or Alive’s 1986 CBS Records album, “Mad, Bad and Dangerous To Know”, which was also produced by the then globetrotting hit making production team, Stock Aitken Waterman.


This Limited Edition 6-Track 12” Light Blue colour vinyl single cut at 331/3 rpm, launches the parent album’s 40th anniversary celebrations.

Trick or Treat was composed like a game, made up of samples and personal musical stories, twisted in all directions, and spat out monstrously in the imaginary world of Halloween. A trip into a world where the familiar becomes strange.
Trick or Treat' is available in two versions, with two different covers.. A turquoise EP limited to 100 copies and a black EP limited to 400 copies.

For the orbit travelers comes the new instalment by the Spanish maestro Do or Die. This very well-known figure in the world of non standard audio frecuencies has crafted 4 trance infused weapons for different occasions and settings one might find themselves in. The appropriate clothing attire is needed for this space journey without any holes or tears in, so it can be assured no outside force will penetrate through. All four tracks has been crafted immaculately with the unified idea of orbit travel and translates this epic journey well. Ahead of the listener is an important trip from the moment needle will touch the grooves to the very last second of the title track located on the B side. It is a great honor to welcome this talented artist to the label family roster and marks a beginning of a beautiful story that will be told through the medium of music.

OR (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics. RIYL Floating Points,Leon Vynehall,The Field

Milan-based independent label WEorUS Records celebrates its 10th vinyl release with WU010, a four-track Various Artists EP bringing together four distinctive names from the international minimal and deep house underground.
Moving between deep, hypnotic house, micro-minimal grooves and darker after-hours territory, WU010 is a carefully curated selection built for the dancefloor, with each track offering its own take on rhythm, atmosphere and club functionality.
Chicago veteran DJ Jes opens the record with a deep, rolling groove driven by a solid bassline, hypnotic vocal cuts and enveloping synths.
Pressure Point delivers an atmospheric micro-minimal cut, combining crisp percussion, dreamy pads and subtle melodic elements into a versatile and uplifting club track.
Romanian producer Dragosh returns with a tight piece of micro-house, built around precise drum-machine programming, organic glitches and hypnotic delay work.
Renè Audiard closes the record on a darker note, combining deep sub-bass, sparse clicks and a stripped-back nocturnal groove designed for extended after-hours sessions.
WU010 marks a decade of vinyl releases for WEorUS — four artists, four distinct approaches, one focused journey through the deeper side of the underground.

For the first time in decades, The Clash’s iconic track ‘Should I Stay Or Should I Go’ will be released as a 7” single on colour vinyl. With brand new artwork and pressed on sunshine yellow vinyl, this striking product will also feature the full version of ‘Straight to Hell’ on the B-Side for the first time; a nod to the original 1982 7” release which featured an edit of this track. Coming out on June 12th

2026 Repress

When the TSA agent left a little note in Mike Huckaby's DJ case at the airport instructing him to protect the records that he dj's with, little did he know that Mike Huckaby would be compiling his first LP. A collection of previously released tracks that have been in demand ever since. All tracks are much louder now, and are remastered. This is also a collection of too many classics, produced by Mike Huckaby. Enjoy !

Available for the first time on any format, the soundtrack of Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen.
Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit.

Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste", descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own sombre tribute to the director.

Disgusted by the flood of crass sexploitation movies which filled the space opened up by his "Trilogy Of Life", Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. "The only true anarchy is power".

The LP / CD will be released on Friday 13th February 2026, exactly 249 years since the Marquis de Sade was arrested and imprisoned in the dungeon of the Vincennes fortress for charges of "debauchery and immoderate libertinage" that scandalised his contemporaries.